Row The Boat Book Quotes

I mean to do something grand. I don't know what, yet; but when I'm grown up I shall find out.Perhaps,it will be rowing out in boats, and saving peoples' lives,like that girl in the book. Or perhaps I shall go and nurse in the hospital, like Miss Nightingale. Or else I'll head a crusade and ride on a white horse, with armor and a helmet on my head, and carry a sacred flag. Or if I don't do that, I'll paint pictures,or sing, or scalp – sculp – what is it? you know – make figures in marble. Anyhow it shall be something.

Once I am at leisure, said Salvatore, I take refuge in prose as one might in a boat. All day long I am surrounded by the clamour on the editorial floor, but in the evening I cross over to an island, and every time, the moment I read the first sentences, it is as if I were rowing far out on the water. It is thanks to my evening reading alone that I am still more or less sane.

Joel!’ Emily howled. ‘Let him go or I swear you’ll regret it!’ ‘Are you threatening me, child?’ ‘Yes!’ Emily shouted. ‘These may be your Islands, but if you don’t release Joel right now, I promise you, the moment I get my powers back, you’ll pay for what you’ve done to him!’ ‘No one threatens me!’ Pounding waves of fury rose up around Nā-maka-o-Kaha‘i and crashed noisily to the beach, crushing the rowing boat into splinters and throwing wet sand in the air. The small fish swimming around her ducked into the protection of her seaweed dress. Nā-maka-o-Kaha‘i moved as close to the shore as she dared and spat at Emily with ocean foam. ‘You listen to me, you insolent child. Tell Pele she will surrender to me or I will drown this boy in my depths and let the ocean life feed on his bones! You have one day!’ She rose higher above her waterspout before diving down into the swirling centre. Joel was sucked in after her as the waterspout spun across the ocean surface before disappearing into its depths. ‘Joel!’ Emily cried.

I really relate to you,” I said to my dad. “I can tell we’re in the same boat, because I’m rowing.” When I found out I was going to be a father, I wanted to meet a man I’d never met—my dad, who also just found out he was a father when I introduced myself. I never got to tell him I loved him before he died, but from the way I gently but forcefully held his head underwater, I think he could tell.

Children there rowed boats, climbed trees, picked mussels, ending every summer day cleaned up and carrying the ice in the silver bucket, the Goldfish crackers, and the Scotch, down to the dock at six, where they’d stand ranged along the splintering wooden boards looking down at the white bodies of the flashing fish, while the grown-ups behind them drank as the sun fell into the sea. The Miltons of Crockett’s Island.

Very often, when she had shut herself in her room for the night, Ottilie would kneel in front of the open chest and look at her birthday presents. She had touched none of them. Very often she would hurry out of the house at daybreak, out of the place where she had formerly found all her happiness, into the open, into the country which had formerly had no attraction for her. She would even want to get off the land itself, she would leap into the boat and row to the middle of the great lake, and there she would take out a travel-book and let herself be rocked by the waves and read and dream herself into a far country; and there she would always discover her friend, he would tell her she had always been close to his heart, she would tell him he had always been close to hers.

Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky-tonks, restaurants and whore-houses, and little crowded groceries, and laboratories and flop-houses. Its inhabitants are, as the man once said, "whores, pimps, gamblers, and sons of bitches," by which he meant Everybody. Had the man looked through another peep-hole he might have said: "Saints and angels and martyrs and holy men," and he would have meant the same thing. In the morning when the sardine fleet has made a catch, the purse-seiners waddle heavily into the bay blowing their whistles. The deep-laden boats pull in against the coast where the canneries dip their tails into the bay. The figure is advisedly chosen, for if the canneries dipped their mouths into the bay the canned sardines which emerge from the other end would be metaphorically, at least, even more horrifying. Then cannery whistles scream and all over the town men and women scramble into their clothes and come running down to the Row to go to work. Then shining cars bring the upper classes down: superintendents, accountants, owners who disappear into offices. Then from the town pour Wops and Chinamen and Polaks, men and women in trousers and rubber coats and oilcloth aprons. They come running to clean and cut and pack and cook and can the fish. The whole street rumbles and groans and screams and rattles while the silver rivers of fish pour in out of the boats and the boats rise higher and higher in the water until they are empty. The canneries rumble and rattle and squeak until the last fish is cleaned and cut and cooked and canned and then the whistles scream again and the dripping, smelly, tired Wops and Chinamen and Polaks, men and women, straggle out and droop their ways up the hill into the town and Cannery Row becomes itself again-quiet and magical. Its normal life returns. The bums who retired in disgust under the black cypress-tree come out to sit on the rusty pipes in the vacant lot. The girls from Dora's emerge for a bit of sun if there is any. Doc strolls from the Western Biological Laboratory and crosses the street to Lee Chong's grocery for two quarts of beer. Henri the painter noses like an Airedale through the junk in the grass-grown lot for some pan or piece of wood or metal he needs for the boat he is building. Then the darkness edges in and the street light comes on in front of Dora's-- the lamp which makes perpetual moonlight in Cannery Row. Callers arrive at Western Biological to see Doc, and he crosses the street to Lee Chong's for five quarts of beer. How can the poem and the stink and the grating noise-- the quality of light, the tone, the habit and the dream-- be set down alive? When you collect marine animals there are certain flat worms so delicate that they are almost impossible to capture whole, for they break and tatter under the touch. You must let them ooze and crawl of their own will on to a knife blade and then lift them gently into your bottle of sea water. And perhaps that might be the way to write this book-- to open the page and to let the stories crawl in by themselves.

Her fingers still cold, she lifted the receiver. “Still reading Proust?” “But not making much progress,” Aomame replied. It was like an exchange of passwords. “You don’t like it?” “It’s not that. How should I put it—it’s a story about a different place, somewhere totally unlike here.” Tamaru was silent, waiting for her to go on. He was in no hurry. “By different place, I mean it’s like reading a detailed report from a small planet light-years away from this world I’m living in. I can picture all the scenes described and understand them. It’s described very vividly, minutely, even. But I can’t connect the scenes in that book with where I am now. We are physically too far apart. I’ll be reading it, and I find myself having to go back and reread the same passage over again.” Aomame searched for the next words. Tamaru waited as she did. “It’s not boring, though,” she said. “It’s so detailed and beautifully written, and I feel like I can grasp the structure of that lonely little planet. But I can’t seem to go forward. It’s like I’m in a boat, paddling upstream. I row for a while, but then when I take a rest and am thinking about something, I find myself back where I started. Maybe that way of reading suits me now, rather than the kind of reading where you forge ahead to find out what happens. I don’t know how to put it exactly, but there is a sense of time wavering irregularly when you try to forge ahead. If what is in front is behind, and what is behind is in front, it doesn’t really matter, does it. Either way is fine.

For two hours, Clarke and the other men rowed, until it was clear they could no longer keep up with the wreck due to the wind, sea and their condition. When they stopped rowing, Apprentice Officer Clarke could not remove his hands from the oars. The burnt skin of his hand had adhered to them. Actually, the skin had become separated from the bones of his hands and had essentially just been a surface for the bones to rest on. Clarke had rowed for two hours in this condition in the salt sea. When they tried to separate him from the oars, the other survivors found they could not, and were forced to cut away the skin of Clarke's hands in order to wrap his arms and place him in the bottom of the boat, out of the weather.

He didn’t mind it in the beginning, this slowness. It left him alone with himself while he fished and listened to the call of the herons, and taught Anthony to row a boat and to play baseball and soccer, while Anthony read to him from his children’s books as Alexander held the fishing line. The soul was repairing itself little by little. And it was on Bethel Island, with his mother and father twenty-four hours by his side, watching over him, talking to him, playing with him, that Anthony stopped waking up with nightmares in the middle of the night and settled down to silence inside himself. And it was on Bethel Island that Alexander stopped needing ice cold baths at three in the morning—the hot sudsy dimly lit baths with her soapy hands and soapy body in the late evening sufficing.

Daniel was a little slow getting out of the locker room afterward and was one of the last guys to head to the parking lot. He was nearly to his car when he saw Stacy emerge from the edge of the woods. “Hey,” she said. “Hey.” She hugged her books to her chest. “I don’t know if we ever officially met. I’m Stacy.” She was waiting for you. She wanted to talk to you! “I’m Baniel Dyers—Daniel. I’m Daniel Byers.” Oh, you are such an idiot! A glimmer of a smile. “I know who you are.” “I know you too.” “Really?” “Uh-huh.” “How?” “I’ve seen you around.” “Oh.” A long pause. “So.” “So,” he replied lamely. “Well, it’s good to meet you. Officially.” “Good to meet you too.” He had the sense that she would reach out to shake his hand, but instead she stared down at the ground between them for a moment, then back at him. “You played good against Spring Hill.” “You were there?” A slight eye roll. “Of course I was there.” “Not everyone comes to the games.” “I do.” “Me too.” Dude, that was the stupidest thing ever to say! “Of course you do,” she said lightly. He felt like he wanted to hide somewhere—anywhere—but when she spoke again she just did so matter-of-factly and not the least bit in a way to make him feel more put on the spot. “Um, I just wanted to wish you luck on the game. I mean, the one tomorrow night.” “Thanks.” She waited. Ask her to the dance on Saturday—at least get her number. “Um . . .” He repositioned his feet. “Say, I was wondering . . .” “Yes?” “About the game.” No, not the game, the dance— “Yes?” He took a deep breath. “So, I was . . .” Go on! “Um . . . So maybe I’ll see you there. At the game.” “Oh. Sure. So, good luck,” she repeated. “Right.” Ask her for her number. But he didn’t. And then she was saying good-bye and he was fumbling out a reply. “See you around, Stacy.” “See you around, Baniel,” she replied good-naturedly. As she stepped away he opened his mouth to call her back, but nothing came out. And then she was gone. But at least he’d talked to her. You can’t be expected to ask a girl out or get her number the first time you officially meet her, can you? Um, yeah. He climbed into his car and leaned his forehead against the steering wheel. Man, you sounded like a moron! Well, talk to her tomorrow. You can still ask her. The dance was Saturday night, but at least that gave him one more day. Before starting the car, he saw a text from Kyle asking what he was up to tonight, and he texted back that he was going to be at home finishing up his homework and then head to bed early to get a good night’s sleep before game day. He didn’t bring up anything about the conversation with Stacy. It would have only made him more embarrassed if Kyle knew how he’d failed to sound like even a halfway intelligent human being talking with her. Imagine that. Daniel Byers not knowing how to talk to a girl. What else is new? That night back in his bedroom, it took him a while to write his second blog entry, the one he was going to have to read in front of Teach’s class tomorrow. Without Kyle there to help him, he felt like a guy stuck on a boat in the middle of the ocean with no idea which direction to row toward land. Eventually he got something out, this time about hoping to send the vultures away, but it wasn’t nearly as good as if he’d had Kyle brainstorming with him. Then he went to bed, but his thoughts of Stacy kept him awake. Talk to her tomorrow at school, or at least before the game. But he also found that, just before falling asleep, his thoughts were drifting toward Nicole as well.

Draw a gentle sea. Draw an easy boat. And row out yonder alone, against the rising dawn, to unknown bliss.

Row, row, row your boat, Gently down the stream, Merrily, merrily, merrily, merrily, Life is but a dream! Row, row, row your boat, Gently down the stream. If you see a crocodile, Give it some ice cream! Row, row, row your boat, Row and never stop. If you’re getting hungry, Then suck a lollipop! Row, row, row your boat, Gently on the lake. Don’t forget to bring along A really big—

I followed them in every foreign land where they work hard, and suffer, where they sigh and if in trenches they as soldiers stand. Once they have met me they can’t say goodbye. Because the way I talk, they like to swear, brings smells of home: pistachio nuts, a hint of shelled, dry almonds, rows of prickly pears, of orange blossoms and of calamint; of our green sea where tuna boats stand ready, of relatives, of lovers, and of wives, Mount Etna, the Red Mountain, Mumpileri, and our night sky when it is clear and bright... I bring them all the passions, so they say, Sicilians harbor in their fiery hearts, those hearts that seem incapable of joy because they constantly torment themselves. For someone like myself, to the wheel tied, mean mother, is it not enough, I say, that I roam round the world without a guide and earn without much art your weekly pay? The Author Forgive me, dear Centona, I apologize! My senses were impaired when I began; What you keep giving me is a great prize I value more than some relationships with man.

family or friends, for most of them would believe him to be still at The Pride, enjoying Grandpa’s seventy-fifth birthday dinner. It could be Con – Con did not like him to be alone on family occasions – but why should Con come across the water, in Pat Paterson’s row-boat, with Pat straining at the oars? The boat had swung towards his landing stage

afraid that is quite out of the question,” Mrs Jacobs said. “I’ll need to be out of the country for several weeks, and you’re too young to look after yourselves. How would you like to go to the Carl Kristie Kids’ Camp?” “They were fully booked months ago, Mum,” said Lara, “Daisy couldn’t get in this year either. Rufus is banned from going back anyway, remember?” “Oh yes,” said Mrs Jacobs, frowning as she recollected the call she received from Carl Kristie himself two summers ago to say that Rufus had stolen a rowing boat, pretending to commandeer a pirate ship. He had drifted far out into the lake, without any oars. All activities had to be stopped until two camp counsellors could drive out in a speedboat to bring him back to the shore. Even after Mrs Jacobs had driven him back to his grandparents’ house, Rufus had talked in a pirate accent for several days. “Ahoy me mateys!” cried Rufus, suddenly struck by the same memory. Lara put her head in her hands. “Well, plan B it is then,” said Mrs Jacobs. “You’ll be going to your great-uncle Herb’s.

Sometimes it is hard to get excited about spheres historically associated with hidden women’s labour. Mundane, repetitive domestic work has not been given much attention in most traditional history books, and certainly not as much as it deserves, given the fact that very little else would exist without it. Without the textile production that went on within every home, there would have been no Viking Age at all, no expansion across the islands of the North Atlantic. As we’ve seen, heimr means both ‘home’ and ‘world’. The fact that the Norse were able to transplant one to the other depended on what women did in the weaving rooms, among many other things. You can’t sail across an ocean without a sail. Or without tough waterproof clothing. Or, in fact, without any clothing at all. Take away the textiles and the women, and you have some naked men in a rowing boat.†

Starting in the spring of 1919, schooners from Cuba, Jamaica, and the Bahamas began running booze to the Island, up to 20,000 cases at a time. The ships dropped anchor thirty-five miles out at sea, at a rendezvous point southwest of Galveston called Rum Row, and the booze was off-loaded into small powerboats or flat-bottomed launches for delivery to spots along the miles of deserted beach. The boats usually beached in shallow water, and work crews waded out and carried the goods to shore. Each case was wrapped in a burlap sack, and two sacks were tied together for easy handling. Sometimes the goods were delivered to remote piers at Offatt’s Bayou, or to one of the coves near San Luis Pass.