Roly Poly Quotes

We've searched our database for all the quotes and captions related to Roly Poly. Here they are! All 35 of them:

Quick! Do a roly, roly poly!
Zayn Malik
I fear that we shall be obliged to leave this pudding
Beatrix Potter (The Tale of Samuel Whiskers, or The Roly-Poly Pudding)
Many obese people spend a significant amount of their energy on suppressing the urge to tell some of the people who are staring at them that they do not eat as much and as frequently as they seem to.
Mokokoma Mokhonoana
Willie approached them solo at first, smiling and speaking Spanish. He asked them how they were doing and whether there were any hot chicks inside. Then he said, “Here, let me help you.” With that, he delivered an uppercut so strong it felt as if the punch ended only when it struck roly-poly’s backbone. Rufus came up behind the second guy and administered a kidney punch that would have the little fellow peeing blood for a month.
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
Fine," he moped. "I hope you’re very happy together. Cute little hobbit couple with lots of roly-poly hobbit babies." Georgie turned back to him, but didn’t stop walking away. "I’m not hobbity.
Rainbow Rowell (Landline)
Yeah, that’s her. Roly-poly little bitch. Fucked her in the ass the other day and, get this, she shit all over me. I’m talkin’, this wasn’t no little mess. This was Niagara fuckin’ Falls pourin’ outta her ass.
Madeline Sheehan (Unbeloved (Undeniable, #4))
I am persuaded that the knots would have proved indigestible, whatever you may urge to the contrary.
Beatrix Potter (The Tale of Samuel Whiskers, or The Roly-Poly Pudding)
let us collect our property - and other people's - and depart at once
Beatrix Potter (The Tale of Samuel Whiskers, or The Roly-Poly Pudding)
What a thing it is to have an unruly family!
Beatrix Potter (The Tale of Samuel Whiskers, or The Roly-Poly Pudding)
of unquenchable sparkle and dream as ever. Behind her, in the hammock, Rilla Blythe was curled up, a fat, roly-poly little creature of
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
One of the leading causes of obesity is the misbelief that, when it comes to juice, ‘100%’ means ‘sugar-free.
Mokokoma Mokhonoana
You can't rest in the shade of a human, not even a roly-poly one; and isn't it refreshing that trees can undergo periodic change without having a nervous breakdown over it?
Tom Robbins (Villa Incognito)
Why do we say razzle-dazzle instead of dazzle-razzle? Why super-duper, helter-skelter, harum-scarum, hocus-pocus, willy-nilly, hully-gully, roly-poly, holy moly, herky-jerky, walkie-talkie, namby-pamby, mumbo-jumbo, loosey-goosey, wing-ding, wham-bam, hobnob, razza-matazz, and rub-a-dub-dub? I thought you'd never ask. Consonants differ in "obstruency"—the degree to which they impede the flow of air, ranging from merely making it resonate, to forcing it noisily past an obstruction, to stopping it up altogether. The word beginning with the less obstruent consonant always comes before the word beginning with the more obstruent consonant. Why ask why?
Steven Pinker (The Language Instinct: How the Mind Creates Language)
Of course I do,' said the Roly-Poly Bird. 'It's no good going to a country and not knowing the language.
Roald Dahl (The Twits)
I'd learned quite early in life that the mind loves nothing better than to spook itself with outlandish stories, as if the various coils of the brain were no more than a troop of roly-poly Girl Guides huddled over a campfire in the darkness of the skull.
Alan Bradley (A Red Herring Without Mustard (Flavia de Luce, #3))
Boxing Day. Country pubs. Saying 'you're the dog's bollocks' as an expression of endearment or admiration. Jam roly-poly with custard Ordnance Survey maps I'm Sorry I Haven't a Clue Cream teas The shipping forecast The 20p piece June evenings, about 8pm Smelling the sea before you see it Villages with ridiculous names like Shellow Bowells and Nether Wallop
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
When I was in college, the board game RISK was popular for a while. We’d get stoned and I’d stare at the little plastic pieces moving across the territories and get utterly confused about allies and enemies, arguing that nothing could be that black and white, complicating the whole notion of the game. But I understand that estrogen is my enemy now, the very thing that made me big-busted and fertile and a terrific nurser, has turned on me, inside my milk ducts where my body incubated nourishment that made my babies pink cheeked and roly-poly thighed. It’s all so twisted and ironic and confusing. Tamoxifen, a hero and a hazard, my breasts, a giver and taker of life, and I, the protagonist and the antagonist in this story
Gail Konop Baker (Cancer Is a Bitch: Or, I'd Rather Be Having a Midlife Crisis)
Susan Baker and the Anne Shirley of other days saw her coming, as they sat on the big veranda at Ingleside, enjoying the charm of the cat's light, the sweetness of sleepy robins whistling among the twilit maples, and the dance of a gusty group of daffodils blowing against the old, mellow, red brick wall of the lawn. Anne was sitting on the steps, her hands clasped over her knee, looking, in the kind dusk, as girlish as a mother of many has any right to be; and the beautiful gray-green eyes, gazing down the harbour road, were as full of unquenchable sparkle and dream as ever. Behind her, in the hammock, Rilla Blythe was curled up, a fat, roly-poly little creature of six years, the youngest of the Ingleside children. She had curly red hair and hazel eyes that were now buttoned up after the funny, wrinkled fashion in which Rilla always
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
My seventeen-year-old son, Chase, and his friends are in the family room watching a movie. I’ve been trying to leave them alone, but it’s hard for me. I understand that most teenagers think their moms are uncool, but I am certain I’m the exception. I stand at the door and peek inside. The boys are draped all over the couch. The girls have arranged themselves in tiny, tidy roly-poly piles on the floor. My young daughters are perched at the feet of the older girls, quietly worshipping. My son looks over at me and half smiles. “Hi, Mom.” I need an excuse to be there, so I ask, “Anybody hungry?” What comes next seems to unfold in slow motion. Every single boy keeps his eyes on the TV and says, “YES!” The girls are silent at first. Then each girl diverts her eyes from the television screen and scans the faces of the other girls. Each looks to a friend’s face to discover if she herself is hungry. Some kind of telepathy is happening among them. They are polling. They are researching. They are gathering consensus, permission, or denial. Somehow the collective silently appoints a French-braided, freckle-nosed spokesgirl. She looks away from the faces of her friends and over at me. She smiles politely and says, “We’re fine, thank you.” The boys looked inside themselves. The girls looked outside themselves. We forgot how to know when we learned how to please. This is why we live hungry.
Glennon Doyle (Untamed)
Times like this, I don't wish for ignorance. I look around and I see the bloated ignorance of the lumpen proletariat: roly-poly, sausage-fingered, ginger-topped fathers of at least two illegitimate children trying to massage the asses of waiflike, peroxide-scarred students who are themselves trying to navigate adulthood with their new-found freedom from outdated parenting.
Ayize Jama-Everett (The Liminal People (Liminal People, #1))
I lowered my eyes, again I saw only the little hand on the tablecloth, doubly-mouthed doubly-lipped one way or the other twofold innocently defiled pure slippery I stared at the little hand and waited, suddenly the table swarmed with hands, what’s happening, Leon’s little hand, Fuks’s little hand, Roly-Poly’s hands, Ludwik’s hands, so many hands in the air . . . it’s a wasp! A wasp flew into the room. Flew out. The hands calmed down. Again—a wave receding, calm returns, I’m wondering about those hands, what’s this, Leon addressed Lena: “Oh, my manifold adventure.
Witold Gombrowicz (Cosmos)
short list of puddings to die for (and you will). Spotted dick – A suet roll encasing a filling of currants, sugar and raisins. Spotted dog – A roll freckled with dried fruit, as Mary Norwak says in English Puddings, ‘like a Dalmatian dog’. Jam roly poly – In theory, a roll of suet pastry wrapped round a layer of jam, but I have yet to see one that didn’t look like the aftermath of a car accident. No doubt I am not the first: this pudding was often nicknamed ‘dead man’s leg’. Sussex pond pudding – A basin-shaped pud of golden suet pastry with a lemon and sugar filling. So named because the syrup runs out as you slice into the crust, forming a sweet pool around the edge.
Nigel Slater (Eating for England: The Delights and Eccentricities of the British at Table)
What is it, Sassafras?” I crouched down and ruffled my cat’s fluffy fur. He was trying to flip over a heavy, mossy rock with his paws. Something good was definitely under there. I gently tipped the rock over on its side. Yes! I clapped my hands together. This rock was hiding a treasure. A billion roly-poly bugs! OK . . . maybe not a billion. But at least twenty. Sassafras took a step forward. “Meow?
Asia Citro (Dragons and Marshmallows (Zoey and Sassafras Book 1))
for a moment both the table and Roly-Poly go into a frenzy . . . what is it? It was the cat. She pulled it out from under the table, a mouse in its jaws.
Witold Gombrowicz (Cosmos)
My grandfather, a small but fat man who resembles a walking roly-poly, may or may not accompany her. He doesn’t recall that he died many years ago.  I remind him sometimes, at which points he sits down in an old easy chair in the living room and stares at the hutch where his television used to be.
Robert S. Wilson (Ashes and Entropy)
Methodist minister, a roly-poly man, too large for the dark suit he wore, and Mr.
Avi (The Secret School)
For instance, now Courtney and Kimberly aren’t into much other than themselves and boys, but Courtney used to be big into bugs. She used to collect roly-polies and ladybugs and sometimes these nasty-looking beetles. And then when we were in junior high, she got big into lepidopterology, which is all about butterflies and moths and stuff. It’s a bit morbid, if you ask me, taking beautiful things and pinning them down to be admired. But that’s kinda like what happens to some girls between junior high and high school, when being pretty gets in the way of being a full person.
Christina Hammonds Reed (The Black Kids)
The dominant images in the Western world are those of power, wealth and technical knowledge—these are the "gods" we currently honor. We no longer worship the goddess of love; consequently we have no container for sexual ecstasy, the numinous state where the inner core of the individual is awakened and revealed to self and other. Paper hearts and baby cupids hardly suffice; they are symbols of a sentimental romanticism which merely fulfills ego desires. Cupid, the Roman counterpart of the Greek phallic god Eros, has been reduced to a roly­poly, cute cherub with an infantile penis—an image far removed from the potent phallic god who was the consort of the goddess of love. As the potency ascribed to the phallic god has been reduced or negated, so has the image of the goddess of love fallen into limbo. How can we restore her to life?
Nancy Qualls-Corbett (The Sacred Prostitute: Eternal Aspect of the Feminine (Studies in Jungian Psychology by Jungian Analysts, 32))
During more than twenty-five years of teaching and defending evolutionary biology, I've learned that creationism is like the inflatable roly-poly clown I played with as a child: when you punch it, it briefly goes down, but then pops back up.
Jerry A. Coyne (Why Evolution Is True)
he was a roly-poly elderly man with a stoop and a waddle—
Dashiell Hammett (The Thin Man)
The more attention she paid to the sounds around her, the more they exploded into her consciousness. The sway and crackling of Mr. K's branches, the scurry of tiny bugs under the rocks, the sound of the waterfall in the distance—the world felt smaller and bigger, louder and quieter. Impossible to explain, but so alive and present. "Good." Mr. K's brown, bark-like eyes looked straight into her. "Excellent. Do you feel the difference when you open up?" She nodded. "Yes, but I don't know how to describe it." "It's about expansion verses contraction. You, and quite honestly most humans, spend all of your time contracted. Like a roly-poly bug or a snail stuck in its shell, you crawl into yourself and shut yourself off from the world.
Karpov Kinrade (Forbidden Life (Forbidden, #3))
Meryl had on barely any makeup but was still pretty...No bulging here and there, no bra lines, no ripples making her back look like a roly-poly manatee’s. If she wasn’t so tall, she would look great in a kimono.
B. Jeanne Shibahara (Kaerou Time to Go Home)
toss is a long-standing predinner ritual, one that she and the dog have enjoyed from the time she brought him home as a roly-poly pup to take Todd’s mind off his yearning for progeny, which sprang up, seemingly overnight, around the time he turned forty. She named the dog Freud in anticipation of the fun she could poke at his namesake, the misogynist whom she was forced to take seriously at university. Freud passing gas, Freud eating garbage, Freud chasing his tail. The dog is endlessly good-natured and doesn’t mind in the least being an object
A.S.A. Harrison (The Silent Wife)
On April 6, 1934, Don Wilson became the new announcer. Wilson would remain with Benny to the end of the TV show in 1965. His deep, rich voice was one of the show’s trademarks, and the role he played—a roly-poly Gargantua—was yet another stretch of Benny’s imagination. In reality, Wilson stood a little over six feet and weighed in the mid-220s: hardly the behemoth that Benny would chide with endless fat jokes in the years to come.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Beyond these, illuminated by past summers, one summer remained that stayed the sun long into the night after you had watched the others; others with their fathers knee-deep, belly-button unconcerned, roly-poly mothers stretching out of the sea. Whiter than starch hands on bat and ball, you failed to catch. Tents, buckets, spades; others that went on digging barricades. You castle-bound, spying on princesses, honey-gold, singing against the blue, if touched surely their skin would ooze? Aware of own smell, skin-texture, sun in eyes, lips, toes, the softness underneath, in between, wondering what miracle made you, the sky, the sea. Conscious of sound, gulls hovering, crying, or silent at rarer intervals, their swift turns before being swallowed by the waves. Then no sound, all suddenly would be soundless, treading softly, dividing rocks with fins, and sword-fish fingers plucking away clothes, that were left with your anatomy, huddled like ruffled birds waiting. A chrysalis heart formed on the water’s surface, away from the hard-polished pebbles, sand-blowing and elongated shadows. Away, faster than air itself, dragon-whirled. Be given to, the sliding of water, to forget, be forgotten; premature thoughts—predetermined action. In a moment fixed between one wave and the next, the outline of what might be ahead. On your back, staring into space, becoming part of the sky, a speckled bird’s breast that opened up at the slightest notion on your part. But the hands, remember the hands that pulled your legs, that doubled you up, and dragged you down? Surprised at non-resistance. Voices that called, creating confusion. Cells tighter than shells, you spinning into spirals, quick-silver, thrashing the water, making stars scatter. Narcissus above, staring at a shadow-bat spreading out, finally disappearing into the very centre of the ocean. They were always there waiting by the edge, behind them the cliffs extended. Your head disembodied, bouncing above the separate force of arms and legs, rhythmical, the glorious sensation of weightlessness, moon-controlled, and far below your heart went on exploring, no matter how many years came between, nor how many people were thrust into focus. That had surely been the beginning, the separating of yourself from the world that no longer revolved round you, the awareness of becoming part of, merging into something else, no longer dependent upon anyone, a freedom that found its own reality, half of you the constant guardian, watching your actions, your responses, what you accepted, what you might reject.
Ann Quin (Berg)