Romantic Food Quotes

We've searched our database for all the quotes and captions related to Romantic Food. Here they are! All 100 of them:

You have to be a romantic to invest yourself, your money, and your time in cheese.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
Sydney: "You can be Jet if you want, but we are not posing as a couple again" Adrian: "Are you sure? Because I've got a lot more terms of endearment to use. Honey pie. Sugarplum. Bread pudding." Sydney: "Why are they all high-calorie foods? And bread pudding isn't really that romantic." Adrian: "Do you want me to call you celery stick instead? It just doesn't inspire the same warm and fuzzy feelings." - The Indigo Spell
Richelle Mead (The Indigo Spell (Bloodlines, #3))
She doesn’t need the pack. She doesn’t need me.” I shot to my feet. “That’s not true,” I said hotly. He tilted his head a little, his eyes meeting mine. His eyes softened. “I misspoke,” he said in a steady voice. “She doesn’t need me to make sure she has enough food or a place to live-that is my privilege, but she doesn’t need me to do that. She doesn’t need me to keep her safe or to make her a whole person. She doesn’t need me to do anything except love her. Which I do.
Patricia Briggs (Fire Touched (Mercy Thompson, #9))
Most parents try really hard to give their kids the best possible life. They give them the best food and clothes they can afford, take their own kind of take on training kids to be honest and polite. But what they don't realize is no matter how much they try, their kids will get out there. Out to this complicated little world. If they are lucky they will survive, through backstabbers, broken hearts, failures and all the kinds of invisible insane pressures out there. But most kids get lost in them. They will get caught up in all kinds of bubbles. Trouble bubbles. Bubbles that continuously tell them that they are not good enough. Bubbles that get them carried away with what they think is love, give them broken hearts. Bubbles that will blur the rest of the world to them, make them feel like that is it, that they've reached the end. Sometimes, even the really smart kids, make stupid decisions. They lose control. Parents need to realize that the world is getting complicated every second of every day. With new problems, new diseases, new habits. They have to realize the vast probability of their kids being victims of this age, this complicated era. Your kids could be exposed to problems that no kind of therapy can help. Your kids could be brainwashed by themselves to believe in insane theories that drive them crazy. Most kids will go through this stage. The lucky ones will understand. They will grow out of them. The unlucky ones will live in these problems. Grow in them and never move forward. They will cut themselves, overdose on drugs, take up excessive drinking and smoking, for the slightest problems in their lives. You can't blame these kids for not being thankful or satisfied with what they have. Their mentality eludes them from the reality.
Thisuri Wanniarachchi (COLOMBO STREETS)
Food needs to be made with love. Everything tastes better when it’s made with love.
Julie Caplin (The Little Café in Copenhagen (Romantic Escapes, #1))
Fidelity is a living, breathing entity. On wobbly footing, it can wander, becoming something different entirely.
Kay Goodstadt (Love and Death Over Tea (At the Fleur De Lis))
There's a seagull eating our food,' he told me, and it was the most romantic thing I'd ever heard.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
We need food. We need water. We need warmth. And the lover feels he/she needs the beloved. Plato had it right over two thousand years ago. The god of love “lives in a state of need.”41
Helen Fisher (Why We Love: The Nature and Chemistry of Romantic Love)
Cal: “I’m not presuming. I know exactly what you think about me. You think I’m an anal-retentive Armrest Nazi . . . an arrogant Modelizer. You can’t stand the way I talk, any of the subjects I choose to talk about, the imperious manner I order food in restaurants or tell cab drivers how much we owe them. You find my taste in women odious, the fact that I don’t own a television an unforgivable sin, and the fact that I would choose to write a book about Saudi Arabia completely unfathomable. And you’re also totally in love with me. If you weren’t you wouldn’t have pushed me into the pool earlier today when you saw Grazi walk in.” Every Boy's Got One
Meg Cabot
I'm living with Captain Turkey Burger, remember? His refrigerator is like that weird aisle at Whole Foods.
Natalie Walters (Lights Out (The SNAP Agency, #1))
The result is rather typical of modern technology, an overall dullness of appearance so depressing that it must be overlaid with a veneer of "style" to make it acceptable. And that, to anyone who is sensitive to romantic Quality, just makes it all the worse. Now it's not just depressingly dull, it's also phony. Put the two together and you get a pretty accurate basic description of modern American technology: stylized cars and stylized outboard motors and stylized typewriters and stylized clothes. Stylized refrigerators filled with stylized food in stylized kitchens in stylized homes. Plastic stylized toys for stylized children, who at Christmas and birthdays are in style with their stylish parents. You have to be awfully stylish yourself not to get sick of it once in a while. It's the style that gets you; technological ugliness syruped over with romantic phoniness in an effort to produce beauty and profit by people who, though stylish, don't know where to start because no one has ever told them there's such a thing as Quality in this world and it's real, not style. Quality isn't something you lay on top of subjects and objects like tinsel on a Christmas tree. Real Quality must be the source of the subjects and objects, the cone from which the tree must start.
Robert M. Pirsig
New skin, a new land! And a land of liberty, if that is possible! I chose the geology of a land that was new to me, and that was young, virgin, and without drama, that of America. I traveled in America, but instead of romantically and directly rubbing the snakeskin of my body against the asperities of its terrain, I preferred to peel protected within the armor of the gleaming black crustacean of a Cadillac which I gave Gala as a present. Nevertheless all the men who admire and the women who are in love with my old skin will easily be able to find its remnants in shredded pieces of various sizes scattered to the winds along the roads from New York via Pittsburgh to California. I have peeled with every wind; pieces of my skin have remained caught here and there along my way, scattered through that "promised land" which is America; certain pieces of this skin have remained hanging in the spiny vegetation of the Arizona desert, along the trails where I galloped on horseback, where I got rid of all my former Aristotelian "planetary notions." Other pieces of my skin have remained spread out like tablecloths without food on the summits of the rocky masses by which one reaches the Salt Lake, in which the hard passion of the Mormons saluted in me the European phantom of Apollinaire. Still other pieces have remained suspended along the "antediluvian" bridge of San Francisco, where I saw in passing the ten thousand most beautiful virgins in America, completely naked, standing in line on each side of me as I passed, like two rows of organ-pipes of angelic flesh with cowrie-shell sea vulvas.
Salvador Dalí (The Secret Life of Salvador Dalí)
I’d eat a picnic in Hades with him.
Kristen Ashley (The Will (Magdalene, #1))
I dance like my legs are made of Jell-O. I know, exotic and romantic, right? But my dancing also now comes in Duck Soup Flavor, and is FOR SALE in small, medium, and buffet-style.
Jarod Kintz (BearPaw Duck And Meme Farm presents: Two Ducks Brawling Is A Pre-Pillow Fight)
No one is “complete” without other people—and we mean this literally. To be complete without social connection is to be nourished without food. It doesn’t happen. We get hungry. We get lonely. We must feed ourselves or die. We don’t mean you “need a man” or any kind of romantic partner. We mean you need connection in any or all of its varied forms. And it is also true that the lifelong development of autonomy is as innate to human nature as the drive to connect. We need both connection and autonomy. That’s not a contradiction. Humans are built to oscillate from connection to autonomy and back again.
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Food”—he motioned to our almost empty plates—“is a work of art. That’s what a perfect meal is—something that you don’t just eat, but something you enjoy. With friends, and family—maybe even with strangers. It’s an experience. You taste it, you savor it, you feel the story told through the intricate flavors that play out across your tongue . . . it’s magical. Romantic.
Ashley Poston (The Seven Year Slip)
The world seemed filled with interesting books to read, interesting plays and movies to see, interesting games to play, interesting food to taste, and interesting people to have sex with and sometimes even to fall in love with. To Marx, it seemed foolish not to love as many things as you could. In the first months she knew him, Sadie disparaged Marx to Sam by calling him “the romantic dilettante.” But for Marx, the world was like a breakfast at a five-star hotel in an Asian country—the abundance of it was almost overwhelming. Who wouldn’t want a pineapple smoothie, a roast pork bun, an omelet, pickled vegetables, sushi, and a green-tea-flavored croissant? They were all there for the taking and delicious, in their own way.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
All Carolina folk are crazy for mayonnaise, mayonnaise is as ambrosia to them, the food of their tarheeled gods. Mayonnaise comforts them, causes the vowels to slide more musically along their slow tongues, appeasing their grease-conditioned taste buds while transporting those buds to a place higher than lard could ever hope to fly. Yellow as summer sunlight, soft as young thighs, smooth as a Baptist preacher's rant, falsely innocent as a magician's handkerchief, mayonnaise will cloak a lettuce leaf, some shreds of cabbage, a few hunks of cold potato in the simplest splendor, restyling their dull character, making them lively and attractive again, granting them the capacity to delight the gullet if not the heart. Fried oysters, leftover roast, peanut butter: rare are the rations that fail to become instantly more scintillating from contact with this inanimate seductress, this goopy glory-monger, this alchemist in a jar. The mystery of mayonnaise-and others besides Dickie Goldwire have surely puzzled over this_is how egg yolks, vegetable oil, vinegar (wine's angry brother), salt, sugar (earth's primal grain-energy), lemon juice, water, and, naturally, a pinch of the ol' calcium disodium EDTA could be combined in such a way as to produce a condiment so versatile, satisfying, and outright majestic that mustard, ketchup, and their ilk must bow down before it (though, a at two bucks a jar, mayonnaise certainly doesn't put on airs)or else slink away in disgrace. Who but the French could have wrought this gastronomic miracle? Mayonnaise is France's gift to the New World's muddled palate, a boon that combines humanity's ancient instinctive craving for the cellular warmth of pure fat with the modern, romantic fondness for complex flavors: mayo (as the lazy call it) may appear mild and prosaic, but behind its creamy veil it fairly seethes with tangy disposition. Cholesterol aside, it projects the luster that we astro-orphans have identified with well-being ever since we fell from the stars.
Tom Robbins (Villa Incognito)
Human beings are walking bundles of cravings. Cravings for food, water, shelter, warmth; sex and companionship; status, a tribe to belong to; kicks, control, purpose; and so on, all the way down toe chocolate-brown bathroom suites. Love is one way to satisfy some of these cravings. But love's not just the drug; it's also the dealer. Love wants love in return. Like drugs, the highs look divine, and I envy the users. But when the side effects kick in - jealousy, the rages, grief, I think: Count me out. Elizabethans equated romantic love with insanity, Buddhists view it as a brat throwing a tantrum at the picnic of the calm mind.
David Mitchell (The Bone Clocks)
We didn't have to talk, and it wasn't awkward. We were just two lonely, out of place people sharing a holiday with junk food from the vending machine and a Claymation classic on the television." oh and later "I guess its a good thing we found each other then.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Even more than I hate commodifying myself, I hate men judging me as a commodity. For thousands of years, women have been throughout their lives reduced to their worth as sexual objects (slash domestic workers). We learn very early on to go to great lengths to increase our sexual value in the eyes of men, without even realizing that’s why we’re (for example) agonizing over whether our one snack for the day should be a pear or a seventy-calorie sugar-free yogurt. For years—much of my childhood and early twenties—I spent the largest portion of my conscious thought on food and how much I hated and was terrified of my body. It has taken a lot of work to divorce my view of my body and my feelings of romantic worthiness from outside sources. I’m afraid apps would undermine that effort.
Blythe Roberson (How to Date Men When You Hate Men)
Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
If Pemberley were a food, it would be a cherry tart, best consumed from a picnic basket.
Alix James (Mr. Darcy and the Girl Next Door: A Sweet Pride and Prejudice Romantic Comedy)
Tell me about your family,” he said as soon as we had ordered our food and sat down. “Tell me about yours,” I countered. “I’m an orphan,” he lied. “I’m a foundling,” I shot back.
Annika Champenois (Artfully Annoying)
you see, my whole life is tied up to unhappiness it's father cooking breakfast and me getting fat as a hog or having no food at all and father proving his incompetence again i wish i knew how it would feel to be free it's having a job they won't let you work or no work at all castrating me (yes it happens to women too) it's a sex object if you're pretty and no love or love and no sex if you're fat get back fat black woman be a mother grandmother strong thing but not woman gameswoman romantic woman love needer man seeker dick eater sweat getter fuck needing love seeking woman it's a hole in your shoe and buying lil sis a dress and her saying you shouldn't when you know all too well that you shouldn't but smiles are only something we give to properly dressed social workers not each other only smiles of i know your game sister which isn't really a smile joy is finding a pregnant roach and squashing it not finding someone to hold let go get off get back don't turn me on you black dog how dare you care about me you ain't go no good sense cause i ain't shit you must be lower than that to care it's a filthy house with yesterday's watermelon and monday's tears cause true ladies don't know how to clean it's intellectual devastation of everybody to avoid emotional commitment "yeah honey i would've married him but he didn't have no degree" it's knock-kneed mini skirted wig wearing died blond mamma's scar born dead my scorn your whore rough heeeled broken nailed powdered face me whose whole life is tied up to unhappiness cause it's the only for real thing i know
Nikki Giovanni
Electra Gates would never concern herself with how much lard should be in pie dough, I thought; but then, I was not Electra Gates. I wanted pie, something that didn't seem to interest romantic heroines.
Sharon Pywell (The Romance Reader's Guide to Life)
The Sheikh chose his words to chill any romantic illusions in the room. "Very often, people think, 'I have fallen in love with someone,'" he began. But all too often, love proved to be mere desire. Allah had put sexual impulses into the hearts of humans in order to continue the propagation of our species. But like other basic human urges, the desire for sex with someone can't last. Once it is quenched, warned the Sheikh, it subsides: "If you marry someone because of desire, your desire will go down. Just like when you are hungry, and you eat, the desire for food goes down. Desire, by nature, is something that diminishes. Love, by nature, grows.
Carla Power (If the Oceans Were Ink: An Unlikely Friendship and a Journey to the Heart of the Quran)
She knew she oughtn't to scold but she couldn't bear such a hyperbole. People couldn't live without food and air or shelter and money. Romantic love was an extra, nice if it came along, but definitely superfluous to the main requirements of existence.
Margot Livesey (The House on Fortune Street)
She did not respond, only clung harder to my embrace, and I held her with all the afflictions of a man torn by love. What a miracle she was, what a truly exquisite paragon of beauty and virtue so incredibly combined. And all perhaps wrenched from my grasp because of a war I had no real interest in nor knowledge of. In that moment I did not care who won, if only it would end and I could be with her. I would accept the whole responsibility of defeat if I had to, if only it meant a life with her by my side. I just wanted her. Needed her. As simply and clearly as one needs food and oxygen and light, I needed her in my life. And above us, flittering tranquilly in the trees above, the finches and skylarks continued to sing peacefully into the fading sun.
Jamie L. Harding
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
Ali Hazelwood (Love on the Brain)
If you have food or substance-related issues, you may be repressing or denying a different need, one connected to other people. If you feel little or no interest in sex, you almost certainly have repressed your desire. Likewise if you’re preoccupied with pornography, especially when you have a romantic partner or spouse, you may be denying your need for and dependence upon another person to gratify your sexual needs – you can do it alone! If you have a hard time reaching out to people, it may be that you find your own neediness unacceptable. People who tell themselves they don’t feel much need for friends, intimate relationships or sex are in denial.
Joseph Burgo (Why Do I Do That?)
Barcelona is the type of city where you can leave your accommodation in the morning and explore all day. On a typical day, you may be taking the subway, waiting in lines at busy tourist attractions, wandering through museums and romantic neighbourhoods, and sitting down for food and drinks at one of the many tapas bars before heading out to an upscale restaurant. Your outfits will work best if they can take you from day to night.
Anastasia Pash (Travel With Style: Master the Art of Stylish and Functional Travel Capsules)
Chang-bo took to his bed, or rather to the quilts on the floor that was all they had left. His legs swelled up like balloons with what Mrs. Song had come to recognize as edema — fluid retention brought on by starvation. He talked incessantly about food. He spoke of the tofu soups his mother made him as a child and an unusually delicious meal of steamed crab with ginger that Mrs. Song had cooked for him when they were newlyweds. He had an uncanny ability to remember details of dishes she had cooked decades earlier. He was sweetly sentimental, even romantic, when he spoke about their meals together. He would take her hand in his own, his eyes wet and cloudy with the mist of his memories. “Come, darling. Let’s go to a good restaurant and order a nice bottle of wine,” he told his wife one morning when they were stirring on the blankets. They hadn’t eaten in three days. Mrs. Song looked at her husband with alarm, worried that he was hallucinating. She ran out the door to the market, moving fast and forgetting all about the pain in her back. She was determined to steal, beg — whatever it took — to get some food for her husband. She spotted her older sister selling noodles. Her sister wasn’t faring well — her skin was flaked just like Chang-bo’s from malnutrition — so Mrs. Song had resisted asking her for help, but now she was desperate, and of course, her sister couldn’t refuse. “I’ll pay you back,” Mrs. Song promised as she ran back home, the adrenaline pumping her legs. Chang-bo was curled up on his side under the blanket. Mrs. Song called his name. When he didn’t respond, she went to turn him over — it wasn’t diffcult now that he had lost so much weight, but his legs and arms were stiff and got in the way. Mrs. Song pounded and pounded on his chest, screaming for help even as she knew it was too late.
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
To My Favorite 17-Year-Old High School Girl Do you realize that if you had started building the Parthenon on the day you were born you would be all done in only one more year? Of course, you couldn’t have done it alone, so never mind, you’re fine just as you are. You are loved simply for being yourself. But did you know that at your age Judy Garland was pulling down $150,000 a picture, Joan of Arc was leading the French army to victory, and Blaise Pascal had cleaned up his room? No wait, I mean he had invented the calculator. Of course, there will be time for all that later in your life after you come out of your room and begin to blossom, or at least pick up all your socks. For some reason, I keep remembering that Lady Jane Grey was Queen of England when she was only fifteen, but then she was beheaded, so never mind her as a role model. A few centuries later, when he was your age, Franz Schubert was doing the dishes for his family but that did not keep him from composing two symphonies, four operas, and two complete Masses as a youngster. But of course that was in Austria at the height of romantic lyricism, not here in the suburbs of Cleveland. Frankly, who cares if Annie Oakley was a crack shot at 15 or if Maria Callas debuted as Tosca at 17? We think you are special by just being you, playing with your food and staring into space. By the way, I lied about Schubert doing the dishes, but that doesn’t mean he never helped out around the house.
Billy Collins (Aimless Love: New and Selected Poems)
In Fort Wayne, Indiana, a must-stop is Fort Wayne Coney Island Weiner Stand, where you get the hot dog with way too many fresh-cut onions and a dollop of chili on top. How dogs that are prepared this way in the Midwest are known as "Coney Island hot dogs" but have really nothing to do with Coney Island, New York. The only thing that I can figure out about the origin of the name is that a hundred years ago when someone from Fort Wayne, Indiana, decided to open a hot dog place, they named it after Coney Island, because that seemed like a faraway place where people ate hot dogs and they would probably sell more "Coney Island hot dogs" than "chili dogs" (as everyone else called them) because Coney Island sounded more romantic. Yes, to people in Fort Wayne in 1914, Coney Island seemed romantic. Fort Wayne Coney Island Weiner Stand has been serving their hot dogs that way since, well, since people wanted a pound of fresh onions and chili on their hot dog.
Jim Gaffigan (Food: A Love Story)
One night, we somehow ended up discussing Wile E. Coyote as a paradigm for obsession. She argued that Wile E., with all the resources he wasted on gadgets, could have been living high on the hog. “He was so skinny,” she complained after she had Googled him and watched a few skits on YouTube. “Poor thing, he looks like a size-zero model.” “But, Love, no other food would have satisfied him. He only wanted the Road Runner. He was obsessed with her. Obsession does not allow for satisfaction. You can never really eat your cake and have it too, which is the only way you can satisfy your obsession by devouring and yet having the object of your fascination,” I said from experience. “But he really didn't want to catch it,” she argued. “What do you mean?” “It was the chase he wanted. To eat the Road Runner would have ended that, ended his only reason for living. He isn't really that inept. He really didn't want to catch it.” “I guess not,” I said, thoughtfully. “It's the journey not the resolution that matters. If he caught her, he would lie down next to her and die too.
Candice Raquel Lee (The Innocent: A Myth)
Truth About Love" I apologize for not being Gandhi or Tom the mailman who is always kind. He makes his way every day no matter the mood of the sky with our words in a sack and Gandhi made the English give India back without taking a gun for a wife. My contribution to the common good is playing with the alphabet in a little room while the world goes foraging for food. I’m a better poet than man and it’s well known how little my verbs are worth. I am my only subject, being the god of my horizons. What saves me is that just beyond my skin the world of yours is where I’d rather live. The AMA says you’ve added seven point six years to my life. In a phrase, love is a transfer of wealth. This is why Adam Smith gave up romantic verse. In trying to say what can’t be said I’ll take the Dragnet approach. Just the facts. I’d be dead sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more clearly defined. To make amends I offer ten percent more kisses each year. Or do I do more harm the closer we become? If yes, leaving would be love and a better man might. But my thrills are selfishly domestic. I like sweeping words into piles and whispering good night.
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
Dear Mr. Beard, On the radio last spring, President Roosevelt said that each and every one of us here on the home front has a battle to fight; We must keep our spirits up. I am doing my best, but in my opinion Liver Gems are a lost cause, because they would take the spirit right out of anyone. So when Mother says it is wrong for us to eat better than our brave men overseas, I tell her that I don't see how eating disgusting stuff helps them in the least. But, Mr. Beard, it is very hard to cook good food when you're only a beginner! When Mother decided it was her patriotic duty to work at the airplane factory, she should have warned me about the recipes. You just can't trust them! Prudence Penny's are so revolting. I want to throw them right into the garbage. Mrs. Davis from next door lent me one of her wartime recipe pamphlets, and I read about liver salmi, which sounded so romantic. But by the time I had cooked the liver for twenty minutes in hot water, cut it into little cubes, rolled them in flour, and sautéed them in fat, I'd made flour footprints all over the kitchen floor. The consommé and cream both hissed like angry cats when I added them. Then I was supposed to add stoned olives and taste for seasoning. I spit it right into the sink.
Ruth Reichl (Delicious!)
BILL: That moment of slaughter, for me, in my experience—and I would suspect for most sensitive animal husbandry farmers—that’s when you understand destiny and dominion. Because you have brought that animal to its death. It’s alive, and you know when that door goes up and it goes in there that it’s over. It’s the most troubling moment for me, that moment when they are lined up at the slaughterhouse. I don’t know quite how to explain it. That’s the marriage of life and death. That’s when you realize, “God, do I really want to exercise dominion and transform this wonderful living creature into commodity, into food?” “And how do you resolve that?” BILL: Well, you just take a deep breath. It doesn’t get easier with numbers. People think it gets easier. You take a deep breath? For a moment that sounds like a perfectly reasonable response. It sounds romantic. For a moment, ranching feels more honest: facing the hard issues of life and death, dominion and destiny. Or is the deep breath really just a resigned sigh, a halfhearted promise to think about it later? Is the deep breath confrontation or shallow avoidance? And what about the exhalation? It isn’t enough to breathe the world’s pollution in. Not responding is a response—we are equally responsible for what we don’t do. In the case of animal slaughter, to throw your hands in the air is to wrap your fingers around a knife handle.
Jonathan Safran Foer (Eating Animals)
Now, did you really mean that about not wanting to do this the rest of your life?” he asked. That familiar, playful grin appeared in the corner of his mouth. I blinked a couple of times and took a deep breath, smiling back at him and reassuring him with my eyes that no, I hadn’t meant it, but I did hate his horse. Then I took a deep breath, stood up, and dusted off my Anne Klein straight-leg jeans. “Hey, we don’t have to do this now,” Marlboro Man said, standing back up. “I’ll just do it later.” “No, I’m fine,” I answered, walking back toward my horse with newfound resolve. I took another deep breath and climbed back on the horse. As Marlboro Man and I rode back toward the thicket of trees, I suddenly understood: if I was going to marry this man, if I was going to live on this isolated ranch, if I was going to survive without cappuccino and takeout food…I sure wasn’t going to let this horse beat me. I’d have to toughen up and face things. As we rode, it became even more clear. I’d have to apply this same courage to all areas of my life--not just the practical, day-in and day-out activities of ranch life, but also the reality of my parents’ marital collapse and any other problems that would arise in the coming years. Suddenly, running off and getting married no longer seemed like the romantic adventures I was trying to convince myself it would be. Suddenly I realized that if I did that, if I ran away and said “I do” in some dark, hidden corner of the world, I’d never be able to handle the rigors and stresses of country life. And that wouldn’t be fair to Marlboro Man…or myself. As we started moving, I noticed that Marlboro Man was riding at my pace. “The horses need to be shod,” he said, grinning. “They didn’t need to trot today anyway.” I glanced in his direction. “So we’ll just go slow and easy,” he continued. I looked toward the thicket of trees and took a deep, calming breath, grabbing on to the saddle horn so firmly my knuckles turned pasty white.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
We have traded our intimacy for social media, our romantic bonds for dating matches on apps, our societal truth for the propaganda of corporate interests, our spiritual questioning for dogmatism, our intellectual curiosity for standardized tests and grading, our inner voices for the opinions of celebrities and hustler gurus and politicians, our mindfulness for algorithmic distractions and outrage, our inborn need to belong to communities for ideological bubbles, our trust in scientific evidence for the attractive lies of false leaders, our solitude for public exhibitionism. We have ignored the hunter-gatherer wisdom of our past, obedient now to the myth of progress. But we must remember who we are and where we came from. We are animals born into mystery, looking up at the stars. Uncertain in ourselves, not knowing where we are heading. We exist with the same bodies, the same brains, as Homo sapiens from thousands of years past, roaming on the plains, hunting in forests and by the sea, foraging together in small bands. Except now, our technology is exponentially increasing at a scale that we cannot predict. We are overwhelmed with information; lost in a matrix that we do not understand. Our civilizational “progress” is built on the bones of the indigenous and the poor and the powerless. Our “progress” comes at the expense of our land, and oceans, and air. We are reaching beyond what we can globally sustain. Former empires have perished from their unrestrained greed for more resources. They were limited in past ages by geography and capacity, collapsing in regions, and not over the entire planet. What will be the cost of our progress? We have grown arrogant in our comfort, hardened away from our compassion, believing that our reality is the only reality. Yet even at our most uncertain, there are still those saints who are unknown and nameless, who help even when they do not need to help. They often are not rich, don’t have their profiles written up in magazines, and will never win any prestigious awards. They may have shared their last bit of food while already surviving on so little. They may have cherished the disheartened, shown warmth to the neglected, tended to the diseased and dying, spoken kindly to the hopeless. They do not tremble in silence while the wheels of prejudice crush over their land. Withering what was once fertile into pale death and smoke. They tend to what they love, to what they serve. They help, even when they could fall back into ignorance, even when they could prosper through easy greed, even when they could compromise their values, conforming into groupthink for the illusion of security. They help.
Bremer Acosta
I got your flowers. They’re beautiful, thank you.” A gorgeous riot of Gerber daisies and lilies in a rainbow of reds, pinks, yellows and oranges. “Welcome. Bet Duncan loved sending one of his guys out to pick them up for me.” She could hear the smile in his voice, imagined the devilish twinkle in his eyes. “Oh, he did. Said it’s probably the first time in the history of WITSEC that a U.S. Marshal delivered flowers to one of their witnesses.” A low chuckle. “Well, this was a special circumstance, so they helped me out.” “I loved the card you sent with them the best though.” Proud of you. Give ‘em hell tomorrow. He’d signed it Nathan rather than Nate, which had made her smile. “I had no idea you were romantic,” she continued. “All these interesting things I’m learning about you.” She hadn’t been able to wipe the silly smile off her face after one of the security team members had knocked on her door and handed them to her with a goofy smile and a, “special delivery”. “Baby, you haven’t seen anything yet. When the trial’s done you’re gonna get all the romance you can handle, and then some.” “Really?” Now that was something for a girl to look forward to, and it sure as hell did the trick in taking her mind off her worries. “Well I’m all intrigued, because it’s been forever since I was romanced. What do you have in mind? Candlelit dinners? Going to the movies? Long walks? Lazy afternoon picnics?” “Not gonna give away my hand this early on, but I’ll take those into consideration.” “And what’s the key to your heart, by the way? I mean, other than the thing I did to you this morning.” “What thing is that? Refresh my memory,” he said, a teasing note in his voice. She smiled, enjoying the light banter. It felt good to let her worry about tomorrow go and focus on what she had to look forward to when this was all done. Being with him again, seeing her family, getting back to her life. A life that would hopefully include Nathan in a romantic capacity. “Waking you up with my mouth.” He gave a low groan. “I loved every second of it. But think simpler.” Simpler than sex? For a guy like him? “Food, then. I bet you’re a sucker for a home-cooked meal. Am I right?” He chuckled. “That works too, but it’s still not the key.” “Then what?” “You.” She blinked, her heart squeezing at the conviction behind his answer. “Me?” “Yeah, just you. And maybe bacon,” he added, a smile in his voice. He was so freaking adorable. “So you’re saying if I made and served you a BLT, you’d be putty in my hands?” Seemed hard to imagine, but okay. A masculine rumble filled her ears. “God, yeah.” She couldn’t help the sappy smile that spread across her face. “Wow, you are easy. And I can definitely arrange that.” “I can hardly wait. Will you serve it to me naked? Or maybe wearing just a frilly little apron and heels?” She smothered a laugh, but a clear image of her doing just that popped into her head, serving him the sandwich in that sexy outfit while watching his eyes go all heated. “Depends on how good you are.” “Oh, baby, I’ll be so good to you, you have no idea.
Kaylea Cross (Avenged (Hostage Rescue Team, #5))
You’re going to do great,” Lizzy said as they reached the mini Tiki bar. The air was cool in the high fifties and the scent of various meats on the grill filled the air. Even though they’d had the party catered, apparently Grant had insisted on grilling some things himself. “I wouldn’t have recommended you apply for it otherwise.” Athena ducked behind the bar and grinned at the array of bottles and other garnishes. She’d been friends with Lizzy the past couple months and knew her friend’s tastes by now. As she started mixing up their drinks she said, “If I fail, hopefully they won’t blame you.” Lizzy just snorted but eyed the drink mix curiously. “Purple?” “Just wait. You’ll like it.” She rolled the rims of the martini glasses in sugar as she spoke. “Where’d you learn to do this?” “I bartended a little in college and there were a few occasions on the job where I had to assist because staff called out sick for an event.” There’d been a huge festival in Madrid she’d helped out with a year ago where three of the staff had gotten food poisoning, so in addition to everything else she’d been in charge of, she’d had to help with drinks on and off. That had been such a chaotic, ridiculous job. “At least you’ll have something to fall back on if you do fail,” Lizzy teased. “I seriously hope not.” She set the two glasses on the bar and strained the purple concoction into them. With the twinkle lights strung up around the lanai and the ones glittering in the pool, the sugar seemed to sparkle around the rim. “This is called a wildcat.” “You have to make me one of those too!” The unfamiliar female voice made Athena look up. Her eyes widened as her gaze locked with Quinn freaking Brody, the too-sexy-man with an aversion to virgins. He was with the tall woman who’d just asked Athena to make a drink. But she had eyes only for Quinn. Her heart about jumped out of her chest. What was he doing here of all places? At least he looked just as surprised to see her. She ignored him because she knew if she stared into those dark eyes she’d lose the ability to speak and then she’d inevitably embarrass herself. The tall, built-like-a-goddess woman with pale blonde hair he was with smiled widely at Athena. “Only if you don’t mind,” she continued, nodding at the drinks. “They look so good.” “Ah, you can have this one. I made an extra for the lush here.” She tilted her head at Lizzy with a half-smile. Athena had planned to drink the second one herself but didn’t trust her hands not to shake if she made another. She couldn’t believe Quinn was standing right in front of her, looking all casual and annoyingly sexy in dark jeans and a long-sleeved sweater shoved up to his elbows. Why did his forearms have to look so good? “Ha, ha.” Lizzy snagged her drink as Athena stepped out from behind the bar. “Athena, this is Quinn Brody and Dominique Castle. They both work for Red Stone but Dominique is almost as new as you.” Forcing a smile on her face, Athena nodded politely at both of them—and tried to ignore the way Quinn was staring at her. She’d had no freaking idea he worked for Red Stone. He looked a bit like a hungry wolf. Just like on their last date—two months ago. When he’d decided she was too much trouble, being a virgin and all. Jackass. “It’s so nice to meet you both.” She did a mental fist pump when her voice sounded normal. “I promised Belle I’d help out inside but I hope to see you both around tonight.” Liar, liar. “Me too. Thanks again for the drink,” Dominique said cheerfully while Lizzy just gave Athena a strange look. Athena wasn’t sure what Quinn’s expression was because she’d decided to do the mature thing—and studiously ignore him.
Katie Reus (Sworn to Protect (Red Stone Security, #11))
Unfortunately the hostility that the European displayed toward the native cultures he encountered he carried even further into his relations with the land. The immense open spaces of the American continents, with all their unexploited or thinly utilized resources, were treated as a challenge to unrelenting war, destruction, and conquest. The forests were there to be cut down, the prairie to be plowed up, the marshes to be filled, the wildlife to be killed for empty sport, even if not utilized for food or clothing. In the act of 'conquering nature' our ancestors too often treated the earth as contemptuously and as brutally as they treated its original inhabitants, wiping out great animal species like the bison and the passenger pigeon, mining the soils instead of annually replenishing them, and even, in the present day, invading the last wilderness areas, precious just because they are still wildernesses, homes for wildlife and solitary human souls. Instead we are surrendering them to six-lane highways, gas stations, amusement parks, and the lumber interests, as in the redwood groves, or Yosemite, and Lake Tahoe-though these primeval areas, once desecrated, can never be fully restored or replaced. I have no wish to overstress the negative side of this great exploration. If I seem to do so here it is because both the older romantic exponents of a new life lived in accordance with Nature, or the later exponents of a new life framed in conformity to the Machine, overlooked the appalling losses and wastages, under the delusion either that the primeval abundance was inexhaustible or else that the losses did not matter, since modern man through science and invention would soon fabricate an artificial world infinitely more wonderful than that nature had provided-an even grosser delusion. Both views have long been rife in the United States where the two phases of the New World dream came together; and they are still prevalent.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
She supposed, a little sadly, that her temperament just wasn't designed to believe that nothing mattered in the world besides romantic love. Try as she might, she just couldn't convince herself that the world was well lost for love, or that a penniless life in a garret meant bliss as long as love was a substitute for warmth or food. Sometimes over the years she had looked at Marianne and envied her ability to abandon herself almost ecstatically to music, or place, or literature or -- as so intensely in the present case -- to love. It must be extraordinary, Elinor thought, to be able to surrender oneself so completely, not just because it would feel exhilarating but also because it meant that one was -- oh, how unlike me, Elinor thought regretfully -- able to trust. Marianne could trust. She trusted her instincts; she trusted those dear to her; she trusted her emotions and her passions. She drank deep, you could see that.; she squeezed every drop of living out of all the elements that mattered to her. It made her careless sometimes, of course it did, but it was a wonderfully rich and rapt way to be.
Joanna Trollope (Sense & Sensibility)
Garnish your food with romance.
Amanda Mosher (Better to be able to love than to be loveable)
s a child, I was so shy I once hid in a closet at my own birthday party! But again and again, over the years, God has confronted me with opportunities to step outside of myself to touch others. And you know what? Saying yes to God is always a hopeful endeavor. If someone asked me 40 years ago whether I'd ever write a book or speak in front of a large audience, I'd have told her she was crazy. But that's what my ministry became! And as I've matured in the Lord, my hope has grown too. These days I'm far from a hopeless romantic. I'm not a hopeless anything. I'm a wide-eyed child of God eagerly waiting to see what He has in mind for me next. hese troubling days are the perfect time to enjoy the company of old and dear friends. You can share your sorrows, rejoice at God's love, and reminisce about good times. Through all life's seasons friends add so much depth and meaning. Don't think you have to fill every minute with activities. Spend time talking, listening, and enjoying companionship. Gather around a table of great food and soak up the warmth of years of friendship. Share a verse of Scripture and a time of prayer. The Bible says, "Be joyful always; pray continually; give thanks in all circumstances, for this is God's will for you in Christ Jesus" (1 Thessalonians 5:16-18). ver the years I've put together a "This Is Your Life" scrapbook for every one of my children. The books are filled with birth announcements, birthday party pictures, graduation memories-everything imaginable. Report cards, favorite Bible verses, photos of friends, even letters they wrote from camp. My kids have so enjoyed their special books-their own personal history. I love the scripture in Proverbs that says: "The
Emilie Barnes (365 Things Every Woman Should Know)
most flowery, romantic, sickeningly sweet terms imaginable. No less a heavyweight than Augustine even waxed treacly when he wrote: “O Lord, how I love you! You pounded on my heart with your Word until I loved you. . . . But what do I love when I love you? Not beautiful bodies or the loveliness of the passing seasons, not the radiance of light around us that make our eyes leap with joy, not the sweet melodies of songs, not the fragrance of flowers or perfumes or spices, not cakes or honey, not the entangled limbs of lovers. These are not the things I love when I love God. And yet, I love a light and a voice and a fragrance and a food and an embrace when I love God, who is a light, a voice, a fragrance, a food, and an embrace to my innermost self. . . . This is what I love when I love God.
John R. Mabry (Growing into God: A Beginner's Guide to Christian Mysticism)
Standing behind Georgie, Luke slipped his arms about her waist and pulled her back against him. She rested her hands on his. “She used my colored ribbon. Do you see it?” They faced her corner window, watching as the mama cardinal nosed the edges of her nest. It had taken her only three days to build it. The compact bowl was a masterpiece of twigs, rootlets, vines, and strips of bark. Interlaced within its siding was a frivolous piece of yellow-and-orange frippery. “I do,” he said. “Definitely gives it the woman’s touch.” She smiled. He had to admit the process was fascinating. The male had kept a close eye on his mate during construction, but didn’t offer any help. He wondered if it contributed at all once copulation had occurred, but wasn’t quite sure how to pose the question. “How long before she lays?” he asked. “Five or six days.” “Then how long before they hatch?” “Another twelve, give or take.” He rested his mouth against her hair and inhaled the flowery-cinnamon shampoo paste she used. “You going to name them?” She angled her head back. “I believe the most romantic couple’s names have already been taken.” Unable to resist, he gave her a soft kiss. “There’s Romeo and Juliet.” Scrunching her nose, she turned back around. “I don’t much care for the ending of that tale.” The female cardinal hopped to the edge of the ligustrum, then darted away in search of food. “Cleopatra and Caesar?” “No, I’m through glamorizing people who don’t deserve it.” He gave her a quick squeeze. “Then what about Queen Victoria and Prince Albert?” Her spine straightened. “Oh, I like that. And with the cardinals’ rich beautiful plumage, they deserve royal names.
Deeanne Gist (Love on the Line)
Teage Ezard’s Contemporary Australian Food. Perfect for a romantic evening on a balcony with a bottle of Drappier rosé champagne.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
Our current preoccupation with zombies and vampires is easy to explain. They're two sides of the same coin, addressing our fascination with sex, death and food. They're both undead, they both feed on us, they both pass on some kind of plague and they can both be killed with specialist techniques – a stake through the heart or a disembraining. But they seem to have become polarised. Vampires are the undead of choice for girls, and zombies for boys. Vampires are cool, aloof, beautiful, brooding creatures of the night. Typical moody teenage boys, basically. Zombies are dumb, brutal, ugly and mindlessly violent. Which makes them also like typical teenage boys, I suppose. 카톡►ppt33◄ 〓 라인►pxp32◄ 홈피는 친추로 연락주세요 발기부족으로 삽입시 조루증상 그리고 여성분 오르가즘늦기지 못한다 또한 페니션이 작다고 느끼는분들 이쪽으로 보세요 팔팔정,구구정,비닉스,센트립,네노마정,프릴리지,비맥스,비그알엑스 등 아주 많은 좋은제품들 취급하고 단골님 모시고 있는곳입니다.원하실경우 언제든 연락주세요 Zombie stories are life lessons for boys who don't mind thinking about bodies, but can't cope with emotions. Vampire stories are in many ways sex for the squeamish. We don't need Raj Persaud to tell us that plunging canines into soft warm necks, or driving stakes between heaving bosoms, are very basic sexual metaphors. There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel. No zombie is ever going to be a pinup on some young girl's wall. Just as Pattinson and all the Darcy-alikes will never find space on any teenage boy's bedroom walls – every inch will be plastered with revolting posters of zombies. There are no levels of Freudian undertone to zombies. Like boys, they're not subtle. There's nothing sexual about them, and nothing sexy either.
팔팔정정품구입 카톡:ppt33 라인:pxp32 팔팔정파는곳 팔팔정정품구매 팔팔정처방 팔팔정후기
It’s the little stuff. The goodnight cuddles rather than the spectacular sex. The quick chat over a rushed breakfast rather than the romantic three-course meals in a posh restaurant. The casual contact, the taken-for-granted communication, the fact that if you hear a noise in the night, there’s someone else to send to investigate.
Debbie Johnson (Summer at the Comfort Food Café (Comfort Food Cafe #1))
Women are simple, Chase. Feed them at appropriate intervals, tell them you love them at least once a day, do not steal their food, do not ever, ever steal their food, don’t make messes they need to clean, and there’s something about pillows and thermostats, but I’m choosing to forget what.
R.J. Blain (Blending In (Magical Romantic Comedies, #6))
They lit candles and the fire that had been prepared for them, warmed some food, drank some wine. The dog stretched out on the rug, and the couple almost held hands at one point. From the outside looking in, it was quite a romantic scene. But looks can be deceiving, everyone knows that.
Alice Feeney (Rock Paper Scissors)
King's Hot Chicken Shack didn't exactly scream "romantic," not that I was looking for that. Clearly Daniel wasn't. The shack conveyed something entirely different, with its HOT! HOT! HOT! neon sign and posters of cartoony squawking chickens taped to the window. Nearly all of the items offered on the menu were similar to other hot chicken places I loved, like Prince's and Hattie B's, and most were foods you picked up with your hands, a second clue that Daniel was definitely not inclined to romantic thoughts. Hot chicken nuggets, tenders, wings, quarters, and halves. Waffle fries. Curly fries. Buttered corn on the cob. All of it sounded delicious... and very platonic. Like Flora's coffee shop, this place had an extensive menu, plus way too many heat levels for the average fried chicken consumer: plain, mild, medium, hot, hot, X hot, XX hot, XXX hot, and the ultimate heat: "hot like motherclucking hell!
Suzanne Park (So We Meet Again)
Life without romance is like food that is stale
B.S. Murthy (Benign Flame: Saga of Love)
People often consider social relationships only as negative forces in drug use. However, what they fail to understand is the complexity of group behavior. Human beings have always devised means of determining who is “us” and who is “them,” and the consumption of specific foods or drugs is typically one way of doing so. Teens are especially sensitive to these cues of belongingness, and so if drug use is the price of group membership, it’s one that many are willing to pay. Some groups, however, mark their boundaries by avoiding certain types of drug use—for example, athletes rejecting smoking, 1960s hippies rejecting hard liquor in favor of marijuana and LSD, and blacks avoiding methamphetamine because it is seen as a white drug. From the level of the clique to the level of the national culture, behavior related to drugs isn’t only about getting high; it’s often used to delineate group membership and social standing. The social aspects of drug use also change with age. For example, having children and getting married are both associated with reductions in drug use; one of many studies with similar findings in this literature found that people who are married are three times more likely to quit using cocaine and those who have children are more than twice as likely to stop.1 Similar data shows that people with close family and romantic relationships tend to have better outcomes in treatment2—and students’ feelings of social warmth and connectedness to school and parents are linked with reductions in drug problems.
Carl L. Hart (High Price: A Neuroscientist's Journey of Self-Discovery That Challenges Everything You Know About Drugs and Society)
Money was worthless, which meant putting food on the table required exhausting, hard work.
Lisa Harris (Deception (Fallout #4))
drizzled over it and a garnish. And “garnish” is just a fancy name for a plain old piece of parsley. So, to save money, Brianna and I decided to cook a romantic candlelit dinner for Mom and Dad as an anniversary surprise. We took a big bucket and a net to the pond at the park and hunted down some fresh frog legs and snails. It was MY brilliant idea to make it an all-you-can-eat buffet, since we were basically getting the food for FREE. CHEF NIKKI AND HER ASSISTANT PREPARE A TASTY GOURMET DINNER OF FROG LEGS AND SNAILS Trying to prepare a gourmet dinner was definitely a lot harder than I thought it would be. The frogs kept jumping out of
Rachel Renée Russell (Tales from a Not-So-Fabulous Life (Dork Diaries, #1))
Truth About Love" I apologize for not being Gandhi or Tom            the mailman who is always kind. He makes his way every day no matter            the mood of the sky with our words in a sack and Gandhi made the English            give India back without taking a gun for a wife. My contribution            to the common good is playing with the alphabet in a little room            while the world goes foraging for food. I’m a better poet than man            and it’s well known how little my verbs are worth. I am my only subject,            being the god of my horizons. What saves me is that just beyond my skin            the world of yours is where I’d rather live. The AMA says you’ve added            seven point six years to my life. In a phrase, love is a transfer of wealth.            This is why Adam Smith gave up romantic verse. In trying to say what can’t            be said I’ll take the Dragnet approach. Just the facts. I’d be dead            sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more          clearly defined. To make amends I offer ten percent more kisses each year.            Or do I do more harm the closer we become? If yes, leaving would be love            and a better man might. But my thrills are selfishly domestic. I like sweeping words            into piles and whispering good night. Bob Hicok, Insomnia Diary. (University of Pittsburgh Press. 2004)
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
Did I tell you it is a crime to drink un-chilled wine? An act of gross injustice that would offend the manufacturers, connoisseurs of wine and food critics alike. Red wine adds glamour to a snifter whereas white wine adds sparkle to your stemware. Sparkling rose with its romantic hue would give the crystal cut glassware an aura of romance. The feeling you get when you swirl the sweet, sour, tangy, crisp liquid in your mouth with your first sip is unsurpassable, A few more sips and a gentle warmth courts you, which spreads through your veins making you feel relaxed. You can feel your spirits soar high in the clouds of imagination or intoxication.
Neetha Joseph (I Am Audacious)
Well, the rain made them a mess, the flowers, half of them bald of petals and the stems weak as noodles, and I was beginning to think that flowers were a silly idea, that you'd think, I don't know what, but I kept them all week because the last couple of days I couldn't escape to come and explain, and yesterday the flowers just flat died. So when I left today I didn't have any flowers, and wasn't sure I'd find you anyhow, so I grabbed what I could find, and it was food.
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
If we went to Les Agarves, which is twice the cost, but about as gourmet as we can get without actually being in France, that would qualify as a special evening out. Ronnie will do it on an anniversary or on a birthday, but I know his true opinion of it is that it’s not worth it. I’ve come to believe his taste buds can’t reach gourmet level so he can’t appreciate the difference. For him, then, it makes little sense. But it’s not only the food that is exquisite; it’s the ambience and the service. You feel you’re special, even if only for one night, one dinner. Ronnie likes to make it seem that only women want this. Sometimes I wonder if that’s not true. It’s certainly true when it comes to his friends or most of the husbands of my girlfriends. It’s almost as if there’s something unmanly about elegance. They’d rather associate themselves with Clint Eastwood than Cary Grant or George Clooney. Eastwood can be tough, virile and dangerous, and be grimy at the same time, except, of course, in a movie like The Bridges of Madison County, but men don’t talk about that film.
Andrew Neiderman (Lost in His Eyes: Romantic suspense)
After all, you make so many compromises. You find yourself laughing at things you might never have laughed at previously. Your opinions about so many things change, and not because your husband dominates you so much as because you seek a smoother, less complicated direction to take or accept. Specifically, your thoughts about sex, about what you would do, change. You might eat foods you never really liked, go to places you’d rather avoid, and tolerate friends you wouldn’t spend five minutes with before you were married. You would do this all in the name of love and marriage,
Andrew Neiderman (Lost in His Eyes: Romantic suspense)
happy now that I had kept my hair appointment last week and had the stylistic cut. I almost had canceled it because I hadn’t felt the need to look pretty for some time. I was settling on a ‘this will do for now’ attitude, not only about my hair and my makeup, but my clothes, and even the way I was taking care of the house and shopping for food. One might even say I was down for the count just before I was rescued.
Andrew Neiderman (Lost in His Eyes: Romantic suspense)
The philosopher: 'Love is a passionate commitment' 카톡☛ppt33☚ 〓 라인☛pxp32☚ 홈피는 친추로 연락주세요 The answer remains elusive in part because love is not one thing. Love for parents, partners, children, country, neighbor, God and so on all have different qualities. Each has its variants – blind, one-sided, tragic, steadfast, fickle, reciprocated, misguided, and unconditional. At its best, however, all love is a kind a passionate commitment that we nurture and develop, even though it usually arrives in our lives unbidden. That's why it is more than just a powerful feeling. Without the commitment, it is mere infatuation. Without the passion, it is mere dedication. Without nurturing, even the best can wither and die. 비닉스구입,비닉스구매,비닉스판매,비닉스파는곳,비닉스팝니다,비닉스구입방법,비닉스구매방법,비닉스지속시간,비닉스판매사이트,비닉스약효 The romantic novelist: 'Love drives all great stories' 우선 클릭해서 감사드립니다.클릭한만큼 제품도 실망드리지 않습니다.정품진품으로 확실한 약효를 보여드리는곳입니다 팔팔정,구구정,네노마정,프릴리지,비맥스,비그알엑스,엠빅스,비닉스,센트립 등 많은 제품 취급합니다 원하신분들 지나가지 마시고 연락 주시구요,최선을 다해 단골님으로 모셔드리겠습니다 What love is depends on where you are in relation to it. Secure in it, it can feel as mundane and necessary as air – you exist within it, almost unnoticing. Deprived of it, it can feel like an obsession; all consuming, a physical pain. Love is the driver for all great stories: not just romantic love, but the love of parent for child, for family, for country. It is the point before consummation of it that fascinates: what separates you from love, the obstacles that stand in its way. It is usually at those points that love is everything. 발기부족으로 삽입시 조루증상 그리고 여성분 오르가즘늦기지 못한다 또한 페니션이 작다고 느끼는분들 이쪽으로 보세요 팔팔정,구구정,비닉스,센트립,네노마정,프릴리지,비맥스,비그알엑스 등 아주 많은 좋은제품들 취급하고 단골님 모시고 있는곳입니다.원하실경우 언제든 연락주세요 Our current preoccupation with zombies and vampires is easy to explain. They're two sides of the same coin, addressing our fascination with sex, death and food. They're both undead, they both feed on us, they both pass on some kind of plague and they can both be killed with specialist techniques – a stake through the heart or a disembraining. But they seem to have become polarised. Vampires are the undead of choice for girls, and zombies for boys. Vampires are cool, aloof, beautiful, brooding creatures of the night. Typical moody teenage boys, basically. Zombies are dumb, brutal, ugly and mindlessly violent. Which makes them also like typical teenage boys, I suppose.
비닉스팝니다 via2.co.to 카톡:ppt33 비닉스가격 비닉스후기 비닉스지속시간 비닉스구입방법 비닉스구매방법 비닉스복용법
Nothing else can satiate the hunger, my craving, that need for contact, except you. At moments, I'm starving in a room full of food. None of it what I need or want.
Jennifer Peer (Not On Your Latte: A HOT Southern Romance)
Households receive a higher total allotment of food stamps if romantic partners apply separately for the benefit rather than as a married couple.
Matthew Desmond (Poverty, by America)
No, no, no. This is not good. He can’t do this to my poor, secretly hopeless romantic heart. This man. This sweet, kind, caring man. He remembered my favorite food combination and got me a heated stuffed cupcake, which I told him is what my dad calls me.
Carlie Jean (Promise Me (RLU #1))
She was rather like a demanding Persian cat, completely self-contained and aloof when it came to food, expecting it to be left out for her, but if it wasn’t fresh enough when she finally deigned to eat it, she’d turn her nose up.
Julie Caplin (The Christmas Castle in Scotland (Romantic Escapes, #9))
Can you feel romantic love toward food?
Actus (Return of the Runebound Professor 3)
What's a fun surprise? Unexpected gifts, visits, food, experiences. Secrets bring despair. Surprises bring delight.
Lynn H. Blackburn (Never Fall Again (Gossamer Falls, #1))
Let me tell you about my favorite day of the month, properly dubbed my A.D.I.B. (stands for All Day In Bed). On that designated day, I will buy candy, chocolates and order any fast food meal of my choosing. I will then spend the rest of my A.D.I.B. in my pajamas on the couch, watching a movie marathon. I’ll watch the corniest chick flicks, the most romantic of dramas, and the cheesiest comedies. I will also pour myself a relaxing hot bubble bath with aromatherapy beads while reading a magazine. That entire day, I am off the grid and completely unplugged!
Sunshine Rodgers (Be The Sunshine)
First he searched the cooling bodies of Aclines, his apprentice, and the bodyguard. He set a few things aside to look at later, and tossed several potentially dangerous intentioned items over the side. Then he started a search of the rooms off the upper deck cabin while Tenes found the ship’s chart box and took it out to Ziede. Sanja helped him search, and he showed her what to look for and what to be wary of. Only five of the curtained rooms off the cabin had been occupied, so the work went quickly. Aclines had left no convenient diaries explaining his plans, no letters to his masters, no documents naming Ashem and Ramad as coconspirators. But maybe that sort of thing was only done by the villains in romantic Arike novels or Enalin poetic epics. Kai checked the lavish bathing room on the service deck just below. It had basins that could be filled with water pumped up from the ship’s cistern, and Kai took the opportunity to stick his head under a tap and quickly rinse the saltwater out of his hair. The galley was small, meant only to serve the Immortal Blessed occupying the stern cabin, but it was stocked with dry staples like lentils, chickpeas, and millet, with fresh stores of dates and figs. Provisions for Arike and the other south- and eastlanders, not the kind of food the Immortal Blessed preferred.
Martha Wells (Witch King (The Rising World, #1))
What I need is someone to eat off the same plate with me. Someone who makes me comfortable enough to be silly, someone I can dance poorly around, someone who gets it when I cry at commercials. I also need someone honest enough to tell me I have food in my teeth or too much product in my hair. I want someone who kisses me as if it’s the last scene of a romantic movie and we’re on a bridge with a perfect sunset behind us, even though we’re just in line at the grocery store. After all those years of teen magazines asking some form of the question “What Does John Stamos Want in a Girl?” I think it’s simpler than anyone could have imagined.
John Stamos (If You Would Have Told Me)
Food”—he motioned to our almost empty plates—“is a work of art. That’s what a perfect meal is—something that you don’t just eat, but something you enjoy. With friends, and family—maybe even with strangers. It’s an experience. You taste it, you savor it, you feel the story told through the intricate flavors that play out across your tongue . . . it’s magical. Romantic.
Ashley Poston (The Seven Year Slip)
Um, how did it go?” I put my hands on my hips and huffed. “Just great. He plagued the life out of me while I spewed insults at him. I made an enemy of another waiter and estranged myself from a new restaurant, and Croft picked food out of my hair.
Annika Champenois (Artfully Annoying)
We need books as much as we need food. Food feeds our body, books feed our soul.
Rosa Silva (Single with Cat: A feel-good romantic comedy (Cat Ladies Looking for Love))
Many of our welfare policies, too, have an antifamily design. Supplemental Security Income checks are docked if recipients live with relatives. A mother can lose her rental assistance or public housing unit if she allows the father of her children to live with her in violation of her lease. Households receive a higher total allotment of food stamps if romantic partners apply separately for the benefit rather than as a married couple.[37] Then there is the Earned Income Tax Credit (EITC).
Matthew Desmond (Poverty, by America)
She decided to start them off with a Sweet Corn Bisque with Crab "Souffle." The pureed texture of this deeply penetrating soup gave it a rich, suede-smooth mouth-feel, and the stack of jumbo lump crabmeat mounded in the center, warm and bound together with a whisper of mayonnaise and coriander, told someone immediately that you were excited they came. The main course would be center-cut Filet Mignon in a Grand Marnier Reduction, with Chestnut Mashed Potatoes and Green Beans Amandine. Romantic encounters had been preceded by bold yet classically inspired meals like this since Casanova's day. She advised Pettibone in no uncertain terms that the steaks needed to be done just to the brink of medium-rare, then finished with butter and allowed to carry-over cook their last five minutes for the best results. Dessert would be a delicate Flan with Sauternes Caramel, a velvety, infused custard that finished with a rapturous, dulcet swirl of caramel on the tongue.
Brian O'Reilly (Angelina's Bachelors)
We’ll show that human beings evolved in intimate groups where almost everything was shared—food, shelter, protection, child care, even sexual pleasure. We don’t argue that humans are natural-born Marxist hippies. Nor do we hold that romantic love was unknown or unimportant in prehistoric communities. But we’ll demonstrate that contemporary culture misrepresents the link between love and sex. With and without love, a casual sexuality was the norm for our prehistoric ancestors.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
That’s so sweet.” “So says the romance novel reader.” “You have something against romance, Callahan?” “Not at all. I have something against schmaltz.” “Schmaltz! That wasn’t schmaltz.” “Darlin’, that picnic was the epitome of schmaltz.” “All right then, Casanova. What should Harry have done to romance his lady?” Gabe stretched his legs out and crossed them at the ankles. He linked his hands behind his head and considered the question. “The bouquet was way overdone. A single rose would be okay, or even better, whatever flower she considered her favorite. Hiring a violinist to ride behind the courting buggy ruined the whole thing.” “Now, why would you say that? It’s terribly romantic.” “You like threesomes, do you?” “What? No!” Gabe chuckled and continued, “A mountain meadow picnic was good, but a linen-draped table? Fine china? Roast duckling? No. Way too formal. Too stuffy. All you need for a romantic mountain meadow picnic is a quilt to spread on the grass and a picnic basket with finger foods. The champagne was a good idea, but it’d have been better if he’d put it to chill in the creek.” “That’s a good idea,” Nic agreed. “What about the poetry and the dancing?” “Depends on the woman, of course. If she’s into that, then yeah. Nothing’s wrong with poetry or dancing.” “What do you do for music if you’ve left the violinist back in town?” “If a guy can carry a tune at all, he can sing softly, or hum. You can dance to birdsong or music in your mind, as far as that goes.” She let that sit a minute, then said, “That’s not bad, Callahan. Not bad at all.” He
Emily March (Angel's Rest (Eternity Springs, #1))
In Euripedes's The Bacchae...Dionysus dispenses food, drink and comfort, and inspires communal energy, song and dance; he is rapture and rage, illumination and blindness.
Anya Taylor (Bacchus in Romantic England: Writers and Drink 1780-1830)
He’d stopped talking about bonding her to him forever and had apparently decided to concentrate on being charming instead. Liv never would have believed that such an intensely alpha male could be light and playful but she had been seeing an entirely different side of Baird lately. Aside from the sushi class, he’d also taken her to an alien petting zoo where she was able to see and touch animals that were native to the three home worlds of the Kindred and they’d been twice to the Kindred version of a movie theater where the seats were wired to make the viewer feel whatever was happening on the screen. He’d also taken her to a musical performance where the musicians played giant drums bigger than themselves and tiny flutes smaller than her pinky finger. The music had been surprisingly beautiful—the melodies sweet and haunting and Liv had been moved. But it was the evenings they spent alone together in the suite that made Liv really believe she was in danger of feeling too much. Baird cooked for her—sometimes strange but delicious alien dishes and once Earth food, when she’d taught him how to make cheeseburgers. They ate in the dim, romantic light of some candle-like glow sticks he’d placed on the table and there was always very good wine or the potent fireflower juice to go with the meal. Liv was very careful not to over-imbibe because she needed every ounce of willpower she had to remember why she was holding out. For dessert Baird always made sure there was some kind of chocolate because he’d learned from his dreams how much she loved it. Liv had been thinking lately that she might really be in trouble if she didn’t get away from him soon. If all he’d had going for him was his muscular good looks she could have resisted easily enough. But he was thoughtful too and endlessly interested in her—asking her all kinds of questions about her past and friends and family as well as people he’d seen while they were “dream-sharing” as he called it. Liv found herself talking to him like an old friend, actually feeling comfortable with him instead of being constantly on her guard. She knew that Baird was actively wooing her, doing everything he could to earn her affection, but even knowing that couldn’t stop her from liking him. She had never been so ardently pursued in her life and she was finding that she actually liked it. Baird had taken her more places and paid her more attention in the past week than Mitch had for their entire relationship. It was intoxicating to always be the center of the big warrior’s attention, to know that he was focused exclusively on her needs and wants. But attention and attraction aside, there was another factor that was making Liv desperate to get away. Just as he had predicted, the physical attraction she felt for Baird seemed to be growing exponentially. She only had to be in the same room with him for a minute or two, breathing in his warm, spicy scent, and she was instantly ready to jump his bones. The need was growing every day and Liv didn’t know how much longer she could fight it.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
For breakfast to be called ‘in bed’ instead of ‘on top of a bed,’ the house in which it is about to be eaten has to have at least two rooms (excluding the kitchen); (at least) three, if it has a bathroom.
Mokokoma Mokhonoana
Since Paul wasn’t a big conversationalist—he was the anti-Mac, in other words, and today had been the longest she’d ever heard him speak in consecutive sentences—Jena watched the scenery for a while. Then she decided to study the inside of Paul’s truck to see what she could learn about him. Technically, it was exactly like hers and Gentry’s. It had a black exterior with a blue light bar across the top and the Louisiana Department of Wildlife and Fisheries Enforcement Division logo on the doors. It was tech heavy on the front dash, just like theirs, with LDWF, Terrebonne Parish Sheriff’s Office, and Louisiana State Police Troop C radios, a laptop, a GPS unit, and a weather unit. In her truck and in Gentry’s, the cords and wires were a colorful tangle of plastic and metal, usually with extra plugs dangling around like vines. Paul’s cords were all black, and he had them woven in pairs and tucked underneath the dash, where they neatly disappeared. She leaned over to see how he’d achieved such a thing, and noticed identical zip ties holding them in place. “Sinclair, I hate to ask, but what are you doing?” He sounded more bemused than annoyed, so she said, “I’m psychoanalyzing you based on the interior of your truck.” He almost ran off the road. “Why?” “Your scintillating conversation was putting me to sleep.” His dark brows knit together but he seemed to have no answer to that. She turned around in her seat, as much as the seat belt allowed, and continued her study. Paul had a 12-gauge shotgun and a .223 carbine mounted right behind the driver’s seat, same as in her own truck. The mounts had hidden release buttons so the agents could get the guns out one-handed and quickly. But where her truck had a catch-all supply of stuff, from paper towels to zip ties to evidence bags to fast-food wrappers thrown in the back, Paul’s backseat was empty but for a zippered storage container normal people used for shoes. Each space held different things, all neatly arranged. Jena spotted evidence bags in one. Zip ties in another. Notebooks. Citation books. Paperwork. A spare uniform hung over one window, with a dry-cleaner’s tag dangling from the shirt’s top button. Good Lord. She turned back around. “What did you learn?” Paul finally asked. “You’re an obsessive-compulsive neat freak,” she said. “Accent on freak.
Susannah Sandlin (Black Diamond (Wilds of the Bayou, #2))
Young back-to-the-landers who had felt reassured by the "real" skills of growing their own food and building their own shelter were now also experiencing what their farm neighbors and forebears had long known: relying strictly on yourself and on the land for your livelihood puts you frighteningly at the mercy of chance. An early frost, a slipped saw blade, a hot-selling market vegetable suddenly passing out of vogue- one stroke of bad luck could be devastating. Many were shocked to discover that poverty- even romantic, "turned-on" poverty- was defined not by a lack of material possessions but by a lack of control. Mortgages and health insurance and the other systems their parents had counted on to provide stability suddenly made a lot more sense.
Kate Daloz (We Are As Gods: Back to the Land in the 1970s on the Quest for a New America)
The nature of our culture is such that if you were to look for instruction in how to do any of these jobs, the instruction would always give only one understanding of Quality, the classic. It would tell you how to hold the blade when sharpening the knife, or how to use a sewing machine, or how to mix and apply glue with the presumption that once these underlying methods were applied, “good” would naturally follow. The ability to see directly what “looks good” would be ignored. The result is rather typical of modern technology, an overall dullness of appearance so depressing that it must be overlaid with a veneer of “style” to make it acceptable. And that, to anyone who is sensitive to romantic Quality, just makes it all the worse. Now it’s not just depressingly dull, it’s also phony. Put the two together and you get a pretty accurate basic description of modern American technology: stylized cars and stylized outboard motors and stylized typewriters and stylized clothes. Stylized refrigerators filled with stylized food in stylized kitchens in stylized houses. Plastic stylized toys for stylized children, who at Christmas and birthdays are in style with their stylish parents. You have to be awfully stylish yourself not to get sick of it once in a while. It’s the style that gets you; technological ugliness syruped over with romantic phoniness in an effort to produce beauty and profit by people who, though stylish, don’t know where to start because no one has ever told them there’s such a thing as Quality in this world and it’s real, not style. Quality isn’t something you lay on top of subjects and objects like tinsel on a Christmas tree. Real Quality must be the source of the subjects and objects, the cone from which the tree must start.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
Sergei recited a Pushkin poem in Russian while I recited a stanza by Racine from my French classical repertoire. Both of us, romantics at heart, were inebriated by the fresh air, the calm and the greenery surrounding us, and we decided to ride to a village where we could taste the local food and wash it down with beer for Sergei and tea for me.
Liliane Willens (Stateless in Shanghai)
The minute I dropped out I could stop taking the required classes that didn’t interest me, and begin dropping in on the ones that looked interesting. It wasn’t all romantic. I didn’t have a dorm room, so I slept on the floor in friends’ rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the seven miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example: Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn’t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it’s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later. Again, you can’t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something—your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life. The narrator of this story is Steve Jobs, the legendary CEO of Apple. The story was part of his famous Stanford commencement speech in 2005.[23] It’s a perfect illustration of how passion and purpose drive success, not the crossing of an imaginary finish line in the future. Forget the finish line. It doesn’t exist. Instead, look for passion and purpose directly in front of you. The dots will connect later, I promise—and so does Steve.
Jesse Tevelow (The Connection Algorithm: Take Risks, Defy the Status Quo, and Live Your Passions)
Dialogue Should Move the Story Forward, Provide Information, or Enhance Characterization, Unless You’re Really Witty The best dialogue can do all three. This is a rule that’s often broken by great writers, but before you can get away with breaking it, you have to understand why it exists. Recently, I reread one of my first stories. I thought it would be fun to reread, but I was disappointed in much of the dialogue. In the middle of a scene, my heroine Mildred and the housekeeper broke into an exchange about what my heroine wanted for dinner. I think they were the only two people in the world who cared about it. Readers never even got to see them eat this dinner, and the exchange had no point. It didn’t advance the plot, and it told us nothing about Mildred except that she hated sour beef and dumplings. But let’s say you’re writing a romantic mystery where several people are poisoned by arsenic in the sour beef and dumplings. Suddenly that exchange becomes crucial because the reader knows Mildred was spared because she didn’t like the dish — does this mean the killer poisoned that dish because he didn’t want her to die? Or let’s say the point of the scene is that Mildred’s late father is a famous chef whose specialty was sour beef and dumplings, and Mildred confesses that no longer eats this dish because it brings back too many memories. Now the scene tells us something about Mildred’s personality, not just about her food intake. It wouldn’t take much work to use this exchange to move the plot forward while telling us something about Mildred and sharing the information about the food she likes. Are you a witty author? Are you sure? If so, then you can get away with writing dialogue that doesn’t advance the plot, doesn’t tell us anything about the character, and doesn’t provide information to the reader. But even if you can get away with it, why should you do this? Even the most sparkling dialogue won’t help your story if it’s completely empty of anything but wit.
Anne Marble
Italian restaurants are the stuff romantic dates are made of. Usually. If you think about it, it's a formula that works: a cozy room full of dark, earthy woods; menus that indulge with multiple courses of carbohydrates; plus servers with seductive accents who deliver the food with knowing looks. As they say, that's amore. All of these restaurants define themselves as Tuscan or Northern Italian, which means you can count on them for amazing house-made pastas along with classic meat and fish dishes.
Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself)
the brain is tasked with setting up a system in which we can eat and drink and survive physically. In our modern, first-world economy this means having a job and a dependable income. Then the brain is concerned with safety, which might entail having a roof over our heads and a sense of well-being and power that keeps us from being vulnerable. After food and shelter are taken care of, our brains start thinking about our relationships, which entail everything from reproducing in a sexual relationship, to being nurtured in a romantic relationship, to creating friendships (a tribe) who will stick by us in case there are any social threats. Finally, the brain begins to concern itself with greater psychological, physiological, or even spiritual needs that give us a sense of meaning.
Donald Miller (Building a StoryBrand: Clarify Your Message So Customers Will Listen)
The first part of enjoying food was seeing it. Then it was smelling it. And, finally, it was tasting it.
Christy Barritt (Lantern Beach Romantic Suspense Boxed Set: Books 1-3)
Only the rougher folks are out at night, and Blue Jean's is the one place they'll go for a meal. With a reputation of serving anybody, no matter who they are or what they're involved in, the diner attracts all sorts of characters.
Maisy Heart (Midnight at the Diner: A Young Adult Romantic Suspense Thriller)
You haven’t asked me to marry you,” Elle said. “My darling, Elle. When I ask you, I will make it as romantic as possible, shower you with food, and do everything in my power to woo you. However, I find myself less than enthused by the prospect of any more surprises, so I would like to be sure. Is that what you see in our future?” “We will fight.” “And then we will forgive each other.” “I will still rub plant leaves.” “And I will very likely make squirrel jokes until another woodland creature bites you.” Elle laughed. “Yes. Yes, yes, yes!” Severin
K.M. Shea (Beauty and the Beast (Timeless Fairy Tales, #1))
Scott doesn’t suspect anything, right?” I ask. “Are you kidding? He knows pretty much everything,” Travis says as if there was ever a doubt. “What? Did you tell him?” I accuse. “Etty, he’s turning thirty. He’d have to be a moron to not know there is going to be a party. You always order food from the same place, and we both live in a shoe box, so your parents’ house is the only place that could fit more than five people. It didn’t take Einstein.” I chew on my bottom lip. “We will have to do something spontaneous,” I say, nodding my head. “Slow down,” he says, holding up his hands. “Don’t go crazy. The party we planned is fine.” Why does everyone always say that to me? Like they think I go overboard on everything. Which is so untrue. Everything I plan is with love, and I am in complete control the whole time. It’s the plans that have a mind of their own. I mean, did I ask the magician to put my mom in that box for his ‘Disappearing Trick’ even though my mother’s claustrophobic? No. And after I calmed her down and she drank a bottle of wine I think even she appreciated that it was a pretty cool trick. And my dad fumbling with the keys to get her unlocked and punching out the magician− it was so romantic. Sadly, I did lose my security deposit on that one.
Emily Harper (My Sort-of, Kind-of Hero)
Given that Chipotle has removed from its menu most ingredients from genetically engineered plants, the reason Pinker gives for this optimism is a bit ironic: “Problems that look hopeless may not be; human ingenuity can chip away at them. We will never have a perfect world, but it’s not romantic or naïve to work toward a better one.”12
Jayson Lusk (Unnaturally Delicious: How Science and Technology Are Serving Up Super Foods to Save the World)
Do you date a lot?” “I suppose you could say I do,” he answered. “There are women I’m friendly with and we share certain interests. There’s a neighbor woman I’ve known for years who is a food critic for the newspaper, and sometimes she invites me along to restaurants she’s reviewing—what an opportunity! She doesn’t listen to a word I say about the food, but I love the whole experience. I have a colleague I can invite to those college parties I’m forced to attend—she’s single and doesn’t usually have a date, either. Mainly I have a number of friends who happen to be women, and if I’m looking for something to do, I might give one of them a call.” He turned and looked toward her. “Maureen, I don’t have anything romantic going on with anyone. Ridiculous as it might be to think a man my age could be a playboy, I promise you, I am not.” “I didn’t mean—” He grinned and grabbed her hand. “Of course you did, and not only am I encouraged, I’m flattered!” “Well, don’t be,” she said. “I didn’t mean that.” And then he laughed at her. George
Robyn Carr (Angel's Peak (Virgin River #10))