“
It occurs to me that I’ve been mourning two people all these years—the mother I had, and the mother I wish I had—and that neither of them was the one who kept a roof over my head.
”
”
Alix E. Harrow (Starling House)
“
You want a metaphor for it? Alright, here goes. I come from a good family, everyone knows that. My parents were great, roof over my head. I never wanted for much, really, and still. She’s the only home I’ve ever been interested in having. Her body is the walls, heart’s the ceiling. I’ll live here forever.
”
”
Jessa Hastings (Magnolia Parks: Into the Dark (Magnolia Parks Universe, #5))
“
What do you care?" I barked, and his grip tightened enough on my wrists that I knew my bones would snap with a little more pressure.
"What do I care?" he breathed, wrath twisting his features. Wings - those membranous, glorious wings - flared from his back, crafted from the shadows behind him. "What do I care?"
But before he could go on, his head snapped to the door, then back to my face. The wings vanished as quickly as they had appeared, and then his lips were crushing into mine. His tongue pried my mouth open, forcing himself into me, into the space where I could still taste Tamlin. I pushed and trashed, but he held firm, his tongue sweeping over the roof of my mouth, against my teeth, claiming me -
The door was flung wide, and Amarantha's curved figure filled its space. Tamlin - Tamlin was beside her, his eyes slightly wide, shoulders tight as Rhys's lips still crushed mine.
Amarantha laughed, and a mask of stone slammed down on Tamlin's face. void of feeling, void of anything vaguely like the Tamlin I'd been tangled up with moments before.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Over the weekend, Bruce introduced me to the game of backgammon, which was enjoying almost cult-like popularity in Los Angeles. He told me about a private club called PIPS that held tournaments on the weekends and was all the rage. Though I had never played the game before, something about backgammon brought the two hemispheres of my brain together, as Stuart had described.
To win at backgammon, one needs strategy and luck. Bruce reveled in the role of playing teacher, and I knew if I put my mind to it, I could learn the game and become a fierce opponent, which I hoped would amuse Bruce and help keep a roof over my head. We stayed awake until dawn, snorting coke and playing backgammon. I don’t know if it was the game or the cocaine, but something made me intent on becoming the best.
”
”
Samantha Hart (Blind Pony: As True A Story As I Can Tell)
“
My old furniture is rotting in a barn where I was permitted to store it, and as for myself, dear God, I don't have a roof over my head and it is raining into my eyes.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
Ask anyone who's nearly died. You should live in the moment. Unfortunately, that's impossible. Every moment keeps slipping past.
You can only go on to the next moment and the one after that, seeking out what you love most with whom you love most. All these moments tallied up? That's your life.
Bucket lists aren't important. Benchmarks aren't important. Neither are goals. You take the wins in small ways: did I wake up this morning? Do I have a roof over my head? Are the people I care about doing okay? You don't need the things you don't have. You only need what you've got, and the rest? It's just gravy.
”
”
Jodi Picoult (Wish You Were Here)
“
I want to know your story. I want to know you. I want—oh, fuck it." Ren cupped my cheek, his hand gentle as he tilted my head back, and before my heart could take another beat, he kissed me. It was no slow or seductive kiss. He claimed my lips as if he were laying claim to my body, to my soul, and every part of me. His mouth was demanding as he tilted his head, his lips moving over mine, his tongue tracing the seam of my lips, willing them to part, and I . . . I opened for him. My lips parted, and he made this sound, this deep animalistic groan that sent flames lapping over my skin. The kiss deepened, and his tongue slid over mine, along the roof of my mouth. He took me with his mouth, tasted me and claimed me.
”
”
Jennifer L. Armentrout (Wicked (A Wicked Trilogy #1))
“
My old friend, what are you looking for?
After years abroad you’ve come back
with images you’ve nourished
under foreign skies
far from you own country.’
‘I’m looking for my old garden;
the trees come to my waist
and the hills resemble terraces
yet as a child
I used to play on the grass
under great shadows
and I would run for hours
breathless over the slopes.’
‘My old friend, rest,
you’ll get used to it little by little;
together we will climb
the paths you once knew,
we will sit together
under the plane trees’ dome.
They’ll come back to you little by little,
your garden and your slopes.’
‘I’m looking for my old house,
the tall windows
darkened by ivy;
I’m looking for the ancient column
known to sailors.
How can I get into this coop?
The roof comes to my shoulders
and however far I look
I see men on their knees
as though saying their prayers.’
‘My old friend, don’t you hear me?
You’ll get used to it little by little.
Your house is the one you see
and soon friends and relatives
will come knocking at the door
to welcome you back tenderly.’
‘Why is your voice so distant?
Raise your head a little
so that I understand you.
As you speak you grow
gradually smaller
as though you’re sinking into the ground.’
‘My old friend, stop a moment and think:
you’ll get used to it little by little.
Your nostalgia has created
a non-existent country, with laws
alien to earth and man.’
‘Now I can’t hear a sound.
My last friend has sunk.
Strange how from time to time
they level everything down.
Here a thousand scythe-bearing chariots go past
and mow everything down
”
”
George Seferis
“
I stretched out diagonally in my bed, across the cool sheet. I was completely alone, but I had never felt safer. It wasn’t the bricks around me that I’d somehow managed to rent or the roof over my head that I was most grateful for. It was the home I now carried on my back like a snail. The sense that I was finally in responsible and loving hands. Love was there in my empty bed.
”
”
Dolly Alderton (Everything I Know About Love)
“
Eat slowly," the blueblood said. "Don't cut your food with the fork. Cut it with the knife, and make the pieces small enough so you can answer a question without having to swallow first."
Why me? "Right. Any other tips?" Her sarcasm whistled right over his head.
"Yes. Look at me and not at your plate. If you have to look at your plate, glance at it occasionally."
Rose put down her fork. "Lord Submarine..."
"Camarine."
"Whatever."
"You can call me Declan." He said it as if granting her a knighthood. The nerve.
"Declan, then. How did you spend your day?"
He frowned.
"It's a simple question: How did you spend your day? What did you do prior to the fight and the pancake making?"
"I rested from my journey," he said with a sudden regal air.
"You took a nap"
"Possibly."
"I spent my day scrubbing, vacuuming and dusting ten offices in the Broken. I got there at seven thirty in the morning and left at six. My back hurts, I can still smell bleach on my fingers, and my feet feel as flat as these pancakes. Tomorrow, I have to go back to work, and I want to eat my food in peace and quiet. I have good table manners. They may not be good enough for you, but they're definitely good enough for the Edge, and they are the height of social graces in this house. So please keep your critique to yourself."
The look on his face was worth having him under her roof. As if he had gotten slapped.
She smiled at him. "Oh and thank you for the pancakes. They are delicious.
”
”
Ilona Andrews (On the Edge (The Edge, #1))
“
It wasn't a crow from dangling head down from the the car roof and looking in at the window. It was the little gargoyle from Belgravia. When he saw my horrified expression, his catlike face twisted into a triumphant smile, and he spewed a torrent of water over the windshield. - Sapphire Blue
”
”
Kerstin Gier
“
Living at large like this, without even a roof over my head, made the world feel both bigger and smaller to me.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
Charlie Brown: I think lunchtime is about the worst time of day for me. Always having to sit here alone. Of course, sometimes, mornings aren't so pleasant either. Waking up and wondering if anyone would really miss me if I never got out of bed. Then there's the night, too. Lying there and thinking about all the stupid things I've done during the day. And all those hours in between when I do all those stupid things. Well, lunchtime is among the worst times of the day for me. Well, I guess I'd better see what I've got. Peanut butter. Some psychiatrists say that people who eat peanut butter sandwiches are lonely...I guess they're right. And when you're really lonely, the peanut butter sticks to the roof of your mouth. There's that cute little red-headed girl eating her lunch over there. I wonder what she would do if I went over and asked her if I could sit and have lunch with her?...She'd probably laugh right in my face...it's hard on a face when it gets laughed in. There's an empty place next to her on the bench. There's no reason why I couldn't just go over and sit there. I could do that right now. All I have to do is stand up...I'm standing up!...I'm sitting down. I'm a coward. I'm so much of a coward, she wouldn't even think of looking at me. She hardly ever does look at me. In fact, I can't remember her ever looking at me. Why shouldn't she look at me? Is there any reason in the world why she shouldn't look at me? Is she so great, and I'm so small, that she can't spare one little moment?...SHE'S LOOKING AT ME!! SHE'S LOOKING AT ME!! (he puts his lunchbag over his head.) ...Lunchtime is among the worst times of the day for me. If that little red-headed girl is looking at me with this stupid bag over my head she must think I'm the biggest fool alive. But, if she isn't looking at me, then maybe I could take it off quickly and she'd never notice it. On the other hand...I can't tell if she's looking, until I take it off! Then again, if I never take it off I'll never have to know if she was looking or not. On the other hand...it's very hard to breathe in here. (he removes his sack) Whew! She's not looking at me! I wonder why she never looks at me? Oh well, another lunch hour over with...only 2,863 to go.
”
”
Clark Gesner (You're a Good Man, Charlie Brown: Based on the Comic Strip "Peanuts")
“
But now I was home. In my home, home home, once and for all. I had had various apartments before in quite a few cities over the course of my life, but this was the first one I owned, and it felt good. A roof over my head and a place to be private, to cry, to laugh, to gorge, to hope, to dream, to wallow, and to pray for things was a salve to my soul.
”
”
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
“
Great Universe,
Thank you for my many blessings.
I thank you for the food I eat,
The roof over my head,
The comforts I enjoy,
The family that supports me,
The friends who love me,
And the health I enjoy.
May I always be grateful for these blessings and all others.
”
”
Arin Murphy-Hiscock (The Witch's Book of Self-Care: Magical Ways to Pamper, Soothe, and Care for Your Body and Spirit)
“
My Father, the Age I Am Now Time, which diminishes all things, increases understanding for the aging. —PLUTARCH My mother was the star: Smart and funny and warm, A patient listener and an easy laugher. My father was . . . an accountant: Not one to look up to, Ask advice from, Confide in. A man of few words. We faulted him—my mother, my sister, and I, For being this dutiful, uninspiring guy Who never missed a day of work, Or wondered what our dreams were. Just . . . an accountant. Decades later, My mother dead, my sister dead, My father, the age I am now, Planning ahead in his so-accountant way, Sent me, for my records, Copies of his will, his insurance policies, And assorted other documents, including The paid receipt for his cemetery plot, The paid receipt for his tombstone, And the words that he had chosen for his stone. And for the first time, shame on me, I saw my father: Our family’s prime provider, only provider. A barely-out-of-boyhood married man Working without a safety net through the Depression years That marked him forever, Terrified that maybe he wouldn’t make it, Terrified he would fall and drag us down with him, His only goal, his life-consuming goal, To put bread on our table, a roof over our head. With no time for anyone’s secrets, With no time for anyone’s dreams, He quietly earned the words that made me weep, The words that were carved, the following year, On his tombstone: HE TOOK CARE OF HIS FAMILY.
”
”
Judith Viorst (Nearing Ninety: And Other Comedies of Late Life (Judith Viorst's Decades))
“
Bucket lists aren’t important. Benchmarks aren’t important. Neither are goals. You take the wins in small ways: Did I wake up this morning? Do I have a roof over my head? Are the people I care about doing okay? You don’t need the things you don’t have. You only need what you’ve got, and the rest? It’s just gravy. It’s been three years since I recovered from Covid; two years since I was vaccinated; one year since I finished my degree in art therapy and started my own practice.
”
”
Jodi Picoult (Wish You Were Here)
“
Ah! you are come, are you, Edgar Linton?' she said, with angry animation. 'You are one of those things that are ever found when least wanted, and when you are wanted, never! I suppose we shall have plenty of lamentations now - I see we shall - but they can't keep me from my narrow home out yonder: my resting-place, where I'm bound before spring is over! There it is: not among the Lintons, mind, under the chapel-roof, but in the open air, with a head-stone; and you may please yourself whether you go to them or come to me!
”
”
Emily Brontë (Wuthering Heights)
“
I rather live a rich life being broke, than live a broken life being rich. As long as I have a roof over my head and food in my belly what more can I ask for?
”
”
Kenneth G. Ortiz
“
It’s nice to have space at the end of the night to be alone with my thoughts. Somewhere to hang the happy face I force myself to wear even when I’m having a shitty day. I’m grateful. I’m exhausted, overworked, and stressed out, but I’m grateful. I force myself to say it, out loud. I’m grateful. I take a few moments to feel it. Recognize it. I force myself to smile, to unclench the tightness in my face that would otherwise default too easily to anger. I whisper a quick thank-you to the unknown, to the air, to the lonely ghosts eavesdropping on my private conversations with no one. I have a roof over my head and clothes on my back and food waiting for me every morning.I have friends. A makeshift family. I’m lonely but I’m not alone.
”
”
Tahereh Mafi (Shadow Me (Shatter Me, #4.5))
“
I have a roof over my head, as well as a farm and a field ready to be planted. Why would I leave to be this man's servant?"
The four man looked to one another as there she asked why she needed to breathe
”
”
Brom (Slewfoot: A Tale of Bewitchery)
“
What I didn’t notice was that the passenger seat was not fixed to the floor but stood freely on its sledge-like runners. I dropped into it and went over backwards, finishing with my head on the rear seat and my feet against the roof. Farnon helped me up, apologising with great charm, and we set off. Once
”
”
James Herriot (All Creatures Great and Small / All Things Bright and Beautiful / All Things Wise and Wonderful: Three James Herriot Classics)
“
The last werewolf tripped over Raphael Santiago’s foot. Alec hastily hit him in the back of the head with the hilt of his seraph blade, and the werewolf stayed down.
“That was an accident,” said Raphael, with Lily and Elliott sticking close behind him. “He got in my way as I was trying to leave.”
“Okay,” Alec panted.
He wiped dust and sweat out of his eyes. Bat the DJ staggered toward them, claws out, and Alec flipped his seraph blade so he was holding the hilt again.
“Someone dropped a piece of roof on me,” Bat told him, blinking in a way that was more owlish than wolfish. “Inconsiderate.”
Alec realized Bat was not so much on a murderous out-of-control rampage as mildly concussed.
“Easy there,” he said, as Bat tumbled against his chest.
He looked around for the most trustworthy person, for someone to be on his team. He took a gamble and dumped Bat into Lily’s arms.
“Watch him for me, will you?” he asked. “Make sure he gets out all right.”
“Put that werewolf down immediately, Lily,” Raphael ordered.
“It really hurts that you would say that,” Bat muttered, and shut his eyes.
Lily considered Bat’s head, pillowed on her lavender bosom. “I don’t want to put him down,” she announced. “The Shadowhunter gave this DJ to me.”
Bat opened one eye. “Do you like music?”
“I do,” said Lily. “I like jazz.”
“Cool,” said Bat.
Raphael threw up his hands. “This is ridiculous! Fine,” he snapped. “Fine. Let’s just vacate the collapsing mansion, shall we? Can we all agree on that one fun, non-suicidal activity?
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
There's a picture in When the Lights Go Down: A Short Illustrated History of Film of Alec Matto smoking in a chair in a room with a slice of light blaring over his head toward a screen we can't see. 'Alec Matto reviewing dailies for Where Has Julia Gone? (1947) in his private screening room.' Joan had to tell me what dailies are, it's when the director takes sometime in the evening, while smoking, to see all the footage that was filmed that day, maybe just one scene, a man opening a door over and over, a woman pointing out the window, pointing out the window, pointing out the window. That's dailies, and it took seven or eight matches on the roof over the garage for me to go over our breathless dailies that night, the nervous wait with the tickets in my hand, Lottie Carson heading north on those trains, kissing you, kissing you, the strange conversation in A-Post Novelties that had me all nerve-wracky after I talked to Al about it, even though he said he had no opinion. The matches were little he loves me, he loves me not, but then I saw right on the box that I had twenty-four, which would end the game at not, so I just let the small handful sparkle and puff for a bit, each one a thrill, a tiny delicious jolt for each part I remembered, until I burned my finger and went back in still thinking of all we did together.
”
”
Daniel Handler (Why We Broke Up)
“
I’m tired of not being able to own my feelings because someone else has it worse. I know I’m lucky to have a roof over my head and parents who love me and food on the table. I know, I know, I know. I can also want more for myself.
”
”
Becky Albertalli (Here's to Us (What If It's Us #2))
“
Look,” said Armstrong, “was the experience so terrible for you? Here you are, a picture of health, comfortable clothes, food in your belly, with a roof over your head and abolitionists fending for you in Freetown. Most of the world doesn’t live that well.
”
”
Lawrence Hill (Someone Knows My Name)
“
Then, he whispered into my ear, 'When this is all over, what we have will be complete. The three of us under one roof, forever, as it should be, with no trace left of the fucker who tried to ruin everything for us.' His beautiful promises mixed with his warm breath on my ear made me whimper. 'Not to mention, we have a lot of time to make up for, and I plan on spending a lot of that time with my head between your thighs.
”
”
T.M. Frazier (The Dark Light of Day (The Dark Light of Day, #1))
“
Bucket lists aren’t important. Benchmarks aren’t important. Neither are goals. You take the wins in small ways: Did I wake up this morning? Do I have a roof over my head? Are the people I care about doing okay? You don’t need the things you don’t have. You only need what you’ve got, and the rest? It’s just gravy.
”
”
Jodi Picoult (Wish You Were Here)
“
Sorry to tell you, but that's a very old chestnut. My mother used to say when God slams a door on you, he opens a window.'
Tig gave this two seconds of respectful consideration before rejecting it. 'No, that's not the same. I'm saying when God slams a door on you it's probably a shitstorm. You're going to end up in rubble. But it's okay because without all that crap overhead, you're standing in the daylight.'
'Without a roof over your head, it kind of feels like you might die.'
'Yeah, but you might not. For sure you won't find your way out of the mess if you keep picking up bricks and stuffing them in your pockets. What you have to do is look for blue sky.
”
”
Barbara Kingsolver (Unsheltered)
“
My grateful nation wasn’t grateful enough to give me a job. I pawned my medals to keep a roof over my head and food in my belly, and I’ll tell you what, the Military Cross doesn’t fetch a great deal, no matter how many bars you have on it. The pawnbroker told me I should have tried for a Victoria Cross. That would be worth something, he said.
”
”
K.J. Charles (Slippery Creatures (The Will Darling Adventures, #1))
“
Paris has a child, and the forest has a bird; the bird is called the sparrow; the child is called the gamin. Couple these two ideas which contain, the one all the furnace, the other all the dawn; strike these two sparks together, Paris, childhood; there leaps out from them a little being. Homuncio, Plautus would say. This little being is joyous. He has not food every day, and he goes to the play every evening, if he sees good. He has no shirt on his body, no shoes on his feet, no roof over his head; he is like the flies of heaven, who have none of these things. He is from seven to thirteen years of age, he lives in bands, roams the streets, lodges in the open air, wears an old pair of trousers of his father's, which descend below his heels, an old hat of some other father, which descends below his ears, a single suspender of yellow listing; he runs, lies in wait, rummages about, wastes time, blackens pipes, swears like a convict, haunts the wine-shop, knows thieves, calls gay women thou, talks slang, sings obscene songs, and has no evil in his heart. This is because he has in his heart a pearl, innocence; and pearls are not to be dissolved in mud. So long as man is in his childhood, God wills that he shall be innocent. If one were to ask that enormous city: "What is this?" she would reply: "It is my little one.
”
”
Victor Hugo (Works of Victor Hugo. Les Miserables, Notre-Dame de Paris, Man Who Laughs, Toilers of the Sea, Poems & More)
“
Alone had always felt like an actual place to me, as if it weren't a state of being, but rather a room where I could retreat to be who I really was. The radical aloneness of the PCT had altered that sense. Alone wasn't a room anymore, but the whole wide world, and now I was alone in that world, occupying it in a way I had never before. Living at large like this, without even a roof over my head, made the world feel both bigger and smaller to me. Until now, I hadn't truly understood the world's vastness--hadn't even understood how vast a mile could be--until each mile was beheld at walking speed. And yet there was also its opposite, the strange intimacy I'd come to have with the trail, the way the piñon pines and monkey flowers I passed that morning, the shallow streams I crossed, felt familiar and known, though I'd never passed them or crossed them before.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
I'll fix things up with George soon as she gets here," Anthony mumbled. "You may depend upon it."
"Oh,I know you will, but you'll have to hie yourself back to London to do so, since she ain't coming here. Didn't want to inflict her dour mood on the festivities, so decided it ould be best to absent herself."
Anthony looked appalled now and complained, "You didn't say she was that mad."
"Didn't I? Think you're wearing that black eye just because she's a mite annoyed?"
"That will do," Jason said sternly. "This entire situation is intolerable.And frankly, I find it beyond amazing that you have both utterly lost your finesse in dealing ith women since you married."
That,of course, hit quite below the belt where these two ex[rakes were concerned. "Ouch," James muttered, then in his own defense, "American women are an exception to any known rule, and bloody stubbron besides."
"So are Scots,for that matter," Anthony added. "They just don't behave like normal Enlgishwomen,Jason,indeed they don't."
"Regardless.You know my feelings on the entire family gathering here for Christmas.This is not the time for anyone in the family to be harboring any ill will of any sort.You both should have patched this up before the holidays began. See that you do so immediately, if you both have to return to London to do so."
Having said his peace, Jason headed for the door to leave his brothers to mull over their conduct,or rather, misconduct, but added before he left, "You both look like bloody panda bears.D'you have any idea what kind of example that sets for the children?"
"Panda bears indeed," Anthony snorted as soon as the door closed.
James looked up to reply drolly, "Least the roof is still intact.
”
”
Johanna Lindsey (The Holiday Present)
“
As a child
I put my finger in the fire
to become
a saint.
As a teenager
every day I would knock my head against the wall.
As a young girl
I went out through a window of a garret
to the roof
in order to jump.
As a woman
I had lice all over my body.
They cracked when I was ironing my sweater.
I waited sixty minutes
to be executed.
I was hungry for six years.
Then I bore a child,
they were carving me
without putting me to sleep.
Then a thunderbolt killed me
three times and I had to rise from the dead three times
without anyone’s help.
Now I am resting
after three resurrections.
”
”
Anna Świrszczyńska
“
Tsundoku
(Japanese) Buying books and not reading them; letting books pile up on shelves or floors or nightstands.
My parents used to joke about making furniture out of them; instead of being coffee table books, they could be the coffee table. Ditto on nightstands, counters, roofs. When we were kids, my brother and I, teased about always reading, built a wall. Right through the middle of the neighborhood, protected ourselves with fiction and with facts. I loved the encyclopedias best; the weight of them, how my grandmother made me walk with one on my head to practice being a lady. It wasn’t until college that I built a grand stairway out of them; their glossy blue jackets looked like marble in the moonlight. I climbed it, to the top of the wall. Peering over, I found you, on the other side, alone in your bed, asleep. That was the first time you dreamed me. In your dream, you told me not to jump. But to be patient. (We were young then, it would be years before we’d meet) and then this morning, I found you in my bedroom. In your hands, How to Rope and Tie a Steer, a mug of coffee, a piece of slightly burned toast. I took The Sun Also Rises from the wall, made the first window into your heart.
”
”
Julia Klatt Singer (Untranslatable)
“
That was my life until Stregobor and that whore Aridea ordered a huntsman to butcher me in the forest and bring back my heart and liver. Lovely, don't you think?” “No. I’m pleased you evaded the huntsman, Renfri.” “Like shit I did. He took pity on me and let me go. After the son of a bitch raped me and robbed me.” Geralt, fiddling with his medallion, looked her straight in the eyes. She didn't lower hers. “That was the end of the princess,” she continued. “The dress grew torn, the cambric grew grubby. And then there was dirt, hunger, stench, stink and abuse. Selling myself to any old bum for a bowl of soup or a roof over my head. Do you know what my hair was like? Silk. And it reached a good foot below my hips. I had it cut right to the scalp with sheep-shears when I caught lice. It's never grown back properly.” She was silent for a moment, idly brushing the uneven strands of hair from her forehead. “I stole rather than starve to death. I killed to avoid being killed myself. I was locked in prisons which stank of urine, never knowing if they would hang me in the morning, or just flog me and release me. And through it all, my stepmother and your sorcerer were hard on my heels, with their poisons and assassins and spells. And
”
”
Andrzej Sapkowski (The Last Wish (The Witcher 0.5))
“
We have important destinies. We are the ones who make or break this country. My family has responsibilities to make sure people like you have food to eat, a roof over your head. Now you’ll leave my family alone, or you’ll have bigger things to deal with—more significant than whether Manu Agarwal is about to lose his job. And you won’t go spreading lies about my son.
”
”
Alka Joshi (The Secret Keeper of Jaipur (The Jaipur Trilogy, #2))
“
The car vibrated violently as the tyres bounced over the old cobbled road. Brennan and Renton found it difficult to remain seated. “This is not helping my undercarriage,” Renton grumbled. He gave his boss a fleeting glance before his head hit the car roof again. Brennan looked down at her nether regions. “If it’s any consolation, it’s not doing mine much good either.
”
”
Sharon Brownlie (Betrayal: The Consequences)
“
Alone had always felt like an actual place to me, as if it weren’t a state of being, but rather a room where I could retreat to be who I really was. The radical aloneness of the PCT had altered that sense. Alone wasn’t a room anymore, but the whole wide world, and now I was alone in that world, occupying it in a way I never had before. Living at large like this, without even a roof over my head, made the world feel both bigger and smaller to me. Until now, I hadn’t truly understood the world’s vastness—hadn’t even understood how vast a mile could be—until each mile was beheld at walking speed. And yet there was also its opposite, the strange intimacy I’d come to have with the trail, the way the piñon pines and monkey flowers I passed that morning, the shallow streams I crossed, felt familiar and known, though I’d never passed them or crossed them before.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive.
The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky.
It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul:
“Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!”
“Are you afraid that you will change your mind, Christine?”
“I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!”
“What compels you to go back, Christine?”
“If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!”
She wrung her hands in anguish, while Raoul pressed her to his heart.
“No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!”
And he tried to drag her away, then and there. But she stopped him.
“No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.”
And she gave a sigh to which it seemed to her that another sigh, behind her, replied.
“Didn’t you hear?”
Her teeth chattered.
“No,” said Raoul, “I heard nothing.”
- Chapter 12: Apollo’s Lyre
”
”
Gaston Leroux (The Phantom of the Opera)
“
Have you found it different having girls in the house?”
He cleared his throat. “Oh, yeah.”
“Would you care to elaborate?”
“Nope.”
I looked up from my writing. “If you don’t elaborate, it’s going to be a very short article.”
“Look, I’ve already gotten into it once tonight--”
“Are you implying I’m hard to live with? Is that why you won’t comment further? Because you think I’ll be offended? I won’t be.”
“No further comment.”
I sighed, tempted to toss the recorder at him.
“Okay, then, we’ll move on. What’s been the most difficult aspect of living with us?”
There was silence, but it was the kind where you can sense someone wants to speak but doesn’t. Jason was so incredibly still, as though he was weighing consequences.
“Not kissing you,” he finally said, quietly.
My heart did this little stutter. I just stared at him as the recorder continued to run, searching for sound. My hand was shaking when I reached over and turned it off.
“But you did kiss me, and you said it was a mistake.”
“Because getting involved with you is a bad idea, on so many levels.”
“Care to share one of those levels?”
“I’m living in your house. Your parents are giving me a roof over my head. Your mom brings home extra takeout. I’m here only for the summer. Then I’m back at school.” He reached up, removed the ice pack from around his shoulder, and set it on the table. “And Mac? After we went to Dave and Bubba’s, he comes out to the mound and tells me he thinks you’re hot. And I know you like him, so I was willing to bunt.”
“Bunt?”
“Willing to sacrifice my happiness.”
“You thought you’d be happy being with me?”
“Are you kidding? You’re cute, easy to talk to. You love baseball. You make me smile, make me laugh. And we won’t even mention how much I liked kissing you.”
Only he had mentioned it. And now I was thinking about it when I really shouldn’t be.
”
”
Rachel Hawthorne (The Boyfriend League)
“
When it was just you and your fight to live, the only thing that mattered was time. Time was the only thing reminding you to propel forward and find your next meal, the next roof over your head, or those few hours of crucial sleep, because your days were numbered and they wouldn’t stop for anyone, no matter how rich, privileged, or smart you were.
If there was one thing I’d learned in my short span of twenty-three years, it was that time didn’t discriminate.
”
”
Rachael Wade (Repossession (The Keepers Trilogy, #1))
“
QUOTES & SAYINGS OF RYAN MORAN- THE WORLD'S MOST POWERFUL MAN
Favorite Sayings of Ryan Moran: The World's Most Powerful Man
“Sometimes the withholding of a small part of the truth is not only wise, but prudent.”
“There is one principle that bars all other principles, and that is contempt prior to investigation.” (Ryan was fond of paraphrasing Herbert Spencer)
“What do you mean?”, “How do you know?”, “So what?”
“I don’t need much, just one meal a day, a pack of cigarettes and a roof over my head.”
“Well…, we must have different data bases, mustn’t we?”
“This guy is more squirrely than a shithouse rat”
The CIA—you know, the ‘Catholic Irish Alcoholics’
“That dumb fuck.”
“Oye! A Jew and an Irishman—what a team!”
“Okay, everybody, up and to the right ten thousand feet,” ( If things in general were not going
well. Refers to his jet flying days)
“Is that what you want to do?.....Are you sure?"
“Curiosity is self serving,”
“If you don’t know where you’re going, you will end up somewhere else.”
“So…, what are you thinking?”
“I can do anything that I want, as long as I have the desire and I am willing to pay the price.”
(His working definition of honesty)
“Well, what did you learn tonight?”
“Don’t let your emotions get the best of you, and don’t get too far out into your future.”
“If you meet someone in the middle of the desert and he asks you where the next water hole is, you had better tell him the truth. If you don’t, then the next time you meet, he will kill you.”
“Damn it!”
“And remember to watch your mirrors!” (Refers to the fact someone may be following us in the car)
“A person either gets humble or gets humiliated.”
“That’s right.”
“Oye, Sheldon, a Jew and an Irishman—talk about guilt and suffering!”
“Pigs grow fat, but hogs get slaughtered.”
“A friend is someone who is coming in, when everyone else is going out.
”
”
Ira Teller (Control Switch On: A True Story—The Untold Story of the Most Powerful Man in the World—Ryan Moran—Who Shaped the Planet for Peace)
“
For a woman who has chosen family as well as work, there’s never time, and yet somehow time is given to us as time is given to the man who must sail a ship or chart the stars. For most writers it takes many manuscripts before enough royalties are coming in to pay for a roof over the head and bread on the table. Other jobs must often be found to take care of bread and butter. A certain amount of stubbornness—pig-headedness—is essential. — I’m often asked how my children feel about my work, and I have to reply, “Ambivalent.” Our firstborn observed to me many years ago, when she was a grade-school child, “Nobody else’s mother writes books.” But she also said, around the same time, “Mother, you’ve been very cross and edgy with us lately, and we’ve noticed that you haven’t been writing, and we wish you’d get back to the typewriter.” A wonderfully freeing remark. I had to learn that I was a better mother and wife when I was working than when I was not.
”
”
Madeleine L'Engle (Walking on Water: Reflections on Faith and Art)
“
I want you here. I want you in my home, my bed, my life,” he murmured, the smooth out of his voice, it was low and so rough with sex and emotion, it was abrasive, scoring through me.
“Baby –”
“I want your clothes in my closet. I wanna hear your voice in my house when you’re talkin’ on the phone. I want you sittin’ beside me when we’re watchin’ TV. I want shit you like in my fridge. I want “your razors in my shower. I want my roof over your head. Your car in my garage. I want to give you what I should have been giving you for sixteen years. As good as you deserve. A showplace. A place where I can make you happy.”
God. He was killing me.
“Creed, let me –”
He didn’t let me finish. He pressed on, driving in, our bodies jolting with his thrusts, his voice harsh in my ear.
“Give me that, Sylvie. Give me that and, swear to God, I’ll give you everything.”
“I –”
His head came up, his cock drove deep and stayed planted and his eyes burned into mine.
“All I’ll ask. All I’ll ever ask. You give me that and you got a lifetime of nothin’ but take.
”
”
Kristen Ashley (Creed (Unfinished Hero, #2))
“
Armand towed me up and Jesse hustled me away. I staggered against him, looking past his shoulder just in time to see my nightgown dance over the rim of the roof, a twirling, empty ballerina blowing away to the stars.
“That was stupid,” I said loudly.
“Too right it was.” None of Armand’s fury had left him.
“No, I mean you. Both of you. Following me like that. You could have been killed!”
“We were doing well enough until you-did that! Went to smoke like that.”
“He couldn’t shoot smoke!”
“He could have shot the half-wit on top of him!”
“But he didn’t!” I swallowed, a lump of something sick rising in my throat. “I didn’t kill him, did I?”
Armand seemed to shrink a little. He looked back at the duke and shook his head. “No. I think you knocked him out. He’s breathing.”
“Has anyone a coat?” I asked, and found myself crumpling down to the roof, a leisurely sort of collapse. Armand grabbed me by the arm again and I managed to remain seated instead of prone.
“Dragon-girl.” Jesse was stripping off his shirt. “Bravest girl. I keep telling you to eat more.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
Over this lip, as over a slippery threshold, we now slide into the mouth. Upon my word were I at Mackinaw, I should take this to be the inside of an Indian wigwam. Good Lord! is this the road that Jonah went? The roof is about twelve feet high, and runs to a pretty sharp angle, as if there were a regular ridge-pole there; while these ribbed, arched, hairy sides, present us with those wondrous, half vertical, scimitar-shaped slats of whalebone, say three hundred on a side, which depending from the upper part of the head or crown bone, form those Venetian blinds which have elsewhere been cursorily mentioned. The edges of these bones are fringed with hairy fibres, through which the Right Whale strains the water, and in whose intricacies he retains the small fish, when openmouthed he goes through the seas of brit in feeding time. In the central blinds of bone, as they stand in their natural order, there are certain curious marks, curves, hollows, and ridges, whereby some whalemen calculate the creature's age, as the age of an oak by its circular rings. Though
”
”
Herman Melville (Moby Dick: or, the White Whale)
“
Now the whole parable and purpose of these last pages, and indeed of all these pages, is this: to assert that we must instantly begin all over again, and begin at the other end. I begin with a little girl’s hair. That I know is a good thing at any rate. Whatever else is evil, the pride of a good mother in the beauty of her daughter is good. It is one of those adamantine tendernesses which are the touchstones of every age and race. If other things are against it, other things must go down. If landlords and laws and sciences are against it, landlords and laws and sciences must go down. With the red hair of one she–urchin in the gutter I will set fire to all modern civilization. Because a girl should have long hair, she should have clean hair; because she should have clean hair, she should not have an unclean home: because she should not have an unclean home, she should have a free and leisured mother; because she should have a free mother, she should not have an usurious landlord; because there should not be an usurious landlord, there should be a redistribution of property; because there should be a redistribution of property, there shall be a revolution. That little urchin with the gold–red hair, whom I have just watched toddling past my house, she shall not be lopped and lamed and altered; her hair shall not be cut short like a convict’s; no, all the kingdoms of the earth shall be hacked about and mutilated to suit her. She is the human and sacred image; all around her the social fabric shall sway and split and fall; the pillars of society shall be shaken, and the roofs of ages come rushing down, and not one hair of her head shall be harmed.
”
”
G.K. Chesterton (The G.K. Chesterton Collection [34 Books])
“
Did you ever hear what happened to Oliver Cromwell’s head? It was originally lashed to the roof of Westminster Hall as a potent warning not to mess with the government of the day, but in 1685 a violent storm blew it off its perch and a captain of the guard had it away and hid it up his chimney, where it stayed until he admitted the crime on his death bed.
So can you picture the scene? Cromwell died in 1658. 27 years later this geezer nicks his head and shoves it up his chimney. He’s about to croak it, the whole family’s gathered around his death bed, everybody’s in tears and they’re all wondering if he’ll come out with any famous last words. Perhaps, “Farewell, my children, forever. I go to your father,” or maybe, “Let us pass over the river and rest under the shade of the trees,” or even, “Don’t let it end like this, tell them I said something.”
Not this fucking joker! No! What does he say? He says, “Here Jackie, the sausages tasted a bit off tonight. Did I ever tell you I nicked Oliver Cromwell’s head and shoved it up the chimney? It’s still there,” and he draws back the veil of his earthly life and succumbs to eternal peace.
They all look at each other, “What did he fucking say?”
“He said he nicked Oliver Cromwell’s head.”
“What do you mean; he nicked Oliver Cromwell’s head?”
“That’s what he said, don’t blame me!”
“Fuck’s sake!”
“Well, do you think we should look?”
“Don’t talk bollocks! You honestly want to look up the chimney to see if Oliver Cromwell’s head’s up there?”
“I’m just saying …..”
Anyway, one of them had a look up the chimney, found the head and by 1710 it was appearing in a freak show under the banner, ‘The Monster’s Head.’
True story
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
I was Olivia, and I sat in a rowboat oared by Sage along the Tiber River.
“If you think the Society is so ridiculous, tell your father you refuse to go!” I said.
“Really? And lose my share of the family fortune? I’d be destitute. You’d have to leave me for a Medici-a fiancé who could keep you in the style to which you’re accustomed.”
“Paints, canvas, and you. That’s all I need. Maybe a little extra artistic talent.”
Sage gave me a pointed look. He loved my artwork and always gave me a hard time for doubting my own ability. I liked to remind him he was biased.
“How about food?” he asked. “You’d need food.”
“Wild fruits and vegetables.”
“Roof over your head?”
“We’ll build a hut.”
“Clothing?”
I gave Sage a knowing smile, and he almost tipped the boat.
“Sage!” I cried, holding the sides for dear life. “I can’t swim!”
“I’m sorry, but that was an absolutely valid response. Any man would tell you the same.”
I laughed. “So what do you do in the Society meetings?”
“I can’t tell you. I’m sworn to absolute secrecy.” He said it with a haughty affectation that I mimicked as I pretended to zip closed my lips and throw away the key.
“My lips are sealed,” I intoned.
“Really? Because mine are not.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
I do love Oregon." My gaze wanders over the quiet, natural beauty surrounding us, which isn't limited to just this garden. "Being near the river, and the ocean, and the rocky mountains, and all this nature ... the weather."
He chuckles. "I've never met anyone who actually loves rain. It's kind of weird. But cool, too," he adds quickly, as if afraid to offend me. "I just don't get it."
I shrug. "It's not so much that I love rain. I just have a healthy respect for what if does. People hate it, but the world needs rain. It washes away dirt, dilutes the toxins in the air, feeds drought. It keeps everything around us alive."
"Well, I have a healthy respect for what the sun does," he counters with a smile."
"I'd rather have the sun after a good, hard rainfall."
He just shakes his head at me but he's smiling. "The good with the bad?"
"Isn't that life?"
He frowns. "Why do I sense a metaphor behind that?"
"Maybe there is a metaphor behind that." One I can't very well explain to him without describing the kinds of things I see every day in my life. The underbelly of society - where twisted morals reign and predators lurk, preying on the lost, the broken, the weak, the innocent. Where a thirteen-year-old sells her body rather than live under the same roof as her abusive parents, where punks gang-rape a drunk girl and then post pictures of it all over the internet so the world can relive it with her. Where a junkie mom's drug addiction is readily fed while her children sit back and watch.
Where a father is murdered bacause he made the mistake of wanting a van for his family.
In that world, it seems like it's raining all the time. A cold, hard rain that seeps into clothes, chills bones, and makes people feel utterly wretched.
Many times, I see people on the worst day of their lives, when they feel like they're drowing. I don't enjoy seeing people suffer. I just know that if they make good choices, and accept the right help, they'll come out of it all the stronger for it.
What I do enjoy comes after. Three months later, when I see that thirteen-year-old former prostitute pushing a mower across the front lawn of her foster home, a quiet smile on her face. Eight months later, when I see the girl who was raped walking home from school with a guy who wants nothing from her but to make her laugh. Two years later, when I see the junkie mom clean and sober and loading a shopping cart for the kids that the State finally gave back to her.
Those people have seen the sun again after the harshest rain, and they appreciate it so much more.
”
”
K.A. Tucker (Becoming Rain (Burying Water, #2))
“
Stop,” Jesse said.
I stared up at him, almost panting with fear.
“Stop, beloved,” he said more gently, and took up my clenched fist with both hands. “I’ve upset you, and I shouldn’t have. I don’t want you to dread yourself. I don’t want you to dread what is to come. Like I said, you’re exceptional, so there may be nothing to worry about at all. But whatever happens, whatever you face, I’ll face it with you. Do you hear?”
“How can you say it? It nearly happened on the roof today. You can’t know-“
“I will be with you. We’re together now, and the universe knows I won’t let you make your sacrifice alone. Dragon protects star. Star adores dragon. An age-old axiom. Simple as that.”
I looked down at our hands, both of his curled over mine. I unclenched my fist. Blood from the thorn smeared my skin.
“The universe,” I muttered. “The same universe that has produced the Kaiser and bedbugs and Chloe Pemington. How reassuring.”
With the same absolute concentration he might have shown for turning flowers into gold, Jesse Holms smoothed out my fingers between his, wiping away the blood. He turned my hand over and lifted it to his lips. His next words fell soft as velvet into the heart of my palm.
“Those nights, in the sweetest dark, we shared our dreams. That’s you answer. I was stitched into yours, and you were stitched into mind, and that was real, I promise you.” I felt his lips curve into a smile. The unbelievably sensual, ticklish scuff of his whiskers. “Very good dreams they were, too,” he added.
It was no use trying to cling to mortification or fear. He was holding my hand. He was smiling at me past the cup of my fingers, and although I couldn’t see it, the shape of it against my skin was beyond tantalizing, rough and masculine. I was a creature gone hot and cold and light-headed with pleasure. I wanted to snatch back my hand and I wanted him to go on touching me like this forever. I wanted to walk with him back to his cottage, to his bed, and to hell with the Germans and school and all the rest of the world.
But he looked up suddenly.
“They’re searching for you,” he said, releasing me at once, moving away.
They were. I heard my name being called by a variety of voices in a variety of tones, all of them still inside the castle, none of them sounding happy.
“Go on.” With a few quick steps, Jesse was less than a shadow, retreating into the black wall of the woods. “Don’t get into trouble. And, Lora?”
“Yes?”
There was hushed laughter in his voice. “Until we can see each other again, do us both a favor. Keep away from rooftops.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
It didn't seem like we had to do with less at all. It felt like exactly the opposite. Having this women stay with use made us feel very well off. This is why my mum is a genius. She could've told us a million times that we were lucky to have what we had- three meals a day, clothes to wear, a roof over our heads - and we would never have believed her because we heard these cliches all the time and they didn't make us feel lucky. But allowing someone who had even less than we did to live with us made us feel incredibly fortunate, wealthy even. This woman was so appreciative and grateful, and always made us feel like we were benefactors sent from God to help her through. p130
”
”
Anh Do (The Happiest Refugee)
“
There were times when I did not stop at Amen. I could make the Beatitudes go on and on. There was never enough time to list all the blessed. Blessed are my students, I said, and blessed be their friends; blessed are the quitters; blessed are the nervous; blessed are those who hide; blessed are the messy; blessed are the ones who say 'Oh, that's over my head'; blessed are the late bloomers, and blessed are the foolish; blessed are those who lisp; blessed are the birthday party clowns; blessed are the waitresses; blessed are the awkward; blessed are those who burn the roofs of their mouths because they cannot stand to wait; and blessed are the heartbroken, the ones who haven't arrived at the other side of their pain. Thank you very much. Amen, amen, amen.
”
”
Claire Luchette (Agatha of Little Neon)
“
But the loneliness was still on Danny and demanded an outlet.
'Here we sit,' he began at last.
' - broken-hearted,' Pilon added rhythmically.
'No, this is not a poem,' Danny said. 'Here we sit, homeless. We gave our lives for our country, and now we have no roof over our head.'
'We never did have,' Pilon added helpfully.
Danny drank dreamily until Pilon touched his elbow and took the bottle.
'That reminds me,' Danny said, 'of a story of a man who owned two whore-houses--' His mouth dropped open. 'Pilon! my little fat duck of a baby friend. I had forgotten! I am an heir! I own two houses.'
'Whore-houses?' Pilon asked hopefully. 'Thou art a drunken liar,' he continued.
'No, Pilon. I tell the truth. The viejo died. I am the heir. I, the favourite grandson.'
'Thou art the only grandson,' said the realist Pilon.
”
”
John Steinbeck (Tortilla Flat)
“
I know. It feels like the end of the world when you can’t have the things you always wanted. But it’s not the end of the world. There’s some other place to go.” “Sorry to tell you, but that’s a very old chestnut. My mother used to say when God slams a door on you, he opens a window.” Tig gave this two seconds of respectful consideration before rejecting it. “No, that’s not the same. I’m saying when God slams a door on you it’s probably a shitstorm. You’re going to end up in rubble. But it’s okay because without all that crap overhead, you’re standing in the daylight.” “Without a roof over your head, it kind of feels like you might die.” “Yeah, but you might not. For sure you won’t find your way out of the mess if you keep picking up bricks and stuffing them in your pockets. What you have to do is look for blue sky.
”
”
Barbara Kingsolver (Unsheltered)
“
Somewhat overly legibly, I wrote on a sheet of paper, "We're held up indefinitely by the parade. We're going to find a phone and have a cold drink somewhere. Will you join us?" I folded the paper once, then handed it to the Matron of Honor, who opened it, read it, and then handed it to the tiny old man. He read it, grinning, and then looked at me and wagged his head up and down several times vehemently. I thought for an instant that this was the full and perfectly eloquent extent of his reply, but he suddenly motioned to me with his hand, and I gathered that he wanted me to pass him my pad and pencil, I did so- without looking over at the Matron of Honor, from whom great waves of impatience were rising. The old man adjusted the pad and pencil on his lap with the greatest care, then sat for a moment, pencil poised, in obvious concentration, his grin diminished only a very trifle. Then the pencil began, very unsteadily, to move. An "i" was dotted. And then both pad and pencil were returned personally to me, with a marvellously cordial extra added wag of the head. He had written, in letters that had not quite jelled yet, the single word "Delighted." The Matron of Honor, reading over my shoulder, gave a sound faintly like a snort, but I quickly looked over at the great writer and tried to show by my expression that all of us in the car knew a poem when we saw one, and were grateful.
На едно листче — някак прекалено четливо — написах: „Парадът ще ни задържи неопределено време. Искаме да потърсим телефон и да пием нещо разхладително. Ще дойдете ли с нас?“ После сгънах листчето на две и го подадох на придворната, която го прочете и предаде на дребничкия старец. Той го прочете ухилен, погледна ме и усилено закима с глава. Реших, че това е изчерпателен и напълно красноречив отговор, но той махна с ръка към мен и разбрах, че иска да му подам тефтерчето и молива. Подадох му ги, без да поглеждам придворната, която на вълни, на вълни излъчваше нетърпение. Старчето намести много внимателно тефтерчето и молива на коленете си, застина така, явно събирайки мислите си, после, почти все със същата усмивка, вдигна молива. Много неуверено моливът започна да се движи. Накрая бе сложена акуратна точка. След това с изключително сърдечно кимане тефтерчето и моливът ми бяха върнати. Още пресните букви гласяха: „С удоволствие.“ Придворната погледна през рамото ми бележката и издаде звук, подобен на пръхтене, но аз веднага обърнах лице към великия писател и се постарах да покажа с изражението си, че всички ние веднага можем да различим една истинска поема и сме му много благодарни.
”
”
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
“
Grounded"
I
At the edge of sleep.
my head on your breast.
I hear your heart lock
with the cloth pulse
of a skein of geese.
which arrows over roofs
towards the source
of water, dreams, oblivion.
II
Asleep on your front,
your shoulder-blades reveal
themselves as wing-stumps.
Now I know what you
have given up for me,
for this November night,
this moonlit bed.
this sluicing rain
these distant fireworks.
And I think of migrants
on the wing for weeks,
filleting the air with sleep.
Ill
Today huge tethered kites
— torsos, mermaids, lizards, bears—
were animated by sea air,
as though the next world hung
above us like a mezzanine.
Tonight I lie awake and run
your absence through my fingers:
here's the touch of you,
your warmth and give.
our conspiracy of flightlessress.
Michael Symmons Roberts, Corpus. (Jonathan Cape / Random House; New edition July 20, 2004)
”
”
Michael Symmons Roberts (Corpus (Cape Poetry))
“
How about going into town for lunch? My treat.” “With you? No.” “This may surprise you,” he said, a teasing lilt in his voice, “but I’m not my grandfather.” Shelby gazed at the broken swing. “Uncle Richard told me you’ve owned this house about five or six years.” “Six.” “What exactly did you do different than your grandfather?” A wounded frown replaced AJ’s amiable smile, and his eyes brimmed with pain. Regret gripped Shelby’s heart. She’d meant the words to sting a little, but not to cut. She opened her mouth to apologize, but he turned on his heel and headed toward his Jeep before she could say a word. Opening the driver’s door, he glared at her over the roof. “See you at the signing.” “I didn’t mean—” “I think you did.” He disappeared into the Jeep and started the ignition. As the vehicle bounced down the lane, Shelby’s heart jolted. It was as if she were fourteen again, as lonely and abandoned as the house behind her.
”
”
Johnnie Alexander (Where She Belongs (Misty Willow #1))
“
Plants Fed On by Fawns"
All the flowers: the pleated leaves of the hellebore;
And the false blossom of the calla, a leaf like a petal—
The white flesh of a woman bathing— a leaf over-
Shadowing the small flowers hidden in the spadix;
And fly poison, tender little flower, whose cursed root
Pounded into a fine white powder will destroy flies.
But why kill flies? They do not trouble me. They
Are like the fruit the birds feed on. They are like
The wind in the trees, or the sap that threads all things,
The blue blood moving through branch and vine,
Through the wings of dead things and living things....
If I lift my hand? If I write to you? The letters
Can be stored in a box. Can they constitute the shape
Of a love? Can the paper be ground? Can the box
Be altar and garden plot and bed? Can there rise
From the bed the form of a two-headed creature,
A figure that looks both forward and back, keeping
Watch always, one head sleeping while the other wakes,
The bird head sleeping while the lion head wakes,
And then the changing of the guard?.... No,
The flies do not trouble me. They are like the stars
At night. Common and beautiful. They are like
My thoughts. I stood at midnight in the orchard.
There were so many stars, and yet the stars,
The very blackness of the night, though perfectly
Cold and clear, seemed to me to be insubstantial,
The whole veil of things seemed less substantial
Than the thing that moved in the dark behind me,
An unseen bird or beast, something shifting in its sleep,
Half-singing and then forgetting it was singing:
Be thou always ravished by love, starlight running
Down and pulling back the veil of the heart,
And then the water that does not exist opening up
Before one, dark as wine, and the unveiled figure
Of the self stepping unclothed, sweetly stripped
Of its leaf, into starlight and the shadow of night,
The cold water warm around the narrow ankles,
The body at its most weightless, a thing so durable
It will— like the carved stone figures holding up
The temple roof— stand and remember its gods
Long after those gods have been forsaken.
”
”
Brigit Pegeen Kelly (The Orchard (American Poets Continuum))
“
Anyway,” he whispers, “I knew it was too good to be true. I thought she was being understanding last night, but of course the complaining starts up again first thing this morning. So I say, ‘You miss me? What kind of guilt trip is that?’ I mean, I’m right here. I’m here every night. I’m one hundred percent loyal. Never cheated, never will. I provide a nice living. I’m an involved father. I even take care of the dog because Margo says she hates walking around with plastic bags of poop. And when I’m not there, I’m working. It’s not like I’m off in Cabo all day. So I tell her I can quit my job and she can miss me less because I’ll be twiddling my thumbs at home, or I can keep my job and we’ll have a roof over our heads.” He yells “I’ll just be a minute!” to someone I can’t see and then continues. “And you know what she does when I say this? She says, all Oprah-like”—here he does a dead-on impression of Oprah—“‘I know you do a lot, and I appreciate that, but I also miss you even when you’re here.’” I try to speak but John plows on. I haven’t seen him this stirred up before.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
Luke pulls me to him and crushes his mouth to mine.
“I said I wasn’t going to do this,” he whispers on a kiss.
“’S’okay.” I pull him closer, my hands snaking up his back. “Don’t mind.”
His hands move up to cup my face, to tilt my head, to move his lips over mine again. “Bella?”
“Hmmm?”
I stifle a groan as Luke pulls away.
Still holding my face in one hand, he runs his finger down my nose. Over my cheek. I lean into his palm and just try to breathe. “What?”
“Do you know what this was?” he asks, his mouth near my ear.
“The warm-up?”
“A test.”
My cozy smile drops. I step away.
“You’re lying to yourself if you think you don’t want to be with me.”
“I—I”—am so mad—“it was the moonlight. It was the popcorn at nine o’clock.”
Luke reaches out and brushes a piece of hair behind my ear. “Face it—you’re totally into your editor.” He sighs dramatically. “I hope whatever is keeping us apart is worth it.”
I stand there motionless, my tongue glued to the roof of my mouth as Luke climbs into his 4Runner. I should say something. I should yell—or maybe throw a shoe? What would Ruthie do? No. I can’t moon him.
”
”
Jenny B. Jones (So Over My Head (The Charmed Life, #3))
“
Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“
“Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?”
“Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.”
“No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.”
From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck.
Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.”
“Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered.
“You may bring it up to us.”
Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man.
“What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.”
“You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?”
“Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?”
Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!”
Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.”
Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.
”
”
Henry David Thoreau (Walden)
“
Jason pulled me into the driveway, turned off the car, and kissed me.
Then it got kinda weird. It was like: Where should our last kiss be?
In the car? At the door? Inside the foyer? Outside my bedroom?
I just didn’t know. I’d avoided giving any real thought to how I would go about having a boyfriend living in my house. I mean, I’d never planned for the guy I fell for to be living in my house, across the hallway. What if my parents figured it out?
We would have to be so careful.
Jason drew back from the kiss and pressed his forehead to mine.
“You know I could kiss you all night,” he said.
“Me, too.”
I was such a romantic, but I was also nervous, because I knew no way we were going to be kissing in my parents’ house all night.
“But I’m feeling kinda weird about it,” he said.
“That whole liking-the-daughter-of-the-people-who-are-giving-you-a-roof-over-your-head thing?”
“Yeah.”
“I know. If my parents caught us…”
“Yeah.”
“Maybe we need house rules.”
He pulled back. “Like what?”
“No kissing inside the house.”
“Ever?”
“Well, at least not when Mom and Dad are home. Dad jokes about putting potential boyfriends through an interview process, but he may be serious. It’s hard to tell sometimes with him.”
“It felt like he was interviewing me that first night.”
“Not to be my boyfriend.”
He sighed. “Okay. I see your point.
”
”
Rachel Hawthorne (The Boyfriend League)
“
There’s an unexpected lull in the traffic about two-thirds of the way to Darmstadt, and I make the mistake of breathing a sigh of relief. The respite is short-lived. One moment I’m driving along a seemingly empty road, bouncing from side to side on the Smart’s town-car suspension as the hairdryersized engine howls its guts out beneath my buttocks, and the next instant the dashboard in front of me lights up like a flashbulb. I twitch spasmodically, jerking my head up so hard I nearly dent the thin plastic roof. Behind me the eyes of Hell are open, two blinding beacons like the landing lights on an off-course 747. Whoever they are, they’re standing on their brakes so hard they must be smoking. There’s a roar, and then a squat, red Audi sports coupe pulls out and squeezes past my flank close enough to touch, its blonde female driver gesticulating angrily at me. At least I think she’s blonde and female. It’s hard to tell because everything is gray, my heart is trying to exit through my rib cage, and I’m frantically wrestling with the steering wheel to keep the roller skate from toppling over. A fraction of a second later she’s gone, pulling back into the slow lane ahead of me to light off her afterburners. I swear I see red sparks shooting out of her two huge exhaust tubes as she vanishes into the distance, taking about ten years of my life with her.
”
”
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
“
He was sitting on the roof- in the dark. His great wings were spread behind him, draped over the tiles.
I slid into his lap, looping my arms around his neck.
He stared at the city around us. 'So few lights. So few lights left tonight.'
I did not look. I only traced the lines of his face, then brushed my thumb over his mouth. 'It is not your fault,' I said quietly.
His eyes shifted to mine, barely visible in the dark. 'Isn't it? I handed this city over to them. I said I would be willing to risk it, but... I don't know who I hate more: the king, those queens, or myself.'
I brushed the hair out of his face. He gripped my hand, halting my fingers. 'You shut me out,' he breathed. 'You- shielded against me. Completely. I couldn't find a way in.'
'I'm sorry.'
Rhys let out a bitter laugh. 'Sorry? Be impressed. That shield... What you did to the Attor...' He shook his head. 'You could have been killed.'
'Are you going to scold me for it?'
His brow furrowed. Then he buried his face in my shoulder. 'How could I scold you for defending my people? I want to throttle you, yes, for not going back to the town house, but... You chose to fight for them. For Velaris.' He kissed my neck. 'I don't deserve you.'
My heart strained. He meant it- truly felt that way. I stroked his hair again. And I said to him, the words the only sound in the silent, dark city, 'We deserve each other. And we deserve to be happy.'
Rhys shuddered against me. And when his lips found mine, I let him lay me down upon the roof tiles and make love to me under the stars.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
A crash of thunder shakes the storage room, startling us both. Another one follows on its heels, causing Beau to lift his head and howl. I scoot over to his side, scratching him behind one ear. “It’s okay, buddy. We’re safe in here.” I hope, I add silently. “Look at Sadie. She’s not being a scaredy-cat. Oops, sorry, guys,” I toss over my shoulder toward the cats. “Just a figure of speech. How’s it going over there in the USS Enterprise?”
“You always talk to them like that?” Ryder asks me, his voice a little shaky.
“Pretty much.” I look at him sharply, noticing how pale he’s gotten. A muscle in his jaw is working furiously, and there’s a thin sheen of sweat on his forehead. “Are you okay?”
He doesn’t get a chance to answer. Another clap of thunder reverberates throughout the small space, followed by a horrible cracking sound and then a terrifyingly loud crashing noise.
I rise to my knees, looking toward the door that leads out. “What the hell was that?”
Ryder reaches for me, his fingers circling my wrist in a manacling grip. “You can’t go out there, Jemma!”
I struggle to release myself. “I’ve got to see--”
“No! There’s a goddamned tornado out there. Shit!” He pulls me toward him, and I practically fall into his lap.
He’s shaking, I realize. Trembling all over. “What is wrong with you?” I ask him.
“What’s wrong with me?” His voice rises shrilly. “You’re the one trying to go out in a tornado. You’ve got to wait till the sirens quit.”
“I know. But crap, that sounded like something came through the roof.”
I scoot away from him, putting space between our bodies. I can smell him--soap and shampoo and the clean, crisp-smelling cologne he always wears. I can smell something else, too--fear. He’s terrified.
Of the storm?
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
She had grown. Kate's vicious friend, once so elevated, was taller by little more than a head. She drew her brows together, and studied the circles under his eyes. He said lightly, 'My dear girl; it's Almoner's Saturday. With six frails of figs and a sackful of almonds, I am offering you my name.'
Philippa's lips parted. The smith in her chest, changing a wooden mallet for a small charge of gunpowder, pulverized brain, lungs and stomach and left her standing, wan as a blown egg. She said shakily, 'How would that help?'
Round his mouth, the curled lines deepened, and his eyes, very blue, lit suddenly with something like the flame she had seen struck in them at other times, by other things and other people. 'Stout Philippa,' he said. 'Sit down and hear... There is no guarantee for you now except marriage. Do it now, and you go home a respectable matron of fifteen...sixteen--'
'Nearly seventeen,' said Philippa.
'Yes. Well: with no money but a good many friends and enough property to keep a roof over your head and Kuzum's. Then, as you choose, you may divorce me.'
She cleared her throat. 'On what grounds?'
He looked at her directly, his voice level. 'On very obvious grounds. We shall find another Kislar Agha, if you like, to give you a guarantee... You must have no fears that this will be anything but a marriage on paper. But I want it done now. Tomorrow, if the Embassy's chaplain can do it.'
Philippa's gaze was also direct. 'You think there is a chance we may not all get home?'
'There is a chance some of us may not,' he said quietly. 'I want to do this very much. I have very little to offer you... an irresponsible past, and a name which is .... in some places questionable. But it will shelter you until you can do better.'
'And you?' said Philippa. 'With a fifteen- ... sixteen- ... seventeen-year-old titular wife? What will Sybilla say? It isn't a practical methos of founding a dynasty.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
Then I remembered something else from the 2112 liner notes. I pulled them up and scanned over them again. There was my answer, in the text that preceded Part III—“Discovery”: Behind my beloved waterfall, in the little room that was hidden beneath the cave, I found it. I brushed away the dust of the years, and picked it up, holding it reverently in my hands. I had no idea what it might be, but it was beautiful. I learned to lay my fingers across the wires, and to turn the keys to make them sound differently. As I struck the wires with my other hand, I produced my first harmonious sounds, and soon my own music! I found the waterfall near the southern edge of the city, just inside the curved wall of the atmospheric dome. As soon as I found it, I activated my jet boots and flew over the foaming river below the falls, then passed through the waterfall itself. My haptic suit did its best to simulate the sensation of torrents of falling water striking my body, but it felt more like someone pounding on my head, shoulders, and back with a bundle of sticks. Once I’d passed through the falls to the other side, I found the opening of a cave and went inside. The cave narrowed into a long tunnel, which terminated in a small, cavernous room. I searched the room and discovered that one of the stalagmites protruding from the floor was slightly worn around the tip. I grabbed the stalagmite and pulled it toward me, but it didn’t budge. I tried pushing, and it gave, bending as if on some hidden hinge, like a lever. I heard a rumble of grinding stone behind me, and I turned to see a trapdoor opening in the floor. A hole had also opened in the roof of the cave, casting a brilliant shaft of light down through the open trapdoor, into a tiny hidden chamber below. I took an item out of my inventory, a wand that could detect hidden traps, magical or otherwise. I used it to make sure the area was clear, then jumped down through the trapdoor and landed on the dusty floor of the hidden chamber. It was a tiny cube-shaped room with a large rough-hewn stone standing against the north wall. Embedded in the stone, neck first, was an electric guitar. I recognized its design from the 2112 concert footage I’d watched during the trip here. It was a 1974 Gibson Les Paul, the exact guitar used by Alex Lifeson during the 2112 tour.
”
”
Ernest Cline (Ready Player One (Ready Player One, #1))
“
Standing, balanced precariously on the narrow top of a drainpipe, you had to give a good leap up to grab hold of the narrow ledge, and then swing your whole body up and over.
It took some guts, and a cool head for heights.
Get it wrong and the fall was a long one, onto concrete.
In an attempt to make it harder, the school security officers had put barbed wire all around the lip of the roof to ensure such climbs were “impossible.” (This was probably installed after Ran Fiennes’s escapades onto the dome all those years earlier.) But in actual fact the barbed wire served to help me as a climber. It gave me something else to hold on to.
Once on the roof, then came the crux of the climb.
Locating the base of the lightning conductor was the easy bit, the tough bit was then committing to it.
It held my weight; and it was a great sense of achievement clambering into the lead-lined small bell tower, silhouetted under the moonlight, and carving the initials BG alongside the RF of Ran Fiennes.
Small moments like that gave me an identity.
I wasn’t just yet another schoolboy, I was fully alive, fully me, using my skills to the max.
And in those moments I realized I simply loved adventure.
I guess I was discovering that what I was good at was a little off-the-wall, but at the same time recognizing a feeling in the pit of my stomach that said: Way to go, Bear, way to go.
My accomplice never made it past the barbed wire, but waited patiently for me at the bottom. He said it had been a thoroughly sickening experience to watch, which in my mind made it even more fun.
On the return journey, we safely crossed one college house garden and had silently traversed half of the next one.
We were squatting behind a bush in the middle of this housemaster’s lawn, waiting to do the final leg across. The tutor’s light was on, with him burning the midnight oil marking papers probably, when he decided it was time to let his dog out for a pee. The dog smelled us instantly, went bananas, and the tutor started running toward the commotion.
Decision time.
“Run,” I whispered, and we broke cover together and legged it toward the far side of the garden.
Unfortunately, the tutor in question also happened to be the school cross-country instructor, so he was no slouch.
He gave chase at once, sprinting after us across the fifty-meter dash. A ten-foot wall was the final obstacle and both of us, powered by adrenaline, leapt up it in one bound. The tutor was a runner but not a climber, and we narrowly avoided his grip and sprinted off into the night.
Up a final drainpipe, back into my open bedroom window, and it was mission accomplished.
I couldn’t stop smiling all through the next day.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
It’s true I sometimes imagine my life is different. That I’m somebody else. Maybe more than sometimes. But I’m not the only one around who makes stuff up. Adults are always telling you you can be whatever you want when you grow up, but they don’t mean it. They don’t believe it. They just want you to believe it. It’s a fairy tale. Like the tooth fairy. Something they tell you that gets you excited about something not so fantastic. If you think about it, it’s pretty gross—your teeth just falling out of your head, leaving bloody sockets for your tongue to poke through. But the story makes it better and the dollar makes it worth it. Then one afternoon you sneak into their bedroom and open the drawer of their nightstand, looking for the DS that they confiscated as punishment for your jumping on the roof of the car again, and you find the little Tupperware full of a dozen jagged pearls, caked brown with your own dried blood, your name written in black Sharpie across a piece of Scotch tape, and you stare at them for a moment in disbelief, wondering if maybe they aren’t what you think they are. Maybe they are somebody else’s teeth. They can’t be yours, because your teeth are in Neverland. Or Toothtopia. Or outer space. Or wherever kleptomaniac fairies live. So you confront them, your lying, scheming parents. Over breakfast, you ask your mom about the tooth fairy: where she lives, what she does during the day, how she manages to collect so many teeth each night, and how come some kids’ teeth (like Robbie Dinkler’s) are worth five bucks when yours only fetch a dollar apiece. And you see her search for some explanation that is at once both magical and believable, but you know she’s just making it up as she goes. It’s the same with all grown-ups. They tell you what they think you want to hear and let life tell you the truth later. You can be an astronaut or the president of the United States or second baseman for the White Sox, but you can’t really because you hate math, aren’t rich, and can’t even hit the ball. It’s just another fairy tale. So when your next tooth falls out, you figure you’ll just ask them if they’d like to keep it or throw it away, because you’re not buying it anymore. Or maybe not. Maybe you won’t tell them. Maybe you’ll still put your teeth under your pillow. Because sometimes it’s better to believe in the impossible. To believe you are a secret agent or a private detective or a superhero and not just a kid with freckled cheeks and gangly arms who is too clumsy to leap a tipped-over garbage can in a single bound. Until you are lying in the middle of the sidewalk, with a throbbing ankle and bloody chin, wishing you hadn’t even tried.
”
”
John David Anderson (Ms. Bixby's Last Day)
“
gee i like to think of dead"
gee i like to think of dead it means nearer because deeper
firmer since darker than little round water at one end of
the well it's too cool to be crooked and it's too firm
to be hard but it's sharp and it's thick and it loves, every
old thing falls in rosebugs and jackknives and kittens and
pennies they all sit there looking at each other having the
fastest time because they've never met before
dead's more even than how many ways of sitting on
your head your unnatural hair has in the morning
dead's clever too like POF goes the alarm off and the
little striker having the best time tickling away every-
body's brain so everybody just puts out their finger
and they stuff the poor thing all full of fingers
dead has a smile like the nicest man you've never met
who maybe winks at you in a streetcar and you pretend
you don't but really you do see and you are My how
glad he winked and hope he'll do it again
or if it talks about you somewhere behind your back it
makes your neck feel all pleasant and stoopid and if
dead says may i have this one and was never intro-
duced you say Yes because you know you want it to
dance with you and it wants to and it can dance and
Whocares
dead's fine like hands do you see that water flowerpots
in windows but they live higher in their house than
you so that's all you see but you don't want to
dead's happy like the way underclothes All so differ-
ently solemn and inti and sitting on one string
dead never says my dear,Time for your musiclesson
and you like music and to have somebody play who
can but you know you never can and why have to?
dead's nice like a dance where you danced simple hours
and you take all your prickley-clothes off and squeeze-
into-largeness without one word and you lie still as
anything in largeness and this largeness begins to
give you,the dance all over again and you,feel all again
all over the way men you liked made you feel when they
touched you(but that's not all)because largeness tells
you so you can feel what you made,men feel when,you
touched,them
dead's sorry like a thistlefluff-thing which goes land-
ing away all by himself on somebody's roof or some-
thing where who-ever-heard-of-growing and nobody
expects you to anyway
dead says come with me he says(and why ever not)into
the round well and see the kitten and the penny and
the jackknife and the rosebug
and you say Sure you
say (like that) sure i'll come with you you say for i
like kittens i do and jackknives i do and pennies i do
and rosebugs i do
E.E. Cummings, 100 Selected Poems. (Grove Press, January 10, 1994) Originally published 1954.
”
”
E.E. Cummings (100 Selected Poems)
“
Elizabeth’s breakfast had cured Ian’s hunger, in fact, the idea of ever eating again made his stomach churn as he started for the barn to check on Mayhem’s injury.
He was partway there when he saw her off to the left, sitting on the hillside amid the bluebells, her arms wrapped around her knees, her forehead resting atop them. Even with her hair shining like newly minted gold in the sun, she looked like a picture of heartbreaking dejection. He started to turn away and leave her to moody privacy; then, with a sigh of irritation, he changed his mind and started down the hill toward her.
A few yards away he realized her shoulders were shaking with sobs, and he frowned in surprise. Obviously there was no point in pretending the meal had been good, so he injected a note of amusement into his voice and said, “I applaud your ingenuity-shooting me yesterday would have been too quick.”
Elizabeth started violently at the sound of his voice. Snapping her head up, she stared off to the left, keeping her tear-streaked face averted from him. “Did you want something?”
“Dessert?” Ian suggested wryly, leaning slightly forward, trying to see her face. He thought he saw a morose smile touch her lips, and he added, “I thought we could whip up a batch of cream and put it on the biscuit. Afterward we can take whatever is left, mix it with the leftover eggs, and use it to patch the roof.”
A teary chuckle escaped her, and she drew a shaky breath but still refused to look at him as she said, “I’m surprised you’re being so pleasant about it.”
“There’s no sense crying over burnt bacon.”
“I wasn’t crying over that,” she said, feeling sheepish and bewildered. A snowy handkerchief appeared before her face, and Elizabeth accepted it, dabbing at her wet cheeks.
“Then why were you crying?”
She gazed straight ahead, her eyes focused on the surrounding hills splashed with bluebells and hawthorn, the handkerchief clenched in her hand. “I was crying for my own ineptitude, and for my inability to control my life,” she admitted.
The word “ineptitude” startled Ian, and it occurred to him that for the shallow little flirt he supposed her to be she had an exceptionally fine vocabulary. She glanced up at him then, and Ian found himself gazing into a pair of green eyes the amazing color of wet leaves. With tears still sparkling on her long russet lashes, her long hair tied back in a girlish bow, her full breasts thrusting against the bodice of her gown, she was a picture of alluring innocence and intoxicating sensuality. Ian jerked his gaze from her breasts and said abruptly, “I’m going to cut some wood so we’ll have it for a fire tonight. Afterward I’m going to do some fishing for our supper. I trust you’ll find a way to amuse yourself in the meantime.”
Startled by his sudden brusqueness, Elizabeth nodded and stood up, dimly aware that he did not offer his hand to assist her.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?”
“Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen.
“I’ve got this problem,” he continued, in between kisses.
“Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind.
“I’m crazy about you,” he said.
By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.”
I’d been afflicted with acute boy-craziness for over half my life. But what I was feeling for Marlboro Man was indescribably powerful. It was a primal attraction--the almost uncontrollable urge to wrap my arms and legs around him every time I looked into his eyes. The increased heart rate and respiration every time I heard his voice. The urge to have twelve thousand of his babies…and I wasn’t even sure I wanted children.
“So anyway,” he continued.
That’s when we heard the loud knocking on the pickup window. I jumped through the roof--it was after 2:00 A.M. Who on earth could it be? The Son of Sam--it had to be! Marlboro Man rolled down the window, and a huge cloud of passion and steam escaped. It wasn’t the Son of Sam. Worse--it was my mother. And she was wearing her heather gray cashmere robe.
“Reeee?” she sang. “Is that yoooou?” She leaned closer and peered through the window.
I slid off of Marlboro Man’s lap and gave her a halfhearted wave. “Uh…hi, Mom. Yeah. It’s just me.”
She laughed. “Oh, okay…whew! I just didn’t know who was out here. I didn’t recognize the car!” She looked at Marlboro Man, whom she’d met only one time before, when he picked me up for a date.
“Well, hello again!” she exclaimed, extending her manicured hand.
He took her hand and shook it gently. “Hello, ma’am,” he replied, his voice still thick with lust and emotion. I sank in my seat. I was an adult, and had just been caught parking at 2:00 A.M. in the driveway of my parents’ house by my robe-wearing mother. She’d seen the foggy windows. She’d seen me sitting on his lap. I felt like I’d just gotten grounded.
“Well, okay, then,” my mom said, turning around. “Good night, you two!” And with that, she flitted back into the house.
Marlboro Man and I looked at each other. I hid my face in my hands and shook my head. He chuckled, opened the door, and said, “C’mon…I’d better get you home before curfew.” My sweaty hands still hid my face.
He walked me to the door, and we stood on the top step. Wrapping his arms around my waist, he kissed me on the nose and said, “I’m glad I came back.” God, he was sweet.
“I’m glad you did, too,” I replied. “But…” I paused for a moment, gathering courage. “Did you have something you wanted to say?”
It was forward, yes--gutsy. But I wasn’t going to let this moment pass. I didn’t have many more moments with him, after all; soon I’d be gone to Chicago. Sitting in coffee shops at eleven at night, if I wanted. Working. Eventually going back to school. I’d be danged if I was going to miss what he’d started to say a few minutes earlier, before my mom and her cashmere robe showed up and spoiled everything.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I closed my eyes. I imagined our things spread out on the lawn tomorrow. My mom was right, of course. They were just things. Bits of plastic and wood and cardboard and steel. Bunches of atoms. I knew all too well that there were people in the world who didn’t have Monopoly games or race car beds. I had a roof over my head. I had food most of the time. I had clothes and blankets and a dog and a family.
”
”
Katherine Applegate (Crenshaw)
“
The Problem
The problem I have, my friends, is too complicated.
It is not only that I no longer have a home,
Or a roof over my head.
It is that I no longer wish to have one.
I confess to you; however, that
Even if I wished to have a place to call home,
My wish would be impossible to realize,
Because I have been erased from everywhere.
Yes, the mercenaries
And those who worship the dollar notes,
Under the names of religions and ideologies,
Have erased me from history.
They have revised and rewrote my story.
Everywhere I go,
I find them lurking and waiting for me,
To blockade me,
To suffocate me,
And to steal from my mouth
The few crumbs of bread I have left.
And so, I repeat, my friends,
My problem is too complicated.
I don’t have a home,
I no longer want a home,
And I couldn’t have a home to shelter me,
Even if so I wished in my wild dreams.
June 1, 2017
”
”
Louis Yako (أنا زهرة برية [I am a Wildflower])
“
Stupid dog, do you realize you have actually LITERALLY bitten the hand that feeds you?"
Schatzi looks at me with a withering stare, arching her bushy eyebrows haughtily, and then turns her back to me. I stick out my tongue at her back, and go to the kitchen to freshen her water bowl. Damnable creature requires fresh water a zillion times a day. God forbid a fleck of dust is dancing on the surface, or it has gone two degrees beyond cool, I get the laser look of death. Once there was a dead fly in it, and she looked in the bowl, crossed the room, looked me dead in the eye, and squatted and peed on my shoes. I usually call her Shitzi or Nazi. I suppose I'm lucky she deigns to drink tap water. Our bare tolerance of each other is mutual, and affection between us is nil. The haughty little hellbeast was my sole inheritance from my grandmother who passed away two years ago. A cold, exacting woman who raised me in my mother's near-complete absence, Annelyn Stroudt insisted on my calling her Grand-mère, despite the fact that she put the manic in Germanic, ancestry-wise. But apparently when her grandparents schlepped here mother from Berlin to Chicago, they took a year in Paris first, and adopted many things Française. So Grand-mère it was.
Grand-mère Annelyn also insisted on dressing for dinner, formal manners in every situation, letterpress stationary, and physical affection saved for the endless string of purebred miniature schnauzers she bought one after the other, and never offered to the granddaughter who also lived under her roof. Her clear disappointment in me must have rubbed off on Schatzi, who, despite having lived with me since Grand-mère died neatly and quietly in her sleep at the respectable age of eighty-nine, has never seen me as anything but a source of food, and a firm hand at the end of the leash. She dotes on Grant, but he sneaks her nibbles when he cooks, and coos to her in flawless French. Sometimes I wonder if the spirit of Grand-mère transferred into the dog upon death, and if the chilly indifference to me is just a manifestation of my grandmother's continued disapproval from beyond the grave.
Schatzi wanders over to her bowl, sniffs it, sneers at me one last time for good measure, shakes her head to ensure her ears are in place, like a society matron checking her coif, and settles down to drink.
”
”
Stacey Ballis (Recipe for Disaster)
“
I was completely alone, but I had never felt safer. It wasn’t the bricks around me that I’d somehow managed to rent or the roof over my head that I was most grateful for. It was the home I now carried on my back like a snail. The sense that I was finally in responsible and loving hands.
Love was there in my empty bed. It was piled up in the records Lauren bought me when we were teenagers. It was in the smudged recipe cards from my mum in between the pages of cookbooks in my kitchen cabin. Love was in the bottle of gin tied with a ribbon that India had packed me off with; in the smeary photo-strips with curled corners that would end up stuck to my fridge. It was in the note that lay on the pillow next to me, the one I would fold up and keep in the shoebox of all the other notes she had written before.
I woke up safe in my one-woman boat. I was gliding into a new horizon; floating in a sea of love.
There it was. Who knew? It had been there all along.
”
”
Dolly Alderton (Everything I Know About Love)
“
It’s part of my brand. It encourages my fans to stay focused and the importance of self care” Reggie said exasperated by these questions.
“The only self care your fans are focused on is keeping a roof over their heads, paying bills, feeding their kids and not getting COVID-19” he sat on the weight bench and motioned her over.
”
”
Yvonna Russell (The Last Movie Star)
“
He considers this. “I remember after Gabe died, Margo wanted me to talk about Gabe and I just couldn’t. She didn’t understand how I could go to barbecues and Lakers games and seem like a normal person, but that first year I was in shock. Numb. I told myself, Keep moving, don’t stop. But the next year, when I woke up I’d want to die. I kept my game face on but I was bleeding internally, you know? I wanted to be strong for Margo and Gracie, and I had to keep a roof over our heads, so I couldn’t let anyone see the bleeding.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
I was loved. I had a roof over my head. Food to eat. A bed to sleep in. I had an enormous bag of Skittles in my desk at work. Had an oven to bake cakes in and money to actually buy the ingredients to make them. All on my own. All because someone had given me a chance, a little love, and let me work hard to have all the things I did.
”
”
Mariana Zapata (Luna and the Lie)
“
Page 3:
My family is part of the Philippines’ tiny but entrepreneurial, economically powerful Chinese minority. Just 1 percent of the population, Chinese Filipinos control as much as 60 percent of the private economy, including the country’s four major airlines and almost all of the country’s banks, hotels, shopping malls, and major conglomerates.
...
Since my aunt’s murder, one childhood memory keeps haunting me. I was eight, staying at my family’s splendid hacienda-style house in Manila. It was before dawn, still dark. Wide awake, I decided to get a drink from the kitchen. I must have gone down an extra flight of stairs, because I literally stumbled onto six male bodies. I had found the male servants’ quarters. My family’s houseboys, gardeners, and chauffeurs—I sometimes imagine that Nilo Abique [the chauffeur that murdered her aunt] was among those men—were sleeping on mats on a dirt floor. The place stank of sweat and urine. I was horrified. Later that day I mentioned the incident to my Aunt Leona, who laughed affectionately and explained that the servants—there were perhaps twenty living on the premises, all ethnic Filipinos—were fortunate to be working for our family. If not for their positions, they would be living among rats and open sewers without even a roof over their heads. A Filipino maid then walked in; I remember that she had a bowl of food for my aunt’s Pekingese. My aunt took the bowl but kept talking as if the maid were not there. The Filipinos, she continued—in Chinese, but plainly not caring whether the maid understood or not—were lazy and unintelligent and didn’t really want to do much else. If they didn’t like working for us, they were free to leave any time. After all, my aunt said, they were employees, not slaves.
”
”
Amy Chua (World on Fire: How Exporting Free Market Democracy Breeds Ethnic Hatred and Global Instability)
“
The low-lying plants clawed at my trouser legs as I shuffled down the narrow aisle in a fencing stance, leading with my right foot and drawing up my left before stepping out again. I had reason to suspect there was someone in that hot-house jungle, or I’d have been where any sane person would be at that time of night—in bed and thankful for a sturdy roof over my head. Why are leaves from foreign plants always thin and spiky, a danger to one’s eyes? Why can’t they be round and safe like English leaves?
”
”
Will Thomas (The Black Hand (Barker & Llewelyn, #5))
“
She scrambled to the other side, crawling over the car seat in the middle and smacking her head on the roof. Her entire body trembled. Shiloh stirred within her arms. I held my breath, hoping she didn’t wake up. We were trying to keep her asleep for as long as possible. Nobody wanted to deal with a screaming baby in the car.
”
”
Lucinda Berry (When She Returned)
“
Once, just once in my life, not in the cerebral anaemia of sleep but in reality, a door did stand before me. That door opened. It was opened by someone who defended her solitude and impotent misery so fiercely that she would have kept that door shut though a flaming roof crackled over her head. I alone had the power to make her open that lock. In turning the key she put more trust in me than she ever did in God, and in that fateful moment I believed I was godlike – all-wise, judicious, benevolent and rational. We were both wrong: she who put her faith in me, and I who thought too well of myself.
”
”
Magda Szabó (The Door)
“
who" is your home? Your home is so much more than just an impersonal roof over your head. In fact, the personality of your home "lives with you" and influences you as much as the actual people and pets that share your space. That means it's important to figure out just "who" it is you are living with. So If your home were a persona that woke up next to you every day, stood in the kitchen each morning when you poured your first cup of coffee and waited at the front door when you arrived, who would it be? For me, my home is like a best friend who waits for me at the front door with cookies and flowers, and who greets me in the kitchen with a cheery "Good morning." Nice, eh?
(Happy Starts at Home: Getting the Life You Want by Changing the Space You've Got, Rebecca West)
”
”
Rebecca West
“
... you don't look like a Lucian."
"Really."
It was kind of fun needling him. He fell for it so easily.
"Lucian wears white linen and loafers. Offers you a mint julep before selling you an antique chifforobe."
"He sounds like a hoot. Tell me---what should my name be, then?"
"You're more of a Brick. Surly ex-star athlete with a big chip on his shoulder who hides from the world and drinks away his pain."
He blinked again, his head jerking just the slightest bit, as though I'd landed a direct hit.
Then again, maybe I'd imagined that, because he merely gave me another bland look, and that lovely hot-cream voice rolled out in the same insolent drawl. "As much as I'd love to hear more of this Cat on a Hot Tin Roof revival you've got planned, Maggie, the bags are coming out."
Flames licked over my cheeks. God, he had my number.
”
”
Kristen Callihan (Make It Sweet)
“
The idea of selling access to pics of me in boudoir poses gave me the icks, but from an economic standpoint, it made sense. Being on the site was the lowest effort/highest return option available. I didn’t need a million bucks, but I wanted to pay more than the minimums on my credit cards and keep a roof over my head.
”
”
Jen Lancaster (Housemoms)
“
forced myself to remember that she was a human being who grieved her husband’s loss and possessed not an ounce of charm with which to fill it. She only had me, and that because I required a roof over my head and meals to eat and a bit of money besides.
”
”
Julie Cooper (Nameless)
“
I was standing in a parking lot, the roof above me cracking and splitting apart, the place about to collapse. The roar of a crowd sounded from beyond the building and I ran to a barred window, looking outside where the Lunar Brotherhood were rioting. Ryder was being dragged through them and I fought with the bars to try and get out, my magic failing me as I bellowed his name. They stabbed him, shouting traitor as they made him bleed, dragging him to a huge stone statue of a Centaur rearing up and pointing to the stars. They wound a vine over its outstretched arm and strung Ryder up and the mob worked to rip him to pieces in a bloody execution. “No!” I cried, panic consuming me as I sought out other paths, ways to avoid this fate, but they were closing in, so many of them curving back onto this one. “How do I save him?” I demanded of the stars as I tried to find a way out. “This day will come,” they whispered inside my head. “How do I stop it?” I begged. “You cannot,” they answered. “Please, I’ll do anything,” I said in desperation. “You will see this come to pass, Gabriel Nox, son of fate,” they answered. “I can’t, I won’t let it happen,” I insisted as my heart began to crack in my chest. “How can I make sure he doesn’t die?” “You ask the wrong questions,” they answered, their voices seeming to slip away into the distance. “What’s the right question?” I begged, feeling them leaving me behind with the weight of this unthinkable destiny laid out before me. They disappeared from my mind like a dying wind and my anxiety flared. “How do I save him?” I cried, but they were gone and I stood alone in an endless expanse of white, too bright to see anything beyond it. I squinted against the light, struggling to focus and suddenly the world shifted. I stood at the base of a dark mountain in Alestria and up ahead of me was a hooded figure leading the Black Card behind them up a rocky path. I could sense the very time and date this would happen. It was one week away on the full moon. King was going to hold a ritual larger than they ever had before. And that would be our chance to strike. But if we failed, I didn’t hold out much hope for the people of Solaria.
”
”
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
“
And it’s the truth. In every aspect of life, safety is an illusion. I can lock this house up tight, but a storm could rip the roof from over my head. I could safeguard my heart and never let anyone in, but I would still feel the pain of isolation. I could make all the right moves every single day of my life out of fear, and with the sweep of the right hand, get wiped off the board altogether.
”
”
Kate Stewart (Exodus (The Ravenhood Duet, #2))
“
Knees are sore. Otherwise, can’t complain. Got a roof over my head, food in my belly, and a husband with a big dick.
”
”
Elsie Silver (Wild Eyes (Rose Hill, #2))
“
With merely a kind of smile in my soul, I passively consider the definitive confinement of my life to the Rua dos Douradores, to this office, to the people who surround me. An income sufficient for food and drink, a roof over my head, and a little free time in which to dream and write, to sleep--what more can I ask of the Gods or expect from Destiny?
”
”
Fernando Pessoa (The Book of Disquiet)
“
Naskar is made by Naskar alone, not an industry or benefactor - or more importantly, by family wealth. I had a roof over my head, food on the table, and clothes on my back - that was more than enough.
I started writing with literally zero dollar in my pocket. Let me tell you how it began, because for some reason, I completely forgot a crucial event of my life when I wrote my memoir Love, God & Neurons.
I once met an American tourist at a local train in Calcutta. The first thing he asked me was, had I lived in the States? I said, no. Then how come you have an American accent - he asked. Watching movies - I said. We got chatting and he told me about a book he had recently published, a memoir. I believe, this was the cosmic event that planted the thought of writing my own books in my head - I had already started my self-education in Neurology and Psychology, and I was all determined to publish research papers on my ideas, but not books. Meeting the person somehow subconsciously shifted my focus from research papers to books.
So the journey began. And for the first few years, I made no real money from my books. Occasionally some of my books would climb the bestsellers list on amazon, like my very first book did, and that would keep the bills paid for several months. Then the invitations for talks started coming, but they too were not paid in the beginning. The organizers made all the travel arrangements, and I gave the talks for free. It's ironic and super confusing really - I remember flying business class, but I didn't have enough money to even afford a one way flight ticket, because I had already used up my royalties on other expenses.
Today I can pick and choose which speaking invitations to accept, but back then I didn't have that luxury - I was grateful for any speaking gig and interview request I received, paid or not. One time, I gave an interview to this moderately popular journalist for her personal youtube channel, only to find out, she never released the video publicly - she posted an interview with a dog owner instead - whose dog videos had gained quite a following on social media. You could say, this was the first time I realized first hand, what white privilege was.
Anyway, the point is this.
Did I doubt myself? Often. Did I consider quitting? Occasionally. But did I actually quit? Never. And because I didn't quit, the world received a vast never-before seen multicultural humanitarian legacy, that you know me for today.
There is no such thing as overnight success. If you have a dream, you gotta work at it day in, day out - night after night - spoiling sleep, ruining rest, forgetting fun. Persist, persist, and persist, that's the only secret - there is no other. Remember this - the size of your pocket does not determine your destiny, the size of your dedication does.
”
”
Abhijit Naskar (Bulletproof Backbone: Injustice Not Allowed on My Watch)
“
But I understand she will not be. I understand, standing here now, in this manifestation of both dream and nightmare, that I will be here, in this home she will not be. Because she needed to give me something to hold on to, something to protect me. A literal roof over my head. Shelter from the storm.
”
”
Rebecca Serle (In Five Years)
“
Who should I date then, Aldo? Want to introduce me to someone? A friend, perhaps?” “No,” I snarled, my arm going around her waist and pulling her close. “No one.” “But I have needs,” she whispered. “Who will help me with those?” We were so close, our lips were almost touching. I felt her breath on my skin. Tasted her in the air. A low growl built in my chest. I yanked her closer, daring to cup her ass with my free hand. I almost groaned at the feeling of her. “Stop tempting me.” “I was only doing my job.” She reached out, running her finger along my scruff. “I like this,” she whispered. “I wonder how it would feel on my skin.” I covered her mouth with mine, kissing her in frustration. Her lips were soft and pliant. Full and welcoming. I kissed her harder, sliding my tongue in as her mouth parted. Her taste exploded in my head, filling my senses. I explored every part of her, running my tongue along her teeth, over the roof of her mouth, twining with hers. Groaning deep in my chest at the taste and feel of her. Wanting more. Needing more. Determined to have it. I cupped her ass fully, yanking her tight to me. She whimpered, lifting one leg and wrapping it around me. I settled between her thighs, my cock hard and aching for her. I ground against her, and she moaned, a low, throaty sound that ramped me up more. And then I heard it. Footsteps and a voice calling her name. Reality crashed down around me. We were in the supply closet of the restaurant. Wanda was looking for her. I stepped back. Violet’s eyes were wide, her lips wet. My cock screamed at being denied what he wanted. I shook my head. “I’m off in an hour,” she whispered, pleading, reaching for me. I shook my head. “No.
”
”
Melanie Moreland (Aldo (Men of the Falls #1))
“
Gratitude isn’t just a fancy way to pat yourself on the back or feel smug about saying “thank you” to the barista who spelled your name wrong. Nope, it’s a full-on life upgrade that doesn’t require a subscription or Wi-Fi. It’s a mindset, a way to see life that makes even a cold cup of coffee feel like a small win. When we show gratitude, we’re not just hoarding all the good vibes; we’re actually tossing them back out into the world like confetti, starting a chain reaction of positive energy. But let’s be honest—when was the last time you truly asked yourself: What am I grateful for? And no, your Wi-Fi signal doesn’t count.
Life’s a busy, chaotic mess. Between trying to remember your passwords, dodging traffic, and figuring out what’s for dinner (again), it’s no wonder we forget to appreciate the little things. That’s where gratitude comes in, giving us a chance to hit the brakes on our runaway thoughts and realize that, hey, maybe we do have it pretty good. That shift from “Ugh, my life is a series of unfortunate events” to “Wow, I have a roof over my head and socks without holes” can do wonders for your outlook.
Gratitude is like the mental equivalent of putting on glasses—suddenly, everything comes into focus. It grounds you in the now, making you realize that even during your worst “can’t-even” moments, there are still little gems worth celebrating. Whether it’s your friend’s cheesy joke, your pet’s goofy antics, or the sheer joy of finding that one comfy spot on the couch, these snippets of life, when recognized, add up to a sense of well-being that no amount of scrolling through social media can match.
The magic of practicing gratitude is that it turns “not enough” into “more than enough.” It’s like discovering you’ve been living in a treasure chest all along. And here’s the kicker: gratitude isn’t just about feeling warm and fuzzy; it’s also about spreading that warmth to others. Your good vibes become a beacon, making people wonder, “What’s their secret?” Spoiler: It’s not a miracle supplement.
But let’s talk about giving back. What does it mean to share gratitude with the world? It’s not complicated. It’s about realizing that by being aware of what we’re thankful for, we create an atmosphere where appreciation becomes a thing. That sincere “thank you” you offer to the overworked delivery driver or the moment you pause to notice the sunset—those actions radiate positivity more than you know. Gratitude is the gift that keeps on giving, even when you’re not keeping tabs on it.
If you want to research this more, Google is full of studies and numbers. But the real takeaway? Life experience shows us that gratitude is more than just a practice; it’s a game-changer. It shifts our focus to what we have, building mental resilience and helping us find peace and strength in the present. It’s a reminder that life’s value isn’t in towering achievements or shiny things but in the love, laughter, and moments that make us human.
”
”
Mark Casey (The Power of Gratitude : Harnessing the Life-Changing Power of Gratitude to Transform Your Mindset and Life.)
“
This Girl I Knew
Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.
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Steve Edwards
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I don’t think I’ve made myself clear enough. So I’m spelling it out for you.” He ignored her squinting eyes and continued. “What we have is not a temporary hook up. You’re my woman. I take care of what’s mine. The roof over your head. What you eat. Hell, I’ll buy you all your fancy clothes and soap. I don’t want you to have too many options, like a row house you can retreat to when you’ve got something up your ass.” She sputtered at this, but he continued speaking over her. “When you’re horny and need some fucking—my tongue and my dick are your one and only option. I want to be your one and final option for everything you need.
~ Viktor to Marissa
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Victoria Paige (Smoke and Shadows (Guardians, #3))