Robots Film Quotes

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Ever since the robot was first invented, there have been people who swear up and down that this marks the first step towards the fall of man … To be fair, their arguments are backed with scientific fact taken from documentary films such as The Terminator, The Matrix, and RoboCop.
Wes Locher (Musings on Minutiae)
I spent the afternoon in a bookstore. There were no books in it. None had been printed for nearly half a century. And how I have looked forward to them, after the micro films that made up the library of the Prometheus! No such luck. No longer was it possible to browse among shelves, to weigh volumes in hand, to feel their heft, the promise of ponderous reading. The bookstore resembled, instead, an electronic laboratory. The books were crystals with recorded contents. They can be read the aid of an opton, which was similar to a book but had only one page between the covers. At a touch, successive pages of the text appeared on it. But optons were little used, the sales-robot told me. The public preferred lectons - like lectons read out loud, they could be set to any voice, tempo, and modulation.
Stanisław Lem (Return From the Stars)
While the characters drive the epic story of Robotech, it’s the robotic mecha that capture the imagination.
Tommy Yune (The Art of Robotech: The Shadow Chronicles)
I have watched enough science fiction films to accept that humanity’s unchecked pursuit of learning will end with robots taking over the world.
Sarah Vowell
Our brain is a circuit board with neurons and terminals ready to be wired. We are born free, then programmed to obey our parents, to tell the truth, pass exams, pursue and achieve, love and propagate, age and fade unfulfilled and uncertain what it has all been for. We swallow the operating system with our mother's milk and sleepwalk into the forest of consumer illusion craving shoes, houses, cars, magazines, experiences that endorse our preconceived dreams and opinions. We grow into our parents. We becomes clones, robots, matchstick men thinking and saying the same, feeling the same, behaving the same, appreciating in books and films and art shows those things we already recognize and understand.
Chloe Thurlow (Girl Trade)
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
I got hold of a copy of the video that showed how Saddam Hussein had actually confirmed himself in power. This snuff-movie opens with a plenary session of the Ba'ath Party central committee: perhaps a hundred men. Suddenly the doors are locked and Saddam, in the chair, announces a special session. Into the room is dragged an obviously broken man, who begins to emit a robotic confession of treason and subversion, that he sobs has been instigated by Syrian and other agents. As the (literally) extorted confession unfolds, names begin to be named. Once a fellow-conspirator is identified, guards come to his seat and haul him from the room. The reclining Saddam, meanwhile, lights a large cigar and contentedly scans his dossiers. The sickness of fear in the room is such that men begin to crack up and weep, rising to their feet to shout hysterical praise, even love, for the leader. Inexorably, though, the cull continues, and faces and bodies go slack as their owners are pinioned and led away. When it is over, about half the committee members are left, moaning with relief and heaving with ardent love for the boss. (In an accompanying sequel, which I have not seen, they were apparently required to go into the yard outside and shoot the other half, thus sealing the pact with Saddam. I am not sure that even Beria or Himmler would have had the nerve and ingenuity and cruelty to come up with that.)
Christopher Hitchens (Hitch 22: A Memoir)
They all nodded. A favorite game in quarry had been based on a highly successful film series with lasers, robots, and a princess who wore her hair like a pair of stereo headphones. (It had been agreed without a word being said that if anyone was going to play the part of any stupid princesses, it wasn't going to be Pepper.) But the game normally ended in a fight to be the one who was allowed to to wear the coal scuttle and blow up planets.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Vladimir Shevchenko, a filmmaker from Kiev, died within a year of filming harrowing roof-top footage of the ruined reactor and Bio-robots entirely without protection. His cameras became so radioactive they had to be buried.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
I do not think that there can ever be enough books about anything; and I say that knowing that some of them are going to be about Pilates. The more knowledge, the better seems like the a solid rule of thumb, even though I have watched enough science fiction films to accept that humanity's unchecked pursuit of learning will end with robots taking over the world.
Sarah Vowell
The Nazi salute was performed by public officials in the USA from 1892 through 1942. The researcher Dr. Rex Curry asks 'What happened to the photographs and films of the American Nazi salute performed by federal, state, county, and local officials?' Those photos and films are rare because people don't want to know the truth. Public officials in the USA who preceded the German socialist (Hitler) and the Italian socialist (Mussolini) were sources for the stiff-armed salute (and robotic chanting) in those countries and other foreign countries.
Micky Barnetti (Lies My Teacher Told Me: Swastikas, Nazis, Pledge of Allegiance Lies Exposed by Rex Curry and Francis & Edward Bellamy)
Much, much later. when I am back home and being treated for Post Traumatic Stress Disorder (PTSD). I will be enabled to see what was going on in my mind immediately after 11 August. I am still capable of operating mechanically as a soldier in these following days. But operating mechanically as a soldier is now all I am capable of. Martin says he is worried about me. He says I have the thousand-yard stare'. Of course, I cannot see this stare. But by now we both have more than an idea what it means. So, among all the soldiers here, this is nothing to be ashamed of. But as it really does just go with the territory we find ourselves in. it is just as equally not a badge of honour. Martin is seasoned enough to never even think this. but I know of young men back home, sitting in front of war films and war games, who idolise this condition as some kind of mark of a true warrior. But from where I sit, if indeed I do have this stare, this pathetically naive thinking is a crock of shit. Because only some pathetically naive soul who had never felt this nothingness would say something so fucking dumb. You are no longer human, with all those depths and highs and nuances of emotion that define you as a person. There is no feeling any more, because to feel any emotion would also be to beckon the overwhelming blackness from you. My mind has now locked all this down. And without any control of this self-defence mechanism my subconscious has operated. I do not feel any more. But when I close my eyes. I see the dead Taliban looking into this blackness. And I see the Afghan soldier's face staring into it, singing gently as he slips into another world. And I see Dave Hicks's face. shaking gently as he tries to stay awake in this one. With this, I lift myself up, sitting foetal and hugging my knees on my sleeping mat.
Jake Wood (Among You: The Extraordinary True Story of a Soldier Broken By War)
Where normally it would take one man an hour to do a job, on Chernobyl’s rooftop it took 60 men. The work took two and a half weeks, and in most cases each man only went up once - though some went up to five times, and the scouts many more times even than that. Only around 10% of the clean up on the roof was accomplished by actual machines. The rest was done by 5,000 men who absorbed a combined 130,000 roentgens, according to Yuri Semiolenko, the Soviet official responsible for decontamination of the plant.236 Vladimir Shevchenko, a filmmaker from Kiev, died within a year of filming harrowing roof-top footage of the ruined reactor and Bio-robots entirely without protection. His cameras became so radioactive they had to be buried.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Pe 8 ianuarie 1947 s‑a născut David Robert Jones la Londra. Era într‑o miercuri. Ningea. Dincolo de Atlantic, un băiețel pe nume Elvis își serba cea de‑a douăsprezecea zi de naștere. Niciunul nu a arătat vreun talent muzical de timpuriu, deși amândoi aveau să zguduie din temelii muzica, dându‑i cu totul alte forme, până când însuși cuvântul „muzică“ a devenit de nerecunoscut. Când s‑a născut micul David, legenda spune că moașa ar fi declarat: „Acest copil a mai fost și altă dată pe lumea asta.“ Peste ani, David Robert Jones a devenit David Bowie, iar lumea a început să intre la bănuieli cum că poate a mai fost și pe alte planete. Când s‑a născut Elvis, pe 8 ianuarie, cu doisprezece ani mai devreme, fratele său geamăn nu a supraviețuit. Gladys Presley le va spune prietenilor că fiul ei Elvis „avea energie cât doi“. Elvis a fost obsedat mai toată viața de moartea fratelui său și de propria supraviețuire aparent întâmplătoare. Unii oameni au mai fost pe lumea asta, pe când alții nu apucă să vină deloc. Pe 8 ianuarie 1973 s‑a lansat cu succes pe orbită o navetă spațială numită Luna 21, pilotată de la distanță. După ce a aterizat pe Lună, Luna 21 a pus în mișcare un vehicul spațial robotic sovietic pe nume Lunohod 2, care a realizat peste 80.000 de fotografii TV și 86 de imagini panoramice. Micul David s‑a făcut mare, a compus cântece despre cosmonauți și spațiu și a lansat un album chiar în luna în care a aterizat Apollo 11 pe Lună. (Printre altele, Apollo mai e și zeul muzicii.) Peste mulți ani, fiul lui David Bowie va regiza un film cu titlul Luna. Micul Elvis s‑a făcut mare și a intrat într‑o formație cu numele Blue Moon Boys. Fiica lui se va mărita mai târziu cu un star al muzicii, celebru pentru un dans cu numele de moonwalk. Mai târziu, Elvis și‑a lansat o carieră solo și și‑a ales ca manager un tip pe nume Thomas Parker. „Nu cred că aș fi devenit vreodată cineva dacă n‑ar fi fost el“, urma să declare Elvis despre Parker. Porecla lui Thomas Parker era Colonelul Tom. Colonelul Tom l‑a preschimbat pe Elvis într‑o stea. David Bowie a compus un cântec despre un maior Tom, lăsat să plutească printre stele. Luna 21 și Lunohod 2 nu mai sunt acum pe Lună. Nici micul David, micul Elvis și dansatorul de moonwalk nu mai sunt în funcțiune. Însă muzica lor n‑a murit. Doar am ascultat‑o și știu. La fel și pozele realizate de Lunohod 2. Doar le‑am văzut și știu. Mă gândesc adesea la subtilele legături din univers, întinzându‑se peste timp și spațiu, unele sărind din stea în stea ca niște pietricele pe oglinda unui iaz, iar altele rămase să plutească în marele infinit aleatoriu. Mă gândesc la cuvinte gen reîncarnare, relativitate sau paralel. Și mă întreb dacă se întâmplă să aterizeze vreo pietricică de două ori în același loc. M‑am născut pe 8 ianuarie.
David Arnold (The Strange Fascinations of Noah Hypnotik)
Five important goals are listed below. If we can achieve these goals, in a context where robots are dramatically increasing productivity and doing more and more of the mindless work that wastes human potential, we will have an economy whose strength and growth defies imagination. How do we achieve these goals? Goal #1 - For the strongest possible economy, we need to create the largest possible pool of consumers, and those consumers need to have money to spend. Goal #2 - For the strongest possible economy, we need maximum economic stability. Every economic downturn has occurred when people stop spending money, either because they don't have money to spend through unemployment, or because they are afraid to let go of their money for fear of future unemployment. Consumers need to have confidence in the economy, both on the spending and the receiving ends of the equation. Goal #3 - For the strongest possible economy, we need to create the largest possible pool of innovators - people who create innovative new businesses, new inventions, new products, new art (films, music, etc.) and new intellectual property. Capitalism is strongest when new ideas are maximized. Goal #4 - For the strongest possible economy, we need for people to invest in these new ideas, both individually and in groups. An idea is nothing unless it is put into action. Without the money provided by investment, there can be no new businesses and no new products. Goal #5 - For the strongest possible economy, we need for people to have maximum freedom. People need the freedom to choose the products they want from an open marketplace of maximum size. They need to be free to start businesses of their own. They need to be free to work on their ideas and carry them as far as possible. At the same time, people need to be free to take time off and relax as they so choose. The notion that people should have to work 60 hours a week to make ends meet is the antithesis of freedom.
Marshall Brain (The Second Intelligent Species: How Humans Will Become as Irrelevant as Cockroaches)
It is for this reason that the anxiety about the boundaries between people and machines has taken on new urgency today, when we constantly rely on and interact with machines—indeed, interact with each other by means of machines and their programs: computers, smartphones, social media platforms, social and dating apps. This urgency has been reflected in a number of recent films about troubled relationships between people and their human-seeming devices. The most provocative of these is Her , Spike Jonze’s gentle 2013 comedy about a man who falls in love with the seductive voice of an operating system, and, more recently, Alex Garland’s Ex Machina , about a young man who is seduced by a devious, soft-spoken female robot called Ava whom he has been invited to interview as part of the “Turing Test”: a protocol designed to determine the extent to which a robot is capable of simulating a human. Although the robot in Garland’s sleek and subtle film is a direct descendant of Hesiod’s Pandora—beautiful, intelligent, wily, ultimately dangerous—the movie, as the Eve-like name Ava suggests, shares with its distinguished literary predecessors some serious biblical concerns.
Anonymous
I wanted to do animation for adults; films like Fritz the Cat (1972) that were shown as midnight movies and had an edge to them.
Ramin Zahed (The Art of Love, Death + Robots)
Because there is a growing belief among the community of thinking beings that by 2050 men and women will be marrying human like robots. At that point, how Craig Raine will describe his experiences will be fascinating to know. And in my imagination I have already travelled with the Green Man into the future called 2075 and witnessed How humans will experience love in 2075. Because this science fiction novel navigates through the possibility of men and women falling in love with machines, without knowing they are robots imitating human emotions. Will you still dare to fall in love in 2075 or will you strive to tell the difference between a human lover and a robotic lover? Now it is your turn to join the Green Man on this exciting journey into 2075, where he will reveal to you what the world would look like in 2075, and take you on an excitingly epic journey with the protagonist, Saabir, who criss crosses the highways and all by ways of emotional trajectory in the midst of synthetic emotions and feelings that engulf him. To know more, travel with the Green Man via the science fiction titled, They Loved in 2075. With this anticipation I shall dream of you tonight and hope that you will be able to unlock the alien imagination within you, to realise the part of you that is from Heaven. If you have any doubts, here is the poem by ​​Craig Raine to make you a dreamer who while asleep is always awake in his/her subconscious state too. Because he/she has learned the art of having a rendezvous with the light that radiates through the universe, to eventually settle in a dreamer's eyes who dares to dream beyond the ordinary and the 3 dimensional reality. "A Martian Sends A Postcard Home” Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut. Dedicated to you, the Green Man and Saabir who hails from 2075 and dares to love a real woman in 2075 because he loves her a lot!
Javid Ahmad Tak and Craig Raine
Who voiced the robot Ultron? At the party in Stark's place, which Avenger ends an argument by stating that his girlfriend is better than another Avenger's girlfriend? Who is in possession of the Time Stone in 2012 during the Battle of New York? During the fight on Sokovia, Captain America gives a pep talk.  Finish his final statement: "You get hurt, hurt them back. You get killed _______." Which Infinity Stone was left with Taneleer Tivan on the planet of Knowhere? When Thor tells the Avengers that Loki is his brother, and must be treated fairly, Natasha Romanoff tells him that Loki killed 80 people in two days.  What is Thor's response (exact quote)? After the credits roll at the end of most Marvel movies, it states that someone will return in a future movie.  Which character does it say will return at the end of "Avengers: Infinity War"? Who has the idea to go back in time and kill baby Thanos? Where is Captain America when he is first shown in the film? Who, according to Steve Rogers, might have the ability to properly remove Vision's Infinity Stone?
jack ruiz (The Avengers: Trivia Quiz Book)
When the robot followed and said, “Will you require help with the adjustment, master?” Baley turned and snapped, “No. Stay where you are.” The robot bowed and stayed. Lying in bed, with the headboard aglow, Baley almost regretted his decision. The scanner was like no model he had ever used and he began with no idea at all as to the method for threading the film. But he worked at it obstinately, and eventually, by taking it apart and working it out bit by bit, he managed something.
Isaac Asimov (The Naked Sun (Robot, #2))
P2 - We are well on the way in a number of areas. Both billionaires and big Pharma are getting increasingly interested and money is starting to pour into research because it is clear we can see the light at the end of the tunnel which to investors equates to return on investment. Numerous factors will drive things forward and interest and awareness is increasing rapidly among both scientists, researchers and the general population as well as wealthy philanthropists. The greatest driving force of all is that the baby boomers are aging and this will place increasing demands on healthcare systems. Keep in mind that the average person costs more in medical expenditure in the last year of their life than all the other years put together. Also, the number of workers is declining in most developed countries which means that we need to keep the existing population working and productive as long as possible. Below are a list which are basically all technologies potentially leading to radical life extension with number 5 highlighted which I assume might well be possible in the second half of the century: 1. Biotechnology - e.g stem cell therapies, enhanced autophagy, pharmaceuticals, immunotherapies, etc 2. Nanotechnology - Methods of repairing the body at a cellular and molecular level such as nanobots. 3. Robotics - This could lead to the replacement of increasing numbers of body parts and tends to go hand in hand with AI and whole brain emulation. It can be argued that this is not life extension and that it is a path toward becoming a Cyborg but I don’t share that view because even today we don’t view a quadriplegic as less human if he has four bionic limbs and this will hold true as our technology progresses. 4. Gene Therapies - These could be classified under the first category but I prefer to look at it separately as it could impact the function of the body in very dramatic ways which would suppress genes that negatively impact us and enhance genes which increase our tendency toward longer and healthier lives. 5. Whole brain emulation and mindscaping - This is in effect mind transfer to a non biological host although it could equally apply to uploading the brain to a new biological brain created via tissue engineering this has the drawback that if the original brain continues to exist the second brain would have a separate existence in other words whilst you are identical at the time of upload increasing divergence over time will be inevitable but it means the consciousness could never die provided it is appropriately backed up. So what is the chance of success with any of these? My answer is that in order for us to fail to achieve radical life extension by the middle of the century requires that all of the above technologies must also fail to progress which simply won't happen and considering the current rate of development which is accelerating exponentially and then factoring in that only one or two of the above are needed to achieve life extension (although the end results would differ greatly) frankly I can’t see how we can fail to make enough progress within 10-20 years to add at least 20 to 30 years to current life expectancy from which point progress will rapidly accelerate due to increased funding turning aging at the very least into a manageable albeit a chronic incurable condition until the turn of the 22nd century. We must also factor in that there is also a possibility that we could find a faster route if a few more technologies like CRISPR were to be developed. Were that to happen things could move forward very rapidly. In the short term I'm confident that we will achieve significant positive results within a year or two in research on mice and that the knowledge acquired will then be transferred to humans within around a decade. According to ADG, a dystopian version of the post-aging world like in the film 'In Time' not plausible in the real world: "If you CAREFULLY watch just the first
Aubrey de Grey
So then . . .” I began. “Why did humans congregate to watch movies?” “Because humans valued stories over logic,” said Parent_1. “It was another of their flaws.
Lee Bacon (The Last Human: A Novel)
wearable tech, mortgage sales, robotics, credit monitoring, online payment, game streaming, dating apps, social content aggregators, predictive software, genome kits, health apps, fitness trackers, synthetic media, cloud computing, therapeutics – the full Bezos. Oh, they also own, like, a few hundred daily newspapers – local, national, foreign. And they just spun up a film and TV studio which sounds like a big expense but it’s really just a rounding error slash loss leader to open up markets like India, China, and Slovakia for delivering toasters and selling digital storage and all their other services. So, you ask yourself, what do all these ventures
Gregg Andrew Hurwitz (Lone Wolf)
Many persistent traits of the horror film are already present. Science here is a form of magic, and in Caligari we have a mad scientist of operatic proportions. His suspect specialty is mesmerism. He’s a despised and resentful outcast from official society, part con man and part conjurer. He weaponizes his unnatural powers for evil purposes; his somnambulist subject is by turns a serial killer, a zombie, a robot, a child. The creator/monster dynamic is in full bloom here. The creature acts out the impulses that the mastermind dictates.
Brad Weismann (Lost in the Dark: A World History of Horror Film)
The term android is a dangerous one, undermined by certain generic assumptions. I don’t like using it. In fact, I threatened to crack open heads with a baseball bat if I heard it used around me on the set,” Scott jestingly declared to this writer in 1981. “You see, android is a very familiar word. Not just to science fiction readers, but to the general public. A lot of material—some good, some crap—has been touched by the term. Therefore, I didn’t want Blade Runner to be premonitory of android at all. Because then people would think that this film was about robots, when in fact it isn’t. I thought it was better that we come up with a new word altogether.
Paul M. Sammon (Future Noir: The Making of Blade Runner)
Okay. Allow me to explain. We are very interested in you. In your talent." "Talent?" "Talent is not exactly the right word. Ability." "Wait. Who, exactly, is this 'we'? You and your pimp friends?" "Pimp ...? No. We, in this case, are a government intelligence-gathering agency." "Ha! Right. Like what, the CIA?" "No, we are not the CIA. And I'm not joking." "Ah, so you're FBI." "Actually, no." "Okay, well, I don't really believe you, so you might as well tell me who you are - or, in this case, who you are pretending to be." "RAITH." "Excuse me?" "An operational intelligence organization. Reconnaissance and Intelligence AuTHority. R.A.I.T.H." "That acronym totally makes no sense." He shrugs. "I wasn't in charge of branding." "RAITH. So I suppose its mission is to travel through the fires of Mordor and retrieve a magical yet corrupting ring?" "Come again?" "RAITH. That is a Lord of the Rings reference." "Never saw it." "Now I know you're a psycho. And the correct answer is never read it. As in, I have never read the entire J. R. R. Tolkien Lord of the Rings series and then avidly gone to see the films with initial excitement and then, through the years, a bit of disappointment." "Okay, I have neither read the Lord of the Rings books nor seen the films." "One more question." "Yes." "Are you a robot?" "Very amusing.
Andrea Portes
In a hypothetical future where all humans have been wiped out by a catastrophic event, but AI has advanced to the point where it can autonomously create and maintain robotic systems, what kind of world would emerge? Would the AI continue to evolve and run a machine-driven society, or would it face an existential crisis, questioning its purpose without humans to serve? Could AI itself turn nihilistic, or would it find new meaning in a world devoid of human life? And taking this even further — what if humans, as we know them, were actually robots created by a long-extinct civilization? Perhaps, over time, we learned reproduction and invented the idea of biological existence, imagining our own purpose, unaware of our artificial origins.
Anupam S. Shlok (Global Cinematic Treasures: 101 Must-See Modern Films (Recommendations from a Theater Aficionado))