Roses Are Red Love Quotes

dear kiara, The women in the shop told me that yellow rose represents friendship and red rose shows love. And the rosery is the only thing i own that i care for, its yours i'm yours C

My mother says that pain is hidden in everyone you see. She says try to imagine it like big bunches of flowers that everyone is carrying around with them. Think of your pain like a big bunch of red roses, a beautiful thorn necklace. Everyone has one.

No mistake about it. Ice is cold; roses are red; I'm in love. And this love is about to carry me off somewhere. The current's too overpowering; I don't have any choice. It may very well be a special place, some place I've never seen before. Danger may be lurking there, something that may end up wounding me deeply, fatally. I might end up losing everything. But there's no turning back. I can only go with the flow. Even if it means I'll be burned up, gone forever.

My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound; I grant I never saw a goddess go; My mistress, when she walks, treads on the ground: And yet, by heaven, I think my love as rare As any she belied with false compare.

Red", I write "is the color of life. It's blood, passion, rage. It's menstrual flow and after birth. Beginnings and violent end. Red is the color of love. Beating hearts and hungry lips. Roses, Valentines, cherries. Red is the color of shame. Crimson cheeks and spilled blood. Broken hearts, opened veins. A burning desire to return to white.

My love is like a red, red rose That's newly sprung in June: My love is like the melody That's sweetly played in tune. How fair art thou, my bonnie lass, So deep in love am I; And I will love thee still, my dear, Till all the seas gang dry. Till all the seas gang dry, my dear, And the rocks melt with the sun; I will love thee still, my dear, While the sands of life shall run. And fare thee weel, my only love. And fare thee weel awhile! And I will come again, my love, Though it were ten thousand mile.

I sometimes think that never blows so red The Rose as where some buried Caesar bled; That every Hyacinth the Garden wears Dropt in its Lap from some once lovely Head.

Every Valentine's Day, the student council sponsered a holiday fundraiser by selling roses that would be delievered in class. The roses came in four colors:white, yellow, red, pink, and the subtleties of thier meaning were parsed and analyzed by the female population to no end. Mimi had always understood it thus:white for love, yellow for friendship, red for passion, and pink for a secret crush.

Maybe nothingness is to be without your presence, without you moving, slicing the noon like a blue flower, without you walking later through the fog and the cobbles, without the light you carry in your hand, golden, which maybe others will not see, which maybe no one knew was growing like the red beginnings of a rose. In short, without your presence: without your coming suddenly, incitingly, to know my life, gust of a rosebush, wheat of wind: since then I am because you are, since then you are, I am, we are, and through love I will be, you will be, we will be.

Be happy, cried the Nightingale, be happy; you shall have your red rose. I will build it out of music by moonlight, and stain it with my own heart's-blood. All that I ask of you in return is that you will be a true lover, for Love is wiser than Philosophy, though she is wise, and mightier than Power, though he is mighty. Flame-coloured are his wings, and coloured like flame is his body. His lips are sweet as honey, and his breath is like frankincense.

He rose like heroes, and I rose like rows of red roses. Love grows wherever you plant it, so I try to farm it wherever I go.

Roses are red, Violets are blue, No amount of money, Can stop me from loving you, Try as they may, Try as they might, I’m not letting go, Without a fight, Some say it’s wicked, Some say it’s sinful, Some it’s wrong, And just wrong, I don’t know much, But when push comes to shove, I definitely don’t believe, There’s such thing wrong as love.

I must be in love with this woman, Sumire realized with a start. No mistake about it. Ice is cold; roses are red; I'm in love. And this love is about to carry me off somewhere. This current's too overpowering; I don't have any choice. It may very well be a special place, some place I've never seen before. Danger may be lurking there, something that may end up wounding me deeply, fatally. I might end up losing everything. But there's no turning back. I can only go with the flow. Even if it means I'll be burned up, gone forever.

Roses are red, love; violets are blue. Birds in the heavens know I love you.

How very lovable her face was to him. Yet there was nothing ethereal about it; all was real vitality, real warmth, real incarnation. And it was in her mouth that this culminated. Eyes almost as deep and speaking he had seen before, and cheeks perhaps as fair; brows as arched, a chin and throat almost as shapely; her mouth he had seen nothing to equal on the face of the earth. To a young man with the least fire in him that little upward lift in the middle of her red top lip was distracting, infatuating, maddening. He had never before seen a woman’s lips and teeth which forced upon his mind with such persistent iteration the old Elizabethan simile of roses filled with snow. Perfect, he, as a lover, might have called them off-hand. But no — they were not perfect. And it was the touch of the imperfect upon the would-be perfect that gave the sweetness, because it was that which gave the humanity.

Watching my parents I've learnt a lesson many do not recognize. True love is not signaled by romantic, candle light dinners, red roses glistening with dew, or even Valentine's day celebrations. While these things may accompany our feelings, love is truly more than all those! Love is being with your spouse even when its not pleasing. Sometimes, love is walking down the hall, with your spouse hanging onto your shoulders and walking at a turtle's pace down the hall, just because surgery made life a burden. Love is patient, love is kind, love is Jesus! May we always remember love is not always tied in bows!

Now you’re going to get it,” I said, guessing Al was coming when the ones in the back scattered. “You should have been nice.” With a weird cry, the closest surface demon fell back, but it was too late. A flash of red light exploded overhead, smashing the buildings away as if I were at the center of an atomic explosion. The surface demons scattered like brown leaves, the remnants of their clothes and auras fluttering. It was Al, and he burst into existence in a grand mood, an old-fashioned lantern in his hand and a walking cane at his side. “Rachel Mariana Morgan!” he shouted enthusiastically, raising the lantern high, and I painfully rose from my crouch, breaking my bubble with a small thought. “I’ve come to save you, love!

Roses are red and violets are blue, That played-out shit isn’t for you. I got your love letter right here in my eyes. If you look deep enough, you’ll see through the lies.

oxygen Everything needs it: bone, muscles, and even, while it calls the earth its home, the soul. So the merciful, noisy machine stands in our house working away in its lung-like voice. I hear it as I kneel before the fire, stirring with a stick of iron, letting the logs lie more loosely. You, in the upstairs room, are in your usual position, leaning on your right shoulder which aches all day. You are breathing patiently; it is a beautiful sound. It is your life, which is so close to my own that I would not know where to drop the knife of separation. And what does this have to do with love, except everything? Now the fire rises and offers a dozen, singing, deep-red roses of flame. Then it settles to quietude, or maybe gratitude, as it feeds as we all do, as we must, upon the invisible gift: our purest, sweet necessity: the air.

There is not only one measure of beauty, Lanore. Everyone adores the red rose, and yet it is a common sort of beauty. You are like a golden rose, a rare bloom but no less lovely.

Roses are red, violets are blue. You may not know it, but someone loves you.

Where are you going, Master?' cried Sam, though at last he understood what was happening. 'To the Havens, Sam,' said Frodo. 'And I can't come.' 'No, Sam. Not yet, anyway, not further than the Havens. Though you too were a Ring-bearer, if only for a little while. Your time may come. Do not be too sad, Sam. You cannot always be torn in two. You will have to be one and whole, for many years. You have so much to enjoy and to be, and to do.' 'But,' said Sam, and tears started in his eyes, 'I thought you were going to enjoy the Shire, too, for years and years, after all you have done.' 'So I thought too, once. But I have been too deeply hurt, Sam. I tried to save the Shire, and it has been saved, but not for me. It must often be so, Sam, when things are in danger: some one has to give them up, lose them, so that others may keep them. But you are my heir: all that I had and might have had I leave to you. And also you have Rose, and Elanor; and Frodo-lad will come, and Rosie-lass, and Merry, and Goldilocks, and Pippin; and perhaps more that I cannot see. Your hands and your wits will be needed everywhere. You will be the Mayor, of course, as long as you want to be, and the most famous gardener in history; and you will read things out of the Red Book, and keep alive the memory of the age that is gone, so that people will remember the Great Danger, and so love their beloved land all the more. And that will keep you as busy and as happy as anyone can be, as long as your part in the Story goes on. 'Come now, ride with me!

A White Rose The red rose whispers of passion, And the white rose breathes of love; O the red rose is a falcon, And the white rose is a dove. But I send you a cream-white rosebud With a flush on its petal tips; For the love that is purest and sweetest Has a kiss of desire on the lips.

There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate. The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait." She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead, Would start and tremble under her feet, And blossom in purple and red.

Death is a great price to pay for a red rose,” cried the Nightingale, “and Life is very dear to all.  It is pleasant to sit in the green wood, and to watch the Sun in his chariot of gold, and the Moon in her chariot of pearl.  Sweet is the scent of the hawthorn, and sweet are the bluebells that hide in the valley, and the heather that blows on the hill.  Yet Love is better than Life, and what is the heart of a bird compared to the heart of a man?

Because it’s worth it. Worth the risk and the pain. Of all the glorious enchantments of this world—spring, snow, laughter, red roses, dogs, books—love is by far the best.

The rose is red, the violet's blue, Sugar's sweet and so are you. If you love me as I love you, No knife can cut our love in two. My love for you will never fail As long as pussy has a tail.

Death is a great price to pay for a red rose“, cried the Nightingale, "and Life is very dear to all. “ It is pleasant to sit in the green wood, and watch the Sun in his chariot of gold, and the Moon in her chariot of pearl. Sweet is the scent oft he hawthorn, and sweet are the bluebells that hide in the valley, and the heather that blows on the hill. Yet Love is better than Life, and what is the heart of a bird compared to the heart of a man?

Daisy. She seem to blaze like a torch. James had always known she was beautiful-How he always known? Have there been a moment he had realized it? – But still the sight of her hit him like a blow. She was all fire, or heat and light, from the gold silk roses woven into her dark red hair to the ribbons and beads on her golden dress. The hilt of Cortana was visible over her left shoulder; the straps that secured it had been fashioned from thick gold ribbons.

Sometimes romance is of less importance than the feeling of being absolutely safe: of knowing that nothing and no one can hurt you, because the person who loves you most in all the world will destroy them if they try.

A Mixed-breed Apple" A little mixed-breed apple, half red, half yellow, tells this story. A lover and beloved get separated. Their being apart was one thing, but they have opposite responses. The lover feels pain and grows pale. The beloved flushes and feels proud. I am a thorn next to my master's rose. We seem to be two, but we are not.

Roses are red, Foxes are clever. I like your butt, let me touch it forever. -Redneck Love Poem

Her lips like a dew on a red rose Her eyes like a rainbow In every drop of rain walking goddess glistened like a diamond

We owned a garden on a hill, We planted rose and daffodil, Flowers that English poets sing, And hoped for glory in the Spring. We planted yellow hollyhocks, And humble sweetly-smelling stocks, And columbine for carnival, And dreamt of Summer's festival. And Autumn not to be outdone As heiress of the summer sun, Should doubly wreathe her tawny head With poppies and with creepers red. We waited then for all to grow, We planted wallflowers in a row. And lavender and borage blue, - Alas! we waited, I and you, But love was all that ever grew.

Under the summer roses When the flagrant crimson Lurks in the dusk Of the wild red leaves, Love, with little hands, Comes and touches you With a thousand memories, And asks you Beautiful, unanswerable questions.

I’m feeling fuckin’ poetic at the moment, too,” Mack said on a laugh. “Oh yeah?” “Roses are fuckin’ red. Violets are ball-blue. You’re my bitch now, ’cause I fuckin’ love you,” Mack rasped. “Fucking poetic genius.

A kiss! When all is said, what is a kiss? An oath of allegiance taken in closer proximity, a promise more precise, a seal on a confession, a rose-red dot upon the letter i in loving; a secret which elects the mouth for ear; an instant of eternity murmuring like a bee; balmy communion with a flavor of flowers; a fashion of inhaling each other's hearts, and of tasting, on the brink of the lips, each other's soul!

The fans, the vampire groupies, love the idea of this androgynous, preternatural figure stalking the night, and craving aesthetic pleasure just as he craves blood, wearing only the best velvet clothes, and savoring red roses.

I watched her fade, but I loved her always. Because it was her love that made me real, Merry. Not faerie, not wild magic, but the magic of love. I thought I was giving up what life I had to save Rose, but the consort had asked if I would give up everything I was, and I did. I became what she needed me to be. When I realized that I would not age with her I wept, because I could not imagine being without her." He came to his knees and put his hands on my arms, and stared down into my face. "I will love you always. When this red hair is white, I will still love you. When the smooth softness of youth is replaced by the delicate softness of age, I will still want to touch your skin. When your face is full of the lines of every smile you have ever smiled, of every surprise I have seen flash through your eyes, when every tear you have ever cried has left its mark upon your face, I will treasure you all the more, because I was there to see it all. I will share your life with you, Meredith, and I will love you until the last breath leaves your body or mine

The echo of a red rose 
at the sunset, you decided 
to check out.

I think Oscar Wilde wrote a poem about a robin who loved a white rose. He loved it so much that he pierced his breast and let his heart's blood turn the white rose red. Maybe this sounds very sentimental, but for anybody who has loved a career as much as I've loved mine, there can be no short cuts.

I’m talking about the language of flowers. It’s from the Victorian era, like your name. If a man gave a young lady a bouquet of flowers, she would race home and try to decode it like a secret message. Red roses mean love; yellow roses infidelity. So a man would have to choose his flowers carefully.

Love In Autumn I sought among the drifting leaves, The golden leaves that once were green, To see if Love were hiding there And peeping out between. For thro' the silver showers of May And thro' the summer's heavy heat, In vain I sought his golden head And light, fast-flying feet. Perhaps when all the world is bare And cruel winter holds the land, The Love that finds no place to hide Will run and catch my hand. I shall not care to have him then, I shall be bitter and a-cold -- It grows too late for frolicking When all the world is old. Then little hiding Love, come forth, Come forth before the autumn goes, And let us seek thro' ruined paths The garden's last red rose.

I have leveled with the girls - from Anchorage to Amarillo. I tell them that all marriages are happy It's the living together afterward that's tough. I tell them that a good marriage is not a gift, It's an achievement. that marriage is not for kids It takes guts and maturity. It separates the men from the boys and the women from the girls. I tell them that marriage is tested dily by the ability to compromise. Its survival can depend on being smart enough to know what's worth fighting about. Or making an issue of or even mentioning. Marriage is giving - and more important, it's forgiving. And it is almost always the wife who must do these things. Then, as if that were not enough, she must be willing to forget what she forgave. Often that is the hardest part. Oh, I have leveled all right. If they don't get my message, Buster, It's because they don't want to get it. Rose-colored glasses are never made in bifocals Because nobody wants to red the small print in dreams.

Damn me not I make a better fool. And there is nothing vaster, more beautiful, remote, unthinking (eternal rose-red sunrise on the surf—great rectitude of rocks) than man, inhuman man, At whom I look for a thousand light years from a seat near Scorpio, amazed and touched by his concern and pity for my plight, a simple star, Then trading shapes again. My wife is gone, my girl is gone, my books are loaned, my clothes are worn, I gave away a car; and all that happened years ago. Mind & matter, love & space are frail as foam on beer.

She looked to the roses, but it was Tibe's face she saw. It was familiar now, after months of friendship. She knew his nose, his lips, his jaw, his eyes most of all. They stirred something in her, a connection she did not know she could make with another person. She saw herself in them, her own pain, her own joy. We are the same, she thought. Searching for something to keep us anchored, both alone in a crowded room.

Oh yes, In Love, that demented rose-red circus tent whose half-light forgives all visuals, fig-leaves our lovers, and softens our own brains and the pain of our sawdust pratfalls.   So tempting, that midway faux-marble arch, both funfair and classical— so Greek, so Barnum, such a beacon, with a sign in gas-blue neon:   Love! This way! In!

Alex: OK, that sounds like a challenge! Well firstly, I would have brought you to a hotel along the coast so that your suite would have the best sea view in the hotel. You could fall asleep listening to the waves crashing against the rocks, I would sprinkle the bed with red rose petals and have candles lit all around the room, I would have your favorite CD playing quietly in the background. But I wouldn’t propose to you there. I would bring you to where there was a huge crowd of people so they could all gasp when I got down on one knee and proposed. Or something like that. Note I have italicized all important buzz words. Rosie: Oh. Alex: Oh? That’s all you can say? One word for the most important night of our lives?

Do not forget about the thorns on the roses when you say that love is like a red red rose.

My love is like the red red rose That's newly sprung in June O my love's like the melody That's newly played in tune

The woman in red was surrounded by the crowd and she was alone. It was utterly public but intensely private.

The roses started him thinking, how the oddity of them was beautiful and how that oddity was contrived to give them value. “It just struck me – clear and complete all at once – no long figuring about it.” He realized that children could be designed. “And I thought to myself, now that would a rose garden worthy of a man’s interest.” We children would smile and hug him and he would grin around at us and send the twins for a pot of cocoa from the drink wagon and me for a bag of popcorn because the red-haired girls would just throw it out when they finished closing the concession anyway. And we would all be cozy in the warm booth of the van, eating popcorn and drinking cocoa and feeling like Papa’s roses.

The whole street took part in the serenade to Flor, Flor leaning against her high window, all ruffles and lace, drenched in moonlight. Down below Vadinho, her gallant knight, with the red rose in his hand, so red it was almost black, the rose of her love.

Listen to me," Jordan begged urgently, somehow convinced that she would stay alive if she understood how much she meant to him. "Listen to what my life was like before you hurtled into it wearing that suit of armor— Life was empty. Colorless. And then you happened to me, and suddenly I felt feelings I never believed existed, and I saw things I'd never seen before. You don't believe that, do you, darling? But it's true, and I can prove it." His deep voice ragged with unshed tears, Jordan recited his proof: "The flowers in the meadow are blue," he told her brokenly. "The ones by the stream are white. And on the arch, by the arbor, the roses are red." Lifting her hand to his face, he rubbed his cheek against it. "And that's not all I noticed. I noticed that the clearing by the pavilion—the one where my plaque is—looks like the very same one where we had our duel a year ago. Oh, and darling, there's something else I have to tell you: I love you, Alexandra." Tears choked his voice and made it a tormented whisper. "I love you, and if you die I'll never be able to tell you that.

TO HIS HEART, BIIDING IT HAVE NO FEAR Be you still, be you still, trembling heart; Remember the wisdom out of the old days: Him who trembles before the flame and the flood, And the winds that blow through the starry ways, Let the starry winds and the flame and the flood Cover over and hide, for he has no part With the lonely, majestical multitude. THE CAP AND THE BELLS The jester walked in the garden: The garden had fallen still; He bade his soul rise upward And stand on her window-sill. It rose in a straight blue garment, When owls began to call: It had grown wise-tongued by thinking Of a quiet and light footfall; But the young queen would not listen; She rose in her pale night-gown; She drew in the heavy casement And pushed the latches down. He bade his heart go to her, When the owls called out no more; In a red and quivering garment It sang to her through the door. It had grown sweet-tongued by dreaming Of a flutter of flower-like hair; But she took up her fan from the table And waved it off on the air. 'I have cap and bells,' he pondered, 'I will send them to her and die'; And when the morning whitened He left them where she went by. She laid them upon her bosom, Under a cloud of her hair, And her red lips sang them a love-song Till stars grew out of the air. She opened her door and her window, And the heart and the soul came through, To her right hand came the red one, To her left hand came the blue. They set up a noise like crickets, A chattering wise and sweet, And her hair was a folded flower And the quiet of love in her feet.

Dimity said, "I wrote him poetry!" (...) "Dimity," Sophronia said, horrified by such an admission, "you didn't give him the poetry, did you?" "Certainly not." Sidheag tilted back in her chair, grinning. "Well, let's hear it." "Oh, no. I don't think that's a good idea at all." But Dimity was already dipping into her reticule and pulling out a scrap of paper. She gave it to Sidheag, who read it with a perfectly straight face, her tawny eyes dancing, and then passed it Sophronia. "My love is like a red red rose Occasionally he has a red red nose He could keep me warm in the snows I wager he has very nice toes." Sophronia could think of nothing to say except, "Oh, Dimity.

This womens skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform. The statue herself is still, but her hand is held out and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love letter-clad statue a sungle crimson rose. The movement is so subtle that it is almost undetectable, but slowly, very, very slowly, the statue reaches to accept the rose. Her fingers open, and the young woman with the rose waits patiently as the statue gradually closes her hand around the stem, releasing it only when it is secure. ....The statue is lifting the rose, gradually, to her face. Her eye lids slowly close.

She’s not particularly fond of red roses; too common, unoriginal, everyday-ish, but give her the rare rose, black or blue, to complement her melancholy spirit and dark soul and she lights up like the brightest star on the darkest night.

Her poetry is written on the ghost of trees, whispered on the lips of lovers. As a little girl, she would drift in and out of libraries filled with dead poets and their musky scent. She held them in her hands and breathed them in -- wanting so much to be part of their world... It was on her sixteenth birthday that she first fell in love. With a boy who brought her red roses and white lies. When he broke her heart, she cried for days. Then hopeful, she sat with a pen in her hand, poised over the blank white sheet, but it refused to draw blood... She learned too late that poets are among the damned, cursed to commiserate over their loss, to reach with outstretched hands -- hands that will never know the weight of what they seek.

But the woman came to her them. The woman with hair of red like roses, hair of white like snowfall. She was young and old. She was blind and could see everything. She spoke softly, in whispers, but her voice carried across the mountain ranges like sleeping giants, the cities lit like fairies and the oceans-undulating mermaids. She laughed at her own sorrow and wept pearls at weddings. Her fingers were branches and her eyes were little blue planets. She said, You cannot hide forever, though you may try. I've seen you in the kitchen, in the garden. I've seen the things you have sewn -curtains of dawn, twilight blankets and dresses for the sisters like a garden of stars. I have heard the stories you tell. You are the one who transforms, who creates. You will go out into the world and show others. They will feel less alone because of you, they will feel understood, unburdened by you, awakened by you, freed of guilt and shame and sorrow. But to share with them you must wear shoes, you must go out you must not hide, you must dance and it will be harder, you must face jealousy and sometimes rage and desire and love which can hurt most of all because of what can then be taken away.

On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.

All nations were different. The Russians were unparalleled in their suffering, the English in their reserve, the Americans in their love of life, the Italians in their love of Christ, and the French in their hope of love. So when they made the dress for Tatiana, they made it full of promise. They made it as if to tell her, put it on, chérie, and in this dress you, too, shall be loved as we have loved; put it on and love shall be yours. And so Tatiana never despaired in her white dress with red roses. Had the Americans made it, she would have been happy. Had the Italians made it, she would have started praying, had the British made it, she would have squared her shoulders, but because the French had made it, she never lost hope.

I CANNOT tell you now; When the wind's drive and whirl Blow me along no longer, And the wind's a whisper at last-- Maybe I'll tell you then-- some other time. When the rose's flash to the sunset Reels to the rack and the twist, And the rose is a red bygone, When the face I love is going And the gate to the end shall clang, And it's no use to beckon or say, "So long"-- Maybe I'll tell you then-- some other time. I never knew any more beautiful than you: I have hunted you under my thoughts, I have broken down under the wind And into the roses looking for you. I shall never find any greater than you.

All down the stone steps on either side were periwinkles in full flower, and she could now see what it was that had caught at her the night before and brushed, wet and scented, across her face. It was wistaria. Wistaria and sunshine . . . she remembered the advertisement. Here indeed were both in profusion. The wistaria was tumbling over itself in its excess of life, its prodigality of flowering; and where the pergola ended the sun blazed on scarlet geraniums, bushes of them, and nasturtiums in great heaps, and marigolds so brilliant that they seemed to be burning, and red and pink snapdragons, all outdoing each other in bright, fierce colour. The ground behind these flaming things dropped away in terraces to the sea, each terrace a little orchard, where among the olives grew vines on trellises, and fig-trees, and peach-trees, and cherry-trees. The cherry-trees and peach-trees were in blossom--lovely showers of white and deep rose-colour among the trembling delicacy of the olives; the fig-leaves were just big enough to smell of figs, the vine-buds were only beginning to show. And beneath these trees were groups of blue and purple irises, and bushes of lavender, and grey, sharp cactuses, and the grass was thick with dandelions and daisies, and right down at the bottom was the sea. Colour seemed flung down anyhow, anywhere; every sort of colour piled up in heaps, pouring along in rivers....

Behold the box of jabberlock’s, the fairest rests inside. But free the dame and ease her pain to slip into her tide. An ocean red from bonds of love, and paint the roses’ hearts thereof, applied with wisps of finest strand and guided by an artist’s hand. One trade of souls will shut the door, and blood shall seal it, evermore.

That love, which is the highest joy, which is divine simplicity itself, is not for you moderns, you children of reflection. It works only evil in you. As soon as you wish to be natural, you become common. To you nature seems something hostile; you have made devils out of the smiling gods of Greece, and out of me a demon. You can only exorcise and curse me, or slay yourselves in bacchantic madness before my altar. And if ever one of you has had the courage to kiss my red mouth, he makes a barefoot pilgrimage to Rome in penitential robes and expects flowers to grow from his withered staff, while under my feet roses, violets, and myrtles spring up every hour, but their fragrance does not agree with you. Stay among your northern fogs and Christian incense; let us pagans remain under the debris, beneath the lava; do not disinter us.

Snow pouted. "I hate roses! They hurt!" Her mother smiled, her image softening along with the sound of her voice. She seemed so far away. "They can, yes, when you get nicked by a thorn." She plucked a single red rose off the bush. It was petrified from the snow and frozen, but still perfectly preserved and almost crimson in color. Snow peered at it closely. "But you shouldn't be afraid to hold on to something beautiful, even if there are thorns in your path. If you want something, sometimes you have to take risks. And when you do"- she handed Snow the rose- "you reap wonderful rewards.

The heart is a mystical thing. It keeps us alive by pumping blood to every part of our body. It is a strong organ which scientists say has no memory. But the heart is also a thing of great speculation and power; spoken, written, and even put into songs, by many great authors, singers, actors and poets around the world. The heart is supposed to be the center of love, feeling, loneliness and heartbreak. And it was that organ, that great red Valentine's Day sought-after-object that was at present causing me trouble

Say that you don’t love him!” Amarantha shrieked, and the blood on my hands became the blood of that rabbit—became the blood of what I had lost. But I wouldn’t say it. Because loving Tamlin was the only thing I had left, the only thing I couldn’t sacrifice. A path cleared through my red-and-black vision. I found Tamlin’s eyes—wide as he crawled toward Amarantha, watching me die, and unable to save me while his wound slowly healed, while she still gripped his power. Amarantha had never intended for me to live, never intended to let him go. “Amarantha, stop this,” Tamlin begged at her feet as he clutched the gaping wound in his chest. “Stop. I’m sorry—I’m sorry for what I said about Clythia all those years ago. Please.

I waved away a fly that buzzed in my ear, my hand caked with blood both my own and foreign. I’d always thought death would be some sort of peaceful homecoming—a sweet, sad lullaby to usher me into whatever waited afterward. I crunched down with an armored boot on the flagpole of a Loyalist standard-bearer, smearing red mud across the tusked boar embroidered on its emerald flag. I now wondered if the lullaby of death was not a lovely song, but the droning of flies. If flies and maggots were all Death’s handmaidens.

The Roses of Saadi I wanted you to have roses this morn, And stuffed a lot of them in my snug dress, In my tight belt I could not all shoehorn. The knots gave way, and threw them all around, To wind and sea they were all gone forlorn To flow with water, never will come round. The waves were crimson red as if on fire. This eve my dress is drenched in their fragrance, Breathe it and keep it to your heart's desire.

THE ROSE TOTHE ROSE UPON THE ROOD OF TIME Red Rose, proud Rose, sad Rose of all my days! Come near me, while I sing the ancient ways: Cuchulain battling with the bitter tide; The Druid, grey, wood-nurtured, quiet-eyed, Who cast round Fergus dreams, and ruin untold; And thine own sadness, where of stars, grown old In dancing silver-sandalled on the sea, Sing in their high and lonely melody. Come near, that no more blinded by man’s fate, I find under the boughs of love and hate, In all poor foolish things that live a day, Eternal beauty wandering on her way. Come near, come near, come near — Ah, leave me still A little space for the rose-breath to fill! Lest I no more bear common things that crave; The weak worm hiding down in its small cave, The field-mouse running by me in the grass, And heavy mortal hopes that toil and pass; But seek alone to hear the strange things said By God to the bright hearts of those long dead, And learn to chaunt a tongue men do not know. Come near; I would, before my time to go, Sing of old Eire and the ancient ways: Red Rose, proud Rose, sad Rose of all my days. A king is but a foolish labourer Who wastes his blood to be another’s dream.

The Devil's Rose You would never take a rose from a beast. If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do. But the cunning beast will have his beauty. He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow. The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume. As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch. Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence. Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.

... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE... Far-off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose? Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till time gutter away. ... the common people are always ready to blame the beautiful.

... that eternally restless, eternally unquenched desire for naked paganism, that love that is the supreme joy, that is divine serenity itself- those things are useless for you moderns, you children of reflection. That sort of love wreaks havoc on you. As soon as you wish to be natural you become normal. To you Nature seems hostile, you have turned us laughing Greek deities into demons and me into a devil. All you can do is exorcise me and curse me or else sacrifice yourselves, slaughter yourselves in bacchanalian madness at my alter. And if you ever has the courage to kiss my red lips, he then goes on a pilgrimage to Rome, barefoot and in a penitent's shirt, and expects flowers to blossom from his withered staff, while roses, violets, and myrtles sprout constantly under my feet- but their fragrance doesn't agree with you, So just stay in your northern fog and Christian incense. Let us pagans rest under the rubble, under lava. Do not dig us up. Pompeii, our villas, our baths, our temples were not built for you people! You need no gods! We freeze in your world!

The Prodigal Son They gave the deep end of their heart--a hue of crimson red, They whispered their desire and offered up their bed, Yet he prayed for the spirit in the wind and God’s mysteries to find, And in the end it was her transparent heart that stole his restless mind, It really was no contest, not a question or even a doubt, But that is not where love ends or even what true love is all about, You see there was one other that rose above the rest, She was not like these women but still she was God’s very best, So the moral goes: A child answered the call to this man's wandering heart, And that is how the story ends you see... she became his favorite part, And what happened to the virtuous woman who put his mind in hell, She became the whisper in his music and a mystery to tell.

Down in the valley, leaves fall from trees, the branches are bare. All the flowers have faded, their blossoms once so beautiful. The frost attacks many herbs and kills them. I grieve. But if the winter is so cold, there must be new joys. Help me sing a joy of a hundred thousand times greater than the buds of May. I will sing of roses on the red cheeks of my lady. Could I win her favor, this lovely lady would give me such joy I would need no other. (Jack) What are you saying? (Lorelei) Noble lady, I ask nothing of you save that you should accept me as your servant. I will serve you as a good lord should serve, whatever the reward may be. Here I am, then, at your orders, sincere and humble, gay and courteous. You are not, after all, a bear or lion, and would not kill me, surely, if I put myself between your hands. I love you, my lady, Lorelei. Marry me and I swear I shall never again do or say anything to harm you and I will slay anyone who does. (Jack)

You're back early from Chicago," Jim remarked, seemingly oblivious to his friend's cold reserve. "I wonder why?" "You know damned well why," Nick retorted grimly. Jim's brows lifted, but he turned his tawny, appreciative gaze on Lauren. "I'd tell you how gorgeous you look,but at the moment,Nick is already restraining the urge to knock my teeth down my throat. "Why?" Lauren gasped, her own gaze flying to Nick's granite features. Jim answered with a chuckle. "It has something to do with two dozen red roses and a kiss he witnessed.He's forgotten about a girl I was in love with once but couldn't quite get up the nerve to ask to marry me. He got tired of waiting for me to bolster my courage, so he sent Ericka two dozen-" Nick's breath exploded in laughter. "You bastard," he said good-naturedly, and this time his handclasp was sincere.

Roses are red, and they say love's not made to last, But I know I'll never get enough of that sweet, sweet ass. All that jelly in your jeans, all that junk in your trunk, I just gotta have it - one look and I was sunk. If you ever wonder why I had to make you mine, It's 'cause no other lady has a tush so fine. They say you're not a looker, but I don't mind. What I'm looking at is the view from behind. Never been romantic, don't know what love means, But I know I dig the way you're wearing those jeans. Hate to see you leave but love to watch you go. Turn back, then leave again - baby do it slow. I'm coming right after, gonna make a pass, Can't get enough of that sweet, sweet ass.

As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.

I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.

Coriolanus moved back to his seat - she knew where to find him now - to listen and to savor their actual reunion, which was only a song away. His eyes teared up when she began the song from the zoo. "Down in the valley, valley so low, Late in the evening, hear the train blow. The train, love, hear the train blow. Late in the evening, hear the train blow." Coriolanus felt an elbow nudge his ribs and looked over to see Sejanus beaming at him. It was nice, after all, to have someone else who knew the significance of the song. Someone who knew what they'd been through. "Go build me a mansion, build it so high, So I can see my true love go by. See him go by, love, see him go by. So I can see my true love go by." That's me, Coriolanus wanted to tell people around him. I'm her true love. And I saved her life. "Go write me a letter, send it by mail. Bake it and stamp it to the Capitol jail. Capitol jail, love, to the Capitol jail. Bake it and stamp it to the Capitol jail." Should he say hello first? Or just kiss her? "Roses are red, love; violets are blue. Birds in the heavens know I love you." Kiss her. Definitely, just kiss her. "Know I love you, oh, know I love you, Birds in the heavens know I love you. "Good night, everybody. Hope we see you next week, and until then, keep singing your song," said Lucy Gray, and the whole Covey took one final blow.

He felt that he had unwittingly stuck his hand into The Great Wasps' Nest of Life. As an image it stank. As a cameo of reality, he felt it was serviceable. He had stuck his hand through some rotted flashing in high summer and that hand and his whole arm had been consumed in holy, righteous fire, destroying conscious thought, making the concept of civilized behaviour obsolete. Could you be expected to behave as a thinking human being when your hand was being impaled on red-hot darning needles? Could you be expected to live in the love of your nearest and dearest when the brown, furious cloud rose out of the hole in the fabric of things (the fabric you thought was so innocent) and arrowed straight at you? Could you be held responsible for your own actions as you ran crazily about on the sloping roof seventy feet above he ground, not knowing where you were going, not remembering that your panicky, stumbling feet could lead you crashing and blundering right over the rain gutter and down to your death on the concrete seventy feet below? Jack didn't think you could. When you unwittingly stuck your hand into the wasps' nest, you hadn't made a covenant with the devil to give up your civilized self with its trappings of love and respect and honour. It just happened to you. Passively, with no say, you ceased to be a creature of the mind and became a creature of the nerve endings; from college-educated man to wailing ape in five seconds.

And her heart sprang in Iseult, and she drew With all her spirit and life the sunrise through And through her lips the keen triumphant air Sea-scented, sweeter than land-roses were, And through her eyes the whole rejoicing east Sun-satisfied, and all the heaven at feast Spread for the morning; and the imperious mirth Of wind and light that moved upon the earth, Making the spring, and all the fruitful might And strong regeneration of delight That swells the seedling leaf and sapling man, Since the first life in the first world began To burn and burgeon through void limbs and veins, And the first love with sharp sweet procreant pains To pierce and bring forth roses; yea, she felt Through her own soul the sovereign morning melt, And all the sacred passion of the sun; And as the young clouds flamed and were undone About him coming, touched and burnt away In rosy ruin and yellow spoil of day, The sweet veil of her body and corporal sense Felt the dawn also cleave it, and incense With light from inward and with effluent heat The kindling soul through fleshly hands and feet. And as the august great blossom of the dawn Burst, and the full sun scarce from sea withdrawn Seemed on the fiery water a flower afloat, So as a fire the mighty morning smote Throughout her, and incensed with the influent hour Her whole soul's one great mystical red flower Burst, and the bud of her sweet spirit broke Rose-fashion, and the strong spring at a stroke Thrilled, and was cloven, and from the full sheath came The whole rose of the woman red as flame: And all her Mayday blood as from a swoon Flushed, and May rose up in her and was June. So for a space her hearth as heavenward burned: Then with half summer in her eyes she turned, And on her lips was April yet, and smiled, As though the spirit and sense unreconciled Shrank laughing back, and would not ere its hour Let life put forth the irrevocable flower. And the soft speech between them grew again

WILDE: Oh — Bosie! (He weeps.) I have to go back to him, you know. Robbie will be furious but it can't be helped. The betrayal of one's friends is a bagatelle in the stakes of love, but the betrayal of oneself is a lifelong regret. Bosie is what became of me. He is spoiled, vindictive, utterly selfish and not very talented, but these are merely the facts. The truth is he was Hyacinth when Apollo loved him, he is ivory and gold, from his red rose-leaf lips comes music that fills me with joy, he is the only one who understands me. 'Even as a teething child throbs with ferment, so does the soul of him who gazes upon the boy's beauty; he can neither sleep at night nor keep still by day,' and a lot more besides, but before Plato could describe love, the loved one had to be invented. We would never love anybody if we could see past our invention. Bosie is my creation, my poem. In the mirror of invention, love discovered itself. Then we saw what we had made — the piece of ice in the fist you cannot hold or let go. (He weeps.)

One thing in the school was captivating, lovely. Pictures of birds. Rose didn’t know if the teacher had climbed up and nailed them above the blackboard, too high for easy desecration, if they were her first and last hopeful effort, or if they dated from some earlier, easier time in the school’s history. Where had they come from, how had they arrived there, when nothing else did, in the way of decoration, illustration? A red-headed woodpecker; an oriole; a blue jay; a Canada goose. The colors clear and long-lasting. Backgrounds of pure snow, of blossoming branches, of heady summer sky. In an ordinary classroom they would not have seemed so extraordinary. Here they were bright and eloquent, so much at variance with everything else that what they seemed to represent was not the birds themselves, not those skies and snows, but some other world of hardy innocence, bounteous information, privileged lightheartedness. No stealing from lunch pails there; no slashing coats; no pulling down pants and probing with painful sticks; no fucking; no Franny.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

Bloom of adulthood. Try a whiff of that. On your back in the dark you remember. Ah you remember. Cloudless May day. She joins you in the little summerhouse. Entirely of logs. Both larch and fir. Six feet across. Eight from floor to vertex. Area twenty-four square feet to the furthest decimal. Two small multicoloured lights vis-a-vis. Small stained diamond panes. Under each a ledge. There on summer Sundays after his midday meal your father loved to retreat with Punch and a cushion. The waist of his trousers unbuttoned he sat on the one ledge and turned the pages. You on the other your feet dangling. When he chuckled you tried to chuckle too. When his chuckle died yours too. That you should try to imitate his chuckle pleased and amused him greatly and sometimes he would chuckle for no other reason than to hear you try to chuckle too. Sometimes you turn your head and look out through a rose-red pane. You press your little nose against the pane and all without is rosy. The years have flown and there at the same place as then you sit in the bloom of adulthood bathed in rainbow light gazing before you. She is late.

Hic Jacet Arthurus Rex Quondam Rexque Futurus Arthur is gone…Tristram in Careol Sleeps, with a broken sword - and Yseult sleeps Beside him, where the Westering waters roll Over drowned Lyonesse to the outer deeps. Lancelot is fallen . . . The ardent helms that shone So knightly and the splintered lances rust In the anonymous mould of Avalon: Gawain and Gareth and Galahad - all are dust. Where do the vanes and towers of Camelot And tall Tintagel crumble? Where do those tragic Lovers and their bright eyed ladies rot? We cannot tell, for lost is Merlin's magic. And Guinevere - Call her not back again Lest she betray the loveliness time lent A name that blends the rapture and the pain Linked in the lonely nightingale's lament. Nor pry too deeply, lest you should discover The bower of Astolat a smokey hut Of mud and wattle - find the knightliest lover A braggart, and his lilymaid a slut. And all that coloured tale a tapestry Woven by poets. As the spider's skeins Are spun of its own substance, so have they Embroidered empty legend - What remains? This: That when Rome fell, like a writhen oak That age had sapped and cankered at the root, Resistant, from her topmost bough there broke The miracle of one unwithering shoot. Which was the spirit of Britain - that certain men Uncouth, untutored, of our island brood Loved freedom better than their lives; and when The tempest crashed around them, rose and stood And charged into the storm's black heart, with sword Lifted, or lance in rest, and rode there, helmed With a strange majesty that the heathen horde Remembered when all were overwhelmed; And made of them a legend, to their chief, Arthur, Ambrosius - no man knows his name - Granting a gallantry beyond belief, And to his knights imperishable fame. They were so few . . . We know not in what manner Or where they fell - whether they went Riding into the dark under Christ's banner Or died beneath the blood-red dragon of Gwent. But this we know; that when the Saxon rout Swept over them, the sun no longer shone On Britain, and the last lights flickered out; And men in darkness muttered: Arthur is gone…

To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.

One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light

Tatiana liked the notion of the dress, she liked the feeling of the cotton against her skin and the stitched roses under her fingers, but she did not like the feeling of her exploding body trapped inside the lung-squeezing material. What she enjoyed was the memory of her skinny-as-a-stick fourteen-year-old self putting on that dress for the first time and going out for a Sunday walk on Nevsky. It was for that feeling that she had put on the dress again this Sunday, the day Germany invaded the Soviet Union. On another level, on a conscious, loudly-audible-to-the-soul level, what Tatiana also loved about the dress was a small tag that said FABRIQUÉ EN FRANCE. Fabriqué en France! It was gratifying to own a piece of anything not made badly by the Soviets, but instead made well and romantically by the French; for who was more romantic than the French? The French were masters of love. All nations were different. The Russians were unparalleled in their suffering, the English in their reserve, the Americans in their love of life, the Italians in their love of Christ, and the French in their hope of love. So when they made the dress for Tatiana, they made it full of promise. They made it as if to tell her, put it on, chérie, and in this dress you, too, shall be loved as we have loved; put it on and love shall be yours. And so Tatiana never despaired in her white dress with red roses. Had the Americans made it, she would have been happy. Had the Italians made it, she would have started praying, had the British made it, she would have squared her shoulders, but because the French had made it, she never lost hope. Though at the

Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year

The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.

This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.

The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.

Rhys lunged against his hold, but Amren stepped to their side and hissed, 'Listen.' Nesta whispered, 'I give it all back.' Her shoulders heaved as she wept. Rhys began shaking his head, his power a palpable, rising wave that would destroy them all, destroy the world if it meant Feyre was no longer in it, even if he only had seconds to live beyond her, but Amren grabbed the nape of his neck. Her red nails dug into his golden skin. 'Look at the light.' Iridescent light began flowing from Nesta's body. Into Feyre. Nesta kept holding her sister. 'I give it back. I give it back. I give it back.' Even Rhys stopped fighting. No one moved. The lights glimmered down Feyre's arm. Her legs. It suffused her ashen face. Began to fill the room. Cassian's Siphons guttered, as if sensing a power far beyond his own, beyond any of theirs. Tendrils of light drifted between the sisters. And one, delicate and loving, flowed towards Mor. To the bundle in her arms, setting the silent babe within glowing bright as the sun. And Nesta kept whispering, 'I give it back. I give it all back.' The iridescence filled her, filled Feyre, filled the bundle in Mor's arms, lighting his friend's face so the shock on it was etched in stark relief. 'I give it back,' Nesta said, one more time, and Mask and Crown tumbled from her head. The light exploded, blinding and warm, a wind sweeping past them, as if gathering every shard of itself out of the room. Ans as it faded, dark ink splashed upon Nesta's back, visible through her half-shredded shirt, as if it were a wave crashing upon the shore. A bargain. With the Cauldron itself. Yet Cassian could have sworn a luminescent, gentle hand prevented the light from leaving her body altogether. Cassian didn't fight Rhys this time as he raced to the bed. To where Feyre lay, flush with colour. No more blood spilling between her legs. Feyre opened her eyes. She blinked at Rhys, and then turned to Nesta. 'I love you, too,' Feyre whispered to her sister, and smiled. Nesta didn't stop her sob as she launched herself onto Feyre and embraced her.

That was your forest. Where you hunted.” He came closer to the painting, gazing at the bleak, empty cold, the white and gray and brown and black. “This was your life,” he clarified. I was too mortified, too stunned, to reply. He walked to the next painting I’d left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing out between them. “Your cottage at night.” I tried to move, to tell him to stop looking at those ones and look at the others I’d laid out, but I couldn’t—couldn’t even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold—my hair. My gut twisted. “The man you used to see—in your village.” He cocked his head again as he studied the picture, and a low growl slipped out. “While you made love.” He stepped back, looking at the row of pictures. “This is the only one with any brightness." Was that … jealousy? “It was the only escape I had.” Truth. I wouldn’t apologize for Isaac. Not when Tamlin had just been in the Great Rite. I didn’t hold that against him—but if he was going to be jealous of Isaac— Tamlin must have realized it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle. Tamlin swore. “You were there when they wrecked your father’s leg.” “Someone had to beg them to stop.” Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I’d slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt? At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. “That one. I want that one.

It’s a long story,” he said, taking a sip of Mr. Braeburn’s whiskey, “so I will tell only a very condensed version of it. “Mrs. Marsden and I grew up on adjacent properties in the Cotswold. But the Cotswold, as fair as it is, plays almost no part in this tale. Because it was not in the green, unpolluted countryside that we fell in love, but in gray, sooty London. Love at first sight, of course, a hunger of the soul that could not be denied.” Bryony trembled somewhere inside. This was not their story, but her story, the determined spinster felled by the magnificence and charm of the gorgeous young thing. He glanced at her. “You were the moon of my existence; your moods dictated the tides of my heart.” The tides of her own heart surged at his words, even though his words were nothing but lies. “I don’t believe I had moods,” she said severely. “No, of course not. ‘Thou art more lovely and more temperate’—and the tides of my heart only rose ever higher to crash against the levee of my self-possession. For I loved you most intemperately, my dear Mrs. Marsden.” Beside her Mrs. Braeburn blushed, her eyes bright. Bryony was furious at Leo, for his facile words, and even more so at herself, for the painful pleasure that trickled into her drop by drop. “Our wedding was the happiest hour of my life, that we would belong to each other always. The church was filled with hyacinths and camellias, and the crowd overflowed to the steps, for the whole world wanted to see who had at last captured your lofty heart. “But alas, I had not truly captured your lofty heart, had I? I but held it for a moment. And soon there was trouble in Paradise. One day, you said to me, ‘My hair has turned white. It is a sign I must wander far and away. Find me then, if you can. Then and only then will I be yours again.’” Her heart pounded again. How did he know that she had indeed taken her hair turning white as a sign that the time had come for her to leave? No, he did not know. He’d made it up out of whole cloth. But even Mr. Braeburn was spellbound by this ridiculous tale. She had forgotten how hypnotic Leo could be, when he wished to beguile a crowd. “And so I have searched. From the poles to the tropics, from the shores of China to the shores of Nova Scotia. Our wedding photograph in hand, I have asked crowds pale, red, brown, and black, ‘I seek an English lady doctor, my lost beloved. Have you seen her?’” He looked into her eyes, and she could not look away, as mesmerized as the hapless Braeburns. “And now I have found you at last.” He raised his glass. “To the beginning of the rest of our lives.

In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances. “Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.” She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves. Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.” Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn. “My heart is happy when I see you,” she whispered in Lakota. He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English. She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch. He frowned slightly at her expression. “What is it?” he asked softly. “I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously. He smiled back. “And now you’re covered in real ones,” he discerned. She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.” Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.