Rochester Fire Quotes

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His presence in a room was more cheering than the brightest fire.
Charlotte Brontë (Jane Eyre)
To women who please me only by their faces, I am the very devil when I find out they have neither souls nor hearts — when they open to me a perspective of flatness, triviality, and perhaps imbecility, coarseness, and ill-temper: but to the clear eye and eloquent tongue, to the soul made of fire, and the character that bends but does not break — at once supple and stable, tractable and consistent — I am ever tender and true. (Mr Rochester to Jane)
Charlotte Brontë (Jane Eyre)
And there is enchantment in the very hour I am now spending with you. Who can tell what a dark, dreary, hopeless life I have dragged on for months past? Doing nothing, expecting nothing; merging night in day; feeling but the sensation of cold when I let the fire go out, of hunger when I forgot to eat: and then a ceaseless sorrow, and, at times, a very delirium of desire to behold my Jane again. Yes: for her restoration I longed, far more than for that of my lost sight. How can it be that Jane is with me, and says she loves me? Will she not depart as suddenly as she came? To-morrow, I fear I shall find her no more.
Charlotte Brontë (Jane Eyre)
Rochester talking to Jane: I see no enemy to a fortunate issue but in the brow; and that brow professes to say,--'I can live alone, if self-respect and circumstances require me so to do. I need not sell my soul to buy bliss. I have an inward treasure, born with me, which can keep me alive if all extraneous delights should be withheld; or offered only at a price I cannot afford to give.' The forehead declares, 'Reason sits firm and holds the reins, and she will not let the feelings burst away and hurry her to wild chasms. The passions may rage furiously, like true heathens, as they are; and the desires may imagine all sorts of vain things: but judgment shall still have the last word in every argument, and the casting vote in every decision. Strong wind, earthquake-shock, and fire may pass by: but I shall follow the guiding of that still small voice which interprets the dictates of conscience'"
Charlotte Brontë (Jane Eyre)
I used to rush into strange dreams at night: dreams many-coloured, agitated, full of the ideal, the stirring, the stormy--dreams where, amidst unusual scenes, charged with adventure, with agitating risk and romantic chance, I still again and again met Mr. Rochester, always at some exciting crisis; and then the sense of being in his arms, hearing his voice, meeting his eye, touching his hand and cheek, loving him, being loved by him--the hope of passing a lifetime at his side, would be renewed, with all its first force and fire. Then I awoke. Then I recalled where I was, and how situated. Then I rose up on my curtainless bed, trembling and quivering; and then the still, dark night witnessed the convulsion of despair, and heard the burst of passion.
Charlotte Brontë (Jane Eyre)
Strange energy was in his voice, strange fire in his look.
Charlotte Brontë (Jane Eyre)
The hiss of the quenched element, the breakage of the pitcher which I had flung from my hand when I had emptied it, and, above all, the splash of the shower-bath I had liberally bestowed, roused Mr Rochester at last though it was dark, I knew he was awake; because I heard him fulminating strange anathemas at finding himself lying in a pool of water. 'Is there a flood?' he cried
Charlotte Brontë (Jane Eyre)
I hate the thing is called enjoyment: Besides it is a dull employment, It cuts off all that's life and fire From that which may be termed desire; Just like the bee whose sting is gone Converts the owner to a drone.
John Wilmot (Poems by John Wilmot, Earl of Rochester)
And was Mr Rochester now ugly in my eyes?No,reader:gratitude and many associations, all pleasurable and genial,made his face the object I best liked to see;his presence in a room was more cheering than the brightest fire.
Charlotte Brontë (Jane Eyre)
And was Mr. Rochester now ugly in my eyes? No, reader: gratitude, and many associations, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire.
Charlotte Brontë (Jane Eyre)
Yes," he replied, "absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me." "She will have nothing to eat--you will starve her," observed Adèle. "I shall gather manna for her morning and night; the plains and hell-sides in the moon are bleached with manna, Adèle." "She will want to warm herself; what will she do for a fire?" "Fire rises out of the lunar mountains; when she is cold, I'll carry her up to a peak and lay her down on the edge of a crater." "Oh, she'll be uncomfortable there! And her clothes, they will wear out; how can she get new ones?" Mr. Rochester professed to be puzzled. "Hem!" said he. "What would you do, Adèle? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow." "She is far better as she is," concluded Adèle, after musing some time; "besides, she would get tired of living with only you in the moon. If I were mademoiselle, I would never consent to go with you.
Charlotte Brontë (Jane Eyre)
Adèle heard him, and asked if she was to go to school “sans mademoiselle?” “Yes,” he replied, “absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.” “She will have nothing to eat: you will starve her,” observed Adèle. “I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adèle.” “She will want to warm herself: what will she do for a fire?” “Fire rises out of the lunar mountains: when she is cold, I’ll carry her up to a peak, and lay her down on the edge of a crater.” “Oh, qu’ elle y sera mal—peu comfortable!  And her clothes, they will wear out: how can she get new ones?” Mr. Rochester professed to be puzzled.  “Hem!” said he.  “What would you do, Adèle?  Cudgel your brains for an expedient.  How would a white or a pink cloud answer for a gown, do you think?  And one could cut a pretty enough scarf out of a rainbow.
Charlotte Brontë (Jane Eyre)
This lady, ma’am,” he answered, “turned out to be Mr. Rochester’s wife! The discovery was brought about in the strangest way. There was a young lady, a governess at the Hall, that Mr. Rochester fell in—” “But the fire,” I suggested. “I’m coming to that, ma’am—that Mr. Edward fell in love with. The servants say they never saw anybody so much in love as he was: he was after her continually. They used to watch him—servants will, you know, ma’am—and he set store on her past everything: for all, nobody but him thought her so very handsome.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
You may think you know the story. Oh, heard that one, have you? Well, we say again: you may think you know the story. By all accounts it's a good one: a penniless, orphaned young woman becomes a governess in a wealthy household, catches the eye of the rich and stern master, and (sigh) falls deeply in love. It's all very passionate and swoonworthy, but before they can be married, a - gasp! - terrible treachery is revealed. Then there's fire and despair, some aimless wandering, starvation, a little bit of gaslighting, but in the end, the romance works out. The girl (Miss Eyre) gets the guy (Mr. Rochester). They live happily ever after. Which means everybody's happy, right? Um ... no. We have a different tale to tell. (Don't we always?) And what we're about to reveal is more than a simple reimagining of one of literature's most beloved novels. This version, dear reader, is true. There really was a girl. (Two girls, actually.) There was, indeed, a terrible treachery and a great fire. But throw out pretty much everything else you know about the story. This isn't going to be like any classic romance you've ever read.
Cynthia Hand (My Plain Jane (The Lady Janies, #2))
I’ll teach you not to look at me like that,” Charles snarled through his hair before pushing it off his face. “Do you think I didn’t notice? The way you look at me when you think I’m not watching?” Oh, God! He had to get out of there. Slip out of his grip as soon as possible, before he lost control of his body. He was already feeling it in his groin—the fire Rochester had lit was already making his balls throb. His reply was desperate, a whisper, a tiny, brazen lie: “You’re mistaken.” “Oh, that’s how it is, then? You have the nerve to tell me it’s not true?” The next moment he felt something firm pressing against his buttocks. Something hot and shameless. Charles’s rock-hard erection. Dorian’s lips parted in a surprised moan. The air escaped his lungs and treacherous arousal rose all the way to his throat, breaking his voice and his willpower. “No…” I don’t know. “I didn’t mean to. I wasn’t spying on you on purpose.” “But you did. You always do.
Valentina C. Brin (Rise of a Nobleman (Possession, #1))
And was Mr. Rochester now ugly in my eyes? No, reader: gratitude, and many associations, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire. Yet I had not forgotten his faults; indeed, I could not, for he brought them frequently before me. He was proud, sardonic, harsh to inferiority of every description: in my secret soul I knew that his great kindness to me was balanced by unjust severity to many others. He was moody, too; unaccountably so; I more than once, when sent for to read to him, found him sitting in his library alone, with his head bent on his folded arms; and, when he looked up, a morose, almost a malignant, scowl blackened his features. But I believe that his moodiness, his harshness, and his former faults of morality (I say FORMER, for now he seemed corrected of them) had their source in some cruel cross of fate. I believed he was naturally a man of better tendencies, higher principles, and purer tastes than such as circumstances had developed, education instilled, or destiny encouraged. I thought there were excellent materials in him; though for the present they hung together somewhat spoiled and tangled. I cannot deny that I grieved for his grief, whatever that was, and would have given much to assuage it.
Charlotte Brontë (Jane Eyre)
A fire was licking at the fringe of one of the drapes that hung from the four posters of Mr. Rochester's bed. It cast a warm light through the gloom, illuminating his face while he slept. The glow became him; as the fire danced, its darting light softened the severe lines of his brow and lip. "Please fall in love with me," Jane whispered. It shouldn't be totally out of the realm of possibility. After all, Mr. Darcy fell in love with the nearly destitute Elizabeth Bennet. It could be like one of those stories Charlotte and the other girls at Lowood were always telling - the ones with rich, handsome suitors, not the ones about murder. Wait. Murder. The bed was still on fire.
Cynthia Hand (My Plain Jane (The Lady Janies, #2))
...he was past youth, but had not reached middle-age; perhaps he might be thirty-five. I felt no fear of him, and but little shyness. Had he been a handsome, heroic-looking young gentleman, I should not have dared to stand thus questioning him against his will, and offering my services unasked. I had hardly ever seen a handsome youth; never in my life spoken to one. I had a theoretical reverence and homage for beauty, elegance, gallantry, fascination; but had I met those qualities incarnate in masculine shape, I should have known instinctively that they neither had nor could have sympathy with anything in me, and should have shunned them as one would fire, lightning, or anything else that is bright but antipathetic.
Charlotte Brontë (Jane Eyre)
That new middle class soon grew concerned about the unruliness of workers, and especially about their drinking. Inspired by a temperance crusade led by the revivalist Lyman Beecher, a group of mill owners formed the Rochester Society for the Promotion of Temperance. Its members pledged to give up all liquor and to stop paying their workers in alcohol. Swept up in the spirit of evangelical revival, they began to insist that their workers join their churches; and they ultimately fired those who did not. In this effort, they were led, principally, by their wives.
Jill Lepore (These Truths: A History of the United States)
Reader, I married him. It turned out the sounds I heard coming from the attic weren't the screams of Mr Rochester's mad wife Bertha. It wasn't the wife who burned to death in the fire that destroyed Thornfield Hall and blinded my future husband when he tried to save her. After we'd first got engaged, he'd had to admit that he was already married, and we'd broken off our engagement. He'd asked me to run away with him anyway. Naturally, I'd refused. But later, after we were properly married, he insisted that it hadn't happened that way. It turned out there had been no wife. It turned out that it had been a parrot, screaming in the attic. The parrot had belonged to his wife. She had got it in the islands, where she had also contracted the tropical fever that killed her. She'd died long before I came to work for him as a governess. That was never Bertha, in the attic.
Francine Prose (The Mirror: A Short Story from the collection, Reader, I Married Him)
Yes,’ he replied, ‘absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.’ ‘She will have nothing to eat: you will starve her,’ observed Adele. ‘I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adele.’ ‘She will want to warm herself: what will she do for a fire?’ ‘Fire rises out of the lunar mountains: when she is cold, I’ll carry her up to a peak, and lay her down on the edge of a crater.’ ‘Oh, qu’ elle y sera mal—peu comfortable! And her clothes, they will wear out: how can she get new ones?’ Mr. Rochester professed to be puzzled. ‘Hem!’ said he. ‘What would you do, Adele? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow.
Charlotte Brontë (Jane Eyre)
On the bus, I pull out my book. It's the best book I've ever read, even if I'm only halfway through. It's called Jane Eyre by Charlotte Brontë, with two dots over the e. Jane Eyre lives in England in Queen Victoria's time. She's an orphan who's taken in by a horrid rich aunt who locks her in a haunted room to punish her for lying, even though she didn't lie. Then Jane is sent to a charity school, where all she gets to eat is burnt porridge and brown stew for many years. But she grows up to be clever, slender, and wise anyway. Then she finds work as a governess in a huge manor called Thornfield, because in England houses have names. At Thornfield, the stew is less brown and the people less simple. That's as far as I've gotten... Diving back into Jane Eyre... Because she grew up to be clever, slender and wise, no one calls Jane Eyre a liar, a thief or an ugly duckling again. She tutors a young girl, Adèle, who loves her, even though all she has to her name are three plain dresses. Adèle thinks Jane Eyre's smart and always tells her so. Even Mr. Rochester agrees. He's the master of the house, slightly older and mysterious with his feverish eyebrows. He's always asking Jane to come and talk to him in the evenings, by the fire. Because she grew up to be clever, slender, and wise, Jane Eyre isn't even all that taken aback to find out she isn't a monster after all... Jane Eyre soon realizes that she's in love with Mr. Rochester, the master of Thornfield. To stop loving him so much, she first forces herself to draw a self-portrait, then a portrait of Miss Ingram, a haughty young woman with loads of money who has set her sights on marrying Mr. Rochester. Miss Ingram's portrait is soft and pink and silky. Jane draws herself: no beauty, no money, no relatives, no future. She show no mercy. All in brown. Then, on purpose, she spends all night studying both portraits to burn the images into her brain for all time. Everyone needs a strategy, even Jane Eyre... Mr. Rochester loves Jane Eyre and asks her to marry him. Strange and serious, brown dress and all, he loves her. How wonderful, how impossible. Any boy who'd love a sailboat-patterned, swimsuited sausage who tames rabid foxes would be wonderful. And impossible. Just like in Jane Eyre, the story would end badly. Just like in Jane Eyre, she'd learn the boy already has a wife as crazy as a kite, shut up in the manor tower, and that even if he loves the swimsuited sausage, he can't marry her. Then the sausage would have to leave the manor in shame and travel to the ends of the earth, her heart in a thousand pieces... Oh right, I forgot. Jane Eyre returns to Thornfield one day and discovers the crazy-as-a-kite wife set the manor on fire and did Mr. Rochester some serious harm before dying herself. When Jane shows up at the manor, she discovers Mr. Rochester in the dark, surrounded by the ruins of his castle. He is maimed, blind, unkempt. And she still loves him. He can't believe it. Neither can I. Something like that would never happen in real life. Would it? ... You'll see, the story ends well.
Fanny Britt (Jane, the Fox & Me)
And was Mr. Rochester now ugly in my eyes? No, reader: gratitude, and many associations, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire. Yet I had not forgotten his faults; indeed, I could not, for he brought them frequently before me. He was proud, sardonic, harsh to inferiority of every description: in my secret soul I knew that his great kindness to me was balanced by unjust severity to many others. He was moody, too; unaccountably so; I more than once, when sent for to read to him, found him sitting in his library alone, with his head bent on his folded arms; and, when he looked up, a morose, almost a malignant, scowl blackened his features. But I believed that his moodiness, his harshness, and his former faults of morality (I say former, for now he seemed corrected of them) had their source in some cruel cross of fate. I believed he was naturally a man of better tendencies, higher principles, and purer tastes than such as circumstances had developed, education instilled, or destiny encouraged. I thought there were excellent materials in him; though for the present they hung together somewhat spoiled and tangled. I cannot deny that I grieved for his grief, whatever that was, and would have given much to assuage it.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
And was Mr. Rochester now ugly in my eyes? No, reader: gratitude, and many associations, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire. Yet I had not forgotten his faults; indeed, I could not, for he brought them frequently before me. He was proud, sardonic, harsh to inferiority of every description: in my secret soul I knew that his great kindness to me was balanced by unjust severity to many others. He was moody, too; unaccountably so; I more than once, when sent for to read to him, found him sitting in his library alone, with his head bent on his folded arms; and, when he looked up, a morose, almost a malignant, scowl blackened his features. But I believed that his moodiness, his harshness, and his former faults of morality (I say former, for now he seemed corrected of them) had their source in some cruel cross of fate. I believed he was naturally a man of better tendencies, higher principles, and purer tastes than such as circumstances had developed, education instilled, or destiny encouraged. I thought there were excellent materials in him; though for the present they hung together somewhat spoiled and tangled. I cannot deny that I grieved for his grief, whatever that was, and would have given much to assuage it.
Charlotte Brontë (Jane Eyre)
just had a literary discussion with our daughter,’ he said. ‘She was explaining the plot of a great classic of English literature to me. I think it might be better for her if we forced her to watch the Brazilian soap operas on television. She’s in there, rooting for the fire to kill Mrs Rochester.’ ‘Oh, come on, Guido, everyone roots for the fire when they read Jane Eyre.
Donna Leon (Death in a Strange Country (Commissario Brunetti, #2))
This was ridiculous. This was not real life. I blinked a few times, but Jamie and the horse remained firmly in place. “I’m not Jane Eyre!” I shouted. “Sorry?” He blinked somewhat owlishly a few times. “I’m not Jane Eyre!” I repeated. “You can’t Mr. Rochester your way out of everything!” “Prior to this moment, I have never attempted to Mr. Rochester my way out of anything,” he said, baffled. “I have neither dressed up as a fortune-teller to ascertain your intentions nor blinded myself in a fire. This very incident hardly qualifies as Mr. Rochester-ing, since I am still firmly atop my horse. And I’m not entirely sure that gentleman’s name can be used as a verb.” “In America you can use anything as a verb!” I retorted shrilly, scrambling to my feet. “You can verb whatever you want! Thank the goddamn Smurfs for that!” “I believe the Smurfs are Belgian, originally.” “You’re Belgian! Originally!” I was aware that I had long since bypassed the realm of the rational, but I really didn’t care. My legs were practically buckling underneath me, knees knocking with each fresh wave of shivers. “Distantly, on my mother’s side, as a matter of fact. But not since the fourteenth century. I believe it was called the Burgundian Netherlands in those days, however.” I raised my hands heavenward in the kind of epic shrug any mention of the Burgundian Netherlands justly deserved.
Stephanie Kate Strohm (Prince in Disguise)
Jane waited until she had her sons’ full attention once again and gestured for Avery to speak. “Now, let’s get down to specifics, Mother. What do you expect us to do that will make him jealous?” Avery looked up at his mother with false wide-eyed innocence, the rogue wanted her to say it! He didn’t think she would be capable of laying out her scheme in explicit detail. He was quite mistaken. “Don’t give me that sweet-as-a-lamb look, child,” Jane warned. “The three of you have sinned enough to fill the second circle of hell all on your own, and leave no room for others. You will do what you do with any gentle born lady. Compliment her. Seduce her. Fuel the fire deep within her. Lure her into passion. But do nothing to worry me in a month’s time. Understood?” Had she been in a better mood she would have laughed at the flush of embarrassment on their faces. “What? You expect me to play ignorant of such things? I gave birth to five children, and I assure you that I did not do that all on my own. Your father played a significant role in bringing your miserable existences about. There’s that little book from India I believe you all own? The one with all the illustrations. Don’t pretend you don’t know it, because I’ve read it as well.” “Mother! For God’s sake!” Lawrence begged, cutting his mother off. Jane allowed a smile to curve her lips. “It isn’t as much fun when you are on the other end of unpleasant thoughts now, is it?” She clapped her hands together. “Now then, off to the ballroom. And remember, do what I charged you or you will beg for mercy, and I shall have none to give. I brought you into this world, and should you displease me, I shall happily remove you from it.” She made the threat in such a sweet tone that all three of her sons shuddered. -Lady Rochester, Avery, Lawrence, & Linus
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
Why those wretched devils!” Audrey hissed as she crawled over to the trebuchet. “Quick, someone distract them while I add more counterweight.” “But the balls will fly too far!” said Lady Cavendish. “Not necessarily.” Lady Rochester peeked over the edge of the fort, her face alight with a delightful smile. “Tally-ho!” Lady Rochester whooped most inelegantly and waved her arms as she acted as a decoy so Horatia and Lysandra could return fire. Unfortunately the fifty feet of distance between the two forts seemed to ensure that their throws would fall short. “See? We’ve nothing to worry about. They can’t even reach us!” Linus taunted as he stood up brazenly to take his time in aiming at his mother. Audrey meanwhile adjusted the aim of the trebuchet and with a curt nod at Lady Rochester, Audrey dropped the heavier counterweight and let fly their snowy vengeance. The women watched in glee as a snowball the size of a man’s head smacked Linus square in the chest, knocking him to the ground. “What the deuce?” They heard feebly from behind the fort. The ladies all burst out laughing.
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
Good God!” Avery gasped at the bloody wound on Lucien’s head and Cedric’s grief-stricken expression. “You were dueling?” Sir John growled. “Fools.” He relieved Lawrence of Lucien’s feet to help carry the unconscious Marquess up the stairs to an empty bedroom. The second Lucien was on the bed Lady Rochester burst into the room, fire in her eyes. “Is he dead?” she asked, panic creeping into her. “The blow glanced his skull,” Lawrence said. “He may still live.” “May? Oh, he will not die. I want to kill him myself and he will not deny me that.
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
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