Roxbury Quotes

The living room is a monument to my impulsive spending habits. I've got more than two hundred DVDs, including cinematic greats such as Monkey Bone, Corkey Romano, and A Night at the Roxbury, leading me to believe not only do I have awful taste in films, but I also have a Chris Kattan fixation. What I don't have is $4000 earing intrest in a money market account.

I’d have to move out of Boston because I’d be too tempted to go to Richard’s or Roxbury. I’d have to retrain my brain to think bags were to hold sandwiches, spoons were to eat cereal, rigs were tractor-trailers, and John was just a guy’s name.

Laura never again came to the drugstore as long as I continued to work there. The next time I saw her, she was a wreck of a woman, notorious around black Roxbury, in and out of jail. She had finished high school, but by then she was already going the wrong way. Defying her grandmother, she had started going out late and drinking liquor. This led to dope, and that to selling herself to men. Learning to hate the men who bought her, she also became a Lesbian. One of the shames I have carried for years is that I blame myself for all of this. To have treated her as I did for a white woman made the blow doubly heavy. The only excuse I can offer is that like so many of my black brothers today, I was just deaf, dumb, and blind.

You hear it most when politicians who live in places like Hyannis Port and Beacon Hill and Wellesley make decisions that affect people who live in Dorchester and Roxbury and Jamaica Plain, and then step back and say there isn’t a war going on. There is a war going on. It’s happening in playgrounds, not health clubs. It’s fought on cement, not lawns. It’s fought with pipes and bottles, and lately, automatic weapons. And as long as it doesn’t push through the heavy oak doors where they fight with prep school educations and filibusters and two-martini lunches, it will never actually exist.

The culturally deprived children of Roxbury need education, not transportation.

No, you are not because I am going to,” Roxbury said darkly, probably still angry about those pesky rumors about his preferences. “How could you deny me that satisfaction?” she asked. “Very well, my dear wife, we shall seek and destroy the Man About Town together,” Roxbury agreed. “That’s the most romantic thing anyone has ever said to me,” Julianna said sweetly, and her husband grinned.

As the weekend goes on, more information about Marian Wallace emerges. She attended Harvard on scholarship. She was a Massachusetts State Champion swimmer, and an avid creative writer. She was from Roxbury. Her mother is dead—cancer when Marian was thirteen. The maternal grandmother died a year later of the same cause. Her father is a drug addict. She spent her high school years in and out of foster care. One of her foster mothers remembers young Marian always with her head in a book. No one knows who the father of her baby is. No one even remembers her having a boyfriend. She was put on academic leave from college because she failed all her classes the previous semester—the demands of motherhood and a rigorous academic schedule having become too much to bear. She was pretty and smart, which makes her death a tragedy. She was poor and black, which means people say they saw it coming.

seven of his works had been discovered in the attic of a Roxbury home belonging to the family of his former nurse. Despite her affection for nature, she had little interest in nature painting—she could never get past the freedoms that the artists took, the impossible juxtapositions, the imagined trees, the meadows of flowers that would never be found together. William Henry Teale, however, was something of a revelation—photographically precise and seemingly intent on recording exactly what he was seeing, rather than composing something pleasing to the eye. She could identify at least a dozen species in every work, down to his clubmosses, and his way of painting in the same spot across the years and seasons gave

Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance

Dennis Rome, “Stereotyping by the Media,” in C. R. Mann and M. Zatz, eds., Images of Color, Images of Crime (Los Angeles: Roxbury,

They then sent their agents to view the country, who returned with so advantageous a report, that the next year there was a great remove of good people thither: on this remove, they that went from Cambridge became a church upon a spot of ground now called Hartford; they that went from Dorchester, became a church at Windsor; they that went from Watertown, sat down at Wethersfield; and they that left Roxbury were inchurched higher up the river at Springfield, a place which was afterwards found within the line of the Massachuset-charter.

Mr. Pynchon was at the head of another company, who settled between Dorchester and Boston. Their town took the name of Roxbury. They had Mr. Eliot[33] for their minister.

The wife of one Onion of Roxbury died in great despair

Mr. Dudley, the deputy, was offended and persisted for some time in his first determination of residing at Newtown, but at length removed to Roxbury.

Mr. John Eliot of Roxbury, had begun to teach Christianity to some Indians about 1646, and Mr. Winslow, their agent in England, obtained a charter from the Parliament in 1649, to incorporate a society to promote that work; and Eliot learned the Indian language, and translated the Bible into it, which passed one edition in 1664, and another in 1684, with some other books. Mr. Daniel Gookin, a magistrate and a major-general in their government, was also his helper in the affair; and they had formed twelve praying societies among the Indians before this war,

When the road was first built, a store and school were put up where Beacon Street crossed Harvard Street, the road to Allston and Roxbury. The store (later the site of the S.S. Pierce store) was owned by a man named Coolidge, and the intersection became known as “Coolidge’s Corner.” It had the town pump and hay scales out front. It would become one of the most-traveled parts of Brookline.

They’d drive to just outside Roxbury and meet Burroughs at Woodchuck Lodge, the property he often wrote about in his books and magazine articles.

Southie High is just as big a mess as Roxbury High. Same exploding toilets, cracked heating pipes, water damage to the walls, mold, peeling paint, out-of-date textbooks with the pages falling out.

And who have we here?” Nick turned to Ellen and flashed her a charming smile. Val performed the introductions. “Ellen, may I make known to you Nick Haddonfield, the biggest scamp in the realm, and since his marriage, the happiest. Nick, Ellen Markham, Baroness Roxbury, my neighbor and friend.” “Baroness.” Nick executed a very proper bow but kissed Ellen’s hand—a shocking presumption—rather than merely bowing over it. “Ignore him,” Axel warned. “Any attempt to chide, flirt, or comment only encourages him, and this is after he has found a woman willing to marry him.” “And bear my children,” Nick added, eyes twinkling. Talk

So is this Val’s widow?” A jovial male voice sang out from the back of the box, and because she was watching her escort’s every move, Ellen saw Gayle Windham almost roll his eyes. “Percy!” A soft, female voice chided. “Really. Lady Roxbury is Valentine’s friend and was his neighbor in Oxfordshire. My lady, Esther, the Duchess of Moreland, pleased to make your acquaintance. I am Valentine’s mother, and this scandalous old reprobate is His Grace, Percival, the Duke of Moreland.” Ellen would have fallen on her backside had Westhaven not had her hand tucked firmly on his arm. She curtsied, murmuring something polite, her mind whirling at the august personages before her and the casual manner in which they’d introduced themselves. Maybe Val hadn’t known his parents were using their box tonight, she reasoned. This whole trip to Town had been so odd, with Westhaven explaining only that Val wanted her to attend the opening night of the symphony’s fall season. She’d been whisked to Town, spent the night in one of the most elegant townhouses she’d ever seen, presented with a peculiarly well-fitting bronze silk evening gown and all the trimmings, and now here she was. “They’re growin’ ’em almost as pretty as my duchess out in Oxfordshire, I see,” the duke said, beaming at Ellen. Did dukes beam? Something in the mischief of his smile tickled her memory. “You and Val have the same smile,” she informed the duke. “And Your Grace”—she turned to the duchess, a stately, slender lady whose hair was antique gold—“Val has your eyes.” The duchess leaned close to whisper, “But I think Valentine has your heart, hmm?” She straightened and took her husband’s arm. “Shall we be seated, Percy? One doesn’t want to disappoint the crowds.

Ladies and gentlemen.” His voice carried straight into the darkest corners of the hall and straight into Ellen’s heart. “There is a slight misprint on tonight’s program. We offer for our finale tonight my own debut effort, which is listed on the program as Little Summer Symphony. It should read, Little Weldon Summer Symphony, and the dedication was left out, as well, so I offer it to you now. “Ellen, I know you are with me tonight, seated with my parents and our friends, though I cannot see you. I can feel you, though, here.” He tapped the tip of the baton over his heart. “I can always feel you there, and hope I always will. Like its creator, this work is not perfect, but it is full of joy, gratitude, and love, because of you. Ladies and gentlemen, I dedicate this work to the woman who showed me what it means to be loved and love in return: Ellen, Baroness Roxbury, whom I hope soon to convince to be my lady wife. These modest tunes and all I have of value, Ellen, are dedicated to you.” He turned in the ensuing beats of silence, raised his baton, and let the music begin. Ellen was in tears before the first movement concluded. The piece began modestly, like an old-fashioned sonata di chiesa, the long slow introduction standing alone as its own movement. Two flutes began it, playing about each other like two butterflies on a sunbeam, but then broadening, the melody shifting from sweet to tender to sorrowful. She heard in it grief and such unbearable, unresolved longing, she wanted to grab Val’s arm to make the notes stop bombarding her aching heart. But the second movement marched up right behind that opening, full of lovely, laughing melodies, like flowers bobbing in a summer breeze. This movement was full of song and sunshine; it got the toes tapping and left all manner of pretty themes humming around in the memory. My gardens, Ellen thought. My beautiful sunny gardens, and Marmalade and birds singing and the Belmont brothers laughing and racing around. The third movement was tranquil, like the sunshine on the still surface of the pond, like the peace after lovemaking. The third movement was napping entwined in the hammock, and strolling home hand in hand in the moonlight. She loved the third movement the best so far, until it romped into a little drinking song, that soon got away from itself and became a fourth movement full of the ebullient joy of creation at its most abundant and beautiful. The joy of falling in love, Ellen thought, clutching her handkerchief hard. The joy of being in love and being loved the way you need to be. Ah, it was too much, and it was just perfect as the music came to a stunning, joyous conclusion.

When I started doing community organizing in Boston's neighborhoods, working on all the issues that had affected my family - violence, poverty, guns - I realized that the sooner the Irish of Southie came to better understand their history as an "inferior race" by English standards and learned what it meant to be Irish beyond the happy-go-lucky tunes and bloody fistfights of Saint Patrick's Day, the sooner they would acknowledge Southie's poverty and its manipulation by gangsters and politicians. And maybe even work with black people in neighboring Roxbury on common issues, like the fact that both neighborhoods had been declared "death zones" by sociologists. I also became obsessed with the connection between the work I was doing and personal recovery from trauma, as I got close to a number of mothers whose kids had been murdered in the city.

December 6.] The governor and most of the assistants, and others, met at Roxbury, and there agreed to build a town fortified upon the neck between that and Boston, and a committee was appointed to consider of all things requisite, etc.

14.] We began a court of guard upon the neck between Roxbury and Boston, whereupon should be always resident an officer and six men. An order was made last court, that no man should discharge a piece after sunset, except by occasion of alarm.

When he’d represented Roxbury’s Ward 14 in the statehouse, John Collins had felt powerless to compete with suburban legislators and lobbyists. Boston’s elected officials could not raise taxes or even appoint a new police commissioner without the approval of legislators from neighboring cities and towns, and Boston’s legislators rarely got the better of their suburban counterparts. Boston’s Finance Commission — to take only one example — was funded through city taxes but the governor appointed all of its members.

The quiet ambience of block meetings in Roxbury were a far cry from those in Irish Charlestown, where BRA planners were met with catcalls and even flying objects.

If no members remain in Roxbury,” he told them, “Newton temple takes all. If Roxbury organizes as a new congregation, Newton temple still takes all.”[50] The temple chairman’s pronouncement had a familiar ring to congregants with roots in Eastern Europe. Back in Russia, the saying went as follows: “You give me all your wood in exchange for which I’ll take all your fish.

As far as I know, John Chapman never set foot in Geneva, New York, but there is an orchard there where I caught my last and in some ways most vivid glimpse of him. Here on the banks of Lake Geneva, in excellent apple-growing country, a government outfit called the Plant Genetic Resources Unit maintains the world’s largest collection of apple trees. Some 2,500 different varieties have been gathered from all over the world and set out here in pairs, as if on a beached botanical ark. The card catalog of this fifty-acre tree archive runs the pomological gamut from Adam’s Pearmain, an antique English apple, to the German Zucalmagio. In between a browser will find almost every variety discovered in America since the Roxbury Russet distinguished itself in a cider orchard outside Boston in 1645