Robots Funny Quotes

Gurathin turned to me. "So you don't have a governor module, but we could punish you by looking at you." I looked at him. "Probably, right up until I remember I have guns built into my arms.

Over the road there was a church: a modern gray building, which constantly played a recording of church bells. Strange it was. Why no proper bells? I never went in but I bet it was a robot church for androids, where the Bible was in binary and their Jesus had laser eyes and metal claws.

Not saving you from this storm, mutant,” he said. “Saving you for your later fate, we are.” His voice was weirdly inflected and metallic, like an automated answering machine. “Oh, good. Yoda captured us,” Fang whispered.

According to the fortune-cookie logic most people live by, the best things in life are free. That's crap. I have a gold-plated robot that scratches the exact part of my back where my hands can't reach, and it certainly wasn't free.

Well, robots are, of course, the monkey's natural enemy.

Ever since the robot was first invented, there have been people who swear up and down that this marks the first step towards the fall of man … To be fair, their arguments are backed with scientific fact taken from documentary films such as The Terminator, The Matrix, and RoboCop.

New Rule: Colin Firth has to admit that he's not a human being but a robot designed by women as the perfect man. He's handsome, charming, witty, he's got that accent and a gay best friend...the only way he could be any better is if he ejaculated Häagen-Dazs.

You have terminated me,” one of them said in a strange, flat voice. “But I am one of many.” “Robots!” Iggy breathed, taking Total from Angel. “One of many, one of many, one of many,” the robot Eraser was saying. Now Nudge saw the red light in its eyes, saw how they were fading and winking out. “Good!” spat the Gasman, kicking it hard. “Because we like to blow stuff up, blow stuff up, blow stuff up!

We already have the Wooden Pillar, the Steel Pillar and the Plastic Pillar. In a moment we will have the Golden Bail....' No, you won't.' We will,' stated the robot simply. No, you won't. It makes my ship work.' In a moment,' repeated the robot patiently, 'we will have the Golden Bail....' You will not,' said Zaphod. And then we must go,' said the robot, in all seriousness, 'to a party.' Oh,' said Zaphod, startled, 'can I come?' No,' said the robot, 'we are going to shoot you.' Oh, yeah?' said Zaphod, waggling his gun. Yes,' said the robot, and they shot him. Zaphod was so surprised that they had to shoot him again before he fell down. (85-86)

There is a Zen story (very funny — ha-ha) about a monk who, having failed to achieve “enlightenment” (brain-change) through the normal Zen methods, was told by his teacher to think of nothing but an ox. Day after day after day, the monk thought of the ox, visualized the ox, meditated on the ox. Finally, one day, the teacher came to the monk’s cell and said, “Come out here — I want to talk to you.” “I can’t get out,” the monk said. “My horns won’t fit through the door.” I can’t get out . . . At these words, the monk was “enlightened.” Never mind what “enlightenment” means, right now. The monk went through some species of brain change, obviously. He had developed the delusion that he was an ox, and awakening from that hypnoidal state he saw through the mechanism of all other delusions and how they robotize us. EXERCIZES

If the humans see me actually doing my job, it helps keep suspicions from forming about faulty governor modules.

All serious poker players try to minimize their tells, obviously. There are a couple ways to go about this. One is the robotic approch: where your face becomes a mask and your voice a monotone, at least while the hand is being played. . . . The other is the manic method, where you affect a whole bunch of tics, twitches, and expressions, and mix them up with a river of insane babble. The idea is to overwhelm your opponents with clues, so they can't sort out what's going on. This approach can be effective, but for normal people it's hard to pull off. (If you've spent part of your life in an institution, this method may come naturally.)

On the entertainment feed, this is what they call an “oh shit” moment.

I stomped to the door, which was dumb because nobody can hear teenagers stomping in space. What's the point stopping if no one can hear you?

What's this about slippers?" Stephanie's mom said, walking in. "Dad's just saying he could never lead the resistance against a robot army because he wears slippers." "This is very true," her mum said. "Then it's decided," Stephanie's father said. "When the robot army makes itself known, I will be one of the first traitors to sell out the human race." "Wow," said Stephanie. "Now that's an about-turn," said her mum. "It's the only way," said her dad. "I have to make sure my family survives. The two of you and that other one, the small one--" "Alice." "That's her. You're all that matter to me. You're all I care about. I will betray the human race so that the robot army spares you. And then later, I will betray you so that the robot army spares me. It's a dangerous ploy, but someone has to be willing to take the big risks, and I'll be damned if I'm about to let anyone else gamble with my family's future." "You're so brave," Stephanie's mum said. "I know," said her dad, and then quieter, "I know.

I’d like political candidates to present their prep plans for the zombie apocalypse, or for the robot revolution, or for when the Internet becomes self-aware, because at least then the debates would be more interesting.

My second thought was to fire a gunshot, but the last time I did that his security robots jumped me. It only takes one cavity search by a robot to convince you that’s an experience you don’t want to have twice. This called for a more subtle approach.

I silently wished to be a car-I was big enough to be one. I wanted to imagine myself purring every time Devin got inside me and took me for a ride. Unfortunately, all I could see was me drunk with chocolate smeared across my face singing the Transformer's intro "Robots in Disguise!" into Shannon's broken box fan.

Pessimism? Or Robotics? i am able to sit through an extremely funny movie without making a noise or changing my facial expression i am incapable of laughing without trying to laugh i am never interested in anyone unless they first show interest in me i try not to think of myself as a person but a metal object, built suddenly by machines in complete darkness something impossible to hurt with a shovel

You know, you spend your childhood watching TV, assuming that at some point in the future everything you see there will one day happen to you: that you too will win a Formula One race, hop a train, foil a group of terrorists, tell someone 'Give me the gun', etc. Then you start secondary school, and suddenly everyone's asking you about your career plans and your long-term goals, and by goals they don't mean the kind you are planning to score in the FA Cup. Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg — that your future will not be the rollercoaster ride you'd imagined, that the world occupied by your parents, the world of washing the dishes, going to the dentist, weekend trips to the DIY superstore to buy floor-tiles, is actually largely what people mean when they speak of 'life'. Now, with every day that passes, another door seems to close, the one marked PROFESSIONAL STUNTMAN, or FIGHT EVIL ROBOT, until as the weeks go by and the doors — GET BITTEN BY SNAKE, SAVE WORLD FROM ASTEROID, DISMANTLE BOMB WITH SECONDS TO SPARE — keep closing, you begin to hear the sound as a good thing, and start closing some yourself, even ones that didn't necessarily need to be closed.

Speaking of welding torches... there’s one heading our way!’ The Nursebot was not wrong. Coming for them with the calculated patience of a Grim Reaper on rollerblades was the greatest wildfire the trio had ever seen. Burning in a mischievous cobalt-blue flame that straightforwardly spelled “chemical fire”, the all-consuming flames had cornered them by the unopenable hatch, within an inch of their lives. ‘We’re all going to die!’ wined 22-8, cradling his coppery head. ‘We’re done for!’ ‘I thought you social robots were built with problem-solving code,’ said Floater, hovering as close to the ceiling as possible. ‘Yes, well. My problem-solving code took too much space on the disk,’ said 22-8 morosely. Floater shook his head in disbelief. ‘So you deleted it? To make room for what?’ 22-8 lowered his head and whispered something that sounded very much like “dank memes” before falling silent.

These robots are literally inhuman, and yet I react no differently to their stumblings and topplings than I would to the pratfalls of a fellow human. I don’t imagine I would laugh at the spectacle of a toaster falling out of an SUV, or a semiautomatic rifle pitching over sideways from an upright position, but there is something about these machines, their human form, with which it is possible to identify sufficiently to make their falling deeply, horribly funny.

Escape from Mr. Lemoncello’s Library The Island of Dr. Libris Welcome to Wonderland: Home Sweet Motel Welcome to Wonderland: Beach Party Surf Monkey The Haunted Mystery series COAUTHORED WITH JAMES PATTERSON Daniel X: Armageddon Daniel X: Lights Out House of Robots House of Robots: Robots Go Wild! I Funny I Even Funnier I Totally Funniest I Funny TV Jacky Ha-Ha Treasure Hunters Treasure Hunters: Danger Down the Nile Treasure Hunters: Secret of the Forbidden City Treasure Hunters: Peril at the Top of the World Word of Mouse

Dear Sir, poor sir, brave sir:” he read, “You are an experiment by the Creator of the Universe. You are the only creature in the entire Universe who has free will. You are the only one who has to figure out what to do next—and why. Everybody else is a robot, a machine. “Some persons seem to like you, and others seem to hate you, and you must wonder why. They are simply liking machines and hating machines. “You are pooped and demoralized,” read Dwayne. “Why wouldn’t you be? Of course it is exhausting, having to reason all the time in a universe which wasn’t meant to be reasonable.”     23 DWAYNE HOOVER read on: “You are surrounded by loving machines, hating machines, greedy machines, unselfish machines, brave machines, cowardly machines, truthful machines, lying machines, funny machines, solemn machines,” he read. “Their only purpose is to stir you up in every conceivable way, so the Creator of the Universe can watch your reactions. They can no more feel or reason than grandfather clocks.

And he was introduced to Loki, the family’s hairless cat. “The kids wanted another pet,” Becky explained as Felix stared in horror at the creature beside him. “But with Polly’s allergies . . .” “You are lying to me. You borrowed this creature from a zoo to play a prank on me. This isn’t even really a cat, is it? This is some sort of rat and opossum hybrid. This is a lifelike Japanese robot that can dance to disco music.” “Funny. They’re called sphinx cats. Come on, feel her skin. Like peach fuzz, right? Isn’t she sweet? Give her a good rub. She’s very affectionate.” “Ah-ha, yes, isn’t that just . . . er, what is coating my hands?” “It’s . . . it’s like a body wax. I should’ve bathed her before you came. The hairless cats, they ooze this waxy stuff to protect their skin. ’Cause they don’t have hair. To protect them. So the waxy ooze helps. You see.” Felix stared at her for several seconds, his hands held up like a doctor about to perform surgery. “I’m going to wash my hands now. And I’m going to try very hard not to run out of this house screaming.

Since emotions have to be programmed into robots from the outside, manufacturers may offer a menu of emotions carefully chosen on the basis of whether they are necessary, useful, or will increase bonding with the owner. In all likelihood, robots will be programmed to have only a few human emotions, depending on the situation. Perhaps the emotion most valued by the robot’s owner will be loyalty. One wants a robot that faithfully carries out its commands without complaints, that understands the needs of the master and anticipates them. The last thing an owner will want is a robot with an attitude, one that talks back, criticizes people, and whines. Helpful criticisms are important, but they must be made in a constructive, tactful way. Also, if humans give it conflicting commands, the robot should know to ignore all of them except those coming from its owner. Empathy will be another emotion that will be valued by the owner. Robots that have empathy will understand the problems of others and will come to their aid. By interpreting facial movements and listening to tone of voice, robots will be able to identify when a person is in distress and will provide assistance when possible. Strangely, fear is another emotion that is desirable. Evolution gave us the feeling of fear for a reason, to avoid certain things that are dangerous to us. Even though robots will be made of steel, they should fear certain things that can damage them, like falling off tall buildings or entering a raging fire. A totally fearless robot is a useless one if it destroys itself. But certain emotions may have to be deleted, forbidden, or highly regulated, such as anger. Given that robots could be built to have great physical strength, an angry robot could create tremendous problems in the home and workplace. Anger could get in the way of its duties and cause great damage to property. (The original evolutionary purpose of anger was to show our dissatisfaction. This can be done in a rational, dispassionate way, without getting angry.) Another emotion that should be deleted is the desire to be in command. A bossy robot will only make trouble and might challenge the judgment and wishes of the owner. (This point will also be important later, when we discuss whether robots will one day take over from humans.) Hence the robot will have to defer to the wishes of the owner, even if this may not be the best path. But perhaps the most difficult emotion to convey is humor, which is a glue that can bond total strangers together. A simple joke can defuse a tense situation or inflame it. The basic mechanics of humor are simple: they involve a punch line that is unanticipated. But the subtleties of humor can be enormous. In fact, we often size up other people on the basis of how they react to certain jokes. If humans use humor as a gauge to measure other humans, then one can appreciate the difficulty of creating a robot that can tell if a joke is funny or not.

The Big Executive explains, "He doesn't like your script ... he doesn't think you're funny." "Hank realized that he was in a realm where madness was the norm. Artistic judgment was entrusted to an arrangement of wires and buttons and tubes, and men born human were accepting robotism as the best means to progress. His frustration was total when he suddenly heard the executive ascribing human emotions to the laugh machine. `You hurt him when you called him a pushover. He hasn't laughed at anything since'" (ig6r, 86).

I had my helmet plate opaqued, so I could wince a lot without any of them knowing.

The silence was worse this time. On the feed I saw Pin-Lee move uncertainly, glance at Overse and Arada. Ratthi rubbed his face. Then Mensah said quietly, “SecUnit, do you have a name?” I wasn’t sure what she wanted. “No.” “It calls itself ‘Murderbot,’” Gurathin said. I opened my eyes and looked at him; I couldn’t stop myself. From their expressions I knew everything I felt was showing on my face, and I hate that. I grated out, “That was private.

What did the man say to his dead robot?

If you want a picture of the future; imagine a skinny man who belongs to a race with the lowest birthrates in human history fucking the latest model 300 robot pussy whilst a TV blares in the background announcing a 2% increase to white privilege tax, all the while the man is careful not to utter any misogynistic words like 'bitch' or 'whore' to his robot companion as he gets close to orgasm; lest he gets reported by said robots anti-hate speech monitoring software in doing so receiving a fine and not being allowed access to the robots simulated snatch for 30 days.

Nunca en su vida había gozado tanto del acto de comer y por primera vez lamentaba que los límites fisiológicos le impidieran seguir comiendo indefinidamente.

OK, so … hugging. How does that go? You sort of … stretch your arms out …” He does so too robotically, too broadly. It looks kind of like he’s trying to find a boulder to slot into the space he’s made between his chest and his hands. He looks like Donkey Kong, I think, and then I giggle. “What? I’m getting this soooo right. I just have to clamp these things around you, now …

Clocks are as pointless on the Tennessee as poets are on Earth.

It almost boosts your self-esteem being screamed at by someone with an English accent.

You fill my sombrero with sexual pudding!

Again, for the record, let me restate: you can't be rude to a coffee grinder and only an idiot would thank it for pulverizing beans. But you could, and probably should, unplug it if it doesn't shut up.

And never farting pointed to guilt in the courthouse of my mind.

If it's impossible to understand how I could kick a weeping, torn-in-half cog that was gushing something that looked like tapioca pudding and whale semen on my nice shiny space suit, then you probably never kicked a car for getting a flat tire, or slapped a television remote when the batteries were getting weak, in which case you'll never understand what it means or meant to be a human.

a joke needs to do its job. A joke needs to be funny. It’s great if it’s also thought provoking or somehow profound, but those are not the uttermost functions of a joke. A joke that’s not funny is not a joke. Now, a story is different in that a story doesn’t need to be funny. That said, a funny story needs to be funny. A sad story needs to be sad. An adventure or a thriller needs to be exciting, and a scary story needs to be (drumroll, please) scary. Going in and telling a story means knowing what the story needs to do, and then tweaking it to do that. Comedians don’t just blurt out hilarious shit all day. They aren’t joke robots. They craft their humor. They practice their bits on stage and in front of people; they tweak the timing, they change the silences and applause breaks, they fidget with word choice. And a story is like that, too. Sure, it sounds natural and spontaneous, like you’re just some erupting story volcano, but the truth is, stories are practiced entities. The best tales are those that have gone through countless drafts and countless retellings to get that precious bowl of bear porridge just right.

„Ich fragte mich, wie sie denn aus dem Klassenzimmer fliehen wollten, wenn sie an der einzigen Tür vorbeigelaufen waren, doch in dem Moment zielte einer der Schüler auf die Wand vor ihnen mit seiner Hand, ein Feuerball kam aus dieser heraus und explodierte kurz, sodass in der Wand nun ein großes Loch war. Ich war sehr froh, dass ich kein Bauarbeiter war.