Romance Book Quotes

We've searched our database for all the quotes and captions related to Romance Book. Here they are! All 100 of them:

V-Day…if you need this one day in a year to show everyone else you truly care for “your loved one” I think it’s quite stupid. I hate this commercialism. It’s all artificial, and has nothing to do with real love.
Jess C. Scott (EyeLeash: A Blog Novel)
My head’ll explode if I continue with this escapism.
Jess C. Scott (EyeLeash: A Blog Novel)
Falling in love is very real, but I used to shake my head when people talked about soul mates, poor deluded individuals grasping at some supernatural ideal not intended for mortals but sounded pretty in a poetry book. Then, we met, and everything changed, the cynic has become the converted, the sceptic, an ardent zealot.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
The more a person pushes others away, the clearer it becomes he is in need of love the most.
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
You are enough to drive a saint to madness or a king to his knees.
Grace Willows (To Kiss a King)
The image of the sensual, sleep-laden Naomi made him smile. And wish he’d been lying on the pillow next to her when she’d opened her eyes. Lucky pillow.
Lotchie Burton (Gabriel's Fire: Action Adventure, Romantic Suspense, Multicultural interracial (The Men of Thorne Enterprises Book 2))
I wish we could sometimes love the characters in real life as we love the characters in romances. There are a great many human souls whom we should accept more kindly, and even appreciate more clearly, if we simply thought of them as people in a story.
G.K. Chesterton (What I Saw in America (Anthem Travel Classics))
Growing up and seeing your parents' flaws is like losing your religion. I don't believe in God anymore. I don't believe in my father either.
Nicola Yoon (The Sun Is Also a Star)
He…he kisses like he’s dying of thirst, and I’m water.” I smacked my hands over my hot face. “I can’t believe I just said that out loud.” Lesa giggled. “Sounds like one of those romance books you read.” “It does.” I started giggling. “But, oh Lordie Lord, it’s true. I’m like a puddle of mush when he kisses me. It’s embarrassing. I’m so, like, ‘Thank you, can I have another?’ Sad.
Jennifer L. Armentrout (Opal (Lux, #3))
The villains were always ugly in books and movies. Necessarily so, it seemed. Because if they were attractive—if their looks matched their charm and their cunning—they wouldn't only be dangerous. They would be irresistible.
Nenia Campbell (Horrorscape (Horrorscape, #2))
It’s not porn. It’s a romance book that happens to have a little bit of sex in it.
Hannah Grace (Icebreaker (UCMH, #1))
Maybe 'Okay' will be our 'always'...
John Green (The Fault in Our Stars)
Forget men, I want to marry my MacBook. It’s dependable, reliable and you can even go shopping with it.
Alexandra Potter (You're The One That I Don't Want)
There’s this word in Japanese: tsundoku,” Neil says suddenly. “It’s my favorite word in any language.” “What does it mean?” He grins. “It means acquiring more books than you could ever realistically read.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I suppose it’s not a social norm, and not a manly thing to do — to feel, discuss feelings. So that’s what I’m giving the finger to. Social norms and stuff…what good are social norms, really? I think all they do is project a limited and harmful image of people. It thus impedes a broader social acceptance of what someone, or a group of people, might actually be like.
Jess C. Scott (New Order)
She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream. “Don’t wake up,” he said.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Some stories have to be written because no one would believe the absurdity of it all.
Shannon L. Alder
You arrogant, insufferable asshole; you scared me to death. If I hadn’t been so afraid that you were already dead, I’d have killed you myself.
Lotchie Burton (Gabriel's Fire: Action Adventure, Romantic Suspense, Multicultural interracial (The Men of Thorne Enterprises Book 2))
Love flows like flowers, and grows like water. I’m so thirsty for romance I could drink a dozen roses.
Jarod Kintz (This Book is Not for Sale)
The truth is I do love you. Admitting that means opening myself up to all that pain when you leave. After you realize this wasn’t love, but gratitude.
Kelly Moran (The Drake House)
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
Grace Willows
I think only when you are truly alone can you see you never were.
Kelly Moran (Summer's Road (Seasmoke Friends #1))
Did you recently turn into a jerk or have you been one since birth?
Priya Ardis (My Boyfriend Merlin (My Merlin, #1))
I could recognise his soul in mine as much as he could find me in his. Our sole existences seemed to have been for this very moment when nothing else mattered.
X. Williamson (Distract My Hunger)
This is what our love is––a sacred pattern of unbroken unity sewn flawlessly invisible inside all other images, thoughts, smells, and sounds.
Aberjhani (The River of Winged Dreams)
She read paperbacks too, one after the next like she was chain-smoking—romance, science fiction, old pulp fantasy. All she wanted to do was sit, unbothered in a circle of lamplight, and live someone else’s life.
Leigh Bardugo (Hell Bent (Alex Stern, #2))
Life is a book waiting to happen.
Sloan McBride
Bite me." -Lieutenant Eve Dallas, from any of the In Death books.
J.D. Robb
No one knows as well as I how much nonsense is printed in books.
Julia Quinn (Romancing Mister Bridgerton (Bridgertons, #4))
You’re easy to read, Ivy, but the whole book of you is complicated.
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
I liked you the first time I saw you. You were sitting on the floor surrounded by books, and you looked up when I opened the door and smiled right at me. It felt like you had been waiting for me, like you were welcoming me home.
Josh Lanyon (Sort of Stranger Than Fiction (Petit Morts, #7))
If I were seducing you, I’d have you spread out like fine cuisine, working my way through the menu. From appetizer… to dessert.
Lotchie Burton (Gabriel's Fire: Action Adventure, Romantic Suspense, Multicultural interracial (The Men of Thorne Enterprises Book 2))
He didn’t save me, though. He allowed me the freedom to save myself, which is the very best type of rescue.
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
I fell in love with books. Some people find beauty in music, some in painting, some in landscape, but I find it in words. By beauty, I mean the feeling you have suddenly glimpsed another world, or looked into a portal that reveals a kind of magic or romance out of which the world has been constructed, a feeling there is something more than the mundane, and a reason for our plodding.
Donald Miller (To Own a Dragon: Reflections On Growing Up Without A Father)
I'm not Team Gale or Team Peeta. I'm Team Katniss...the core story in the Hunger Games trilogy has less to do with who Katniss ends up with and more to do with who she is - because sometimes, in books and in life, it's not about the romance. Sometimes, it's about the girl.
Jennifer Lynn Barnes (The Girl Who Was on Fire: Your Favorite Authors on Suzanne Collins' Hunger Games Trilogy)
The first sign that Karma was now in cahoots with the Devil Incarnate to ruin her existance should've been before sunrise and pre-coffee.
Kelly Moran (The Dysfunctional Test)
This isn’t a one-and-done thing for me. So, if you think you’re going to use me to scratch an itch, then you’d better think again.
Lotchie Burton (Gabriel's Fire: Action Adventure, Romantic Suspense, Multicultural interracial (The Men of Thorne Enterprises Book 2))
Roses! I swear you men have all your romance from the same worn book. Flowers are a good thing, a sweet thing to give a lady. But it is always roses, always red, and always perfect hothouse blooms when they can come by them.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I suppose knowing where you are is better than having you skulk around, popping out of dark alleys and doorways. It eliminates the possibility of shooting you by accident. If I know where you are, I can shoot you on purpose.
Lotchie Burton (Gabriel's Fire: Action Adventure, Romantic Suspense, Multicultural interracial (The Men of Thorne Enterprises Book 2))
She’d felt it before, she felt it now: the pull to fall in with him, to fall into him, to lose her sense of self.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
She picked up the book and then walked back past him into the tent, but as she did so, she brushed the top of his head lightly with her hand. He closed his eyes at her touch, and hated himself for wishing that what she said was true: that Dumbledore had really cared.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
She understood now why her friend Elizabeth, with her near-genius, analytical mind gave wide berth to murder mysteries, psychological thrillers, and horror stories, and read only romance novels. Because, by God, when a woman picked up one of those steamy books, she had a firm guarantee that there would be a Happily-Ever-After. That though the world outside those covers could bring such sorrow and disappointment and loneliness, between those covers, the world was a splendid place to be.
Karen Marie Moning (Darkfever (Fever, #1))
I do care about real life. It's just not as interesting as what's in my books.
Christina Dodd (Storm of Shadows (The Chosen Ones, #2))
There were books about how to be gay; he'd seen them in stores and libraries. Some of them even had diagrams. But there weren't any diagrams about how to fall in love with your best friend and not fuck everything up.
Poppy Z. Brite (The Value of X (Rickey and G-Man, #1))
Patience is a virtue and the best things in life are worth waiting for.
Julie Spira (The Perils of Cyber-Dating: Confessions of a Hopeful Romantic Looking for Love Online)
I'm a terrible prince. I should put my kingdom first and everything else second, but your first. I want you by my side every second, but I know I would crumble if I lost you.
Shannon Hale (Enna Burning (The Books of Bayern, #2))
She was knowingly punishing herself. That was the only reasonable explanation. There was no use in acting naive. What happened earlier in the day was proof that she was going to give in to his flirtation. It appeared she'd thrown caution to the wind and opened her arms to embrace everything that could go wrong in her life. What's one more problem to add to the pile?
Emem Uko (The Place That Gave)
A female’s right to choose must be sacrosanct!
Patricia D'Arcy Laughlin (Sacrifices Beyond Kingdoms: A Provocative Romance Torn Between Continents and Cultures (The Sacrifices and Kingdoms Series Book 2))
At the end of the day your ability to connect with your readers comes down to how you make them feel.
Benjamin J. Carey (Barefoot in November)
The truth is, everyone likes to look down on someone. If your favorites are all avant-garde writers who throw in Sanskrit and German, you can look down on everyone. If your favorites are all Oprah Book Club books, you can at least look down on mystery readers. Mystery readers have sci-fi readers. Sci-fi can look down on fantasy. And yes, fantasy readers have their own snobbishness. I’ll bet this, though: in a hundred years, people will be writing a lot more dissertations on Harry Potter than on John Updike. Look, Charles Dickens wrote popular fiction. Shakespeare wrote popular fiction—until he wrote his sonnets, desperate to show the literati of his day that he was real artist. Edgar Allan Poe tied himself in knots because no one realized he was a genius. The core of the problem is how we want to define “literature”. The Latin root simply means “letters”. Those letters are either delivered—they connect with an audience—or they don’t. For some, that audience is a few thousand college professors and some critics. For others, its twenty million women desperate for romance in their lives. Those connections happen because the books successfully communicate something real about the human experience. Sure, there are trashy books that do really well, but that’s because there are trashy facets of humanity. What people value in their books—and thus what they count as literature—really tells you more about them than it does about the book.
Brent Weeks
From Chapter 1: Isabel went into the kitchen. Their butterball of a beagle wagged his tail and peered up at her with his soulful brown eyes. He was eager to get his reward for looking cute as a button, and he knew she was a pushover.
Ed Lynskey (To Dye For (An Isabel and Alma Trumbo Cozy Mystery Book 11))
I'm tempted to shove one of my romance novels up your ass"- P.J. said sharply "But I love my books too much to desecrate them like that. I'll settle for my boot.
Maya Banks (Whispers in the Dark (KGI, #4))
What a lovely display of personhood. He's like a good book cover that grabs your gaze. Read me. I'm fun but smart. You won't be able to put me down.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Do I look like I want to be involved in your teen love saga? Ask someone who cares.
Priya Ardis (My Boyfriend Merlin (My Merlin, #1))
Your comfort zone is a place where you keep yourself in a self-illusion and nothing can grow there but your potentiality can grow only when you can think and grow out of that zone.
Rashedur Ryan Rahman
I read romance because it’s fun to fall in love. And with romance books, I get to do it over and over. I get to be different types of lovers, I get to feel the heartbreak of love and the successes. Love is the most powerful and real emotion we feel, and I think it’s sort of magical that we can experience some of the greatest loves of all time through books.
Kandi Steiner (A Love Letter to Whiskey)
The ultimate pacifist with a gun! That’s my girl, always with surprises.
Patricia D'Arcy Laughlin (Sacrifices Beyond Kingdoms: A Provocative Romance Torn Between Continents and Cultures (The Sacrifices and Kingdoms Series Book 2))
Elizabeth felt as if every cell in her body was aflame with desire.
Patricia D'Arcy Laughlin (Sacrifices Beyond Kingdoms: A Provocative Romance Torn Between Continents and Cultures (The Sacrifices and Kingdoms Series Book 2))
I kiss him to get him to stop talking. If he keeps talking I will love him, and I don't want to love him. I really don't. As strategies go, it's not my finest. Kissing is just another way of talking except without the words.
Nicola Yoon (The Sun Is Also a Star)
I don’t want my love with her to wither like grapes on a vine, so I’ll water it with romance to turn it into wine.
Jarod Kintz (This Book is Not for Sale)
Forgive me darling, for having to abandon you, for having to make the ultimate sacrifice for a kingdom.
Patricia D'Arcy Laughlin (Sacrifices Beyond Kingdoms: A Provocative Romance Torn Between Continents and Cultures (The Sacrifices and Kingdoms Series Book 2))
I should not act better than anybody, but sure as hell, NOBODY’S better than ME!
Patricia D'Arcy Laughlin (Sacrifices Beyond Kingdoms: A Provocative Romance Torn Between Continents and Cultures (The Sacrifices and Kingdoms Series Book 2))
Why did you wear heels? How are you supposed to fight a gargoyle in what you're wearing?
Priya Ardis (My Boyfriend Merlin (My Merlin, #1))
You are the trip I did not take, you are the pearls I could not buy, you are my blue Italian lake, you are my piece of foreign sky. You are my Honolulu moon, you are the book I did not write, you are my heart's unuttered tune, you are a candle in my night. You are the flower beneath the snow, in my dark sky a bit of blue, answering disappointment's blow with "I am happy! I have you!
Anne Campbell
...and Jo laid the rustling sheets together with a careful hand, as one might shut the covers of a lovely romance, which holds the reader fast till the end comes, and he finds himself alone in the work-a-day world again.
Louisa May Alcott (Little Women (Little Women, #1))
Look, I'm the DD tonight, but I'm offering to be more than just your driver. I'll be your bodyguard, and your bartender, and most importantly, your friend. I promise to look out for you tonight, Wellsy.
Elle Kennedy (The Deal (Off-Campus, #1))
To be inspired is great, but to inspire is an honor.
Stacey T. Hunt
I drank so much booze I was bamboozled. Alcohol makes my mind as discombobulated as love makes my heart. I’d sure appreciate it if you poured me a large glass of romance.
Jarod Kintz (This Book is Not for Sale)
There’s no such thing as ‘settling down’ when you get married. Getting married is the most unsettling thing one can ever do.
Patricia D'Arcy Laughlin (Sacrifices Beyond Kingdoms: A Provocative Romance Torn Between Continents and Cultures (The Sacrifices and Kingdoms Series Book 2))
Spouses and lovers may come and go, but our children are our children forever.
Patricia D'Arcy Laughlin (Sacrifices Beyond Kingdoms: A Provocative Romance Torn Between Continents and Cultures (The Sacrifices and Kingdoms Series Book 2))
I was flipping channels, watching this cheerleading program on MTV. They took a field hockey girl and “transformed” her into a cheerleader by the end of the show. I was just wondering: what if she liked field hockey better?
Jess C. Scott (EyeLeash: A Blog Novel)
An emotion clamped down on her heart. It squeezed her into a terrible silence. But he said nothing after that, only her name, as if her name were not a name but a question. Or perhaps that it wasn’t how he had said it, and she was wrong, and she’d heard a question simply because the sound of him speaking her name made her wish that she were his answer.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Rhys shuddered, and I watched his cock twitch. “Play later,” he ground out. Indeed. His mouth found mine, the kiss open and deep, a clash of tongues and teeth. He lay me down on the pillows, and I locked my legs around his back, careful of the wings. Though I stopped caring as he nudged at my entrance. And paused. “Play later,” I snarled into his mouth. Rhys laughed and slid in. And in. And in.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Gabe suffers from survivor’s remorse. He won’t admit it because he doesn’t see it. Can’t recognize it in himself. He overcompensates for coming back alive, when so many didn’t. He’s got issues. You’ve got issues. Everyone has issues. But issues are a part of life. And whether we like it or not, even bad things happen for a reason.
Lotchie Burton (Gabriel's Fire: Action Adventure, Romantic Suspense, Multicultural interracial (The Men of Thorne Enterprises Book 2))
You look like a Turner painting and I want to learn your textures with my fingertips. You are the most fascinating thing in this beautiful house. I'd like to introduce my fists to whoever taught you to stop talking about the things that interest you.
Freya Marske (A Marvellous Light (The Last Binding, #1))
Upon arriving at the murder scene, they saw Deputy Sheriff Peewee Stubblefield pacing back and forth on the front walk. He stopped and smirked as Sheriff Roosevelt Baker braked the patrol car. He emitted a noise sounding more like a groan than a sigh.
Lea Charles (Easy Peasy: An Appalachian Town Diner Cozy Mystery (Ginny Dove Cozy Mystery, Series Book 2))
We are what we love to read, and when we admit to loving a book, we admit that the book represents some aspect of ourselves truly, whether it is that we are suckers for romance or pining for adventure or secretly fascinated by crime.
Nina Sankovitch (Tolstoy and the Purple Chair: My Year of Magical Reading)
Don’t be ashamed for liking them. The backlash against the PSL is a perfect example of how toxic masculinity permeates even the most mundane things in life. If masses of women like something, our society automatically begins to mock them. Just like romance novels. If women like them, they must be a joke, right?
Lyssa Kay Adams (The Bromance Book Club (Bromance Book Club, #1))
Lately I can't help wanting us to be like other people. For example, if I were a smoker, you'd lift a match to the cigarette just as I put it between my lips. It's never been like that between us: none of that easy chemistry, no quick, half automatic flares. Everything between us had to be learned. Saturday finds me brooding behind my book, all my fantasies of seduction run up against the rocks. Tell me again why you don't like sex in the afternoon? No, don't tell me-- I'll never understand you never understand us, America's strangest loving couple: they never drink a bottle of wine together and rarely look at each other. Into each other's eyes, I mean.
Deborah Garrison (A Working Girl Can't Win)
I love that you read romance novels to feel something. I love that you love flowers and plants because nurturing and allowing something to grow is second nature to you. I love that you experience every emotion so hard it takes over your entire body. But baby, I want to be the one to make you feel how your favorite books do.
Liz Tomforde (The Right Move (Windy City, #2))
There was romance in the unknown, but once a place had been discovered and cataloged and mapped, it was diminished, just another dusty fact in a book, sapped of mystery. So maybe it was better to leave a few spots on the map blank. To let the world keep a little of its magic, rather than forcing it to divulge every last secret. Maybe it was better, now and then, to wonder.
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
I felt overwhelmed. I didn’t expect a first kiss to be so…life altering. In a few brief moments, the rule book of my universe had been rewritten. Suddenly I was a brand new person. I was as fragile as a newborn, but instead of the doctor placing me in my mother’s arms, he’d put me in Ren’s. What would Ren do with me? Would he draw me near, soothe me, and teach me about this new world or would he reject me and tell the doctor there must be some mistake. There was no way to know. What a breakable and delicate thing a heart was, no wonder I’d kept mine locked away.
Colleen Houck
That's a movie quote, right? You know, if you do that with books, people think you're intelligent." Sophie lowered her chin. "If this is your pathetic attempt to seduce me again, you're falling miserably." "I don't seduce woman." Phin shoved back his chair and stood up. "They fall into my open arms." "Clumsy of them.
Jennifer Crusie (Welcome to Temptation (Dempseys, #1))
I wonder why we always deny love. I remember in middle school, if you were accused of the crime of loving, you screamed denials constantly and stopped ever even looking at the boy you were accused of liking. The boys could destroy each other by yodeling, "An-drew lo-oves Jen-nie," and both Andrew and Jennie would flinch and blush. Love is this great thing that most songs and books and poems and lives are all about. So the minute we actually think there might be love around, we start laughing and pretending and hiding from it.
Caroline B. Cooney (The Girl Who Invented Romance)
Do you know where Jean de Tournet is?” Jason asked. “He is dead, Uncle,” Charlotte said flatly. “How do you know?” “I killed him in 1943. He was doing business with the Nazis. He tried to rape me” – she stopped and shivered – “but I killed him before he could.” Jason and Sophie both looked at Charlotte with horror. This was the first time Jason had showed any genuine emotion throughout the evening. It was fear.
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
...He kissed me again, farther up my neck, and I pushed him back against the wall. My mind searched for the logical thought, a rational life raft before I drowned in wanting to hiss him. I managed, "We've only met a few days ago. We don't know each other." Luke released me. "How long does it take to know someone?" I didn't know. "A month? A few months?" It sounded stupid to quantify it, especially when I didn't want to believe my own reasoning. But I couldn't just go kissing someone I knew nothing about-- it went against everything I'd ever been told. So why was it so hard to say no? He took my fingers, playing with them in between his own. "I'll wait." He looked so good in the half-light under the trees, his light eyes nearly glowing against his shadowed skin. It was useless. "I don't want you to." I whispered the words, and before I'd even finished saying them, his mouth was on mine and I was melting under his lips.
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
Rohan, one of us is an unmarried man with superior mathematical abilities and no prospects for the evening. The other is a confirmed lecher in an amorous mood, with a willing and nubile young wife waiting at home. Who do you think should do the damned account books?" And, with a nonchalant wave, St. Vincent had left the office.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I don’t understand why people are such snobs about books. If you enjoy romances, read them. I don’t want Thanksgiving dinner every day. Some days I want a ham sandwich and a dozen chocolate chip cookies. And some days I want to read Jane Austen, and other days I want to read Agatha Christie, or maybe some author that no one has ever heard of who writes fun books that make me smile.
Diana Xarissa (Cars and Cold Cases (Isle of Man Ghostly #3))
I moaned then, tilting my head back to give him better access. His hands clamped on my waist, then moved—one going to cup my rear, the other sliding between us. This—this moment, when it was him and me and nothing between our bodies … His tongue scraped the roof of my mouth as he dragged a finger down the center of me, and I gasped, my back arching. “Feyre,” he said against my lips, my name like a prayer more devout than any Ianthe had offered up to the Cauldron on that dark solstice morning. His tongue swept my mouth again, in time to the finger that he slipped inside of me. My hips undulated, demanding more, craving the fullness of him, and his growl reverberated in my chest as he added another finger. I moved on him. Lightning lashed through my veins, and my focus narrowed to his fingers, his mouth, his body on mine. His palm pushed against the bundle of nerves at the apex of my thighs, and I groaned his name as I shattered
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I've read hundreds of novels in my life, most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it was what we need to survive. From Darcy to Heathcliff I tought they were fools. That love was something fictional, only found in worn pages of a book. But all that has changed since I met my Elizabeth Bennet. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and lead me out of the darkness and showed me that, whatever our souls are made for hers and mine are the same. You once asked me who I loved most in this world, it's you.
Hardin Scott
He blows out a breath, takes a step toward me. The hallway is so narrow that I’m pinned between the wall and his body, heat rolling off him in waves. “Yeah,” he says, voice low. “I feel things.” His green eyes burn. It’s the most emotion I’ve seen from him so far, and I have trouble taking a full breath, my lungs compressed with tension. “That’s the whole point, Ivy. I want you to feel them, too.
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
Christ, I feel like a naughty schoolboy again,” said Alec as they walked into King’s Bench Walk. “We have just had a dressing-down by the headmaster. Strider could easily be a man handy with a cane.” “That man Strider is a crook,” said Bing-Wallace. “His utterances are like the product of a performance of Joseph Pujol … Le Pétomane!” “Who is Joseph Pujol?” “He is a well-known French flatulist performer.” “What?” Alec stopped dead, “A fartist, dear boy, a performer of farts.” Bing-Wallace began to giggle, as did Alec.
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
I write to find strength. I write to become the person that hides inside me. I write to light the way through the darkness for others. I write to be seen and heard. I write to be near those I love. I write by accident, promptings, purposefully and anywhere there is paper. I write because my heart speaks a different language that someone needs to hear. I write past the embarrassment of exposure. I write because hypocrisy doesn’t need answers, rather it needs questions to heal. I write myself out of nightmares. I write because I am nostalgic, romantic and demand happy endings. I write to remember. I write knowing conversations don’t always take place. I write because speaking can’t be reread. I write to sooth a mind that races. I write because you can play on the page like a child left alone in the sand. I write because my emotions belong to the moon; high tide, low tide. I write knowing I will fall on my words, but no one will say it was for very long. I write because I want to paint the world the way I see love should be. I write to provide a legacy. I write to make sense out of senselessness. I write knowing I will be killed by my own words, stabbed by critics, crucified by both misunderstanding and understanding. I write for the haters, the lovers, the lonely, the brokenhearted and the dreamers. I write because one day someone will tell me that my emotions were not a waste of time. I write because God loves stories. I write because one day I will be gone, but what I believed and felt will live on.
Shannon L. Alder
When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after she’d gone and I’d felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving.
Roman Payne
You read all kinds of books and see all kinds of movies about the man who is obsessed and devoted, whose focus is a single solid beam, same as the lighthouse and that intense, too. It is Heathcliff with Catherine. It is a vampire with a passionate love stronger than death. We crave that kind of focus from someone else. We'd give anything to be that "loved." But that focus is not some soul-deep pinnacle of perfect devotion - it's only darkness and the tormented ghosts of darkness. It's strange, isn't it, to see a person's gaping emotional wounds, their gnawing needs, as our romance? We long for it, I don't know why, but when we have it, it is a knife at our throat on the banks of Greenlake. It is an unwanted power you'd do anything to be rid of. A power that becomes the ultimate powerlessness.
Deb Caletti (Stay)
How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself. Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port. Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together. It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.
Michael Cunningham (The Hours)
Okay, it's like this. You wake up, you watch TV, and you get in the car and you listen to the radio. You go to your little job or your little school, but you're not going to hear about that on the 6:00 news, since guess what. Nothing is really happening. You read the paper, or if you're into that sort of thing you read a book, which is just the same as watching only even more boring. You watch TV all night, or maybe you go out so you can watch a movie, and maybe you'll get a phone call so you can tell your friends what you've been watching. And you know, it's got so bad that I've started to notice, the people on TV? Inside the TV? Half the time they're watching TV. Or if you've got some romance in a movie? What to they do but go to a movie? All those people, Marlin," he invited the interviewer in with a nod. "What are they watching?" After an awkward silence, Marlin filled in, "You tell us, Kevin." "People like me.
Lionel Shriver (We Need to Talk About Kevin)
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach. Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?” “I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.” Another silence. Then, “Why are you facing downward?” “Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?” His face was blank. “Has no one ever told you?” “No, but I’ve read about it.” Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?” “Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-” She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. “Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me? Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.” “You are!” “No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .” “Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Please,” I gasped out. He just brushed his lips against my jaw, my neck, my mouth. “Tamlin,” I begged. He palmed my breast, his thumb flicking over my nipple. I cried out, and he buried himself in me with a mighty stroke. For a moment, I was nothing, no one. Then we were fused, two hearts beating as one, and I promised myself it always would be that way as he pulled out a few inches, the muscles of his back flexing beneath my hands, and then slammed back into me. Again and again. I broke and broke against him as he moved, as he murmured my name and told me he loved me. And when that lightning once more filled my veins, my head, when I gasped out his name, his own release found him. I gripped him through each shuddering wave, savoring the weight of him, the feel of his skin, his strength. For a while, only the rasp of our breathing filled the room. I frowned as he withdrew at last—but he didn’t go far. He stretched out on his side, head propped on a fist, and traced idle circles on my stomach, along my breasts.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
No, this, she felt, was real life and if she wasn’t as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty years’ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy. Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them: ‘We grew up together.
David Nicholls (One Day)