“
The only cure to all this madness; is too dream, far and wide, if possibility doesn't knock, create a damn door. If the shoe doesn't fit, don't make it. If the journey your travelling seems to far fetched and wild beyond your imagination; continue on it, great things come to the risk takers. And last but not least, live today; here, right now, you'll thank your future self for it later.
”
”
Nikki Rowe
“
I think it's important as a women to know who you are and what you deserve. We, ourselves set the boundaries of what we choose to accept.
Instead of complaining about the men who's actions don't fit your own & move on and find one that does.
”
”
Nikki Rowe
“
How do you know when you're There, I had once wondered. Maybe you're lucky enough to notice the moment it's happening to you. Maybe you're able to block out all the other stuff that is, in the end, just background noise. But, most often, you don't know that you were There until you lose it, or until it gets taken away from you. When you look back, you clearly see that time, that place, when all the pieces of you had finally fit together to make you blissfully happy, make you your whole self. Like one of those jumbo puzzles that take up your entire kitchen table for weeks, the tiny pieces are just cardboard shapes with colors splashed on them, and they don't make any sense until you find their rightful place among the other pieces. When you put the last piece into place and the pieces now form a complete picture, that's when you're There. But while you were busy thinking about gluing the puzzle together, so that the pieces would never be apart again, someone comes from behind you, destroys the last piece and throws the rest of the pieces away. Even if you could muster up enough courage to put the pieces back together, the picture would never be complete again, because of the last missing piece...which, as it turned out, was smack in the middle, or in the heart, of the picture.
”
”
Julie Hockley (Crow's Row (Crow's Row, #1))
“
I've never been a woman who will settle to fit in, i'd always have rathered find a little world all on my own. If people come they come and if they go they go, but for me staying authentic to my souls purpose is all i'll ever know.
”
”
Nikki Rowe
“
They will want you seated, conformed and quiet but don't you dare fit in. Scream the house down if it's what it will take to make your noise heard. The divine feminine has been shamed and shunned for self expression for far too long, we aren't here to silence ourselves anymore.
”
”
Nikki Rowe
“
The world is a strange place for humans like me, we don't really belong anywhere but we fit everywhere. We carry a depth, thay most get high to reach - we're busy creating magic whilst half the world is building wars.
”
”
Nikki Rowe
“
i think through it all, the hardest part was un-attaching myself to the ones I thought would stay around forever. People change and life changes with it, you've got to fight like mad for everything you love and let go with ease for everything that isn't fitting for you anymore. It is apart of maturing your soul, you attract what you need for that stage of your life, and you grow, as people change and so does life.
”
”
Nikki Rowe
“
So where do you go? Back to the bottle And back to a tiny room somewhere. And wait. And wait, and wait. That's all.
”
”
Charles Bukowski
“
Back at the compound, they had dug in a systematic order, row upon row, allowing space for the water truck. But out here there was no system. It was as if every once in a while, in a fit of frustration, the Warden would just pick a spot at random, and say, “What the hell, dig here.” It was like trying to guess the winning numbers in a lottery.
”
”
Louis Sachar (Holes)
“
There is in nature a parallel unity which corresponds to the unity in the mind and makes it available. This methodizing mind meets no resistance in its attempts. The scattered blocks, with which it strives to form a symmetrical structure, fit. This design following after finds with joy that like design went before. Not only man puts things in a row, but things belong in a row.
”
”
Ralph Waldo Emerson
“
He walked among the bookstore shelves, hearing Muzak in the air. There were rows of handsome covers, prosperous and assured. He felt a fine excitement, hefting a new book, fitting hand over sleek spine, seeing lines of type jitter past his thumb as he let the pages fall. He was a young man, shrewd in his fervors, who knew there were books he wanted to read and others he absolutely had to own, the ones that gesture in special ways, that have a rareness or daring, a charge of heat that stains the air around them.
”
”
Don DeLillo (Mao II)
“
His lips are familiar. I know the shape of them, know how to make mine fit against them. His taste is familiar too. For all the illusions and colors and sweet smells... he has always tasted like skin. His breaths are shallow. I'm holding his life against my tongue, between my rows of teeth. He's offering it up.
”
”
Lauren DeStefano (Sever (The Chemical Garden, #3))
“
People want so desperately to fit in that they forget what makes them stand out. Be loud. Take up space. Our differences are our strengths.
”
”
Mickey Rowe (Fearlessly Different: An Autistic Actor's Journey to Broadway's Biggest Stage)
“
Big spirits don't fit in small spaces.
Our energy is built for open fields and wide places, room to breathe - room to grow.
Room to live authentically and room to roam.
”
”
Nikki Rowe
“
We lower our worth by cropping pieces just to fit a puzzle.
”
”
Nikki Rowe
“
Its not that i don't fit in, i once conformed to learn it wasn't for me. I guess, its that, i don't want to.
We as a human race - are vastly growing toward the things that don't matter and the magic is slowly fading.
But somewhere amongst the masses, it'll be alive - you can thank the artists, poets, musicians, misfit and renegades for that.
The one wild spirit dancing in between the mess,
Of past and present and all that has become seemingly depressed.
”
”
Nikki Rowe
“
She knew it was time,
What for was the mystery
but focused; she remained.
She turned her back on anything
that no longer served her strengths
nor taught her vital lessons with her weaknesses.
She said no without explanation
& assigned validation back just to parking spots.
She was fierce but gentle
and authentic in her approach to live even if it meant standing alone.
She knew the hard days weren't over but stood proud that she had already survived some of the worst.
She laughed in the midst of a mindfuck & gathered her worth with all the pieces of herself that have held her together throughout the years.
She knew it was time
What for was the mystery,
but focused; she remained.
She learnt that motherhood provided unconditional love doesn't have boundaries, it's pure in all its forms.
Family are rare connections.
Friendships are like shoes, not all will fit but when some do it's like you have won the lotto.
She learnt that every love was different and how important it was to keep her heart open for the possibility of being able to experience it just one more time.
”
”
Nikki Rowe
“
Grave
What do you think of my new glasses
I asked as I stood under a shade tree
before the joined grave of my parents,
and what followed was a long silence
that descended on the rows of the dead
and on the fields and the woods beyond,
one of the one hundred kinds of silence
according to the Chinese belief,
each one distinct from the others,
but the differences being so faint
that only a few special monks
were able to tell them apart.
They make you look very scholarly,
I heard my mother say
once I lay down on the ground
and pressed an ear into the soft grass.
Then I rolled over and pressed
my other ear to the ground,
the ear my father likes to speak into,
but he would say nothing,
and I could not find a silence
among the 100 Chinese silences
that would fit the one that he created
even though I was the one
who had just made up the business
of the 100 Chinese silences -
the Silence of the Night Boat
and the Silence of the Lotus,
cousin to the Silence of the Temple Bell
only deeper and softer, like petals, at its farthest edges.
”
”
Billy Collins (Horoscopes for the Dead)
“
I've questioned this goddamn place since i could talk, some of us have depth we can't quite understand until we are much older. We rally across the world in seek of silencing this unbearable urge to speak a different tune and vibe a different energy, to fit in to a world unlike this. The isolation felt amongst thousands who don't really know you will one day have you gravitating towards a place where you can learn about yourself. Don't fight it, change with the seasons and give your life a reason. Solitude is so inviting you'll wonder why it took you this long to open its door.
”
”
Nikki Rowe
“
I enjoy a torture session on the rowing machine and I also enjoy my mom’s homemade peach cobbler. I enjoy flopping like that dead fish with hips that can’t lie in dance class, and I also enjoy ordering pizza with my kid, renting a movie, and downing popcorn while we share some special time together. I enjoy seeing how much I can lift at the gym and I also enjoy stuffing a fresh chewy chocolate chip cookie into my face when I’m having a hard day.
”
”
Dan Pearce (Single Dad Laughing: The Best of Year One)
“
Us nomads, wild spirits and rare souls aren't supposed to fit in. We come from other worlds, this earth experience is to assist the elevation of your frequency to allow you to go back home.
”
”
Nikki Rowe
“
It’s weird being alone in the museum. It’s dark and eerily quiet: Only the after-hours lights are on—just enough to illuminate the hallways and stop you from tripping over your own feet—and the background music that normally plays all the time is shut off.
I quickly organize the flashlights and check their batteries, and when I don’t hear Porter walking around, I stare at the phone sitting at the information desk. How many chances come along like this? I pick up the receiver, press the little red button next to the word ALL, and speak into the phone in a low voice. “Paging Porter Roth to the information desk,” I say formally, my voice crackling through the entire lobby and echoing down the corridors. Then I press the button again and add, “While you’re at it, check your shoes to make sure they’re a match, you bastard. By the way, I still haven’t quite forgiven you for humiliating me. It’s going to take a lot more than a kiss and a cookie to make me forget both that and the time you provoked me in the Hotbox.”
I’m only teasing, which I hope he knows. I feel a little drunk on all my megaphone power, so I page one more thing:
“PS—You look totally hot in those tight-fitting security guard pants tonight, and I plan to get very handsy with you at the movies, so we better sit in the back row.”
I hang up the phone and cover my mouth, silently laughing at myself. Two seconds later, Porter’s footfalls pound down Jay’s corridor—Boom! Boom! Boom! Boom! He sounds like a T. rex running from Godzilla. He races into the lobby and slides in front of the information desk, grabbing onto the edge to stop himself, wild curls flying everywhere. His grin is enormous.
“Whadidya say ’bout where you want to be puttin’ your hands on me?” he asks breathlessly.
“I think you have me confused with someone else,” I tease.
His head sags against the desk. I push his hair away from one of his eyes. He looks up at me and asks, “You really still haven’t forgiven me?”
“Maybe if you put your hands onme, I might.”
“Don’t go getting my hopes up like that.”
“Oh, your hopes should be up. Way up.”
“Dear God, woman,” he murmurs. “And here I was, thinking you were a classy dame.”
“Pfft. You don’t know me at all.”
“I aim to find out. What are we still doing here? Let’s blow this place and get to the theater, fast.
”
”
Jenn Bennett (Alex, Approximately)
“
Singing is of course a form of aggression. The wet open mouths and glistening teeth of the singers are ardent to devour the victim-hearer. Singers crave hearers as animals crave their prey. Intoxicated by their own voices they now roared it out, round and round, Gilbert's fruity baritone, Titus's pseudo-Neapolitan tenor and Rosina's strong rather harsh contralto. I shouted, 'Stop! Stop that bloody row!' But they went on singing at me, their bright eyes, moist with laughter, fixed upon me, waving their arms in time to the tune; until at last they wearied, stopped, and went off into another crazy laughing fit.
”
”
Iris Murdoch (The Sea, the Sea)
“
Funnel
The family story tells, and it was told true,
of my great-grandfather who begat eight
genius children and bought twelve almost-new
grand pianos. He left a considerable estate
when he died. The children honored their
separate arts; two became moderately famous,
three married and fattened their delicate share
of wealth and brilliance. The sixth one was
a concert pianist. She had a notable career
and wore cropped hair and walked like a man,
or so I heard when prying a childhood car
into the hushed talk of the straight Maine clan.
One died a pinafore child, she stays her five
years forever. And here is one that wrote-
I sort his odd books and wonder his once alive
words and scratch out my short marginal notes
and finger my accounts.
back from that great-grandfather I have come
to tidy a country graveyard for his sake,
to chat with the custodian under a yearly sun
and touch a ghost sound where it lies awake.
I like best to think of that Bunyan man
slapping his thighs and trading the yankee sale
for one dozen grand pianos. it fit his plan
of culture to do it big. On this same scale
he built seven arking houses and they still stand.
One, five stories up, straight up like a square
box, still dominates its coastal edge of land.
It is rented cheap in the summer musted air
to sneaker-footed families who pad through
its rooms and sometimes finger the yellow keys
of an old piano that wheezes bells of mildew.
Like a shoe factory amid the spruce trees
it squats; flat roof and rows of windows spying
through the mist. Where those eight children danced
their starfished summers, the thirty-six pines sighing,
that bearded man walked giant steps and chanced
his gifts in numbers.
Back from that great-grandfather I have come
to puzzle a bending gravestone for his sake,
to question this diminishing and feed a minimum
of children their careful slice of suburban cake.
”
”
Anne Sexton
“
Poor fellow, he needed handmade shoes because of his ‘awkward feet’ and Savile Row suits because he wasn’t lucky enough to have the figure for ready-made ones. Cheap wine played havoc with his stomach so he drank expensive ones, and because he couldn’t fit into economy-size airline seats he was forced to go everywhere first class.
”
”
Len Deighton (Mexico Set)
“
Where I lived at Pencey, I lived in the Ossenburger Memorial Wing of the new dorms. It was only for juniors and seniors. I was a junior. My roommate was a senior. It was named after this guy Ossenburger that went to Pencey. He made a pot of dough in the undertaking business after he got out of Pencey. What he did, he started these undertaking parlors all over the country that you could get members of your family buried for about five bucks apiece. You should see old Ossenburger. He probably just shoves them in a sack and dumps them in the river. Anyway, he gave Pencey a pile of dough, and they named our wing alter him. The first football game of the year, he came up to school in this big goddam Cadillac, and we all had to stand up in the grandstand and give him a locomotive—that's a cheer. Then, the next morning, in chapel, he made a speech that lasted about ten hours. He started off with about fifty corny jokes, just to show us what a regular guy he was. Very big deal. Then he started telling us how he was never ashamed, when he was in some kind of trouble or something, to get right down his knees and pray to God. He told us we should always pray to God—talk to Him and all—wherever we were. He told us we ought to think of Jesus as our buddy and all. He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I can just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs. The only good part of his speech was right in the middle of it. He was telling us all about what a swell guy he was, what a hotshot and all, then all of a sudden this guy sitting in the row in front of me, Edgar Marsalla, laid this terrific fart. It was a very crude thing to do, in chapel and all, but it was also quite amusing. Old Marsalla. He damn near blew the roof off. Hardly anybody laughed out loud, and old Ossenburger made out like he didn't even hear it, but old Thurmer, the headmaster, was sitting right next to him on the rostrum and all, and you could tell he heard it. Boy, was he sore. He didn't say anything then, but the next night he made us have compulsory study hall in the academic building and he came up and made a speech. He said that the boy that had created the disturbance in chapel wasn't fit to go to Pencey. We tried to get old Marsalla to rip off another one, right while old Thurmer was making his speech, but be wasn't in the right mood.
”
”
J.D. Salinger (The Catcher in the Rye)
“
Tell me, McFadden, what do you think of our beloved Mr. Chamberlain?” Mac didn't care for such direct questions. All his adult life had been spent in the mentality of the gulag, never openly complaining, always seeming to conform, never risking a row. Perhaps that's why he had agreed to marry, not so much to avoid disappointing the lady but more because it was the simplest way to fit into the flow of things.
”
”
Michael Dobbs (Winston's War)
“
Dear Lisel, Longshot was so good. I've been three times and plan to go back again. Your gown is so lovely in the second act. Do you think it would fit me? You're soooooooooo much prettier, but still, I'd like to try it on. Lovingly, Julia Madison Dear Lisel, That man heckling you in the third row should be shot. Pow!!!!!!!!!! Love, Julia Dear Lisel, I love you. You are so wonderful. I wish I could be you. Jules
”
”
Kathryn Shay (Nothing More to Lose (The Firefighter Trilogy #3))
“
Sukey's approving glance swept over Amanda's black evening dress, made of shimmering crinkled silk that had been cut very low across the bosom and fitted tightly to her voluptuous shape. Rows of glittering jet beads adorned the bodice and long sleeves, while her gloves and shoes were of soft chamois leather. It was a sophisticated ensemble, one that made the most of Amanda's looks and generously displayed her bosom.
”
”
Lisa Kleypas (Suddenly You)
“
How are things going with your brothers?”
“The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.”
“That is awesome!”
“Yeah.”
“What’s wrong?”
“Carrie and Joe hired a lawyer and I lost visitation.”
Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry."
I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law."
"Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls."
I lowered my voice. "Not that it matters. I only care what one girl thinks about me."
She relaxed her fingers into mine and stroked her thumb over my skin.
Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?”
“No.”
If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.”
Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.”
“Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better.
I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.”
“I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.”
“That’s awesome, Echo. Sounds like you’re fitting into your future perfectly.
Where did you decide to go to school?”
“I don’t know if I’m going to school.”
Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know?
You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?”
My damned little siren laughed at me. “I see your language has improved.”
Poof—like magic, the anger disappeared.
“If you’re not going to school, then what are your plans?”
"I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.”
“I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?”
Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.”
"I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Lester, I’ve won Wimbledon five times. I’ve played third base for the Yankees and led the league in home runs for ten straight years. I’ve traveled the world. I’ve married the most beautiful women. I’ve loved and I’ve laughed and I’ve lost God and found God again and wondered for too many hours what the purpose is for me going to death row for something I didn’t do. And sometimes I think there is no purpose—that this is just the life I was meant to live. I’ve made a home here and a family out of some of the most terrifying men you’d ever meet. And you know what I’ve learned? We’re all the same. We’re all guilty of something, and we’re all innocent at the same time. And I’m sorry, but a man can go crazy trying to make it all fit into some plan. Maybe this is the plan. Maybe I was born to live most of my life in a five-by-seven so I could travel the world. I would have never won Wimbledon if I hadn’t gone to death row. Do you see what I’m saying, Lester? Do you understand what I’m saying?
”
”
Anthony Ray Hinton (The Sun Does Shine: How I Found Life and Freedom on Death Row)
“
I passed him the GameBoy. "Finish this game for me," I said, taking the paper from him.
Father Dominic looked down at the GameBoy in dismay. "Oh, my," he said. "I'm afraid I don't -"
"Just rotate the shapes to make them fit in the spaces at the bottom. The more rows you complete, the better."
"Oh," Father Dominic said. The GameBoy binged and bonged as he frantically pushed buttons. "Oh, dear. Anything more complicated than computer solitaire, and I'm afraid -"
His voice trailed off as he became absorbed in the game.
”
”
Meg Cabot (Reunion (The Mediator, #3))
“
The device had a segmented central spine that appeared to stretch from a wearer’s forehead to the nape of their neck, with a row of ten C-shaped metal bands attached to it. Each band was comprised of jointed, retractable segments, and each segment had a row of circular sensor pads on its underside. This made the whole sensor array adjustable, so that it could fit around heads of all shapes and sizes. A long fiber-optic cable stretched from the base of the headset, with a standard OASIS console plug at the end of it.
”
”
Ernest Cline (Ready Player Two (Ready Player One #2))
“
To realize we love another to get love because we do not love our own self is one of our core human wounds. For each of the two parts of this prayer meditation, express out loud or silently these sentences. Let the feelings and memories come. Express the feelings intuitively, changing and adding to the sentences if it helps. You can repeat one sentence several times in a row until you feel it, or go straight into the next one. You can improvise sentences that may better fit your feelings. One may also experience spirit interference in this prayer meditation. This can manifest as voices and feelings disagreeing with it. Unless you are living as unconditional love, you can be sure these are negative spirits trying to dissuade you from traveling deeper into your own wounds to release them, thereby banishing these spirit influences forever. Do each part for one hour. This meditation prayer can be about two hours long. Center yourself and drop into a prayerful, silent heartful space. Ask to become vulnerable and open your heart. Part One: I am not loved I am not loved I am not loved I have never been loved My parents did not love me I need love I need love I need love Please love me My quest for love has never worked My quest for love will never work Nobody really loves me Nobody really loved me How do you feel? Part Two: I am love I am love I am love God loves me God loves me God loves me God desires me God desires me God desires me I am love I am love I am love (from your heart) I am not loved I have never been loved I am not loved I am not LOVED I am just not loved No one has ever loved me No one loves me I am not loved I am not loved I do not love myself I do not love myself I do not love myself I am loved I am loved I am loved I am LOVED God is not here for me God has never been here for me God is not here for me God has left me I am not loved I have never been loved No one loves me God loves me God LOVES me God wants me God wants me God LOVES me God WANTS me God desires me I don’t want God I don’t want God I don’t want God I want fear I want fear I want fear I AM LOVED I AM LOVED I AM LOVED God wants me God desires me God loves me What does this make you feel? The experience of love and need in co-dependent relationships In such a relationship, one or both partners cover each others emotions by giving false comfort, false ‘love’ and other placating behaviors that prevent the other in deeply feeling and owning their own emotions. When you want to get out of this pattern, this prayer meditation will help. It will let both partners feel the truth of the unspoken demand of love and how they respond to it. Simply sit in front of your partner and express out loud these sentences as a way to reveal the unconscious behavior that is being played out between you both.
”
”
Padma Aon Prakasha (Dimensions of Love: 7 Steps to God)
“
I was sitting, writing at my text-book; but the work did not progress; my thoughts were elsewhere. I turned my chair to the fire and dozed.
Again the atoms were gamboling before my eyes. This time the smaller groups kept modestly in the background. My mental eye, rendered more acute by the repeated visions of the kind, could now distinguish larger structures of manifold conformation: long rows, sometimes more closely fitted together; all twining and twisting in snake-like motion. But look! What was that? One of the snakes had seized hold of its own tail, and the form whirled mockingly before my eyes.
As if by a flash of lightning I awoke; and this time also I spent the rest of the night in working out the consequences of the hypothesis.
”
”
August Kekulé
“
The Brinkmans take to reading, when they're alone together. And, together, they're alone most of the time. ... In place of children, then, books...Ray's shelves are organized by topic; Dorothy's, alphabetical by author. He prefers state-of-the-art books with fresh copyrights. She needs to communicate with the distant dead, alien souls as different from her as possible...
Once any given volume enters the house, it can never leave. For Ray, the goal is readiness: a book for every unforeseeable need. Dorothy strives to keep loyal independent booksellers afloat and save neglected gems from the cutout bin. Ray thinks: You never know when you might finally get around to reading that tome you picked up five years ago. And Dorothy: Someday you'll need to take down a worn-out volume and flip to that passage on the lower right-hand face, ten pages from the end, that fills you with such sweet and vicious pain.
The conversion of their house into a library happens too slowly to see. The books that won't fit she lays on their sides, on top of the existing rows. This warps the covers and makes him crazy. For a while they solve the problem with more furniture. A pair of cherry cases to set between the windows in his downstairs office. A large walnut unit in the front room, in the space traditionally reserved for the television altar. Maple in the guest room. He says, "That should hold us for a while." She laughs, knowing from every novel she has ever read, how brief a while a while can be.
”
”
Richard Powers (The Overstory)
“
Onset"
Watching that frenzy of insects above the bush of white flowers,
bush I see everywhere on hill after hill, all I can think of
is how terrifying spring is, in its tireless, mindless replications.
Everywhere emergence: seed case, chrysalis, uterus, endless manufacturing.
And the wrapped stacks of Styrofoam cups in the grocery, lately
I can’t stand them, the shelves of canned beans and soups, freezers
of identical dinners; then the snowflake-diamond-snowflake of the rug
beneath my chair, rows of books turning their backs,
even my two feet, how they mirror each other oppresses me,
the way they fit so perfectly together, how I can nestle one big toe into the other
like little continents that have drifted; my God the unity of everything,
my hands and eyes, yours; doesn’t that frighten you sometimes, remembering
the pleasure of nakedness in fresh sheets, all the lovers there before you,
beside you, crowding you out? And the scouring griefs,
don’t look at them all or they’ll kill you, you can barely encompass your own;
I’m saying I know all about you, whoever you are, it’s spring
and it’s starting again, the longing that begins, and begins, and begins.
”
”
Kim Addonizio (Tell Me)
“
I want you to want something for once. Something that nobody told you to want.
I want. I do. Want things.
Like what princess?
I want something that will make this all worth it; I want the good stuff. I’m ready for the goddamn silver lining. I want to have sisters who live down the street, I want a family; I want a mother to call when I need to know the right temperature to cook a goddamn chicken. I want Sunday suppers and summer barbecues at lake houses. I want to stop second-guessing every tiny detail of every single day, every word that comes out of my mouth. I want to be brave. I want to jump without looking down all the time. I want to be able to watch a TV show without seeing things that remind me about my sisters, about the could-have-been family. I want us to push tables together in restaurants so we all fit, I want to fill benches and rows of bleachers with us, I want the world to make room. I want to laugh too loud and make people wish they were us. I want them to feel it. Those perfect families, those perfect packages, those smug titles for everyone- mother father sister brother, step-this and half-that. They all have words for what they are. And we don’t. I want that.
”
”
Mary Anna King (Bastards: A Memoir)
“
His months of teaching experience were now a lost age of youth and innocence. He could no longer sit in his office at Fort McNair, look out over the elm trees and the golf course, and encompass the world within "neat, geometric patterns" that fit within equally precise lectures. Policy planning was a very different responsibility, but explaining just how was "like trying to describe the mysteries of love to a person who has never experienced it."
There was, however, an analogy that might help. "I have a largish farm in Pennsylvania."...it had 235 acres, on each of which things were happening. Weekends, in theory, were days of rest. But farms defied theory:
Here a bridge is collapsing. No sooner do you start to repair it than a neighbor comes to complain about a hedge row which you haven't kept up half a mile away on the other side of the farm. At that very moment your daughter arrives to tell you that someone left the gate to the hog pasture open and the hogs are out. On the way to the hog pasture, you discover that the beagle hound is happily liquidating one of the children's pet kittens. In burying the kitten you look up and notice a whole section of the barn roof has been blown off and needs instant repair. Somebody shouts from the bathroom window that the pump has stopped working, and there's no water in the house. At that moment, a truck arrives with five tons of stone for the lane. And as you stand there hopelessly, wondering which of these crises to attend to first, you notice the farmer's little boy standing silently before you with that maddening smile, which is halfway a leer, on his face, and when you ask him what's up, he says triumphantly 'The bull's busted out and he's eating the strawberry bed'.
Policy planning was like that. You might anticipate a problem three or four months into the future, but by the time you'd got your ideas down on paper, the months had shrunk to three to four weeks. Getting the paper approved took still more time, which left perhaps three or four days. And by the time others had translated those ideas into action, "the thing you were planning for took place the day before yesterday, and everyone wants to know why in the hell you didn't foresee it a long time ago." Meanwhile, 234 other problems were following similar trajectories, causing throngs of people to stand around trying to get your attention: "Say, do you know that the bull is out there in the strawberry patch again?
”
”
John Lewis Gaddis (George F. Kennan: An American Life)
“
It got to the point where he didn’t even look up at the sky any more as he blundered back and forth. The human mind had evolved for just one universe, he thought. How much of this crap was he supposed to take? He felt exhausted, resentful, bewildered. “Wait.” He paused. He had loped out of the portal onto another stretch of scuffed, anonymous regolith. She was lying in his arms, her weight barely registering. He looked down into her face, and pushed up her gold sun visor. “Emma?” She licked her lips. “Look. Up there.” No Galaxy visible, but a starry sky. The stars looked, well, normal. But he’d learned that meant little. “So what?” Emma was lifting her arm, pointing. He saw three stars, dull white points, in a row. And there was a rough rectangle of stars around them—one of them a distinctive red—and what looked like a Galaxy disc, or maybe just a nebula, beneath … “Holy shit,” he said. She whispered, “There must be lots of universes like ours. But, surely to God, there is only one Orion.” And then light, dazzling, unbearably brilliant, came stabbing over the close horizon. It was a sunrise. He could actually feel its heat through the layers of his suit.
He looked down at the ground at his feet. The rising light cast strong shadows, sharply illuminating the miniature crevices and craters there. And here was a “crater” that was elongated, and neatly ribbed. It was a footprint. He stepped forward, lifted his foot, and set it down in the print. It fit neatly. When he lifted his foot away the cleats of his boot hadn’t so much as disturbed a regolith grain. It was his own footprint. Good grief. After hundreds of universes of silence and remoteness and darkness, universes of dim light and shadows, he was right back where he started.
”
”
Stephen Baxter (Time (Manifold #1))
“
We pulled into town in the early evening, the sun dipping into the Tehachapi Mountains a dozen miles behind us to the west. Mountains I’d be hiking the next day. The town of Mojave is at an altitude of nearly 2,800 feet, though it felt to me as if I were at the bottom of something instead, the signs for gas stations, restaurants, and motels rising higher than the highest tree. “You can stop here,” I said to the man who’d driven me from LA, gesturing to an old-style neon sign that said WHITE’S MOTEL with the word TELEVISION blazing yellow above it and VACANCY in pink beneath. By the worn look of the building, I guessed it was the cheapest place in town. Perfect for me. “Thanks for the ride,” I said once we’d pulled into the lot. “You’re welcome,” he said, and looked at me. “You sure you’re okay?” “Yes,” I replied with false confidence. “I’ve traveled alone a lot.” I got out with my backpack and two oversized plastic department store bags full of things. I’d meant to take everything from the bags and fit it into my backpack before leaving Portland, but I hadn’t had the time. I’d brought the bags here instead. I’d get everything together in my room. “Good luck,” said the man. I watched him drive away. The hot air tasted like dust, the dry wind whipping my hair into my eyes. The parking lot was a field of tiny white pebbles cemented into place; the motel, a long row of doors and windows shuttered by shabby curtains. I slung my backpack over my shoulders and gathered the bags. It seemed strange to have only these things. I felt suddenly exposed, less exuberant than I had thought I would. I’d spent the past six months imagining this moment, but now that it was here—now that I was only a dozen miles from the PCT itself—it seemed less vivid than it had in my imaginings, as if I were in a dream, my every thought liquid slow, propelled by will rather than instinct.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
Cara sits behind me, and Peter and Caleb move toward the back of the plane and sit near each other, next to the window. I didn’t know they were friends. It seems fitting, given how despicable they both are.
“How old is this thing?” I ask Zoe, who stands near the front.
“Pretty old,” she says. “But we’ve completely redone the important stuff. It’s a nice size for what we need.”
“What do you use it for?”
“Surveillance missions, mostly. We like to keep an eye on what’s happening in the fringe, in case it threatens what’s happening in here.” Zoe pauses. “The fringe is a large, sort of chaotic place between Chicago and the nearest government-regulated metropolitan area, Milwaukee, which is about a three-hour drive from here.”
I would like to ask what exactly is happening in the fringe, but Uriah and Christina sit in the seats next to me, and the moment is lost. Uriah puts an armrest down between us and leans over me to look out the window.
“If the Dauntless knew about this, everyone would be getting in line to learn how to drive it,” he says. “Including me.”
“No, they would be strapping themselves to the wings.” Christina pokes his arm. “Don’t you know your own faction?”
Uriah pokes her cheek in response, then turns back to the window again.
“Have either of you seen Tobias lately?” I say.
“No, haven’t seen him,” Christina says. “Everything okay?”
Before I can answer, an older woman with lines around her mouth stands in the aisle between the rows of seats and claps her hands.
“My name is Karen, and I’ll be flying this plane today!” she announces. “It may seem frightening, but remember: The odds of us crashing are actually much lower than the odds of a car crash.”
“So are the odds of survival if we do crash,” Uriah mutters, but he’s grinning. His dark eyes are alert, and he looks giddy, like a child. I haven’t seen him this way since Marlene died. He’s handsome again.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows.
Lily shook her head thoughtfully. "Charming, but too innocent."
Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie."
Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her.
Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît."
Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
In chem, Peter sits a row in front of me.
I write him a note. Why would you tell Josh that we’re-- I hesitate and then finish with a thing?
I kick the back of his chair, and he turns around and I hand him the note. He slouches in his seat to read it; then I watch as he scribbles something. He tips back in his chair and drops the note on my desk without looking at me.
A thing? Haha.
I press down so hard my pencil tip chips off. Please answer the question.
We’ll talk later.
I let out a frustrated sigh and Matt, my lab partner, gives me a funny look.
After class Peter is swept away with all his friends; they leave in a big group. I’m packing up my backpack when he returns, alone. He hops up on the table. “So let’s talk,” he says, super casual.
I clear my throat and try to gather my bearings. “Why did you tell Josh we were--” I almost say “a thing” again, but then change it to “together?”
“I don’t get what you’re so upset about. I did you a favor. I could have just as easily blown up your spot.”
I pause. He’s right. He could have. “So why didn’t you?”
“You’ve sure got a funny way of saying thank you. You’re welcome, by the way.”
Automatically I say, “Thank you.” Wait. Why am I thanking him? “I appreciate you letting me kiss you, but--”
“You’re welcome,” he says again.
Ugh! He’s so insufferable. Just for that I’m going to toss a little dig his way. “That was…really generous of you. To let me do that. But I’ve already explained to Josh that it’s not going to work out with us because Genevieve has you whipped, so it’s all good. You can stop pretending now.”
Peter glares at me. “I’m not whipped.”
“But aren’t you, though? I mean, you guys have been together since the seventh grade. You’re basically her property.”
“You don’t know what you’re talking about,” Peter scoffs.
“There was a rumor last year that she made you get a tattoo of her initials on your butt for her birthday.” I pause. “So did you?” I reach around him and fake try to lift up the back of his shirt. He yelps and jumps away from me, and I collapse in a fit of giggles. “So you do have a tattoo!”
“I don’t have a tattoo!” he yells. “And we’re not even together anymore, so can you stop with this shit? We broke up. We’re over. I’m done with her.”
“Wait, didn’t she break up with you?” I ask.
Peter shoots me a dirty look. “It was mutual.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
First came the flower girls, pretty little lasses in summery frocks, skipping down the aisle, tossing handfuls of petals and, in one case, the basket when it was empty.
Next came the bridesmaids, Luna, strutting in her gown and heels, a challenging dare in her eyes that begged someone to make a remark about the girly getup she was forced to wear. Next came Reba and Zena, giggling and prancing, loving the attention.
This time, Leo wasn’t thrown by Teena’s appearance, nor was he fooled.
How could he have mistaken her for his Vex?
While similar outwardly, Meena’s twin lacked the same confident grin, and the way she moved, with a delicate grace, did not resemble his bold woman at all. How unlike they seemed. Until Teena tripped, flailed her arms, and took out part of a row before she could recover! Yup, they were sisters all right.
With a heavy sigh, and pink cheeks, Teena managed to walk the rest of the red carpet, high heels in hand— one of which seemed short a heel.
With all the wedding party more or less safely arrived, there was only one person of import left. However, she didn’t walk alone.
Despite his qualms, which Leo heard over the keg they’d shared the previous night, Peter appeared ready to give his daughter away.
Ready, though, didn’t mean he looked happy about it.
The seams of the suit his soon-to-be father-in-law wore strained, the rented tux not the best fit, but Leo doubted that was why he looked less than pleased.
Leo figured there were two reasons for Peter’s grumpy countenance. The first was the fact that he had to give his little girl away. The second probably had to do with the snickers and the repetition of a certain rumor, “I hear he lost an arm-wrestling bet and had to wear a tie.”
For those curious, Leo had won that wager, and thus did his new father-in-law wear the, “gods-damned-noose” around his neck. However, who cared about that sore loser when upon his arm rested a vision of beauty.
Meena’s long hair tumbled in golden waves over her shoulders, the ends curled into fat ringlets that tickled her cleavage. At her temples, ivory combs swept the sides up and away, revealing the creamy line of her neck. The strapless gown made her appear as a goddess. The bust, tight and low cut, displayed her fantastic breasts so well that Leo found himself growling. He didn’t like the appreciative eyes in the crowd. Yet, at the same time, he felt a certain pride.
His bride was beautiful, and it was only right she be admired.
From her impressive breasts, the gown cinched in before flaring out. The filmy white fabric of the skirt billowed as she walked.
He noted she wore flats. Reba’s suggestion so she wouldn’t get a heel stuck. Her gown didn’t quite touch the ground. Zena’s idea to ensure she wouldn’t trip on the hem. They’d taken all kinds of precautions to ensure her the smoothest chance of success.
She might lack the feline grace of other ladies. She might have stumbled a time or two and been kept upright only by the smooth actions of her father, but dammit, in his eyes, she was the daintiest, most beautiful sight he’d ever seen.
And she is mine.
”
”
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
“
After the combined efforts of Poppy and the maid, Catherine was dressed in a pale seafoam gown, neither blue nor green but some perfect shade between the two. The bodice was close-fitting, stylishly cut without a waist seam, the skirts plain until the knee, where they draped in rows of flounces. The matching jacket, tailored to the waist, was trimmed with silk fringe in interwoven shades of blue, green, and silver-gray. A small, flirtatious hat was set on the upsweep of her hair, which had been done in a waterfall chignon with the ends tucked up and pinned beneath.
To Catherine, who had gone so long without wearing anything pretty or modish, the effect was disconcerting. She was a stylishly turned-out woman in the looking glass, decidedly feminine and dashing.
"Oh, miss, you're as pretty as the girls they paint on tins of sweets," the housemaid exclaimed.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
All I know is that everything around us is astonishing. Impossible. We live in a universe so finely tuned for complex chemistry and life that the odds against it are greater than those of winning a thousand lotteries in a row. In a universe filled with exquisite microorganisms, voracious black holes, and trillions of stars, each of which can fit a million or more Earths inside. How can we possibly think that any view of God or creation can capture more than the tiniest hint of this reality?
”
”
Douglas E. Richards (Quantum Lens)
“
Of course, the world is not divided into two types of women: those who grow and those who don't. All of us fit into both groups almost every day of our lives. Some of the time, we are good copers and resilient human beings; in other moments, we are reactive and pessimistic. Pain, sorrow, and anger will always be with us. But with will, intentionality, and the right set of skills, we cna be happier over the long haul.
”
”
Mary Pipher (Women Rowing North: Navigating Life’s Currents and Flourishing As We Age)
“
Of course, the world is not divided into two types of women: those who grow and those who don't. All of us fit into both groups almost every day of our lives. Some of the time, we are good copers and resilient human beings; in other moments, we are reactive and pessimistic. Pain, sorrow, and anger will always be with us. But with will, intentionality, and the right set of skills, we can be happier over the long haul.
”
”
Mary Pipher (Women Rowing North: Navigating Life’s Currents and Flourishing As We Age)
“
As she approached the library, she felt her heartbeat quicken uncomfortably. Squaring her shoulders, she crossed the threshold.
Devon appeared to be browsing over a row of books, reaching up to straighten a trio of volumes that had fallen sideways.
“My lord,” Kathleen said quietly.
Devon turned, his gaze finding hers at once. He was stunningly handsome, dressed in a dark suit of clothes that had been tailored in the new looser-fitting fashion, the coat, waistcoat, and trousers all made of matching fabric. The informal cut of the suit did nothing to soften the hard lines of his body. For a moment Kathleen couldn’t help remembering the feel of his arms around her, his solid chest beneath her cheek. Heat swept over her face.
Devon bowed, his face inscrutable. He appeared relaxed at first glance, but a closer look revealed faint shadows beneath his eyes, and finespun tension beneath his calm veneer. “I hope you’re well this morning,” he said quietly.
Her blush deepened uncomfortably. “Yes, thank you.” She curtsied and wove her fingers together in a stiff knot. “You wished to discuss something before you depart?”
“Yes, regarding the estate, I’ve come to some conclusions--”
“I do hope--” she began, and broke off. “Forgive me, I didn’t mean to--”
“Go on.”
Kathleen dropped her gaze to her clenched hands as she spoke. “My lord, if you decide to dismiss any of the servants…or indeed all of them…I hope you take into account that some have served the Ravenels for their entire lives. Perhaps you might consider giving small parting sums to the oldest ones who have little hope of securing other employment.”
“I’ll bear it in mind.”
She could feel him looking at her, his gaze as tangible as the heat of sunlight. The mahogany bracket clock on the mantel measured out the silence with delicate ticks.
His voice was soft. “You’re nervous with me.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
We did what was needed to be done to make the boat because he showed us the way. He showed us how to get there, how to be disciplined in our training, how to push ourselves each day to our limits, and how to be accountable to and rely on the other guys in the boat. He did not seem to focus or intrude on our lives outside the boathouse, but he clearly expected us to bring our “A” game every day to practice. He kept his distance and simply focused on rowing techniques, fitness, choosing the best boat combinations, and race preparations.
”
”
Toby Ayer (The Sphinx of the Charles: A Year at Harvard with Harry Parker)
“
Lord August Godwine was an odious man. Stretched around the barrel of fat was an ornate golden doublet. He wore a bright-white, linen ruff with drip marks running down its curves, and ill-fitting breeches. Atop his head sat a long, brown wig, no doubt hiding the old man’s baldness. A vertical rows of curls stood in direct opposition to the gray of his scraggily, upturned mustache.
”
”
Lynn Lamb (Mechaniclism: Apocalyptic Horror)
“
It got to the point where he didn’t even look up at the sky any more as he blundered back and forth. The human mind had evolved for just one universe, he thought. How much of this crap was he supposed to take? He felt exhausted, resentful, bewildered.
“Wait.”
He paused. He had loped out of the portal onto another stretch of scuffed, anonymous regolith. She was lying in his arms, her weight barely registering. He looked down into her face, and pushed up her gold sun visor.
“Emma?” She licked her lips.
“Look. Up there.”
No Galaxy visible, but a starry sky. The stars looked, well, normal. But he’d learned that meant little. “So what?”
Emma was lifting her arm, pointing. He saw three stars, dull white points, in a row. And there was a rough rectangle of stars around them—one of them a distinctive red—and what looked like a Galaxy disc, or maybe just a nebula, beneath …
“Holy shit,” he said.
She whispered, “There must be lots of universes like ours. But, surely to God, there is only one Orion.”
And then light, dazzling, unbearably brilliant, came stabbing over the close horizon.
It was a sunrise. He could actually feel its heat through the layers of his suit.
He looked down at the ground at his feet. The rising light cast strong shadows, sharply illuminating the miniature crevices and craters there. And here was a “crater” that was elongated, and neatly ribbed.
It was a footprint. He stepped forward, lifted his foot, and set it down in the print. It fit neatly. When he lifted his foot away the cleats of his boot hadn’t so much as disturbed a regolith grain.
It was his own footprint. Good grief. After hundreds of universes of silence and remoteness and darkness, universes of dim light and shadows, he was right back where he started.
”
”
Stephen Baxter (Time (Manifold #1))
“
You know how you’ve been avoiding steak and cheese to try and stay thin? Not any more. Ever pass by someone’s house in the morning, smell bacon cooking and get pissed off because you’ve had Cheerios for a million days in a row? Guess what’s back on your diet? Bacon. What about those egg whites you were cooking in the Teflon pan? Are you crazy? Not only have you been giving up the yolk, the most nutritional part of the egg, you’ve been giving up the best tasting part. What a tragedy! Fish, pork, steak, Italian sausage—all sausage for that matter—eat to your heart’s content. And, from the plant world, what about all the delicious stuff you stayed away from because they were high-fat foods with lots of calories? Olives, avocados, coconuts. Enjoy! You like heavy cream in your coffee? Dump it in! And guess how much you can have of this stuff? As much as you want. When you start eating properly, when you rid yourself of those insulin swings, you’ll lose the feeling of being a bottomless pit that can never be sated. You’ll regulate the amount you eat naturally and you’ll find yourself feeling full much quicker. Don
”
”
Vinnie Tortorich (FITNESS CONFIDENTIAL)
“
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Quality Locum Solutions
“
Polybius, devised a system of signaling that has been adopted very widely as a cryptographic method. He arranged the letters in a square and numbered the rows and columns. To use the English alphabet, and merging i and j in a single cell to fit the alphabet into a 5 × 5 square: Each letter may now be represented by two numbers—that of its row and that of its column. Thus e = 15, v = 51. Polybius suggested that these numbers be transmitted by means of torches—one torch in the right hand and five in the left standing for e, for example. This method could signal messages over long distances. But modern cryptographers have found several characteristics of the Polybius square, or “checkerboard,” as it is now commonly called, exceedingly valuable—namely, the conversion of letters to numbers, the reduction in the number of different characters, and the division of a unit into two separately manipulable parts. Polybius’ checkerboard has therefore become very widely used as the basis of a number of systems of encipherment.
”
”
David Kahn (The Codebreakers: The Comprehensive History of Secret Communication from Ancient Times to the Internet)
“
Jewel and I come up from the field, following the path in single file. Although I am fifteen feet ahead of him, anyone watching us from the cottonhouse can see Jewel’s frayed and broken straw hat a full head above my own. The path runs straight as a plumb-line, worn smooth by feet and baked brick-hard by July, between the green rows of laidby cotton, to the cottonhouse in the center of the field, where it turns and circles the cottonhouse at four soft right angles and goes on across the field again, worn so by feet in fading precision. The cottonhouse is of rough logs, from between which the chinking has long fallen. Square, with a broken roof set at a single pitch, it leans in empty and shimmering dilapidation in the sunlight, a single broad window in two opposite walls giving onto the approaches of the path. When we reach it I turn and follow the path which circles the house. Jewel, fifteen feet behind me, looking straight ahead, steps in a single stride through the window. Still staring straight ahead, his pale eyes like wood set into his wooden face, he crosses the floor in four strides with the rigid gravity of a cigar store Indian dressed in patched overalls and endued with life from the hips down, and steps in a single stride through the opposite window and into the path again just as I come around the corner. In single file and five feet apart and Jewel now in front, we go on up the path toward the foot of the bluff. Tull’s wagon stands beside the spring, hitched to the rail, the reins wrapped about the seat stanchion. In the wagon bed are two chairs. Jewel stops at the spring and takes the gourd from the willow branch and drinks. I pass him and mount the path, beginning to hear Cash’s saw. When I reach the top he has quit sawing. Standing in a litter of chips, he is fitting two of the boards together. Between the shadow spaces they are yellow as gold, like soft gold, bearing on their flanks in smooth undulations the marks of the adze blade: a good carpenter, Cash is. He holds the two planks on the trestle, fitted along the edges in a quarter of the finished box. He kneels and squints along the edge of them, then he lowers them and takes up the adze. A good carpenter. Addie Bundren could not want a better one, a better box to lie in. It will give her confidence and comfort. I go on to the house, followed by the Chuck. Chuck. Chuck.of the adze.
”
”
William Faulkner (As I Lay Dying)
“
The store smelled of old books and woodsmoke. A counter stood on the wall to his left, flanked by bookshelves and magazine racks. Photographs hung over the counter—pictures of authors, it looked like. Bookcases jutted out from the wall to his right, and bookshelves covered every wall, even under the windows. On the shelf before him, books ran in a proper row for half a shelf, then a stack of books on their sides. More books rested in front of the row, on top, wherever they fit. New books with crisp dust jackets stood beside older titles with spines shiny from wear. More books covered a table by the window, circled by two mismatched wooden chairs and a stuffed armchair.
”
”
Sarah Sundin (Until Leaves Fall in Paris)
“
Do you want your home products like an Over the Door storage organizer? Do you enjoy the opportunity to display up your specific way? Users might obtain three objectives with the correct Door hooks. Without their large assortment of hooks and hangers, you can put your clothes back, robes, and towels off the floor and out of crowded cabinets.
Choose the coat hooks over door and wall hangers that are right for you. You'll find multicolored hooks that may brighten up a child's room or create a pop of color to a hallway or bathroom wall. You'll find a variety of hooks with clean cuts and outlines if you want modern and glossy. We also have round and classical Door hooks Hanger, as well as individual hooks and wall hanging rows —
Basically any type of hook you could possibly want or require. You can also choose from a range of materials, including wood, plastic, and metals, in a range of sizes to suit your tastes and needs.
For the correct spot, the perfect coat hooks over door
Numerous hangers will fit depending on what you want to attach and where you want to hang it. Our over the door storage organizer can be used in a variety of ways. Some are strung in predefined rows, while others are hung individually so you may pick how you want them to hang. Larger hooks can also be used to hang heavy clothing, whereas smaller hooks can be used to hang hand towels or dish cloths.
”
”
unjumbly
“
He wore the same maroon jacket from the other day, the one with the gold embroidery and thoroughly distracting fit. And it proved no less distracting now--Ambrose almost missed the counter entirely when setting down the flowers.
”
”
R.K. Ashwick (A Rival Most Vial: Potioneering for Love and Profit (Side Quest Row, #1))
“
Heavy turbulence shook the aircraft, yet it held course toward its destination. Its powerful engines barely produced any noise, and the black hull made it almost invisible against the darkness. Three more of the same type of aircraft followed it, traveling in formation, like silent birds of prey hiding in the shadows of the night. The passengers inside weren't bothered by the shaky ride. Highly focused and ready for anything, they sat there in silence, secured with safety bars into long rows of seats facing each other. All wore the same tight black combat suits and gloves, firearms were strapped to their thighs, and everyone had a rucksack on their back. Matching, tight-fitting helmets covered their heads, cheeks, and upper necks. Only a small part of their faces was visible, and their eyes. All of them had identical neon-blue eyes. Their stares were somewhat chilling and disturbing; the unnatural eyes and their unmoving faces made them look like an army of living dolls, waiting to spring into action.
”
”
Anna Mocikat (Behind Blue Eyes (Behind Blue Eyes, #1))
“
The health benefits from regular activity are widely acknowledged and can be achieved by any adult willing to complete the weekly target of just 150 minutes of moderate intensity physical activity. This is the equivalent of just under 22 minutes per day so we would hardly be surprised if most able-bodied adults achieved these targets. Yet, survey data in the United States suggests that only 49 per cent of adults achieve these minimum recommendations, although some states fare better. For example, 60 per cent of Alaskans meet the minimum recommendations compared to only 39 per cent of Louisianans. Adults in the United Kingdom appear to struggle even more, with only 35 per cent of men and women achieving the same 150 minute weekly target. To make matters worse, these percentages are all based on official government statistics which were obtained by asking random samples of people to estimate how much activity they usually do. Using these types of self-report questionnaires introduces considerable bias, especially when the respondents are aware that they don’t do as much exercise as they believe they should.
A better way to check how much exercise adults really do is to use electronic sensors worn on the body to record the number of minutes spent performing physical activity of moderate intensity or above. Using this more accurate measurement technique, only 6 per cent of men and 4 per cent of women in the United Kingdom actually achieved the minimum weekly amounts of recommended physical activity. Similar results have been revealed in other Western countries, including the United States. If most adults believe that regular exercise is important, then the low participation statistics suggest that it must be difficult to achieve in practice.
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Jim Flood (The Complete Guide to Indoor Rowing (Complete Guides))
“
Why are you using the rowing machine? To stay fit and healthy? Keep the weight off or lose weight so you can travel and keep up with your friends? To avoid losing your independence and avoid joint replacements? Want your body to keep up with your mind as you get older? As a way to cross train from running? As a new form of exercise after an injury?
”
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Amanda Painter Diver (Beginner's Guide to Indoor Rowing)
“
Maybe she hadn't worked in a restaurant, but anyone who made their cookbooks look like that must have known something.
I flipped through a few others. Thai salads, meringue-topped cakes, Carolina barbecue. Then on the bottom shelves, I found a row of cheap black-and-white speckled notebooks. They didn't fit the grown-up vibe of the rest of the room. Everyone has a soft spot, Jay had said. I reached for one.
"Cooking Notes," it said in sparkly green pen on the cover. The handwriting was rounder. A kid's.
"October 25," I read slowly, trailing my finger along the page.
Fish sticks. Cook at 400F for two minutes longer than the box says. Hank likes one tablespoon ketchup and one tablespoon yellow mustard mixed together. Mom likes one tablespoon mayonnaise with juice of a quarter of a lemon and one teaspoon Tabasco.
Hank's waffles. Toast Eggos on medium, put on butter and maple syrup, then microwave for ten seconds to melt everything together.
I flicked through a year of little Ellie's cooking. A lot of it was her trying to dress up convenience food--- pancakes, ramen. Toward the end of the notebook, she'd started to try random scratch recipes. Ground Turkey Tacos had lots of stars and fireworks drawn around it, while another for zucchini omelets only had "Yuck.
”
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Sarah Chamberlain (The Slowest Burn)
“
key principle of their navigation, Bruno had explained, was an inversion of movement: destinations arrived toward sailors, rather than sailors moving toward destinations. This concept of seafaring was called etak, Bruno had instructed, or “moving island”—in which a sailor in a canoe traveling the open ocean, whether standing with his legs apart feeling wave-swell, or seated and rowing, or seated and not rowing, this sailor was himself stationary, while waves and the occasional landmass flowed past his boat. These sailors weren’t stupid, Bruno had said. They knew they were not actually standing still. They were employing a special form of cognition, a skill that was crucial to getting somewhere. You and I, Bruno had said, don’t live in their world. Our own earth, our version of it, is fitted with Cartesian coordinates, a straitjacket of plumb lines and cross-stitches. The sky is no longer visible in most places. Our stars have been replaced by satellites, whose clocks tell atomic time. With GPS you can know your location without looking out the window, he had said. You can know your location without knowing your location. You can know things without knowing anything. We often proceed as if we know things without a sense of what knowledge even is, Bruno had said. The earth is turning, for instance: sure, we know that because we’ve memorized it. But our knowledge of the earth’s turn is false, it is knowledge without context, disconnected from the rest of the universe. When the sun rises, we think it’s rising. When it sets, we think it’s setting.
”
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Rachel Kushner (Creation Lake)
“
AMERICAN WHEAT OR RYE BEER Refreshing wheat or rye beers can display more hop character and less yeast character than their German cousins. This is a beginner-level style that can be brewed by extract or all-grain methods. Ferments at 65° F (18° C). OG FG IBU Color Alcohol 1.040-1.055 (10-13.6 °P) 1.008-1.013 (2.1-3.3 °P) 15-30 3-6 SRM 6-12 EBC 4-5.5% ABV 3.2-4.3% ABW Keys to Brewing American Wheat or Rye Beer: This easy-drinking beer style usually has a subtly grainy wheat character, slightly reminiscent of crackers. The hop flavor and aroma are more variable, with some versions having no hop character, while others have a fairly noticeable citrus or floral flair. Even when the hops are more prominent, they should not be overwhelming, and the hop bitterness should be balanced. The rye version of this style has a slight spicy, peppery note from the addition of rye in place of some or all of the wheat. The key mistake many brewers make is in assuming that American wheat beer should be similar to German hefeweizen. However, this style should not have the clove and banana character of a hefeweizen. This beer should not be as malty (bready) as a German hefeweizen, either, so all-grain brewers will want to use a less malty American two-row malt. To get the right fermentation profile, it is important to use a fairly neutral yeast strain, one that doesn’t produce a lot of esters like the German wheat yeasts do. While you can substitute yeast like White Labs WLP001 California Ale, Wyeast 1056 American Ale, or Fermentis Safale US-05, a better choice is one that provides some crispness, such as an altbier or Kölsch yeast, and fermentation at a cool temperature. RECIPE: KENT'S HOLLOW LEG It was the dead of winter and I was in Amarillo, Texas, on a business trip with Kent, my co-worker. That evening at dinner I watched as Kent drank a liter of soda, several glasses of water, and three or four liters of American wheat beer. I had a glass of water and one liter of beer, and I went to the bathroom twice. Kent never left the table. When I asked Kent about his superhuman bladder capacity, he thought it was due to years of working as a programmer glued to his computer and to the wonderful, easy-drinking wheat beer. This recipe is named in honor of Kent’s amazing bladder capacity. This recipe has a touch more hop character than many bottled, commercial examples on the market, but a lot less than some examples you might find. If you want less hop character, feel free to drop the late hop additions. If you really love hops and want to make a beer with lots of hop flavor and aroma, increase the late hop amounts as you see fit. However, going past the amounts listed below might knock it out of consideration in many competitions for being “too hoppy for style,” no matter how well it is brewed. OG: 1.052 (12.8 °P) FG: 1.012 (3.0 °P) ADF: 77% IBU: 20 Color: 5 SRM (10 EBC) Alcohol: 5.3% ABV (4.1% ABW) Boil: 60 minutes Pre-Boil Volume: 7 gallons (26.5L) Pre-Boil Gravity: 1.044 (11.0 °P) Extract Weight Percent Wheat LME (4 °L) 8.9 lbs. (4.03kg) 100 Hops IBU Willamette 5.0% AA, 60 min. 1.0 oz. (28g) 20.3 Willamette 5.0% AA, 0 min. 0.3 oz. (9g) 0 Centennial 9.0% AA, 0 min. 0.3 oz. (9g) 0 Yeast White Labs WLP320 American Hefeweizen, Wyeast 1010 American Wheat, or Fermentis Safale US-05 Fermentation and Conditioning Use 10 grams of properly rehydrated dry yeast, 2 liquid yeast packages, or make a starter. Ferment at 65° F (18° C). When finished, carbonate the beer to approximately 2.5 volumes. All-Grain Option Replace the wheat extract with 6 lbs. (2.72kg) American two-row malt and 6 lbs. (2.72kg) wheat malt. Mash at 152° F (67° C). Rye Option This beer can also be made with a portion of malted rye. The rye gives the beer a slightly spicy note and adds a certain creamy mouthfeel. Replace the wheat extract with 6 lbs. (2.72kg) American two-row malt, 3.75 lbs. (1.70kg) rye malt, and 3 lbs. (1.36kg) wheat malt. Mash at 152° F (67° C).
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John J. Palmer (Brewing Classic Styles: 80 Winning Recipes Anyone Can Brew)
“
Excel prints in the following order: all the rows for the first set of columns that fit on a printed page, then all the rows for the next set of columns that fit, and so on (this is known as “down, then over”). When printing on multiple pages, Excel never prints part of an individual column or row.
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Nancy Conner (Office 2013: The Missing Manual (Missing Manuals))
“
My competitive instincts flaring, I started shouting to get myself pumped up between the twenty-item sequences. Laugh if you like, but I actually began imitating the voice of a preacher. “Reach up to touch heaven! Reach now, brother Daniel!” And when I finally did reach and remain at 3-back for a couple sequences in a row—then was promoted to 4-back a single time—I sang out, “I have been to the mountaintop!” But progress was in fits and starts.
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Dan Hurley (Smarter: The New Science of Building Brain Power)
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To pass the time they invented a number of games including Knattleik, a ball game similar to hockey, which attracted both large crowds and frequent injuries. Several less violent board games did exist, but the Vikings primarily valued physical fitness.8 Their most popular activities were usually tests of strength – wrestling, sword fighting, and trying to dunk each other; endurance – climbing fjords, skiing, skating and distance swimming; or agility – throwing spears with both hands at the same time, or leaping from oar to oar outside the railing of a ship while it was being rowed.
”
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Lars Brownworth (The Sea Wolves: A History of the Vikings)
“
But I’m still breathing. Not deeply; not enough to satisfy, but breathing. Peter pushes my eyelids over my eyes. Does he know I’m not dead? Does Jeanine? Can she see me breathing?
“Take the body to the lab,” Jeanine says. “The autopsy is scheduled for this afternoon.”
“All right,” Peter replies.
Peter pushes the table forward. I hear mutters all around me as we pass the group of Erudite bystanders. My hand falls off the edge of the table as we turn a corner, and smacks in the wall. I feel a prickle of pain in my fingertips, but I can’t move my hand, as hard as I try.
This time, when we go down the hallway of Dauntless traitors, it is silent. Peter walks slowly at first, then turns another corner and picks up the pace. He almost sprints down the next corridor, and stops abruptly. Where am I? I can’t be in the lab already. Why did he stop?
Peter’s arms slide under my knees and shoulders, and he lifts me. My head falls against his shoulder.
“For someone so small, you’re heavy, Stiff,” he mutters.
He knows I’m awake. He knows.
I hear a series of beeps, and a slide--a locked door, opening.
“What do--” Tobias’s voice. Tobias! “Oh my God. Oh--”
“Spare me your blubbering, okay?” Peter says. “She’s not dead; she’s just paralyzed. It’ll only last for about a minute. Now get ready to run.”
I don’t understand.
How does Peter know?
“Let me carry her,” Tobias says.
“No. You’re a better shot than I am. Take my gun. I’ll carry her.”
I hear the gun slide out of its holster. Tobias brushes a hand over my forehead. They both start running.
At first all I hear is the pounding of their feet, and my head snaps back painfully. I feel tingling in my hands and feet. Peter shouts, “Left!” at Tobias.
Then a shout from down the hallway. “Hey, what--!”
A bang. And nothing.
More running. Peter shouts, “Right!” I hear another bang, and another. “Whoa,” he mumbles. “Wait, stop here!”
Tingling down my spine. I open my eyes as Peter opens another door. He charges through it, and just before I smack my head against the door frame, I stick my arm out and stop us.
“Careful!” I say, my voice strained. My throat still feels as tight as it did when he first injected me and I found it difficult to breathe. Peter turns sideways to bring me through the door, then nudges it shut with his heel and drops me on the floor.
The room is almost empty, except for a row of empty trash cans along one wall and a square metal door large enough for one of the cans to fit through it along the other wall.
“Tris,” Tobias says, crouching next to me. His face is pale, almost yellow.
There is too much I want to say. The first thing that comes out is, “Beatrice.”
He laughs weakly.
“Beatrice,” he amends, and touches his lips to mine. I curl my fingers into his shirt.
“Unless you want me to throw up all over you guys, you might want to save it for later.”
“Where are we?” I ask.
“This is the trash incinerator,” says Peter, slapping the square door. “I turned it off. I’ll take us to the alley. And then your aim had better be perfect, Four, if you want to get out of the Erudite sector alive.”
“Don’t concern yourself with my aim,” Tobias retorts. He, like me, is barefoot.
Peter opens the door to the incinerator. “Tris, you first.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Maybe it was a waste of time, or maybe it was a final real meal with his boys. Like being on death row. Greasy burgers and fries washed down with Coke -- a fitting end, perhaps, to a life where he never really tried.
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Tim McBain (The Scattered and the Dead (The Scattered and the Dead, #1))
“
They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn front eh window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.
”
”
Don Carpenter (Blade of Light)
“
They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn from the window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.
”
”
Don Carpenter (Blade of Light)
“
Hundreds of experiments have been performed comparing interval training (doing a certain amount of work such as running, biking, swimming, rowing, or jump-roping) vs. steady state training (doing the activity for a specific period of time). What is consistently found is intervals provide as good or better cardiovascular fitness as steady-state training, but with a fraction the time.
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Robb Wolf (The Paleo Solution: The Original Human Diet)
“
sounded like another language entirely. I felt relieved, momentarily, to be a relatively worldly Lubavitcher, even if I didn’t entirely fit in with the Crown Heights crowd. — Much to my disappointment, Miri was rarely to be seen. Most days she left the apartment around ten in a giddy rush and returned in the early evening with armloads of shopping bags, only to leave again for dinner with her friends. But one morning, when Leah was otherwise engaged, I was finally recruited for shomeres service. We were going to Ratfolvi’s, in Flatbush, to pick up the sheitel that Miri would be required to wear as a married woman. Pulling up to a residential building, we let ourselves into Mrs. Ratfolvi’s wig shop/apartment and sat down in the reception area, where four or five women were chatting away on a damask sofa and chairs. While we waited our turn, I examined the rows of wigs on display: there were various shades of brunette, blonde, and ginger; short, teased bouffants and glamorous, shoulder-length falls; wigs encased in rollers and wigs that were fully styled, needing nothing more than a final shpritz of hair spray. They were set upon Styrofoam heads complete with turned-up noses, high cheekbones, and luscious lips that looked like they could come alive at any moment. I longed to get my hands on a brush and a pair of scissors so that I could create my own visions of tonsorial loveliness. I did this from time to time to my dolls, to my mother’s great irritation, and here was a whole wall of victims. When Miri’s name was called, she plunked herself into the salon chair and pulled the silk scarf off her ponytail. I stood as close as I could without getting in the way. From conversations that I’d overheard between my mother and her sisters, I knew that Mrs. Ratfolvi was considered “the best,” and I was eager to watch her at work. The “rat” in her name had led me to expect someone old and unattractive, but she was actually a nicely put-together middle-aged woman. The receptionist brought over a plastic case about the size of a chubby toddler. In one expert motion, Mrs. Ratfolvi clicked it open, withdrew the fully styled wig on its Styrofoam head
”
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Chaya Deitsch (Here and There: Leaving Hasidism, Keeping My Family)
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Writing is like a blind man building a stone house with a limited amount of space and time. Brick after brick, row after row, feeling his way round and round. Turning stones into walls, rooms and towers. Relentlessly searching for doorways and windows, frequently replacing a stone or two here and there for a tighter fit. Often taking out entire walls that just feel out of place and sometimes, sadly, removing entire rickety rooms.
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Jack Henry Kraven
“
Shopping Dana Gioia I enter the temple of my people but do not pray. I pass the altars of the gods but do not kneel Or offer sacrifices proper to the season. Strolling the hushed aisles of the department store, I see visions shining under glass, Divinities of leather, gold, and porcelain, Shrines of cut crystal, stainless steel, and silicon. But I wander the arcades of abundance, Empty of desire, no credit to my people, Envying the acolytes their passionate faith. Blessed are the acquisitive, For theirs is the kingdom of commerce. Redeem me, gods of the mall and marketplace. Mercury, protector of cell phones and fax machines, Venus, patroness of bath and bedroom chains, Tantalus, guardian of the food court. Beguile me with the aromas of coffee, musk, and cinnamon. Surround me with delicately colored soaps and moisturizing creams. Comfort me with posters of children with perfect smiles And pouting teenage models clad in lingerie. I am not made of stone. Show me satins, linen, crepe de chine, and silk, Heaped like cumuli in the morning sky, As if all caravans and argosies ended in this parking lot To fill these stockrooms and loading docks. Sing me the hymns of no cash down and the installment plan, Of custom fit, remote control, and priced to move. Whisper the blessing of Egyptian cotton, polyester, and cashmere. Tell me in what department my desire shall be found. Because I would buy happiness if I could find it, Spend all that I possessed or could borrow. But what can I bring you from these sad emporia? Where in this splendid clutter
Shall I discover the one true thing? Nothing to carry, I should stroll easily Among the crowded countertops and eager cashiers, Bypassing the sullen lines and footsore customers, Spending only my time, discounting all I see. Instead I look for you among the pressing crowds, But they know nothing of you, turning away, Carrying their brightly packaged burdens. There is no angel among the vending stalls and signage. Where are you, my fugitive? Without you There is nothing but the getting and the spending Of things that have a price. Why else have I stalked the leased arcades Searching the kiosks and the cash machines? Where are you, my errant soul and innermost companion? Are you outside amid the potted palm trees, Bumming a cigarette or joking with the guards, Or are you wandering the parking lot Lost among the rows of Subarus and Audis? Or is it you I catch a sudden glimpse of Smiling behind the greasy window of the bus As it disappears into the evening rush?
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Vaddhaka Linn (The Buddha on Wall Street: What's Wrong with Capitalism and What We Can Do about It)
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Plants send out compressed packets filled with the energy and nutrients needed to sow new life—a beginning, a becoming. They aren’t following our instructions, of course: those seeds floating off into the air or falling to the ground don’t fit our commitments to orderly rows and efficient production. Poppies sowing themselves among dahlias, and carnations among cabbages: these are not under our control. A casting off of the goals and aims of humans, maybe, but certainly not done with the business of being and doing as they pour their energy into the future.
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Kate J. Neville (Going to Seed: Essays on Idleness, Nature, and Sustainable Work (Sowell Emerging Writers Prize))
“
We’re about to have a front-row seat to a glorious performance. God at his finest. Working for the good of those who love him.
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Karen Witemeyer (If the Boot Fits (Texas Ever After #2))
“
From high in the sky I looked down upon an island, and then I was standing on the island in front of a house. The house was white and stood upon a sort of inland cliff. I entered it, and there was a great hearth in the center of the room, the heart, I thought, of a place full of peace. Behind it were shelves with jars full of liquid, and when I looked out I could see a garden with neat rows of herbs. On the other side I could see that the land fell away, and in the distance was a view of a village and sea and shore. Feeling almost as if I were trespassing in someone’s house and the owner might come home and catch me, I sat in a big chair by the hearth, watched thoughtfully by an owl—not Moon—who perched on a shelf. As I did so, my fears subsided. I knew that this was my chair and my house, that I fitted it perfectly and was completely comfortable, that this was the place in the world that I was seeking. It was a place in which there was no dread.
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Monica Furlong (Juniper (Doran Book 2))
“
It is related that on the night of the disaster, right up to the time of the Titanic’s sinking, while the band grouped outside the gymnasium doors played with such supreme courage in face of the water which rose foot by foot before their eyes, the instructor was on duty inside, with passengers on the bicycles and the rowing-machines, still assisting and encouraging to the last. Along with the bandsmen it is fitting that his name, which I do not think has yet been put on record—it is McCawley —should have a place in the honorable list of those who did their duty faithfully to the ship and the line they served.
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Jack Winocour (The Story of the Titanic As Told by Its Survivors (Dover Maritime))
“
Mile after mile raced beneath the wheels of the convertible as it steadily neared the old battlefield named for the stream Rocky Run. Late in the afternoon they drove through the little town of Centerville. The main street, paved with red brick, was flanked by two rows of huge live oak trees. Behind them, quaint old houses stood in the shade of spreading magnolias. Farther on, the street led to a square, along which sprawled a handful of stores, a small stately courthouse, and a tall-pillared hotel. A solitary, bewhiskered man sat on the porch of the hostelry, smoking a pipe and rocking. “Looks mighty sleepy around here,” Chet remarked. “I think I’m going to fit right in with this life!” “A peaceful old town,” the general replied, smiling. “My place is a quarter mile down the road.
”
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Franklin W. Dixon (The Secret of the Lost Tunnel (Hardy Boys, #29))
“
The ledger’s double-entry pages and the neat grid of the invoice gave purposeful shape to the story they told. Through their graphic simplicity and economy, invoices and ledgers effaced the personal histories that fueled the slaving economy. Containing only what could fit within the clean lines of their columns and rows, they reduced an enormous system of traffic in human commodities to a concise chronicle of quantitative ‘facts.’ Thus, Mary Poove writes, ‘like the closet, the conventions of double-entry bookkeeping were intended to manage or contain excess.’ Instruments such as these did their work, then, while concealing the messiness of history, erasing from view the politics that underlay the neat account keeping.
The slave traders (and much of the modern economic literature on the slave trade) regarded the slave ship’s need for volume as a self-evident ‘fact’ of economic rationalization: the Board of Trade’s reports, the balance pursued in the Royal African Company’s double-entry ledgers, the calculations that determined how many captive bodies a ship could ‘conveniently stow,’ the simple equation by which an agent at the company’s factory at Whydah promised ‘to Complie with delivering in every ten days 100 Negroes.’ But the perceptions of the African captives themselves differed from the slave trader’s economies of scale and rationalized efficiency of production. What appears in the European quantitative account as a seamless expansion in the volume of slave exports—evidence of the natural workings of the market—took the form of violent rifts in the political geography of the Gold Coast. People for whom the Atlantic market had been a distant and hazy presence with little direct consequence for their lives now found themselves swept up in wars and siphoned into a type of captivity without precedent.
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Stephanie E. Smallwood (Saltwater Slavery: A Middle Passage from Africa to American Diaspora)
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Do not freak out about training the same movement or the same body part for two or more days in a row. It is a standard operating procedure among Russian athletes. For example, the Russian National Powerlifting Team benches up to eight times a week. The key to successful frequent training is constant variation of the loading variables: weights, reps, sets, rest periods, tempo, exercise order, exercise selection, etc.
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Pavel Tsatsouline (The Russian Kettlebell Challenge: Xtreme Fitness for Hard Living Comrades)
“
It’s no secret that kettlebells were standard equipment for Eastern Bloc strength athletes and old time strongmen—they are excellent for swings, laterals, rowing and a variety of throwing-related movements.
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Pavel Tsatsouline (The Russian Kettlebell Challenge: Xtreme Fitness for Hard Living Comrades)
“
Rowe’s account—the first so-called biography of Shakespeare—was a jumble of myths fitted to the archetypal narrative of the hero’s journey: from his “fortunate fall,” setting him on his adventure and encounter with destiny, to his return home. But it appealed to the sensibilities of eighteenth-century readers, offering an excuse for Shakespeare’s unchristian conduct in abandoning his family, a warning about the dangers of “ill Company,” and a happy ending whereby his sin turned out to be his salvation.
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Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
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He left his wife and child and sprinted to the Glass Hut, the discarded receipt from earlier in the afternoon flapping in his hands as he ran. When he reached the entrance, he slowed, adjusted his demeanor, and slipped unnoticed into the store. He walked down the first aisle, his eyes searching the shelves filled with glass knickknacks. Finally, he came to a row of statues, two fish, green and orange, leaping out of the cold-blue sea. On the itemized receipt, he’d read: Green and Orange Fish Statue: $14.99. Statue in hand, he walked to the register and placed the item on the counter. “Oh, wonderful choice,” the woman said. “Actually,” Caleb interjected, “I’m returning this. My wife bought it earlier, along with several other items, and we realized that this particular piece didn’t fit with the décor of the intended recipient. We’d like a refund.” He produced the receipt and pointed to the price of the statue. “It is a lovely piece, though,” he added, his open palm waiting for the money.
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Kevin Wilson (The Family Fang)
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She flushed and looked away and saw on Sue Annie's wash bench, packed tightly in the scant space and perspiring from the heat, a row of the neighbor women, school mothers Sue Annie had put near the hearth in a place of honor...Suse studied them, then shivered and looked away; she would never be like that, dull and dead and uncaring; she thought of Milly sleeping at home; she would fit well with the others on the bench. Had she or any of them ever heard the trains blow far away and sad, calling you to come away, calling so clearly you wanted to cry? Or had they ever wanted to run and run through the woods on a windy moonlight night in spite of what God would thin and the neighbors say? How could they sit so quietly now? How?
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Harriette Simpson Arnow (Hunter's Horn)
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We have seen quite a few cats being let out of the bag- the mathematical mind, which is supposed to have such a dry, logical, rational texture. As a last example in this chapter I shall quote the dramatic case of Friedrich August von Kekule', Professor of Chemistry in Ghent, who, one afternoon in 1865, fell asleep and dreamt what was probably the most important dream in history since Joseph's seven fat and seven lean cows:
I turned my chair to the fire and dozed, he relates. Again the atoms were gambolling before my eyes. This time the smaller groups kept modestly in the background. My mental eye, rendered more acute by repeated visions of this kind, could now distinguish larger structures, of manifold conformation; long rows, sometimes more closely fitted together; all twining and twisting in snakelike motion. But look! What was that? One of the snakes had seized hold of its own tail, and the form whirled mockingly before my eyes. As if by a flash of lightning I awoke...Let us learn to dream, gentlemen.
The serpent biting its own tail gave Kekule' the clue to a discovery which has been called 'the most brilliant piece of prediction to be found in the whole range of organic chemistry' and which, in fact, is one of the cornerstones of modern science. Put in a somewhat simplified manner, it consisted in the revolutionary proposal that the molecules of certain important organic compounds are not open structures but closed chains or 'rings'-like the snake swallowing its tail.
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Arthur Koestler (The Act of Creation)
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Now, Daniel and I propped ourselves up with pillows in his bed, our legs stretched out in front of us, passing the lo mein and dumpling cartons back and forth, digging into them with chopsticks while we heckled the married couple with more money than sense on the television.
“Really?” I yelled. “You have a quarter of a million dollars to renovate a Philadelphia row house, and that’s the cheap garbage tile you pick for the bathroom?”
“They have to make up for the money they spent replacing those hardwood floors somehow.” Daniel crunched into an eggroll.
I tsked and shook my head. “They could have refinished the original ones for half that, easily.”
“Oh, yeah?” He bumped my shoulder with his. “Refinish a lot of floors, do you?”
“I watch a lot of TV where other people refinish a lot of floors. I think that makes me an expert.”
He considered that. “Close enough. I’ll accept that.”
I slurped up one more bite of noodles while the couple on the screen bickered about the color of the shower tile. Their marriage wasn’t going to last beyond the renovation of that house. “I wonder what it’s like,” I finally said.
“I think the green would have looked better, but that’s not the hill I want to die on.”
“No . . .” I passed the lo mein carton to him. “I mean having a space like that. My place would fit in their kitchen, you know? I watch shows like this and wonder what it would be like to live that kind of life. Where you have an amazing space like that, and the money to make it exactly what you want.
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Jen DeLuca (Well Played (Well Met, #2))
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Your body is designed to be used more actively than occurs in the average, sedentary modern lifestyle. A simple conclusion follows from these two fundamental notions: A daily routine of breathing more deeply with moderate exercise will stimulate your body to develop greater fitness and energy.
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D.P. Ordway (Row Daily, Breathe Deeper, Live Better)
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Fitness is a state of the body as a whole, including how all of the body parts function, not just how some of them look. Do not become trapped into believing you are becoming fit overall based only on the number of push-ups you can do. That and similar indicators are too narrow to be your guide.
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D.P. Ordway (Row Daily, Breathe Deeper, Live Better)
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Every day that you engage in exercise that safely and effectively causes you to breathe more deeply (but still comfortably) for thirty to forty-five minutes or more, your body will reward you with better lung power. Better lung power is the foundation of better fitness and that translates into yet more effective exercise. It is a cycle you will learn to use to your benefit.
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D.P. Ordway (Row Daily, Breathe Deeper, Live Better)
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Down the side streets, old ladies lined the buildings in rows, shelling peas and gossiping as they sat on upturned baskets. From the apothecary shops drifted both the strange and familiar smells of herbs and spices and concoctions for gout, pastilles for putrid sore throats, creams and ointments, and possets and infusions. The coppery tang of meat and the stench of livestock reeked in the poultry market where fowl of every variety hung with their heads arrowing down. Glassy eyed ducks and geese swung gently in the breeze as it ruffled feathers no longer fit for flight. Here and there, dogs snuffled and snarled, growling over a discarded scrap and scenting the air with hopeful noses.
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Emma V. Leech (To Steal a Kiss (Girls Who Dare, #2))
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All day long, her small compact body, sweating through one hospital gown after another, had been racked with coughing fits and spasms. Her long black hair, tied into a tight braid, had lashed the pillows like a whip. Her platelet count plummeted, her blood gases revealed she had entered into metabolic acidosis, her breathing became so faint that a mechanical ventilator had to be wheeled in; her major organs began to shut down like dominoes falling in a row. Lungs, liver, central nervous system; when her kidneys failed, Slater had had to immediately put her on dialysis.
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Robert Masello (The Romanov Cross)
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The next day is a blur of dress fittings and dance lessons and trips to various salons with Ms. Chancellor. Some of her instruments of torture are hot. Some are cold. Some are hard and some are soft. All are dangerous, I decide. If the army knew about curling irons, basic training might look very, very different.
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Ally Carter (All Fall Down (Embassy Row, #1))
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We applaud your efforts to hit the gym. But if you don’t take a break from the same daily exercise regimen, you could be at risk of experiencing an overuse injury, like tendinitis or a rotator cuff tear. You don’t need to be a fitness newbie: Our colleague Keri Peterson, a New York City internist who’s been a regular exerciser for years, got tendinitis in her shoulder from using the elliptical machine every day for a few months. She recommends that patients never repeat the same routine two days in a row. So if you jog on the treadmill today, do yoga or strength training tomorrow.
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Anonymous
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Three car doors slammed in quick staccato as we got out. For a long moment we looked around at the lot, where we were just one in a massive sea of cars. Patrons who parked in the lot of the Willow Creek Faire could see the entrance when they got out of their cars: a two-dimensional castle façade that some volunteers had put together about five years ago. But not here. Our entire Faire could probably fit in this parking lot, and all we could see around us was row after row of cars. Like parking at Disney World, but without the trams or mouse ears.
“Holy shit.” April wasn’t part of our Faire, but even she sounded impressed. “Where’s the entrance?”
“Up that way.” I couldn’t see the gates I was pointing toward, but the stream of people told me I was indicating the right way.
“A little bit of a hike, then.” April looked behind us, where the grassy lot continued to fill slowly with cars. “Holy shit,” she said again. “This isn’t a Faire. This is a town.”
“Yeah.” Mitch had been here before—so had I; if you grew up around here you went to the Maryland Renaissance Festival at least once during your childhood—but even his eyes were a little wide at the vastness of it all. “This place is . . . It’s pretty big.” He paused. “That’s what she said.”
I was too nervous to snicker, but April elbowed him in the ribs, and that was good enough.
“Okay. We’re going in.” He reached over his head for the back of his T-shirt, pulling it off and tossing it into the back of the truck.
April sighed. “All right, Kilty. Naked enough?”
“Look on the bright side.” He wiggled his eyebrows at her as he stuck his keys into the sporran he wore attached to the kilt. “I’m not working this Faire. Which means I get to wear this kilt the way it’s meant to be worn.”
I coughed. I didn’t want to think about what Mitch was or was not wearing under there. Which was sad, because thinking about Mitch in a kilt used to be one of my favorite hobbies. The man was born to wear that green plaid
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Jen DeLuca (Well Played (Well Met, #2))
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tamales, flautas, gorditas, street tacos, every veggie you can imagine from fresh pico to grilled cactus, and rows of fresh fruit carved in the shape of flowers.
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Julie Murphy (If the Shoe Fits (Meant to Be, #1))