Rough Weather Quotes

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Under the greenwood tree, Who loves to lie with me And tune his merry note, Unto the sweet bird's throat; Come hither, come hither, come hither. Here shall he see No enemy But winter and rough weather.
William Shakespeare (As You Like It)
When the weather's rough and it's whiskey in the rain it's best to wrap your savior up in cellophane.
Tom Waits
Willow, you know that you said you couldn't tell how I felt at the rest stop?" I nodded, and he took my hand, laying it flat on his chest with his own resting over it. "Can you tell now?" he asked. His heart beat firmly under my hand; my own pulse was pounding so hard that I could barely think straight. Closing my eyes, I took a deep, steadying breath, and then another as I tried to clear my mind, to feel what he was feeling. For a moment there was just the softness of our breathing--then all at once it washed over me in a great wave. He was in love with me, too. I opened my eyes. Alex was still holding my hand to his chest, watching me, his expression more serious than I'd ever seen it. Unable to speak, I slowly dropped my hand and wrapped my arms around him. His own arms came around me as he rested his head on my hair. "I really do, you know," he said, his voice rough. "I know," I whispered back. "I do, too.
L.A. Weatherly (Angel (Angel, #1))
When you invite people to share in your miracle, you create future allies during rough weather.
Shannon L. Alder
Does rough weather choose men over women? Does the sun beat on men, leaving women nice and cool?' Nyawira asked rather sharply. 'Women bear the brunt of poverty. What choices does a woman have in life, especially in times of misery? She can marry or live with a man. She can bear children and bring them up, and be abused by her man. Have you read Buchi Emecheta of Nigeria, Joys of Motherhood? Tsitsi Dangarembga of Zimbabwe, say, Nervous Conditions? Miriama Ba of Senegal, So Long A Letter? Three women from different parts of Africa, giving words to similar thoughts about the condition of women in Africa.' 'I am not much of a reader of fiction,' Kamiti said. 'Especially novels by African women. In India such books are hard to find.' 'Surely even in India there are women writers? Indian women writers?' Nyawira pressed. 'Arundhati Roy, for instance, The God of Small Things? Meena Alexander, Fault Lines? Susie Tharu. Read Women Writing in India. Or her other book, We Were Making History, about women in the struggle!' 'I have sampled the epics of Indian literature,' Kamiti said, trying to redeem himself. 'Mahabharata, Ramayana, and mostly Bhagavad Gita. There are a few others, what they call Purana, Rig-Veda, Upanishads … Not that I read everything, but …' 'I am sure that those epics and Puranas, even the Gita, were all written by men,' Nyawira said. 'The same men who invented the caste system. When will you learn to listen to the voices of women?
Ngũgĩ wa Thiong'o (Wizard of the Crow)
A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value - you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to- hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can't see it, it can't see you - daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough. More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have "lost". What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.
W.H. Auden
The room was amazing. It was all glass, including the domed roof, and in all directions it offered a view of the Atlantic Ocean stretching empty into the distance, hinting of eternity.
Robert B. Parker (Rough Weather (Spenser, #36))
At that time, I well remember whatever could excite - certain accidents of the weather, for instance, were almost dreaded by me, because they woke the being I was always lulling, and stirred up a craving cry I could not satisfy. One night a thunder-storm broke; a sort of hurricane shook us in our beds: the Catholics rose in panic and prayed to their saints. As for me, the tempest took hold of me with tyranny: I was roughly roused and obliged to live. I got up and dressed myself, and creeping outside the basement close by my bed, sat on its ledge, with my feet on the roof of a lower adjoining building. It was wet, it was wild, it was pitch dark. Within the dormitory they gathered round the night-lamp in consternation, praying loud. I could not go in: too resistless was the delight of staying with the wild hour, black and full of thunder, pealing out such an ode as language never delivered to man - too terribly glorious, the spectacle of clouds, split and pierced by white and blinding bolts.
Charlotte Brontë
You are not a mere storyteller. Your face is weathered, your hands rough with work - you have traveled far, I think.
Joanna Ruth Meyer (Echo North (Echo North, #1))
No, no it is not man's nature. I will not allow it to be more man's nature than woman's to be inconstant and forget those they do love, or have loved. I believe the reverse. I believe in a true analogy between our bodily frames and our mental; and that as our bodies are the strongest, so are our feelings; capable of bearing most rough usage, and riding out the heaviest weather.
Jane Austen (Persuasion)
As he worked on the room, and as it began slowly to take a shape, he realized that for many years, unknown to himself, he had had an image locked somewhere within him like a shamed secret, an image that was ostensibly of a place but which was actually of himself. So it was himself that he was attempting to define as he worked on his study. As he sanded the old boards for his bookcases, and saw the surface roughnesses disappear, the gray weathering flake away to the essential wood and finally to a rich purity of grain and texture—as he repaired his furniture and arranged it in the room, it was himself that he was slowly shaping, it was himself that he was putting into a kind of order, it was himself that he was making possible.
John Williams (Stoner)
That there’s Henrietta’s mother,” he said, pointing to a lone tombstone near the cemetery’s edge, surrounded by trees and wild roses. It was several feet tall, its front worn rough and browned from age and weather.
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
Changes in technology come along roughly every five to seven years, so no one can ever have any expectation of permanence in the workplace. People's skills will always need upgrading. But the right kind of education for the twenty-first century is the one that prepares us to weather these changes—and which does so equally, without regard to where we are from or what your parents do.
Fiona Hill (There Is Nothing For You Here: Finding Opportunity in the Twenty-First Century)
Autumns reward western Kansas for the evils that the remaining seasons impose: winter's rough Colorado winds and hip-high, sheep-slaughtering snows; the slushes and the strange land fogs of spring; and summer, when even crows seek the puny shade, and the tawny infinitude of wheatstalks bristle, blaze. At last, after September, another weather arrives, an Indian summer that occasionally endures until Christmas.
Truman Capote (In Cold Blood)
well, as Auden wondered: Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.
Stephen Fry (More Fool Me)
We had a rough day, considered ice cream but, given the weather, opted for sex against the wall.
Elizabeth Dyer (Defenseless (Somerton Security, #1))
will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my like altogether? O tell me the truth about love
W.H. Auden
Russell said something in Sicilian about stormy weather conditions that roughly translates into “You never can tell how things are going to work out. The weather’s in God’s hands.” I
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Under the Greenwood Tree Who loves to lie with me, And turn his merry note Unto the sweet bird's throat, Come hither, come hither, come hither: Here shall he see no enemy But winter and rough weather.
Matt Haig (How to Stop Time)
That was true, Iris would sometimes think, about marriage: it was only a boat, too. A wooden boat, difficult to build, even more difficult to maintain, whose beauty derived at least in part from its unlikelihood. Long ago the pragmatic justifications for both marriage and wooden-boat building had been lost or superseded. Why invest countless hours, years, and dollars in planing and carving, gluing and fastening, caulking and fairing, when a fiberglass boat can be had at a fraction of the cost? Why struggle to maintain love and commitment over decades when there were far easier ways to live, ones that required no effort or attention to prevent corrosion and rot? Why continue to pour your heart into these obsolete arts? Because their beauty, the way they connect you to your history and to the living world, justifies your efforts. A long marriage, like a classic wooden boat, could be a thing of grace, but only if great effort was devoted to its maintenance. At first your notions of your life with another were no more substantial than a pattern laid down in plywood. Then year by year you constructed the frame around the form, and began layering memories, griefs, and small triumphs like strips of veneer planking bent around the hull of everyday routine. You sanded down the rough edges, patched the misunderstandings, faired the petty betrayals. Sometimes you sprung a leak. You fell apart in rough weather or were smashed on devouring rocks. But then, as now, in the teeth of a storm, when it seemed like all was lost, the timber swelled, the leak sealed up, and you found that your craft was, after all, sea-kindly.
Ayelet Waldman (Red Hook Road)
Our friendship to me will always be a lighthouse. Standing strong, no matter how rough life’s seas are. Together we’ll weather any storm and our friendship will always shine as it has from the beginning, until the very end of time. Our story needs no filter. Our story has not ended . . . friendship never ends!
Sudeep Nagarkar (Our Story Needs No Filter)
The difference between her and me might be figured by that between the stately ship, cruising safe on smooth seas, with its full complement of crew, a captain gay and brave, and venturous and provident; and the life-boat, which most days of the year lies dry and solitary in an old dark boat-house, only putting to sea when the billows run high in rough weather, when cloud encounters water, when danger and death divide between them the rule of the great deep. No, the 'Louisa Bretton' never was out of harbour on such a night, and in such a scene: her crew could not conceive it; so the half-drowned life-boat man keeps his own counsel, and spins no yarns.
Charlotte Brontë (Villette)
Of one thing we may be sure, we can never escape the external stimuli that cause vexation. The world is full of them, and though we were to retreat to a cave and live the remainder of our days alone, we still could not lose them. The rough floor of the cave would chafe us, the weather would irritate us and the very silence would cause us to fret
A.W. Tozer
He communicated (what I very much needed) a sense of the gusto with which life ought, wherever possible, to be taken. I fancy it was on a run with him in the sleet that I first discovered how bad weather is to be treated—as a rough joke, a romp.
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
If there is fear or confusion in your life, it is because you lack commitment. The very thought, "I am here in this world to do seva," dissolves the "i" and when the "i" dissolves, worries dissolve. Seva is not something you do out of convenience or for pleasure. The ultimate purpose of life is to be of service. An uncommitted mind is miserable. A committed mind may at times experience rough weather but it will reap the fruits of its toil. When you make service your sole purpose in life, it eliminates fear, focuses your mind and gives you meaning.
Ravi Shankar (Celebrating Silence)
More importantly, a towel has immense psychological value. For some reason, if a strag (strag: nonhitchhiker) discovers that a hitchhiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, washcloth, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet-weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitchhiker any of these or a dozen other items that the hitchhiker might accidentally have “lost.” What the strag will think is that any man who can hitch the length and breadth of the Galaxy, rough it, slum it, struggle against terrible odds, win through and still know where his towel is, is clearly a man to be reckoned with.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
I'm going. A lot is possible. The weather's nice, Captain. Look: such a beautiful, solid, rough sky -you'd almost feel like pounding a block of wood into it and hanging yourself on it. Only because of the hyphen between yes and no? Is no to blame for yes, or yes for no? I'll have to think about that.
Georg Büchner (Woyzeck)
torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.
Charles Dickens (A Tale of Two Cities (Bantam Classics))
Like tiny islands on the horizon, they can vanish in rough seas. Even in calm weather, their coral gradually erodes, pickled by salt and heat. Yet they form the shoals of a life. Some offer safe lagoons and murmuring trees. Others crawl with pirates and reptiles. Together they connect a self with the mainland and society. Plot their trail and a mercurial past becomes visible. Memories feel geological in their repose, solid and true, the bedrock of consciousness.
Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
He inquired next what Allan had seen in the stranger to take such a fancy to? Allan had seen in him—what he didn't see in people in general. He wasn't like all the other fellows in the neighborhood. All the other fellows were cut out on the same pattern. Every man of them was equally healthy, muscular, loud, hard-hearted, clean-skinned, and rough; every man of them drank the same draughts of beer, smoked the same short pipes all day long, rode the best horse, shot over the best dog, and put the best bottle of wine in England on his table at night; every man of them sponged himself every morning in the same sort of tub of cold water and bragged about it in frosty weather in the same sort of way; every man of them thought getting into debt a capital joke and betting on horse-races one of the most meritorious actions that a human being can perform. They were, no doubt, excellent fellows in their way; but the worst of them was, they were all exactly alike. It was a perfect godsend to meet with a man like Midwinter—a man who was not cut out on the regular local pattern, and whose way in the world had the one great merit (in those parts) of being a way of his own.
Wilkie Collins (Armadale)
The only thing that lasts forever is the fact that nothing lasts forever," Madame Weatherberry said. "Just like the weather, people have seasons, too—we all go through periods of rain and sunshine—but we can't let a particularly rough winter destroy our faith in the spring, otherwise we'll always be stuck in the snow." "This doesn't feel like a winter, it feels like an ice age," Brystal said. "What if this isn't a season? What if it's more than just a phase?" "Either way, it's up to you to change it," Madame Weatherberry said.
Chris Colfer (A Tale of Witchcraft... (A Tale of Magic, #2))
I replied that I did not quite know what my ailment had been, but that I had certainly suffered a good deal especially in mind. Further, on this subject, I did not consider it advisable to dwell, for the details of what I had undergone belonged to a portion of my existence in which I never expected my godmother to take a share. Into what a new region would such a confidence have led that hale, serene nature! The difference between her and me might be figured by that between the stately ship cruising safe on smooth seas, with its full complement of crew, a captain gay and brave, and venturous and provident; and the life-boat, which most days of the year lies dry and solitary in an old, dark boat-house, only putting to sea when the billows run high in rough weather, when cloud encounters water, when danger and death divide between them the rule of the great deep. No, the "Louisa Bretton" never was out of harbour on such a night, and in such a scene: her crew could not conceive it; so the half-drowned life-boat man keeps his own counsel, and spins no yarns.
Charlotte Brontë (Villette)
Just like a ship at sea, our lives can encounter rough waters. But with the right crew, we can weather any storm.
Jeff Ocaya
We are grateful to people who occasionally help out, but we elevate them to a higher moral plane when they consistently do so, when we can count on them to show up rain or shine, not just when the boss is looking or free coffee is being served ... Along these lines, we value people who are loyal to their groups, who do not jump ship at the first rough weather.
Christopher Peterson (Character Strengths and Virtues: A Handbook and Classification)
The heyday of the Norse, which lasted roughly from A.D. 800 to about 1200, was not only a byproduct of such social factors as technology, overpopulation and opportunism. Their great conquests and explorations took place during a period of unusually mild and stable weather in northern Europe called the Medieval Warm Period-some of the warmest four centuries of the previous 8,000 years.
Brian M. Fagan (The Little Ice Age: How Climate Made History 1300-1850)
She sometimes takes her little brother for a walk round this way," explained Bingo. "I thought we would meet her and bow, and you could see her, you know, and then we would walk on." "Of course," I said, "that's enough excitement for anyone, and undoubtedly a corking reward for tramping three miles out of one's way over ploughed fields with tight boots, but don't we do anything else? Don't we tack on to the girl and buzz along with her?" "Good Lord!" said Bingo, honestly amazed. "You don't suppose I've got nerve enough for that, do you? I just look at her from afar off and all that sort of thing. Quick! Here she comes! No, I'm wrong!" It was like that song of Harry Lauder's where he's waiting for the girl and says, "This is her-r-r. No, it's a rabbut." Young Bingo made me stand there in the teeth of a nor'-east half-gale for ten minutes, keeping me on my toes with a series of false alarms, and I was just thinking of suggesting that we should lay off and give the rest of the proceedings a miss, when round the corner there came a fox-terrier, and Bingo quivered like an aspen. Then there hove in sight a small boy, and he shook like a jelly. Finally, like a star whose entrance has been worked up by the personnel of the ensemble, a girl appeared, and his emotion was painful to witness. His face got so red that, what with his white collar and the fact that the wind had turned his nose blue, he looked more like a French flag than anything else. He sagged from the waist upwards, as if he had been filleted. He was just raising his fingers limply to his cap when he suddenly saw that the girl wasn't alone. A chappie in clerical costume was also among those present, and the sight of him didn't seem to do Bingo a bit of good. His face got redder and his nose bluer, and it wasn't till they had nearly passed that he managed to get hold of his cap. The girl bowed, the curate said, "Ah, Little. Rough weather," the dog barked, and then they toddled on and the entertainment was over.
P.G. Wodehouse
Just like the weather, people have seasons, too- we all go through periods of rain and sunshine-but we can't let a particularly rough winter destroy our faith in the spring, otherwise we'll always be stuck in the snow.
Chris Colfer (A Tale of Witchcraft... (A Tale of Magic, #2))
You are stronger than you think. I have weathered many storms, tragedies, and heartaches in my life–and here I am still standing. Here you are still standing. Joy is right around the corner you just have to change your focus and look for it. And that can be rough. Rough roads can be unbearable, but you can walk them. Sometimes when you come to the end of yourself–give yourself a chance to dig in deeper. Look for the good, and you’ll find strength you never knew you had.
Michelle Muriel
It was ideal apple-eating weather; the whitest sunlight descended from the purest sky, and an easterly wind rustled, without ripping loose, the last of the leaves on the Chinese elms. Autumns reward western Kansas for the evils that the remaining seasons impose: winter's rough Colorado winds and hip-high, sheep-slaughtering snows; the slushes and the strange land fogs of spring; and summer, when even crows seek the puny shade, and the tawny infinitude of wheatstalks bristle, blaze
Truman Capote (In Cold Blood)
In real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day. I can kill and clean a hog as mercilessly as a man. My fat keeps me hot in zero weather. I can work outside all day, breaking ice to get water for washing; I can eat pork liver cooked over the open fire minutes after it comes steaming from the hog. One winter I knocked a bull calf straight in the brain between the eyes with a sledge hammer and had the meat hung up to chill before nightfall.
Alice Walker (Everyday Use)
I had no idea what humans were capable of. I heard they were crafty, but how are they able to do such things? You mean harness light and water? Speedy asked. Change the weather? Yes. It's only the beginning, Speedy said. There are more marvels waiting. Some not so marvelous. Such as? Be not in haste, said the tortoise. There is nothing here but time. If you live long enough, you will see. Of course, though, you will see them from your cage. Live long enough? I asked. Are there mortal dangers here? The tortoise chuckled. The boy doesn't always take very good care of his prisoners, Rex the lizard chimed in. What do you mean? He doesn't feed us enough? Sometimes he doesn't understand what we need to survive, Rex answered. Sometimes he plays too rough. How can a creature able to bend the laws of nature be so cruel? I asked.
Patrick Jennings (We Can't All Be Rattlesnakes)
they were, perhaps, so unwearyingly fond of good things not least because they could, when put to it, do without them, and could survive rough handling by grief, foe, or weather in a way that astonished those who did not know them well and looked no further than their bellies and their well-fed faces.
J.R.R. Tolkien (The Lord of the Rings)
It’s not about over-the-top gestures to me,” he finally says almost shyly. “It’s all the tiny moments that go to make a real love story. The funny things that go wrong like when one of you forgets your anniversary or does something silly. They all become part of your story. And you add to it with every argument or slammed door that you have. Every birthday or Christmas that you mould into a thing that only the two of you recognise. It’s taking care of each other when you’re throwing up or have a cold, it’s huddling under the duvet together laughing so hard your ribs hurt. It’s holding the other one when they’re frightened, knowing you will do anything to make them feel better again. It’s like being two pebbles on a beach. You start off individual shapes and then the weather and proximity means you rub the rough spots off so in the end you’re smooth with a patina that only echoes one other person.
Lily Morton (Best Man (Close Proximity, #1))
Alaska seems like the most rough-and-tumble spot in the world. Everyone there seems to be running from something in the Lower 48, whether it’s the law, the tax man, or their ex. Alaska’s where you go to forget your past, especially when you owe your past a shitload in child support. The state motto should be “Love fishing but hate your kids? Alaska.” Forget the Jackass movies. I’d like to do a hidden-camera show where we get a guy with a salt-and-pepper mustache, put him in an ATF windbreaker, have him walk into any Alaska bar or honky-tonk after quitting time, and say, “I have a warrant for . . .” and just watch everyone jump out the window. It’s never “I was born and raised in Alaska, lived here my whole life.” It’s usually something like, “My business partner faked his own death and then tried to kill me, but that was before my wife had her gender reassignment . . .” Basically Alaska is the cold-weather Florida. It’s Florida without the Jews. The state capital should be spelled “Jew? NO!
Adam Carolla (President Me: The America That's in My Head)
France, less favoured on the whole as to matters spiritual than her sister of the shield and trident, rolled with exceeding smoothness down hill, making paper money and spending it. Under the guidance of her Christian pastors, she entertained herself, besides, with such humane achievements as sentencing a youth to have his hands cut off, his tongue torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.
Charles Dickens (A Tale of Two Cities)
If the change be not from outward circumstances, it must be from within; it must be nature, man’s nature, which has done the business for Captain Benwick.’ ‘No, no, it is not man’s nature. I will not allow it to be more man’s nature than woman’s to be inconstant and forget those they do love, or have loved. I believe the reverse. I believe in a true analogy between our bodily frames and our mental; and that as our bodies are the strongest, so are our feelings; capable of bearing most rough usage, and riding out the heaviest weather.’ ‘Your feelings may be the strongest,’ replied Anne, ‘but the same spirit of analogy will authorise me to assert that ours are the most tender. Man is more robust than woman, but he is not longer-lived; which exactly explains my view of the nature of their attachments. Nay, it would be too hard upon you, if it were otherwise. You have difficulties, and privations, and dangers enough to struggle with. You are always labouring and toiling, exposed to every risk and hardship. Your home, country, friends, all quitted. Neither time, nor health, nor life, to be called your own. It would be to hard indeed if woman’s feelings were to be added to all this…
Jane Austen (Persuasion)
weather forecast that it was going to be rough and had taken a pill. Miss Abbott was tramping up and down the narrow lower deck, having, perhaps instinctively, hit upon that part of the ship which after the first few hours is deserted by almost everyone. In the plan shown to passengers it was called the promenade deck. It was Jemima who first noticed the break in the weather. A kind of thin warmth fell across the page of her book;
Ngaio Marsh (Singing in the Shrouds (Roderick Alleyn, #20))
Wit, Sir Knight, may do much. He is a quick, apprehensive knave, who sees his neighbours blind side, and knows how to keep the leegage when his passions are blowing high. But valour is a sturdy fellow, that makes all split. He rows against both wind and tide, and makes way notwithstanding; and, therefore, good Sir Knight, while I take advantage of the fair weather in our noble master’s temper, I will expect you to bestir yourself when it grows rough.
Walter Scott
In explosive gasps Chook introduced us and we went inside. I could see that she was elderly by Chook’s standards. Perhaps twenty-six or -seven. A brown-eyed blonde, with the helpless mournful eyes of a basset hound. She was a little weathered around the eyes. In the lounge lights I saw that the basic black had given her a lot of good use. Her hands looked a little rough. Under the slightly bouffant skirt of the black dress were those unmistakable dancer’s legs, curved and trim and sinewy.
John D. MacDonald (The Deep Blue Good-By)
The Gauls’ own ships were built and rigged in a different manner from ours. They were made with much flatter bottoms, to help them to ride shallow water caused by shoals or ebb-tides. Exceptionally high bows and sterns fitted them for use in heavy seas and violent gales, and the hulls were made entirely of oak, to enable them to stand any amount of shocks and rough usage. The cross-timbers, which consisted of beams a foot wide, were fastened with iron bolts as thick as a man’s thumb. The anchors were secured with iron chains instead of ropes. They used sails made of raw hides or thin leather, either because they had no flax and were ignorant of its use, or more probably because they thought that ordinary sails would not stand the violent storms and squalls of the Atlantic and were not suitable for such heavy vessels. In meeting them the only advantage our ships possessed was that they were faster and could be propelled by oars; in other respects the enemy’s were much better adapted for sailing such treacherous and stormy waters. We could not injure them by ramming because they were so solidly built, and their height made it difficult to reach them with missiles or board them with grappling-irons. Moreover, when it began to blow hard and they were running before the wind, they weathered the storm more easily; they could bring in to shallow water with greater safety, and when left aground by the tide had nothing to fear from reefs or pointed rocks – whereas to our ships all these risks were formidable.
Gaius Julius Caesar (The Conquest of Gaul)
I fancy my father thought me an odd child, and had little fondness for me; though he was very careful in fulfilling what he regarded as a parent's duties. But he was already past the middle of life, and I was not his only son. My mother had been his second wife, and he was five-and-forty when he married her. He was a firm, unbending, intensely orderly man, in root and stem a banker, but with a flourishing graft of the active landholder, aspiring to county influence: one of those people who are always like themselves from day to day, who are uninfluenced by the weather, and neither know melancholy nor high spirits. I held him in great awe, and appeared more timid and sensitive in his presence than at other times; a circumstance which, perhaps, helped to confirm him in the intention to educate me on a different plan from the prescriptive one with which he had complied in the case of my elder brother, already a tall youth at Eton. My brother was to be his representative and successor; he must go to Eton and Oxford, for the sake of making connexions, of course: my father was not a man to underrate the bearing of Latin satirists or Greek dramatists on the attainment of an aristocratic position. But intrinsically, he had slight esteem for "those dead but sceptred spirits"; having qualified himself for forming an independent opinion by reading Potter's Aeschylus, and dipping into Francis's Horace. To this negative view he added a positive one, derived from a recent connexion with mining speculations; namely, that scientific education was the really useful training for a younger son. Moreover, it was clear that a shy, sensitive boy like me was not fit to encounter the rough experience of a public school. Mr. Letherall had said so very decidedly. Mr. Letherall was a large man in spectacles, who one day took my small head between his large hands, and pressed it here and there in an exploratory, suspicious manner - then placed each of his great thumbs on my temples, and pushed me a little way from him, and stared at me with glittering spectacles. The contemplation appeared to displease him, for he frowned sternly, and said to my father, drawing his thumbs across my eyebrows - 'The deficiency is there, sir-there; and here,' he added, touching the upper sides of my head, 'here is the excess. That must be brought out, sir, and this must be laid to sleep.' I was in a state of tremor, partly at the vague idea that I was the object of reprobation, partly in the agitation of my first hatred - hatred of this big, spectacled man, who pulled my head about as if he wanted to buy and cheapen it. ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
Just sit right back And you'll hear a tale A tale of a fateful trip, That started from this tropic port, Aboard this tiny ship. The mate was a mighty sailin' lad, The Skipper brave and sure, Five passengers set sail that day, For a three hour tour, A three hour tour. The weather started getting rough, The tiny ship was tossed. If not for the courage of the fearless crew The Minnow would be lost. The Minnow would be lost. The ship set ground on the shore Of this uncharted desert isle With Gilligan, The Skipper too. The millionaire And his wife, The movie star, The professor and Mary Ann, Here on Gilligan's Isle. So this is the tale of our castaways, They're here for a long long time. They'll have to make the best of things, It's an uphill climb. The first mate and his Skipper too Will do their very best, To make the others comf'terble In their tropic island nest. No phone, no lights, no motor car, Not a single luxury Like Robinson Crusoe It's primitive as can be. So join us here each week my friends, You're sure to get a smile, From seven stranded castaways Here on Gilligan's Isle!
Sherwood Schwartz (Inside Gilligan's Island: A Three-Hour Tour Through The Making Of A Television Classic)
Formerly there were two ways. One was to take the ferry. This is the way I came on my first visit, and I have to say it was strange. All the passengers – and there weren’t many – went below and lay down on whatever horizontal surface they could find. Many covered their faces with their coats, as if hiding. Just after we left port, the snack bar closed. All this seemed a little odd, and then we hit the open sea and we began to roll and pitch in a weirdly restrained way. I am not the most experienced of sailors, but I have been on a few boats in my time – including once through the Beagle Channel in South America, which isn’t so much a water passage as a trampoline for boats – and I can say that I had never encountered anything quite like this. It wasn’t rough, but just slowly, cumulatively, peculiarly unsettling. The problem, as it was explained to me later, is that the ferry must have a flat bottom to get in among the shallows around St Mary’s, the main port of the Scillies, but this means that it sits on the water like a cork, which guarantees a lot of motion even on the smoothest days. In rough weather, I was told, you will often have the novel experience of being sick on the ceiling.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
O Tell Me The Truth About Love - Poem by WH Auden Some say love's a little boy, And some say it's a bird, Some say it makes the world go round, Some say that's absurd, And when I asked the man next door, Who looked as if he knew, His wife got very cross indeed, And said it wouldn't do. Does it look like a pair of pyjamas, Or the ham in a temperance hotel? Does its odour remind one of llamas, Or has it a comforting smell? Is it prickly to touch as a hedge is, Or soft as eiderdown fluff? Is it sharp or quite smooth at the edges? O tell me the truth about love. Our history books refer to it In cryptic little notes, It's quite a common topic on The Transatlantic boats; I've found the subject mentioned in Accounts of suicides, And even seen it scribbled on The backs of railway guides. Does it howl like a hungry Alsatian, Or boom like a military band? Could one give a first-rate imitation On a saw or a Steinway Grand? Is its singing at parties a riot? Does it only like Classical stuff? Will it stop when one wants to be quiet? O tell me the truth about love. I looked inside the summer-house; It wasn't even there; I tried the Thames at Maidenhead, And Brighton's bracing air. I don't know what the blackbird sang, Or what the tulip said; But it wasn't in the chicken-run, Or underneath the bed. Can it pull extraordinary faces? Is it usually sick on a swing? Does it spend all its time at the races, or fiddling with pieces of string? Has it views of its own about money? Does it think Patriotism enough? Are its stories vulgar but funny? O tell me the truth about love. When it comes, will it come without warning Just as I'm picking my nose? Will it knock on my door in the morning, Or tread in the bus on my toes? Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.
W.H. Auden
income. Because I want to not do what he says and make my own schedule. What’s the big deal, Meyer? You’ll be back.” Meyer had walked to the window and was looking out across Central Park. The weather was pleasant, and he considered going out onto the porch, but the wind looked rough. The roof terrace would be better, but not by much. That was the problem with tall buildings. You got a great view for an exorbitant price, but it’s like architects forgot how quickly the weather changed as you climbed higher in the air. He took a beat before replying. He didn’t want to admit how much he’d been looking forward to seeing her. Besides, telling Heather
Sean Platt (Invasion (Alien Invasion, #1))
There was another inspiring moment: a rough, choppy, moonlit night on the water, and the Dreadnaught's manager looked out the window suddenly to spy thousands of tiny baitfish breaking the surface, rushing frantically toward shore. He knew what that meant, as did everyone else in town with a boat, a gaff and a loaf of Wonder bread to use as bait: the stripers were running! Thousands of the highly prized, relatively expensive striped bass were, in a rare feeding frenzy, suddenly there for the taking. You had literally only to throw bread on the water, bash the tasty fish on the head with a gaff and then haul them in. They were taking them by the hundreds of pounds. Every restaurant in town was loading up on them, their parking lots, like ours, suddenly a Coleman-lit staging area for scaling, gutting and wrapping operations. The Dreadnaught lot, like every other lot in town, was suddenly filled with gore-covered cooks and dishwashers, laboring under flickering gaslamps and naked bulbs to clean, wrap and freeze the valuable white meat. We worked for hours with our knives, our hair sparkling with snowflake-like fish scales, scraping, tearing, filleting. At the end of the night's work, I took home a 35-pound monster, still twisted with rigor. My room-mates were smoking weed when I got back to our little place on the beach and, as often happens on such occasions, were hungry. We had only the bass, some butter and a lemon to work with, but we cooked that sucker up under the tiny home broiler and served it on aluminum foil, tearing at it with our fingers. It was a bright, moonlit sky now, a mean high tide was lapping at the edges of our house, and as the windows began to shake in their frames, a smell of white spindrift and salt saturated the air as we ate. It was the freshest piece of fish I'd ever eaten, and I don't know if it was due to the dramatic quality the weather was beginning to take on, but it hit me right in the brainpan, a meal that made me feel better about things, made me better for eating it, somehow even smarter, somehow . . . It was a protein rush to the cortex, a clean, three-ingredient ingredient high, eaten with the hands. Could anything be better than that?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
They went on among the tilted stones and rough grass, the wind coming from the woods cold in the sunlight. A stone angel in her weathered marble robes, the downcast eyes. The old people's voices drift across the lonely space, murmurous above these places of the dead. The lichens on the crumbling stones like a strange green light. The voices fade. Beyond the gentle clash of weeds. He sees them stoop to read some quaint inscription and he pauses by an old vault that a tree has half dismantled with its growing. Inside there is nothing. No bones, no dust. How surely are the dead beyond death. Death is what the living carry with them. A state of dread, like some uncanny foretaste of a bitter memory. But the dead do not remember and nothingness is not a curse. Far from it.
Cormac McCarthy
Falstaff is the most unusual figure in fiction. He is almost entirely a good man, a glorious, life-affirming good man, and there is hardly a good man in dramatic literature. There has always been an England, an older England, which was sweeter, purer, where the hay smelled better and the weather was always springtime and the daffodils blew in the gentle warm breezes. You feel a nostalgia for it in Chaucer, and you feel it all throughout Shakespeare. Falstaff is a refugee from that world. He has to live by his wits, he has to be funny, he has no place to sleep if he doesn’t get a laugh out of his patron. It’s a rough modern world that he’s living in. You’ve got to be able to see that look in his eyes that comes out of the age that never existed, the one that exists in the heart of all English poetry.
Orson Welles
If the change be not from outward circumstances, it must be from within; it must be nature, man’s nature, which has done the business for Captain Benwick.’ ‘No, no, it is not man’s nature. I will not allow it to be more man’s nature than woman’s to be inconstant and forget those they do love, or have loved. I believe the reverse. I believe in a true analogy between our bodily frames and our mental; and that as our bodies are the strongest, so are our feelings; capable of bearing most rough usage, and riding out the heaviest weather.’ ‘Your feelings may be the strongest,’ replied Anne, ‘but the same spirit of analogy will authorise me to assert that ours are the most tender. Man is more robust than woman, but he is not longer-lived; which exactly explains my view of the nature of their attachments.
Jane Austen (Persuasion)
When you can’t feel or act in a way that connects you to your bigger-picture goal of warmth and harmony, it’s worth attempting a “bottom-up” rather than a “top-down” strategy, focusing on the in-the-moment possibilities for awareness, kindness, and responsiveness. A finer-grained attention to what you are each doing to cause bad interactions can enable you to notice what each of you could do differently and gently lead you away from dwelling in a miasma of emotional negativity that toxifies the whole relational atmosphere. Attention to process, not outcome; awareness in the moment; tuning in to your own emotional weather—these are valuable mindfulness techniques under any circumstances, but they are particularly important to creating the moments of repair or attunement that can then promote a more positive big picture. As
Daphne de Marneffe (The Rough Patch: Marriage and the Art of Living Together)
Dismissed as a philistine, a boor, a drunk, and an incompetent, Grant has been subjected to pernicious stereotypes that grossly impede our understanding of the man. As a contemporary newspaper sniffed, Grant was “an ignorant soldier, coarse in his taste and blunt in his perceptions, fond of money and material enjoyment and of low company.”14 In fact, Grant was a sensitive, complex, and misunderstood man with a shrewd mind, a wry wit, a rich fund of anecdotes, wide knowledge, and penetrating insights. Many acquaintances remembered the “silent” Grant as the most engaging raconteur they ever met. His weather-beaten appearance during the war, when he wore simple military dress, often caked with mud, could be misleading, for an inner fineness and delicacy lay beneath the rough-hewn exterior. At the same time, Grant could be surprisingly naive and artless in business and politics.
Ron Chernow (Grant)
(Romance is) not about over-the-top gestures to me,” he finally says almost shyly. “It’s all the tiny moments that go to make a real love story. The funny things that go wrong like when one of you forgets your anniversary or does something silly. They all become part of your story. And you add to it with every argument or slammed door that you have. Every birthday or Christmas that you mould into a thing that only the two of you recognise. It’s taking care of each other when you’re throwing up or have a cold, it’s huddling under the duvet together laughing so hard your ribs hurt. It’s holding the other one when they’re frightened, knowing you will do anything to make them feel better again. It’s like being two pebbles on a beach. You start off individual shapes and then the weather and proximity means you rub the rough spots off so in the end you’re smooth with a patina that only echoes one other person.
Lily Morton
Ahoy!” a seaman called out. “The English frigate Polaris, ten days out from Antigua, bound for Portsmouth.” “Ahoy, yerself!” It was O’Shea’s rough brogue. She’d never heard sweeter music. “This be the clipper Sophia, of no particular country at the moment. Seven days out from Tortola, bound for…well, bound for here. Captain requests permission to board.” Gray. It had to be Gray. The officers of the Polaris exchanged wary looks. “Oh, for Heaven’s sake.” Sophia pushed forward to the ship’s rail and cupped her hands around her mouth, calling, “Permission to board granted!” A cheer rose up from the other ship’s deck. “It’s her, all right!” a voice called. Stubb’s, Sophia thought. Oh, but she hardly cared who was on the other deck. She cared only for the strong figure swinging across the watery divide as the two ships came abreast. Turning back toward the center of the ship, she pushed her way through the sweaty throng of sailors, desperate to get to him. Her foot caught on a rope, and she tripped- But it didn’t matter. Gray was there to catch her. And he was still wearing those sea-weathered, fire-scarred boots. No doubt for sentimental reasons. “Steady there,” he murmured, catching her by the elbows. She looked up to meet his beautiful blue-green eyes. “I have you.” “Oh, Gray.” She launched herself into his arms, clinging to his neck as he laughed and spun her around. “You’re here.” “I’m here.” And he was. Every strong, solid, handsome inch of him. Sophia buried her face in his throat, breathing in his scent. Lord, how she’d missed him. She pulled away, bracing her hands on his shoulders to study his face. “I can’t believe you came after me.” “I can’t believe you actually left.” He lowered her to the deck, and her hands slid to his arms. “I thought you were bluffing with that bit. I’d have never allowed you to go.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
March 10 MORNING “In my prosperity I said I shall never be moved.” — Psalm 30:6 “MOAB is settled on his lees, he hath not been emptied from vessel to vessel.” Give a man wealth; let his ships bring home continually rich freights; let the winds and waves appear to be his servants to bear his vessels across the bosom of the mighty deep; let his lands yield abundantly: let the weather be propitious to his crops; let uninterrupted success attend him; let him stand among men as a successful merchant; let him enjoy continued health; allow him with braced nerve and brilliant eye to march through the world, and live happily; give him the buoyant spirit; let him have the song perpetually on his lips; let his eye be ever sparkling with joy — and the natural consequence of such an easy state to any man, let him be the best Christian who ever breathed, will be presumption; even David said, “I shall never be moved;” and we are not better than David, nor half so good. Brother, beware of the smooth places of the way; if you are treading them, or if the way be rough, thank God for it. If God should always rock us in the cradle of prosperity; if we were always dandled on the knees of fortune; if we had not some stain on the alabaster pillar; if there were not a few clouds in the sky; if we had not some bitter drops in the wine of this life, we should become intoxicated with pleasure, we should dream “we stand;” and stand we should, but it would be upon a pinnacle; like the man asleep upon the mast, each moment we should be in jeopardy. We bless God, then, for our afflictions; we thank Him for our changes; we extol His name for losses of property; for we feel that had He not chastened us thus, we might have become too secure. Continued worldly prosperity is a fiery trial. “Afflictions, though they seem severe, In mercy oft are sent.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …
Mary Oliver (Dog Songs: Poems)
Nick tugged her head back, his tormented gaze raking over her face. His trembling fingertips traced the line of her cheek and jaw. “My God. Lottie…” As his panicked exploration continued, he discovered the bruises on her throat, and he uttered a cry of fury. “Holy hell! Your neck. He dared to… I’m going to slaughter that bastard—” Lottie placed her fingers over his mouth. “I’m all right,” she said gently. Feeling the way his large body shook, she drew her hand over his chest in a calming stroke. After the traumatic events of the past hours, it was so wonderful to be with him that her lips curved in a wobbly smile. She gazed into his dusty, sweat-streaked face with concern. “In fact, I believe I may be in better condition than you, my darling.” A primitive groan came from his throat, and he clutched her with his right arm, bending over her hungrily. “I love you,” he said in a low, shaken voice. “I love you so much, Lottie.” His lips covered hers in a fiercely ardent kiss. Clearly he was too unsettled to recall that there were others in the room. Lottie turned her face away with a muffled laugh. “I love you, too,” she whispered. “Not here, darling. Later, with more privacy, we can—” She was silenced as Nick seized her mouth once more. Suddenly she found herself pushed up against the wall by six feet of aroused, overwrought male. Realizing that there was no hope of subduing him, Lottie stroked his broad back in an effort to soothe him. He possessed her with deep, fervent kisses, while his lungs worked so violently that she could feel his rib cage expanding with each breath. She tried to comfort him, gently rubbing the back of his neck as his mouth worked roughly over hers. His breath came in ragged shivers, and in between kisses he breathed her name as if it were a prayer. “Lottie… Lottie…” Each time she tried to answer, he dove for her mouth again. “Sydney,” Sir Grant said after some prolonged throat-clearing had failed to capture his attention. “Ahem. Sydney…” After a long time, Nick finally lifted his head. Lottie pushed at his chest, making him loosen his grip on her. Red-faced and breathless, she saw that Sayer had developed a keenly absorbing interest in the weather outside the window, while Daniel had excused himself to wait outside.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
The goal was to build a model that represented the climate system. This was no small task. Weather models are concerned only about what’s happening in the atmosphere. The atmosphere has a memory of roughly one week. That’s why your local weather forecast goes out only about a week.
Heidi Cullen (The Weather of the Future: Heat Waves, Extreme Storms, and Other Scenes from a Climate-Changed Planet)
sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous. In England, there was scarcely an amount of order and protection to justify much national boasting. Daring burglaries by armed men, and highway robberies, took place in the capital itself every night; families were publicly cautioned not to go out of town without removing their furniture to upholsterers’ warehouses for security; the highwayman in the dark was a City tradesman in the light, and, being recognised and challenged by his fellow- 5 of 670
Anonymous
Pretty rough-looking bruise you have there,” Preacher said. “Can I get you anything for that lip? I have a first aid kit in the kitchen.” “I’m fine,” she said, shaking her head. “How about if we settle up and—” “I don’t have anything for a kid’s fever. Except a room. With a lock on the door so you feel safe. You don’t want to pass up an offer like that in this weather, with a kid who might be coming down with something. I look big and mean, but I’m about as safe as you get. Unless you’re wildlife.” He grinned at her. “You don’t look mean,” she said timidly. “It can make women and little kids real nervous—and I hate that part. You on the run?” he asked her. She lowered her eyes. “What d’you think? I’m gonna call the cops? Who did that to you?” She immediately started to cry. “Aw. Hey. Don’t.” She put her head down on folded arms on the tabletop and sobbed. “Aw. Come on. Don’t do that. I never know what to do.” Hesitatingly, squeamishly, he touched her back and she jumped. He touched one of her hands, very lightly. “Come on, don’t cry. Maybe I can help.” “No. You can’t.” “Never know,” he said, lightly patting her hand. She
Robyn Carr (Shelter Mountain (Virgin River, #2))
they were, perhaps, so unwearyingly fond of good things not least because they could, when put to it, do without them, and could survive rough handling by grief, foe, or weather in a way that astonished those who did not know them well and looked no further than their bellies and their well-fed faces. Though
J.R.R. Tolkien (The Lord of the Rings)
Susan came down the hall in a white dress that fit her well. She looked like she was receiving an Academy Award for stunningness. I
Robert B. Parker (Rough Weather (Spenser, #36))
The weatherman had said it might rain, so everyone was sure it wouldn't. In L.A., where the weather is the same three hundred and fifty-five days a year, the weatherman is right about fifteen percent of the time, roughly the same average as the handicappers at Santa Anita, astrologers, and the guys who predict lower gasoline prices. Faith in the U.S. Meteorological Service does not run high in Los Angeles.
Timothy Hallinan (The Four Last Things (Simeon Grist Mystery, #1))
I took some time to evaluate them, and concluded that fashionable dress was heavily dependent on who was wearing it. I
Robert B. Parker (Rough Weather (Spenser, #36))
In a remote area on the western side of the island, near the town of Marrawah, a pod of sperm whales was stranded on the beach. One big male came to shore first. Over the next twenty-four hours, another thirty-four whales stranded themselves, including calves and pregnant mothers. Whale stranding is one of the heartbreaking mysteries of the animal world. It is little understood. At this moment no scientific reasoning mattered as we encountered the tragedy unfolding on that Tasmanian beach. I felt so helpless. All I could do was be there as the huge, gorgeous sea mammals fought pitifully to stay alive. The weather was cold, even though it was officially the Tasmanian summer, and the seas were too rough to get a boat out to help the whales. We put our arms around the dying animals, spoke to them, and looked into their eyes to share in their pain and grief. By the end of the day I was so cold that I had trouble getting my pants off over my pregnant belly. It took me half an hour of struggling in the car park to strip off my soaking-wet clothes and get into some warm, dry gear. Physically, emotionally, and even spiritually, it had been an exhausting day. I pondered what communication the baby inside me would have gotten from the event. The dying whales had sung among themselves. Steve and I spoke back and forth over their stranded bodies. What did baby Igor pick up on? Through our experiences, we were beginning to form our very own tiny wildlife warrior, even before the baby was born. Igor had only just begun his education.
Terri Irwin (Steve & Me)
It was good for me to be afflicted. (Psalm 119:71) It is a remarkable occurrence of nature that the most brilliant colors of plants are found on the highest mountains, in places that are the most exposed to the fiercest weather. The brightest lichens and mosses, as well as the most beautiful wildflowers, abound high upon the windswept, storm-ravaged peaks. One of the finest arrays of living color I have ever seen was just above the great Saint Bernard Hospice near the ten-thousand-foot summit of Mont Cenis in the French Alps. The entire face of one expansive rock was covered with a strikingly vivid yellow lichen, which shone in the sunshine like a golden wall protecting an enchanted castle. Amid the loneliness and barrenness of that high altitude and exposed to the fiercest winds of the sky, this lichen exhibited glorious color it has never displayed in the shelter of the valley. As I write these words, I have two specimens of the same type of lichen before me. One is from this Saint Bernard area, and the other is from the wall of a Scottish castle, which is surrounded by sycamore trees. The difference in their form and coloring is quite striking. The one grown amid the fierce storms of the mountain peak has a lovely yellow color of a primrose, a smooth texture, and a definite form and shape. But the one cultivated amid the warm air and the soft showers of the lowland valley has a dull, rusty color, a rough texture, and an indistinct and broken shape. Isn’t it the same with a Christian who is afflicted, storm-tossed, and without comfort? Until the storms and difficulties allowed by God’s providence beat upon a believer again and again, his character appears flawed and blurred. Yet the trials actually clear away the clouds and shadows, perfect the form of his character, and bestow brightness and blessing to his life. Amidst my list of blessings infinite Stands this the foremost, that my heart has bled; For all I bless You, most for the severe. Hugh Macmillan
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
[Lincoln] wore a somewhat battered “stove-pipe hat.” … [His] ungainly body was clad in a rusty black frock-coat with sleeves that should have been longer. … His black trousers, too, permitted a very full view of his large feet. On his left arm he carried a gray woolen shawl, which evidently served him for an overcoat in chilly weather. His left hand held a cotton umbrella of the bulging kind, and also a black satchel that bore the marks of long and hard usage. His right hand he had kept free for hand-shaking, of which there was no end until everybody in the [railroad] car seemed to be satisfied. I had seen, in Washington and in the West, several public men of rough appearance, but none whose looks seemed quite so uncouth, not to say grotesque, as Lincoln’s
Nancy F. Koehn (Forged in Crisis: The Power of Courageous Leadership in Turbulent Times)
In EVE, it’s not uncommon for lag to create unfavorable conditions for one or both sides of a battle, but that doesn’t invalidate the results. In a game where the results of a battle are irreversible, lag is roughly analogous to weather in the real world. Everybody knows there’s a chance there could be a rain storm, and if your army isn’t prepared for that then you’re a fool. Every decent fleet commander in EVE knows lag may be a problem, and a good battle plan will take that into account.
Andrew Groen (Empires of EVE: A History of the Great Wars of EVE Online)
While British Bomber Command believed in leveling entire cities, the Americans considered themselves “precision bombers,” a term that implied attacks exclusively against military targets out of revulsion at indiscriminately killing civilians. But because the skies of central Europe were chronically overcast, half of Eighth Air Force’s bomb tonnage was dropped using “blind bombing” radar techniques; often, as few as one out of ten bombs fell within half a mile of an obscured target. Even when conditions were ideal for bombardiers—this was the case in roughly one sortie of seven—less than a third of all bombs detonated within a thousand feet of the aiming point. The term “precision bombing,” Spaatz conceded, was intended “in a relative, not a literal sense.” Bad weather also caused frequent diversions to secondary targets such as rail yards, a practice that amounted to emptying bomb bays over city centers.
Rick Atkinson (The Guns at Last Light: The War in Western Europe 1944-1945 (The Liberation Trilogy))
Thus vocational integrity includes the capacity, to use golfing language, to play one's lie: to proceed without complaint about the weather, the depth of the rough, the capacities of the groundskeeper, the noise of the children in the nearby backyards, the quality of the conversation in your foursome or the refusal of other golfers to turn off their cell phones. We just play the shot. This is real life; we do not have the option of picking up the ball and finding a better spot from which to play. We play the lie.
Gordon T. Smith (Called to Be Saints: An Invitation to Christian Maturity)
Maybe it’s because the seasons are rough, so we appreciate when the weather changes because it’s a constant reminder that time passes, so get busy living.
Kristin Hensley (#IMomSoHard)
the return of the Manx Shearwater. She was coming in from scallop dredging between Contrary Head and Jurby Point and instead of taking it easy on account of the weather, she was tearing across Peel Bay for all she was worth. A south-westerly gale was blowing and the sea was rough, but in her anxiety to make harbour she drove her bow into the steep waves until it vanished completely. Then she rose high in the air as though preparing to take a long jump for port.
George Bellairs (The Cursing Stones Murder (Inspector Littlejohn #23))
Sackcloth (Jonah 3:5). Sackcloth was rough material worn to indicate mourning. It was designed to be uncomfortable. Jonah’s refusal to go (Jonah 1:3; 4:2). As Jonah indicated (chap. 4), he did not want to go because the sequence of events was entirely predictable. He knew that the Assyrians would respond with their appeasement techniques and superficial repentance to his judgment message, but that God would be gracious and relent. He was angry about this easy grace. Object lesson (Jonah 4:5–8). God put Jonah in Nineveh’s shoes. Just as Nineveh faced an impending disaster, Jonah faced an impending weather situation. The Ninevites tried to protect themselves with repentance and Jonah tried to protect himself with his hut. Both were inadequate. God provided extra protection for Jonah through a plant. Then God did to Jonah what Jonah wanted him to do to Nineveh—removed his protection. Jonah was not happy about losing God’s gracious compassion when it was he, not the Ninevites, who had received it. This is how God made the point that his compassion is given as an act of grace. Once that is understood, we realize that if we overestimate the Ninevite response, we minimize the element of God’s compassion. The whole point is that God responds with compassion to even the smallest steps in the right direction. Background Information Nineveh. In the mid-eighth century BC, when Jonah lived (2 Kings 14:25), Nineveh was a major city in the Assyrian province of Nineveh. At this time the kingdom of Assyria was fragmented with provinces acting as almost independent entities. The city was about two and a half miles in circumference, about the same size as Jerusalem. About fifty years later (700 BC), Sennacherib made Nineveh the capital city of the Assyrian Empire, bringing it to prominence in the ancient world. King of Nineveh. One would generally expect the text to refer to the king of Assyria. We would not expect a king of Nineveh, but we would also not expect the king of Assyria to be in Nineveh, because Assyria was fragmented and Nineveh was a province, not the capital. More likely, the ruler of the province would legitimately have been identified with the Hebrew word translated “king.” Mistakes to Avoid Many mistakes are made when teaching the story of Jonah. The inclination is to make Jonah a missionary who brought a message of hope that was followed by a great conversion among the people of Nineveh. But a prophet was not a missionary preaching good news of hope. Jonah did not have a missionary calling, message, or attitude. His message was only one of judgment. The story is also not about salvation or going to heaven. Eternal life in heaven is not set forth in the Old Testament. Therefore, we cannot use the story of Jonah as one to tell our friends about Jesus or about leading people to salvation. When teaching about Jonah’s reluctance to go to Nineveh, we ought not to conclude that his reason was political resentment or prejudice. Furthermore, though it is certainly true that if God is intent on a person doing something or going somewhere, his plan will be irresistible, but the point of the story isn’t that we cannot run from God. God did not allow Jonah to escape the commission, but that does not mean that God will always act in the same way. Focusing on such things detracts from the very important theological message that the book offers: God responds with compassion to small steps in the right direction. God wants people to be responsive to him. New Testament
John H. Walton (The Bible Story Handbook: A Resource for Teaching 175 Stories from the Bible)
The attic was pleasantly chilly and smelled of pine. Decades of summer heat had forced droplets of resin out of the rough floorboards, which in cooler weather hardened to little amber marbles that scattered in all directions as we shifted trunks and cardboard boxes. The afternoon is fixed in my memory with the sharp smell of resin and that particular amber rattle, like the sound of ball bearings rolling around in a box. It's surprising how much of memory is built around things unnoticed at the time.
Barbara Kingsolver (Animal Dreams)
any
Robert B. Parker (Rough Weather (Spenser, #36))
Enough of these games. Raziel rose in a quick motion; he gripped her head in his hands and kissed her harshly, shoving her up against the wall. Open to me, he thought. Her arms twined around his neck as she responded. Using the connection their past history gave them, he delved deep, deeper into her mind, probing her roughly. He could feel her slight tremor as she allowed him in, opening up layer after layer to him, until there were no more to be explored. Finally
L.A. Weatherly (Angel Fire (Angel, #2))
A man may see how this world goes with no eyes. Look with thine ears. See how yon justice rails upon yon simple thief. Hark in thine ear: change places and, handy-dandy, which is the justice, which is the thief? - King Lear
Robert B. Parker (Rough Weather (Spenser, #36))
Denis’ cave to be such a regular haunt for hundreds of thousands of years is not usual. You can see why though. Despite the gritty weather, it’s a highly desirable residence; a waterfront property overlooking a picturesque river, the rustic estate boasts a wide rectangular south-facing entrance, into a nine-by-eleven-meter main chamber served by a working vertical chimney for a fireplace or kitchen stove, with three smaller secluded side galleries for bedrooms or even a study. Total floor plan: roughly 270 square meters. In 2008, the remains of one
Adam Rutherford (A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes)
ease and peace had left this people still curiously tough. They were, if it came to it, difficult to daunt or to kill; and they were, perhaps, so unwearyingly fond of good things not least because they could, when put to it, do without them, and could survive rough handling by grief, foe, or weather in a way that astonished those who did not know them well and looked no further than their bellies and their well-fed faces. Though
J.R.R. Tolkien (The Lord of the Rings)
At the back of the yard, tufted with grass like sparse hair on a balding head, is a weathered gray shed with a slit cut out of the door. Fanny nods toward it. “I’ll wait.” “You don’t have to.” “The longer you’re in there, the longer my fingers get a break.” The shed is drafty, and I can see a sliver of daylight through the slit. A black toilet seat, worn through to wood in some places, is set in the middle of a rough-hewn bench. Strips of newspaper hang on a roll on the wall. I remember the privy behind our cottage in Kinvara, so the smell doesn’t shock me, though the seat is cold. What will it be like out here in a snowstorm? Like this, I suppose, only worse. When I’m finished, I open the door, pulling down my dress. “You’re pitiful thin,” Fanny says. “I’ll bet you’re hungry.” Hongry. She’s right. My stomach feels like a cavern. “A little,” I admit. Fanny’s face is creased and puckered, but her eyes are bright. I can’t tell if she’s seventy or a hundred. She’s wearing a pretty purple flowered dress with a gathered bodice, and I wonder if she made it herself. “Mrs. Byrne don’t give us much for lunch, but it’s prolly more’n you had.” She reaches into the side pocket of her dress and pulls out a small shiny apple. “I always save something for later, case I need it. She locks up the refrigerator between meals.” “No,” I say. “Oh yes she does. Says she don’t want us rooting around in there without her permission. But I usually manage to save something.” She hands me the apple. “I can’t—
Christina Baker Kline (Orphan Train)
I have no patience with the untom, anyone who hasnt weathered rough weather, fallen apart, been ripped to pieces, put herself back together, big stitches, jagged cuts, nothing nice, then something shines out. but these ones all shined up on the outside, the ass wigglers.
Andrea Dworkin
In the year 0982, Gunnbjorn Ulfsson reported that he had journeyed to another land having fertile green fields, about 200 miles to the west of Iceland. Out of duress, Eric the Red now 32 years old, decided to uproot his family and move there. Eric and his family sailed the treacherous distance between the two landmasses safely and named the new location Greenland. He chose this name because it reflected the grassy, valleys he discovered during this warm period of the island’s history. Three years later when he could return to Iceland, he told astounding stories about where he and his family had settled. His stories must have sounded inviting since they encouraged many other settlers to join them there, especially considering that a famine had devastated Iceland. Not knowing any better, they had severely overworked the cold soil in Iceland, putting their very existence into jeopardy. Knowing that they could not survive another winter, 980 people on 25 boats left for the arduous journey to Greenland. It must have been a cold, rough crossing because only 14 boats succeeded in making it. However, Eric later learned that some of the boats had survived and had managed to return safely to Iceland. In time, there were about 5,000 settlers in Greenland. The official records indicate that two sizable Norse settlements had been founded in fjords on the southwestern coast of the island. Other smaller ones were located on the same coast as far north as present day Nuuk. Most of the settlements which were founded in about the year 1,000, remained inhabited until well into “The Little Ice Age,” which started in 1350 and lasted for approximately 500 years. In the beginning when the weather was considerably warmer, about 400 farms were started by the Viking farmers. However later, the extreme cold and glacial ice made farming nearly impossible in these frigid northern latitudes. Recently, archaeologists discovered a Viking village that was radiocarbon dated back to circa 1430.
Hank Bracker
She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.
Tracy Guzeman (The Gravity of Birds)
1 It was early December. The streets of Milan glistened with Christmas decorations, with people coming and going carefree, carrying elegant shopping bags. It was past eight, and several minutes earlier I had closed behind me the door of Passerella, the modelling agency I ran. I had let my assistant, Giovanni, file the photos of the new faces we had initially chosen for Dante’s summer collection. He was an up-and-coming designer. The minute I walked down Monte Napoleone, one of the city’s most commercial streets, the chilly air forced me to wrap up well in my brand new light green coat. An original piece of cashmere, the five letters embossed on its lapel making it even more precious in that cold weather. My fingers contentedly groped for the word “Prada” before I stuck my hand into its warm pocket, while clutching my favourite handbag tight. A huge red ostrich Hermes where you could find cosmetics, scarves, and accessories, which I could use throughout the day, giving a different twist to my appearance. I wanted to walk a little bit to let off steam. My job may have been pleasant as it had to do with the world’s most beautiful creatures, men and women, but it wasn’t without its tensions. Models went to and fro, trade representatives looking for new faces, endless castings, phone calls, text messages, tailors, photographers, reports from my secretary and assistants—a rowdy disorder! I had already left the building where my job was, and I was going past another two entrances of nearby premises, when my leg caught on something. I instantly thought of my brand new Manolo Blahnik shoes. I’d only put them on for the second time, and they were now falling victim to the rough surface of a cardboard box, where a homeless man slept, at the entrance of a building. My eyes sparked as I checked if my high heels were damaged. On the face of it, they were intact. But that wasn’t enough for me. I found a lighter, and tried to check their red leather in the dim light. Why should the same thing happen over and over again every time I buy new shoes? I wondered and walked on, cursing. Why had that bloke chosen that specific spot to sleep, and why had I headed for his damn cardboard box! As I held my lighter, my angry gaze fell on the man who was covered with an impermeable piece of nylon, and carried on sleeping. He looked so vulnerable out in the cold that I didn’t dare rouse him from his sleep. After all, how could I hold him responsible in this state? I quickened my gait. Bella was waiting for me to start our night out with a drink and supper at Galleria Vittorio Emanuele, the imposing arcade with a dome made of glass, its ambience warm and romantic. Bella’s office was nearby, and that meeting place was convenient for both of us. That’s where we made up our minds about how to spend the night.I walked several metres down the road, but something made me stop short. I wanted to have a second look at that man. I retraced my steps. He was a young man who, despite his state, seemed so out of place. His unkempt hair and unshaven face didn’t let me see anything else but his profile, which reminded of an ancient Greek statue, with pronounced cheekbones and a chiselled nose. This second time, he must have sensed me over him. The man’s body budged, and he eyed me without making me out, dazzled by the lighter flame. As soon as I realised what I had done, I took to my heels. What had made me go back? Maybe, the sense of guilt I felt inside my warm Prada coat, maybe, the compassion I had to show as Christmas was just around the corner. All I knew was that a small bell jingled within, and I obeyed it. I walked faster, as if to escape from every thought. As I left, I stuck my hand in my bag, and got hold of my mobile. My secretary’s voice on the other end of the line sounded heavy and imposing. Giovanni wasn’t the embodiment of “macho” man, but he had all it takes to be the perfect male. Having chosen to quit modelling, he still looked gorgeous at the age of
Charlotte Bee (SLAVE AT MY FEET)
Life must be lived forward but can only be understood backward", he began. "That's a curious irony and a grievous impediment. We set off for one point and soon find ourselves at some other. And yet, the art of life might be to accept the course that God charts for us, a course that is rarely the most direct route from point to point. But a zigzagging, even circuitous, path where were are confronted with many unexpected trials...and unexpected blessings. Where we learn, like the experienced sailor, to use the wind when we are able and to prevail through rough weather without giving up our hope and faith of arriving some day at our destination. But accepting the course God has set for us. Accepting that God may have a better destination in mind than we had ever hoped for...
Thomas Kinkade and Katherine Spencer
like being two pebbles on a beach. You start off individual shapes and then the weather and proximity means you rub the rough spots off so in the end you’re smooth with a patina that only echoes one other person.
Lily Morton (Best Man (Close Proximity, #1))
Discovering the need for committed living, where a value higher that your own emotional weather prevails. In adulthood, a sense of purpose and meaning derives from the dual psychological movements toward deepening inward and expanding outward. We in the rough patch need to use the fuel of waning youth and the whisper of mortality to vitalize and intensify our self-awareness, love for others, and our engagement with the world.
Daphne de Marneffe (The Rough Patch: Marriage and the Art of Living Together)
In answer to an inquiry Wilbur sent to the United States Weather Bureau in Washington about prevailing winds around the country, they were provided extensive records of monthly wind velocities at more than a hundred Weather Bureau stations, enough for them to take particular interest in a remote spot on the Outer Banks of North Carolina called Kitty Hawk, some seven hundred miles from Dayton. Until then, the farthest the brothers had been from home was a trip to Chicago for the Columbian Exposition of 1893. And though they had “roughed it” some on a few camping trips, it had been nothing like what could be expected on the North Carolina coast. To be certain Kitty Hawk was the right choice, Wilbur wrote to the head of the Weather Bureau station there, who answered reassuringly about steady winds and sand beaches. As could be plainly seen by looking at a map, Kitty Hawk also offered all the isolation one might wish for to carry on experimental work in privacy. Still further encouragement came when, on August 18, 1900, the former postmaster at Kitty Hawk, William J. Tate, sent a letter saying: Mr. J. J. Dosher of the Weather Bureau here has asked me to answer your letter to him, relative to the fitness of Kitty Hawk as a place to practice or experiment with a flying machine, etc. In answering I would say that you would find here nearly any type of ground you could wish; you could, for instance, get a stretch of sandy land one mile by five with a bare hill in center 80 feet high, not a tree or bush anywhere to break the evenness of the wind current. This in my opinion would be a fine place; our winds are always steady, generally from 10 to 20 miles velocity per hour. You can reach here from Elizabeth City, N.C. (35 miles from here) by boat . . . from Manteo 12 miles from here by mail boat every Mon., Wed., & Friday. We have telegraph communication & daily mails. Climate healthy, you could find good place to pitch tent & get board in private family provided there were not too many in your party; would advise you to come anytime from September 15 to October 15. Don’t wait until November. The autumn generally gets a little rough by November. If you decide to try your machine here and come, I will take pleasure in doing all I can for your convenience and success and pleasure, and I assure you you will find a hospitable people when you come among us. That decided the matter. Kitty Hawk it would be.
David McCullough (The Wright Brothers)
Then he turned to Rosemary Barr. “Meanwhile we’ll put you somewhere safe,” he told her. “Your tutorials will start as soon as the soldier is buried.” The outer western suburbs were bedroom communities for people who worked in the city, so the traffic stayed bad all the way out. The houses were much grander than in the east. They were all two-story, all varied, all well maintained. They all had big lots and pools and ambitious evergreen landscaping. With the last of the sunset behind them they looked like pictures in a brochure. “Tight-ass middle class,” Reacher said. “What we all aspire to,” Yanni said. “They won’t want to talk,” Reacher said. “Not their style.” “They’ll talk,” Yanni said. “Everyone talks to me.” They drove past the Archer place slowly. There was a cast-metal sign on thin chains under the mailbox: Ted and Oline Archer. Beyond it, across a broad open lawn, the house looked closed-up and dark and silent. It was a big Tudor place. Dull brown beams, cream stucco. Three-car garage. Nobody home, Reacher thought. The neighbor they were looking for lived across the street and one lot to the north. Hers was a place about the same size as the Archers’ but done in an Italianate style. Stone accents, little crenellated towers, dark green sun awnings on the south-facing ground-floor windows. The evening light was fading away to darkness and lamps were coming on behind draped windows. The whole street looked warm and rested and quiet and very satisfied with itself. Reacher said, “They sleep safely in their beds because rough men stand ready in the night to visit violence on those who would do them harm.” “You know George Orwell?” Yanni asked. “I went to college,” Reacher said. “West Point is technically a college.” Yanni said, “The existing social order is a swindle and its cherished beliefs mostly delusions.” “It is not possible for any thinking person to live in such a society as our own without wanting to change it,” Reacher said. “I’m sure these are perfectly nice people,” Helen said. “But will they talk to us?” “They’ll talk,” Yanni said. “Everyone talks.” Helen pulled into a long limestone driveway and parked about twenty feet behind an imported SUV that had big chrome wheels. The front door of the house was made of ancient gray weathered oak with iron banding that had nail heads as big as golf balls. It felt like you could step through it straight into the Renaissance. “Property is theft,” Reacher said. “Proudhon,” Yanni said. “Property is desirable, is a positive good in the world.” “Abraham Lincoln,” Reacher said. “In his first State of the Union.” There was an iron knocker shaped like
Lee Child (One Shot (Jack Reacher, #9))
The path of self-discipline is riddled with tempting detours, rough patches, and frustrating roadblocks. You need tools to help you weather such challenges. In the face of any temptation, distraction, or impulse, there’s a four-pronged tool you can use to fortify your self-discipline—four illuminating questions you need to immediately ask yourself. “Do I want to be a disciplined person or not?” You can answer this question only with a yes or a no; rationalizations, bargaining, exceptions, and conditions are not allowed. If you put off a task to give in to temptation, the answer must be no. By forcing you to classify yourself in such a black-or-white manner, you become better aware of the ways you might rationalize your lapse in self-discipline. “Am I doing the right thing or simply what’s easy?” Doing the right thing—that is, practicing self-discipline—often means you need to do the hard thing. If you find yourself always taking the path of least resistance, then you’re probably not building discipline and are letting your need for comfort dictate the course of your life. “What am I getting for dessert?” This question is all about calling to mind the reason why you’re sacrificing so much now, the reward at the end of the road. When you lose sight of your purpose, it becomes so much harder to maintain self-control and enjoy the journey on the way to it. Having constant reminders of your goals and making sure those goals are compelling enough for you to persist are ways you can fortify your self-discipline. “Am I being self-aware?” Self-discipline requires self-awareness. If you fail to recognize how you’re making excuses for your laziness or what motivations push you to act, then you will find the practice of self-discipline all that much harder. Meditation, as well as engaging in creative pursuits that get you to focus on the present and cultivate your self-awareness, can help you rise above temptations and stay on track to reach your goals.
Peter Hollins (The Science of Self-Discipline: The Willpower, Mental Toughness, and Self-Control to Resist Temptation and Achieve Your Goals (Live a Disciplined Life Book 1))