Rove Wilds Quotes

We've searched our database for all the quotes and captions related to Rove Wilds. Here they are! All 21 of them:

I believe in evidence. I believe in observation, measurement, and reasoning, confirmed by independent observers. I'll believe anything, no matter how wild and ridiculous, if there is evidence for it. The wilder and more ridiculous something is, however, the firmer and more solid the evidence will have to be.
Isaac Asimov (The Roving Mind)
My Heart's In The Highlands Farewell to the Highlands, farewell to the North, The birth-place of Valour, the country of Worth; Wherever I wander, wherever I rove, The hills of the Highlands for ever I love. Chorus.-My heart's in the Highlands, my heart is not here, My heart's in the Highlands, a-chasing the deer; Chasing the wild-deer, and following the roe, My heart's in the Highlands, wherever I go. Farewell to the mountains, high-cover'd with snow, Farewell to the straths and green vallies below; Farewell to the forests and wild-hanging woods, Farewell to the torrents and loud-pouring floods. My heart's in the Highlands, &c.
Robert Burns
Very old are the woods; And the buds that break Out of the brier's boughs, When March winds wake, So old with their beauty are-- Oh, no man knows Through what wild centuries Roves back the rose.
Walter de la Mare
I have lived ten years of wild rovings, of conquests and discoveries, in those woods; the day when I have to leave them my heart will be very heavy.
Colette (Claudine at School)
Wild roved an Indian maid, Bright Alfarata, Where flow the waters Of the blue Juniata. Strong and true my arrows are In my painted quiver, Swift goes my light canoe Adown the rapid river. “Bold is my warrior good, The love of Alfarata, Proud wave his sunny plumes Along the Juniata. Soft and low he speaks to me, And then his war-cry sounding Rings his voice in thunder loud From height to height resounding. “So sang the Indian maid, Bright Alfarata, Where sweep the waters Of the blue Juniata. Fleeting years have borne away The voice of Alfarata, Still flow the waters Of the blue Juniata.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death. He smashed that one first. My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven. He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands. 'Daddy?' Buckley said. My brother held the doorknob with his hand. My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him. My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived. 'You are so special to me, little man,' my father said, clinging to him. Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult. 'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.
Alice Sebold (The Lovely Bones)
Dead people look very, very dead. It is difficult to grasp what that means, since it’s unlikely that any of us will stumble across a roving pack of dead bodies in the wild. We live in a world where people rarely die in their homes, and if they do, they’re carted off to the funeral home the second after taking their last breath. If a North American has seen a dead body, that body has likely been embalmed, made up, and dressed in its Sunday finest by a funeral-home employee.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
I couldn’t talk about it, about them—not yet. So I breathed “Later” and hooked my feet around his legs, drawing him closer. I placed my hands on his chest, feeling the heart beating beneath. This—I needed this right now. It wouldn’t wash away what I’d done, but … I needed him near, needed to smell and taste him, remind myself that he was real—this was real. “Later,” he echoed, and leaned down to kiss me. It was soft, tentative—nothing like the wild, hard kisses we’d shared in the hall of throne room. He brushed his lips against mine again. I didn’t want apologies, didn’t want sympathy or coddling. I gripped the front of his tunic, tugging him closer as I opened my mouth to him. He let out a low growl, and the sound of it sent a wildfire blazing through me, pooling and burning in my core. I let it burn through that hole in my chest, my soul. Let it raze through the wave of black that was starting to press around me, let it consume the phantom blood I could still feel on my hands. I gave myself to that fire, to him, as his hands roved across me, unbuttoning as he went. I pulled back, breaking the kiss to look into his face. His eyes were bright—hungry—but his hands had stopped their exploring and rested firmly on my hips. With a predator’s stillness, he waited and watched as I traced the contours of his face, as I kissed every place I touched. His ragged breathing was the only sound—and his hands soon began roaming across my back and sides, caressing and teasing and baring me to him. When my traveling fingers reached his mouth, he bit down on one, sucking it into his mouth. It didn’t hurt, but the bite was hard enough for me to meet his eyes again. To realize that he was done waiting—and so was I. He eased me onto the bed, murmuring my name against my neck, the shell of my ear, the tips of my fingers. I urged him—faster, harder. His mouth explored the curve of my breast, the inside of my thigh. A kiss for each day we’d spent apart, a kiss for every wound and terror, a kiss for the ink etched into my flesh, and for all the days we would be together after this. Days, perhaps, that I no longer deserved. But I gave myself again to that fire, threw myself into it, into him, and let myself burn.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
To wake up on a gloriously bright morning, in a tent pitched beneath spruce trees, and to look out lazily and sleepily for a moment from the open side of the tent, across the dead camp-fire of the night before, to the river, where the light of morning rests and perhaps some early-rising[240] native is gliding in his birch canoe; to go to the river and freshen one's self with the cold water, and yell exultingly to the gulls and hell-divers, in the very joy of living; or to wake at night, when you have rolled in your blankets in the frost-stricken dying grass without a tent, and to look up through the leaves above to the dark sky and the flashing stars, and hear far off the call of a night bird or the howl of a wolf: this is the poetry, the joy of a wild and roving existence, which cannot come too often
Josiah Edward Spurr (Through the Yukon Gold Diggings)
They came together in a tangle of limbs as they touched each other, the kiss wild and feverish. A groan tore from him as her hands roved over his shoulders and down his back. Her caress was light and sensual, as if her desire seeped like magic from her fingertips into his skin everywhere she touched.
Donna Grant (Torched (Dark Kings, #13))
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
Annie Dillard (Pilgrim at Tinker Creek)
And the connections we have progressively built between human societies not only link old germ pools, but more profoundly they have turned separate groups into a metapopulation for roving killers to explore. The main drama of disease history has been the constant emergence of untried germs from wild hosts, finding human groups linked in ever-larger pacts of mutually assured infection.
Kyle Harper (The Fate of Rome: Climate, Disease, and the End of an Empire (The Princeton History of the Ancient World))
Speaking of your eyeballs, dear brother,I overheard some girls talking about you in the restroom at the tournament hotel. Apparently rumor now has it that you won’t allow anyone to see your eyes—ever. In fact, according to this knowledgeable source, you even sleep and shower with your glasses on in case someone unexpectedly walks in...one of them said she’d seen your eyes for herself two years ago and could only describe them as 'ferocious and roving,’ and ‘burning white-hot with a primal, raw wildness.
Elle Lothlorien (Alice in Wonderland)
It is summer, and we are in a house That is not ours, sitting at a table Enjoying minutes of a rented silence, The upstairs people gone. The pigeons lull To sleep the under-tens and invalids, The tree shakes out its shadows to the grass, The roses rove through the wilds of my neglect. Our lives flap, and we have no hope of better Happiness than this, not much to show for love Than how we are, or how this evening is, Unpeopled, silent, and where we are alive In a domestic love, seemingly alone, All other lives worn down to trees and sunlight, Looking forward to a visit from the cat.
Douglas Dunn (Selected Poems 1964-1983)
Some nights, abed, Will put his ear to the wall to listen, and if his folks talked things that were right, he stayed, and if not right he turned away. If it was about time and passing years or himself or town or just the general inconclusive way God ran the world, he listened warmly, comfortably, secretly, for it was usually Dad talking. He could not often speak with Dad anywhere in the world, inside or out, but this was different. There was a thing in Dad's voice, up, over, down, easy as a hand winging soft in the air like a white bird describing flight patterns, made the ear want to follow and the mind's eye to see. And the odd thing in Dad's voice was the sound truth makes being said. The sound of truth, in a wild roving land of city or plain country lies, will spell any boy. Many nights Will drowsed this way, his senses like stopped clocks long before that half-singing voice was still. Dad's voice was a midnight school, teaching deep fathom hours, and the subject was life.
Ray Bradbury (Something Wicked This Way Comes)
That was how for years, all through that quarter of the continent, they had fought, fled, beckoned, resumed. . . . If you took a map and tried to follow them over it, zigzagging town to town, back and forth, it might not have been that easy to account for, even if you recalled how wild, how much better than "wild" it'd been not all that many years ago, out here, even with the workdays that had you longing for the comforts of territorial prison, yes hard as that, when whatever was going to become yours—your land, your stock, your family, your name, no matter, however much or little you had, you earned it, with never no second thoughts as to just killing somebody, if it even looked like they might want to take it. Maybe a dog catching their scent coming down the wind, or the way some trailhand might be wearing his waterproof, that could be enough—didn't matter, with everything brand new and the soldiering so hard, waking up each day never knowing how you'd end it, cashing 'em in being usually never too distant from your thoughts, when any ailment, or animal wild or broke, or a bullet from any direction might be enough to propel you into the beyond . . . why clearly every lick of work you could get in would have that same mortal fear invested into it—Karl Marx and them, well and good, but that's what folk had for Capital, back in early times out here—not tools on credit, nor seed money courtesy of some banker, just their own common fund of fear that came with no more than a look across the day arising. It put a shade onto things that parlor life would just never touch, so whenever she or Reef pulled up and got out, when it wasn't, mind, simple getting away in a hurry, it was that one of them had heard about a place, some place, one more next-to-last place, that hadn't been taken in yet, where you could go live for a time on the edge of that old day-to-day question, at least till the Saturday nights got quiet enough to hear the bell of the town clock ring you the hours before some Sunday it'd be too dreary to want to sober up for. . . . So in time you had this population of kind of roving ambassadors from places like that that were still free, who wherever they came to rest would be a little sovereign piece of that faraway territory, and they'd have sanctuary about the size of their shadow.
Thomas Pynchon
Ordinary British soldiers harbored several strange preconceptions of their own. Some were surprised that the colonists wore clothes, thinking they would dress like Indians. Other had expected to encounter roving bands of wild animals in the manner of African jungles. And when a loyalist came aboard one ship to help it into port, the British crew and troops were dumbfounded. "All the People had been of the Opinion," they exclaimed, "that the inhabitants of America were black.
Joseph J. Ellis (Revolutionary Summer: The Birth of American Independence)
Hello, Clef. Did you need something?” Clef nodded, and then tossed his head to flip sandy, weather-baked hair from his eyes. “Yes, ma’am. But not me, not exactly. It’s the ship, Paragon. He’d like a word with you, he says.” There was a faint accent to his words that she couldn’t quite place. And in her time aboard the ship, she hadn’t quite decided what Clef’s status was. He’d been introduced to her as a deckhand, but the rest of the crew treated him more like the son of the captain. Captain Trell’s wife, Althea, mercilessly and affectionately ordered him about, and the captain’s small son who randomly and dangerously roved the ship’s deck and rigging regarded Clef as a large, moving toy. As a result, she smiled at him more warmly than she would have toward an ordinary servant as she clarified, “You said the ship wishes to speak to me? Do you mean the ship’s figurehead?” A look of annoyance or something akin to it shadowed his face and was gone. “The ship, ma’am. Paragon asked me to come aft and find you and invite you to come and speak with him.” Sedric had turned and was leaning with his back against the railing. “The ship’s figurehead wishes to speak to a passenger? Isn’t that a bit unusual?” There was warm amusement in his voice. He flashed the grin they usually won people over. Although Clef remained courteous, he didn’t bother masking his irritation. “No, sir, not really. Most passengers on a liveship make a bit of time to greet the ship when they come on board. And some of them enjoy chatting with him. Most anyone who’s sailed with us more than a time or two counts Paragon as a friend, as they would Captain Trell or Althea.” “But I’d always heard that the Paragon was a bit, well…not dangerous, perhaps, as he used to be, but…distinctly odd.” Sedric smiled as he spoke, but his charm failed to win the young sailor over. “Well, ain’t we all?
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles, #1))
How true is that Philosophy which says Our Heaven is seated in our Minds! Through all the roving Pleasures of my Youth, (Where Nights and Days seem all consum'd in Joy, Where the false Face of Luxury Display'd such Charms, As might have shaken the most holy Hermit, And made him totter at his Altar) I never knew one Moment's Peace like this. Here—in this little soft Retreat, My thoughts unbent from all the Cares of Life, Content with Fortune, Eas'd from the grating Duties of Dependence, From Envy free, Ambition under foot, The raging Flame of wild destructive Lust Reduc'd to a warm pleasing Fire of lawful Love, My Life glides on, and all is well within.
John Vanbrugh (The Relapse)
She was upside-down, clinging to a horizontal stem of wild rose by her feet which pointed to heaven. Her head was deep in dried grass. Her abdomen was swollen like a smashed finger; it tapered to a fleshy tip out of which bubbled a wet, whipped froth. I couldn’t believe my eyes. I lay on the hill this way and that, my knees in thorns and my cheeks in clay, trying to see as well as I could. I poked near the female’s head with a grass; she was clearly undisturbed, so I settled my nose an inch from that pulsing abdomen. It puffed like a concertina, it throbbed like a bellows; it roved, pumping, over the glistening, clabbered surface of the egg case testing and patting, thrusting and smoothing. It seemed to act so independently that I forgot the panting brown stick at the other end. The bubble creature seemed to have two eyes, a frantic little brain, and two busy, soft hands. It looked like a hideous, harried mother slicking up a fat daughter for a beauty pageant, touching her up, slobbering over her, patting and hemming and brushing and stroking.
Annie Dillard (Pilgrim at Tinker Creek)
Get up here,” he growls against my mouth, and I swallow the words, not wanting him to stop. I fucking cling to him. But he doesn’t draw away like last time. His hands move lower, and he lifts me, pulling me closer. Placing me right on his lap. My knees land on either side of his body, my pussy lined up with the massive bulge in his jeans. His hands rove over my rib cage. Under my shirt. Fingers slipping just under the strap of my bra. He pulls back and lifts his hand to trail his fingers over the edges of my lips. “This fucking mouth, Skylar.” “You like it?” I dart my tongue out, egging him on. “If I told you all the things I’ve dreamed about doing to this mouth, you’d turn the prettiest shade of pink.” I nip at the lower line of his jaw and grind down on his cock. “Then you better tell me in broad daylight, so you can be sure I do.
Elsie Silver (Wild Eyes (Rose Hill, #2))