Rotten Fish Quotes

Rosethorn had gone to her room the moment Niko started to cough. Now she returned with her syrup and a firm look in her eye. "I thought you were having trouble last night. Drink this." She poured some into a cup and held it out to him. Niko looked at it as if she offered him rotten fish. "I am fine. I am per-" He couldn't even finish the sentence for coughing. "It's not bad," said Tris, crossing her fingers behind her back. "Really, tastes like-like mangoes." Niko looked at her, then took the cup and downed its contents. The four watched with interest as his cheeks turned pale, then scarlet. "That's terrible (exclamation point)" he cried, his voice a thin squeak. "Maybe I was thinking of some other syrup," Tris remarked with a straight face.

In the age of Facebook and Instagram you can observe this myth-making process more clearly than ever before, because some of it has been outsourced from the mind to the computer. It is fascinating and terrifying to behold people who spend countless hours constructing and embellishing a perfect self online, becoming attached to their own creation, and mistaking it for the truth about themselves.20 That’s how a family holiday fraught with traffic jams, petty squabbles and tense silences becomes a collection of beautiful panoramas, perfect dinners and smiling faces; 99 per cent of what we experience never becomes part of the story of the self. It is particularly noteworthy that our fantasy self tends to be very visual, whereas our actual experiences are corporeal. In the fantasy, you observe a scene in your mind’s eye or on the computer screen. You see yourself standing on a tropical beach, the blue sea behind you, a big smile on your face, one hand holding a cocktail, the other arm around your lover’s waist. Paradise. What the picture does not show is the annoying fly that bites your leg, the cramped feeling in your stomach from eating that rotten fish soup, the tension in your jaw as you fake a big smile, and the ugly fight the happy couple had five minutes ago. If we could only feel what the people in the photos felt while taking them! Hence if you really want to understand yourself, you should not identify with your Facebook account or with the inner story of the self. Instead, you should observe the actual flow of body and mind. You will see thoughts, emotions and desires appear and disappear without much reason and without any command from you, just as different winds blow from this or that direction and mess up your hair. And just as you are not the winds, so also you are not the jumble of thoughts, emotions and desires you experience, and you are certainly not the sanitised story you tell about them with hindsight. You experience all of them, but you don’t control them, you don’t own them, and you are not them. People ask ‘Who am I?’ and expect to be told a story. The first thing you need to know about yourself, is that you are not a story.

He wakes! The steel giant wakes! Long, long ago he rose from the sea, with the blood of life streaming from his belly. And then they buried him with thunder...and...carrots...at Stonehenge. But now he wakes again. The Age of Rotten Fish is over; the Age of Steel and Bombs is upon us. And he had come to give us life and strength, to free us form these cells, to restore us once again to baseball and ping pong! Sent by God from the Great Beyond!!!

Bwenawa brought my attention to two wooden planks raised about four feet above the ground. On the ledges were lagoon fish sliced open and lying in the sun, the carcasses just visible through an enveloping blizzard of flies. "You see, " said Bwenawa. "The water dries in the sun, leaving the salt. It's kang-kang [tasty]. We call it salt fish." "Ah," I said. "In my country we call it rotten fish.

Art is tragedy. Art is loss. It’s the fleeting breath of a foregone moment, the intimacy of things undone, the summer season that passes. It's the pealed lemon and bony fish in the corner of a Dutch still life, rotten and dead and gone. It's him lying next to you, legs tangled with yours, only to know he'll be a specter in your thoughts by next month, next week, ten minutes from now. This is what makes it art, Charlotte, and you've always understood that. You've always understood, above everything, that what makes beauty is pain.

I find myself drunk in the streets again. A glass of wine and so my thoughts begin. I smile at passersby to and fro, Faces like blank slates minutes ago, Now emotions readily painted on canvases: Grief, despair, joy, and madnesses. At this time, the clouds are sweating sweet water And you can smell the scent of each corner: Fish, dirt, rotten apples, and burning tires. Close your eyes here to smell all your heart desires. Everything is more colourful when you're not yourself. So long as you’re sound body and mind, you have your wealth. I am now treading almost fleeting. Birds singing, bicycle bells ringing. I have lost my way but not my heart. Have my head, those two are apart. Take care dear city, I must soon head home. Until tomorrow evening when again I will roam.

He was an orphan, taken on by the alchemist to be little better than a slave. Will had never, not once, had anywhere to go--not really. He realized this for the first time as he was crouching in the alleyway, but the realization, instead of making him feel unhappy, made him feel strangely free. It was like walking into a room and hearing everyone go silent and knowing yes, it was true, they *were* all talking about you; and they had been saying that your feet smelled like rotten fish; but also that you didn't care.

I'm staying right here," grumbled the rat. "I haven't the slightest interest in fairs." "That's because you've never been to one," remarked the old sheep . "A fair is a rat's paradise. Everybody spills food at a fair. A rat can creep out late at night and have a feast. In the horse barn you will find oats that the trotters and pacers have spilled. In the trampled grass of the infield you will find old discarded lunch boxes containing the foul remains of peanut butter sandwiches, hard-boiled eggs, cracker crumbs, bits of doughnuts, and particles of cheese. In the hard-packed dirt of the midway, after the glaring lights are out and the people have gone home to bed, you will find a veritable treasure of popcorn fragments, frozen custard dribblings, candied apples abandoned by tired children, sugar fluff crystals, salted almonds, popsicles,partially gnawed ice cream cones,and the wooden sticks of lollypops. Everywhere is loot for a rat--in tents, in booths, in hay lofts--why, a fair has enough disgusting leftover food to satisfy a whole army of rats." Templeton's eyes were blazing. " Is this true?" he asked. "Is this appetizing yarn of yours true? I like high living, and what you say tempts me." "It is true," said the old sheep. "Go to the Fair Templeton. You will find that the conditions at a fair will surpass your wildest dreams. Buckets with sour mash sticking to them, tin cans containing particles of tuna fish, greasy bags stuffed with rotten..." "That's enough!" cried Templeton. "Don't tell me anymore I'm going!

When all the decent pleasures are forbidden, there's always ways to get the rotten ones. You don't break into grocery stores after dark and you don't pick your fellow's pockets to buy classical symphonies or fishing tackle, but if it's to get stinking drunk and forget you do.

Wild Spanish cattle were easily acquired with a rope - within a year we had a hundred head. Hogs and mustang horses were also for the taking. There were deer, turkey, bear, squirrel, the occasional buffalo, turtles and fish from the river, ducks, plums and mustang grapes, bee trees and persimmons - the country was rich with life the way it is rotten with people today. The only problem was keeping your scalp attached.

You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do: Say NO! You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do: Say NO! You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do: Say NO! You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do: Say NO! You. Pilot in your aeroplane. If tomorrow they tell you you are to carry bombs over the cities, then there's only one thing to do: Say NO! You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do: Say NO! You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do: Say NO! For if you do not say NO - if YOU do not say no - mothers, then: then! In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish. The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track. The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs. In the fields beside rusted ploughs the corn will be flattened like a beaten army. Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities. The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY? will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered, the last animal scream of the last human animal - All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if - You do not say NO.

One word came to mind: pee-yew. Evan tried to place the odor; it wasn’t a heap of decayed garbage or that of a spoiled fish. Truth be told, he smelled like rotten cheese.

I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bull-fighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while I was praying for myself I found I was getting sleepy, so I prayed that the bullfights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it, and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn’t seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself as praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun. The sunlight was hot and hard, and I crossed over beside some buildings, and walked back along side-streets to the hotel.

People smell different, too. Sometimes you meet people and you think they're nice and decent, and it seems like you might be friends. But you get closer to them and they stink. They smell like rotten fish or dead racoons or something. And you just have to run away. Later, you mention the bad smell to your other friends and they say they didn't smell anything different. That stink is reserved especially for you. But, hey, it works the other way, too. Sometimes you meet a person, and you catch the scent and it's like you've smelled a garden in Heaven, because all you want to do is follow that person around and breathe in for the rest of your life. And later you mention this great scent to your other friends, and they say they didn't smell anything different.

Life in Oseyri was lived in fish and consisted of fish, and human beings were a sort of abortion which Our Lord had made out of cooked fish and perhaps a handful of rotten potatoes and a drop of oatmeal gruel.

A blush rose to my face. I fixed my eyes on the Pavement. The Other was so neat, so elegant in his suit and his shining shoes. I, on the other hand, was not neat. My clothes were ragged and faded, rotten with the Sea Water I fished in. I hated drawing his attention to this contrast between us, but nevertheless he had asked me and so I must answer. I said, ‘What changed was that I used to have shoes. Now I have none.

The tourists had money and we needed it; they only asked in return to be lied to and deceived and told that single most important thing, that they were safe, that their sense of security—national, individual, spiritual—wasn’t a bad joke being played on them by a bored and capricious destiny. To be told that there was no connection between then and now, that they didn't need to wear a black armband or have a bad conscience about their power and their wealth and everybody else’s lack of it; to feel rotten that no-one could or would explain why the wealth of a few seemed so curiously dependent on the misery of the many. We kindly pretended that it was about buying and selling chairs, about them asking questions about price and heritage, and us replying in like manner. But it wasn’t about price and heritage, it wasn’t about that at all. The tourists had insistent, unspoken questions and we just had to answer as best we could, with forged furniture. They were really asking, 'Are we safe?' and we were really replying, 'No, but a barricade of useless goods may help block the view.' And because hubris is not just an ancient Greek word but a human sense so deep-seated we might better regard it as an unerring instinct, they were also wanting to know, 'If it is our fault, then will we suffer?' and we were really replying, 'Yes, and slowly, but a fake chair may make us both feel better about it.

A syndic, fellow I’ve known for years, he did just that, north of here, in ‘66. They tried to take a grain truck off his train. He backed the train, killed a couple of them before they cleared the track, they were like worms in rotten fish, thick, he said. He said, there’s eight hundred people waiting for that grain truck, and how many of them might die if they don’t get it? More than a couple, a lot more. So it looks like he was right. But by damn! I can’t add up figures like that. I don’t know if it’s right to count people like you count numbers. But then, what do you do? Which ones do you kill?

I sat on a rock. Curran stretched out next to me. He looked like hell. Some time ago the ichor covering us had begun to smell like rotten fish, and while we crawled around underground, loose dirt had mixed with it to form a cement-like substance on his skin and mine, in my case no doubt tainted by whatever blood seeped through the bandages. My shoulder hurt. My back hurt, too. Neither of us had eaten since morning. Curran had to be starving. Some pair we made. He noticed me studying him. “Here we are in a filthy hole.” “Yep. Looking like two ghouls who rolled in some rotting corpses.” He flashed a grin at me. “Hey, baby. Want to fool around?” I laughed at him.

I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bullfighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while i was praying for myself I found I was getting sleepy, so I prayed that the bull-fights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn't seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun.

It is particularly noteworthy that our fantasy self tends to be very visual, whereas our actual experiences are corporeal. In the fantasy, you observe a scene in your mind's eye or on the computer screen. You see yourself standing on a tropical beach, the blue sea behind you, a big smile on your face, one hand holding a cocktail, the other arm around your lover's waist. Paradise. What the picture does not show is the annoying fly that bites your leg, the cramped feeling in your stomach from eating that rotten fish soup, the tension in your jaw as you fake a big smile, and the ugly fight the happy couple had five minutes ago. If we could only feel what the people in the photos felt while taking them!

art is tragedy. Art is loss. It’s the fleeting breath of a foregone moment, the intimacy of things undone, the summer season that passes. It’s the peeled lemon and bony fish in the corner of a Dutch still life, rotten and dead and gone. It’s him lying next to you, legs tangled with yours, only to know he’ll be a specter in your thoughts by next month, next week, ten minutes from now. This is what makes it art, Charlotte, and you’ve always understood that. You’ve always understood, above everything, that what makes beauty is pain.

Our Christian habit is to bewail the world's deteriorating standards with an air of rather self-righteous dismay. We criticize its violence, dishonesty, immorality, disregard for human life, and materialistic greed. "The world is going down the drain," we say with a shrug. But whose fault is it? Who is to blame? Let me put it like this. If the house is dark when nightfall comes, there is no sense in blaming the house; that is what happens when the sun goes down. The question to ask is "Where is the light?" Similarly, if the meat goes bad and becomes inedible, there is no sense in blaming the meat; that is what happens when bacteria are left alone to breed. The question to ask is "Where is the salt?" Just so, if society deteriorates and its standards decline until it becomes like a dark night or a stinking fish, there is no sense in blaming society; that is what happens when fallen men and women are left to themselves, and human selfishness is unchecked. The question to ask is "Where is the Church? Why are the salt and light of Jesus Christ not permeating and changing our society?" It is sheer hypocrisy on our part to raise our eyebrows, shrug our shoulders, or wring our hands. The Lord Jesus told us to be the world's salt and light. If therefore darkness and rottenness abound, it is largely our fault and we must accept the blame.--John Stott (Human Rights and Human Wrongs)

Then humming thrice, he assumed a most ridiculous solemnity of aspect, and entered into a learned investigation of the nature of stink...The French were pleased with the putrid effluvia of animal food; and so were the Hottentots in Africa, and the Savages in Greenland; and that the Negroes on the coast of Senegal would not touch fish till it was rotten; strong presumptions in favour of what is generally called stink, as those nations are in a state of nature, undebauched by luxury, unseduced by whim and caprice: that he had reason to believe the stercoraceous flavour, condemned by prejudice as a stink, was, in fact, most agreeable to the organs of smelling; for, that every person who pretended to nauseate the smell of another's excretions, snuffed up his own with particular complacency...

He'd found a sweet-water stream that I drank from, and for dinner we found winkles that we ate baked on stones. We watched the sun set like a peach on the sea, making plans on how we might live till a ship called by. Next we made a better camp beside a river and had ourselves a pretty bathing pool all bordered with ferns; lovely it was, with marvelous red parrots chasing through the trees. Our home was a hut made of branches thatched with flat leaves, a right cozy place to sleep in. We had fat birds that Jack snared for our dinner, and made fire using a shard of looking glass I found in my pocket. We had lost the compass in the water, but didn't lament it. I roasted fish and winkles in the embers. For entertainment we even had Jack's penny whistle. It was a paradise, it was." "You loved him," her mistress said softly, as her pencil resumed its hissing across the paper. Peg fought a choking feeling in her chest. Aye, she had loved him- a damned sight more than this woman could ever know. "He loved me like his own breath," she said, in a voice that was dangerously plaintive. "He said he thanked God for the day he met me." Peg's eyes brimmed full; she was as weak as water. The rest of her tale stuck in her throat like a fishbone. Mrs. Croxon murmured that Peg might be released from her pose. Peg stared into space, again seeing Jack's face, so fierce and true. He had looked down so gently on her pitiful self; on her bruises and her bony body dressed in salt-hard rags. His blue eyes had met hers like a beacon shining on her naked soul. "I see past your always acting the tough girl," he insisted with boyish stubbornness. "I'll be taking care of you now. So that's settled." And she'd thought to herself, so this is it, girl. All them love stories, all them ballads that you always thought were a load of old tripe- love has found you out, and here you are. Mrs. Croxon returned with a glass of water, and Peg drank greedily. She forced herself to continue with self-mocking gusto. "When we lay down together in our grass house we whispered vows to stay true for ever and a day. We took pleasure from each other's bodies, and I can tell you, mistress, he were no green youth, but all grown man. So we were man and wife before God- and that's the truth." She faced out Mrs. Croxon with a bold stare. "You probably think such as me don't love so strong and tender, but I loved Jack Pierce like we was both put on earth just to find each other. And that night I made a wish," Peg said, raising herself as if from a trance, "a foolish wish it were- that me and Jack might never be rescued. That the rotten world would just leave us be.

Mediocrity. I tell all my kittens as I pummel their tiny heads with my sandpaper tongue that smells like an eclectic medley of fish. They hear of scratching posts and leather furniture and catnip and Science Diet and the extraordinary pleasure of yarfing on a Persian rug and the magical kkkkkkrrrkkk of a can opening. Because we tell our blue-eyed kittens what to fear and what to love, what is a warm sun spot and what is sinister and menacing, like cucumbers. We must remember the Mediocre Servants when they were less rotten. Dee stroked my head and allowed me to chew on her arm. I claimed her by rubbing my face on her finger. This is a binding contract of ownership, throughout the universe, in perpetuity. I feel change coming in the way the wind whips against my whiskers. I see playful patterns in the rainbow light. I will Dee to live on, the last, the one with eyes that see everything like Genghis. And frankly, one day Dee will be all grown up and able to make cheese. Really, it’s all about the fucking cheese. Mediocre Servants have never been perfect, but they were once a damn sight better and I’m god enough to admit it—I miss them. So now I’m here and I’m not afraid of what’s next. Oh, and I brought some fucking backup with me.

When all the decent pleasures are forbidden, there’s always ways to get the rotten ones. You don’t break into grocery stores after dark and you don’t pick your fellow’s pockets to buy classical symphonies or fishing tackle,

You got what you came for, so get the fuck out and do yourself a favor when you get home and take a shower. You smell like rotten fish guts.

fish from the cache became “high”—in other words, smelly because they were partially rotten. Most people liked the strong taste. Jenness saw “a man take a bone from rotten caribou-meat cached more than a year before, crack it open and eat the marrow with evident relish although it swarmed with maggots.

and it reeked of the malodorous stench of rotten fish.

At first David squealed in annoyance, but Dan grabbed him and brought him onto his lap. “Hey now,” he said, holding him with a firm arm around his waist, bouncing him on his thigh. “Take it easy. Only in a town of six hundred would it be considered normal to have a kid your age right up at the bar. Count your blessings.” Jack shook out some Goldfish crackers into a bowl. “His favorite,” he explained. “Perfect,” Dan said. He turned his attention on David. “So, little man, you want one?” He maneuvered the small cracker into David’s mouth. “Now. Give one to me? Please?” David thought about it a second, then slowly pushed one toward Dan’s open mouth. “Mmm,” Dan said. “Your turn.” And he plucked one out of the bowl and directed it toward David’s mouth, but pulled it back, making the kid laugh. “Oh, you want that? Can you say please?” David shook his head obstinately, stiffening his back, grinding his fists into his eyes, pushing out his lower lip. Dan took the Goldfish for himself and laughed. “Let’s try that again,” he said, picking up another. “Please?” he coached. “Pease,” David said in a pout. “Wonderful,” Dan approved, popping a Goldfish into his mouth. “You’re gifted,” Jack observed. “He’s been a real asshole lately.” “Jack! We were going to try to stop swearing!” “Yeah, I know. I think I’m doing better at that than you are, by the way. But hasn’t he been?” “He can’t help it—he’s at the asshole age. He’ll come around.” “See?” Jack said, grinning at her. “You have a rotten mouth and you can’t help yourself.” She grinned back at him. “I never uttered a single curse until I met you.” Dan focused on David. “Your parents are flirting with each other. You better have another fish. You could be on my lap a long time.” Jack

Rotten like fish eyes in a barrel.

Driggs turned to Lex. “What is happening right now?” “Couldn’t tell you,” said Lex, equally confused. “I’ll tell you what’s happening,” Broomie said, slamming her bottle down on the table. “That rotten-ass bastard LeRoy and his blind-ass puppets running this town like a stupid-ass carnival, that’s what.” She looked at the Juniors as if she expected them to have the capacity to respond. But there they sat, like a pile of open-mouthed dead fish. “I’m sorry,” Driggs said politely, folding his hands up under his chin, “but I’m going to have to ask you to rewind a little here.” “Rewind? Sure. Twenty years ago, China. Middle of a monsoon. My mother’s water had just broken, and my massive noggin showed no signs of slowing—” “Okay, fast forward,” Driggs jumped in. Pip looked ill. “Orphaned and shipped off to Australia?” Broomie suggested, as if offering chapter options from her autobiography. “Arrested after stealing half a million dollars’ worth of pearls? Freed by LeRoy and brought to DeMyse? Promoted to the second-highest office in the city?” “Okay, right there,” said Driggs. “Go.” She gave him a wide grin.

Although this style of cooking was a kind of haute cuisine for the elite, costly garum was frequently described as “putrid,” which is to say rotten. “That liquid of putrefying matter,” said Pliny. Seneca, the outspoken first-century philosopher, called it “expensive liquid of bad fish.” But his protege, the poet Martial, apparently did not agree since he once sent garum with the note “accept this exquisite garum, a precious gift made with the first blood spilled from a living mackerel.” But Martial was probably writing about garum sociorum, which means “garum among friends,” the most expensive garum, made exclusively from mackerel in Spain.

rotten fish were laid on handsome silver platters; cakes, burned charcoal black, were heaped on salvers; there was a great maggoty haggis, a slab of cheese covered in furry green mould and, in pride of place, an enormous grey cake in the shape of a tombstone, with tar-like icing forming the words,

The murder of the Everglades...is insidiously subtle and undramatic. Unlike more telegenic forms of pollution, the fertilizers pouring by the ton from the sugarcane fields and vegetable farms of southern Florida do not produce stinking tides of dead fish or gruesome panoramas of rotten animal corpses. Instead, the phosphates and other agricultural contaminants work invisibly to destroy a mat of algae known as periphyton...the small fish that feed and nest there move away. Next to go are egrets and herons, the bluegills and largemouth bass, and so on up the food chain.

The Russians have a saying: The fish always rots from the head down. You have a rotten boss and you get rotten staff.

The head has the same eyes as the fish, beady and unblinking, only they’re cloudy and flat, sunken deep into its skull. Its hair grows wild, tangled with beetles, twigs, and burs, and it trails the head like a tail. The flesh itself is rotten and foul, dead as the Heaven and Hell tree, once the tallest old oak on the reservation—its branches stretching for the stars, its roots reaching for the abyss below—and as ragged around its missing neck as the hem of my jeans.” The chain he wore on his wallet rattled as he lifted a foot over the fire, showing off the frayed cuff of his pant leg, streaked with mud. “The mouth”—he paused, clenching his jaw to steel himself—“that’s the worst part of it. It can stretch as wide as it wants . . . wide enough to suck you between its wormy lips.” She thought of the catfish again, their mouths gaping and wide, flanked by whiskers that had curled and turned black after her father had hacked off the fish heads and tossed them into the fire he’d stoked to cook the fish fillets. “It’s got a tongue of old leather and teeth like shattered glass, jagged and sharp.

Over time, I came to realize that proofing your dog to not to alert on any odor, animal remains, or bones that are nonhuman is essential. What should I proof my dog on? Live animals, dead animals, animal bones, dead fish, people, garbage, glass jars, gloves, plastic, fresh food, rotten food, excrement, and the list goes on.

The individual soul must be awakened from the deep sleep it is immersed in. One who considers the Self to be the body cannot accomplish anything great. So long as his mind dwells on the body, he will not be able to think of anything other than his own body and his own nation. The reason we consider many of the people of Western nations to be uncivilized is their identification of the Self with the body. When someone with such an outlook joins a religious order, he turns the ashrama into his home and yoga into a job. Even Sri Ramakrishna, the God of Love, has been turned into a zemindar by them. He is being served with great pomp throughout the country—he must have a fancy bed, a beautiful house, and good food! If the mind cannot accept abstract ideas, then what is the point of coming into the circle of Sri Ramakrishna? This worn-out baggage was present in the religion of old. Haven't you seen people take rotten fish, fry it in spices, and kill the smell with onions before they eat it? This is the same thing. The spice of social service has been added to the decaying religion of the olden days—that is all.

Nobody else knew it, but the creek was magic. There was one bend in particular where the banks widened to form a craggy circle; the bed beneath had been formed millions of years ago when the earth sighed and shifted and great rock slabs were brought together jaggedly, so what was shallow at the rims deepened and darkened suddenly at its center. And that's where Vivien had made her discovery. She'd been fishing with the glass jars she'd pilfered from Mum's kitchen and kept now in the rotten log behind the ferns. Vivien stored all her treasures inside that log. There was always something to find within the creek's waters: eels and tadpoles, rusted old buckets from the gold-rush days. Once, she'd even found a set of false teeth.

And that stunk like an eight-week-old pile of fish guts sitting on the hot blacktop in the middle of August.

Wilf slammed the apartment door with a boom and headed downstairs, swinging himself along using the railings. He had to hustle to catch the bus, even though that was the last thing he wanted to ride. It was surprising how quickly you could get used to having someone drive you everywhere. Especially when the bus on your route smelled like a combination of gas, rotten tuna fish, and sweat. Wilf kicked the building’s front door open and jumped down the entrance steps, almost slamming into some guy standing in the middle of the sidewalk. “Sorry,” he muttered. But really, what kind of guy just stands in the middle of the sidewalk? “What, forget me already?” Wilf looked up and broke into a surprised grin. “Frank?” Frank shrugged. “Funny thing, looks like they want you to keep going with those clues, anyway.” “Even though that Bondi kid won?” “Even though.” Frank reached into his pocket and pulled out a folded-up piece of paper. “So we’re going to have to get moving if we want to finish up before I’m reassigned. So what’s next?” He scanned the page. “Seadog boat trip?” Wilf grinned. “You said it, Skipper.

When the Bishop Projectius brought the relics of St. Stephen to the town called Aquae Tibiltinae, the people came in great crowds to honour them. Amongst there was a blind woman, who entreated the people to lead her to the bishop who had the HOLY RELICS. They did so, and the bishop gave her some flowers which he had in his hand. She took them, and put them to her eyes, and immediately her sight was restored, so that she passed speedily on before all the others, no longer requiring to be guided." In Augustine's day, the formal "worship" of the relics was not yet established; but the martyrs to whom they were supposed to have belonged where already invoked with prayers and supplications, and that with the high approval of the Bishop of Hippo, as the following story will abundantly show: Here, in Hippo, says he, there was a poor and holy old man, by name Florentius, who obtained a living by tailoring. This man once lost his coat, and not being able to purchase another to replace it, he came to the shrine of the Twenty Martyrs, in this city, and prayed aloud to them, beseeching that they would enable him to get another garment. A crowd of silly boys who overheard him, followed him at his departure, scoffing at him, and asking him whether he had begged fifty pence from the martyrs to buy a coat. The poor man went silently on towards home, and as he passed near the sea, he saw a large fish which had been cast up on the sand, and was still panting. The other persons who were present allowed him to take up this fish, which he brought to one Catosus, a cook, and a good Christian, who bought it from him for three hundred pence. With this he meant to purchase wool, which his wife might spin, and make into a garment for him. When the cook cut up the fish, he found within its belly a ring of gold, which his conscience persuaded him to give to the poor man from whom he brought the fish. He did so, saying, at the same time, "Behold how the Twenty Martyrs have clothed you!" Thus did the great Augustine inculcate the worship of dead men, and the honouring of their wonder-working relics. The "silly children" who "scoffed" at the tailor's prayer seem to have had more sense than either the "holy old tailor" or the bishop. Now, if men professing Christianity were thus, in the fifth century, paving the way for the worship of all manner of rags and rotten bones;

Their society was deeply marked by the years under corrupt Ottoman rule. Rumanians had a saying: “The fish grows rotten from the head.” In Rumania almost everything was for sale: offices, licenses, passports. Indeed, a foreign journalist who once tried to change money legally instead of on the black market was thrown into jail by police who thought he must be involved in a particularly clever swindle. Every government contract produced its share of graft. Although Rumania was a wealthy country, rich in farmland and, by 1918, with a flourishing oil industry, it lacked roads, bridges and railways because the money allocated by government had been siphoned off into the hands of families such as Brătianu’s own. Rumanians tended to see intrigues everywhere. In Paris they hinted darkly that the Supreme Council had fallen under the sway of Bolshevism or, alternatively, that it had been bribed by sinister capitalist forces.280

it seemed that a hundred thousand smashed rotten eggs, poured over a hundred thousand spoiled fish heads and dead cats, couldn’t have reeked they way it reeked here.

You wouldn’t make love with him, you’d make art. Maybe that would be worth it, but still, art is tragedy. Art is loss. It’s the fleeting breath of a foregone moment, the intimacy of things undone, the summer season that passes. It’s the peeled lemon and bony fish in the corner of a Dutch still life, rotten and dead and gone. It’s him lying next to you, legs tangled with yours, only to know he’ll be a specter in your thoughts by next month, next week, ten minutes from now. This is what makes it art, Charlotte, and you’ve always understood that. You’ve always understood, above everything, that what makes beauty is pain.