Roofing Sheets Quotes

The rain comes down harder as I write. It sheets off the roof in torrents. I wish it would pound against me. Pound the life from my body. The flesh from my bones. The pain from my heart.

When the cold comes to New England it arrives in sheets of sleet and ice. In December, the wind wraps itself around bare trees and twists in between husbands and wives asleep in their beds. It shakes the shingles from the roofs and sifts through cracks in the plaster. The only green things left are the holly bushes and the old boxwood hedges in the village, and these are often painted white with snow. Chipmunks and weasels come to nest in basements and barns; owls find their way into attics. At night,the dark is blue and bluer still, as sapphire of night.

Because we would not wear any clothes because it was so hot and the windows open and the swallows flying over the roofs of the houses and when it was dark afterward and you went to the window very small bats hunting over the houses and close down over the trees and we would drink capri and the door locked and it hot and only a sheet and the whole night and we would both love each other all night in the hot night in Milan. That was how it ought to be.

It all jibed, and the books would close on Jasper as death by misadventure. Unofficially, Eve labeled it death by stupidity, but there wasn't a place on the sheet for that particular observation. - Lt. Eve Dallas on a drunk fall off the roof

Title 'Yikin heykellerimi' ->'Destroy and shatter the statues you have built of me' O nation I am Kemal Mustafa If my thoughts and beliefs are not of this day and age If my wisdom isn't still the most authentic mentor Then let my tongue cleave to the roof of my palate I apoligize Forget everything I said Destroy and shatter the statues you have built of me If freedom isn’t still the supreme value If you’d rather have slaves stay chained Forget everything I said Destroy and shatter the statues you have built of me If you see no sense in living a civilized life If you want to be sent back in time to the middle ages and wish to put a crown on the head of a man who spits into the face of art Forget everything I said Destroy and shatter the statues you have built of me If the pain of war violence was not enough If peace at home, peace in the world has no meaning If to be awarded requires an arms race Forget everything I said Destroy and shatter the statues you have built of me If you miss the fez and the veil and prefer to light the night If you’re still hoping to find healing from a dervish, a sheik or an amulet Forget everything I said Destroy and shatter the statues you have built of me If you say women should not be equal to men and should be covered in black sheets in order to flee from the wrath of bigots If you say you don’t want to see our women and daughters to get an education just because you believe this is their fate Forget everything I said Destroy and shatter the statues you have built of me If freedom and democracy is too much for you to handle If you have a longing for the sultan of the Sultanate and are still not able to determine the significance of being a nation Be servants, stay on the path of religion and wait for şeyhülislam to lay down the law for you Forget everything I said Destroy and shatter the statues you have built of me And LEAVE ME ALONE… -Musafa Kemal Atatürk

I stretched out diagonally in my bed, across the cool sheet. I was completely alone, but I had never felt safer. It wasn’t the bricks around me that I’d somehow managed to rent or the roof over my head that I was most grateful for. It was the home I now carried on my back like a snail. The sense that I was finally in responsible and loving hands. Love was there in my empty bed.

I was going to suggest some hard-won guidelines for responsible reviewing. For instance: First, as in Hippocrates, do no harm. Second, never stoop to score a point or bite an ankle. Third, always understand that in this symbiosis, you are the parasite. Fourth, look with an open heart and mind at every different kind of book with every change of emotional weather because we are reading for our lives and that could be love gone out the window or a horseman on the roof. Fifth, use theory only as a periscope or a trampoline, never a panopticon, a crib sheet or a license to kill. Sixth, let a hundred Harolds Bloom.

He no sooner saw the woman than he saw the aftermath of her - his marriage proposal and her acceptance, the home they would set up together, the drawn rich silk curtains leaking purple light, the bed sheets billowing like clouds, the wisp of aromatic smoke winding from the chimney - only for every wrack of it - its lattice of crimson roof tiles, its gables and dormer windows, his happiness, his future - to come crashing down on him in the moment of her walking past.

Jack took me to the Christmas Dance. It snowed the day of the dance, making the Meier Farmhouse and Dance Hall look like something out of a painting, the lights on the roof glowing under sheets of white. And when Jack led me onto the dance floor and grasped one of my hands and tugged it up behind his neck, then placed his arm around my back, soft and low, I thought life couldn't get better. He pulled me close against him, our hands clasped next to his chest.The cedar from the farmhouse mingled with Jack's aftershave,making a sweet, rustic scent. "Becks,remember the first time we met?" he asked,his lips grazing my ear. Of course I remembered. The events of that day were permanently etched into my brain. "You mean,the time you nearly beheaded me with a baseball?" "I had to do something to get the new girl's attention." "A simple 'hello' would have worked." He pulled me in tighter, as if that were possible. "Why did we wait so long to do this?" "Um, because you were making your way through the entire cheerleading squad?" He looked at me for a few moments, then shook his head and leaned in to brush his lips along my shoulder. I closed my eyes. If this was what I could expect for the rest of my high school years,I never wanted to graduate. Ever.

.... romance is so much bigger than just a love story. Romance has to do with making things lovely because of love. Romance means absorbing the beauty of life, conversation, atmosphere, places, and surroundings. It means increasing our awareness of the fragrance of pine trees, freshly ground coffee, and sheets drying on the line; hearing the music of waves, children's laughter, and he rain drumming on the roof: seeing the signature of God on His creation. It means drinking the gift of life to the dregs. All to be enjoyed, all to be taken in." p. 17

By the middle of the afternoon it had rained so much that the drains were overflowing, clogged up with leaves and newspapers. The water built up until it was sliding across the road in great sheets, rippled by the wind and parted like a football crowd by passing cars. I was shocked by the sheer volume of water that came pouring out of the darkness of the sky. Watching the weight of it crashing into the ground made me feel like a very young child, unable to understand what was really happening. Like trying to understand radio waves, or imagining computers communicating along glass cables. I leant my face against the window as the rain piled upon it, streaming down in waves, blurring my vision, making the shops opposite waver and disappear. There was a time when I might have found this exhilarating, even miraculous, but not that day. That day it made me nervous and tense, unable to concentrate on anything while the noise of it clattered against the windows and the roof. I kept opening the door to look for clear skies, and slamming it shut again. And then around teatime, from nowhere, I smashed all the dirty plates and mugs into the washing-up bowl. Something swept through me, swept out of and over me, something unstoppable, like water surging from a broken tap and flooding across the kitchen floor. I don't quite understand why I felt that way, why I reacted like that. I wanted to be saying it's just something that happens. But I was there, that day, slamming the kitchen door over and over again until the handle came loose. Smacking my hand against the worktop, kicking the cupboard doors, throwing the plates into the sink. Going fuckfuckfuck through my clenched teeth. I wanted someone to see me, I wanted someone to come rushing in, to take hold of me and say hey hey what are you doing, hey come on, what's wrong. But there was no one there, and no one came.

If a choreographer had been underneath the plastic sheet on a rainy day or night, he would certainly have reproduced the scene: twenty-five people, short and tall, on their feet, each holding a tin can to collect the water that dripped off the roof, sometimes in torrents, sometimes drop by drop. If a musician had been there, he would have heard the orchestration of all that water striking the sides of the tins. If a filmmaker had been there, he would have captured the beauty of the silent and spontaneous complicity between wretched people. But there was only us, standing on a floor that was slowly sinking into the clay.

Because I live in south Florida I store cans of black beans and gallons of water in my closet in preparation for hurricane season. I throw a hurricane party in January. You’re my only guest. We play Marco Polo in bed. The sheets are wet like the roof caved in. There’s a million of me in you. You try to count me as I taste the sweat on the back of your neck. I call you Sexy Sexy, and we do everything twice. After, still sweating, we drink Crystal Light out of plastic water bottles. We discuss the pros and cons of vasectomies. It’s not invasive you say. I wrap the bedsheet around my waist. Minor surgery you say. You slur the word surgery, like it’s a garnish on a dish you just prepared. I eat your hair until you agree to no longer talk about vasectomies. We agree to have children someday, and that they will be beautiful even if they’re not. As I watch your eyes grow heavy like soggy clothes, I tell you When I grow up I’m going to be a famous writer. When I’m famous I’ll sign autographs on Etch-A-Sketches. I’ll write poems about writing other poems, so other poets will get me. You open your eyes long enough to tell me that when you grow up, you’re going to be a steamboat operator. Your pores can never be too clean you say. I say I like your pores just fine. I say Your pores are tops. I kiss you with my whole mouth, and you fall asleep next to my molars. In the morning, we eat french toast with powdered sugar. I wear the sugar like a mustache. You wear earmuffs and pretend we’re in a silent movie. I mouth Olive juice, but I really do love you. This is an awesome hurricane party you say, but it comes out as a yell because you can’t gauge your own volume with the earmuffs on. You yell I want to make something cute with you. I say Let me kiss the insides of your arms. You have no idea what I just said, but you like the way I smile.

One thing she realized soon was that the rain here was eternal. The weather must have changed since the Emperor's time, because now the tower loomed constantly in its cloud of drizzle; all the long afternoons rain trickled in runnels and gutters and spouts, spattering through gargoyles of hideous beasts and goblins that spat far down on the heads of hurrying clerks. Always the roofs ran with water; it dripped and plopped and splashed through culverts and drains, or sheeted down, a relentless liquid gurgle that never stopped, until she started to imagine that this was the song the tower sang, through all the throats and mouths and pipes of its endless body.

When the last soldier has gone, the people climb over the debris of the burnt house. The tin sheets that were once the roof are still smouldering. A scorched trunk lies open, flames still leaping out of it. What was in it that burns so beautifully?

The snow that has been falling for some time has finally lifted, and a fierce wind blows. Long icicles hang from everything, heaps of glittering snow lie here and there on the ground, and all the roofs are white with it... The landscape is brightly lit by a pre-dawn moon, and the whole scene is utterly delightful. The houses seem roofed in sheets of silver, while icicles hanging everywhere along the eaves, some long, some short, as if specially arranged there for display, put one in mind of waterfalls of crystal.

Oskar. The night before I lost everything was like any other night. Anna and I kept each other awake very late. We laughed. Young sisters in bed under the roof of their childhood home. Wind on the window. How could anything less deserve to be destroyed? I thought we would be awake all night. Awake for the rest of our lives. The spaces between our words grew. It became difficult to tell when we were talking and when we were silent. The hairs on our arms touched. It was late, and we were tired. We assumed there would be other nights. Anna’s breathing started to slow, but I still wanted to talk. She rolled onto her side. I said, I want to tell you something. She said, You can tell me tomorrow. I had never told her how much I loved her. She was my sister. We slept in the same bed. There was never a right time to say it. It was always unnecessary. The books in my father’s shed were sighing. The sheets were rising and falling around me with Anna’s breathing. I though about waking her. But it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you, Oskar. It’s always necessary. I love you, Grandma

Pirate and Osbie Feel are leaning on their roof-ledge, a magnificent sunset across and up the winding river, the imperial serpant, crowds of factories, flats, parks, smoky spires and gables, incandescent sky casting downward across the miles of deep streets and roofs cluttering and sinuous river Thames a drastic strain of burnt orange, to remind a visitor of his mortal transience here, to seal or empty all the doors and windows in sight to his eyes that look only for a bit of company, a word or two in the street before he goes up to the soap-heavy smell of the rented room and the squares of coral sunset on the floor-boards—an antique light, self-absorbed, fuel consumed in the metered winter holocaust, the more distant shapes among the threads or sheets of smoke now perfect ash ruins of themselves, nearer windows, struck a moment by the sun, not reflecting at all but containing the same destroying light, this intense fading in which there is no promise of return, light that rusts the government cars at the curbsides, varnishes the last faces hurrying past the shops in the cold as if a vast siren had finally sounded, light that makes chilled untraveled canals of many streets, and that fills with the starlings of London, converging by millions to hazy stone pedestals, to emptying squares and a great collective sleep. They flow in rings, concentric rings on the radar screens. The operators call them ‘angels.

All yesterday it poured, and all night long I could not sleep; the rain unceasing beat Upon the shingled roof like a weird song, Upon the grass like running children’s feet. And down the mountains by the dark cloud kissed, Like a strange shape in filmy veiling dressed, Slid slowly, silently, the wraith-like mist, And nestled soft against the earth’s wet breast. But lo, there was a miracle at dawn! The still air stirred at touch of the faint breeze, The sun a sheet of gold bequeathed the lawn, The songsters twittered in the rustling trees. And all things were transfigured in the day, But me whom radiant beauty could not move; For you, more wonderful, were far away, And I was blind with hunger for your love

What is God doing in my life? In the mornings, I wake to find that he has traced the world in silver. Every blade of grass. Each pumpkin on the porch. In the afternoons, I find him washing these fields with the mellow sunlight of autumn. He has gilded every rail in the fence and the sheet metal roof of the old red barn. He has transformed familiar trees into something otherworldly.

Lord, what will I be? Where will the careless conglomeration of environment, heredity and stimulus lead me? Someday I may say: It was of great significance that I sat and laughed at myself in a convertible with the rain coming down in rattling sheets on the canvas roof. It influenced my life that I did not find content immediately and easily - - and now I am I because of that. It was inestimably important for me to look at the lights of Amherstn town in the rain, with the wet black tree-skeletons against the limpid streetlights and gray November mist, and then look at the boy beside me and feel all the hurting beauty go flat because he wasn't the right one - not at all. And I may say that my philosophy has been deeply affected by the fact that windshield wipers ticked off seconds too loudly and hopelessly, that my clock drips loud sharp clicks too monotonously on my hearing. I can hear it even through the pillow I muffle it with - the tyrannical drip drip drip drip of seconds along the night. And in the day, even when I'm not there, the seconds come out in little measured strips of time. And I wind the clock. And I look at the windshield wipers cutting an arch out of the sprinkled raindrops on the glass. Click-click. Clip-clip. Tick-tick. snip-snip. And it goes on and on. I could smash the measured clicking sound that haunts me - draining away life, and dreams, and idle reveries. Hard, sharp, ticks. I hate them. Measuring thought, infinite space, by cogs and wheels. Can you understand? Someone, somewhere, can you understand me a little, love me a little? For all my despair, for all my ideals, for all that - I love life. But it is hard, and I have so much - so very much to learn.

It is wonderful, and rare, being out of the city, being back at their house, and the four of them enjoy one another's company. He even feels well enough to give Andy an abbreviated tour of the property, which Andy has visited only in springtime or summer, but which is different in autumn: raw, sad, lovely, the barn's roof plastered with fallen yellow gingko leaves that make it look as if it's been laid with sheets of gold leaf.

Instead I turned my attention back to the copper of peach jam, releasing its autumnal scent. Peach is perhaps the most perfect fruit for making jam: sweet, yet firm; the golden flesh turning to a darker burnt-orange with cooking. My method allows the pieces of fruit to stay intact during the process, while retaining all the flavor. Today, we will leave the sugar and peach mixture to steep under a sheet of muslin; tomorrow, we will cook it, then ladle it into clean glass jars to put away for the winter. There's something very comforting about the ritual of jam-making. It speaks of cellars filled with preserves; of neat rows of jars on pantry shelves. It speaks of winter mornings and bowls of chocolat au lait, with thick slices of good fresh bread and last year's peach jam, like a promise of sunshine at the darkest point of the year. It speaks of four stone walls, a roof, and of seasons that turn in the same place, in the same way, year after year, with sweet familiarity. It is the taste of home.

Caleb shifted uncomfortably as he closed the door behind him. For a moment, he’d thought she’d been naked under the sheet. But, it had been a nude-colored type of top. Didn’t seem to matter, the sight had kicked his fantasies into overdrive. She tried to hide herself, but the nightlight next to her bed cast a soft amber glow around her shining right through the thin sheet, illuminating her small pert breasts perfectly even through the top…. He couldn’t live under the same roof as her and not go insane. He would make an announcement tomorrow. She was off-limits.

We hear the rain not through silent falling water but in the many translations delivered by objects that the rain encounters. Like any language, especially one with so much to pour out and so many waiting interpreters, the sky’s linguistic foundations are expressed in an exuberance of form: downpours turn tin roofs into sheets of screaming vibration; rain smatters onto the wings of hundreds of bats, each drop shattering, then falling into the river below the bats’ skimming flight; heavy-misted clouds sag into treetops and dampen leaves without a drop falling, their touch producing the sound of an inked brush on a page.

It had all begun on the elevated. There was a particular little sea of roots he had grown into the habit of glancing at just as the packed car carrying him homeward lurched around a turn. A dingy, melancholy little world of tar paper, tarred gravel, and smoky brick. Rusty tin chimneys with odd conical hats suggested abandoned listening posts. There was a washed-out advertisement of some ancient patent medicine on the nearest wall. Superficially it was like ten thousand other drab city roofs. But he always saw it around dusk, either in the normal, smoky half-light, or tinged with red by the flat rays of a dirty sunset, or covered by ghostly windblown white sheets of rain-splash, or patched with blackish snow; and it seemed unusually bleak and suggestive, almost beautifully ugly, though in no sense picturesque; dreary but meaningful. Unconsciously it came to symbolize for Catesby Wran certain disagreeable aspects of the frustrated, frightened century in which he lived, the jangled century of hate and heavy industry and Fascist wars. The quick, daily glance into the half darkness became an integral part of his life. Oddly, he never saw it in the morning, for it was then his habit to sit on the other side of the car, his head buried in the paper. One evening toward winter he noticed what seemed to be a shapeless black sack lying on the third roof from the tracks. He did not think about it. It merely registered as an addition to the well-known scene and his memory stored away the impression for further reference. Next evening, however, he decided he had been mistaken in one detail. The object was a roof nearer than he had thought. Its color and texture, and the grimy stains around it, suggested that it was filled with coal dust, which was hardly reasonable. Then, too, the following evening it seemed to have been blown against a rusty ventilator by the wind, which could hardly have happened if it were at all heavy. ("Smoke Ghost")

Insane people give me hope." "What!!!!" I almost dropped my beer. "The insane have decided to stay on," Crumley said. "They love life so much that, rather than destroy it, they go behind a self-made wall to hide. Pretend not to hear, but the do hear. Pretend not to see, but see. Insanity says: I hate living but love life. Hate the rules but do like me. So, rather than drop in graves, I hide out. Not in liquor, nor in bed under sheets, nor in a needle's prick or snuffs of white powder, but in madness. On my own shelf, in my own rafters, under my own silent roof. So, yeah, insane people give me hope. Courage to go on being sand and alive, always with the cure at hand, should I ever tire and need it: madness.

for as long as I have known it, the plant has been empty and silent, a vast labyrinth of corridors and abandoned rooms, some open to the sky, others with glass or metal roofing and, above each kiln—we call them kilns, but there's no real evidence to say what they were used for—a giant chimney rises up into the clouds, a wide brick chimney that, in the wet months, fills with great cascading falls of rain, just as the glass roofs and the sheets of corrugated metal on the storerooms will break into a music that sounds repetitious when you first hear it, but soon begins to reveal itself as an infinitely complex fabric of faint overtones and distant harmonics that is never quite the same from one moment to the next.

a good story, I’ll give you that. So, how many times have you done this sort of thing?  Send the inbred trash out ahead on the road to spook up unsuspecting travelers and you all hang back, jerking each other off, waiting to ambush anyone that makes it past them?” The wounded man looked away, ignoring Shane’s comments. “Don’t worry kid, I won’t kill ya today. But if I catch you in a lie, or if I find more of your inbred cousins at this camp, I will make the last moments of your life very painful,” Shane said in a calm voice. “Why are you doing this?” Shane feigned laughter and ignored the question. “What’s your name kid?” “Kyle,” he answered. “Kyle, everything I do, I do for her.” “You kill for her?” “No, I protect her and I destroy anything that tries to harm her—” “It’s right up here, follow the white fence,” Kyle interrupted using his neck to point out a quickly approaching high fence skinned in white sheet metal. The fence was tall and set back off the road. Mounds of stacked cars and other junk could be seen piled high at points. Shane slowed the car and carefully eased over to the shoulder of the road. He put the car in park and killed the engine. Shane sat silently for a minute, hushing Kyle when he tried to speak. He opened the door and slowly walked to the front of the car while listening for sounds. He climbed onto the hood and moved to the roof of the sedan. He could just barely see inside the compound. As it appeared from the outside, it was definitely a scrap yard. Piles of sorted metal were scattered around a central building while rows of smashed and stacked cars made up the far sides of the lot. From

I have been so great a lover: filled my days So proudly with the splendour of Love's praise, The pain, the calm, and the astonishment, Desire illimitable, and still content, And all dear names men use, to cheat despair, For the perplexed and viewless streams that bear Our hearts at random down the dark of life. Now, ere the unthinking silence on that strife Steals down, I would cheat drowsy Death so far, My night shall be remembered for a star That outshone all the suns of all men's days. Shall I not crown them with immortal praise Whom I have loved, who have given me, dared with me High secrets, and in darkness knelt to see The inenarrable godhead of delight? Love is a flame; -- we have beaconed the world's night. A city: -- and we have built it, these and I. An emperor: -- we have taught the world to die. So, for their sakes I loved, ere I go hence, And the high cause of Love's magnificence, And to keep loyalties young, I'll write those names Golden for ever, eagles, crying flames, And set them as a banner, that men may know, To dare the generations, burn, and blow Out on the wind of Time, shining and streaming.... These I have loved: White plates and cups, clean-gleaming, Ringed with blue lines; and feathery, faery dust; Wet roofs, beneath the lamp-light; the strong crust Of friendly bread; and many-tasting food; Rainbows; and the blue bitter smoke of wood; And radiant raindrops couching in cool flowers; And flowers themselves, that sway through sunny hours, Dreaming of moths that drink them under the moon; Then, the cool kindliness of sheets, that soon Smooth away trouble; and the rough male kiss Of blankets; grainy wood; live hair that is Shining and free; blue-massing clouds; the keen Unpassioned beauty of a great machine; The benison of hot water; furs to touch; The good smell of old clothes; and other such -- The comfortable smell of friendly fingers, Hair's fragrance, and the musty reek that lingers About dead leaves and last year's ferns.... Dear names, And thousand other throng to me! Royal flames; Sweet water's dimpling laugh from tap or spring; Holes in the ground; and voices that do sing; Voices in laughter, too; and body's pain, Soon turned to peace; and the deep-panting train; Firm sands; the little dulling edge of foam That browns and dwindles as the wave goes home; And washen stones, gay for an hour; the cold Graveness of iron; moist black earthen mould; Sleep; and high places; footprints in the dew; And oaks; and brown horse-chestnuts, glossy-new; And new-peeled sticks; and shining pools on grass; -- All these have been my loves. And these shall pass, Whatever passes not, in the great hour, Nor all my passion, all my prayers, have power To hold them with me through the gate of Death. They'll play deserter, turn with the traitor breath, Break the high bond we made, and sell Love's trust And sacramented covenant to the dust. ---- Oh, never a doubt but, somewhere, I shall wake, And give what's left of love again, and make New friends, now strangers.... But the best I've known, Stays here, and changes, breaks, grows old, is blown About the winds of the world, and fades from brains Of living men, and dies. Nothing remains. O dear my loves, O faithless, once again This one last gift I give: that after men Shall know, and later lovers, far-removed, Praise you, "All these were lovely"; say, "He loved.

Deeply lost in the night. Just as one sometimes lowers one's head to reflect, thus to be utterly lost in the night. All around people are asleep. It's just play acting, an innocent self-deception, that they sleep in houses, in safe beds, under a safe roof, stretched out or curled up on mattresses, in sheets, under blankets; in reality they have flocked together as they had once upon a time and again later in a deserted region, a camp in the open, a countless number of men, an army, a people, under a cold sky on cold earth, collapsed where once they had stood, forehead pressed on the arm, face to the ground, breathing quietly. And you are watching, are one of the watchmen, you find the next one by brandishing a burning stick from the brushwood pile beside you. Why are you watching? Someone must watch, it is said. Someone must be there.

Somewhat overly legibly, I wrote on a sheet of paper, "We're held up indefinitely by the parade. We're going to find a phone and have a cold drink somewhere. Will you join us?" I folded the paper once, then handed it to the Matron of Honor, who opened it, read it, and then handed it to the tiny old man. He read it, grinning, and then looked at me and wagged his head up and down several times vehemently. I thought for an instant that this was the full and perfectly eloquent extent of his reply, but he suddenly motioned to me with his hand, and I gathered that he wanted me to pass him my pad and pencil, I did so- without looking over at the Matron of Honor, from whom great waves of impatience were rising. The old man adjusted the pad and pencil on his lap with the greatest care, then sat for a moment, pencil poised, in obvious concentration, his grin diminished only a very trifle. Then the pencil began, very unsteadily, to move. An "i" was dotted. And then both pad and pencil were returned personally to me, with a marvellously cordial extra added wag of the head. He had written, in letters that had not quite jelled yet, the single word "Delighted." The Matron of Honor, reading over my shoulder, gave a sound faintly like a snort, but I quickly looked over at the great writer and tried to show by my expression that all of us in the car knew a poem when we saw one, and were grateful. На едно листче — някак прекалено четливо — написах: „Парадът ще ни задържи неопределено време. Искаме да потърсим телефон и да пием нещо разхладително. Ще дойдете ли с нас?“ После сгънах листчето на две и го подадох на придворната, която го прочете и предаде на дребничкия старец. Той го прочете ухилен, погледна ме и усилено закима с глава. Реших, че това е изчерпателен и напълно красноречив отговор, но той махна с ръка към мен и разбрах, че иска да му подам тефтерчето и молива. Подадох му ги, без да поглеждам придворната, която на вълни, на вълни излъчваше нетърпение. Старчето намести много внимателно тефтерчето и молива на коленете си, застина така, явно събирайки мислите си, после, почти все със същата усмивка, вдигна молива. Много неуверено моливът започна да се движи. Накрая бе сложена акуратна точка. След това с изключително сърдечно кимане тефтерчето и моливът ми бяха върнати. Още пресните букви гласяха: „С удоволствие.“ Придворната погледна през рамото ми бележката и издаде звук, подобен на пръхтене, но аз веднага обърнах лице към великия писател и се постарах да покажа с изражението си, че всички ние веднага можем да различим една истинска поема и сме му много благодарни.

History Eraser I got drunk and fell asleep atop the sheets but luckily i left the heater on. And in my dreams i wrote the best song that i've ever written...can't remember how it goes. I stayed drunk and fell awake and i was cycling on a plane and far away i heard you say you liked me. We drifted to a party -- cool. The people went to arty school. They made their paints by mixing acid wash and lemonade In my brain I re-arrange the letters on the page to spell your name I found an ezra pound and made a bet that if i found a cigarette i'd drop it all and marry you. Just then a song comes on: "you can't always get what you want" -- the rolling stones, oh woe is we, the irony! The stones became the moss and once all inhibitions lost, the hipsters made a mission to the farm. We drove by tractor there, the yellow straw replaced our hair, we laced the dairy river with the cream of sweet vermouth. In my brain I re-arrange the letters on the page to spell your name You said "we only live once" so we touched a little tongue, and instantly i wanted to... I lost my train of thought and jumped aboard the Epping as the doors were slowly closing on the world. I touched on and off and rubbed my arm up against yours and still the inspector inspected me. The lady in the roof was living proof that nothing really ever is exactly as it seems. In my brain I re-arrange the letters on the page to spell your name We caught the river boat downstream and ended up beside a team of angry footballers. I fed the ducks some krill then we were sucked against our will into the welcome doors of the casino. We drank green margaritas, danced with sweet senoritas, and we all went home as winners of a kind. You said "i guarantee we'll have more fun, drink till the moon becomes the sun, and in the taxi home i'll sing you a triffids song!" In my brain I re-arrange the letters on the page to spell your name

The Sentinel of Rain I am a creature who cooks on roofs, sleeps on roofs, livess on roofs. The unenlightened call me homeless; my inner circle know me as 'The Sentinel of Rain'. I know all there is to know about roofs: copper roofing, itchy; aluminium sheeting, noisy; precast concrete; dusty; ceramic tiles; slippery. I haven't had the pleasure of crashing on banana leave or straw roofs but I imagine them to be quite comfy, though pitched a bit steep to saunter about, and as for cooking dinner on, fuhgeddaboudit! Those roofs are as flammable as a cellulose nitrate print of The Blue Angel. Thank God I wasn't born in Southeast Asia or in the backward English countryside with their thatch roof cottages. It's good to be homeless in America. There are so many roof choices, the streets are virtually paved with dumpsters, stocked to the gills like the shelves of Walmart, and when it rains ~ and I'm the first to know, there's never an overpass too far to shelter me from nature's whims.

When you, sweet sleeper, wake in the morning, one arm thrown over your golden-sticky eyes, sheets a-mangle, your dreams still flit through you, ragged, full of holes. You can remember the man with the yellow eyes, but not why he chased you. You can remember the hawk footed woman on your roof, but not what she whispered. That is my fault. I could not help it. I tromped though you in the night and ate up your dreams, a moth through wool. I didn't want them all, only the sweetest veins, like fat marbling a slab of ruby meat, the marrowy slick of what she whispered, why he ran. I am a rowling thing--my snout raises up toward the moon to catch the scent of your sweat. I show my flat teeth to the night wind. I beg permission of your bed clothes to curl up in the curve of your stomach, to gnaw on your shoulders, your breasts, your eyelids. I must open up a hole in you, to crawl through to the red place where your dreams spool out. You put your arm around me in the night. Do you remember? My belly was taut and black, a tapir's belly, a tapir's snout snuffling for your breath as a pig for truffles. You were my truffle, my thick, earthy mushroom. You were delicious, and I thank you for my supper.

It’s not even that I trust him not to leave. I know this won’t last. I’d rather be me than him. The words are coming so easily. The pages are coming easily. At the end of my dream, Eve put the apple back on the branch.     The tree went back into the ground.     It became a sapling, which became a seed. God brought together the land and the water, the sky and the water, the water and the water, evening and morning, something and nothing. He said, Let there be light. And there was darkness. Oskar. The night before I lost everything was like any other night. Anna and I kept each other awake very late.     We laughed.     Young sisters in a bed under the roof of their childhood home.     Wind on the window. How could anything less deserve to be destroyed? I thought we would be awake all night.     Awake for the rest of our lives. The spaces between our words grew. It became difficult to tell when we were talking and when we were silent. The hairs of our arms touched. It was late, and we were tired. We assumed there would be other nights. Anna’s breathing started to slow, but I still wanted to talk. She rolled onto her side. I said, I want to tell you something. She said, You can tell me tomorrow. I had never told her how much I loved her. She was my sister. We slept in the same bed. There was never a right time to say it. It was always unnecessary. The books in my father’s shed were sighing. The sheets were rising and falling around me with Anna’s breathing. I thought about waking her. But it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you, Oskar. It’s always necessary. I love you,

Each year before the first rain after the harvest in Spring, I would look at the dry peach tree that I know so well at our backyard and anticipating that in summer it will be covered in an overgrown hedge unless my father who was a committed gardner of note take a weekend off from Jo'burg during the pruning season to prune it. Even now, I still remember with crystal clarity my childhood mood - warm days in Schoonoord with rich nostalgia of green scenery and flowers flowering everywhere.  One evening I was sitting at the veranda of our firehut looking at the orange tree between the plat (flat - roofed) house and the big L - shaped house - the tree served as a shelter from the sun for the drinking water pot next to the plat house - suddenly the weather changed, the wind howled, the tree swayed, the loose corrugated iron sheets on roof of he house clattered and clanged, the open windows shuts with a bang and the sky made night a day, and I was overwhelmed with that feeling of childhood joy at the approaching rain. All of a sudden, the deafening of steady pouring rain. The raging storm beat the orange tree leaves while I sat there remembering that where the orange tree stood used to be our first house, a small triangular   shaped mokhukhu ((tin house) made of red painted corrugated iron sheets salvaged from demolishing site in Witbank, also remembering that my aunt's mokhukhu was also made of the same type and colour of corrugated iron sheets. The ashen ground drunk merily until it was quenched and the floods started rolling down Leolo Mountains, and what one could hear above the deafening steady pouring rain was the bellowing of the nearby Manyane Dale, and if it was daylight one could have seen the noble Sebilwane River rolling in sullen glide. After about fifteen minutes of steady downpour, and rumbling sounds, the storm went away in a series of small, badly lit battle scenes.

This dance was the dance of death, and they danced it for George Buffins, that they might be as him. They danced it for the wretched of the earth, that they might witness their own wretchedness. They danced the dance of the outcasts for the outcasts who watched them, amid the louring trees, with a blizzard coming on. And, one by one, the outcast outlaws raised their heads to watch and all indeed broke out in laughter but it was a laughter without joy. It was the bitter laugh one gives when one sees there is no triumph over fate. When we saw those cheerless arabesques as of the damned, and heard that laughter of those trapped in the circles of hell, Liz and I held hands, for comfort. They danced the night into the clearing, and the outlaws welcomed it with cheers. They danced the perturbed spirit of their master, who came with a great wind and blew cold as death into the marrow of the bones. They danced the whirling apart of everything, the end of love, the end of hope; they danced tomorrows into yesterdays; they danced the exhaustion of the implacable present; they danced the deadly dance of the past perfect which fixes everything fast so it can’t move again; they danced the dance of Old Adam who destroys the world because we believe he lives forever. The outlaws entered into the spirit of the thing with a will. With ‘huzzahs’ and ‘bravos’, all sprang up and flung themselves into the wild gavotte, firing off their guns. The snow hurled wet, white sheets in our faces, and the wind took up the ghastly music of the old clowns and amplified it fit to drive you crazy. Then the snow blinded us and Samson picked us up one by one and slung us back in that shed and leaned up hard against the door, forcing it closed against the tempest with his mighty shoulders. Though bullets crashed into the walls and the wind came whistling through the knotholes and picked up burning embers from the fire, hurling them about until we thought we might burn to death in the middle of the snow and ice, the shed held firm. It rocked this way and that way and it seemed at any moment the roof might be snatched away, but this little group of us who, however incoherently, placed our faiths in reason, were not exposed to the worst of the storm. The Escapee, however, faced with this insurrection of militant pessimism, turned pale and wan and murmured to himself comforting phrases of Kropotkin, etc., as others might, in such straits, recite the rosary. When the storm passed, as pass it did, at last, the freshly fallen snow made all as new and put the camp fire out. Here, there was a shred of scarlet satin and, there, Grik’s little violin with the strings broken but, of the tents, shacks, muskets and cuirasses of the outlaws, the clowns and the clowns themselves, not one sight, as if all together had been blown off the face of the earth.

What can he tell them? He, who knows nothing. Ibn al Mohammed has not planned atrocities nor committed them. He has never been in the presence of terrorists. Yet Satan’s agents suspect him. He is dark-complected. His hair and beard are black. His name is Muslim. Body tall and slender, hands large, their fingers long and tapered. Dark eyes sunken in a narrow face. Irises like obsidian. He prays on hands and knees, forehead touching the floor. Thoughtlessly aligned, his cage obliges him to face a white plastic wall to bow toward Mecca. No matter; Ibn al Mohammed requires no sight of ocean or sky to know his place in the universe. He knows himself as one chosen, beloved of God. A man whose devotion will allow him to be saved. Standing at the bars, he stares at the plastic wall. Modesty panel, they call it. The detainee wills nothing, attempts nothing, merely stares at blankness as his mind opens toward such signs as might appear. Something, nothing. However little, however great, whatever God vouchsafes is sufficient. The least sign is enough. A crease in the plastic. A shadow cast against its insensate skin, then fleeing, gone. A raindrop: trickling through the roof, one small drop might touch the wall, leave a transparent streak, a tear without sorrow to confirm his understanding of what is and must be. Recognition. Acceptance. By such a sign he will know he is not forsaken. That God notices and prepares a place. He will not serve in the harvest. He will eat the food, drink the water, ride the bus. He will not pick the berries so prized by his captors. Droids will cajole and threaten; perhaps they will beat him. If so, they incriminate themselves. He relishes their degradation together with God’s tasking, this new test of will and faith. To suffer in silence, as meek as a lamb. Ibn al Mohammed will remove himself from himself. Self fading into background, his presence will diminish. His body will persist; corporeally, he must endure. But his self will become absent. Mind and its thought, heart and all emotion will disperse smoke-like into nothingness and in its vanishing forestall injury, indignity, all pain. Does God approve? Does God see? A mere token will assure Ibn al Mohammed for a lifetime. Standing at the bars, he watches. Minutes pass. How long must he wait? God speaks at His leisure to those with patience to attend. What does it mean, to have enough patience to attend to God? It is a discipline to expect nothing because you deserve nothing and merit only death. Ibn al Mohammed has waited all his life. What has he seen? His father taken away. His mother and sisters scrounging in a desert. He himself is confined in-cage. Squats on a stool, shits in a pail. Rain rattles across sheet tin, pock-pock-pock-pock. Food is delivered on a tray. A damp bed beneath his body, a white wall before his eyes. What does Ibn al Mohammed see? He sees nothing. [pp. 203-204]

I have been so great a lover: filled my days So proudly with the splendour of Love's praise, The pain, the calm, and the astonishment, Desire illimitable, and still content, And all dear names men use, to cheat despair, For the perplexed and viewless streams that bear Our hearts at random down the dark of life. Now, ere the unthinking silence on that strife Steals down, I would cheat drowsy Death so far, My night shall be remembered for a star That outshone all the suns of all men's days. Shall I not crown them with immortal praise Whom I have loved, who have given me, dared with me High secrets, and in darkness knelt to see The inenarrable godhead of delight? Love is a flame:—we have beaconed the world's night. A city:—and we have built it, these and I. An emperor:—we have taught the world to die. So, for their sakes I loved, ere I go hence, And the high cause of Love's magnificence, And to keep loyalties young, I'll write those names Golden for ever, eagles, crying flames, And set them as a banner, that men may know, To dare the generations, burn, and blow Out on the wind of Time, shining and streaming . . . . These I have loved: White plates and cups, clean-gleaming, Ringed with blue lines; and feathery, faery dust; Wet roofs, beneath the lamp-light; the strong crust Of friendly bread; and many-tasting food; Rainbows; and the blue bitter smoke of wood; And radiant raindrops couching in cool flowers; And flowers themselves, that sway through sunny hours, Dreaming of moths that drink them under the moon; Then, the cool kindliness of sheets, that soon Smooth away trouble; and the rough male kiss Of blankets; grainy wood; live hair that is Shining and free; blue-massing clouds; the keen Unpassioned beauty of a great machine; The benison of hot water; furs to touch; The good smell of old clothes; and other such— The comfortable smell of friendly fingers, Hair's fragrance, and the musty reek that lingers About dead leaves and last year's ferns. . . . Dear names, And thousand other throng to me! Royal flames; Sweet water's dimpling laugh from tap or spring; Holes in the ground; and voices that do sing; Voices in laughter, too; and body's pain, Soon turned to peace; and the deep-panting train; Firm sands; the little dulling edge of foam That browns and dwindles as the wave goes home; And washen stones, gay for an hour; the cold Graveness of iron; moist black earthen mould; Sleep; and high places; footprints in the dew; And oaks; and brown horse-chestnuts, glossy-new; And new-peeled sticks; and shining pools on grass;— All these have been my loves. And these shall pass, Whatever passes not, in the great hour, Nor all my passion, all my prayers, have power To hold them with me through the gate of Death. They'll play deserter, turn with the traitor breath, Break the high bond we made, and sell Love's trust And sacramented covenant to the dust. ——Oh, never a doubt but, somewhere, I shall wake, And give what's left of love again, and make New friends, now strangers. . . . But the best I've known Stays here, and changes, breaks, grows old, is blown About the winds of the world, and fades from brains Of living men, and dies. Nothing remains. O dear my loves, O faithless, once again This one last gift I give: that after men Shall know, and later lovers, far-removed, Praise you, 'All these were lovely'; say, 'He loved.

In the last six months,” he went on, “there have been two deaths, apparently by suicide. The victims were both high-level banking executives in soon-to-be merged institutions. Each seems to have leaped to his death from the roof of a building.” I shrugged. “From what I’ve been reading about the condition of the banks’ balance sheets, I’m surprised only two have jumped. I would have expected more like fifty.” “Perhaps twenty years ago, or even ten, that would have been the case. But atonement by suicide now exists in Japan more as an ideal than as a practice.” He took a sip of his tea. “An American-style apology is now preferred.

The muscles of Sue’s legs tensed, and the saddle lurched. One of the little girls screamed. And then the Tyrannosaur came down from the leap that had carried her over the besieged Wardens. Sue landed with one clawed foot on the street, and the other came down squarely on the Caddy’s hood, like a falcon descending upon a rabbit. There was an enormous sound of shrieking metal and breaking glass, and the saddle lurched wildly again. I leaned over to see what had happened. The car’s hood and engine block had been compacted into a two-foot-thick section of twisted metal. Even as I looked, Sue leaned over the car in a curiously birdlike movement, opened her enormous jaws, and ripped the roof off. Inside was Li Xian, dressed in a black shirt and trousers. The ghoul’s forehead had a nasty gash in it, and green-black blood had sheeted over one side of his face. His eyes were blank and a little vague, and I figured he’d clipped his head on the steering wheel or window when Sue brought his sliding car to an abrupt halt. Li Xian shook his head and then started to scramble out of the car. Sue roared again, and the sound must have terrified Li Xian, because all of his limbs jerked in spasm and he fell on his face to the street. Sue leaned down again, her jaws gaping, but the ghoul rolled under the car to get away from them. So Sue kicked the car, and sent it tumbling end over end three or four times down the street. The ghoul let out a scream and stared up at Sue in naked terror, covering his head with his arms. Sue ate him. Snap. Gulp. No more ghoul. “What’s with that?” Butters screamed, his voice high and frightened. “Just covering his head with his arms? Didn’t he see the lawyer in the movie?” “Those who do not learn the lessons of history are doomed to repeat them,” I replied, turning Sue around. “Hang on!” I rode the dinosaur into the stream of zombies following in the Wardens’ wake and let her go to town. Sue chomped and stomped and smacked zombies fifty feet through the air with swinging blows of her snout. Her tail batted one particularly vile-looking zombie into the brick wall of the nearest building, and the zombie hit so hard and so squishily that it just stuck to the wall like a refrigerator magnet, arms and legs spread in a sprawl.

I hadn't learned to decipher the mysterious ways of the undermind, How occasionally it erupts into an avalanche of clarity, a sheet of snow shearing off the roof and thundering to the ground, leaving the shingles exposed, knowledge issuing a messenger to announce its arrival.

Unfortunately, the problem is complicated by quite irrelevant human needs that claim the attention: for companionship and understanding, for a feeling of participation in the social life of humanity. And of course, for a roof over one’s head, and food and drink. The artist tries to give attention to these, but it is difficult when there are so much more important things to think about; and it is all made more difficult by the hostility of other people who every day arouse the question, Could it be that I’m wrong? Sometimes the strain makes the Outsider-artist think of suicide, but before he gets to that point, the universe is suddenly making sense again, and he has a glimpse of purpose. Moreover, that sense of accord is not the warm, vague harmony of a sleeping baby, but a blazing of all the senses, and a realization of a condition of consciousness unknown to the ordinary bourgeois. He realizes that this was what he left out of account in making up his mental balance-sheet of Pro and Contra in the universe. The Christian might call it a sense of the Fatherhood of God; a Hindu would probably prefer to call it a sense of the Motherhood of God, and his symbolism would be more congenial to the artist, who can only find comparison for the feeling in a child’s confidence in its mother. In any case, these are only symbols of a state that is too little known to human beings for their descriptions of it to be accurate.

If I were in this patio shade sail business, a method I would do it is to head out to the setting up resource enterprise and ask some of the guys behind the workplace about personnel who conduct your size job - they sure as heck not necessarily going to recommend technicians who not necessarily paying their bills and that will be a lifesaver there as well. It's impossible those men at the setting up source would become obtaining kickbacks from companies. Some of those men will not recommend contractors, but some will. Get four or five advice. We prepare subcontractor deals for our Standard Builder construction organization and just before preparing the arrangements, often check with the state office that gives away builder contractor licenses to make certain they're listed under the trade they state to get proficient in and find if there are any complaints filed. I also contact the talk about organization commission to see if they're posted now there and how lengthy they've been in business, and then have got their insurance agent to send us a copy of their insurance certificate showing that they have general liability and worker's compensation insurance (and make sure the name of their company on the contract matches the builder's license, the listed corporate entity, and insurance). And, you definitely want to make sure your contract has start and finish dates with liquidated damages for failure to finish on time, that the contractor supplies all materials and labor, that if the contractor breaches the contract that the contractor will be in charge of your legal fees, progress payments with lien waivers, as well as many other clauses AND a very detailed scope of work. It is important to specify the manufacturer and the exact type/quality & color of shingle, the underlayment brand and quality, the valleys' ice and water shield, tear-off or not of the existing shingles, how much will be charged if the sheathing is rotten per sheet for labor and material and type that it is to be replaced with, disposal of all construction debris, protection of your landscaping and personal property below the roof. I also attach a copy of the manufacturer's installation instructions and state that the product will be installed according to them. I prepare our contract and attach the subcontractor's contract to ours as an addendum (and our clauses supersede theirs). You want to get your scope of work ready to give to contractors to bid on so everyone is bidding on the same thing. When I first started, I would get several bids and cobble together a scope of work and then ask people to rework their bids based on it if their bids didn't include my new scope of work. So, this is going to be a large, important expense for you, and you probably want a good attorney, experienced in contracts, to review your contract. It will be worth the couple hundred extra dollars. (Ask how much the charge is up front.)

For years, we knew the double-storey at the bottom of Albermarle Street as the Gandhi House. In the decade before the Great War, we'd been told, Gandhi lived here with his family. Now the house has lost its claim on history 9but not its plaque from the National Monuments Council). An enterprising researcher, with nothing to gain by his unmasking except the truth, has shown that Gandhi did not live here after all, but up the road at No. 11. One of Gandhi's descendants, who visited the house as a child, has provided confirmation. The people at No. 11 should have that plaque moved to their wall. Both the Gandhi Houses, the true and the false, are double-storeys set on a promontory between two thoroughfares, but the attitudes of the streets could not differ more. Hillier and Albermarle Streets approach the impostor rather Kindly, cupping it in leafy palms, whereas Albermarle and Johannes grip the genuine article like an egg in a nutcracker. No. 11 has a handsome corrugated-iron roof and a wide, shady balcony. I recall an orante wrought-iron finial, the ECG of a Victorian heartbeat, dancing along the roof ridge, but it must have been removed by the renovators. I cannot remember ever seeing a person on the balcony, perfectly suited though it is to reading the paper or chatting over sundowners, but for a few years there were shop-window mannequins leaning on the parapet. Perhaps they were scarecrows for thieves? At night, with the lighted windows behind them, they always deceived the eye. Something in the atmosphere, a bit of lace around the neck, a reddish tinge of the light from the doorway, made them look like whores. Apparently, the Mahatma used to take his rest on the balcony on summer nights. It is easy to picture him there with sleep in his eyes, buffing his little round glasses on the hem of a bed sheet.

The cars ahead skated on a skim of water. The vivid red of countless tail lights, brake lights bobbed in the pitch-black night that stretched endlessly in front of them, the only sign that they weren’t alone in this storm. Sheets of rain fell sideways as it hammered down on the roof, a persistent drumbeat that even the radio couldn’t quite drown out.

1930s Functionalism/Modernism Exterior •Facade: Cube shapes and light-color plaster facades, or thin, standing wood panels. •Roof: Flat roof, sometimes clad in copper or sheet metal. •Windows: Long horizontal window bands often with narrow—or no—architraves; large panes of glass without mullions or transoms. Emphasis on the horizontal rather than on the vertical. Windows run around corners to allow more light and to demonstrate the new possibilities of construction and materials. •Outside door: Wooden door with circular glass window. •Typical period details: Houses positioned on plots to allow maximum access to daylight. Curving balconies, often running around the corner; corrugated-iron balcony frontage. Balcony flooring and fixings left visible. The lines of the building are emphasized. Interior •Floors: Parquet flooring in various patterns, tongue-and-groove floorboards, or linoleum. •Interior doors: Sliding doors and flush doors of lamella construction (vaulted, with a crisscross pattern). Masonite had a breakthrough. •Door handles: Black Bakelite, wood, or chrome. •Fireplaces: Slightly curved, brick/stone built. Light-color cement. •Wallpaper/walls: Smooth internal walls and light wallpapers, or mural wallpaper that from a distance resembled a rough, plastered wall. Internal wall and woodwork were light in color but rarely completely white—often muted pastel shades. •Furniture: Functionalism, Bauhaus, and International style influences. Tubular metal furniture, linear forms. Bakelite, chrome, stainless steel, colored glass. •Bathroom: Bathrooms were simple and had most of today’s features. External pipework. Usually smooth white tiles on the walls or painted plywood. Black-and-white chessboard floor. Lavatories with low cisterns were introduced. •Kitchen: Flush cupboard doors with a slightly rounded profile. The doors were partial insets so that only about a third of the thickness was visible on the outside—this gave them a light look and feel. Metal-sprung door latches, simple knobs, metal cup handles on drawers. Wall cabinets went to ceiling height but had a bottom section with smaller or sliding doors. Storage racks with glass containers for dry goods such as salt and flour became popular. Air vents were provided to deal with cooking smells.

Instinctively, Cody glanced over but all he could see was the gaping silver-rimmed muzzle of a snub-nosed large caliber revolver an inch from his eye. The cylinder revolved, filled with dull lead bullets, as the trooper pulled the trigger. There was a tremendous explosion of light and thunder. He could no longer see out of his right eye, but it was more than that. There was no pain, only tremendous silence. Then he was floating, light as air, as if his lungs had filled with helium. He passed through the sheet metal roof of his pickup into the night, which was no longer cold. As he rose his eyesight was restored but he no longer had feeling in his limbs and his arms hung loose at his sides. He looked down. He could see the top of his pickup from above, the bed of his truck which was empty except for a crumpled fast-food wrapper in the corner, then the rusted metal roof of the First National Bar. The windows of his pickup strobed three more times but there was no sound and he felt nothing. Cody’s life didn’t pass before his eyes, but he clearly saw the photo of Justin in his football uniform and a vision of Jenny sleeping in bed from years before they separated the first time and he rose until he could see the river and the ribbon of highway through the valley and Jimmy and the truck driver emerge from the bar and stand on the porch and he knew what happened to those poor girls and he felt both cheated and angry at the same time and he wished he could do it all over again, everything. Especially the last five minutes. Then nothing. No sound, smell, or sight. Peace.

In what is one of the most bizarre and ecologically damaging episodes of the Great Leap Forward, the country was mobilised in an all-out war against the birds. Banging on drums, clashing pots or beating gongs, a giant din was raised to keep the sparrows flying till they were so exhausted that they simply dropped from the sky. Eggs were broken and nestlings destroyed; the birds were also shot out of the air. Timing was of the essence, as the entire country was made to march in lockstep in the battle against the enemy, making sure that the sparrows had nowhere to escape. In cities people took to the roofs, while in the countryside farmers dispersed to the hillsides and climbed trees in the forests, all at the same hour to ensure complete victory. Soviet expert Mikhail Klochko witnessed the beginning of the campaign in Beijing. He was awakened in the early morning by the bloodcurdling screams of a woman running to and fro on the roof of a building next to his hotel. A drum started beating, as the woman frantically waved a large sheet tied to a bamboo pole. For three days the entire hotel was mobilised in the campaign to do away with sparrows, from bellboys and maids to the official interpreters. Children came out with slings, shooting at any kind of winged creature.77 Accidents happened as people fell from roofs, poles and ladders. In Nanjing, Li Haodong climbed on the roof of a school building to get at a sparrow’s nest, only to lose his footing and tumble down three floors. Local cadre He Delin, furiously waving a sheet to scare the birds, tripped and fell from a rooftop, breaking his back. Guns were deployed to shoot at birds, also resulting in accidents. In Nanjing some 330 kilos of gunpowder were used in a mere two days, indicating the extent of the campaign. But the real victim was the environment, as guns were taken to any kind of feathered creature. The extent of damage was exacerbated by the indiscriminate use of farm poison: in Nanjing, bait killed wolves, rabbits, snakes, lambs, chicken, ducks, dogs and pigeons, some in large quantities.

So, you put in a no-show for the turkey,” Sean said. “What’s up with that? You’re stateside, you’re not that far away….” “I have things to do here, Sean,” he said. “And I explained to Mother—I can’t leave Art and I can’t take him on a trip.” “So I heard. And that’s your only reason?” “What else?” “Oh, I don’t know,” he said, as if he did know what else. “Well then, you’ll be real happy to hear this—I’m bringing Mother to Virgin River for Thanksgiving.” Luke was dead silent for a moment. “What!” Luke nearly shouted into the phone. “Why the hell would you do that?” “Because you won’t come to Phoenix. And she’d like to see this property you’re working on. And the helper. And the girl.” “You aren’t doing this to me,” Luke said in a threatening tone. “Tell me you aren’t doing this to me!” “Yeah, since you can’t make it to Mom’s, we’re coming to you. I thought that would make you sooo happy,” he added with a chuckle in his voice. “Oh God,” he said. “I don’t have room for you. There’s not a hotel in town.” “You lying sack of shit. You have room. You have two extra bedrooms and six cabins you’ve been working on for three months. But if it turns out you’re telling the truth, there’s a motel in Fortuna that has some room. As long as Mom has the good bed in the house, clean sheets and no rats, everything will be fine.” “Good. You come,” Luke said. “And then I’m going to kill you.” “What’s the matter? You don’t want Mom to meet the girl? The helper?” “I’m going to tear your limbs off before you die!” But Sean laughed. “Mom and I will be there Tuesday afternoon. Buy a big turkey, huh?” Luke was paralyzed for a moment. Silent and brooding. He had lived a pretty wild life, excepting that couple of years with Felicia, when he’d been temporarily domesticated. He’d flown helicopters in combat and played it loose with the ladies, taking whatever was consensually offered. His bachelorhood was on the adventurous side. His brothers were exactly like him; maybe like their father before them, who hadn’t married until the age of thirty-two. Not exactly ancient, but for the generation before theirs, a little mature to begin a family of five sons. They were frisky Irish males. They all had taken on a lot: dared much, had no regrets, moved fast. But one thing none of them had ever done was have a woman who was not a wife in bed with them under the same roof with their mother. “I’m thirty-eight years old and I’ve been to war four times,” he said to himself, pacing in his small living room, rubbing a hand across the back of his neck. “This is my house and she is a guest. She can disapprove all she wants, work her rosary until she has blisters on her hands, but this is not up to her.” Okay, then she’ll tell everything, was his next thought. Every little thing about me from the time I was five, every young lady she’d had high hopes for, every indiscretion, my night in jail, my very naked fling with the high-school vice-principal’s daughter…. Everything from speeding tickets to romances. Because that’s the way the typical dysfunctional Irish family worked—they bartered in secrets. He could either behave the way his mother expected, which she considered proper and gentlemanly and he considered tight-assed and useless, or he could throw caution to the wind, do things his way, and explain all his mother’s stories to Shelby later.

Peter’s Vision in Joppa In Caesarea lived a Roman soldier named Cornelius. So Cornelius wasn’t a Jew. He was a Gentile. Yet he was true to God and gave to the poor. He always prayed. One afternoon this man had a vision. An angel came and said, “Cornelius?” “What is it, Lord?” Cornelius stared at the angel in terror. “Send men to Joppa and find Peter at Simon’s house.” Quickly, Cornelius sent for Peter. About noon the next day Peter went to Simon’s roof to pray. While he waited, Peter fell into a trance. He saw a large sheet coming from heaven. In it were all kinds of animals. A voice spoke, “Peter get up and eat these animals.” But the animals in the sheet were banned by Jewish law. So, to Peter, the meat wasn’t clean. “No, Lord,” said Peter. “I’ve never eaten any unclean meat.” “God has made this meat clean. Don’t call it unclean again.” Peter was puzzled about this. Just then the men came from Cornelius. The next day, Peter went with them to Cornelius’s house in Caesarea. The Spirit and the Gentiles Cornelius’ relatives and close friends were all gathered. Finally, Peter arrived. Cornelius fell at Peter’s feet to worship him. “Get up,” Peter said, “I’m only a mortal man.” In the house, Peter said, “You know that I’m a Jew. It’s against our law to visit a Gentile. But God told me not to call anyone unclean.” This was the meaning of Peter’s vision two days before. “So I had no problem coming here. What do you want?” Cornelius replied, “Four days ago a man in dazzling clothes came to me. ‘Cornelius,’ he said, ‘God has heard your prayers. Send to Joppa and find Peter.’ I did this and you’re kind enough to come. We’re here in the presence of God to listen to you.” So Peter began to tell them the good news about Jesus Christ. He mentioned forgiveness of sins in Jesus’ name but had to stop. The Holy Spirit had fallen on everyone listening. The Jewish believers with Peter were astounded. The Father’s gift of the Holy Spirit had been poured on the Gentiles! “Let’s baptize these people in the name of Jesus Christ,” said Peter. And they stayed there for several days.

It is no easy matter to be the dictator of body. It is not a matter of theory, but of practice. You must train your body that you may enable it to bear any sort of suffering, and to stand unflinched in the face of hardship. It is for this that So-rai[FN#232] (Ogiu) laid himself on a sheet of straw-mat spread on the ground in the coldest nights of winter, or was used to go up and down the roof of his house, having himself clad in heavy armour. It is for this that ancient Japanese soldiers led extremely simple lives, and that they often held the meeting-of-perseverance,[FN#233] in which they exposed themselves to the coldest weather in winter or to the hottest weather in summer. It is for this that Katsu Awa practised fencing in the middle of night in a deep forest.[FN#234]

When he demanded gold, the Indians brought him copper, and when he demanded silver, they brought him silvery mica, which they mined in the North Carolina mountains, in sheets up to three feet wide and three feet long. De Soto found little precious metal, but an abundance of pearls, especially in the mortuary temples. In one town alone his expedition found 25,000 pounds of pearls. The mortuary temples of the people of Cutifachiqui astounded the Spaniards, who had already seen the cathedrals of Spain, the mosques and fountains of the Arabs, the palace of Montezuma in Mexico, and the gold ransom of Atahualpa in Peru. Outside the massive doors into the temple that housed the pearls, twelve wooden giants stood guard. The huge figures held over their heads massive clubs covered with strips of copper and studded with what appeared to the Spaniards to be diamonds, but may have been mica chips. The Indians had decorated the roof of one temple with pearls and feathers so that it looked to the Spaniards like a building from a fairy tale. Along the sides of the roof, pearls had been suspended from threads so thin that the pearls seemed to be floating in the air around the temple. Inside the temples the Spaniards saw rows of chests, each filled with pearls of uniform size. The Spaniards could not carry all the pearls, but they selected out the best ones for themselves. Ironically, even though De Soto’s expedition was the first into the area, his men also found in the temple some European trade goods—glass, cheap beads, and a rosary—indicating

When I am gone Karly- I think back on it my great x4 Grandmother Hope went to school on black and wood 1919 Ford Model T Ford, I don’t get that, there were not even windows in the piece of crap. And then I can get my car. My dad was telling me this unbelievable story. About this old car like a red 28 ford coupe or so he thought. My dad was showing me the roof from it, somewhere down the line someone thought it was okay to cut up this cute little car just to be a d*ick about it, it must have been my great x4 granddad baby that someone was jealous of, saying he wanted to pass it down yet never to Neveah, so he junked it out for parts, and that explains why someone wanted the rooftop. Maybe someone thought it was going to go to her and the sisters’ family cut it up, really- I think that is how I got these parts. Emallie- I feel that my little nine-year-old sisters are in her room as I am at school, however since that day she’s never once stepped foot in my room. It’s a bummer she more freaked up than me in some ways is it not? Like- since she never surprises me by fixing up my sheets anymore, she leaves all that should be folded laundry or a new sundress on my bed like she did when I was in middle school, yet all messy and crap, but at least I know she’s not rooting through my drawers while I’m at school, looking for my sex toys or thongs. ‘If you want to come out here, why do you drag me? I’ll get the thermometer, and crap and say I'm sick,’ she says, she is- very- hyperactive and more! She needs to be on Methylphenidate or (Ritalin) as they call it. She does something that I don’t like yet that what they say is needed. Her name is Judcël. Yet we just call her Judie, she hates that just say I am the boy she said, she not yet she might want to be on this crap. ‘I don’t think I have a temperature.’ There’s a yell kicking and screaming my mom hitting my mom in the face, pushed in the wall, and punched off is how I lost my hearing that to this little brat… I was fine until she was impetus out of my mother. She should have had a d*ick it would have been a lot easier, than putting up with this… and get this mom is single, and on her own now with her. I think sex before marriage is not a sin. I think the big deal should be about SEX BEFORE LOVE. If you have been with somebody for a long time and you can easily see yourself growing old with them, getting married, maybe having children, then sure, I think it would be fine to make love. Sex is a natural desire found in all animals. Why should we deny Mother Nature's ways? (Of course, I respect all religions and beliefs, and I mean no offense if you believe in abstinence until marriage.) Well... uh, for one thing, you can get diseases. And then if you’re not married before having sex, what's keeping the guy from leaving you? Nothing... He'll use you then leave. I think it's pretty dumb that you think it's no big deal...

The so-called Rad Four donned comedic Technicolor dream coats, consumed seven hundred sheets of mediocre acid on the roof of the studio, and proceeded to make Sgt. Pepper's Lonely Hearts Club Band, a ground breaking record no one actually likes.

Father,” he said finally, “I don’t understand why the Council had to question Padan Fain.” With an effort he took his eyes off the woods and looked across Bella at Tam. “It seems to me, the decision you reached could have been made right on the spot. The Mayor frightened everybody half out of their wits, talking about Aes Sedai and the false Dragon here in the Two Rivers.” “People are funny, Rand. The best of them are. Take Haral Luhhan. Master Luhhan is a strong man, and a brave one, but he can’t bear to see butchering done. Turns pale as a sheet.” “What does that have to do with anything? Everybody knows Master Luhhan can’t stand the sight of blood, and nobody but the Coplins and the Congars thinks anything of it.” “Just this, lad. People don’t always think or behave the way you might believe they would. Those folk back there…let the hail beat their crops into the mud, and the wind take off every roof in the district, and the wolves kill half their livestock, and they’ll roll up their sleeves and start from scratch. They’ll grumble, but they won’t waste any time with it. But you give them just the thought of Aes Sedai and a false Dragon in Ghealdan, and soon enough they’ll start thinking that Ghealdan is not that far the other side of the Forest of Shadows, and a straight line from Tar Valon to Ghealdan wouldn’t pass that much to the east of us. As if the Aes Sedai wouldn’t take the road through Caemlyn and Lugard instead of traveling cross-country! By tomorrow morning half the village would have been sure the entire war was about to descend on us. It would take weeks to undo. A fine Bel Tine that would make. So Bran gave them the idea before they could get it themselves. They’ve seen the Council take the problem under construction, and by now they’ll be hearing what we decided. They chose us for the Village Council because they trust we can reason things out in the best way for everybody. They trust our opinions. Even Cenn’s, which doesn’t say much for the rest of us, I suppose. At any rate, they will hear there isn’t anything to worry about, and they’ll believe it. It is not that they couldn’t reach the same conclusion, or would not, eventually, but this way we won’t have Festival ruined, and nobody has to spend weeks worrying about something that isn’t likely to happen. If it does against all odds…well, the patrols will give us enough warning to do what we can.

comble /kɔ̃bl/ I. adj [salle] packed • faire salle ~ (pour une conférence) to have a capacity audience; (à un spectacle) to play to packed houses • la mesure est ~, je démissionne! | that's the last straw, I resign! II. nm 1. (point extrême) • le ~ de l'injustice/du mauvais goût | the height of injustice/of bad taste • c'est le ~ de l'horreur/du ridicule | it's absolutely horrific/ridiculous • il était au ~ de la colère/joie | he was absolutely furious/delighted • être à son ~ | [émotion, tension, suspense] to be at its height • porter qch à son ~ | to take sth to its extreme • être au ~ du désespoir | to be in the depths of despair • c'est le ~ du paradoxe | it's a complete paradox • pour ~ de malheur or malchance j'ai raté mon avion! | to crown it all ou as if that wasn't enough, I missed my plane! • et, ~ du raffinement, les draps étaient en soie! | and, as the ultimate in refinement, there were silk sheets! • c'est un or le ~○! | that's the limit! 2. roof space • faux ~, ~ perdu | (Archit) lost roof space, unused roof space • ~ aménageable | usable roof space • de fond en ~ | [fouiller, nettoyer] from top to bottom; [changer, détruire] completely III. nmpl attic (sg); (Archit) eaves

Well, if a woman has a baby, it means the stork that nests on her roof has flown off to the lake where the souls of the dead are reincarnated, fished out a brand-new baby and flown back to her house with it hanging from its beak, swaddled in a sheet.

Making a blanket fort? Use a fitted sheet instead of a normal blanket for a sturdier and more practical roof.

Faith screamed louder than she’d ever screamed before. The sky devoured every bit of sound before it reached the ground. She could have pitied herself for at least another hour had she been given the chance, but screaming had turned her mind into a sheet of white noise. She started falling; and not having a lot of experience with the weight of her own body falling through open space, she panicked. Arms and legs were dangling in every direction, turning her sideways and upside down, tumbling through space. The top of the building she would soon hit was dark enough that she couldn’t say for sure how close she was to impact. And for one last, dreadful moment, she thought about letting it happen. It would be less painful. One moment, a split second, and it would be over. No more regrets about how she’d failed, no more guilt about broken relationships she’d willingly chosen not to fix. No more anger about how unfair it all was. Three thoughts kept her from dying that night. Faith. The meaning of her name haunted her like a ghost from another world, flying in the air all around her. There was something, not nothing, on the other side of death. An eternity in which everyone felt sorry about her tragic ending was not the kind of afterlife she looked forward to. Hope. As she plunged toward her death, she saw Dylan’s face the way he sometimes looked at her, and she couldn’t imagine leaving him behind. Something below the surface of her mind told her Dylan could heal all the terrible scars she carried. And she saw Hawk’s face, too. He could never replace Liz, but he had the intangible quality of being comfortable. She could sit in a room for ten hours and simply be with Hawk. He was easy that way, and she needed that. It could sustain her through the minefield of feelings she navigated on a daily basis. And in the end, there was the fire that threatened to overwhelm her. Revenge. For better or worse, the fuel that would keep her from death was vengeance. She would destroy the Quinns or die trying. It was the thing that cleared her mind and slowed her descent. Revenge got her to stop flailing around, center her mind, and come to an abrupt halt three inches short of plowing her face into the roof of a clothing store.

Vice, coming from above, flowed along the gutters, spread itself out in the sheets of ornamental water, reascended in the fountains of the public gardens to fall again on to the roofs in a fine penetrating rain. And at night time, when one passed over the bridges, it seemed as if the Seine drew along with it, amid the sleeping metropolis, all the refuse of the city—crumbs fallen from tables, bows of lace left on divans, false hair forgotten in cabs, bank notes that had slipped out of bodices, everything that the brutality of desire, and the immediate satisfaction of instinct fling into the street broken and soiled. Then amid the feverish sleep of Paris, and better still amid its breathless hankering in the broad daylight, one realised the unsettling of the brain, the golden and voluptuous nightmare of a city, madly enamoured of its gold and its flesh. The violins sounded till midnight: then the windows became dark and shadows descended over the city. It was like a colossal alcove in which the last candle had been blown out, the last virtue extinguished.

She wondered where Oida was, and what he was doing. Somehow, things would be different if he was there; he’d have books, and nice things to eat, and a comfortable coach to ride in and take them somewhere with a roof and clean sheets and a warm fire. Suddenly she saw him as a man in armour, impervious to spears and arrows inside his cap-a-pie of money, charm, success and taste. The whole world could come crashing down, but he’d still have brought her something to read, and figs preserved in honey. It was then that she understood. It was just a matter of semantics, that was all. Like someone who’s learning a foreign language, she’d failed to grasp the true meaning of love. All this time, she’d thought it meant something else, to do with fire in the blood and skin tingling at a certain touch, when really it was all about completely different things—food, shelter, comfort, money, a defensible space, something that would still be there in the morning. Stupid, she thought. It takes a valley full of dead bodies and a burned-out inn and her mother’s grave and a night with Axio and Senza Belot trashing and torching everything in his path to reveal the true definition of an everyday word. Simpler to have bought a dictionary.

Under the torn tarpaulin for a roof and the broken plastic sheets for the four walls, they looked at the stars in the sky and dreamed!

She watched the thick, clear plastic sheeting covering the hole on the roof rise and fall in tune with the wintry blasts like the last gasps of a dying man.

We were disappointed that we had not been able to find any survivors on the sunken ships, but after six days of sounding, we were sure no one was alive within them. While our diving crews were occupied sounding the ships and freeing the USS Tennessee, the shipyard constructed two diving barges, each one twenty feet wide and thirty feet long. Buoyancy was provided by three cylindrical pontoons. Wooden planks formed the deck, while corrugated sheet metal on the roof provided protection from the elements. A long pipe spanned the upright stanchions along the side of one barge, which provided an area to hang the divers’ rubberized canvas dresses. Along the opposite side were hangers for the four sets of lifelines and air hoses. A large workbench was situated in the middle of the barge. Installed at one end was a wooden diving ladder that led down to the water four feet below. Next to the ladder was a table that held the diving telephone equipment. Four dressing stools were neatly stacked near the table.

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they called it ‘I Just Hooked Up with Someone in the Bathroom, Don’t Tell Connor.’ They sing it whenever they see me.” His face had gone cold as ice. “Which packs?” She shook her head. She certainly wouldn’t name them, not with that murderous expression on his face. “It doesn’t matter. People are assholes.” It was as simple as that, she’d learned. Most people were assholes, and this city was rife with them. She sometimes wondered what they’d say if they knew about that time two winters ago when someone had sent a thousand printed-out lyric sheets of the song to her new apartment, along with mock album artwork taken from the photos she’d snapped that night. If they knew she had gone up to the roof to burn them all—but instead wound up staring over the ledge. She wondered what would have happened if Juniper, on a whim, hadn’t called just to check in that night. Right as Bryce had braced her hands on the rail. Only that friendly voice on the other end of the line kept Bryce from walking right off the roof.

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She wondered how her girlhood home had fared. Did the walls (a combination of mud and plywood) still smell like life? Did vivid leaves still shimmer through the windows (little more than pane-less holes) like hope? Did rain still tap-dance on the roof (a rusty sheet of corrugated metal) like joy?

In some ways, we are like the creatures living in Edwin A. Abbott’s 1884 novel, Flatland, a world of only two dimensions, a world with length and width but no height. Workmen in Flatland are triangles, professional men squares. Priests are circles. The houses in Flatland are pentagons. Rain slides sideways across the two-dimensional sheet of the world, striking shingled roofs, which are straight lines. Life seems fulfilling and complete to the inhabitants of Flatland. They have no conception of a third dimension. Then one day, a visitor from the third dimension arrives. He explains the beauty and richness of his world. The Flatlanders nod their two-dimensional heads, they listen, but they cannot understand.

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INFINITE - "A motel room off a highway. Rain patters the bitumen in front, the roof above. Rain drips from rusted gutters. Distant thunder rolls. Lightning - both forked and sheet - light up the sky thick with swollen clouds. The pungency of petrichor hangs in the air. Portent lingers near - malevolent

Henry's also an insomniac. He suffers from Restless Leg Syndrome. I feel the sheets twitching as his legs move restlessly and think about how incredibly bourgeois we are, with our Sur La Table kitchenware, our Sundance catalogue lamps, our upper-middle class insomnia. Why can't we sleep, I wonder? We have enough to eat, we have a roof over our heads, we're not living in a mud hut sporting a thatch of gnarled leaves that barely cover our genitalia. I'm filled with self-loathing.

Bless those people, for they are a part of my faith’s firmness. Bless the stories my foster mother read to me, the stories of mine she later listened to, her thin blond hair hanging down a single sheet. The house, old and shingled, with niches and culverts I loved to crawl in, where the rain pinged on a leaky roof and out in the puddled yard a beautiful German shepherd, who licked my face and offered me his paw, barked and played in the water. Bless the night there, the hallway light they left on for me, burning a soft yellow wedge that I turned into a wing, a woman, an entire army of angels who, I learned to imagine, knew just how to sing me to sleep.

She was asleep before he even peeled the covers back and gently lowered her down to the sheets. She might protest that she was no china doll, but in some respects, Ruaidri mused, he would always treat her as one—worthy of the utmost care and protection. His care and protection. How he loved her. Loved her. His eyes filled with sudden, unexpected emotion as he looked down at her, sleeping. They were safe here in Newburyport, with a solid roof over their heads and the end of his mission in sight. A nice little town, this one, and his cousin was right. They already had friends and family here. It was as good if not better a place than any to settle down and begin their lives together.

Half the food that he sends out is raw: ruby cubes of tuna dressed with a heaping mound of fresh wasabi; sea grapes the size of ball bearings that pop like caviar against the roof of your mouth; glistening beads of salmon roe meant to be stuffed into crispy sheets of nori. The other half gets the blowtorch treatment. Tuna is transformed into a sort of tataki stir-fry, toasted, glazed with ponzu, and tossed with a thicket of spring onions. Fish heads are blitzed under the flame until the cheeks singe and the skin screams and the eyes melt into a glorious stew meant to be extracted with chopsticks. Even sea urchin, those soft orange tongues of ocean umami, with a sweetness so subtle that cooking it is considered heretical in most culinary circles, gets blasted like a crème brûlée by Toyo and his ring of fire.

I wanted something for myself, a cake that was complicated and beautiful, a cake that would take up time I didn't have with enough tricky steps to keep my mind completely off of the matters at hand. I thought about a chocolate layer cake with burnt orange icing and the orange in the icing made me consider a Grand Marnier cake instead. Finally, in a complete non sequitur, I settled on a charlotte. I would make a scarlet empress. I closed my eyes and imagined myself making a jelly roll, the soft sheet of sponge cake laid across my counter. I spread the cake with a seedless raspberry preserve and then I rolled it up with even ends. I was nearly asleep. My parents were floating away from me. I took a knife and started slicing off the roll, but I didn't let it end. No matter how many rounds I cut, there was more there for me, an endless supply of delicate spirals of cake. It was the baker's equivalent to counting sheep, lulling myself to sleep through spongy discs of jam. There were enough slices of jelly roll for me to shingle the roof, to cover the house, to lay a walkway out to the street. In my dreams I made the house a cake, and inside the cake our lives were warm and sweet and infinitely protected.

If a choreographer had been underneath the plastic sheet on a rainy day or night, he would certainly have reproduced the scene: twenty-five people, short and tall, on their feet, each holding a tin can to collect the water that dripped off the roof, sometimes in torrents, sometimes drop by drop. If a musician had been there, he would have heard the orchestration of all that water striking the sides of the tins. If a filmmaker had been there, he would have captured the beauty of the silent and spontaneous complicity between wretched people. But there was only us, standing on a floor that was slowly sinking into the clay. After three months it tilted so severely to one side that we all had to find new positions so sleeping women and children wouldn’t slip onto the plump bellies of their neighbours.

And I saw the roof of the shack in Hanoi where my mother lived. Sheet metal patched together with tar paper. On rainy days, the roof leaked. In the heat of summer, the acrid smell of tar was overpowering, nauseating. All around, the gutters, gurgling under slabs of cement, flowed from one house to the next. Children played in this filthy black water, sailing their little white paper boats. The few mangy patches of grass were at the foot of the wall where men drunk on too much beer came to relieve themselves. The place reeked of urine. This was my street. I had grown up here.

In the instant before she saw it and her scream cut the voices of the crowd, she knew that she had known that which she was to see. In a break between mountains, lighting the sky, throwing a glow that swayed on the roofs and walls of the station, the hill of Wyatt Oil was a solid sheet of flame.

Often the flak was so thick the men could smell it through their oxygen masks; and the concentrated barrages exploded with such force that the concussions would have driven the pilots through the roofs of their planes had they not been strapped in. On some planes, men sat on sheets of lead to protect their genitals. Helpless in the flak field, all they could do was sit and take it. This was when pilots and crewmen alike learned that it was possible to sweat at 40 degrees below zero. Bombardier Theodore Hallock was not a praying man, but when he was in a tight spot over the target he would whisper to himself, “God, you gotta. You gotta get me back. God, listen, you gotta.” Many of the men promised the Almighty that if they got through they’d swear off liquor and women. Hallock said he never promised that “because I figured that if God was really God he’d be bound to understand how men feel about liquor and women.

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