Rome Sayings Quotes

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That woman speaks eighteen languages, and can't say 'No' in any of them.
Dorothy Parker (While Rome Burns)
As you say of yourself, I too am an Epicurean. I consider the genuine (not the imputed) doctrines of Epicurus as containing everything rational in moral philosophy which Greece and Rome have left us. [Letter to William Short, 31 October 1819]
Thomas Jefferson (Letters of Thomas Jefferson)
We still should have enough time to reach Rome.” Hazel scowled. “When you say should have enough…” Leo shrugged. “How do you feel about barely enough?” Hazel put her face in her hands for a count of three. “Sounds about typical for us.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Make your own dream. That's the Beatles' story, isn't it? That's Yoko's story, that's what I'm saying now. Produce your own dream. If you want to save Peru, go save Peru. It's quite possible to do anything, but not to put it on the leaders and the parking meters. Don't expect Jimmy Carter or Ronald Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself. That's what the great masters and mistresses have been saying ever since time began. They can point the way, leave signposts and little instructions in various books that are now called holy and worshipped for the cover of the book and not for what it says, but the instructions are all there for all to see, have always been and always will be. There's nothing new under the sun. All the roads lead to Rome. And people cannot provide it for you. I can't wake you up. You can wake you up. I can't cure you. You can cure you.
John Lennon
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together. In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page: I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me. Tonight, this strange interior gesture of friendship—the lending of a hand from me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page. Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND… I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
Elizabeth Gilbert
Paulinus, everyone knows. Say the word, and I'll run the bitch over with my chariot
Kate Quinn (Mistress of Rome (The Empress of Rome, #1))
Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him; The evil that men do lives after them, The good is oft interred with their bones, So let it be with Caesar ... The noble Brutus Hath told you Caesar was ambitious: If it were so, it was a grievous fault, And grievously hath Caesar answered it ... Here, under leave of Brutus and the rest, (For Brutus is an honourable man; So are they all; all honourable men) Come I to speak in Caesar's funeral ... He was my friend, faithful and just to me: But Brutus says he was ambitious; And Brutus is an honourable man…. He hath brought many captives home to Rome, Whose ransoms did the general coffers fill: Did this in Caesar seem ambitious? When that the poor have cried, Caesar hath wept: Ambition should be made of sterner stuff: Yet Brutus says he was ambitious; And Brutus is an honourable man. You all did see that on the Lupercal I thrice presented him a kingly crown, Which he did thrice refuse: was this ambition? Yet Brutus says he was ambitious; And, sure, he is an honourable man. I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause: What cause withholds you then to mourn for him? O judgement! thou art fled to brutish beasts, And men have lost their reason…. Bear with me; My heart is in the coffin there with Caesar, And I must pause till it come back to me
William Shakespeare (Julius Caesar)
Ya got cigarettes?” she asks. “Yes,” I say, “I got cigarettes.” “Matches?” she asks. “Enough to burn Rome.” “Whiskey?” “Enough whiskey for a Mississippi River of pain.” “You drunk?” “Not yet.
Charles Bukowski
To my taste, the men in Rome are ridiculously, hurtfully, stupidly beautiful. More beautiful even than Roman women, to be honest. Italian men are beautiful in the same way as French women, which is to say-- no detail spared in the quest for perfection. They’re like show poodles. Sometimes they look so good I want to applaud.
Elizabeth Gilbert (Eat, Pray, Love)
When one man says, “No, I won’t,” Rome begins to fear.
Dalton Trumbo
The Augusteum warns me not to get attached to any obsolete ideas about who I am, what I represent, whom I belong to, or what function I may once have intended to serve. .. Even in the Eternal City (Rome), says the silent Augusteum, one must always be prepared for riotous and endless waves of transformation.
Elizabeth Gilbert (Eat, Pray, Love)
Annabell, I need you to know, I’ve fallen madly in love with you.” “But you don’t believe in love.” “It was easier to say I don’t believe in love, rather than admitting to myself that I was afraid I wouldn’t be loved back.
Sarah Adams (Practice Makes Perfect (When in Rome, #2))
Rome is burning, Jesus says. Drop your fiddle, change your life and come to Me. Let go of the good days that never were - a regimented church you never attended, traditional virtues you never practiced, legalistic obedience you never honored, and a sterile orthodoxy you never accepted. The old era is done. The decisive inbreak of God has happened.
Brennan Manning (The Ragamuffin Gospel)
Sometimes a woman is just worn out and needs a break, you know?” The lines on her forehead deepen. “That doesn’t prove that you’re weak or neglectful, it proves to all the women standing by and watching you pave the road to success that it’s okay to say no. It’s okay to shut your door every now and then and put up a sign that says Busy taking care of me today. Piss off.
Sarah Adams (When in Rome (When in Rome, #1))
Here am I shedding one of my life-skins and all they will say is, 'Bernard is spending ten days in Rome'.
Virginia Woolf (The Waves)
This is a forum for readers. Authors walk these halls at their own risk. I’ve been to the Coliseum in Rome. GR is just that. Books are gladiators. Readers are ravenous citizens awaiting their next bite of entertainment, all Caesars with thumbs readied for judgement. Even champions fall prey to sword now and then. And you know what they say about the pen and the sword…the analogy is a bit muddled, but it’s in there somewhere.
Willow Madison
As the old saying went, the Manhattan Project wasn't built in a day. Or was that Rome? Something to do with Earth, anyway.
Alastair Reynolds
The Forgotten Dialect of the Heart How astonishing it is that language can almost mean, and frightening that it does not quite. Love, we say, God, we say, Rome and Michiko, we write, and the words get it all wrong. We say bread and it means according to which nation. French has no word for home, and we have no word for strict pleasure. A people in northern India is dying out because their ancient tongue has no words for endearment. I dream of lost vocabularies that might express some of what we no longer can. Maybe the Etruscan texts would finally explain why the couples on their tombs are smiling. And maybe not. When the thousands of mysterious Sumerian tablets were translated, they seemed to be business records. But what if they are poems or psalms? My joy is the same as twelve Ethiopian goats standing silent in the morning light. O Lord, thou art slabs of salt and ingots of copper, as grand as ripe barley lithe under the wind's labor. Her breasts are six white oxen loaded with bolts of long-fibered Egyptian cotton. My love is a hundred pitchers of honey. Shiploads of thuya are what my body wants to say to your body. Giraffes are this desire in the dark. Perhaps the spiral Minoan script is not language but a map. What we feel most has no name but amber, archers, cinnamon, horses, and birds.
Jack Gilbert (The Great Fires)
A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Whoever says adults are better at paying attention than children is wrong: we're too busying filtering out the world, focusing on some task or another, paying no attention. Our kids are the ones discovering new contents all day long.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Some say,” Auntabelle said, “that it was because of the Roman’s brutality and the Roman Emperors’ cruelty, especially to the Christians, who were slaughtered in masses at this very place for the entertainment of the Roman citizens, that Rome fell.” - Auntabelle, Amazon Lee and the Ancient Undead of Rome by Kira G. and Kailin Gow
Kailin Gow (Amazon Lee and the Ancient Undead of Rome (Amazon Lee Adventures, #1))
Dry your tears and kick this gloomy attitude in the pants, Amelia!" I say out loud to myself because who else does a girl talk to when she's alone in the car in the middle of a mental breakdown?
Sarah Adams (When in Rome (When in Rome, #1))
It’s a saying from thousands of years ago, written in a language called Latin about a place called Rome,” he explains. “Panem et Circenses translates into ‘Bread and Circuses.’ The writer was saying that in return for full bellies and entertainment, his people had given up their political responsibilities and therefore their power.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
You can't live on nothing." "I can live on sunlight falling across little bridges. I can live on the Botticelli-blue cornflower pattern on the out-billowing garments of the attendant to Aphrodite and the pattern of strawberry blossoms and the little daisies in the robe of Primavera. I can live on the doves flying (he says) in cohorts from the underside of the faded gilt of the balcony of Saint Mark's cathedral and the long corridors of the Pitti Palace. I can gorge myself on Rome and the naked Bacchus and the face like a blasted lightning-blasted white birch that is some sort of Fury.
H.D. (HERmione)
One of my favorite quotes is from a local hairdresser who went off to live in Rome. Lucky guy. Anyway, he used to sign off his TV program each day by saying: Live it up, girls. You're dead a long time. Good advice I thought.
Susan Johnson
There are things you want to say but don't There are things I want to say but I already said them A year ago or two or five, when we first met There were times I thought you knew I loved you You never knew We never were I died You died That's it
Dorothea Lasky (Rome: Poems)
A travel website says that there are 280 fountains in Rome, but it seems as if there are more:...Remove them and there is no present tense, no circulatory system, nor dreams to balance the waking hours. No Rome.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
-We live in Rome, he says, turning his face to the room again, -Caligula's Rome, with a new circus of vulgar bestialized suffering in the newspapers every morning. The masses, the fetid masses, he says, bringing all his weight to his feet.-How can they even suspect a self who can do more, when they live under absolutely no obligation. There are so few beautiful things in the world...
William Gaddis (The Recognitions)
Before he left Rome, Marcus had been in a fair way to becoming a charioteer, in Cradoc's sense of the word, and now desire woke in him, not to possess this team, for he was not one of those who much be able to say "Mine" before they can truly enjoy a thing, but to have them out and harnessed; to feel the vibrating chariot floor under him, and the spread reins quick with life in his hands, and these lovely, fiery little creatures in the traces, his will and theirs at one.
Rosemary Sutcliff (The Eagle of the Ninth)
Scientists say that the palm tree line, that is the climate suitable to growth of the palm, is moving north, five hundred metres, I think it was, every year...The palm tree line...I call it the coffee line, the strong black coffee line...It's rising like mercury in a thermometer, this palm tree line, this strong coffee line, this scandal line, rising up throughout Italy and already passed Rome...
Leonardo Sciascia (The Day of the Owl)
Let us suppose we are confronted with a desperate thing – say Pimlico. If we think what is really best for Pimlico we shall find the thread of thought leads to the throne of the mystic and the arbitrary. It is not enough for a man to disapprove of Pimlico; in that case he will merely cut his throat or move to Chelsea. Nor, certainly, is it enough for a man to approve of Pimlico; for then it will remain Pimlico, which would be awful. The only way out of it seems to be for somebody to love Pimlico; to love it with a transcendental tie and without any earthly reason. If there arose a man who loved Pimlico, then Pimlico would rise into ivory towers and golden pinnacles… If men loved Pimlico as mothers love children, arbitrarily, because it is theirs, Pimlico in a year or two might be fairer than Florence. Some readers will say that this is mere fantasy. I answer that this is the actual history of mankind. This, as a fact, is how cities did grow great. Go back to the darkest roots of civilization and you will find them knotted round some sacred stone or encircling some sacred well. People first paid honour to a spot and afterwards gained glory for it. Men did not love Rome because she was great. She was great because they had loved her.
G.K. Chesterton (Orthodoxy)
Rome fell because of inner weakness, either social or spiritual; or Rome fell because of outer pressure—the barbarian hordes. What we can say with confidence is that Rome fell gradually and that Romans for many decades scarcely noticed what was happening.
Thomas Cahill (How the Irish Saved Civilization (Hinges of History Book 1))
Dear me, what would this barren vocabulary get out of the mightiest spectacle?—the burning of Rome in Nero's time, for instance? Why, it would merely say, 'Town burned down; no insurance; boy brast a window, fireman brake his neck!' Why, THAT ain't a picture!
Mark Twain (A Connecticut Yankee in King Arthur's Court)
Only a great fool would call the new political science diabolic: it has no attributes peculiar to fallen angels. It is not even Machiavellian, for Machiavelli's teaching was graceful, subtle, and colorful. Nor is it Neronian. Nevertheless one may say of it that it fiddles while Rome burns. It is excused by two facts: it does not know that it fiddles, and it does not know that Rome burns.
Leo Strauss (Liberalism Ancient and Modern)
Because she has a hold on me that I can’t figure out. Because her eyes do this sparkly thing when she’s excited and the light hits them just right. Because the curve of her bottom lip is perfect. Because I feel desperate to know what wild thing she’s going to say next anytime she’s around.
Sarah Adams (Practice Makes Perfect (When in Rome, #2))
I hear You saying to me: "I will give you what you desire. I will lead you into solitude. I will lead you by the way that you cannot possibly understand, because I want it to be the quickest way. "Therefore all the things around you will be armed against you, to deny you, to hurt you, to give you pain, and therefore to reduce you to solitude. "Because of their enmity, you will soon be left alone. They will cast you out and forsake you and reject you and you will be alone. "Everything that touches you shall burn you, and you will draw your hand away in pain, until you have withdrawn yourself from all things. Then you will be all alone. "Everything that can be desired will sear you, and brand you with a cautery, and you will fly from it in pain, to be alone. Every created joy will only come to you as pain, and you will die to all joy and be left alone. All the good things that other people love and desire and seek will come to you, but only as murderers to cut you off from the world and its occupations. "You will be praised, and it will be like burning at the stake. You will be loved, and it will murder your heart and drive you into the desert. "You will have gifts, and they will break you with their burden. You will have pleasures of prayer, and they will sicken you and you will fly from them. "And when you have been praised a little and loved a little I will take away all your gifts and all your love and all your praise and you will be utterly forgotten and abandoned and you will be nothing, a dead thing, a rejection. And in that day you shall being to possess the solitude you have so long desired. And your solitude will bear immense fruit in the souls of men you will never see on earth. "Do not ask when it will be or where it will be or how it will be: On a mountain or in a prison, in a desert or in a concentration camp or in a hospital or at Gethsemani. It does not matter. So do not ask me, because I am not going to tell you. You will not know until you are in it. "But you shall taste the true solitude of my anguish and my poverty and I shall lead you into the high places of my joy and you shall die in Me and find all things in My mercy which has created you for this end and brought you from Prades to Bermuda to St. Antonin to Oakham to London to Cambridge to Rome to New York to Columbia to Corpus Christi to St. Bonaventure to the Cistercian Abbey of the poor men who labor in Gethsemani: "That you may become the brother of God and learn to know the Christ of the burnt men.
Thomas Merton (The Seven Storey Mountain)
I’d say that I regret the things I never said way more than the things I have said.
Sarah Adams (Practice Makes Perfect (When in Rome, #2))
New York just expects so much from a girl—acts like it can’t stand even the idea of a wasted talent or opportunity. . . . Rome says: enjoy me. London: survive me. New York: gimme all you got. What a thrilling proposition! The chance to be “all that you might be.” Such a thrill—until it becomes a burden.
Zadie Smith
All the great groups that stood about the Cross represent in one way or another the great historical truth of the time; that the world could not save itself. Man could do no more. Rome and Jerusalem and Athens and everything else were going down like a sea turned into a slow cataract. Externally indeed the ancient world was still at its strongest; it is always at that moment that the inmost weakness begins. But in order to understand that weakness we must repeat what has been said more than once; that it was not the weakness of a thing originally weak. It was emphatically the strength of the world that was turned to weakness and the wisdom of the world that was turned to folly. In this story of Good Friday it is the best things in the world that are at their worst. That is what really shows us the world at its worst. It was, for instance, the priests of a true monotheism and the soldiers of an international civilisation. Rome, the legend, founded upon fallen Troy and triumphant over fallen Carthage, had stood for a heroism which was the nearest that any pagan ever came to chivalry. Rome had defended the household gods and the human decencies against the ogres of Africa and the hermaphrodite monstrosities of Greece. But in the lightning flash of this incident, we see great Rome, the imperial republic, going downward under her Lucretian doom. Scepticism has eaten away even the confident sanity of the conquerors of the world. He who is enthroned to say what is justice can only ask: ‘What is truth?’ So in that drama which decided the whole fate of antiquity, one of the central figures is fixed in what seems the reverse of his true role. Rome was almost another name for responsibility. Yet he stands for ever as a sort of rocking statue of the irresponsible. Man could do no more. Even the practical had become the impracticable. Standing between the pillars of his own judgement-seat, a Roman had washed his hands of the world.
G.K. Chesterton (The Everlasting Man)
When I was a child growing up in Salinas we called San Francisco “the City”. Of course it was the only city we knew, but I still think of it as the City, and so does everyone else who has ever associated with it. A strange and exclusive work is “city”. Besides San Francisco, only small sections of London and Rome stay in the mind as the City. New Yorkers say they are going to town. Paris has no title but Paris. Mexico City is the Capital. Once I knew the City very well, spent my attic days there, while others were being a lost generation in Paris. I fledged in San Francisco, climbed its hills, slept in its parks, worked on its docks, marched and shouted in its revolts. In a way I felt I owned the City as much as it owned me. San Francisco put on a show for me. I saw her across the bay, from the great road that bypasses Sausalito and enters the Golden Gate Bridge. The afternoon sun painted her white and gold---rising on her hills like a noble city in a happy dream. A city on hills has it over flat-land places. New York makes its own hills with craning buildings, but this gold and white acropolis rising wave on wave against the blue of the Pacific sky was a stunning thing, a painted thing like a picture of a medieval Italian city which can never have existed. I stopped in a parking place to look at her and the necklace bridge over the entrance from the sea that led to her. Over the green higher hills to the south, the evening fog rolled like herds of sheep coming to cote in the golden city. I’ve never seen her more lovely. When I was a child and we were going to the City, I couldn’t sleep for several nights before, out of busting excitement. She leaves a mark.
John Steinbeck
She is the woman that contradicts Simone de Beauvoir's saying "One is not born, but rather becomes, a woman." She is the woman that makes your tooth pain seem like a trivial matter in comparison to the heartaches she causes as she deliberately passes by your side. She is the woman that makes your throat feel swollen and your tie to suddenly seem too tight. She is the woman that is able to take you to the seven heavens with a whisper; straight to cloud number nine.. She is the woman that erases all other women unintentionally and becomes without demanding the despot of your heart. She is the woman that sends you back and forth to purgatory and resurrects you with each unintended touch. She is the woman that will ask of you to burn Rome just to collect for her a handful of dust.
Malak El Halabi
I had no idea what to say to this. I had been nurtured in the U.S. school system on a steady diet of the Great Men theory of history. History was full of Great Men. I had to take separate Women’s History courses just to learn about what women were doing while all the men were killing each other. It turned out many of them were governing countries and figuring out rather effective methods of birth control that had sweeping ramifications on the makeup of particular states, especially Greece and Rome. Half the world is full of women, but it’s rare to hear a narrative that doesn’t speak of women as the people who have things done to them instead of the people who do things. More often, women are talked about as a man’s daughter. A man’s wife.
Kameron Hurley
But the significant difference between Thirteen and the Capitol are the expectations of the populace. Thirteen was used to hardship, wheras in the Capitol, all they’ve known is Panem et Circenses. “(Plutrach) ” What’s that?” I recognize Panem, of course, but the rest is nonsense. “It’s a saying from thousands of years ago, written in a language called Latin about a place called Rome,” he explains. ”Panem et Circenses translates into ‘Bread and Circuses.’ The writer was saying that in return for full bellies and entertainment, his people had given up their political responsibilities and therefore their power.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Popes come and go, empires clash, new worlds arise, but Rome is eternally Rome, which is to say that its people were busy as always sweating, swearing, eating, fornicating, occasionally praying, and without surcease, gossiping.
Sara Poole (The Borgia Betrayal (The Poisoner Mysteries, #2))
This found its classic expression in Homer’s Iliad, in which Glaucus says to Diomedes that he still hears his father’s urgings ringing in his ears: Always be the best, my boy, the bravest, and hold your head high above the others.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
While I’m not your mama or your grandma, but someone who’s lived a long time and loved deeper than I could ever describe to you, I’d say that I regret the things I never said way more than the things I have said. If you love him – be honest. With yourself and with him.
Sarah Adams (Practice Makes Perfect (When in Rome, #2))
From his childhood on he had had an obstinate nature and his name became a byword for virtue and truthfulness. “That’s incredible, even if Cato says so,” was a common expression.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
That doesn’t prove that you’re weak or neglectful, it proves to all the women standing by and watching you pave the road to success that it’s okay to say no. It’s okay to shut your door every now and then and put up a sign that says Busy taking care of me today. Piss off.
Sarah Adams (When in Rome (When in Rome, #1))
I am the quiet one in my family. The one with her nose always in a book because she prefers worlds where she doesn’t have to interact with other humans. It’s so much easier to read about relationships than to foster them. Less dangerous too. I can’t offend anyone written into a book. I can’t say the wrong thing. And book characters don’t make judgments about me.
Sarah Adams (Practice Makes Perfect (When in Rome, #2))
When I was in London in 2008, I spent a couple hours hanging out at a pub with a couple of blokes who were drinking away the afternoon in preparation for going to that evening's Arsenal game/riot. Take away their Cockney accents, and these working-class guys might as well have been a couple of Bubbas gearing up for the Alabama-Auburn game. They were, in a phrase, British rednecks. And this is who soccer fans are, everywhere in the world except among the college-educated American elite. In Rio or Rome, the soccer fan is a Regular José or a Regular Giuseppe. [...] By contrast, if an American is that kind of Regular Joe, he doesn't watch soccer. He watches the NFL or bass fishing tournaments or Ultimate Fighting. In an American context, avid soccer fandom is almost exclusively located among two groups of people (a) foreigners—God bless 'em—and (b) pretentious yuppie snobs. Which is to say, conservatives don't hate soccer because we hate brown people. We hate soccer because we hate liberals.
Robert Stacy McCain
Love is an ongoing debt that we owe each other, a debt that should never be paid off. Paul made this clear when he wrote to the believers in Rome, “Let no debt remain outstanding, except the continuing debt to love one another, for he who loves his fellowman has fulfilled the law” (Rom. 13:8). If we get into the habit of thinking of ourselves as always owing a debt of love to our spouses, we will be less inclined to take offense when they say or do something that we do not like.
Myles Munroe (The Purpose and Power of Love & Marriage)
A perception of empire is found in an early Christian acrostic. An acrostic is a word made up of the first letters of each word in a phrase or sentence. In this case, the phrase is an early Christian saying in Latin: radix omnium malorum avaritia. Radix means “root,” omnium means “all,” malorum means “evil,” and avaritia means “avarice” (or “greed”). Putting it together, it says, “Avarice (or greed) is the root of all evil.” And the first letters of each word produce Roma, the Latin spelling of Rome. It makes a striking point: Roma - empire - is the embodiment of avarice, the incarnation of greed. That’s what empire is about. The embodiment of greed in domination systems is the root of all evil.
Marcus J. Borg (The Heart of Christianity: Rediscovering a Life of Faith)
The journey through another world, beyond bad dreams beyond the memories of a murdered generation, cartographed in captivity by bare survivors makes sacristans of us all. The old ones go our bail, we oblate preachers of our tribes. Be careful, they say, don't hock the beads of kinship agonies; the moire-effect of unfamiliar hymns upon our own, a change in pitch or shrillness of the voice transforms the ways of song to words of poetry or prose and makes distinctions no one recognizes. Surrounded and absorbed, we tread like Etruscans on the edge of useless law; we pray to the giver of prayer, we give the cane whistle in ceremony, we swing the heavy silver chain of incense burners. Migration makes new citizens of Rome.
Elizabeth Cook-Lynn
We love to quote the saying “Rome was not built in a day” but we fail to remember that Rome was eventually built, and it must have been so magnificent that when people admired it, they were told that it didn’t happen in just a day. The question, then, is: if Rome was not built in a day, how was it built? Answer: It was built every day.
Nana Awere Damoah (Sebitically Speaking)
White Christians have also forgotten several elementary historical details. They have forgotten that the religion that is now identified with their virtue and their power—“God is on our side,” says Dr. Verwoerd—came out of a rocky piece of ground in what is now known as the Middle East before color was invented, and that in order for the Christian church to be established, Christ had to be put to death, by Rome, and that the real architect of the Christian church was not the disreputable, sunbaked Hebrew who gave it his name but the mercilessly fanatical and self-righteous St. Paul.
James Baldwin (The Fire Next Time)
that Rome (if one does not yet know it) has an oppressingly sad effect for the first few days: through the lifeless and doleful museum atmosphere it exhales, through the abundance of its pasts, fetched-forth and laboriously upheld pasts (on which a small present subsists), through the immense overestimation, sustained by savants and philologists and copied by the average traveler in Italy, of all these disfigured and dilapidated things, which at bottom are after all no more than chance remains of another time and of a life that is not and must not be ours. Finally, after weeks of being daily on the defensive, one finds oneself again, if still somewhat confused, and one says to oneself: no, there is not more beauty here than elsewhere, and all these objects, continuously admired by generations and patched and mended by workmen's hands, signify nothing, are nothing, and have no heart and no value; -- but there is much beauty here, because there is much beauty everywhere.
Rainer Maria Rilke (Letters to a Young Poet)
There has arisen in our time a most singular fancy: the fancy that when things go very wrong we need a practical man. It would be far truer to say, that when things go very wrong we need an unpractical man. Certainly, at least, we need a theorist. A practical man means a man accustomed to mere daily practice, to the way things commonly work. When things will not work, you must have the thinker, the man who has some doctrine about why they work at all. It is wrong to fiddle while Rome is burning; but it is quite right to study the theory of hydraulics while Rome is burning.
G.K. Chesterton (What's Wrong with the World)
At the sight of the city utterly perishing amidst the flames Scipio burst into tears, and stood long reflecting on the inevitable change which awaits cities, nations, and dynasties, one and all, as it does every one of us men. This, he thought, had befallen Ilium, once a powerful city, and the once mighty empires of the Assyrians, Medes, Persians, and that of Macedonia lately so splendid. And unintentionally or purposely he quoted---the words perhaps escaping him unconsciously--- "The day shall be when holy Troy shall fall And Priam, lord of spears, and Priam's folk." And on my asking him boldly (for I had been his tutor) what he meant by these words, he did not name Rome distinctly, but was evidently fearing for her, from this sight of the mutability of human affairs. . . . Another still more remarkable saying of his I may record. . . [When he had given the order for firing the town] he immediately turned round and grasped me by the hand and said: "O Polybius, it is a grand thing, but, I know not how, I feel a terror and dread, lest some one should one day give the same order about my own native city.
Polybius
In his early twenties Cicero wrote the first two volumes of a work on “invention”—that is to say, the technique of finding ideas and arguments for a speech; in it he noted that the most important thing was “that we do not recklessly and presumptuously assume something to be true.” This resolute uncertainty was to be a permanent feature of his thought.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
The apostle Paul had much to say about the immorality of individual church members, but little to say about the immorality of pagan Rome. He did not rail against the abuses in Rome—slavery, idolatry, gladiator games, political oppression, greed—even though such abuses surely offended Christians of that day every bit as much as our deteriorating society offends Christians today.
Philip Yancey (Christians and Politics Uneasy Partners)
Major West, a character in the zombie movie 28 Days Later, tells a story reminiscent of the founding of Rome. He gives the rationale for the rape of the Sabine women in just a few lines: “Eight days ago, I found Jones with his gun in his mouth. He said he was going to kill himself because there was no future. What could I say to him? We fight off the infected or we wait until they starve to death... and then what? What do nine men do except wait to die themselves? I moved us from the blockade, and I set the radio broadcasting, and I promised them women. Because women mean a future.
Jack Donovan (The Way of Men)
Be patient till the last. Romans, countrymen, and lovers! hear me for my cause, and be silent, that you may hear: believe me for mine honour, and have respect to mine honour, that you may believe: censure me in your wisdom, and awake your senses, that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say, that Brutus' love to Caesar was no less than his. If then that friend demand why Brutus rose against Caesar, this is my answer: --Not that I loved Caesar less, but that I loved Rome more. Had you rather Caesar were living and die all slaves, than that Caesar were dead, to live all free men? As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him: but, as he was ambitious, I slew him. There is tears for his love; joy for his fortune; honour for his valour; and death for his ambition. Who is here so base that would be a bondman? If any, speak; for him have I offended. Who is here so rude that would not be a Roman? If any, speak; for him have I offended. Who is here so vile that will not love his country? If any, speak; for him have I offended. I pause for a reply.
William Shakespeare (Julius Caesar)
In Rome, either things can be done, or they cannot. When someone tells you that they cannot, there’s an end to it.’ ‘In Paris, it’s much more convenient: when something can’t be done, you pay double and immediately you get what you wanted.’ ‘I hear all Frenchmen say this,’ said Signor Pastrini, a trifle stung by it. ‘So I don’t understand how they manage to travel.’ ‘But, then,’ said Albert, unhurriedly blowing his smoke towards the ceiling and leaning backwards, balancing on the two rear legs of his chair, ‘it is only fools and innocents like ourselves who travel. Sensible men stay in their apartments in
Alexandre Dumas (The Count of Monte Cristo)
During the persecutions under the Emperor Domitian, John was summoned to Rome, where he was tortured by immersion in a pot of boiling oil and subsequently banished to the island of Patmos in the Aegean sea. It was there he wrote his Apocalypse. It was only after the death of Domitian, in A.D. 96, that he returned to Ephesus, where he was still living during the reign of the Emperor Trajan (A.D. 98-117). He became so old and frail that he could no longer walk and had to be carried to meetings and services. All he could manage to say was, "My little children, love one another." He repeated this over and over.
Gilles Quispel (The Secret Book of Revelation: The Apocalypse of St John the Divine)
Main Street is the climax of civilization. That this Ford car might stand in front of the Bon Ton Store, Hannibal invaded Rome and Erasmus wrote in Oxford cloisters. What Ole Jenson the grocer says to Ezra Stowbody the banker is the new law for London, Prague, and the unprofitable isles of the sea; whatsoever Ezra does not know and sanction, that thing is heresy, worthless for knowing and wicked to consider.
Sinclair Lewis (Main Street)
When I was a child growing up in Salinas we called San Francisco “the City”. Of course it was the only city we knew, but I still think of it as the City, and so does everyone else who has ever associated with it. A strange and exclusive work is “city”. Besides San Francisco, only small sections of London and Rome stay in the mind as the City. New Yorkers say they are going to town. Paris has no title but Paris. Mexico City is the Capital. p197
John Steinbeck (Travels with Charley: In Search of America)
Philo of Larisa, head of the Academy in Athens....inspired Cicero with a passion for philosophy, and in particular for the theories of Skepticism, which asserted that knowledge of the nature of things is in the nature of things unattainable. Such ideas were well judged to appeal to a student of rhetoric who had learned to argue all sides of a case. In his early twenties Cicero wrote the first two volumes of a work on 'inventin'--that is to say, the technique of finding ideas and arguments for a speech; in it he noted that the most important thing was 'that we do not recklessly and presumptuously assume something to be true.' This resolute uncertainty was to be a permanent feature of his thought.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
Johnny, did you ever hear of the Club of Rome?" Johnny had, but the audience would need reminding. "They were the people who did computer simulations to find out how long we could get along on our natural resources. Even with zero population growth—" "They tell us we're finished," Sharps broke in. "And that's stupid. We're only finished because they won't let us really use technology. They say we're running out of metals. There's more metal in one little asteroid than was mined all over the world in the last five years! And there are hundreds of thousands of asteroids. All we have to do is go get 'em." "Can we?" "You bet! Even with the technology we already have, we could do it. Johnny, out there in space it's raining soup, and we don't even know about soup bowls.
Larry Niven (Lucifer's Hammer)
You all remember,” said the Controller, in his strong deep voice, “you all remember, I suppose, that beautiful and inspired saying of Our Ford’s: History is bunk. History,” he repeated slowly, “is bunk.” He waved his hand; and it was as though, with an invisible feather wisk, he had brushed away a little dust, and the dust was Harappa, was Ur of the Chaldees; some spider-webs, and they were Thebes and Babylon and Cnossos and Mycenae. Whisk. Whisk-and where was Odysseus, where was Job, where were Jupiter and Gotama and Jesus? Whisk-and those specks of antique dirt called Athens and Rome, Jerusalem and the Middle Kingdom-all were gone. Whisk-the place where Italy had been was empty. Whisk, the cathedrals; whisk, whisk, King Lear and the Thoughts of Pascal. Whisk, Passion; whisk, Requiem; whisk, Symphony; whisk...
Aldous Huxley (Brave New World)
One day, you muster the courage and let go of the fear. In a brief moment of insanity, you give wings to the stories you had wanted to tell; some you didn't even know were in you. In that instant, something about you changes. You are born again. That is not to say the fear and worry and second-guessing go away. They are there. But you learn to cope with them. You learn that they don't control you at all times. In those fleeting moments of freedom, you have the power. You know you are not perfect. You realize no one was born perfect. No one. Rome wasn’t built in a day either. A weird thing happens when you get a glimpse of that side of you. A child-like zeal possesses you. It is addictive. You discover your voice. You matter. Maybe not to the world, yet. You matter to yourself. You are worthy. You are alive. You can be.
K.J. Kilton
The opinion that any Monarch receiveth his Power by Covenant, that is to say on Condition, proceedeth from want of understanding this easie truth, that Covenants being but words, and breath, have no force to oblige, contain, constrain, or protect any man, but what it has from the publique Sword; that is, from the untyed hands of that Man, or Assembly of men that hath the Soveraignty, and whose actions are avouched by them all, and performed by the strength of them all, in him united. But when an Assembly of men is made Soveraigne; then no man imagineth any such Covenant to have past in the Institution; for no man is so dull as to say, for example, the People of Rome, made a Covenant with the Romans, to hold the Soveraignty on such or such conditions; which not performed, the Romans might lawfully depose the Roman People.
Thomas Hobbes (Leviathan)
The Nazis have no sense of humor, so why should they want television? Anyhow, they killed most of the really great comedians. Because most of them were Jewish. In fact, she realized, they killed off most of the entertainment field. I wonder how Hope gets away with what he says. Of course, he has to broadcast from Canada. And it’s a little freer up there. But Hope really says things. Like the joke about Goring . . . the one where Goring buys Rome and has it shipped to his mountain retreat and then set up again. And revives Christianity so his pet lions will have something to—
Philip K. Dick (The Man in the High Castle)
—so much more opportunity now." Her voice trails off. "Hurrah for women's lib, eh?" "The lib?" Impatiently she leans forward and tugs the serape straight. "Oh, that's doomed." The apocalyptic word jars my attention. "What do you mean, doomed?" She glances at me as if I weren't hanging straight either and says vaguely, "Oh …" "Come on, why doomed? Didn't they get that equal rights bill?" Long hesitation. When she speaks again her voice is different. "Women have no rights, Don, except what men allow us. Men are more aggressive and powerful, and they run the world. When the next real crisis upsets them, our so-called rights will vanish like—like that smoke. We'll be back where we always were: property. And whatever has gone wrong will be blamed on our freedom, like the fall of Rome was. You'll see." Now all this is delivered in a gray tone of total conviction. The last time I heard that tone, the speaker was explaining why he had to keep his file drawers full of dead pigeons. "Oh, come on. You and your friends are the backbone of the system; if you quit, the country would come to a screeching halt before lunch." No answering smile. "That's fantasy." Her voice is still quiet. "Women don't work that way. We're a—a toothless world." She looks around as if she wanted to stop talking. "What women do is survive. We live by ones and twos in the chinks of your world-machine." "Sounds like a guerrilla operation." I'm not really joking, here in the 'gator den. In fact, I'm wondering if I spent too much thought on mahogany logs. "Guerrillas have something to hope for." Suddenly she switches on a jolly smile. "Think of us as opossums, Don. Did you know there are opossums living all over? Even in New York City." I smile back with my neck prickling. I thought I was the paranoid one. "Men and women aren't different species, Ruth. Women do everything men do." "Do they?" Our eyes meet, but she seems to be seeing ghosts between us in the rain. She mutters something that could be "My Lai" and looks away. "All the endless wars …" Her voice is a whisper. "All the huge authoritarian organizations for doing unreal things. Men live to struggle against each other; we're just part of the battlefield. It'll never change unless you change the whole world. I dream sometimes of—of going away—" She checks and abruptly changes voice. "Forgive me, Don, it's so stupid saying all this." "Men hate wars too, Ruth," I say as gently as I can. "I know." She shrugs and climbs to her feet. "But that's your problem, isn't it?" End of communication. Mrs. Ruth Parsons isn't even living in the same world with me.
James Tiptree Jr.
But, to return to my design, what power was it that drew those stony, oaken, and wild people into cities but flattery? For nothing else is signified by Amphion and Orpheus' harp. What was it that, when the common people of Rome were like to have destroyed all by their mutiny, reduced them to obedience? Was it a philosophical oration? Least. But a ridiculous and childish fable of the belly and the rest of the members. And as good success had Themistocles in his of the fox and hedgehog. What wise man's oration could ever have done so much with the people as Sertorius' invention of his white hind? Or his ridiculous emblem of pulling off a horse's tail hair by hair? Or as Lycurgus his example of his two whelps? To say nothing of Minos and Numa, both which ruled their foolish multitudes with fabulous inventions; with which kind of toys that great and powerful beast, the people, are led anyway.
Erasmus (Praise of Folly)
In his History of the Peloponnesian War, Thucydides adduces a change in language as a major factor in Athens’s descent from dysfunctional democracy through demagoguery into tyranny and anarchy: people began to define things in any way they pleased, he says, and the “normally accepted meaning of words” broke down. In his account of the Catiline crisis in republican Rome, Sallust has Cato the Younger identify the misuse of language—specifically the scission of word and meaning—as the underlying cause of the threat to the state. Society, Cato says, has lost the “vera vocabula rerum,” literally, the “true names of things.”18 In seventeenth-century England, Thomas Hobbes lived through a civil war he believed had been caused in significant measure by a war of words about religion—spread through the pervasive pamphleteering that printing had made possible—that had fatally weakened the linguistic common ground on which an ordered state depends.
Mark John Thompson (Enough Said: What's Gone Wrong with the Language of Politics?)
There still exists - even today - a yearning, a nostalgia for European solidarity, a solidarity of European culture. Regrettably, solidarity itself no longer exists, except in hearts, in consciences, in the minds of a few great men at the heart of each nation. European consciousness - or what one might call a ‘cultural European awareness’ - had been on the wane for years ever since the awakening of national identity. You could say that patriotism has killed Europe. Patriotism is particularism. ... However, European culture goes back much further than the nations of Europe. Greece, Rome and Israel, Christendom and Renaissance, the French Revolution and Germany’s eighteenth century, the supranational music of Austria and Slavic poetry: these are the forces that have sculpted the face of Europe. All these forces have forged European solidarity and the European cultural consciousness. None of these forces know national boundaries. All are the enemies of that barbarian power: so-called ‘national pride’.
Joseph Roth (On the End of the World)
In fancy I took the simple decision of going on, this time on the mere trail to which our roads had now given way. I played with the idea...To be alone, without possessions, without renown, with none of the advantages of our own culture, to expose oneself among new men and among fresh hazards...Needless to say it was only a dream, and the briefest dream of all. This liberty that I was inventing ceased to exist upon closer view; I should quickly have rebuilt for myself everything that I renounced. Furthermore, wherever I went I should only have been a Roman away from Rome. A kind of umbilical cord attached me to the city. Perhaps at that time, in my rank of tribune, I felt still more closely bound to the empire than later as emperor, for the same reason that the thumb joint is less free than the brain. Nevertheless I did have that outlandish dream, at which our ancestors, soberly confined within their Latian fields, would have shuddered; to have harbored the thought, even for a moment, makes me forever different from them.
Marguerite Yourcenar (Memoirs of Hadrian)
Forget bringing the troops home from Iraq. We need to get the troops home from World War II. Can anybody tell me why, in 2009, we still have more than sixty thousand troops in Germany and thirty thousand in Japan? At some point, these people are going to have to learn to rape themselves. Our soldiers have been in Germany so long they now wear shorts with black socks. You know that crazy soldier hiding in the cave on Iwo Jima who doesn’t know the war is over? That’s us. Bush and Cheney used to love to keep Americans all sphinctered-up on the notion that terrorists might follow us home. But actually, we’re the people who go to your home and then never leave. Here’s the facts: The Republic of America has more than five hundred thousand military personnel deployed on more than seven hundred bases, with troops in one hundred fifty countries—we’re like McDonald’s with tanks—including thirty-seven European countries—because you never know when Portugal might invade Euro Disney. And this doesn’t even count our secret torture prisons, which are all over the place, but you never really see them until someone brings you there—kinda like IHOP. Of course, Americans would never stand for this in reverse—we can barely stand letting Mexicans in to do the landscaping. Can you imagine if there were twenty thousand armed Guatemalans on a base in San Ber-nardino right now? Lou Dobbs would become a suicide bomber. And why? How did this country get stuck with an empire? I’m not saying we’re Rome. Rome had good infrastructure. But we are an empire, and the reason is because once America lands in a country, there is no exit strategy. We’re like cellulite, herpes, and Irish relatives: We are not going anywhere. We love you long time!
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
The literatures of Greece and Rome comprise the longest, most complete and most nearly continuous record we have of what the strange creature known as Homo sapiens has been busy about in virtually every department of spiritual, intellectual and social activity. That record covers nearly twenty-five hundred years in an unbroken stretch of this animated oddity’s operations in poetry, drama, law, agriculture, philosophy, architecture, natural history, philology, rhetoric, astronomy, logic, politics, botany, zoölogy, medicine, geography, theology,—everything, I believe, that lies in the range of human knowledge or speculation. Hence the mind which has attentively canvassed this record is much more than a disciplined mind, it is an experienced mind. It has come, as Emerson says, into a feeling of immense longevity, and it instinctively views contemporary man and his doings in the perspective set by this profound and weighty experience. Our studies were properly called formative, because beyond all others their effect was powerfully maturing. Cicero told the unvarnished truth in saying that those who have no knowledge of what has gone before them must forever remain children; and if one wished to characterise the collective mind of this present period, or indeed of any period,—the use it makes of its powers of observation, reflection, logical inference,—one would best do it by the one word immaturity.
Albert Jay Nock (Memoirs of a Superfluous Man (LvMI))
My group had a papal audience at four. I couldn’t miss it, not only because no one stands up the pope but also because he and my father had been friends for years. They had met when my father was studying medicine at the University of Rome and Paul VI, then the young Monsignor Giovanni Battista Montini, was chaplain of an anti-Fascist student group. In his pre-pontiff days, he would visit us whenever church business brought him to the States. Somewhere I still have the photograph of his cat, taken on the balcony of his Vatican apartment, that he sent to me when I was nine or ten. He had to give the cat away when he was elected pope, and I had written to say how sad it was that the pope could not keep a pet.
R.A. Scotti (Basilica: The Splendor and the Scandal: Building St. Peter's)
I told her stories. They were only a sentence long, each one of them. That’s all I knew how to find. So I told her broken stories. The little pieces of broken stories I could find. I told her what I could. I told her that the Global Alliance had issued more warnings about the possibility of total war if their demands were not met. I told her that the Emperor Nero, from Rome, had a giant sea built where he could keep sea monsters and have naval battles staged for him. I told her that there had been rioting in malls all over America, and that no one knew why. I told her that the red-suited Santa Claus we know — the regular one? — was popularized by the Coca-Cola Company in the 1930s. I told her that the White House had not confirmed or denied reports that extensive bombing had started in major cities in South America. I told her, “There’s an ancient saying in Japan, that life is like walking from one side of infinite darkness to another, on a bridge of dreams. They say that we’re all crossing the bridge of dreams together. That there’s nothing more than that. Just us, on the bridge of dreams.
M.T. Anderson (Feed)
[...] The idea of honor in battle has been passed down for generations. It went from Greece to Rome, to the medieval world and the Crusades. It was beloved of Sir Philip Sidney, Essex and Southampton [...]. In many ways, the British Empire was founded on it [...] The idea came to a halt in the First World War [...] The poets, led by Wilfred Owen, told the truth about it "[...] The old lie : 'Dulce el decorum est pro patria mori'. [...]Henry IV Part I is a play with much "honor". Honor is its central theme. So let's examine Henry IV Part I for a moment, to understand the ingredients of "honor". [...] You will notice there are not many women in these plays [about honor]-and when they appear, they are usually whores or faifthful wives. Honor is not a woman's story[...] 'What is honour? A word', (...) a mere scutcheon" [says] Falstaff's iconoclasm and truthful vision about honor. {...]There are several things we can see in all this. The first is that war is a man´s game, it is intolerable, and the only way you can get people to do it is to make the alternative seem a hundred times worse [...] Therefore, valor must be glorified, if not deified. [...]
Tina Packer (Women of Will: Following the Feminine in Shakespeare's Plays)
Even mighty states and kingdoms are not exempted. If we look into history, we shall find some nations rising from contemptible beginnings and spreading their influence, until the whole globe is subjected to their ways. When they have reached the summit of grandeur, some minute and unsuspected cause commonly affects their ruin, and the empire of the world is transferred to some other place. Immortal Rome was at first but an insignificant village, inhabited only by a few abandoned ruffians, but by degrees it rose to a stupendous height, and excelled in arts and arms all the nations that preceded it. But the demolition of Carthage (what one should think should have established is in supreme dominion) by removing all danger, suffered it to sink into debauchery, and made it at length an easy prey to Barbarians. England immediately upon this began to increase (the particular and minute cause of which I am not historian enough to trace) in power and magnificence, and is now the greatest nation upon the globe. Soon after the reformation a few people came over into the new world for conscience sake. Perhaps this (apparently) trivial incident may transfer the great seat of empire into America. It looks likely to me. For if we can remove the turbulent Gallics, our people according to exactest computations, will in another century, become more numerous than England itself. Should this be the case, since we have (I may say) all the naval stores of the nation in our hands, it will be easy to obtain the mastery of the seas, and then the united force of all Europe will not be able to subdue us. The only way to keep us from setting up for ourselves is to disunite us. Divide et impera. Keep us in distinct colonies, and then, some great men from each colony, desiring the monarchy of the whole, they will destroy each others' influence and keep the country in equilibrio. Be not surprised that I am turned into politician. The whole town is immersed in politics.
John Adams
Roman Centurion's Song" LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine and olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go!
Rudyard Kipling
again, right where they left off.” Just as all roads lead to Rome, according to the old saying, all tunnels lead to the entrance to the Other Side. No matter where on this earth we leave our bodies, we all take exactly the same trip to exactly the same place. We emerge from the tunnel to find ourselves in a breathtakingly beautiful meadow. Waiting there to greet us are deceased loved ones from the life we’ve just left behind, as well as friends and loved ones from all our past lives, on Earth and on the Other Side. Our Spirit Guides are there. Our true soul mates are there. And best of all as far as I’m concerned, every animal we’ve ever loved from every lifetime we’ve lived is on hand, with such pure, urgent joy that the people waiting to welcome us have a hard time making their way through the happy crowd.
Sylvia Browne (End of Days: Predictions and Prophecies About the End of the World)
The failure of Hellenism has been, largely, a matter of organization. Rome never tried to impose any sort of worship upon the countries it conquered and civilized; in fact, quite the contrary, Rome was eclectic. All religions were given an equal opportunity and even Isis—after some resistance—was worshipped at Rome. As a result we have a hundred important gods and a dozen mysteries. Certain rites are—or were—supported by the state because they involved the genius of Rome. But no attempt was ever made to coordinate the worship of Zeus on the Capitol with, let us say, the Vestals who kept the sacred fire in the old forum. As time passed our rites became, and one must admit it bluntly, merely form, a reassuring reminder of the great age of the city, a token gesture to the old gods who were thought to have founded and guided Rome from a village by the Tiber to world empire. Yet from the beginning, there were always those who mocked. A senator of the old Republic once asked an auger how he was able to get through a ceremony of divination without laughing. I am not so light-minded, though I concede that many of our rites have lost their meaning over the centuries; witness those temples at Rome where certain verses learned by rote are chanted year in and year out, yet no one, including the priests, knows what they mean, for they are in the early language of the Etruscans, long since forgotten. As the religious forms of the state became more and more rigid and perfunctory, the people were drawn to the mystery cults, many of them Asiatic in origin. At Eleusis or in the various caves of Mithras, they were able to get a vision of what this life can be, as well as a foretaste of the one that follows. There are, then, three sorts of religious experiences. The ancient rites, which are essentially propitiatory. The mysteries, which purge the soul and allow us to glimpse eternity. And philosophy, which attempts to define not only the material world but to suggest practical ways to the good life, as well as attempting to synthesize (as Iamblichos does so beautifully) all true religion in a single comprehensive system.
Gore Vidal (Julian)
But even among the great traditional peoples, the situation is not different: from China to Greece, from Rome to the primordial Nordic groups, then up to Aztecs and the Incas, nobility was not characterised by the simple fact of having ancestors, but by the fact that the ancestors of the nobility were divine, unlike those of plebeians and to which it can remain faithful, also through the integrity of blood. The nobles originated from 'demigods', that is to say, from beings who had actually followed a transcendent form of life, forming the origin of tradition in the higher sense, transmitting to their lineage a blood made divine, and, along with it, rites, that is, determinate operations, whose secret every noble family preserved, which allowed their descendants to continue the spiritual conquest from where it had previously reached, and to lead it from the virtual to the actual.
Julius Evola
I never met a librarian worth his or her salt who didn't perceive my passion for books. And without exception, each one would lend me a book on a subject we had been discussing. No paperwork, no formalities of any kind, no rules or regulations. My unspoken side of the bargain was to protect them, in two ways; first by keeping the book unharmed - not that easy, especially in bad weather, but when it rained, I carried the book next to my skin. I can tell you now that carrying Gulliver's Travels or Lays of Ancient Rome or Mr. Oscar Wilde's stories or Mr. William Yeat's poems next to my heart gave me a kind of sweet pleasure. The second half of the bargain often nearly broke my heart, but I always kept it - and that was to return the book safe and sound to the library that had lent it. To part company with Mr. Charles Dickens or Mr. William Makepeace Thackeray and his lovely name! - that was harder than saying good-bye to a dear flesh-and-blood companion. But I always did it - and I sent the book by registered post, no small consideration of cost given the peculiar economics of an itinerant storyteller.
Frank Delaney (Ireland)
He says to the king, in the north they have contempt for the king’s peace, they want to administer their own murders. If Norfolk cannot subdue them they will fall into their old savagery, where each eye or limb or life itself is costed out, and all flesh has a price. In our forefathers’ time a nobleman’s life was worth six times that of a man who followed the plough. The rich man can slaughter as he pleases, if his pocket can bear the fines, but the poor man cannot afford one murder across his lifetime. We repudiate this, he tells the king: we say a man of violence cannot go free because his cousin is the judge, no more than a wealthy sinner can make up for his sins by founding a monastery. Before God and the law, all men are equal. It takes a generation, he says, to reconcile heads and hearts. Englishmen of every shire are wedded to what their nurses told them. They do not like to think too hard, or disturb the plan of the world that exists inside their heads, and they will not accept change unless it puts them in better ease. But new times are coming. Gregory’s children—and, he adds quickly, your Majesty’s children yet to be born—will never have known their country in thrall to an old fraud in Rome. They will not put their faith in the teeth and bones of the dead, or in holy water, ashes and wax. When they can read the Bible for themselves, they will be closer to God than to their own skin. They will speak His language, and He theirs. They will see that a prince exists not to sit a horse in a plumed helmet, but—as your Majesty always says—to care for his subjects, body and soul. The scriptures enjoin obedience to earthly powers, and so we stick by our prince through thick and thin. We do not reject part of his polity. We take him as a whole, consider him God’s anointed, and suppose God is keeping an eye on him.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
Pont Saint Benezet.” “What happened to it?” Luce asked. Daniel glanced over his shoulder. “Remember how quiet Annabelle got when I mentioned we were coming here? She inspired the boy who built that bridge in the Middle Ages in the time when the popes lived here and not in Rome. He noticed her flying across the Rhone one day when she didn’t think anyone could see her. He built the bridge to follow her to the other side.” “When did it collapse?” “Slowly, over time, one arch would fall into the river. Then another. Arriane says the boy-his name was Benezet-had a vision for angels, but not for architecture. Annabelle loved him. She stayed in Avignon as his muse until he died. He never married, kept apart from the rest of Avignon society. The town thought he was crazy.” Luce tried not to compare her relationship with Daniel to what Annabelle had had with Benezet, but it was hard not to. What kind of relationship could an angel and a mortal really have? Once all this was over, if they beat Lucifer…then what? Would she and Daniel go back to Georgia and be like any other couple, going out for ice cream on Fridays after a movie? Or would the whole town think she was crazy, like Benezet? Was it all just hopeless? What would become of them in the end? Would their love vanish like a medieval bridge’s arches? The idea of sharing a normal life with an angel was what was crazy. She sensed that in every moment Daniel flew her through the sky. And yet she loved him more each day.
Lauren Kate (Rapture (Fallen, #4))
He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.
Arthur Machen (The Secret Glory)
Paradiso, XXXI,108 Diodorus Siculus tells the story of a god that is cut into pieces and scattered over the earth. Which of us, walking through the twilight or retracing some day in our past, has never felt that we have lost some infinite thing? Mankind has lost a face, an irrecoverable face, and all men wish they could be that pilgrim (dreamed in the empyrean, under the Rose) who goes to Rome and looks upon the veil of St. Veronica and murmurs in belief: My Lord Jesus Christ, very God, is this, indeed, Thy likeness in such fashion wrought?* There is a face in stone beside a path, and an inscription that reads The True Portrait of the Holy Face of the Christ of Jaén. If we really knew what that face looked like, we would possess the key to the parables, and know whether the son of the carpenter was also the Son of God. Paul saw the face as a light that struck him to the ground; John, as the sun when it shines forth in all its strength; Teresa de Jesús, many times, bathed in serene light, although she could never say with certainty what the color of its eyes was. Those features are lost to us, as a magical number created from our customary digits can be lost, as the image in a kaleidoscope is lost forever. We can see them and yet not grasp them. A Jew's profile in the subway might be the profile of Christ; the hands that give us back change at a ticket booth may mirror those that soldiers nailed one day to the cross. Some feature of the crucified face may lurk in every mirror; perhaps the face died, faded away, so that God might be all faces. Who knows but that tonight we may see it in the labyrinths of dream, and not know tomorrow that we saw it.
Jorge Luis Borges
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Before the troops left Rome, the consul Varro made a number of extremely arrogant speeches. The nobles, he complained, were directly responsible for the war on Italian soil, and it would continue to prey upon the country's vitals if there were any more commanders on the Fabian model. He himself, on the contrary, would bring it to an end on the day he first caught sight of the enemy. His colleague Paullus spoke only once before the army marched, and in words which though true were hardly popular. His only harsh criticism of Varro was to express his surprise about how any army commander, while still at Rome, in his civilian clothes, could possibly know what his task on the field of battle would be, before he had become acquainted either with his own troops or the enemy's or had any idea of the lie and nature of the country where he was to operate--or how he could prophesy exactly when a pitched battle would occur. As for himself, he refused to recommend any sort of policy prematurely; for policy was moulded by circumstance, not circumstance by policy. . . . [T]o strengthen [Paullus'] determination Fabius (we are told) spoke to him at his departure in the following words. 'If, Lucius Aemilius, you were like your colleague, or if--which I should much prefer--you had a colleague like yourself, anything I could now say would be superfluous. Two good consuls would serve the country well in virtue of their own sense of honour, without any words from me; and two bad consuls would not accept my advice, nor even listen to me. But as things are, I know your colleague's qualities and I know your own, so it is to you alone I address myself, understanding as I do that all your courage and patriotism will be in vain, if our country must limp on one sound leg and one lame one. With the two of you equal in command, bad counsels will be backed by the same legal authority as good ones; for you are wrong, Paullus, if you think to find less opposition from Varro than from Hannibal. Hannibal is your enemy, Varro your rival, but I hardly know which will prove the more hostile to your designs; with the former you will be contending only on the field of battle, but with the latter everywhere and always. . . . [I]t is not the enemy who will make it difficult and dangerous for you to tread, but your fellow-countrymen. Your own men will want precisely what the enemy wants; the wishes of Varro, the Roman consul, will play straight into the hands of Hannibal, commander-in-chief of the Carthaginian armies. You will have two generals against you; but you will stand firm against both, if you can steel yourself to ignore the tongues of men who will defame you--if you remain unmoved by the empty glory your colleague seeks and the false infamy he tries to bring upon yourself. . . . Never mind if they call your caution timidity, your wisdom sloth, your generalship weakness; it is better that a wise enemy should fear you than that foolish friends should praise. Hannibal will despise a reckless antagonist, but he will fear a cautious one. Not that I wish you to do nothing--all I want is that your actions should be guided by a reasoned policy, all risks avoided; that the conduct of the war should be controlled by you at all times; that you should neither lay aside your sword nor relax your vigilance but seize the opportunity that offers, while never giving the enemy a chance to take you at a disadvantage. Go slowly, and all will be clear and sure. Haste is always improvident and blind.
Livy (The History of Rome, Books 21-30: The War with Hannibal)
The “United States” does not exist as a nation, because the ruling class of the U.S./Europe exploits the world without regard to borders and nationality.  For instance, multinational or global corporations rule the world.  They make their own laws by buying politicians– Democrats and Republicans, and white politicians in England and in the rest of Europe.  We are ruled by a European power which disregards even the hypocritical U.S. Constitution.  If it doesn’t like the laws of the U.S., as they are created, interpreted and enforced, the European power simply moves its base of management and labor to some other part of the world.   Today the European power most often rules through neocolonial regimes in the so-called “Third World.”  Through political leaders who are loyal only to the European power, not to their people and the interests of their nation, the European power sets up shop in Africa, Asia, and Latin America.  By further exploiting the people and stealing the resources of these nations on every continent outside Europe, the European power enhances its domination.  Every institution and organization within the European power has the purpose of adding to its global domination: NATO, the IMF, the World Bank, the military, and the police.   The European power lies to the people within each “nation” about national pride or patriotism.  We foolishly stand with our hands over our hearts during the “National Anthem” at football games while the somber servicemen in their uniforms hold the red, white and blue flag, then a military jet flies over and we cheer.  This show obscures the real purpose of the military, which is to increase European power through intimidation and the ongoing invasion of the globe.  We are cheering for imperialist forces.  We are standing on Native land celebrating the symbols of de-humanizing terrorism.  Why would we do this unless we were being lied to?   The European imperialist power lies to us about its imperialism.  It’s safe to say, most “Americans” do not recognize that we are part of an empire.  When we think of an empire we think of ancient Rome or the British Empire.  Yet the ongoing attack against the Native peoples of “North America” is imperialism.  When we made the “Louisiana Purchase” (somehow the French thought Native land was theirs to sell, and the U.S. thought it was ours to buy) this was imperialism.  When we stole the land from Mexico, this was imperialism (the Mexican people having been previously invaded by the European imperialist power).  Imperialism is everywhere.  Only the lies of capitalism could so effectively lead us to believe that we are not part of an empire.
Samantha Foster (Center Africa / and Other Essays To Raise Reparations for African Liberation)
Mr Kingsley begins then by exclaiming- 'O the chicanery, the wholesale fraud, the vile hypocrisy, the conscience-killing tyranny of Rome! We have not far to seek for an evidence of it. There's Father Newman to wit: one living specimen is worth a hundred dead ones. He, a Priest writing of Priests, tells us that lying is never any harm.' I interpose: 'You are taking a most extraordinary liberty with my name. If I have said this, tell me when and where.' Mr Kingsley replies: 'You said it, Reverend Sir, in a Sermon which you preached, when a Protestant, as Vicar of St Mary's, and published in 1844; and I could read you a very salutary lecture on the effects which that Sermon had at the time on my own opinion of you.' I make answer: 'Oh...NOT, it seems, as a Priest speaking of Priests-but let us have the passage.' Mr Kingsley relaxes: 'Do you know, I like your TONE. From your TONE I rejoice, greatly rejoice, to be able to believe that you did not mean what you said.' I rejoin: 'MEAN it! I maintain I never SAID it, whether as a Protestant or as a Catholic.' Mr Kingsley replies: 'I waive that point.' I object: 'Is it possible! What? waive the main question! I either said it or I didn't. You have made a monstrous charge against me; direct, distinct, public. You are bound to prove it as directly, as distinctly, as publicly-or to own you can't.' 'Well,' says Mr Kingsley, 'if you are quite sure you did not say it, I'll take your word for it; I really will.' My WORD! I am dumb. Somehow I thought that it was my WORD that happened to be on trial. The WORD of a Professor of lying, that he does not lie! But Mr Kingsley reassures me: 'We are both gentlemen,' he says: 'I have done as much as one English gentleman can expect from another.' I begin to see: he thought me a gentleman at the very time he said I taught lying on system...
John Henry Newman (Apologia Pro Vita Sua (A Defense of One's Life))
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
The contemporary Christian Church, precisely, has understood them in this' 'wrong way, to the letter, 'like the Jews,' exoterically, not esoterically. Nevertheless to say 'like the Jews' is an error. One would have to say 'as the Jews want.' Because they also possess an exotericism, for their masses, represented by the Torah and Talmud, and an esotericism, in the Cabala (which means: 'Received Tradition'), in the Zohar ('brightness'), the Merkaba or Chariot being the most secret part of the Cabala which only initiated rabbis know and use as the powerful tool of their magic. We have already said that the Cabala reached them from elsewhere, like everything else, in the Middle Ages, even though they tell us otherwise, using and transforming it in concordance with their Archetype. The Hasidim, from Poland, represent an exclusively esoteric sect of Judaism. Islam also has its esoteric magic, represented by Sufism and the sect of the Assassins, Hassanists, oflran. They interpret the Koran symbolically. And it was because of contact with this sect of the 'Old Man of the Mountain' that the Templars felt compelled to secede more and more from the direction of Rome, centering themselves in their Esoteric Kristianity and Mystery of the Gral. This was also why Rome destroyed them, like the esoteric Cathars (katharos = pure in Greek), the Bogomils, the Manichees and the gnostics. In the Church of Rome, called Catholic, there only remains a soulless ritual of the Mass, as a liturgical shell that no longer reaches the Symbol, which no longer touches it, no longer puts it into action. The Nordic contribution has been lost, destroyed by prejudice and the ethnological persecution of Nordicism, Germanism and the complete surrender to Judaism. Zen Buddhism preserves the esotericism of Buddha. In Japan Shinto and Zen are practiced by a racially superior warrior caste, the Samurai. The most esoteric side of Hinduism is found in Tantrism, especially in the Kaula or Kula Order. So understood, esotericism is what goes beyond the exterior form and the masses, the physical, and puts an elite in contact with invisible superior forces. In my case, the condition that paralysed me in the midst of dreaming and left me without means to influence the phenomena. The visible is symbol of invisible forces (Archetypes, Gods). By means of an esoteric knowledge, of an initiation in this knowledge, a hierarchic minority can make contact with these invisible forces, being able to act on the Symbol, dynamizing and controlling the physical phenomena that incarnate them. In my case: to come to control the involuntary process which, without knowing how, was controlling me, to be able to guide it, to check or avoid it. Jung referred to this when he said 'if someone wisely faces the Archetype, in whatever place in the world, he acquires universal validity because the Archetype is one and indivisible'. And the means to reach this spiritual world, 'on the other side of the mirror,' is Magic, Rite, Ritual, Ceremony. All religions have possessed them, even the Christian, as we have said. And the Rite is not something invented by humans but inspired by 'those from beyond,' Jung would say by the Collective Unconscious.
Miguel Serrano
These senators and representatives call themselves “leaders.” One of the primary principles of leadership is that a leader never asks or orders any follower to do what he or she would not do themselves. Such action requires the demonstration of the acknowledged traits of a leader among which are integrity, honesty, and courage, both physical and moral courage. They don’t have those traits nor are they willing to do what they ask and order. Just this proves we elect people who shouldn’t be leading the nation. When the great calamity and pain comes, it will have been earned and deserved. The piper always has to be paid at the end of the party. The party is about over. The bill is not far from coming due. Everybody always wants the guilty identified. The culprits are we the people, primarily the baby boom generation, which allowed their vote to be bought with entitlements at the expense of their children, who are now stuck with the national debt bill that grows by the second and cannot be paid off. These follow-on citizens—I call them the screwed generation—are doomed to lifelong grief and crushing debt unless they take the only other course available to them, which is to repudiate that debt by simply printing up $20 trillion, calling in all federal bills, bonds, and notes for payoff, and then changing from the green dollar to say a red dollar, making the exchange rate 100 or 1000 green dollars for 1 red dollar or even more to get to zero debt. Certainly this will create a great international crisis. But that crisis is coming anyhow. In fact it is here already. The U.S. has no choice but to eventually default on that debt. This at least will be a controlled default rather than an uncontrolled collapse. At present it is out of control. Congress hasn’t come up with a budget in 3 years. That’s because there is no way at this point to create a viable budget that will balance and not just be a written document verifying that we cannot legitimately pay our bills and that we are on an ever-descending course into greater and greater debt. A true, honest budget would but verify that we are a bankrupt nation. We are repeating history, the history we failed to learn from. The history of Rome. Our TV and video games are the equivalent distractions of the Coliseums and circus of Rome. Our printing and borrowing of money to cover our deficit spending is the same as the mixing and devaluation of the gold Roman sisteri with copper. Our dysfunctional and ineffectual Congress is as was the Roman Senate. Our Presidential executive orders the same as the dictatorial edicts of Caesar. Our open borders and multi-millions of illegal alien non-citizens the same as the influx of the Germanic and Gallic tribes. It is as if we were intentionally following the course written in The History of the Decline and Fall of the Roman Empire. The military actions, now 11 years in length, of Iraq and Afghanistan are repeats of the Vietnam fiasco and the RussianAfghan incursion. Our creep toward socialism is no different and will bring the same implosion as socialism did in the U.S.S.R. One should recognize that the repeated application of failed solutions to the same problem is one of the clinical definitions of insanity. * * * I am old, ill, physically used up now. I can’t have much time left in this life. I accept that. All born eventually die and with the life I’ve lived, I probably should have been dead decades ago. Fate has allowed me to screw the world out of a lot of years. I do have one regret: the future holds great challenge. I would like to see that challenge met and overcome and this nation restored to what our founding fathers envisioned. I’d like to be a part of that. Yeah. “I’d like to do it again.” THE END PHOTOS Daniel Hill 1954 – 15
Daniel Hill (A Life Of Blood And Danger)