Romance Anime Quotes

We've searched our database for all the quotes and captions related to Romance Anime. Here they are! All 100 of them:

I felt like an animal, and animals don’t know sin, do they?
Jess C. Scott (Wicked Lovely)
We all know interspecies romance is weird.
Tim Burton
I knew from the moment I heard you, the moment I saw the gun and realized that this lovely, petit woman was the executioner, that you would never die waiting for me to save you - that you would save yourself.
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
I feel good with my husband: I like his warmth and his bigness and his being-there and his making and his jokes and stories and what he reads and how he likes fishing and walks and pigs and foxes and little animals and is honest and not vain or fame-crazy and how he shows his gladness for what I cook him and joy for when I make him something, a poem or a cake, and how he is troubled when I am unhappy and wants to do anything so I can fight out my soul-battles and grow up with courage and a philosophical ease. I love his good smell and his body that fits with mine as if they were made in the same body-shop to do just that. What is only pieces, doled out here and there to this boy and that boy, that made me like pieces of them, is all jammed together in my husband. So I don't want to look around any more: I don't need to look around for anything.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
The time will come when men such as I will look upon the murder of animals as they now look on the murder of men.
Dmitry Merezhkovsky (Romance of Leonard da Vinci)
Music is storming, driving, relentless, devotional, slinky, subtle, heartbreakingly-beautiful sounds that, lyrically, switch from the cynical to the sanguine, the defeated to the defiant, dealing in love, war, beauty, children, romance, rejection, Pethedine, poetry, panties, God, Auden, Johnny Cash, cold potatoes, too-much-money, not enough money, writer’s block, flowers, animals and more flowers. But maybe I’m projecting here.
Nick Cave
It was the wildness of it that got me going: the primal lust, the sheer needs of two people in heat, quickly finding ways to express their sacred hunger to each other in animal passion.
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
The last time I wore an animal hide; but this time I settled for this." Eric had been wearing a long trench coat. Now he threw it off dramatically, and I could only stand and stare. Normally, Eric was a blue-jeans-and-T-shirt kind of guy. Tonight, he wore a pink tank top and Lycra leggings[...]They were pink and aqua, like the swirls down the side of Jason's truck.
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
My people believe in balance,” he said. “We believe that all living things—plants, animals, people—have an intelligent spirit, and that they all make important contributions to the balance of the world.
Steven Decker (Projector for Sale)
As the Brotherhood got down to business, he found himself putting his hand on the dog’s big head and stroking the soft fur…playing with an ear…dipping down and finding the long waves that flowed from the animal’s broad, strong chest. Not that any of that meant he was keeping the the animal, of course. It just felt nice, was all.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
She was carrying two coffees and a donut bag, and right then and there, he fell in love." -Animal Magnetism
Jill Shalvis
Sometimes you want to stay with someone, not only because it's magic and it's promising and it feels like home; but sometimes you find someone and you want to stay with him (or her)—because you're the same kind of animal.
C. JoyBell C.
He has been mad for you these many months, ever since you prodded him in the nether regions with a hedgehog.
Gail Carriger (Soulless (Parasol Protectorate, #1))
If I were you, I would invest more in your personal garden than in utopias... these are nothing but imagined islands you'd be only animating from your personal shore...
Anton Sammut (Memories of Recurrent Echoes)
When I am out there, in time, I am inverted, changed into a desperate version of myself. I become a thief, a vagrant, an animal who runs and hides. I startle old women and amaze children. I am a trick, an illusion of the highest order, so incredible that I am actually true.
Audrey Niffenegger (The Time Traveler's Wife)
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach. Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?” “I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.” Another silence. Then, “Why are you facing downward?” “Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?” His face was blank. “Has no one ever told you?” “No, but I’ve read about it.” Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?” “Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-” She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. “Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me? Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.” “You are!” “No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .” “Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
I don't want to dig him or his sexy self. But I keep losing my clothes when I'm with him.
Jill Shalvis (Then Came You (Animal Magnetism, #5))
She screamed, the high scream that was neither human nor animal but something terrible in between, the sort of sound that you never forget no matter how many beautiful things you hear afterward.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Dana shook her head. "Cheetos' dust on my furniture is a hard line." Logan felt a strange rush of relief. "I use wet wipes. I'm not an animal.
Erin Nicholas (Taking It Easy (Boys of the Big Easy, #2))
She's not stumbling, she's not lost. She's simply romancing her inner animal and falling in love with the wild part of her soul.
Melody Lee (Moon Gypsy)
Luis is right there.” I point to the corner of the yard, where my little brother is the centre of attention doing imitations of barnyard animals. I have yet to inform him that talent isn’t as much of a chick magnet when you get into junior high.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
A wounded animal yet bears teeth
Billie-Jo Williams (The Book of Redemption (The Destiny of Dragons, #3))
Its big men are mostly little men with fancy offices and a lot of money. A great many of them are stupid little men, with reach-me-down brains, small-town arrogance and a sort of animal knack of smelling out the taste of the stupidest part of the public. They have played in luck so long that they have come to mistake luck for enlightenment." - on Hollywood
Raymond Chandler (The Notebooks of Raymond Chandler; and English Summer: A Gothic Romance)
You know, sloth is a sin," he says softly. "I prefer to think of it as an adorable animal.
Ella James (Sloth (Sinful Secrets, #1))
Before the cock crows The Raven will call And you will be no longer.” ~Asher Lake
Shawn Reilly (Call of the Raven (The Union, #1))
I’m a fan of Belle from Beauty and the Beast. Brunette and doesn’t mind a guy that’s an animal? Hell yeah.
Magan Vernon (The Only One (Only, #3))
Whales are silly once every two years. The young are called short-heads or baby blimps. Many whale romances begin in Baffin's bay and end in Procter and Gamble's factory, Staten Island.
Will Cuppy (How to Tell Your Friends from the Apes)
Before I met you, I hadn't considered what my happy ending might look like. I wasn't sure I'd get one. You’re my happy ending, Russ. I fell in love with you in Meadow Springs, and watching you help build our life here has made me fall in love with you a million more times. Thank you for giving me a life that feels too good to be true. Thank you for letting me bring home animals even when you say no. Thank you for letting me live my dreams every day?
Hannah Grace (Wildfire (Maple Hills, #2))
Sometimes people are just misunderstood. People and animals. We can’t just assume they are thinking one thing and can avoid temptation. it’s hard as hell to avoid that red flag when it’s waving in your face.
Magan Vernon (The Only One (Only, #3))
After hearing the boy scream, the cats formed their pyramid in front of the glass door. Belle turned the handle while Harry and the others pushed the door open. They scrambled in and searched the room and small bathroom and shower. Bombarded with the boy’s scent, the cats continued to search. He had to be somewhere. A knock on the door startled the animals. Belle ran to the door and sniffed. “Food,” she whispered. “Must be for the boy.” “We must find that boy,” Harry said. “If the human enters, they will find us. Quickly, everyone, show time!” One-by-one, the cats crawled under the bed sheet and maneuvered between the opened books. “Just as in The Catman’s act,” Curry said, trying not to snicker. “Hush!” Belle scolded. Two moved upward, two downward, two to the right, and three to the left. Belle and Harry crouched in the middle. Allie crawled to the pillow and poked out her back and head. With her ears lowered, only her straggling black hair could be seen.
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
I spent the day running through the woods like a wild animal. Being chased by you is the only thing that would have made it more romantic.
Amanda Mosher (Better to be able to love than to be loveable)
There are no creatures that walk the earth, not even those animals we have labelled cowards, which will not show courage when required to defend themselves.
Alexandre Dumas (The Vicomte de Bragelonne (The D'Artagnan Romances, #3.1))
The strange thing is, this truly horrifying experience planted a seed deep within my heart that germinated and grew into a desire that, I have to admit, I've never completely overcome.
Kathi Daley (Halloween Hijinks (Zoe Donovan Mystery #1))
Talk to me. Say something, anything," he pleaded quietly as if he was trying to tame a wild animal. "There's nothing to say." He looked up and lowered his eyebrows on his eyes. "Why did you kiss me?
Stephanie Witter (Six Years)
I thought to myself how we were so wrapped up in this animal act, that he couldn’t care less about his tea shop business, and I couldn’t care less about my job. That’s real sex that is, real passion: where you abandon all your boringly sensible thoughts, and all that tediously responsible side of yourself, as you give yourself to what you know really matters more, deep in the core of you: frantic sex.
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
But it must be your choice little fawn. I will not make you stay under duress. I may be an animal, but I am not a monster." Logan, Goldie's Surrender
Felicity Brandon (Goldie's Surrender)
No one blames a wild animal for his appetites. Don't judge mine.
V. Theia (Preacher Man (Renegade Souls MC Romance Saga #2))
He was an animal. He'd drawn blood and now he needed to fuck, to cover her with his scent, to tell the world, She is mine. Stay away.
Vanessa Gravenstein (war/SONG)
I’m starting to think animal attraction, paired with actual love and respect, only exists in scripted movies and romance novels.
Tessa Bailey (My Killer Vacation)
Look,” she said, “apparently you bring out my inner slut. I’m not going to thank you for that.” Wyatt smiled that sexy smile of his. “I could make you.” She pointed a finger at his nose. And then lowered it so it was pointed at another part of his anatomy entirely. “Don’t even think about it.” “Oh, I won’t,” he said silkily. “But you will.” And she knew he was right.
Jill Shalvis (Then Came You (Animal Magnetism, #5))
She whispered his name again. He was less than human now, and less than vampire. He was an animal. He’d drawn blood and now he needed to fuck, to cover her with his scent, to tell the world, She is mine. Stay away.
Armada West (war/SONG)
Women, in general, are less visually aroused than men, a trait that has nearly cut the market for pornography in half.
David Brooks (The Social Animal: The Hidden Sources of Love, Character, and Achievement)
That was a really shitty move Liam! How would you like it if I turned into an animal when we were arguing?
Abby Niles (Liam (The Awakening, #2))
Oh you will die and soon because you made the choice to fall in love.” ~Asher Lake
Shawn Reilly (Call of the Raven (The Union, #1))
We’re animals. No shame, no guilt - no sin…
Heather McVea (Turn Darkly)
Wenn ich gewusst hätte, wie Verliebtsein wirklich war, dann hätte ich mir nie gewünscht, das auch einmal zu erleben.
Lin Rina (Animant Crumbs Staubchronik (Staubchronik-Universum, #1))
I have been going out with Nick Nelson since I was fourteen. He likes rougby and Formula 1, animals (espacially dogs), the Marvel universe, the sound felttips make on paper, rain, drawing on shoes, Disneyland and minimalism. He also likes me. His hair is dark blond and his eyes are brown and he is two inches taller than me, if you care about that sort of thing. I think he's pretty hot, but that might just be my opinion.
Alice Oseman (Nick and Charlie)
Tell me you ache for me to bend you over the couch, to feel me drip sweat down your back while I work you into a frenzy like an over starved animal. Tell me you want me to give it hard and nasty, make you pop, because you’ve fucking missed me, Luxe, even if it’s just this neat little body that’s missed having me inside it.
V. Theia (Tracking Luxe (Renegade Souls MC Romance Saga #3))
He was, she realised, quite graceful. The very idea surprised her. Male grace was a quality she'd never thought of beyond the ballroom; either a man could dance a quadrille with skill and without stepping on her feet or he could not. But here was another kind of grace altogether--and untrained grace, an instinctive animal grace.
Pamela Clare (Surrender (MacKinnon’s Rangers, #1))
Forsaking all other thoughts, he rutted into her, in a fashion more animal than human. His eruption he held fast within, so that she squirmed against the sensation before accepting her own fall into oblivion, her walls pulsing to an echoing rhythm. from The Gentlemen's Club
Emmanuelle de Maupassant (The Gentlemen's Club)
She’s purring,” I exclaimed in delight. “Stop taming the battlecat,” Draven said, looking slightly annoyed. “She’s a killing machine. Not a house pet.” “Says the man who snuggled beside her all night,” I retorted.
Briar Boleyn (Queen of Roses (Blood of a Fae, #1))
His words thrummed in, deep, imprinting themselves on her very deepest, deepest, deep bits. “I believe I am your destiny. You are mine, as I am yours. We shall be one. So one that your air will be mine, your scent mine, your blood will fill my veins, your soul and my soul will entwine together forever. Everything about you, mine.” Wow. “Those little china animals on my mantelpiece?” “Mine.
Cari Silverwood (Squirm: Virgin Captive of the Billionaire Biker Tentacle Monster (The Squirm Files, #1))
That life is simply a collection of little lives, each lived one day at a time. That each day should be spent finding beauty in flowers and poetry and talking to animals. That a day spent with dreaming and sunsets and refreshing breezes cannot be bettered. But most of all, I learned that life is about sitting on benches next to ancient creeks with my hand on her knee and sometimes, on good days, for falling in love.
Nicholas Sparks (The Notebook (The Notebook, #1))
I've got this.
Jill Shalvis (All I Want (Animal Magnetism, #7))
Great. He had a ranch with no power, a burgeoning blizzard, animals depending on him and now, a frightened, felonious elf to look after.
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
There we were, filled with pure animal need, as he pinned me to the wooden table, and cruelly whipped my naked bottom; the two of us sweaty and panting, me screaming, him grunting, our primal sexual natures overprinting the tea room’s pretence at gentility, and refinement.
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
Now, it’s undeniably true that male writers (including yours truly) are generally and commercially allowed to write about “girl stuff” without being penalized for doing so. In part this is the same old shit it’s always been ... I’ve said before that men who write mostly about men win prizes for revealing the human condition, while women who write about both men and women are filed away as writing “womens’ issues.” Likewise, in fantasy, the imprimatur of a dude somehow makes stuff like romance, relationship drama, introspection, and adorable animal companions magically not girly after all. In a sense, we male fantasists are allowed to be like money launderers for girl cooties." [Game of Thrones and Invisible Cootie Vectors (blog post, March 30, 2014)]
Scott Lynch
Another poll, from Gallup, found that infidelity is more universally disapproved of than polygamy, animal cloning, and suicide.11 So if there were two guys at a bar, one cheating on his wife and another with a cloned pig named Bootsie, it would be the cheater, not Bootsie the pig, getting more disapproving looks.
Aziz Ansari (Modern Romance)
I couldn’t explain it if I tried. Why the dominant animal that lived inside me needed her near me, within my protection, like I needed air in my lungs. It was older than time, this savage compulsion. If I’d been a true dragon like my ancestors, and not half human, I would’ve already tucked her beneath me, spread my wings in a show of dominance, and melted them with a breath of fire. But Morgons were more civilized, so I pretended I didn’t want to maim them for looking too appreciatively at Liana, keeping her close to my side.
Juliette Cross (Dragon Fire (Vale of Stars #3))
Gradually the mist had lifted, and the sun burst forth, a ball of fire radiating the sky with unnaturally incandescent hues. Coral was reminded of the strident brushwork and wild colours of the Fauvist paintings that filled her mother's gallery, which Coral had always loved. The scene was now set for the show to begin: the drama in which the broad, breath-taking landscapes of Africa were the stage and the animals the actors.
Hannah Fielding (Burning Embers)
He stood for everything she feared and hated and despised; but she knew she could love him. Nature cared nothing for prejudice. Men and women were like the animals on the farm at Helford, she supposed; there was a common law of attraction for all living things, some similarity of skin or touch, and they would go to one another. This was no choice made with the mind. Animals did not reason, neither did the birds in the air. Mary was no hypocrite; she was bred to the soil, and she had lived too long with birds and beasts, had watched them mate. and bear their young, and die. There was precious little romance in nature, and she would not look for it in her own life.
Daphne du Maurier (Jamaica Inn)
A fresh dream-fresh happiness! A fresh rush of delicate, voluptuous poison! What is real life to him ! To his corrupted eyes we live, you and I, Nastenka, so torpidly, slowly, insipidly; in his eyes we are all so dissatisfied with our fate, so exhausted by our life"! And, truly, see how at first sight everything is cold, morose, as though ill-humoured among us. . . . Poor things! thinks our dreamer. And it is no wonder that he thinks it! Look at these magic phantasms, which so enchantingly, so whimsically, so carelessly and freely group before him in such a magic, animated picture, in which the most prominent figure in the foreground is of course himself, our dreamer, in his precious person.
Fyodor Dostoevsky (White Nights)
If our life is ever really as beautiful as a fairy-tale, we shall have to remember that all the beauty of a fairy-tale lies in this: that the prince has a wonder which just stops short of being fear. If he is afraid of the giant, there is an end of him; but also if he is not astonished at the giant, there is an end of the fairy-tale. The whole point depends upon his being at once humble enough to wonder, and haughty enough to defy. So our attitude to the giant of the world must not merely be increasing delicacy or increasing contempt: it must be one particular proportion of the two–which is exactly right. We must have in us enough reverence for all things outside us to make us tread fearfully on the grass. We must also have enough disdain for all things outside us, to make us, on due occasion, spit at the stars. Yet these two things (if we are to be good or happy) must be combined, not in any combination, but in one particular combination. The perfect happiness of men on the earth (if it ever comes) will not be a flat and solid thing, like the satisfaction of animals. It will be an exact and perilous balance; like that of a desperate romance. Man must have just enough faith in himself to have adventures, and just enough doubt of himself to enjoy them.
G.K. Chesterton (Orthodoxy)
I stroked his long, appreciative back, all the way to the tip of his striped tail, and thought how frustrating it was that we can take such liberties with animals, but not with people. I wanted to stroke her head -this girl I secretly knew was called Flynn.
Joanne Horniman (About a Girl)
So while I drove my little and planned his fantasy night of how I was going to give Otter the key to my soul (his words, not mine), I silently panicked and wrote lines of bad poetry. Normally, I am quite adept at writing poems and lyrics to songs I'l never sing, but this stuff was just atrocious. For example: I love you You love me Thank God for that I'm so happy And Ty's personal favorite (which he helped me on): Otter! Otter! Otter! Don't lead cows to slaughter I love you and I know I should've told you soon-a But you didn't buy the dolphin-safe tuna! TY asked me if I got the hidden message in his poem. I told him it was loud and clear.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
A arte não é uma coisa que exista naturalmente no mundo, trata-se antes de uma criação humana. A arte é o produto da acção do homem quando ele tenta transcender a sua condição animal e passar de criatura a criador. A arte surge quando alguém transforma um acto animal num objecto cultural que se pode tornar sublime. Ao pintar uma cena na floresta, o homem torna- se Deus porque cria numa tela a natureza, ao contar uma história num romance o homem torna- se Deus porque cria no papel a vida de pessoas, mesmo que imaginárias.
José Rodrigues dos Santos (O Homem de Constantinopla (Kaloust Sarkisian, #1))
To-day all our novels and newspapers will be found to be swarming with numberless allusions to the popular character called a Cave-Man. He seems to be quite familiar to us, not only as a public character but as a private character. His psychology is seriously taken into account in psychological fiction and psychological medicine. So far as I can understand, his chief occupation in life was knocking his wife about, or treating women in general with what is, I believe, known in the world of the film as 'rough stuff.' I have never happeend to come upon the evidence for this idea; and I do not know on what primitive diaries or prehistoric divorce-reports it is founded. Nor, as I have explained elsewhere, have I ever been able to see the probability of it, even considered a priori. We are always told without any explanation or authority that primitive man waved a club and knocked the woman down before he carried her off. But on every animal analogy, it would seem an almost morbid modesty and reluctance, on the part of the lady, always to insist on being knocked down before consenting to be carried off. And I repeat that I can never comprehend why, when the male was so very rude, the female should have been so very refined. The cave-man may have been a brute, but there is no reason why he should have been more brutal than the brutes. And the loves of the giraffes and the river romances of the hippopotami are affected without any of this preliminary fracas or shindy.
G.K. Chesterton (The Everlasting Man)
She communicated in what ways she could – sweet whines of happiness and wet kisses. She knew him. She knew him. He knelt in the grass, still pouring his attention onto her. She received every ounce of it in a way only a dog can, its unconditional love contained in every breath and every heartbeat. And Luke was struck precisely at that moment at his capacity to feel so moved by the simple act of affection for this sweet animal. He swallowed hard. It wasn’t easy to let himself feel it, the gentle tug from a place deeply buried. And in the grass on his knees, he found himself releasing the sadness long held hostage in that deep place. Tears spilled over, finally uncontained. The dog stretched its snout through the rails and found his wet cheeks with its tongue. He did not retreat, but let her clean the tears from his face.
Dorothy Gravelle (Paradox Love)
Love is different and more difficult. It has nothing to do with sex. This is what I tried to make my voices understand. QUietly does love happen. You're not even thinking about romance, then she smiles and you notice for the first time that she's not all that plain, her face is really quite sweet. You watch for her smile and notice that it pushes her cheeks up into two mango shapes, why should this shape be so pleaSing, I don't know. Then one evening she puts kajal round her eyes and brushes her hair, looks quite transformed, and suddenly Sonali Bendre is not so desirable as this one who's been under your nose for so long, who's all dolled up to go somewhere you're not going, can never go.
Indra Sinha (Animal's People)
Mi prende per mano e mi solleva, in alto, lontano da tutto questo, lontano dal ricordo, dalle fiamme, dalle paure. Le nostre anime s’incontrano in un luogo che non esiste, non per gli altri, almeno. Esiste solo per noi. Tre minuti interminabili in cui mi fa sua, ancora una volta. Ed io sono sua.
A.S. Kelly (Tre minuti di me (Tre minuti di me, #1))
Releasing her wrist, he raised his shaking hand and brushed disheveled auburn hair back from her face. Her features were relaxed in sleep. Dirt-smudged. Damp with the tears she had shed for him. At his touch, she made a sound somewhere in the back of her throat and snuggled closer with a sigh. He didn't know who she was. He didn't know who he was. But in that moment, he loved her for freeing him. The dog voiced a plaintive whine. Speech still eluding him, he sent feelings of calm to the loyal animal. Then, taking the woman's small, pale hand in his, he tucked it against his chest, pressed his forehead to hers, and succumbed to a deep healing sleep.
Dianne Duvall (Awaken the Darkness (Immortal Guardians #8))
Wyatt should’ve looked ridiculous sitting on the floor, leaning into the crate making kissykiss noises at the cat, but he didn’t. He looked … mouthwatering. “Hey, sweet thing,” he said in a low cajoling voice. “Come on out. I’ll gonna love you up, I promise. You know you want some of that.” “Oh, please,” Emily said on a laugh to cover up the fact that her bones melted at the sound of him. “That’s never going to work—“ But hell if the cat didn’t shift ever so slightly closer to Wyatt and sniff at him. Wyatt flashed both Sweetie and Emily a smile. “Aw, that’s it,” he crooned to the suspicious, wary cat. “Come on, baby girl, all the way. I’ll be good to you, I promise.” Emily laughed again, even as she felt her nipples tighten. She crossed her arms over her chest. “Honestly, Wyatt, no selfrespecting female – cat or woman – is going to—
Jill Shalvis (Then Came You (Animal Magnetism, #5))
The humans had killed a dragon here or there for food. Just as a dragon had killed a human here and there for food. The dragons had never been told there was a being on this realm that wasna to be eaten." Lexi twisted her lips in revulsion. "You eat nearly every animal on this planet, do you no'?" "That's different." "Hardly," he stated.
Donna Grant (Passion Ignites (Dark Kings, #7))
She looks like a mop." "And this is exactly the problem." She waved at his entire body. "You can't even stop yourself from insulting an innocent animal. How am I supposed to get you ready for decent company?" .... "For your information, Gollum in a komondor. They're a breed with bold and majestic history." "A history of cleaning floors?
Katee Robert (Meeting His Match (Match Me, #1))
They don’t want to have a good time, they merely want to slump into middle age as quickly as possible. After the frightful battle of getting her man to the altar, the woman kind of relaxes, and all her youth, looks, energy, and joy of life just vanish overnight. It was like that with Hilda. Here was this pretty, delicate girl, who’d seemed to me—and in fact when I first knew her she was—a finer type of animal than myself, and within only about three years she’d settled down into a depressed, lifeless, middle-aged frump
George Orwell (Coming up for Air)
Hmph. Even the animals deserted me. I’d have deserted me, too, a different inner voice inserted dryly. The way I banged around in here wanting to kill something—anything—if only it would bring Aislinn back to me. Fionn understood at a level beyond reckoning that if he ever laid eyes on Travis again, the Hunter would be dead before he saw what hit him.
Ann Gimpel (Earth's Blood (Earth Reclaimed, #2))
If taking on a wife for life in an institution called marriage were a sign of male privilege, why did “husband” derive from the Germanic “house” and the Old Norse for “bound” or “bondage”?68 Why did it also come from words meaning “a male kept for breeding,” “one who tills the soil,” and “the male of the pair of lower animals.”69 Conversely, if marriage were as awful for women as many feminists claim, why is it the centerpiece of female fantasies in myths and legends of the past, or romance novels and soap operas of the present? Spartan boys who were deprived of their families were deprived, not privileged. Boys deprived of women’s love until they risked their lives at work or war were also deprived—or dead. Training boys to kill boys was considered moral when it led to survival, immoral only when it threatened survival. In these respects, “patriarchy” created male deprivation and male death, not male privilege.
Warren Farrell (The Myth of Male Power)
Did you see that bison on the wall there? He’s so big. And so cute.” Angelo grinned. “I thought you might say that. That’s why I got a smaller version.” He took the plush animal from inside his jacket, where he’d been hiding it, and placed it on the table. “This is Ted.” Minka’s eyes glistened with tears as she stared at it. Crap, what had he done wrong? He’d thought she’d love it. But then she grabbed the toy in one hand, threw her arms around Angelo, and squeezed him so hard his ribs creaked. “Thank you,” she said against his chest. “He’s perfect.
Paige Tyler (Her Fierce Warrior (X-Ops, #4))
Letting go of my hand, he reached up to touch my face, thumb brushing across the line Vragi’s knife had left on my cheek. “Where is your husband?" What makes you think I’m wed?” I demanded, but he only turned and walked up the slope, ­toward a horse I hadn’t even been aware was tied to a tree. He pulled on a shirt before glancing back at me. “Your ring. Now, where might I find him?” Instinctively I tucked my hand, which bore a plain silver band, into the folds of my skirts. “Why do you wish to know where he is?” "Because I’m going to kill him. I’m going to make you a free woman so that you can bed me with no concerns for propriety,” he answered, tightening the girth before swinging onto the tall animal’s back. “What other reason could there be?
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
Chloe, wake up. I really, really, really need to pee.” I moan and sink deeper into Jorge’s arms, pulling my hand back. “Chloe, wake up. I’m dying here. I have to pee.” Ugh, why won’t that voice go away? I crack my eyes open and see Ringo by the bed prancing around doing the doggy version of a potty dance. Ringo starts prancing toward the bedroom door. “Thank goodness. I’ve got to go.
Katya Armock (To Hiss or to Kiss (Hidden Lines, #1))
You have no fucking idea, little bit of a thing, so old are you that you know everything? So worldly with the round eyes and the way you see the good in everything, even me. Forget everything you fucking think you know. The second I was inside you people would know, you’d be different, they’d treat you differently, tarred with my fucking ruined brush, all the rumors flying around, people who had once been your friends because they’d know I had hands all over you. I don’t fuck like a gentleman, little bit, I fuck like an animal, that stains a little girl like you. You want pretty-fucking-romance, to show off a man to your friends, to go to parties with him on your arm, so fucking meek and boring, that’s not me, will never be me. I’m not normal, the wiring is not right in my head, and I’m not for you, walk away before I’ve had my mouth on that pussy and drank down your honey, because if you don’t and I taste you, I feel how it is to shove my cock as deep and as hard as I can inside you, it’s all over, you get me? You hearing what I’m telling you? Game over, ‘cause I don’t play by anyone's rules but my own and my rules are nasty, my rules are fucking filthy.
V. Theia (Filthy Love (Renegade Souls MC Romance Saga #4))
Promoting promiscuity in this evolved and civilized society is actually like signing the Declaration, that says: “I hereby renounce my membership of humankind, since I am neither human nor kind. I declare that I no longer belong to the modern human species, i.e. the Homo sapiens. From now on I shall be counted among the swingers of the animal kingdom, such as the bonobo or montane vole. I am simply an arrogant philandering savage.
Abhijit Naskar (Wise Mating: A Treatise on Monogamy (Humanism Series))
There are certain prejudices attached to the human mind which it requires all our wisdom to keep from interfering with our happiness; certain set notions, acquired in infancy, and cherished involuntarily by age, which grow up and assume a gloss so plausible, that few minds, in what is called a civilized country, can afterwards overcome them. Truth is often perverted by education. While the refined Europeans boast a standard of honour, and a sublimity of virtue, which often leads them from pleasure to misery, and from nature to error, the simple, uninformed American follows the impulse of his heart, and obeys the inspiration of wisdom. Nature, uncontaminated by false refinement, every where acts alike in the great occurrences of life. The Indian discovers his friend to be perfidious, and he kills him; the wild Asiatic does the same; the Turk, when ambition fires, or revenge provokes, gratifies his passion at the expence of life, and does not call it murder. Even the polished Italian, distracted by jealousy, or tempted by a strong circumstance of advantage, draws his stiletto, and accomplishes his purpose. It is the first proof of a superior mind to liberate itself from the prejudices of country, or of education… Self-preservation is the great law of nature; when a reptile hurts us, or an animal of prey threatens us, we think no farther, but endeavour to annihilate it. When my life, or what may be essential to my life, requires the sacrifice of another, or even if some passion, wholly unconquerable, requires it, I should be a madman to hesitate.
Ann Radcliffe (The Romance of the Forest)
As my mind dwells on the depths I have already sunk into since my arrival less than an hour ago, I approach Shaw’s feet and legs. Unsure of how to proceed, but sure that looking up at him is not an acceptable response, I wait on all fours in front of him, like an untrained animal. I squirm at the prospect that he may be making the same comparison. The hushed and excitable voices of the other men perforate the air around us as Shaw reaches down towards me. I see his left hand in my line of vision and one finger gently moves my face upwards to look at him. I gaze up at him and in this moment I want him more than I have ever wanted any man. I want him to seduce me. I want him to conquer me. I want to be devoured.
Felicity Brandon (Submission at The Tower: The Depths of Desire)
...Hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heroes and heroines, saints and sinners; but they are dragged down from their fool’s paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all, make them slaves of reality: thrice a day meals must be eaten and digested: thrice a century a new generation must be engendered: ages of faith, of romance, and of science are all driven at last to have but one prayer, “Make me a healthy animal.” But here you escape this tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless. There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions. Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama. As our German friend put it in his poem, “the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on...
George Bernard Shaw (Man and Superman)
I can only imagine what goes on in that head of yours…” he teased. “I assure you I haven’t taken up black magic, ritualistic sacrifice, or—” “Plushophilia?” I tagged on. “Excuse me?…” came his half-confused, half-intrigued reaction. “An obsession with stuffed animals,” I clarified. “I mean, you are a young one…” “Where did you come up with that?” He kept his hands firmly covering my eyes, but I could hear the amused smile in his voice. “Is that even a real word?” “I’m a doctor, I know these things,” I shrugged.
M.A. George (Relativity (Proximity, #2))
Our group pressed west on what was left of Highway 93, toward the pass leading to Las Vegas. Sand covered the road in loose drifts so deep the horses' hooves sank into them. The metal highway signs were bent low by the strong wind, and above us, billboards that once screamed ads for the casinos were now stripped of their promises of penny slots and large jackpots. The raw boards underneath were exposed, like showgirls without their makeup. Some signs had been blown over completely and lay half-buried under mounds of sand, like sleeping animals. Cars dotted the highway, their paint scoured off and dead tumbleweeds caught underneath them. Their windows were fogged with death, and despite my effort not to look, my eyes were drawn to the blurred images of the still forms inside. I tried to concentrate on the dark road ahead of us instead.
Kirby Howell (Autumn in the Dark Meadows (Autumn, #2))
Darn! what a beautiful night! Heading towards Pandara Road-Gulati Restaurant, with open windows of my baby sedan and this broad chest guy with big brown eyes. He hums the oldies well and his Issey Miyake is making me lose the grip over my senses. One more thing is distracting me, he ain't wearing anything inside but a transparent white, V necked, cotton short Kurta. I can see the hair winking out and his collar bones!! Not only men get excited by transparent dresses but women as well. His broad shoulders and chest is my weakness and he knows it. This man is not doing good to me! It's a crime to seduce in this way, when you are not touched, when you are distracted by the aroma of his skin, when you know, he is well aware of the intentions.. when you can't do anything except getting seduced by the corner stretching smile of a man with animal instinct.. I certainly am missing myself to be tied up to the bedpost,choked and groaning his name!
Himmilicious (The Knot : A Relationship beyond marriage.)
The sad truth is that, within the public sphere, within the collective consciousness of the general populace, most of the history of Indians in North America has been forgotten, and what we are left with is a series of historical artifacts and, more importantly, a series of entertainments. As a series of artifacts, Native history is somewhat akin to a fossil hunt in which we find a skull in Almo, Idaho, a thigh bone on the Montana plains, a tooth near the site of Powhatan’s village in Virginia, and then, assuming that all the parts are from the same animal, we guess at the size and shape of the beast. As a series of entertainments, Native history is an imaginative cobbling together of fears and loathings, romances and reverences, facts and fantasies into a cycle of creative performances, in Technicolor and 3-D, with accompanying soft drinks, candy, and popcorn. In the end, who really needs the whole of Native history when we can watch the movie?
Thomas King (The Inconvenient Indian: A Curious Account of Native People in North America)
We didn't, after all, sing "Another One Bites The Dust" as the coffin was carried out; Hazel and the vicar had settled instead on the more traditional "How Great Thou Art". And Aunty Rose's old adversary the mayor was pressed into service as a coffin bearer to replace Matt. Rose Adele Thornton, born in Bath, England, died in Waimanu, New Zealand, a mere fifty-three years later. Adept and compassionate nurse, fervent advocate of animal welfare, champion of correct diction and tireless crusader against the misuse of apostrophes. Experimental chef, peerless aunt, brave sufferer and true friend. She had the grace and courage to thoroughly enjoy a life which denied her everything she most wanted. The bravest woman I ever knew.
Danielle Hawkins (Dinner at Rose's)
The thigh pressing his legs apart rubbed side to side, massaging the growing bulge in his jeans. James groaned and bit down on one corner of his lower lip to hold back a startled yelp when the pressure increased to the point of near pain. "Does that feel good to you, baby? Like that? Like it slow and gentle?" He lessened the pressure and slipped a hand between them, thumbing open the buttons of James’ jeans as he talked. Finding nothing under them except heated flesh, he shoved his hand inside and grabbed James’ cock, dragging calluses and fingernails lightly over the sensitive organ. James squirmed and made a strangled, animal sound in the back of his throat. "No, you wouldn’t be on this side of town, in this bar, if gentle was what you were looking for. Maybe you want it a little rougher." He shoved his fingers down farther and captured the tight sac beneath. "A little harder." He massaged James, grinning at the increased squirming and guttural whimpers his heavy caress produced. "A little deeper." Kicking James’ legs farther apart, he slid two fingers behind the sac, tracing the thin ridge of sensitive flesh that led up to his opening. Without hesitation, he shoved both fingers into James’ body, twisting and stroking the hot, slippery walls of muscle within. A guttural gasp rewarded his efforts. He chuckled low and throaty, nudging James’ cheek with his nose, silently commanding him to look up until their eyes met. "You got yourself all ready for me, baby. All nice," the long agile fingers twisted roughly, "and slick," plunged deeper, "and tight.
Laura Baumbach
He peeled the towel that imprisoned us away and let it fall. I felt it slide softly off my backside, and I felt, too, his rising excite¬ment, hard, erect, pressing against me. My nipples were erect, straining, aching, pressed against his strong warm damp chest, the tangle and pattern of his hair. He was a beast, an animal. My excitement was rising again, to match his. It was as if my heart were about to burst or to flip flop, breathless, into a dark abyss. “Of course, you are crazy, my darling, but, then, so am I.” He kissed me and his oh-so-clever hands seized my waist, tighten¬ing, and then sneaking up my backside, pulling me, pressing me closer, into him. He kissed me again, and his lips moved down my neck to my shoulder and then to my breasts. “Oh,” I said, “Oh.” He bent over me, kissing my collarbone and then my breasts, carefully, slowly, his hands traveling down my back, and over my backside; suddenly, he was on his knees, kissing the whorl of 101 my belly button; then he was forcing me open, gently, gently, his tongue exploring caressing, devouring … “Oh …” I exhaled a deep, shuddering breath. I tipped on the very edge. He bit me, gently. Oooooh! He pulled in the reins, the bit and bridle, of the frisky frothing filly that I had become; this sudden halt made me wilder, crazier; then, once again, he brought me, trembling, up to the very, very edge of the cliff – of orgasm, of loss of self. Then he pulled me back. I blinked and trembled. Around the two of us, there was a whole world, a whole universe. It seemed too vivid to be real, like the backdrop in an opera. Venus was brighter and lower now. The sky had turned deep indigo. One by one, stars appeared.
Gwendoline Clermont (The Shaming of Gwendoline C)
She was a young thing, a child really, full of hope and light, who’s only friends were the shadows on the walls. Others would have found the darkness that she traversed lacking in shadows, but she exuded an unearthly radiance, lighting the world with every step and bringing life to the shadows that lived only in the twilight between worlds. It was here that her friends came out to play and fed her soul with their love of her joy and the light she bore. For without light, there could be no shadows. He, a man living in the light, found nothing in the darkness, though his eyes scoured it constantly for a kindred spirit. Always, he searched the void for someone to cling to, some kind of anchor for his soul. For he walked in the light only with help of a mask to hide behind. Under it hid an ethereal animal, primal in its needs and desires, which could not stand the light of day. If only there was one who could give him light without destroying the darkness that filled him so that he could finally be free.
Lexie Syrah (Torn: A Dark BDSM Romance Novel (Shattered Lives, #1))
There's an analogy to be made between our craving for story and our craving for food. A tendency to overeat served our ancestors well when food shortages were a predictable part of life. But now that we modern desk jockeys are awash in cheap grease and corn syrup, overeating is more likely to fatten us up and kill us young. Likewise, it could be that an intense greed for story was healthy for our ancestors but has some harmful consequences in a world where books, MP3 players, TVs, and iPhones make story omnipresent - and where we have, in romance novels and television shows such as Jersey Shore, something like the story equivalent of deep-fried Twinkies. I think the literary scholar Brian Boyd is right to wonder if overconsumimg in a world awash with junk story could lead to something like a "mental diabetes epidemic." Similarly, as digital technology evolves, our stories - ubiquitous, immersive, interactive - may become dangerously attractive. The real threat isn't that story will fade out of human life in the future; its that story will take it over completely.
Jonathan Gottschall (The Storytelling Animal: How Stories Make Us Human)
ANA. Thank you: I am going to heaven for happiness. I have had quite enough of reality on earth. DON JUAN. Then you must stay here; for hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heroes and heroines, saints and sinners; but they are dragged down from their fool’s paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all, make them slaves of reality: thrice a day meals must be eaten and digested: thrice a century anew generation must be engendered: ages of faith, of romance, and of science are all driven at last to have but one prayer “Make me a healthy animal.” But here you escape this tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless. There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions. Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama. As our German friend put it in his poem, “the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on”—without getting us a step farther. And yet you want to leave this paradise!
George Bernard Shaw (Don Juan in Hell: From Man and Superman)
One of the most elusive things about the white shark is their, uh..." His eyes moved to hers and he held them there. "Their what?" she asked when he didn't finish, a bit rapt by his expression. He kept his eyes locked on her. "Their mating." "Mating," she repeated, feeling a flutter in her stomach at the way he was looking at her...then suddenly not looking at her. "We don't know if individual animals spawn in a certain spot every time --- kind of like a human might go to a particular pub if she wants some action. Juan an example, mind you? She folded her arm, feeling her cheeks heat up. "Pub Uh-huh." Jeff leaned against the railing, his expression looking smug at her embarrassment. "For all we know, sharks are just, ya know, doing it everywhere." "Like the Kardasians?" .... "But who know. Maybe, if we play just the right mood music, you and I will get lucky, Sharona Blaire." Was he talking about shark reproduction... or human? And... was he flirting? Earlier, he'd gone cold and hostile when she'd tried to apologize. The man was a ball of contradiction. A very sexy, very nice-smelling contradiction. "Well." She swallowed, staring in his eyes. "I'm all for getting lucky.
Ophelia London (Love Bites (Sugar City, #1))
The dominant literary mode of the twentieth century has been the fantastic. This may appear a surprising claim, which would not have seemed even remotely conceivable at the start of the century and which is bound to encounter fierce resistance even now. However, when the time comes to look back at the century, it seems very likely that future literary historians, detached from the squabbles of our present, will see as its most representative and distinctive works books like J.R.R. Tolkien’s The Lord of the Rings, and also George Orwell’s Nineteen Eighty-Four and Animal Farm, William Golding’s Lord of the Flies and The Inheritors, Kurt Vonnegut’s Slaughterhouse-Five and Cat’s Cradle, Ursula Le Guin’s The Left Hand of Darkness and The Dispossessed, Thomas Pynchon’s The Crying of Lot-49 and Gravity’s Rainbow. The list could readily be extended, back to the late nineteenth century with H.G. Wells’s The Island of Dr Moreau and The War of the Worlds, and up to writers currently active like Stephen R. Donaldson and George R.R. Martin. It could take in authors as different, not to say opposed, as Kingsley and Martin Amis, Anthony Burgess, Stephen King, Terry Pratchett, Don DeLillo, and Julian Barnes. By the end of the century, even authors deeply committed to the realist novel have often found themselves unable to resist the gravitational pull of the fantastic as a literary mode. This is not the same, one should note, as fantasy as a literary genre – of the authors listed above, only four besides Tolkien would find their works regularly placed on the ‘fantasy’ shelves of bookshops, and ‘the fantastic’ includes many genres besides fantasy: allegory and parable, fairy-tale, horror and science fiction, modern ghost-story and medieval romance. Nevertheless, the point remains. Those authors of the twentieth century who have spoken most powerfully to and for their contemporaries have for some reason found it necessary to use the metaphoric mode of fantasy, to write about worlds and creatures which we know do not exist, whether Tolkien’s ‘Middle-earth’, Orwell’s ‘Ingsoc’, the remote islands of Golding and Wells, or the Martians and Tralfa-madorians who burst into peaceful English or American suburbia in Wells and Vonnegut. A ready explanation for this phenomenon is of course that it represents a kind of literary disease, whose sufferers – the millions of readers of fantasy – should be scorned, pitied, or rehabilitated back to correct and proper taste. Commonly the disease is said to be ‘escapism’: readers and writers of fantasy are fleeing from reality. The problem with this is that so many of the originators of the later twentieth-century fantastic mode, including all four of those first mentioned above (Tolkien, Orwell, Golding, Vonnegut) are combat veterans, present at or at least deeply involved in the most traumatically significant events of the century, such as the Battle of the Somme (Tolkien), the bombing of Dresden (Vonnegut), the rise and early victory of fascism (Orwell). Nor can anyone say that they turned their backs on these events. Rather, they had to find some way of communicating and commenting on them. It is strange that this had, for some reason, in so many cases to involve fantasy as well as realism, but that is what has happened.
Tom Shippey (J.R.R. Tolkien: Author of the Century)
Jack coughed slightly and offered his hand. “Hi, uh. I’m Jack.” Kim took it. “Jack what?” “Huh?” “Your last name, silly.” “Jackson.” She blinked at him. “Your name is Jack Jackson?” He blushed. “No, uh, my first name’s Rhett, but I hate it, so…” He gestured to the chair and she sat. Her dress rode up several inches, exposing pleasing long lines of creamy skin. “Well, Jack, what’s your field of study?” “Biological Engineering, Genetics, and Microbiology. Post-doc. I’m working on a research project at the institute.” “Really? Oh, uh, my apple martini’s getting a little low.” “I’ve got that, one second.” He scurried to the bar and bought her a fresh one. She sipped and managed to make it look not only seductive but graceful as well. “What do you want to do after you’re done with the project?” Kim continued. “Depends on what I find.” She sent him a simmering smile. “What are you looking for?” Immediately, Jack’s eyes lit up and his posture straightened. “I started the project with the intention of learning how to increase the reproduction of certain endangered species. I had interest in the idea of cloning, but it proved too difficult based on the research I compiled, so I went into animal genetics and cellular biology. It turns out the animals with the best potential to combine genes were reptiles because their ability to lay eggs was a smoother transition into combining the cells to create a new species, or one with a similar ancestry that could hopefully lead to rebuilding extinct animals via surrogate birth or in-vitro fertilization. We’re on the edge of breaking that code, and if we do, it would mean that we could engineer all kinds of life and reverse what damage we’ve done to the planet’s ecosystem.” Kim stared. “Right. Would you excuse me for a second?” She wiggled off back to her pack of friends by the bar. Judging by the sniggering and the disgusted glances he was getting, she wasn’t coming back. Jack sighed and finished off his beer, massaging his forehead. “Yes, brilliant move. You blinded her with science. Genius, Jack.” He ordered a second one and finished it before he felt smallish hands on his shoulders and a pair of soft lips on his cheek. He turned to find Kamala had returned, her smile unnaturally bright in the black lights glowing over the room. “So…how did it go with Kim?” He shot her a flat look. “You notice the chair is empty.” Kamala groaned. “You talked about the research project, didn’t you?” “No!” She glared at him. “…maybe…” “You’re so useless, Jack.” She paused and then tousled his hair a bit. “Cheer up. The night’s still young. I’m not giving up on you.” He smiled in spite of himself. “Yet.” Her brown eyes flashed. “Never.
Kyoko M. (Of Cinder and Bone (Of Cinder and Bone, #1))
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack (aka Because this stuff won’t stop being confusing and my friends are mean edition) From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.) From Green to Red, with all the colours in between Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn Green  Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”  My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop. Green-Yellow  Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”  My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash Yellow  Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”  My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen Yellow-Orange  Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)  My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren. Orange  Friends’ Reaction: “So pretty it makes you jealous. Or gay.”  “Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.  My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting. o Possible tie-in to romantic feels? Not sure yet. Orange-Red  Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”  My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come? Red (aka the most controversial code)  Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).  “Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”  “K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)  My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
Claire Kann (Let's Talk About Love)
So what did you and Landon do this afternoon?” Minka asked, her soft voice dragging him back to the present. Angelo looked up to see that Minka had already polished off two fajitas. Damn, the girl could eat. “Landon gave me a tour of the DCO complex. I did some target shooting and blew up a few things. He even let me play with the expensive surveillance toys. I swear, it felt more like a recruiting pitch to get me to work there than anything.” Minka’s eyes flashed green, her full lips curving slightly. Damn, why the hell had he said it like that? Now she probably thought he was going to come work for the DCO. Even if he wanted to, he couldn’t, not after just reenlisting for another five years. The army wasn’t the kind of job where you could walk into the boss’s office and say, “I quit.” Thinking it would be a good idea to steer the conversation back to safer ground, he reached for another fajita and asked Minka a question instead. “What do you think you’ll work on next with Ivy and Tanner? You going to practice with the claws for a while or move on to something else?” Angelo felt a little crappy about changing the subject, but if Minka noticed, she didn’t seem to mind. And it wasn’t like he had to fake interest in what she was saying. Anything that involved Minka was important to him. Besides, he didn’t know much about shifters or hybrids, so the whole thing was pretty damn fascinating. “What do you visualize when you see the beast in your mind?” he asked. “Before today, I thought of it as a giant, blurry monster. But after learning that the beast is a cat, that’s how I picture it now.” She smiled. “Not a little house cat, of course. They aren’t scary enough. More like a big cat that roams the mountains.” “Makes sense,” he said. Minka set the other half of her fourth fajita on her plate and gave him a curious look. “Would you mind if I ask you a personal question?” His mouth twitched as he prepared another fajita. He wasn’t used to Minka being so reserved. She usually said whatever was on her mind, regardless of whether it was personal or not. “Go ahead,” he said. “The first time we met, I had claws, fangs, glowing red eyes, and I tried to kill you. Since then, I’ve spent most of the time telling you about an imaginary creature that lives inside my head and makes me act like a monster. How are you so calm about that? Most people would have run away already.” Angelo chuckled. Not exactly the personal question he’d expected, but then again Minka rarely did the expected. “Well, my mom was full-blooded Cherokee, and I grew up around all kinds of Indian folktales and legends. My dad was in the army, and whenever he was deployed, Mom would take my sisters and me back to the reservation where she grew up in Oklahoma. I’d stay up half the night listening to the old men tell stories about shape-shifters, animal spirits, skin-walkers, and trickster spirits.” He grinned. “I’m not saying I necessarily believed in all that stuff back then, but after meeting Ivy, Tanner, and the other shifters at the DCO, it just didn’t faze me that much.” Minka looked at him with wide eyes. “You’re a real American Indian? Like in the movies? With horses and everything?” He laughed again. The expression of wonder on her face was adorable. “First, I’m only half-Indian. My dad is Mexican, so there’s that. And second, Native Americans are almost nothing like you see in the movies. We don’t all live in tepees and ride horses. In fact, I don’t even own a horse.” Minka was a little disappointed about the no-horse thing, but she was fascinated with what it was like growing up on an Indian reservation and being surrounded by all those legends. She immediately asked him to tell her some Indian stories. It had been a long time since he’d thought about them, but to make her happy, he dug through his head and tried to remember every tale he’d heard as a kid.
Paige Tyler (Her Fierce Warrior (X-Ops, #4))