Roll On Summer Quotes

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Even so, there were times I saw freshness and beauty. I could smell the air, and I really loved rock 'n' roll. Tears were warm, and girls were beautiful, like dreams. I liked movie theaters, the darkness and intimacy, and I liked the deep, sad summer nights.
Haruki Murakami (Dance Dance Dance)
If I had my life to live over... Someone asked me the other day if I had my life to live over would I change anything. My answer was no, but then I thought about it and changed my mind. If I had my life to live over again I would have waxed less and listened more. Instead of wishing away nine months of pregnancy and complaining about the shadow over my feet, I'd have cherished every minute of it and realized that the wonderment growing inside me was to be my only chance in life to assist God in a miracle. I would never have insisted the car windows be rolled up on a summer day because my hair had just been teased and sprayed. I would have invited friends over to dinner even if the carpet was stained and the sofa faded. I would have eaten popcorn in the "good" living room and worried less about the dirt when you lit the fireplace. I would have taken the time to listen to my grandfather ramble about his youth. I would have burnt the pink candle that was sculptured like a rose before it melted while being stored. I would have sat cross-legged on the lawn with my children and never worried about grass stains. I would have cried and laughed less while watching television ... and more while watching real life. I would have shared more of the responsibility carried by my husband which I took for granted. I would have eaten less cottage cheese and more ice cream. I would have gone to bed when I was sick, instead of pretending the Earth would go into a holding pattern if I weren't there for a day. I would never have bought ANYTHING just because it was practical/wouldn't show soil/ guaranteed to last a lifetime. When my child kissed me impetuously, I would never have said, "Later. Now, go get washed up for dinner." There would have been more I love yous ... more I'm sorrys ... more I'm listenings ... but mostly, given another shot at life, I would seize every minute of it ... look at it and really see it ... try it on ... live it ... exhaust it ... and never give that minute back until there was nothing left of it.
Erma Bombeck (Eat Less Cottage Cheese And More Ice Cream Thoughts On Life From Erma Bombeck)
What kind of animal am I eating?' Sam wiped her mouth with the back of her hand. 'It's named Saehrimnir.' 'Okay, first of all, who names their dinner? I don't want to know my dinner's name. This potato--is this potato named Steve?' She rolled her eyes. 'No, stupid. That's Phil. The bread is Steve.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
There was nothing like a Saturday - unless it was the Saturday leading up to the last week of school and into summer vacation. That of course was all the Saturdays of your life rolled into one big shiny ball.
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
And so my prayer is that your story will have involved some leaving and some coming home, some summer and some winter, some roses blooming out like children in a play. My hope is your story will be about changing, about getting something beautiful born inside of you about learning to love a woman or a man, about learning to love a child, about moving yourself around water, around mountains, around friends, about learning to love others more than we love ourselves, about learning oneness as a way of understanding God. We get one story, you and I, and one story alone. God has established the elements, the setting and the climax and the resolution. It would be a crime not to venture out, wouldn't it? It might be time for you to go. It might be time to change, to shine out. I want to repeat one word for you: Leave. Roll the word around on your tongue for a bit. It is a beautiful word, isn't it? So strong and forceful, the way you have always wanted to be. And you will not be alone. You have never been alone. Don't worry. Everything will still be here when you get back. It is you who will have changed.
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
Sometimes you’re just the sweetest thing. Like Christmas, summer vacation, and a brand-new puppy rolled into one.
Haruki Murakami (Sputnik Sweetheart)
I used to lie here like this all summer long,' I tell her. 'I'd come up here and just stare at the sky.' She rolls over on her back so she's staring up as well. 'Bet this view hasn't changed much, has it?' What she says is so simple i almost laugh. She's right, of course. 'No. This looks exactly the same.' I suppose that's the secret, If you're ever wishing for things to go back to the way they were. You just have to look up.
Lauren Oliver (Before I Fall)
The thing about hiking the Pacific Crest Trail, the thing that was so profound to me that summer—and yet also, like most things, so very simple—was how few choices I had and how often I had to do the thing I least wanted to do. How there was no escape or denial. No numbing it down with a martini or covering it up with a roll in the hay. As I clung to the chaparral that day, attempting to patch up my bleeding finger, terrified by every sound that the bull was coming back, I considered my options. There were only two and they were essentially the same. I could go back in the direction I had come from, or I could go forward in the direction I intended to go.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
I am a seeker of knowledge!’ Odin announced. ‘This has always been true. I hung from the World Tree for nine days and nights, racked with pain, in order to discover the secret of runes. I stood in line in a blizzard for six days to discover the sorcery of the smartphone.’ ‘What?’ I muttered. Blitzen coughed. ‘Just roll with it.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
I looked more like Kurt Cobain than ever, except I doubt Cobain ever wore a shirt that read: WIGGLES ROCK & ROLL PRESCHOOL TOUR! The really disturbing thing was that they made shirts like that in my size.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
Tom said to himself that it was not such a hollow world, after all. He had discovered a great law of human action, without knowing it -- namely, that in order to make a man or a boy covet a thing, it is only necessary to make the thing difficult to attain. If he had been a great and wise philosopher, like the writer of this book, he would now have comprehended that Work consists of whatever a body is obliged to do, and that Play consists of whatever a body is not obliged to do. And this would help him to understand why constructing artificial flowers or performing on a tread-mill is work, while rolling ten-pins or climbing Mont Blanc is only amusement. There are wealthy gentlemen in England who drive four-horse passenger-coaches twenty or thirty miles on a daily line, in the summer, because the privilege costs them considerable money; but if they were offered wages for the service, that would turn it into work and then they would resign.
Mark Twain (The Adventures of Tom Sawyer)
Sometimes you’re just the sweetest thing. Like Christmas, summer holidays and a brand-new puppy all rolled into one.
Haruki Murakami (Sputnik Sweetheart)
A mist is rolling over the fields. Why is a summer mist romantic and autumn mist just sad?
Dodie Smith (I Capture the Castle)
...We’re working with paint today and I pick the easel next to Jake’s. It thrills him. “What do you want?” “I want to apologize if you’re offended by the way I am,” I tell him. “But that’s the way I am with everyone. I was just trying to make you feel welcome.” “That’s the crappiest apology I’ve ever heard.” “Well, that’s because I’m not really sorry.” He rolls his eyes. “Right.
Courtney Summers (Cracked Up to Be)
My favourite characters are people who think they’re normal but they’re not. I live in Baltimore, and it’s full of people like that. I’ve also lived in New York, which is full of people who think they’re crazy, but they’re completely normal. I get my best material in Baltimore – you get dialogue that you just couldn’t imagine. I asked this guy in a bar what he did for a living and he said he traded deer meat for crack. I never realised that job even existed. You could make a whole movie about that person. And he was kind of cute too, if you could ignore his eyes rolling around his head. Although I did crack once, accidentally, and I thought: Oh my God, what, am I gonna rob my parents now? I prefer poppers – they’re legal in London, right? I used to do them on roller coasters. They’re illegal in Provincetown, which is the gay fishing village where I live in the summer. In the airport there are signs warning you to get rid of your poppers.
John Waters
I'll tell you how the sun rose A ribbon at a time... It's a living book, this life; it folds out in a million settings, cast with a billion beautiful characters, and it is almost over for you. It doesn't matter how old you are; it is coming to a close quickly, and soon the credits will roll and all your friends will fold out of your funeral and drive back to their homes in cold and still and silence. And they will make a fire and pour some wine and think about how you once were . . . and feel a kind of sickness at the idea you never again will be. So soon you will be in that part of the book where you are holding the bulk of the pages in your left hand, and only a thin wisp of the story in your right. You will know by the page count, not by the narrative, that the Author is wrapping things up. You begin to mourn its ending, and want to pace yourself slowly toward its closure, knowing the last lines will speak of something beautiful, of the end of something long and earned, and you hope the thing closes out like last breaths, like whispers about how much and who the characters have come to love, and how authentic the sentiments feel when they have earned a hundred pages of qualification. And so my prayer is that your story will have involved some leaving and some coming home, some summer and some winter, some roses blooming out like children in a play. My hope is your story will be about changing, about getting something beautiful born inside of you, about learning to love a woman or a man, about learning to love a child, about moving yourself around water, around mountains, around friends, about learning to love others more than we love ourselves, about learning oneness as a way of understanding God. We get one story, you and I, and one story alone. God has established the elements, the setting and the climax and the resolution. It would be a crime not to venture out, wouldn't it?
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
It's quiet in the car, in a good way for once. No words, no music. Silence seems right. I roll down the windows and lean my head against the door frame, listening to the wind rush by and smelling the pine trees. I watch the stars materialize, like someone is dimming the switch on the night sky so each shining dot grows brighter and brighter.
Jennifer Salvato Doktorski (How My Summer Went Up in Flames)
he would now have comprehended that work consists of whatever a body is obliged to do, and that play consists of whaterver a body is not obliged to do. And this would help him to understand why construcing artificial flowers or performing on a tread-mill, is work, whilst rolling nine-pins or climbing Mont Blanc is only amusement. There are wealthy gentlemen in England who drive four-horse passenger-coaches twenty or thirty miles on a daily line, in the summer, because the privilege costs them considerable money; but if they were offered wages for the service that would turn it into work, then they would resign.
Mark Twain (The Adventures of Tom Sawyer)
It was thought, perception, sensations that interested her, the conscious mind as a river through time, and how to represent its onward roll, as well as all the tributaries that would swell it, and the obstacles that would divert it. If only she could reproduce the clear light of a summer’s morning,
Ian McEwan (Atonement)
My sweet lordy, lordy. It built up to the Summer of Love down by the Psychedelic Shop on Haight-Ashbury when the sunshine poured in mellow yellow and the Age of Aquarius was rising and the tribes gathered in the rain, in the park and everything and everyone fringed the bottoms of their jeans and put flowers in their hair.
Harry F. MacDonald (Magic Alex and the Secret History of Rock and Roll)
If something happens and I explode or something …”“You love me, want me to drive your Harley and take care of Summer.” Beck rolled his eyes to ease the tension. “Okay.”“More or less,
Lizzy Ford
MOST OF LIFE’S defining moments happen unexpectedly; sometimes they slide past you completely unnoticed until afterward, if at all. The last time your child is small enough to carry on your hip. An eye roll exchanged with a stranger who becomes your life-long best friend. The summer job you apply for on impulse and stay at for the next twenty years. Those kinds of things.
Josie Silver (The Two Lives of Lydia Bird)
Why I Am Happy Now has come, an easy time. I let it roll. There is a lake somewhere so blue and far nobody owns it. A wind comes by and a willow listens gracefully. I hear all this, every summer. I laugh and cry for every turn of the world, its terribly cold, innocent spin. That lake stays blue and free; it goes on and on. And I know where it is.
William Stafford
When he turned his head she saw him swallow. He mumbled, 'I'd ask you out, if I was alive.' Nothing was fair. 'I'd say okay,' she replied. She only had time to see him smile faintly. And then he was gone. She rolled back in the middle of the suddenly empty bed. Above her, the rafters glowed with the summer sun. Blue touched her mouth. It felt the same way as it always did. Not at all like she has just gotten her first and last kiss.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Let it be known--from this day forth, I vow to protect Meghan Chase, daughter of the Summer King, with my sword, my honor, and my life. Her desires are mine. Her wishes are mine. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own existence be forfeit. This I swear, on my honor, my True Name, and my life. From this day on..." His voice went even softer, but I still heard it as though he whispered it into my ear. "I am yours." I couldn't stop the tears anymore. They clouded my vision and rolled down my cheeks, and I didn't bother to wipe them away. Ash stood, and I threw myself into his arms, feeling him tremble as he crushed me close. He was mine now, my knight, and nothing would come between us.
Julie Kagawa
The trouble was, I did know what I wanted from Grace Town. I wanted to sleep with her, sure. I wanted her to be my girlfriend. A few years from now, I wanted to marry her. And then, when we were old, I wanted to drink peppermint tea and read Harry Potter to our grandchildren with her on the veranda of an old house in the countryside as we watched a summer storm roll toward us. Was that so much to ask?
Krystal Sutherland (Our Chemical Hearts)
He smelled like a sultry summer storm—cool, refreshing rain, sweltering, hot wind, and charged, electric thunder—all rolled up into one extremely enticing vampire being.
Ada Adams (ReVamped (Angel Creek, #1))
a traveling epic Hunkey, crossing and recrossing the country every year, south in the winter and north in the summer and only because he has no place he can stay in without getting tired of it and because there was nowhere to go but everywhere, and keep rolling under the stars
Jack Kerouac (On the Road: The Original Scroll)
Are you missing the library again?" Seth asked, startling her as he walked into the room. Kendra turned to face her brother. "You caught me," she congratulated him. "I'm reading." "I bet the librarians back home are panicking. Summer vacation, and no Kendra Sorenson to keep them in business. Have they been sending you letters?" "Might not hurt you to pick up a book, just as an experiment." Whatever. I looked up the definition for 'nerd' in the dictionary. Know what it said?" "I bet you'll tell me." " 'If you're reading this, you are one.' " You're a riot." Kendra turned back to the journal, flipping to a random page. Seth took a seat on his bed across from her. "Kendra, seriously, I can sort of see reading a cool book for fun, but dusty old journals? Really? Has anybody told you there are magical creatures out there?" He pointed out the window. "Has anybody told you some of those creatures can eat you?" Kendra responded. "I'm not reading these just for fun. They have good info." "like what? Patton and Lena smooching?" Kendra rolled her eyes. "I'm not telling. You'll end up in a tar pit." "There's a tar pit?" he said, perking up. "Where?
Brandon Mull (Grip of the Shadow Plague (Fablehaven, #3))
I remember once walking out hand in hand with a boy I knew, and it was summer, and suddenly before us was a field of gold. Gold as far as you could see. We knew we'd be rich forever. We filled our pockets and our hair. We were rolled in gold. We ran through the field laughing and our legs and feet were coated in yellow dust, so that we were like golden statues or golden gods. He kissed my feet, the boy I was with, and when he smiled, he had a gold tooth. It was only a field of buttercups, but we were young.
Jeanette Winterson (The PowerBook)
Ich finde es überflüssig, mich mit Leuten abzugeben, die später mal keine Rolle mehr in meinem Leben spielen werden.
Morgan Matson (Second Chance Summer)
Sometimes you’re just the sweetest thing. Like Christmas, summer holidays and a brand-new puppy all rolled into one.
Haruki Murakami (Sputnik Sweetheart)
I rolled my eyes to the heavens and sighed. I never enjoyed dealing with people that didn't use the sense God gave them.
Jennifer Erin Valent (Cottonwood Whispers (Calloway Summers #2))
The scent of the sea and the burning asphalt being carried on the southerly wind made me think of summers past. The warmth of a girl's skin, old rock n' roll, button-down shirts right out of the wash, the smell of cigarettes smoked in the pool locker room, faint premonitions, everyone's sweet, limitless summer dreams. And then one year(when was it?), those dreams didn't come back.
Haruki Murakami (Hear the Wind Sing (The Rat, #1))
Well, that’s because they’re wrong and I’m right. No more reading for you. Let’s go get some ice cream.” “I don’t know if the kitchen has any,” Joel said. “It’s hard to get in the summers, and—” “Not from the kitchen, stupid,” Melody said, rolling her eyes. “From the parlor out on Knight Street.” “Oh. I’ve … never been there.” “What! That’s a tragedy.” “Melody, everything is a tragedy to you.” “Not having ice cream,” she proclaimed, “is the culmination of all disasters! That’s it. No more discussion. We’re going. Follow.
Brandon Sanderson (The Rithmatist (Rithmatist, #1))
Her body went into meltdown, overwhelmed and unsure whether to heat up in arousal or panic under his scrutiny. Bloody hell. Nobody should be that sinful. A rich, talented, bad boy all rolled up into a package of I-don't-give-a-shit, I-know-how-good-I-look.
Eden Summers (Passionate Addiction (Reckless Beat, #2))
Her mighty lakes, like oceans of liquid silver; her mountains, with bright aerial tints; her valleys, teeming with wild fertility; her tremendous cataracts, thundering in their solitudes; her boundless plains, waving with spontaneous verdure; her broad, deep rivers, rolling in solemn silence to the ocean; her trackless forests, where vegetation puts forth all its magnificence; her skies, kindling with the magic of summer clouds and glorious sunshine - no, never need an American look beyond his own country for the sublime and beautiful of natural scenery.
Washington Irving (The Sketch Book)
Rachel returned to the circle of his arms and thought she might possibly combust. Even the summer night breeze that moved the silk against her torso couldn’t cool her. Braced against her car in the moonlight with his shirt fully open this time, Hawke posed as her own personal Adonis, poised for her touch.
Mia Dymond (Leather, Lace and Rock-n-Roll (SEALS, Inc., #1))
You are so perfect Joci. I still can’t get my head around the fact that you’re here with me. That God brought you into my life.--Jeremiah, Dog Days of Summer by P.J. Fiala
P.J. Fiala (Dog Days of Summer (Rolling Thunder #1))
God ma, I’m so happy I could bust. I love her crazy.--Jeremiah, Dog Days of Summer by P.J. Fiala
P.J. Fiala (Dog Days of Summer (Rolling Thunder #1))
If anyone else said that to me, I think I’d roll my eyes, but Culler saying it to me means me committing it to memory and locking it inside so I’ll always have it.
Courtney Summers (Fall for Anything)
Unhealed trauma is a crack. And all the little hard things that trickle into it that would have rolled off someone else, settle. Then when life gets cold, that crack gets bigger, longer, deeper. It makes new breaks. You don’t know how broken she was or what she was trying to do to fill those cracks. Being broken is not an excuse for bad behavior, you still have to make good choices and do the right thing. But it can be the reason. And sometimes understanding the reason can be what helps you heal.
Abby Jimenez (Just for the Summer)
The slate black sky. The middle step of the back porch. And long ago my mother's necklace, the beads rolling north and south. Broken the rose stem, water into drops, glass knob on the bedroom door. Last summer's pot of parsley and mint, white roots shooting like streamers through the cracks. Years ago the cat's tail, the bird bath, the car hood's rusted latch. Broken little finger on my right hand at birth-- I was pulled out too fast. What hasn''t been rent, divided, split? Broken the days into nights, the night sky into stars, the stars into patterns I make up as I trace them with a broken-off blade of grass. Possible, unthinkable, the cricket's tiny back as I lie on the lawn in the dark, my hart a blue cup fallen from someone's hands.
Dorianne Laux (Facts About the Moon)
She could see winter making itself comfortable across the town. She liked the silence of this time of year, but had never appreciated its smugness. When the snow arrives autumn has already done all the work, taking care of all the leaves and carefully sweeping summer away from people’s memories. All winter had to do was roll in with a bit of freezing weather and take all the credit, like a man who’s spent twenty minutes next to a barbecue but has never served a full meal in his life.
Fredrik Backman (Anxious People)
Sometimes you’re just the sweetest thing. Like Christmas, summer vacation, and a brand-new puppy all rolled into one.
Haruki Murakami (Sputnik Sweetheart)
Summer rolled into autumn views of this world fall away
Meeta Ahluwalia
I can curl my hair and paint my nails and wear my hand-sewn summer dresses. I can roll dice and design costumes for heroes and flip through comic books. All as myself. Finally.
Whitney Gardner (Chaotic Good)
Some lessons you learn gradually and some you learn in a sudden moment, like a flash going off in a dark room. I sift and rake and dig around in my vivid recollections of young Sean on the floor in summer, and I try to see what makes him tick, but I know a secret about young Sean, I guess, that he kind of ends up telling the world: nothing makes him tick. It just happens all by itself, tick tick tick tick tick, without any proximal cause, with nothing underneath it. He is like a jellyfish adrift in the sea, throbbing quietly in the warm waves of the surf just off the highway where the dusty white vans with smoked windows and indistinct decals near their wheel hubs roll innocently past.
John Darnielle (Wolf in White Van)
I am a black stone, the size of a kitchen stove. They wash me in the stream every summer and sing over me. I am skulls and cocks, spring rain and the blood of the bull. Virgins lie with strangers in my name, the young priests throw pieces of themselves at my stone feet. I am white corn, and the wind in the corn, and the earth whereof the corn stands up, and the blind worms rolled in an oozy ball of love at the corn's roots. I am rut and flood and honeybees.
Peter S. Beagle (The Folk of the Air)
For the first time in his life, he was a hot mess over a guy. Then again, Sloane Brodie wasn't just any guy. He was rolling thunder and a sweet summer breeze. Passionate, complex, and intense. Mysterious and brooding. He made Dex laugh, beg, and want to scream. With one look he could crush Dex's heart, with one whisper have him on his knees.
Charlie Cochet (Rise & Fall (THIRDS, #4))
Some pasts exist as a fog that rolls in and out of the present, formed not by air that condenses into mist but memories that condense into tiny doors that open to forgotten moments. Maybe you glance at a stranger on a crowded street who reminds you of a childhood friend or hear a song that was popular the first summer you fell in love, and in the space of that single beat of time you are flung backward to a who or when long past. And yet it is only for that one beat. Those tiny doors never remain open for long for most of us. They ensure our former times are kept as relics, and the dust upon them is wiped clean only occasionally
Billy Coffey (The Devil Walks in Mattingly)
I still don't know a place with lovelier Aprils. The mornings and nights are fresh and cool, and the sun pours down like spilled honey, warm without the thick wet weight of the coming summer. The damp earth is as red as flesh, or blood, and so fecund that you can almost hear the thrumming, rustling push of growth up through it. The new foliage is a thousand different shades of pink, red, gold, and green. I could not seem to stay indoors at night in that first spring; I was enraptured with the startling, ghostly white showfalls of dogwood in dusk-green woods, and with streetlights shining through new leaves. Azaleas rolled like surf through the wooded hills of the northwest.
Anne Rivers Siddons (Down Town)
She rolled onto her back in the middle of the suddenly empty bed. Above her, the rafters glowed with the summer sun. Blue touched her mouth. It felt the same as it always did. Not at all like she had just gotten her first and last kiss.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
One day, years down the road, we’ll be gray-haired and soft in the middle section, drinking an enormous glass of spiced rum and eggnog around the Christmas tree. I’ll make some joke about the night I offered friends-with-benefits to you. Rhett will howl. Summer will roll her eyes, because I’m going to tell her tomorrow, and she’ll think I’m ridiculous for bringing it up so many years later. Your small-town wifey will throw a hand over her chest”—Willa imitates the motion—“and act scandalized all night. In fact, she’ll give me the cold shoulder for the rest of our lives. And I’ll outlive her, so that’s fine. Joke’s on her. I win. And my husband will be accustomed to my antics, so he’ll just roll his eyes and continue drinking.
Elsie Silver (Heartless (Chestnut Springs, #2))
Oof!" Adam caught me all right, with the side of his head. I could tell by the feel of his skull on my foot as I kicked him. He grabbed me the best he could anyway, and we half landed, half fell in the pine needles. He lay facedown on the ground. I flopped him over on his back to make sure he was alive. If he had a concussion, we'd have to call the ambulance, which meant we'd get caught and he'd get sent to military school. On the bright side, maybe the military school would not take him if he had brain damage. "I'm so sorry." "Worth it," he grunted. He rolled onto his feet like a ninja and grabbed my hand. "Hurry, before they release the hounds.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
It’s a blur—dense, raucous, exhausting—feelings and thoughts all jumbled together into days and semesters, routines and first times, rolling along, rambling along, summer nights with all the windows open, lying on top of the covers, and darkening autumn mornings when no one wants to get out of bed, getting ready, getting better at things, wins and losses and days when it doesn’t go anyone’s way at all, and then, just as chaos begins to take some kind of shape, present itself not as a random series of emergencies and things you could have done better, the calendar, the months and years and year after year, stacked up in a messy pile starts to make sense, the sweetness of it all, right at that moment, the first times start turning into last times, as in, last first day of school, last time he crawls into bed with us, last time you’ll all sleep together like this, the three of you. There are a few years when you make almost all of your important memories. And then you spend the next few decades reliving them.
Charles Yu (Interior Chinatown)
Each morning fog rolls over the bay and caresses the Golden Gate, the most picturesque bridge in the world. In the evenings night descends from heaven like some mystical force of nature, alerting hearts that something wonderful is about to happen. The City by the Bay becomes a moonlit paradise of sounds and sensations. It teems with lights, music, ocean, and pretty girls ready to dance and have fun. San Francisco stretches out her romantic hand, beckoning you to join in all the living going on, all the love being found. And for this reason, night is the loneliest time for those of us who have no one. Oh, we try for love, desperately we make the attempt, gallantly we forge on. But inevitably we fall into a seductive whirlpool of night and garter belts, lipstick and alluring lingerie, darkened hotel rooms and passion devoid of love. Love is the trophy others raise high in happiness, leaving the rest to seek momentary solace in sex bereft of tenderness and meaning, pretending for a few moments, perhaps even a few hours, that it is something more. A hollow consolation prize for losing the romance contest.
Bobby Underwood (Gypsy Summer)
NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
Anton Chekhov (The Seagull)
Her dad brought his hands together and popped a knuckle. “Trevor,” Frances said soothingly, rubbing her hand on his back. But she was looking hard at me over her glasses, telling me upstanding citizens did not act this way. When we were kids, that look from Frances could make Lori and her brother behave, and sometimes even my brothers, but I never seemed to get the message. “I saw you coming out of the woods,” Lori’s dad shouted at me. “Together!” “We weren’t rolling in the leaves or anything. Look, no evidence.” I put my other hand on Lori’s other shoulder and turned her around backward, hoping against hope she didn’t have scratches from the tree on her bare back, or bark on her butt. “Get your hands off my daughter.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
My birthday is in March, and that year it fell during an especially bright spring week, vivid and clear in the narrow residential streets where we lived just a handful of blocks south of Sunset. The night-blooming jasmine that crawled up our neighborhood's front gate released its heady scent at dusk, and to the north, the hills rolled charmingly over the horizon, houses tucked into the brown. Soon, daylight savings time would arrive, and even at early nine, I associated my birthday with the first hint of summer, with the feeling in classrooms of open windows and lighter clothing and in a few months no more homework. My hair got lighter in spring, from light brown to nearly blond, almost like my mother's ponytail tassel. In the neighborhood gardens, the agapanthus plants started to push out their long green robot stems to open up to soft purples and blues.
Aimee Bender (The Particular Sadness of Lemon Cake)
Tyler rolls out of bed, sniffs the armpits of yesterday's T-shirt, tosses it aside, gets another out of the drawer. His dad sometimes asks him why he sets his alarm so early -- it's summer vacation, after all -- and Tyler can't seem to make him understand that every day is important, especially those filled with warmth and sunlight and no particular responsibilities. It's as if there's some little voice deep inside him, warning him not to waste a minute, not a single one, because time is short.
Stephen King (Black House (The Talisman, #2))
Tell me something about yourself.” “I’d rather save the small talk.” “There’s no need to be rude, child, and believe me, I’m asking for a reason. Tell me something about yourself. Anything.” “I’m twenty-eight . . .” He rejected that one out of hand. “Something personal. Something . . . interior. Tell me something you love.” I thought about it for a long few seconds, then said, “Ralph Lauren’s summer line this year. Not the spring collection, which was way too pastel, and the winter was really crappy, all bland browns and grays. But he’s got some good fabrics this summer, kind of a hot tangerine matched with dull red. Only he skirts, though. Hiscapri pants are for shit. Pockets? Who wants pockets on capri pants? What woman in her right mind puts extra fabric on her hips?” There was a long and ringing silence. Patrick’s eyes were wide and rather frightened. He finally cleared his throat and said, “Anything else apart from fashion?” “What do you want me to say? Puppies? Fluffy kittens? Babies?” “Let’s try something simple. Your favorite food.” I rolled my eyes. “Chocolate.” Duh .
Rachel Caine (Heat Stroke (Weather Warden, #2))
The thing about hiking the Pacific Crest Trail, the thing that was so profound to me that summer—and yet also, like most things, so very simple—was how few choices I had and how often I had to do the thing I least wanted to do. How there was no escape or denial. No numbing it down with a martini or covering it up with a roll in the hay.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
How often we neglect, ignore, overlook, or simply miss the presence of our loving God. We often look for Him in the great rolling thunder when, more often than not, He comes in gentle whispers . . . in the soft cooing of a baby, through the touch of a loved one's hand, in the warm embrace of a trusted friend, in the pitter-patter of a sudden summer shower on a tin roof, or with the cool touch of an evening breeze on an Autumn night. Through hundreds of ways, God whispers, "I love you and I am always with you." Don't miss Him or His presence as you go through this day. Open your eyes of faith and look for Him in the most simple of ways. The experience can be extraordinary and life-changing!
Ron Lambros (All My Love, Jesus: Personal Reminders From the Heart of God)
What is love? Is it a lightning bolt that instantaneously unites two souls in utter infatuation and admiration through the meeting of a simple innocent stare? Or is it a lustful seed that is sown in a dark dingy bar one sweaty summer's night only to be nurtured with romantic rendezvous as it matures into a beautiful flower? Is it a river springing forth, creating lifelong bonds through experiences, heartaches, and missed opportunities? Or is it a thunderstorm that slowly rolls in, climaxing with an awesome display of unbridled passion, only to succumb to its inevitable fade into the distance? I define love as education.... It teaches us to learn from our opportunities, and made the stupidest of decisions for the rightest of reasons. It gives us a hint of what "it" should be and feel like, but then encourages us to think outside the box and develop our own understanding of what "it" could be. Those that choose to embrace and learn from love's educational peaks and valleys are the ones that will eventually find true love, that one in a million. Those that don't are destined to be consumed with the inevitable ring around the rosy of fake I love you's and failed relationships. I have been lucky enough to have some of the most amazing teachers throughout my romantic evolution and it is to them that I dedicate this book. The lessons in life, passion and love they taught me have helped shape who I am today and who I will be tomorrow. To the love that stains my heart, but defines my soul....I thank you.....
Ivan Rusilko (Appetizers (The Winemaker's Dinner, #1))
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time." And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer. Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. " ... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)
Your Kentuckian of the present day is a good illustration of the doctrine of transmitted instincts and peculiarities. His fathers were mighty hunters, - men who lived in the woods, and slept under the free, open heavens, with the stars to hold their candles; and their descendant to this day always acts as if the house were his camp, - wears his hat at all hours, tumbles himself about, and puts his heels on the tops of chairs or mantel-pieces, just as his father rolled on the green sward, and put his upon trees or logs, - keep all the windows and doors open, winter and summer, that he may get air enough for his great lungs, - calls everybody "stranger", with nonchalant bonhommie, and is altogether the frankest, easiest, most jovial creature living.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
Summer came whirling out of the night and stuck fast. One morning late in November everybody got up at Cloudstreet and saw the white heat washing in through the windows. The wild oats and buffalo grass were brown and crisp. The sky was the color of kerosene. The air was thin and volatile. Smoke rolled along the tracks as men began to burn off on the embankment. Birds cut singing down to a few necessary phrases, and beneath them in the streets, the tar began to bubble. The city was full of Yank soldiers; the trams were crammed to standing with them. The river sucked up the sky and went flat and glittery right down the middle of the place and people went to it in boats and britches and barebacked. Where the river met the sea, the beaches ran north and south, white and broad as highways in a dream, and men and babies stood in the surf while gulls hung in the haze above, casting shadows on the immodest backs of the oilslicked women.
Tim Winton
I told her about the best and the worst. The slow and sleepy places where weekdays rolled past like weekends and Mondays didn’t matter. Battered shacks perched on cliffs overlooking the endless, rumpled sea. Afternoons spent waiting on the docks, swinging my legs off a pier until boats rolled in with crates full of oysters and crayfish still gasping. Pulling fishhooks out of my feet because I never wore shoes, playing with other kids whose names I never knew. Those were the unforgettable summers. There were outback towns where you couldn’t see the roads for red dust, grids of streets with wandering dogs and children who ran wild and swam naked in creeks. I remembered climbing ancient trees that had a heartbeat if you pressed your ear to them. Boomboom-boomboom. Dreamy nights sleeping by the campfire and waking up covered in fine ash, as if I’d slept through a nuclear holocaust. We were wanderers, always with our faces to the sun.
Vikki Wakefield (Friday Brown)
The world, once flat to his eyes, now bristled with edges and textures. He saw the tiny grooves of petals and leaves, like fingerprints, their identities written like poems across their surfaces. He saw the slow firecrackers of pine cones, popping and stretching all summer, their stiff armor like soldiers on parade, and also the rolling softness of their sap like happy tears. He understood the flurry of motes, which no longer looked like chaos fogging his vision as it had when he was Birthless. Now he could hear the tune of the world, the song of the wind, and the play of all things in it and he knew now that it was a dance, choreographed down to the smallest antennae thrust into the reeling.
Remy Wilkins (Strays)
Attempting to Soar" A boy from Brooklyn used to cruise on summer nights. As soon as he’d hit sixty he’d hold his hand out the window, cupping it around the wind. He’d been assured this is exactly how a woman’s breast feels when you put your hand around it and apply a little pressure. Now he knew, and he loved it. Night after night, again and again, until the weather grew cold and he had to roll the window up. For many years afterwards he was perpetually attempting to soar. One winter’s night, holding his wife’s breast in his hand, he closed his eyes and wanted to weep. He loved her, but it was the wind he imagined now. As he grew older, he loved the word etcetera and refused to abbreviate it. He loved sweet white butter. He often pretended to be playing the organ. On one of his last mornings, he noticed the shape of his face molded in the pillow. He shook it out, but the next morning it reappeared.
Mary Ruefle
I’d like to see how long an Aroostook County man can stand Florida. The trouble is that with his savings moved and invested there, he can’t very well go back. His dice are rolled and can’t be picked up again. But I do wonder if a down-Easter, sitting on a nylon-and-aluminum chair out on a changelessly green lawn slapping mosquitoes in the evening of a Florida October—I do wonder if the stab of memory doesn’t strike him high in the stomach just below the ribs where it hurts. And in the humid ever-summer I dare his picturing mind not to go back to the shout of color, to the clean rasp of frosty air, to the smell of pine wood burning and the caressing warmth of kitchens. For how can one know color in perpetual green, and what good is warmth without cold to give it sweetness?
John Steinbeck (Travels with Charley: In Search of America)
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
But Amarantha rolled her eyes and slouched in her throne. “Shatter him, Rhysand.” She flicked a hand at the High Lord of the Summer Court. “You may do what you want with the body afterward.” The High Lord of the Summer Court bowed—as if he’d been given a gift—and looked to his subject, who had gone still and calm on the floor, hugging his knees. The male faerie was ready—relieved. Rhys slipped a hand out of his pocket, and it dangled at his side. I could have sworn phantom talons flickered there as his fingers curled slightly. “I’m growing bored, Rhysand,” Amarantha said with a sigh, again fiddling with that bone. She hadn’t looked at me once, too focused on her current prey. Rhysand’s fingers curled into a fist. The faerie male’s eyes went wide—then glazed as he slumped to the side in the puddle of his own waste. Blood leaked from his nose, from his ears, pooling on the floor. That fast—that easily, that irrevocably … he was dead. “I said shatter his mind, not his brain,” Amarantha snapped. The crowd murmured around me, stirring. I wanted nothing more than to fade back into it—to crawl back into my cell and burn this from my mind. Tamlin hadn’t flinched—not a muscle. What horrors had he witnessed in his long life if this hadn’t broken that distant expression, that control? Rhysand shrugged, his hand sliding back into his pocket. “Apologies, my queen.” He turned away without being dismissed, and didn’t look at me as he strode for the back of the throne room. I fell into step beside him, reining in my trembling, trying not to think about the body sprawled behind us, or about Clare—still nailed to the wall. The crowd stayed far, far back as we walked through it. “Whore,” some of them softly hissed at him, out of her earshot; “Amarantha’s whore.” But many offered tentative, appreciative smiles and words—“Good that you killed him; good that you killed the traitor.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
This was different. It had synths droning and sending saltwater waves under my feet. It had drumbeats bursting like fireworks, rumbling the furniture out of place, and then a crazy, irregular, disharmonious, spiral crescendo of pure electric noise, like a typhoon dragging our bodies into it. It featured brass orchestras and choirs of mermaids and a piano in Iceland, all of them right there, visible, touchable, in Axton House. It shook us, fucked us, suspended us far above the reach of Help bouncing on his hind legs. It spoke of magenta sunsets and plastic patio chairs growing moss under summer storms rolling on caterpillar tracks. It sprinkled a bokeh of car lights rushing through night highways and slapped our faces like the wind at a hundred and twenty miles an hour. It pictured Niamh playing guitar, washed up naked on a beach in Fiji.
Edgar Cantero (The Supernatural Enhancements)
The Empress surrounds you at all times. She feeds the soul with her brilliance and beauty of the night sky. Mountain landscapes, rolling hills, and ocean waves rise like the curve of her hips. Her breath is the warm air of summer, her cool palms are the willow tree's shade. She is the peace of mind of a walking meditation. The Empress fills you with the entirety of the world's beauty if you let her in. She shows you in no uncertain terms, that you are never, ever alone. You are part and parcel of the glistening, pulsating world of energetic and beautific connection. You are her and she is you. She is everything and everything is you.
Sasha Graham (Llewellyn's Complete Book of the Rider-Waite-Smith Tarot: A Journey Through the History, Meaning, and Use of the World's Most Famous Deck (Llewellyn's Complete Book Series, 12))
Oregon October, when the fields of timothy and rye-grass stubble are being burned, the sky itself catches fire. Flocks of wrens rush up from the red alder thickets like sparks kicked from a campfire, the salmon jumps again, and the river rolls molten and slow . . . Down river, from Andy’s Landing, a burned-off cedar snag held the sun spitted like an apple, hissing and dripping juices against a grill of Indian Summer clouds. All the hillside, all the drying Himalaya vine that lined the big river, and the sugar-maple trees farther up, burned a dark brick and over-lit red. The river split for the jump of a red-gilled silver salmon, then circled to mark the spot where it fell. Spoonbills shoveled at the crimson mud in the shallows, and dowitchers jumped from cattail to cattail, frantically crying “Kleek! Kleek!” as though the thin reeds were as hot as the pokers they resembled. Canvasback and brant flew south in small, fiery, faraway flocks. And in the shabby ruin of broken cornfields rooster ringnecks clashed together in battle so bright, so gleaming polished-copper bright, that the fields seemed to ring with their fighting. This is Hank’s bell.
Ken Kesey (Sometimes a Great Notion)
The Sometime Sportsman Greets the Spring by John Updike When winter's glaze is lifted from the greens, And cups are freshly cut, and birdies sing, Triumphantly the stifled golfer preens In cleats and slacks once more, and checks his swing. This year, he vows, his head will steady be, His weight-shift smooth, his grip and stance ideal; And so they are, until upon the tee Befall the old contortions of the real. So, too, the tennis-player, torpid from Hibernal months of television sports, Perfects his serve and feels his knees become Sheer muscle in their unaccustomed shorts. Right arm relaxed, the left controls the toss, Which shall be high, so that the racket face Shall at a certain angle sweep across The floated sphere with gutty strings—an ace! The mind's eye sees it all until upon The courts of life the faulty way we played In other summers rolls back with the sun. Hope springs eternally, but spring hopes fade.
John Updike (Collected Poems: 1953-1993)
Last fall, I was sitting at the kitchen table of two friends who have been together since 1972. They tell me a story about how they got together. She couldn't decide between two suitors, so she left New York City to spend the summer in an ashram. (Did I mention was 1972?) One of the suitors sent her postcards while she was gone, the famous postcards that came inside the sleeve of the Rolling Stones' Exile on Main Street. Needless to say, he was the suitor that won her hand. They tell me this story, laughing and interrupting each other, as their teenage daughter walks through the kitchen on her way out to a Halloween party. I've heard of these postcards - over the years, I've heard plenty of record-collector guys boast that they own the original vinyl Exile on Main Street with the original postcards, intact and pristine in the virgin sleeve. I've never heard of anybody getting rid of their prized Exile postcards, much less actually writing on them and sending them through the mail to a girl. I watch these two, laughing over this story at the same kitchen table they've shared for thirty years. I realize that I will never fully understand the millions of bizarre ways that music brings people together.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
The Humvee came to a stop right in front of me and I tracked around to the driver’s window. Summer took up station on the passenger side, standing easy. The driver rolled his glass down. Stared out at me. “I’m looking for Major Marshall,” I said. The driver was a captain and his passenger was a captain too. They were both dressed in Nomex tank suits, with balaclavas and Kevlar helmets with built-in headphones. The passenger had sleeve pockets full of pens. He had clipboards strapped to both thighs. They were all covered with notes. Some kind of score sheets. “Marshall’s not here,” the driver said. “So where is he?” “Who’s asking?” “You can read,” I said. I was wearing last night’s BDUs. They had oak leaves on the collar and Reacher on the stencil.
Lee Child (The Enemy (Jack Reacher, #8))
Actually, using the Daleks would be a masterstroke. Everyone loves Doctor Who - who wouldn't be thrilled by the sight of a real-life Dalek squadron rolling down the high street, glinting in the sun? The sheer excitement would genuinely make the accompanying loss of liberty seem worthwhile. To liven things up even more, our rasping pepperpot overlords would be colour-coded. Blue Daleks would deal with minor infractions, and would spend most of their time issuing warnings and administering minor shocks - but they'd also be chummy and approachable, and willing to pose for photographs with your nephew. Red Daleks, on the other hand, would be emotionless killing machines. Imagine the atmosphere outside a pub on a hot summer's day: a Red Dalek trundles past, and the convivial hubbub suddenly fades to a whisper. Everyone stiffens. And then he turns the corner and a communal sigh of relief goes up, and the drinking continues and the jukebox plays louder and louder... community spirit lives again. Admit it: it'd be fantastic.
Charlie Brooker (Dawn of the Dumb: Dispatches from the Idiotic Frontline)
Tildy warned us the Winter King could identify a person by scent,” Summer said. “Since he thinks you’re Autumn, Tildy said the wedding night should take place here, in Autumn’s bedroom, where her scent is already absorbed into everything.” “She added the flowers and incense to help mask your own scent,” Spring added, “and deliberately arranged the candles so he won’t be able to get a good look at your face so long as you keep to the bed.” “Where’s Autumn?” she asked. “Here.” Khamsin turned. Her sister emerged from the connecting wardrobe room wrapped in a forest green satin robe. Her long auburn hair spilled around her shoulders in ringlets. “Scenting up your nightclothes.” Autumn grimaced. “I know I’m clean. I bathed this morning, but there’s still something wrong about rolling on sheets and rubbing myself on clothes all day. It just seems so . . . so . . . dirty.” Despite everything, Khamsin laughed. For some reason, Autumn’s complaint struck her as funny. “You rolled on the sheets?” “Tildavera suggested it.
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
Poem in October" It was my thirtieth year to heaven Woke to my hearing from harbour and neighbour wood And the mussel pooled and the heron Priested shore The morning beckon With water praying and call of seagull and rook And the knock of sailing boats on the net webbed wall Myself to set foot That second In the still sleeping town and set forth. My birthday began with the water- Birds and the birds of the winged trees flying my name Above the farms and the white horses And I rose In rainy autumn And walked abroad in a shower of all my days. High tide and the heron dived when I took the road Over the border And the gates Of the town closed as the town awoke. A springful of larks in a rolling Cloud and the roadside bushes brimming with whistling Blackbirds and the sun of October Summery On the hill's shoulder, Here were fond climates and sweet singers suddenly Come in the morning where I wandered and listened To the rain wringing Wind blow cold In the wood faraway under me. Pale rain over the dwindling harbour And over the sea wet church the size of a snail With its horns through mist and the castle Brown as owls But all the gardens Of spring and summer were blooming in the tall tales Beyond the border and under the lark full cloud. There could I marvel My birthday Away but the weather turned around. It turned away from the blithe country And down the other air and the blue altered sky Streamed again a wonder of summer With apples Pears and red currants And I saw in the turning so clearly a child's Forgotten mornings when he walked with his mother Through the parables Of sun light And the legends of the green chapels And the twice told fields of infancy That his tears burned my cheeks and his heart moved in mine. These were the woods the river and sea Where a boy In the listening Summertime of the dead whispered the truth of his joy To the trees and the stones and the fish in the tide. And the mystery Sang alive Still in the water and singingbirds. And there could I marvel my birthday Away but the weather turned around. And the true Joy of the long dead child sang burning In the sun. It was my thirtieth Year to heaven stood there then in the summer noon Though the town below lay leaved with October blood. O may my heart's truth Still be sung On this high hill in a year's turning.
Dylan Thomas (Collected Poems)
Taylor and I are going to go to the boardwalk tonight. Will one of you guys drop us off?” Before my mother or Susannah could answer, Jeremiah said, “Ooh, the boardwalk. I think we should go to the boardwalk too.” Turning to Conrad and Steven, he added, “Right, guys?” Normally I would have been thrilled that any of them wanted to go somewhere I was going, but not this time. I knew it wasn’t for me. I looked at Taylor, who was suddenly busy cutting up her scallops into tiny bite-size pieces. She knew it was for her too. “The boardwalk sucks,” said Steven. Conrad said, “Not interested.” “Who invited you guys anyway?” I said. Steven rolled his eyes. “No one invites anyone to the boardwalk. You just go. It’s a free country.” “Is it a free country?” my mother mused. “I want you to really think about that statement, Steven. What about our civil liberties? Are we really free if-“ “Laurel, please,” Susannah said, shaking her head. “Let’s not talk politics at the dinner table.” “I don’t know of a better time for political discourse,” my mother said calmly.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
They agreed they neither gave two hoots now as to how marriages were normally conducted. They would do as they pleased and run their lives by the roll of the seasons. In autumn the apple trees would be bright and heavy with apples and they would hunt birds together, since Ada had proved so successful with the turkeys. They would not hunt with the gaudy Italian piece of Monroe's but with fine simple shotguns they would order from England. In summer they would catch trout with tackle from the same sporting country. They would grow old together measuring time by the life spans of a succession of speckled bird dogs. At some point, well past midlife, they might take up painting and get little tin fieldboxes of watercolors, likewise from England. Go on country walks, and when they saw a scene that pleased them, stop and dip cups of water from a creek and form the lines and tints on paper for future reference.
Charles Frazier (Cold Mountain)
The Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee. Like the leaves of the forest when Summer is green, That host with their banners at sunset were seen: Like the leaves of the forest when Autumn hath blown, That host on the morrow lay withered and strown. For the Angel of Death spread his wings on the blast, And breathed in the face of the foe as he passed; And the eyes of the sleepers waxed deadly and chill, And their hearts but once heaved, and for ever grew still! And there lay the steed with his nostril all wide, But through it there rolled not the breath of his pride; And the foam of his gasping lay white on the turf, And cold as the spray of the rock-beating surf. And there lay the rider distorted and pale, With the dew on his brow, and the rust on his mail: And the tents were all silent, the banners alone, The lances unlifted, the trumpet unblown. And the widows of Ashur are loud in their wail, And the idols are broke in the temple of Baal; And the might of the Gentile, unsmote by the sword, Hath melted like snow in the glance of the Lord!
null
The age of clear answers was over. So was the age of characters and plots. Despite her journal sketches, she no longer really believed in characters. They were quiant devices that belonged to the nineteenth century. The very concept of character was founded on errors that modern psychology had exposed. Plots too were like rusted machinery whose wheels would no longer turn. A modern novelist could no more write characters and plots than a modern composer could a Mozart symphony. It was thought, perception, sensations that interested her, the conscious mind as a river through time, and how to represent its onward roll, as well as the tributaries that would swell it, and the obstacles that would divert it. If only she could reproduce the clear light of a summer's morning, the sensations of a child standing at a window, the curve and dip of a swallow's flight over a pool of water. The novel of the future would be unlike anything in the past.
Ian McEwan
We usually bring her helmet with us, but we left it back in the hotel room this time." I gasp. I also try to decide what kind of flowers I'll bring to her funeral after I strangle the life from her body. I should have stayed in Jersey, like Mom said. Shouldn't have come here with Chloe and her parents. What business do I have in Florida? We live on the Jersey Shore. If you've seen one beach, you've seen them all, right? But noooooooo. I had to come and spend the last of my summer with Chloe, because this would be our last summer together before college, blah-blah-blah. And now she's taking revenge on me for not letting her use my ID to get a tattoo last night. But what did she expect? I'm white and she's black. I'm not even tan-white. I'm Canadian-tourist white. If the guy could mistake her for me, then he shouldn't be giving anyone a tattoo, right? I was just protecting her. Only, she doesn't realize that. I can tell by that look in her eyes-the same look she wore when she replaced my hand sanitizer with personal lubricant-that she's about to take what's left of my pride and kick it like a donkey. "Uh, we didn't get your name. Did you get his name, Emma?" she asks, as if on cue. "I tried, Chloe. But he wouldn't tell me, so I tackled him," I say, rolling my eyes. The guy smirks. This almost-smile hints at how breathtaking a real one would be. The tingling flares up again, and I rub my arms.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Do I get to choose what she commands you to do? Come on, let me, it’ll be fun.” Jai laughed humorlessly. “I said I don’t want her commanding me to do something asinine, kid.” Charlie’s grin disappeared as quickly as it had surfaced. “I told you not to call me, kid, Jinn boy. I’m what… two years younger than you, douchebag?” “Try five. And that’s only in physical years.” “What, you trying to say I’m not mature?” “Oh those socks you’re wearing definitely are. Have you heard of detergent? A shower? Hygiene?” “I shower, you militant, glorified fucking babysitter.” “Watch it, kid.” “Kid? I am this close to taking a swing at you, you overblown piece of-” “Oh for the love of God!” Ari cried, throwing her hands up, her head pounding. So much for their strained peace treaty. “Shut up. Shut up. Shut up!”Despite their matching glowers, both of them slammed their lips closed and glared at one another. Ari heaved a sigh of relief as she pulled a chilled can of soda out of the refrigerator. At least the soda still felt nice sliding down her throat. Not the same as an ice cold Coke on a blazing summer day but still nice. She took a refreshing swig and turned towards her male companions once again. Blasts of frost shot out from Jai’s eyes only to be met by the simmering black heat of Charlie’s angry gaze. Rolling her eyes and biting back the guilt that she was somehow responsible for the animosity between the only two people she could count on right now, Ari spilled into the chair between them and Jai slowly sunk back down into his. “So what will I command you?” she asked quietly, ignoring the way her fingers trembled as she played with the tab on her soda can. When she got no answer, she glanced up to see Jai’s face going red, the veins in his head throbbing. “Dude, what’s wrong?” Charlie asked quietly, looking at Ari in alarm. “Is he choking?” Ari’s heart flipped in her chest at the thought and she reached across the table to grab his arm. “Jai?” His eyes widened and he waved a large hand at his throat and mouth and then pointed at her. What the hell?! “Jesus Christ, he can’t talk?” Charlie asked incredulously. “Is this a joke?
Samantha Young (Smokeless Fire (Fire Spirits, #1))
We were all pretty quiet until Jeremiah broke the silence like breaking the top of a crème brulee. He said, “This potato salad tastes like bad breath.” “I think that would be your upper lip,” Conrad said. We all laughed, and it felt like a relief. For it to be okay to laugh. To be something other than sad. Then Conrad said, “This rib has mold on it,” and we all started to laugh again. It felt like I hadn’t laughed in a long time. My mother rolled her eyes. “Would it kill you to eat a little mold? Just scrape it off. Give it to me. I’ll eat it.” Conrad put his hands up in surrender, and then he stabbed the rib with his fork and dropped it on my mother’s plate ceremoniously. “Enjoy it, Laurel.” “I swear, you spoil these boys, Beck,” my mother said, and everything felt normal, like any other last night. “Belly was raised on leftovers, weren’t you, bean?” “I was,” I agreed. “I was a neglected child who was fed only old food that nobody else wanted.” My mother suppressed a smile and pushed the potato salad toward me. “I do spoil them,” Susannah said, touching Conrad’s shoulder, Jeremiah’s cheek. “They’re angels. Why shouldn’t I?” The two boys looked at each other from across the table for a second. Then Conrad said, “I’m an angel. I would say Jere’s more of a cherub.” He reached out and tousled Jeremiah’s hair roughly. Jeremiah swatted his hand away. “He’s no angel. He’s the devil,” he said. It was like the fight had been erased. With boys it was like that; they fought and then it was over. My mother picked up Conrad’s rib, looked down at it, and then put it down again. “I can’t eat this,” she said, sighing.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
With this warning, Mussolini demanded and was given authority to do just about whatever he wanted; but his initial priority, surprisingly, was good government. He knew that citizens were fed up with a bureaucracy that seemed to grow bigger and less efficient each year, so he insisted on daily roll calls in ministry offices and berated employees for arriving late to work or taking long lunches. He initiated a campaign to drenare la palude (“drain the swamp”) by firing more than 35,000 civil servants. He repurposed Fascist gangs to safeguard rail cargo from thieves. He allocated money to build bridges, roads, telephone exchanges, and giant aqueducts that brought water to arid regions. He gave Italy an eight-hour workday, codified insurance benefits for the elderly and disabled, funded prenatal health care clinics, established seventeen hundred summer camps for children, and dealt the Mafia a blow by suspending the jury system and short-circuiting due process. With no jury members to threaten and judges answerable directly to the state, the courts were as incorruptible as they were docile. Contrary to legend, the dictator didn’t quite succeed in making the trains run on time, but he earned bravos for trying.
Madeleine K. Albright (Fascism: A Warning)
That week—the week of the rain—was one of my dad’s bad times. So I went out to the site a lot. One day, I was just picking around one of the foundations. It was all cinder block and pits; hardly any of the building had actually gotten done. And then I saw this little box. A shoe box.” She sucks in a breath, and even in the dark I see her tense. The rest of her story comes out in a rush: “Someone must have left it there, wedged in the space underneath a part of the foundation. Except the rain was so bad it had caused a miniature mudslide. The box had rolled out into the open. I don’t know why I decided to look inside. It was filthy. I thought I might find a pair of shoes, maybe some jewelry.” I know, now, where the story is going. I am walking toward the muddy box alongside her; I am lifting the water-warped cover. The horror and disgust is a mud too: It is rising, black and choking, inside of me. Raven’s voice drops to a whisper. “She was wrapped in a blanket. A blue blanket with yellow lambs on it. She wasn’t breathing. I—I thought she was dead. She was … she was blue. Her skin, her nails, her lips, her fingers. Her fingers were so small.” The mud is in my throat. I can’t breathe. “I don’t know what made me try to revive her. I think I must have gone a little crazy. I was working as a junior lifeguard that summer, so I’d been certified in CPR. I’d never had to do it, though. And she was so tiny—probably a week, maybe two weeks old. But it worked. I’ll never forget how I felt when she took a breath, and all that color came rushing into her skin. It was like the whole world had split open. And everything I’d felt was missing—all that feeling and color—all of it came to me with her first breath. I called her Blue so I would always remember that moment, and so I would never regret.
Lauren Oliver (Pandemonium (Delirium, #2))
After dark on Saturday night one could stand on the first tee of the golf-course and see the country-club windows as a yellow expanse over a very black and wavy ocean. The waves of this ocean, so to speak, were the heads of many curious caddies, a few of the more ingenious chauffeurs, the golf professional's deaf sister--and there were usually several stray, diffident waves who might have rolled inside had they so desired. This was the gallery. The balcony was inside. It consisted of the circle of wicker chairs that lined the wall of the combination clubroom and ballroom. At these Saturday-night dances it was largely feminine; a great babel of middle-aged ladies with sharp eyes and icy hearts behind lorgnettes and large bosoms. The main function of the balcony was critical. It occasionally showed grudging admiration, but never approval, for it is well known among ladies over thirty-five that when the younger set dance in the summer-time it is with the very worst intentions in the world, and if they are not bombarded with stony eyes stray couples will dance weird barbaric interludes in the corners, and the more popular, more dangerous, girls will sometimes be kissed in the parked limousines of unsuspecting dowagers. But, after all, this critical circle is not close enough to the stage to see the actors' faces and catch the subtler byplay. It can only frown and lean, ask questions and make satisfactory deductions from its set of postulates, such as the one which states that every young man with a large income leads the life of a hunted partridge. It never really appreciates the drama of the shifting, semicruel world of adolescence. No; boxes, orchestra-circle, principals, and chorus are represented by the medley of faces and voices that sway to the plaintive African rhythm of Dyer's dance orchestra.
F. Scott Fitzgerald (The Stories of F. Scott Fitzgerald)
Where the weather is concerned, the Midwest has the worst of both worlds. In the winter the wind is razor sharp. It skims down from the Arctic and slices through you. It howls and swirls and buffets the house. It brings piles of snow and bonecracking cold. From November to March you walk leaning forward at a twenty-degree angle, even indoors, and spend your life waiting for your car to warm up, or digging it out of drifts or scraping futilely at ice that seems to have been applied to the windows with superglue. And then one day spring comes. The snow melts, you stride about in shirtsleeves, you incline your face to the sun. And then, just like that, spring is over and it’s summer. It is as if God has pulled a lever in the great celestial powerhouse. Now the weather rolls in from the opposite direction, from the tropics far to the south, and it hits you like a wall of heat. For six months, the heat pours over you. You sweat oil. Your pores gape. The grass goes brown. Dogs look as if they could die. When you walk downtown you can feel the heat of the pavement rising through the soles of your shoes. Just when you think you might very well go crazy, fall comes and for two or three weeks the air is mild and nature is friendly. And then it’s winter and the cycle starts again. And you think, “As soon as I’m big enough, I’m going to move far, far away from here.
Bill Bryson (The Lost Continent: Travels in Small Town America)
On our way down, we passed a two-story villa, hidden in a thicket of Chinese parasol trees, magnolia, and pines. It looked almost like a random pile of stones against the background of the rocks. It struck me as an unusually lovely place, and I snapped my last shot. Suddenly a man materialized out of nowhere and asked me in a low but commanding voice to hand over my camera. He wore civilian clothes, but I noticed he had a pistol. He opened the camera and exposed my entire roll of film. Then he disappeared, as if into the earth. Some tourists standing next to me whispered that this was one of Mao's summer villas. I felt another pang of revulsion toward Mao, not so much for his privilege, but for the hypocrisy of allowing himself luxury while telling his people that even comfort was bad for them. After we were safely out of earshot of the invisible guard, and I was bemoaning the loss of my thirty-six pictures, Jin-ming gave me a grin: "See where goggling at holy places gets you!" We left Lushan by bus. Like every bus in China, it was packed, and we had to crane our necks desperately trying to breathe. Virtually no new buses had been built since the beginning of the Cultural Revolution, during which time the urban population had increased by several tens of millions. After a few minutes, we suddenly stopped. The front door was forced open, and an authoritative-looking man in plainclothes squeezed in. "Get down! Get down!" he barked. "Some American guests are coming this way. It is harmful to the prestige of our motherland for them to see all these messy heads!" We tried to crouch down, but the bus was too crowded. The man shouted, "It is the duty of everyone to safeguard the honor of our motherland! We must present an orderly and dignified appearance! Get down! Bend your knees!" Suddenly I heard Jin-ming's booming voice: "Doesn'T Chairman Mao instruct us never to bend our knees to American imperialists?" This was asking for trouble. Humor was not appreciated. The man shot a stern glance in our direction, but said nothing. He gave the bus another quick scan, and hurried off. He did not want the "American guests' to witness a scene. Any sign of discord had to be hidden from foreigners. Wherever we went as we traveled down the Yangtze we saw the aftermath of the Cultural Revolution: temples smashed, statues toppled, and old towns wrecked. Litfie evidence remained of China's ancient civilization. But the loss went even deeper than this. Not only had China destroyed most of its beautiful things, it had lost its appreciation of them, and was unable to make new ones. Except for the much-scarred but still stunning landscape, China had become an ugly country.
Jung Chang (Wild Swans: Three Daughters of China)
FILL THE GOBLET AGAIN A Song Fill the goblet again! for I never before Felt the glow which now gladdens my heart to its core; Let us drink! — who would not? — since, through life’s varied round, In the goblet alone no deception is found. I have tried in its turn all that life can supply; I have bask’d in the beam of a dark rolling eye; I have loved! — who has not? — but what heart can declare That pleasure existed while passion was there? In the days of my youth, when the heart’s in its spring, And dreams that affection can never take wing, I had friends! — who has not? — but what tongue will avow, That friends, rosy wine! are so faithful as thou? The heart of a mistress some boy may estrange, Friendship shifts with the sunbeam — thou never canst change; Thou grow’st old — who does not? — but on earth what appears, Whose virtues, like thine, still increase with its years? Yet if blest to the utmost that love can bestow, Should a rival bow down to our idol below, We aree jealous! — who is not? — thou hast no such alloy; For the more that enjoy thee, the more we enjoy. Then the season of youth and its vanities past, For refuge we fly to the goblet at last; There we find — do we not? — in the flow of the soul, That truth, as of yore, is confined to the bowl. When the box of Pandora was opened on earth, And Misery’s triumph commenced over Mirth, Hope was left, — was she not? — but the goblet we kiss, And care not for Hope, who are certain of bliss. Long life to the grape! for when summer is flown, The age of our nectar shall gladden our own: We must die — who shall not? — May our sins be forgiven, And Hebe shall never be idle in heaven.
Lord Byron (Delphi Complete Works of Lord Byron)
Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room
Jennifer L. Armentrout (Deity (Covenant, #3))
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
Marcel Proust (Jean Santeuil)