Roofing Funny Quotes

What did you tell them?” “I don't recall. I think I mentioned your discipline and ability to follow orders. I may have said something about you being a team player.” Derek emitted a strangled cough. “Why?” I demanded. “It seemed like a good idea at the time.” Curran resumed hammering. “I'm sorry,” I said into the phone, sticking me finger into my other ear so I could hear. “His Majesty tends to exaggerate things. I'm not a team player. I'm undisciplined and I have a problem with authority. Also, the Beast Lord can't hammer for shit.” On the roof Derek was laughing his head off.

I should go in alone," Valkyrie said, speaking loudly to be heard. "If we both go in, it'll look to official." "So I'll just stay out here?" Skulduggery asked. "But what'll I do? There's no one to talk to. It's boring." "You're standing on the roof of a train," Valkyrie pointed out. "If you find this boring, you really need your head examined. Just wait here. I'll do what has to be done and I'll be find out. "Fine," he said, sounding grumpy. "Don't be long.

Are there any other missing persons living under your roof? Elvis? Jimmy Hoffa? Amelia Earhart? I'd just like full disclosure now, before we go any further.

Okay, so, flying,” I started, taking a deep breath and focusing on the thing I loved most in the world. “Flying is … great. It feels great when you’re doing it. It’s fun. Pure freedom. There’s nothing better.” Dylan smiled, a slow, easy smile that seemed to light up his whole face. “So the first thing we’re going to do,” I told him, “is push you off the roof.

Kenji-"“So the minute you opened your mouth you just shattered all his dreams, huh?” Juliette- “I will push you off the roof.” Kenji-“Yeah, I can definitely see why Adam wouldn’t like you.

You know that you are a writer if you are imaginative. You know that you are a writer if you are curious. You know that you are a writer if you are interested in the things and people of the world. You know that you are a writer if you hold a minie ball in your hand and wonder about its story. You know that you are a writer if you like the sound of rain on the roof. And if you want to tell someone else about your heart and how waiting for the thunder sometimes makes you feel, if you work to find the words to do that, then you are a writer. --Maureen O'Toople in the short story "Your Question for Author Here

Margaret: Oh you weak people, you weak, beautiful people! - who give up. What you want is someone to [she turns out the rose-silk lamp] take hold of you. Gently, gently, with love! And I do love you, Brick, I do! Brick [smiling with charming sadness]: Wouldn't it be funny if that was true?

Just leave me alone, I want to be alone,” she said when Jack tried to open the car door. She hit the lock, and wound the window up. Since the roof was down, it was a fairly pointless exercise.

It all jibed, and the books would close on Jasper as death by misadventure. Unofficially, Eve labeled it death by stupidity, but there wasn't a place on the sheet for that particular observation. - Lt. Eve Dallas on a drunk fall off the roof

At school they say my name funny as if the syllables were made out of tin and hurt the roof of your mouth. But in Spanish my name is made out of a softer something, like silver

Oh, God, if I'm anything by a clinical name, I'm a kind of paranoiac in reverse. I think people are plotting to make me happy.

Language-lovers know that there is a word for every fear. Are you afraid of wine? Then you have oenophobia. Tremulous about train travel? You suffer from siderodromophobia. Having misgivings about your mother-in-law is pentheraphobia, and being petrified of peanut butter sticking to the roof of your mouth is arachibutyrophobia. And then there’s Franklin Delano Roosevelt’s affliction, the fear of fear itself, or phobophobia.

My Father, the Age I Am Now Time, which diminishes all things, increases understanding for the aging. —PLUTARCH My mother was the star: Smart and funny and warm, A patient listener and an easy laugher. My father was . . . an accountant: Not one to look up to, Ask advice from, Confide in. A man of few words. We faulted him—my mother, my sister, and I, For being this dutiful, uninspiring guy Who never missed a day of work, Or wondered what our dreams were. Just . . . an accountant. Decades later, My mother dead, my sister dead, My father, the age I am now, Planning ahead in his so-accountant way, Sent me, for my records, Copies of his will, his insurance policies, And assorted other documents, including The paid receipt for his cemetery plot, The paid receipt for his tombstone, And the words that he had chosen for his stone. And for the first time, shame on me, I saw my father: Our family’s prime provider, only provider. A barely-out-of-boyhood married man Working without a safety net through the Depression years That marked him forever, Terrified that maybe he wouldn’t make it, Terrified he would fall and drag us down with him, His only goal, his life-consuming goal, To put bread on our table, a roof over our head. With no time for anyone’s secrets, With no time for anyone’s dreams, He quietly earned the words that made me weep, The words that were carved, the following year, On his tombstone: HE TOOK CARE OF HIS FAMILY.

Did you hear the joke about the roof? Never mind, it's over your head.

Roarke didn't quite make it to Eve's office. He found her down the corridor, in front of one of the vending machines. She and the machine appeared to be in the middle of a vicious argument. "I put the proper credits in, you blood-sucking, money-grubbing son of a bitch." Eve punctuated this by slamming her fist where the machine's heart would be, if it had one. ANY ATTEMPT TO VANDALIZE, DEFACE, OR DAMAGE THIS UNIT IS A CRIMINAL OFFENSE. The machine spoke in a prissy, singsong voice Roarke was certain was sending his wife's blood pressure through the roof. THIS UNIT IS EQUIPPED WITH SCANEYE, AND HAS RECORDED YOUR BADGE NUMBER. DALLAS, LIEUTENANT EVE. PLEASE INSERT PROPER CREDIT, IN COIN OR CREDIT CODE, FOR YOUR SELECTION. AND REFRAIN FROM ATTEMPTING TO VANDALIZE, DEFACE, OR DAMAGE THIS UNIT. "Okay, I'll stop attempting to vandalize, deface, or damage you, you electronic street thief. I'll just do it." She swung back her right foot, which Roarke had cause to know could deliver a paralyzing kick from a standing position. But before she could follow through he stepped up and nudged her off balance. "Please, allow me, Lieutenant." "Don't put any more credits in that thieving bastard," she began, then hissed when Roarke did just that. "Candy bar, I assume. Did you have any lunch?" "Yeah, yeah, yeah. You know it's just going to keep stealing if people like you pander to it." "Eve, darling, it's a machine. It does not think." "Ever hear of artificial intelligence, ace?" "Not in a vending machine that dispenses chocolate bars.

I would hate to see the state of my house if I had displeased Amelia under my roof. The servents would revolt. No doubt I'd have gruel for dinner, holes in my shirts, and the most foul-smelling tallow candles they could find.

"Joss" "What?" "What?" Dylan asked back. "You just said my name." "No I didn't" "Sorry that was me." I sat up, banging my head on the roof. "Who is that?" "Hey, stay down here where the air is good, okay?" Dylan pulled me gently back down. "Hows your head?" "Not good, I think." "Um, okay, so you here me. Heather's right, you do think loud. I mean, I've never heard you before, but my Talent seems to be a lot more selective than her's. But now that she's got me turned in to you-" "Who are you?" "It's still me, Marshall. It's Dylan. I'm right here." "My name's Joel." "Joel?" "Joss, what are you talking about?" He took my face in his hands. "Who's Joel?" "The voice in my head, I guess." "Jesus.

You wrote down that you were a writer by profession. It sounded to me like the loveliest euphemism I had ever heard. When was writing ever your profession? It's never been anything but your religion. Never. I'm a little over-excited now. Since it is your religion, do you know what you will be asked when you die? But let me tell you first what you won't be asked. You won't be asked if you were working on a wonderful moving piece of writing when you died. You won't be asked if it was long or short, sad or funny, published or unpublished. You won't be asked if you were in good or bad form while you were working on it. You won't even be asked if it was the one piece of writing you would have been working on if you had known your time would be up when it was finished--I think only poor Soren K. will get asked that. I'm so sure you'll get asked only two questions.' Were most of your stars out? Were you busy writing your heart out? If only you knew how easy it would be for you to say yes to both questions. If only you'd remember before ever you sit down to write that you've been a reader long before you were ever a writer. You simply fix that fact in your mind, then sit very still and ask yourself, as a reader, what piece of writing in all the world Buddy Glass would most want to read if he had his heart's choice. The next step is terrible, but so simple I can hardly believe it as I write it. You just sit down shamelessly and write the thing yourself. I won't even underline that. It's too important to be underlined. Oh, dare to do it, Buddy ! Trust your heart. You're a deserving craftsman. It would never betray you.

I think it should be done over, Buddy. …Please make peace with your wit. It's not going to go away, Buddy. To dump it on your own advice would be as bad and unnatural as dumping your adjectives and your adverbs because Prof. B. wants you to. What does he know about it? What do you really know about your own wit? I've been sitting here tearing up notes to you. I keep starting to say things like 'This one is wonderfully constructed,' and 'The conversation between the two cops is terrific.' So I'm hedging. I'm not sure why. I started to get a little nervous right after you began to read. It sounded like the beginning of something your arch-enemy Bob B. calls a rattling good story. Don't you think he would call this a step in the right direction? Doesn't that worry you? Even what is funny about the woman on the back of the truck doesn't sound like something you think is funny. It sounds much more like something that you think is universally considered funny. I feel gypped. Does that make you mad? You can say our relatedness spoils my judgement. It worries me enough. But I'm also just a reader. Are you a writer or just a writer of rattling good stories. I mind getting a rattling good story from you.

I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.

Sara was able to point out to her many beauties in the room which she herself would not have suspected the existence of. "It is so little and so high above everything," she said, "that it is almost like a nest in a tree. The slanting ceiling is so funny. See, you can scarcely stand up at this end of the room; and when the morning begins to come I can lie in bed and look right up into the sky through that flat window in the roof. It is like a square patch of light. If the sun is going to shine, little pink clouds float about, and I feel as if I could touch them. And if it rains, the drops patter and patter as if they were saying something nice. Then if there are stars, you can lie and try to count how many go into the patch. It takes such a lot. And just look at that tiny, rusty grate in the corner. If it was polished and there was a fire in it, just think how nice it would be. You see, it's really a beautiful little room.

From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.

(Family rumor has it that he was originally cloistered off - that is relieved of his duties as a secular priest in Astoria - to free him of a persistent temptation to administer the sacramental wafer to his parishioners' lips by standing back two or three feet and trajecting it in a lovely arc over his left shoulder.)

He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.

Break up your cycle. Get out of your rut. Find a way in your normal setting to "feel alive." One thing I'll do is get up early and see the sunrise from my yard, or for some bonus points, from my roof or a nearby hilltop. Jump in a chilly swimming pool! If it belongs to your neighbor, experiment with not telling them. Don a thong and maybe a midriff tank and head to the post office. I have not tried that one yet but I'll bet it won't be boring.

This week I was watching the Rachel Maddow Show (you'd love her: she's funny and brilliant and just happens to be a stunning butch), and she was interviewing the outgoing attorney general, Loretta Lynch, about the country's post election future. The entire show was like a burst of hope so bright I almost had to put on sunglasses. The African American attorney general, prim and plump, sat perched on a barstool talking to a white butch lesbian who has her own national television news show! The event was being recorded in the Stonewall Inn, the site of one of the first places where queer people fought back against police violence! (I was so nervous about being a lesbian in 1969, I hid the tiny newspaper clipping from you.) Simply that the interview was happening made me remember that there are people in the world who are not such egotistical, political careerists as to believe that human rights don't matter. Then, as if just showing up wasn't enough, Attorney General Lynch spoke a truth that is hard to remember from our short-lived perspective: "History is bigger than one turn of the electoral wheel." During your eighty-eight years on this plane, you saw numerous turns of the wheel, and many of them did not land on a prize. Still, toward the end of your life, you took me in and bestowed not just a roof and clothes and food but the gift of your history and the knowledge that we find hope inside ourselves.

With a silent order, I urged Snout forward—but he veered away, charging toward Hazel instead. No, Snout! I thought. Toward the roof! He ignored me. That was the problem with a machine that obeyed your thoughts. Instead of doing what you said, it did what you wanted. “The Predator !” Hazel shouted at me as I heaved toward the irrigation tower. “Stop the Predator !” “I’m trying!” I yelled back. “I can’t!” “Why not?” “’Cause this stupid thing brought me to you instead.” “Why?” Then she looked at my face again and said, “Aw, that’s sweet.” I flushed. “Oh, shut up.

I told them a thousand times if I told them once: Stop fooling around, I said, with straw and sticks; They won’t hold up; you’re taking an awful chance. Brick is the stuff to build with, solid bricks. You want to be impractical, go ahead. But just remember, I told them; wait and see. You’re making a big mistake. Awright, I said, But when the wolf comes, don’t come running to me. The funny thing is, they didn’t. There they sat, One in his crummy yellow shack, and one Under his roof of twigs, and the wolf ate Them, hair and hide. Well, what is done is done. But I’d been willing to help them, all along, If only they’d once admitted they were wrong.

This reminds me of a funny Chris story. Back when we lived in California, Easter was coming up and Chris was home with the kids. I forget exactly what the children did, but they got out of line and Chris decided rather than disciplining them, he’d use a little daddy logic on them. Daddy logic, as expressed by a SEAL sniper. “I’ll tell you, you better behave,” he said, “or I’ll keep the Easter Bunny from coming.” “How?” one of them wondered. Daddy logic met kid logic and raised the ante through the roof. “I’ll sit on the stoop and I’ll shoot him when he comes,” said Chris. Somehow he kept a straight face. “You’ll ruin it for everyone, not just yourselves.” We had great behavior for weeks. It’s different living with a sniper as a dad.

Well, I've seen porn!" Evan defends and Dan just looks at him. "Okay, captain Pornie, walk me through it," Dan challenges. "I'll be the pizza guy, and Jeff can be the plumber. You can be... hey, why don't you be the high-powered young executive?" Evan grins at him with a glint in his eye. "Okay, fine." He laces his fingers together and flexes them in front of him as if he's warming up. He sits back in chair and his eyes focus on the eaves of Jeff's roof then begins. "The young executive come home after a hard day... [five pages of detailed porn] "...and all fall asleep together on the executives huge bed. The End." Evan is pretty clearly proud of himself, and Dan really blame him. After an appreciative silence, Dan says, "Okay, yeah, so maybe there's some merit to the whole threesome thing.

shot through and through.  Cocked rifles swept the bush with nervous apprehension.  But there was no rustle, no movement; nothing but the humid oppressive silence. “Bushmen he no stop,” Binu Charley called out, the sound of his voice startling more than one of them.  “Allee same damn funny business.  That fella Koogoo no look ’m eye belong him.  He no savvee little bit.” Koogoo’s arms had crumpled under him, and he lay quivering where he had fallen.  Even as Binu Charley came to the front the stricken black’s breath passed from him, and with a final convulsive stir he lay still. “Right through the heart,” Sheldon said, straightening up from the stooping examination.  “It must have been a trap of some sort.” He noticed Joan’s white, tense face, and the wide eyes with which she stared at the wreck of what had been a man the minute before. “I recruited that boy myself,” she said in a whisper.  “He came down out of the bush at Poonga-Poonga and right on board the Martha and offered himself.  And I was proud.  He was my very first recruit—” “My word!  Look ’m that fella,” Binu Charley interrupted, brushing aside the leafy wall of the run-way and exposing a bow so massive that no one bushman could have bent it. The Binu man traced out the mechanics of the trap, and exposed the hidden fibre in the tangled undergrowth that at contact with Koogoo’s foot had released the taut bow. They were deep in the primeval forest.  A dim twilight prevailed, for no random shaft of sunlight broke through the thick roof of leaves and creepers overhead.  The Tahitians were plainly awed by the silence and gloom and mystery of the place and happening, but they showed themselves doggedly unafraid, and were for pushing on.  The Poonga-Poonga men, on the contrary, were not awed.  They were bushmen themselves, and they were used to this silent warfare, though the devices were different from those employed by them in their own bush.  Most awed of all were Joan and Sheldon, but, being whites, they were

build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar--except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole. When Dorothy stood in the doorway and looked around, she could see nothing but the great gray prairie on every side. Not a tree nor a house broke the broad sweep of flat country that reached to the edge of the sky in all directions. The sun had baked the plowed land into a gray mass, with little cracks running through it. Even the grass was not green, for the sun had burned the tops of the long blades until they were the same gray color to be seen everywhere. Once the house had been painted, but the sun blistered the paint and the rains washed it away, and now the house was as dull and gray as everything else. When Aunt Em came there to live she was a young, pretty wife. The sun and wind had changed her, too. They had taken the sparkle from her eyes and left them a sober gray; they had taken the red from her cheeks and lips, and they were gray also. She was thin and gaunt, and never smiled now. When Dorothy, who was an orphan, first came to her, Aunt Em had been so startled by the child's laughter that she would scream and press her hand upon her heart whenever Dorothy's merry voice reached her ears; and she still looked at the little girl with wonder that she could find anything to laugh at. Uncle Henry never laughed. He worked hard from morning till night and did not know what joy was. He was gray also, from his long beard to his rough boots, and he looked stern and solemn, and rarely spoke. It was Toto that made Dorothy laugh, and saved her from growing as gray as her other surroundings. Toto was not gray; he was a little black dog, with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose. Toto played all day long, and Dorothy played with him, and loved him dearly. Today, however, they were not playing. Uncle Henry sat upon the doorstep and looked anxiously at the sky, which was even grayer than usual. Dorothy stood in the door with Toto in her arms, and looked at the sky too. Aunt Em was washing the

In that moment Ned felt a swelling, a ripping expansion, a hugeness that rang through him for the length of his life, a feeling that was sometimes rivalled but never quite matched. Not at weddings, not at births, not at funerals. Not when he worked his way north to Longreach, where he finally saw Toby again, finding him cocky, funny and largely unchanged. Not during good seasons or bad. Not when he was alone on cold waterways, not when he was in the grip of people he loved. Not as he poured dirt into graves, not as he watched his children, then his grandchildren, play. Not on the white sands of hidden beaches. Not in the shade of ancient trees, in whose canopies he imagined he could see the darting of cream-brown quolls. Not on rocky mountain roofs. Not in the presence of whales, not while viewing fine ships. Not at the scent of Huon pine. Not as Callie's last breath eased out of her, in their house overlooking kanamaluka, the eastern sun warming her face right up to the final moments of her life. Not at his ninetieth birthday, surrounded by his family and what was left of his friends, as he felt both powerfully loved and profoundly alone. Not even then, at the very end of his life, did he feel it again, although he always remembered it: this hugeness of feeling. This undamming of a whole summer's fear, this half-sickening lurch to joy. (pp.225-6)

You sound off,” he said. “Why are you whispering? I thought you and Ana were having dinner together.” I bit my lip. “It’s kind of a funny story, but you have to promise not to yell.” “Why would a funny story make me yell?” he asked warily. “Well,” I drawled. “I was on my way to meet up with Ana, and there was this truck parked in an alley that didn’t look right. So, I left my bike on the street and went to check it out.” “Jordan.” I didn’t need to see him to know he was pinching the bridge of his nose, something he’d been doing a lot in the last few months. “Don’t worry. They didn’t see me.” His tone sharpened. “Who didn’t see you?” “The Gulaks. They were too busy loading the girls into the back.” I paused as the truck slowed going around a curve. “I slipped on without them having a clue I was there.” He swore. “Do not tell me you climbed into a truck with a bunch of Gulak slavers.” I scoffed softly. “Of course not. Give me some credit. I’m on the roof of the truck.” He growled something, and I heard another male laughing. It sounded like Mario, one of the warriors we were working with on this job, along with his mate, Ana. We’d been in Panama for two weeks, at the request of the government, to locate and shut down a human trafficking ring. But this one was a lot more sophisticated than any other Gulak operation we’d encountered, and they’d managed to evade us completely. Until now. “This is not a funny story,” he said in an exasperated voice.

This is what happened when I cofounded LinkedIn. The key business model innovations for LinkedIn, including the two-way nature of the relationships and filling professionals’ need for a business-oriented online identity, didn’t just happen organically. They were the result of much thought and reflection, and I drew on the experiences I had when founding SocialNet, one of the first online social networks, nearly a decade before the creation of LinkedIn. But life isn’t always so neat. Many companies, even famous and successful ones, have to develop their business model innovation after they have already commenced operations. PayPal didn’t have a business model when it began operations (I was a key member of the PayPal executive team). We were growing exponentially, at 5 percent per day, and we were losing money on every single transaction we processed. The funny thing is that some of our critics called us insane for paying customers bonuses to refer their friends. Those referral bonuses were actually brilliant, because their cost was so much lower than the standard cost of acquiring new financial services customers via advertising. (We’ll discuss the power and importance of this kind of viral marketing later on.) The insanity, in fact, was that we were allowing our users to accept credit card payments, sticking PayPal with the cost of paying 3 percent of each transaction to the credit card processors, while charging our users nothing. I remember once telling my old college friend and PayPal cofounder/ CEO Peter Thiel, “Peter, if you and I were standing on the roof of our office and throwing stacks of hundred-dollar bills off the edge as fast as our arms could go, we still wouldn’t be losing money as quickly as we are right now.” We ended up solving the problem by charging businesses to accept payments, much as the credit card processors did, but funding those payments using automated clearinghouse (ACH) bank transactions, which cost a fraction of the charges associated with the credit card networks. But if we had waited until we had solved this problem before blitzscaling, I suspect we wouldn’t have become the market leader.

Within minutes, they pulled up to the address on record for Henry Anderson. It would be generous to call the domicile a house—it was little more than a shack, the roof sagging, the windows boarded with cardboard. They could see muffled bits of the Cumberland River beyond the property. The likes of Anderson wouldn’t be accepted in a neighborhood that had expectation. Anderson wasn’t living large. The money he was pulling in from the pornography obviously went toward something else, Taylor speculated. Drugs, perhaps. The house looked like it could double as a meth lab. Baldwin had gotten quiet as they pulled up. She put the car into park and raised an eyebrow at him. “This place is a dump,” he said. “Surely a criminal mastermind isn’t living in this hell. What’s he doing with his money?” “Funny, you read my thoughts. Let’s go see.

Father,” he said finally, “I don’t understand why the Council had to question Padan Fain.” With an effort he took his eyes off the woods and looked across Bella at Tam. “It seems to me, the decision you reached could have been made right on the spot. The Mayor frightened everybody half out of their wits, talking about Aes Sedai and the false Dragon here in the Two Rivers.” “People are funny, Rand. The best of them are. Take Haral Luhhan. Master Luhhan is a strong man, and a brave one, but he can’t bear to see butchering done. Turns pale as a sheet.” “What does that have to do with anything? Everybody knows Master Luhhan can’t stand the sight of blood, and nobody but the Coplins and the Congars thinks anything of it.” “Just this, lad. People don’t always think or behave the way you might believe they would. Those folk back there…let the hail beat their crops into the mud, and the wind take off every roof in the district, and the wolves kill half their livestock, and they’ll roll up their sleeves and start from scratch. They’ll grumble, but they won’t waste any time with it. But you give them just the thought of Aes Sedai and a false Dragon in Ghealdan, and soon enough they’ll start thinking that Ghealdan is not that far the other side of the Forest of Shadows, and a straight line from Tar Valon to Ghealdan wouldn’t pass that much to the east of us. As if the Aes Sedai wouldn’t take the road through Caemlyn and Lugard instead of traveling cross-country! By tomorrow morning half the village would have been sure the entire war was about to descend on us. It would take weeks to undo. A fine Bel Tine that would make. So Bran gave them the idea before they could get it themselves. They’ve seen the Council take the problem under construction, and by now they’ll be hearing what we decided. They chose us for the Village Council because they trust we can reason things out in the best way for everybody. They trust our opinions. Even Cenn’s, which doesn’t say much for the rest of us, I suppose. At any rate, they will hear there isn’t anything to worry about, and they’ll believe it. It is not that they couldn’t reach the same conclusion, or would not, eventually, but this way we won’t have Festival ruined, and nobody has to spend weeks worrying about something that isn’t likely to happen. If it does against all odds…well, the patrols will give us enough warning to do what we can.

He scrambled up the ladder and was back down in a time that would have impressed a cat being bathed in a tub of water on a hot tin roof.

Everywhere Althea looked, life was renewing itself. A funny little flutter skittered through her as she crossed the grass. She'd had the same feeling yesterday when she saw Jeff on the roof staring at the horizon. It felt like anticipation, yearning for something, but for the life of her she couldn't understand what it meant.

They're sending him to a hospital, then back home, and it's funny because I know he's lying on a cot somewhere with a roof over his head and some nurses checking his bandages or whatever, waiting to get well enough for the ship back to America, but to me it's like he's dead because--home? Thinking of home? It's like thinking of heaven. Someplace you hope you'll end up one day, but good luck, buddy, because you're a soldier, not a saint.

Who’s the harlot who broke your heart?” she demanded. “I haven’t been disgraced this badly by a mortal since that Psyche girl a few months back!” “Well, actually, about that…” Eros told her the truth. Aphrodite hit the roof. Literally. She blasted the ceiling to rubble with a pretty pink explosion, giving Eros the new skylight he’d always wanted. “You ungrateful little boy!” she screamed. “You were always trouble! You never listen. You mess with everyone’s feelings, even mine! I should disown you. I should take away your immortality, your bow and arrows, and give them to one of my manservants. Any mortal slave can do your job. It’s not that hard. You never apply yourself. You never follow directions. You—” Blah, blah, blah. And on and on like that for about six hours. Finally she noticed that Eros’s face was sweaty and pale, which you don’t normally see with an immortal. He was shivering under the blankets. His gaze was unfocused. “What’s wrong with you?” Aphrodite moved to the side of his bed, pulled back the covers, and saw the festering, steaming wound in his shoulder. “Oh, no! My poor baby!” Funny how a mom’s mood can change like that. She wants to strangle you, then BOOM!—a little life-threatening injury, and she’s cooing about her poor baby.

-  Did you hear the joke about the roof? Never mind, it's over your head!

One evening when I pulled up, Hunter had the Stereo cranking good and loud. He came out of the house and put this big bag of pot on the roof. One thing led to another, and Hunter dragged the couch out of the living room into the snow in the yard, poured gasoline onto it, and set it on fire. Then he walked back to the house with this huge ball of fire going up in the air. He looked me right in the eye and said, "I am a master of tools." A friend of his was ducking up from behind the burning couch firing tracer bullets out of a machine gun over the couch, and then Hunter said, "Holy shit!" In the glare of the flames, it looked like there was a thousand pounds of pot up on the roof. We expected the police would be on us any minute. "Jesus," Hunter said. "We'll go to prison for life.

Now that we've settled that,' Rhys drawled from behind me, 'can we please eat? I'm famished.' Amren opened her mouth with a wry smile, but he added, 'Do not say what you were going to say, Amren.' Rhys gave Cassian a sharp look. Both of them were still bruised- but healing fast. 'Unless you want to have it out on the roof.

It’s a little bit funny, this feeling inside I’m not one of those who can easily hide I don’t have much money, but boy, if I did I’d buy a big house where we both could live If I was a sculptor, but then again, no Or a man who makes potions in a travelin’ show Oh, I know it’s not much, but it’s the best I can do My gift is my song and this one’s for you And you can tell everybody this is your song It may be quite simple but now that it’s done I hope you don’t mind I hope you don’t mind That I put down in words How wonderful life is while you’re in the world I sat on the roof and kicked off the moss Well, a few of the verses, well, they’ve got me quite cross But the sun’s been quite kind while I wrote this song It’s for people like you that keep it turned on So excuse me forgetting, but these things I do You see, I’ve forgotten if they’re green or they’re blue Anyway, the thing is, what I really mean Yours are the sweetest eyes I’ve ever seen And you can tell everybody this is your song It may be quite simple but now that it’s done

It’s a funny thing. I work like a horse around the trailer court. But when I say I’m taking a hike, they say I shouldn’t because I’m too old. I got up on the roof awhile back and sawed off a tree limb. But no one said anything about that.

Eeeeeeeeeeeeeeeeee,” Lisa shrilled as she was interrupted by a loud crashing sound coming from the hall way, followed by a sound like water gushing. We both jumped into each other’s arms again and screamed. “EEEEEEEEEEEEEEEEEEK!” “It’s ok,” I said to Lisa. “It’s probably just a roof beam falling in letting the rain come in. There’s nothing to be worried about. We need to find somewhere safe to hide.” “Safe? Where is safe? Safe from the storm or safe from the ghosts.” “There are no ghosts here. Ghosts DON’T exist!” I didn’t know who I was trying to convince, Lisa or myself. “This is a haunted house. Why wouldn’t ghosts exist?” she challenged. “Because, because….I don’t know, they just don’t that’s all. It’s just a tourist attraction.” “Well what about the boy on the swing out there?” Lisa was determined to scare us both. “We don’t know that there’s a boy on the swing out there. Our eyes aren’t seeing right in the storm,” but before I could continue reassuring Lisa, I heard a high pitched melodic sound coming from somewhere in the house, echoing

I'm warning you now, boy- any funny business, anything at all- and you'll be in that cupboard from now until Christmas." "I'm not going to do anything," said Harry, "honestly..." But Uncle Vernon didn't believe him. No one ever did. The problem was, strange things often happened around Harry and it was just no good telling the Dursleys he didn't make them happen. Once, Aunt Petunia, tired of Harry coming back from the barbers looking as though he hadn't been at all, had taken a pair of kitchen scissors and cut his hair so short he was almost bald except for his bangs, which she left "to hide that horrible scar." Dudley had laughed himself silly at Harry, who spent a sleepless night imagining school the next day, where he was already laughed at for his baggy clothes and taped glasses. Next morning, however, he had gotten up to find his hair exactly as it had been before Aunt Petunia had sheared it off. He had been given a week in his cupboard for this, even though he had tried to explain that he couldn't explain how it had grown back so quickly. Another time, Aunt Petunia had been trying to force him into a revolting old sweater of Dudley's (brown with orange puff balls). The harder she tried to pull it over his head, the smaller it seemed to become, until finally it might have fitted a hand puppet, but certainly wouldn't fit Harry. Aunt Petunia had decided it must have shrunk in the wash and, to his great relief, Harry wasn't punished. On the other hand, he'd gotten into terrible trouble for being found on the roof of the school kitchens. Dudley's gang had been chasing him as usual when, as much to Harry's surprise as anyone else's, there he was sitting on the chimney. The Dursleys had received an angry letter from Harry's headmistress telling them Harry had been climbing school buildings. But all he'd tried to do (as he shouted at Uncle Vernon through the locked door of his cupboard) was jump behind the big trash cans outside the kitchen doors. Harry supposed that the wind must have caught him in mid-jump.

There was a fire drill at school the next day. I think I’m more afraid of the fire alarm than I am of a fire. When the fire alarm goes off, you jump out of your skin. Your heart pounds and your ears buzz and your brain melts and all you want to do is get away from that horrible noise. “Get up and walk quickly out the door and to your right,” said Mr. Dooley. “Do not pass go and do not collect two hundred dollars,” said Donald. I held my hands over my ears to drown out the fire alarm. Outside we stood around waiting for the bell that means we could come back in again. “Yay! The roof is on fire! No more school!” someone joked. “Anybody got a match?” said someone else. Mr. Dooley said that wasn’t funny. He said if there really was a fire, we’d be smart to know what to do.