Rouge And Shadow Quotes

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Once upon a time, [...]. There was a world that was perfectly made and full of birds and striped creatures and lovely things like honey lilies and star tenzing and weasels— [...] And this world already had light and shadow, so it didn't need any rouge stars to come and save it, and it had no use for bleeding suns or weeping moons, either, and most important, it had never known war, which is a terrible and wasteful thing that no world needs. It had earth and water, air and fire, all four elements, but it was missing the last element. Love. [...] And so this paradise was like a jewel box without a jewel. There it lay, day after day of rose-colored dawns and creature sounds and strange perfumes, and waited for lovers to find it and fill it with their happiness. The end. [...] The story is unfinished. The world is still waiting.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
The cut of his face and the cut of his dark suit and the cut of his shadows. The scar’s jagged shape gleaming in the bloody sunset.
Mona Awad (Rouge)
The elderly ladies were rouged and mascaraed and hennaed and used blue hair rinse and eye shadow and wore costume jewelry, and many of them were proud and stared at you with expressions that did not belong to their age.
Saul Bellow (Seize the Day)
Amadora was never far from her understanding of women, glamour, or the fine line between elegant and camp, vulgar and vibrant, life and dreams. ... Color, she believed, was feminine. She said that women were masters of color, evidenced in changing their hair color, using eye shadow, mascara, powder, rouge, lipstick. You could see it in their jewelry- silvers and golds, gems, stones, pearls of every hue. It was in their clothing, from what they slept in to what they danced in. Their shoes. Their purses. Ribbons, barrettes, clips, and tiaras. Veils. All this color to enhance their sex appeal, while men, she felt, were ill-equipped to handle color with the same ease.
Whitney Otto (Eight Girls Taking Pictures)
During the 1980s, in California, a large number of Cambodian women went to their doctors with the same complaint: they could not see. The women were all war refugees. Before fleeing their homeland, they had witnessed the atrocities for which the Khmer Rouge, which had been in power from 1975 to 1979, was well known. Many of the women had been raped or tortured or otherwise brutalized. Most had seen family members murdered in front of them. One woman, who never again saw her husband and three children after soldiers came and took them away, said that she had lost her sight after having cried every day for four years. She was not the only one who appeared to have cried herself blind. Others suffered from blurred or partial vision, their eyes troubled by shadows and pains. The doctors examined the women - about a hundred and fifty in all - found that their eyes were normal. Further tests showed that their brains were normal as well. If the women were telling the truth - and there were some who doubted this, who thought the women might be malingering because they wanted attention or were hoping to collect disability - the only explanation was psychosomatic blindness. In other words, the women's minds, forced to take in so much horror and unable to take more, had managed to turn out the lights.
Sigrid Nunez (The Friend)
Key Rabbit, allow me to bore you with a comparison of your wife and a beautiful woman," I said. "In the morning a beauty must lie in bed for three or four hours gathering strength for another mighty battle with Nature. Then, after being bathed and toweled by her maids, she loosens her hair in the Cascade of Teasing Willows Style, paints her eyebrows in the Distant Mountain Range Style, anoints herself with the Nine Bends of the River Diving-water Perfume, applies rouge, mascara, and eye shadow, and covers the whole works with a good two inches of the Powder of the Nonchalant Approach. Then she dresses in a plum-blossom patterned tunic with matching skirt and stockings, adds four or five pounds of jewelry, looks in the mirror for any visible sign of humanity and is relieved to find none, checks her makeup to be sure that it has hardened into an immovable mask, sprinkles herself with the Hundred Ingredients Perfume of the Heavenly Spirits who Descended in the Rain Shower, and minces with tiny steps toward the new day. Which, like any other day, will consist of gossip and giggles.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Rogue turned to her, his face no longer quite so hard. A curl of smoke rose from the pistol in his hand. Rotten apples fell from the tree, splatting at her feet. "Poor little girlie," he said, and there did seem to be potty in his voice. "I told you you'd get your fingers bit.
Lena Coakley (Worlds of Ink and Shadow)
It made a romantic tale. The young rouge, cheating death, returning to his grieving lover. But in reality? Ashyn had always known life did not resemble one of her book stories or Moria's bard tales, and yet there was a part of her that hoped it did. The more she saw, the more she realized she was wrong. People made up stories because that is what they wanted from their world. A place where goodness, kindness, and honor were rewarded. They were not rewarded. The people of Edgewood could attest to that. - Sea Of Shadows
Kelly Armstrong
dinner guests. Lorena Lim and Carol Tai shook Rachel’s hand, while Daisy Foo embraced Nick. (It did not escape Rachel that Daisy was the first person who had hugged him all night.) “Aiyah, Nicky, why have you been hiding your beautiful girlfriend for so long?” Daisy said, greeting Rachel with an effusive hug as well. Before Rachel could respond, she felt someone grabbing her arm. She looked down at the bing-cherry-size ruby ring and long red manicured claws before looking up in shock at a woman with teal-green eye shadow and rouge painted heavier than a drag queen’s. “Rachel, I’m Nadine,” the woman said. “I’ve heard so much about you from my daughter.” “Really? Who’s your daughter?” Rachel asked politely. Just then, she
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
Hurrying back into the rouge lighting in sheer terror, Amelia ran without another word, escaping into the shadows of the dungeon, and she shrieked for salvation that never came.
Shelique Lize (Velicious)
Hair so black it shone blue streamed to her knees, each strand straighter than a soldier’s back. Her age was impossible to gauge beneath the white powder which smoothed her face into a mask. Rouge slashed her cheeks, blood-red ink outlined her lips, and kohl shadowed her almond-shaped eyes. Sapphire powder glittered across her eyelids up to her eyebrows but her eyes were black pits that offered no reassurance.
Wendy Scott (Tiger House (The Chronicles of Jairus Tanner #1))
Only the worthy deserve a true mate, Your Majesty. Keep her out of the shadows.
Roxie Ray (Stolen by the Vampire King (Baton Rouge Vampire, #2))
It was astonishing how significant, coherent and understandable it all became after a glass of wine on an empty stomach. The lights winking up at a pallid moon, the slender painted ladies, the wings of the Moulin Rouge, the smell of petrol and perfume and cooking. The Place Blanche, Paris, Life itself. One realized all sorts of things. The value of an illusion, for instance, and that the shadow can be more important than the substance. All sorts of things.
Jean Rhys (Quartet)