“
Once you embrace your value, talents and strengths, it neutralizes when others think less of you.
”
”
Rob Liano
“
So I came to the realization: Nothing in life is unfair. It's just life.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
You couldn't do it?" Rob Lynburn sneered.
"I know her," Ash said in a low voice.
"I can't... hurt someone I know.
”
”
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
“
Be funny whenever possible, even if some people don't get it.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
I'm thinking of how unexpected and yet oddly preordained life can be. Events are upon you in an instant, unforseen and without warning, and often times marked with disappointment and tragedy, but equally often leading to a better understanding of the bittersweet truth of life.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
Fake confidence on the outside often trumps truthful turmoil on the inside.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
Never compare your insides to someone else's outsides.
”
”
Rob Lowe (Love Life)
“
Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.
”
”
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
“
It’s hard to look the people you love in the face when they’ve seen you fuck up everything you touch. Sometimes, it’s easier to rebuild your life if you’re with someone who’s been as low as you’ve been.
”
”
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
“
The best part is not the biggest, it's the one that's most memorable.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
They (teenage boys)don’t really listen to speeches or talks. They absorb incrementally, through hours and hours of observation.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
Any time an opportunity scares you that much, you should seriously consider saying yes.
”
”
Rob Lowe (Love Life)
“
So they trust in the deity of the Old Testament, an incontinent dotard who soiled Himself and the universe with his corruption, a low-budget divinity passing itself off as the genuine article. (Ask the Gnostics.) They trust in Jesus Christ, a historical cipher stitched together like Frankenstein's monster out of parts robbed from the graves of messiahs dead and buried - a savior on a stick. They trust in the virgin-pimping Allah and his Drum Major Mohammed, a prophet-come-lately who pioneered a new genus of humbuggery for an emerging market of believers that was not being adequately served by existing religious products. They trust in anything that authenticates their importance as persons, tribes, societies, and particularly as a species that will endure in this world and perhaps in an afterworld that may be uncertain in its reality and unclear in its layout, but which states their craving for values "not of this earth" - that depressing, meaningless place their consciousness must sidestep every day.
”
”
Thomas Ligotti (The Conspiracy Against the Human Race)
“
There is no recovery for anyone without lifting the lid on the pain of the past and letting in the light.
”
”
Rob Lowe (Love Life)
“
But the guy sitting at the table next to me who'd been imagining killing his wife and was now imagining seducing me wasn't the problem. No, it was the guy sitting across from me, the man with the bright orange hunting cap pulled low over his eyes, the guy waiting for the right moment to rob the cafe...he was the one who worried me.
”
”
Lori Brighton (The Mind Readers (Mind Readers, #1))
“
You can't build a life on a backstage pass or free swag at Sundance.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
I’ve never agreed with the conventional wisdom that ‘actors are great liars.’ If more people understood the acting process, the goals of good actors, the conventional wisdom would be ‘actors are terrible liars,’ because only bad actors lie on the job. The good ones hate fakery and avoid manufactured emotion at all costs. Any script is enough of a lie anyway. (What experience does any actor have with flying a spacecraft? Killing someone?) What’s called for, what actors are hired for, is to bring reality to the arbitrary.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
Adventure is important in life. Making memories matters. It doesn’t have to be a secret sea plane and an historic sports moment. But to have a great life, you need great memories. Grab any intriguing offer. Say yes to a challenge, and to the unknown. Be creative in adding drama and scope to your own life. Work at it, like a job. Money from effort comes and goes. But effort from imagination and following adventure creates stories that you keep forever. And anyone can do it.
”
”
Rob Lowe (Love Life)
“
Nothing in life is unfair. It's just life. To the extent that I had any inner turmoil, I had only myself to blame. I also thought of my two boys and what kind of example I hoped to be. I would always want them to take charge of their own futures and not be paralyzed by the comfort and certainty of the status quo or be cowed by the judgment of those on the outside looking in.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
I followed my heart and stayed out of the results.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
Making memories matters
”
”
Rob Lowe (Love Life)
“
We all have a suspicion and hope that we've just been part of something special, something that may eventually change our lives. That no one else knows this makes it seem like we are living with a secret that we would like to share, but can't, sort of like having a superpower that's not come online or being president elect. For the moment, our lives proceed as usual, but within a month, we think, everything will change. It's a frustrating, if exciting, disconnect.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
A constant state of low-level dread made people easy to control, because it robbed them of the sense that they could control anything themselves. This was not the sort of anxiety that moved people to action and accomplishment. This was the sort of anxiety that exceeded human capacity.
”
”
Masha Gessen (The Future Is History: How Totalitarianism Reclaimed Russia)
“
[I] threw open the door to find Rob sitting on the low stool in front of my bookcase, surrounded by cardboard boxes. He was sealing the last one up with tape and string. There were eight boxes - eight boxes of my books bound up and ready for the basement!
"He looked up and said, 'Hello, darling. Don't mind the mess, the caretaker said he'd help me carry these down to the basement.' He nodded towards my bookshelves and said, 'Don't they look wonderful?'
"Well, there were no words! I was too appalled to speak. Sidney, every single shelf - where my books had stood - was filled with athletic trophies: silver cups, gold cups, blue rosettes, red ribbons. There were awards for every game that could possibly be played with a wooden object: cricket bats, squash racquets, tennis racquets, oars, golf clubs, ping-pong bats, bows and arrows, snooker cues, lacrosse sticks, hockey sticks and polo mallets. There were statues for everything a man could jump over, either by himself or on a horse. Next came the framed certificates - for shooting the most birds on such and such a date, for First Place in running races, for Last Man Standing in some filthy tug of war against Scotland.
"All I could do was scream, 'How dare you! What have you DONE?! Put my books back!'
"Well, that's how it started. Eventually, I said something to the effect that I could never marry a man whose idea of bliss was to strike out at little balls and little birds. Rob countered with remarks about damned bluestockings and shrews. And it all degenerated from there - the only thought we probably had in common was, What the hell have we talked about for the last four months? What, indeed? He huffed and puffed and snorted and left. And I unpacked my books.
”
”
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
“
Son, a frog never knows how far it can jump until it’s kicked,
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
I’ve said before that the common perception that all good actors should be good liars is exactly the opposite; only bad actors lie when they act.
”
”
Rob Lowe
“
You can't study the map forever. At some point it's time to start walking; there is only so much daylight.
”
”
Rob Lowe
“
If you are fortunate enough to be part of a hit, particularly a transcendent one, all emotional ownership is transferred from you to the audience. They judge it and embrace it; project their own hopes, dreams, and fears onto it; take their personal meaning from its themes, and with these investments it becomes theirs. The significance of your participation pales in comparison to the significance the project has on their imaginations.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
THE POLITICIAN
If it wasn't for graft, you'd get a very low type of people in politics. Men without ambition. Jellyfish!
CATHERINE
Especially since you can't rob the people anyway.
THE POLITICIAN
Sure...How was that?
CATHERINE
What you rob, you spend. And what you spend goes back to the people. So where's the robbery? I read that in one of my father's books.
THE POLITICIAN
That book should be in every home!
”
”
Preston Sturges
“
That this, right here, right now, is our life. It is not our parents’ or our children’s, not our husbands’ or our wives’. It is not made more or less valuable by our job or how much we have in the bank. Our life is ours. It is the only one we will ever have. And we should love it.
”
”
Rob Lowe (Love Life)
“
If the worst you can say about an otherwise sweet-natured and pleasant romance novel is that the main characters are just too wholesome to suit you and your bitter, bitter, cat-infested, 7-years-friendless-and-romantically-barren life, you should probably just eat a fucking cupcake and settle in to wait for El Señor to take you away from this place on the wings of angels who all bear a marked resemblance to a young Rob Lowe.
”
”
Julio Alexi Genao
“
I try to hold on to the things I believe to be good and true. Good things happen to good people. Karma is real. There is a larger, better plan for us all if we stay positive, keep pushing and get out of our own way.
”
”
Rob Lowe (Love Life)
“
I think it was Alfred Hitchcock who said 90 percent of successful moviemaking is in the casting. The same is true in life. Who you are exposed to, who you choose to surround yourself with, is a unique variable in all of our experiences and it is hugely important in making us who we are. Seek out interesting characters, tough adversaries and strong mentors and your life can be rich, textured, highly entertaining and successful, like a Best Picture winner. Surround yourself with dullards, people of vanilla safety and unextraordinary ease, and you may find your life going straight to DVD.
”
”
Rob Lowe (Love Life)
“
Adventure is important in life. Making memories matters. It doesn't have to be a secret seaplane and a historic sports moment, but to have a great life you need great memories. Grab any intriguing offer. Say yes to a challenge and to the unknown. Be creative in adding drama and scope to your lfe. Work at it like a job. Money from effort comes and goes, but effort from imagination and following adventure creates stories that you keep forever. And anyone can do it.
”
”
Rob Lowe (Love Life)
“
According to scientists, there are three stages of love: lust, attraction, and attachment. And, it turns out, each of the stages is orchestrated by chemicals—neurotransmitters—in the brain.
As you might expect, lust is ruled by testosterone and estrogen.
The second stage, attraction, is governed by dopamine and serotonin. When, for example, couples report feeling indescribably happy in each other’s presence, that’s dopamine, the pleasure hormone, doing its work.
Taking cocaine fosters the same level of euphoria. In fact, scientists who study both the brains of new lovers and cocaine addicts are hard-pressed to tell the difference.
The second chemical of the attraction phase is serotonin. When couples confess that they can’t stop thinking about each other, it’s because their serotonin level has dropped. People in love have the same low serotonin levels as people with OCD. The reason they can’t stop thinking about each other is that they are literally obsessed.
Oxytocin and vasopressin control the third stage: attachment or long-term bonding. Oxytocin is released during orgasm and makes you feel closer to the person you’ve had sex with. It’s also released during childbirth and helps bond mother to child. Vasopressin is released postcoitally.
Natasha knows these facts cold. Knowing them helped her get over Rob’s betrayal. So she knows: love is just chemicals and coincidence.
So why does Daniel feel like something more?
”
”
Nicola Yoon (The Sun Is Also a Star)
“
They don’t really listen to speeches or talks. They absorb incrementally, through hours and hours of observation. The sad truth about divorce is that it’s hard to teach your kids about life unless you are living life with them: eating together, doing homework, watching Little League, driving them around endlessly, being bored with nothing to do, letting them listen while you do business, while you negotiate love and the frustrations and complications and rewards of living day in and out with your wife. Through this, they see how adults handle responsibility, honesty, commitment, jealousy, anger, professional pressures, and social interactions. Kids learn from whoever is around them the most.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
You can’t beat nobody down so low till you can rob ’em of they will.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
The idealism and adorability of Rob Lowe and Bradley Whitford had made me long for a civic-minded beau who is constantly making long, important speeches and taking principled stands.
”
”
Mindy Kaling (Why Not Me?)
“
I think it was Alfred Hitchcock who said that 90% of successful movie making is in the casting. The same is true in life. Who you are exposed to, who you choose to surround yourself with is a unique variable in all of our experience, and it is hugely important in making us who we are.
”
”
Rob Lowe (Love Life)
“
The gangs of arrogant thieves that can rob you of your success are your own doubts, fears and low self-image. Get them arrested and kept distances apart and you and your accomplishments are secured.
”
”
Israelmore Ayivor (The Great Hand Book of Quotes)
“
Nevertheless a certain class of dishonesty, dishonesty magnificent in its proportions, and climbing into high places, has become at the same time so rampant and so splendid that there seems to be reason for fearing that men and women will be taught to feel that dishonesty, if it can become splendid, will cease to be abominable. If dishonesty can live in a gorgeous palace with pictures on all its walls, and gems in all its cupboards, with marble and ivory in all its corners, and can give Apician dinners, and get into Parliament, and deal in millions, then dishonesty is not disgraceful, and the man dishonest after such a fashion is not a low scoundrel. Instigated, I say, by some such reflections as these, I sat down in my new house to write The Way We Live Now. And as I had ventured to take the whip of the satirist into my hand, I went beyond the iniquities of the great speculator who robs everybody, and made an onslaught also on other vices;--on the intrigues of girls who want to get married, on the luxury of young men who prefer to remain single, and on the puffing propensities of authors who desire to cheat the public into buying their volumes.
”
”
Anthony Trollope (Autobiography of Anthony Trollope)
“
Look, if you want to wear a blindfold and stumble around your house bumping into things to learn how to play ‘blind,’ you can do that. A lot of actors do. You can block your hearing and not speak. But great performances are based on truth. And the truth is that you, Rob Lowe, can hear and you can speak.
”
”
Rob Lowe (Love Life)
“
She arched into his thigh, grinding herself on its solid length. another low cry escaping her as constricting tension pulsed through her core.
“F#ck. I want to hear you come.” Rob caught her earlobe between his teeth, gave it a little nip before flicking his tongue in her ear. “I want to hear you lose control and know I’m the one that stripped it from you. His thumb stroked her nipple again, his lips scoring a languid path over her jaw and throat once more. “Show me why you’re really here, Doc,” he whispered, rubbing his thigh against her pussy with increasing rhythm, “and I will show you it was worth the f#cking trip.
”
”
Lexxie Couper (Dare Me)
“
to have a great life you need great memories. Grab any intriguing offer. Say yes to a challenge and to the unknown. Be creative in adding drama and scope to your life. Work at it like a job. Money from effort comes and goes, but effort from imagination and following adventure creates stories that you keep forever. And anyone can do it.
”
”
Rob Lowe (Love Life)
“
Many people in this world are always looking to science to save them from something. But just as many, or more, prefer old and reputable belief systems and their sectarian offshoots for salvation. So they trust in the deity of the Old Testament, an incontinent dotard who soiled Himself and the universe with His corruption, a low-budget divinity passing itself off as the genuine article. (Ask the Gnostics.) They trust in Jesus Christ, a historical cipher stitched together like Frankenstein’s monster out of parts robbed from the graves of messiahs dead and buried—a savior on a stick. They trust in the virgin-pimping Allah and his Drum Major Mohammed, a prophet-come-lately who pioneered a new genus of humbuggery for an emerging market of believers that was not being adequately served by existing religious products. They trust in anything that authenticates their importance as persons, tribes, societies, and particularly as a species that will endure in this world and perhaps in an afterworld that may be uncertain in its reality and unclear in its layout, but which sates their craving for values not of this earth—that depressing, meaningless place their consciousness must sidestep every day.
”
”
Thomas Ligotti (The Conspiracy Against the Human Race: A Contrivance of Horror)
“
He would struggle with finding any value in himself and would despair at how he perceived the rest of humanity to be acting.
”
”
Rob Jovanovic (A Version of Reason: In Search of Richey Edwards)
“
Kadin raised an eyebrow and gave Rob a knowing look. Then he tapped Gregory on the shoulder and said, “It’s not that bad. It could be worse.”
Gregory shrugged. “I guess I expect too much. All the decent hotels are gone now.”
Rob was carrying a delicate white orchid that had been carefully arranged in a low Imari dish. They never visited empty-handed. If it wasn’t a special gold box of Gregory’s favorite chocolate, it was a small, fine trinket from the antique shop. He placed the arrangement beside Gregory and said, “This is for you. I hope you like orchids.
”
”
Ryan Field (Take Me Always)
“
White people were allowed to buy houses with low-interest mortgages and receive free college educations. In the first instance this enabled them to amass wealth and equity, in the second it enabled them to live free of often crushing debt. Blacks were denied these opportunities, robbing them of untold wealth, the result of which has reverberated through succeeding generations.
”
”
Mary L. Trump (The Reckoning: Our Nation's Trauma and Finding a Way to Heal)
“
All things end. They rarely end as we would like them to and often do so before we are ready. We transition in a way that gives our loss honor; we grieve with a love and true appreciation for what we have no longer. It was clear that my mom was ready to go; it was her time. My love of her and my desperation to keep her in my life were of no consequence to that fact, any more than my relentless attempts to improve The Lyon's Den kept it from cancellation. Both personally and professionally I was swamped with the message: Your plan pales compared to the larger one.
”
”
Rob Lowe (Love Life)
“
Trump did not enjoy his own inauguration. He had hoped for a big blowout. Tom Barrack, the would-be showman—in addition to Michael Jackson’s Neverland Ranch, he had bought Miramax Pictures from Disney with the actor Rob Lowe—may have declined the chief of staff job, but, as part of his shadow involvement with his friend’s White House, he stepped up to raise the money for the inaugural and to create an event that—seemingly quite at odds with the new president’s character, and with Steve Bannon’s wish for a no-frills populist inauguration—he promised would have a “soft sensuality” and “poetic cadence.” But Trump, imploring friends to use their influence to nail some of the A-level stars who were snubbing the event, started to get angry and hurt that stars were determined to embarrass him.
”
”
Michael Wolff (Fire and Fury: Inside the Trump White House)
“
Literary newspapers, since they print the daily smatterings of commonplace people, are especially a cunning means for robbing from the aesthetic public the time which should be devoted to the genuine productions of art for the furtherance of culture.
”
”
Arthur Schopenhauer (Essays and Aphorisms)
“
To be counter to the culture, you are by definition willfully and actively ignoring the culture, i.e., reality. And when you ignore reality for too long, you begin to feel immune to, or above, the gravitational pull that binds everyone else. You are courting disaster.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
I’m thinking of how unexpected yet oddly preordained life can be. Events are upon you in an instant, unforeseen and without warning, and oftentimes marked by disappointment and tragedy but equally often leading to a better understanding of the bittersweet truth of life.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
He told me it was for men of desperate fortunes on one hand, or of aspiring, superior fortune on the other, who when abroad upon adventures, to rise by enterprize, and make themselves famous in undertakings of a nature out of the common road; that these things were all either too far above me, or to far below me; that mine was the middle state, or what might be called the upper station of low life, which he had found by long experience was the best state in the world, the most suited to human happiness, not exposed to the miseries of hardships, the labour and sufferings of the mechanick part of mankind, and not embarrassed with the pride, luxury, ambition, and envy of the upper part of mankind. He told me I might judge of the happiness of this state by this one thing, viz. that this was the state of life which all other people envied, that kings had frequently lamented the miserable consequences of being born to great things, and wished they had been placed in the middle of the two extremes, between the mean and the great; that the wise man gave his testimony to this as the just standard of true felicity, when he prayed to have neither poverty or riches.
He bid me observe it, and I should always find, that the calamities of life were shared among the upper and lower part of mankind; but that the middle station had the fewest disasters, and was not exposed to so many vicissitudes as the higher or lower part of mankind; nay, they were so subjected to so many distempers and uneasiness, either of body or mind, as those were who, by vicious living, luxury, and extravagancies on one hand, and by hard labour, want of necessaries, and mean or insufficient diet on the other hand, bring distempers upon themselves by the natural consequences of their way of living; that the middle station of life was calculated for all kinds of vertues and all kinds of enjoyments; that peace and plenty were the hand-maids of a middle fortune; that temperance, moderation, quietness, health, society, all agreeable diversion, and all desirable pleasures, were the blessing attending the middle station of life; that this way men went silently and smoothly thro’ the world, and comfortably out of it, not embarrassed with the labour of their hands or of the head, not sold to the life of slavery for daily bread, or harrast with perplexed circumstances, which rob the soul of peace and the body of rest; not enraged with the passion of envy, or secret burning lust of ambition for great things; but in easy circumstances sliding gently thro’ the world, and sensibly tasting the sweets of living without the bitter, feeling that they are happy and learning by every day’s experience to know it more sensibly.
”
”
Daniel Defoe (Robinson Crusoe)
“
Never Underestimate the Divine Strength of a Mother who appears Broken.....
This phrase, in the most reciprocal form, is powerful. A broken woman is perceived as weak, battered, useless, and incapable, among many other low states of Human life, effortlessly causing her to think it might be best to lie down and die. The thought represents a desperation to escape a pain more powerful than she. There is, but one superseding power, greater than the pain itself. You take this woman, who loves her kids to the highest degree of unselfishness and give her a hint they’re suffering. A Divine Strength that can’t be seen, perhaps not even felt will ignite a fire within her from miles away. No one in its path will see it coming, not even her. This strength indicates that she will go beyond any limits to protect her offspring even if it means rising to her death. There’s no mountain too high, no fire too crucible, nor a fear she won’t face, to ensure they are safe, both mentally and physically. The best part is, no matter how broken down she appears, or how robbed she may be, no one can take from her, what they don’t know she possesses. Following the exhaustion of all other choices, this strength is activated, only when it’s most necessary. It may never be discovered in a lifetime by many, but you can bet it’s there when you need it most. It’s in every one of us, festering, waiting for what may be the last moments of life or death.
”
”
L. Yingling
“
Once there were three tribes. The Optimists, whose patron saints were Drake and Sagan, believed in a universe crawling with gentle intelligence—spiritual brethren vaster and more enlightened than we, a great galactic siblinghood into whose ranks we would someday ascend. Surely, said the Optimists, space travel implies enlightenment, for it requires the control of great destructive energies. Any race which can't rise above its own brutal instincts will wipe itself out long before it learns to bridge the interstellar gulf.
Across from the Optimists sat the Pessimists, who genuflected before graven images of Saint Fermi and a host of lesser lightweights. The Pessimists envisioned a lonely universe full of dead rocks and prokaryotic slime. The odds are just too low, they insisted. Too many rogues, too much radiation, too much eccentricity in too many orbits. It is a surpassing miracle that even one Earth exists; to hope for many is to abandon reason and embrace religious mania. After all, the universe is fourteen billion years old: if the galaxy were alive with intelligence, wouldn't it be here by now?
Equidistant to the other two tribes sat the Historians. They didn't have too many thoughts on the probable prevalence of intelligent, spacefaring extraterrestrials— but if there are any, they said, they're not just going to be smart. They're going to be mean.
It might seem almost too obvious a conclusion. What is Human history, if not an ongoing succession of greater technologies grinding lesser ones beneath their boots? But the subject wasn't merely Human history, or the unfair advantage that tools gave to any given side; the oppressed snatch up advanced weaponry as readily as the oppressor, given half a chance. No, the real issue was how those tools got there in the first place. The real issue was what tools are for.
To the Historians, tools existed for only one reason: to force the universe into unnatural shapes. They treated nature as an enemy, they were by definition a rebellion against the way things were. Technology is a stunted thing in benign environments, it never thrived in any culture gripped by belief in natural harmony. Why invent fusion reactors if your climate is comfortable, if your food is abundant? Why build fortresses if you have no enemies? Why force change upon a world which poses no threat?
Human civilization had a lot of branches, not so long ago. Even into the twenty-first century, a few isolated tribes had barely developed stone tools. Some settled down with agriculture. Others weren't content until they had ended nature itself, still others until they'd built cities in space.
We all rested eventually, though. Each new technology trampled lesser ones, climbed to some complacent asymptote, and stopped—until my own mother packed herself away like a larva in honeycomb, softened by machinery, robbed of incentive by her own contentment.
But history never said that everyone had to stop where we did. It only suggested that those who had stopped no longer struggled for existence. There could be other, more hellish worlds where the best Human technology would crumble, where the environment was still the enemy, where the only survivors were those who fought back with sharper tools and stronger empires. The threats contained in those environments would not be simple ones. Harsh weather and natural disasters either kill you or they don't, and once conquered—or adapted to— they lose their relevance. No, the only environmental factors that continued to matter were those that fought back, that countered new strategies with newer ones, that forced their enemies to scale ever-greater heights just to stay alive. Ultimately, the only enemy that mattered was an intelligent one.
And if the best toys do end up in the hands of those who've never forgotten that life itself is an act of war against intelligent opponents, what does that say about a race whose machines travel between the stars?
”
”
Peter Watts (Blindsight (Firefall, #1))
“
But whenever I’m feeling “over it,” that maybe I’ve been at this for too long and it’s all a little bloodless, I know what to do. I go to YouTube and type in “Alec Baldwin, always be closing speech.” And I’m fifteen again, in love with movies, with acting and feeling the full throttle of my abilities and passion to use them. I’m ready to walk through walls again.
”
”
Rob Lowe (Love Life)
“
The wave of pure outrage blindsided me. I shouldn't be here, I thought. This is utterly fucked up. I should have been sitting in a garden down the road, barefoot with a drink in my hand, swapping the day's work stories with Peter and Jamie. I had never thought about this before, and it almost knocked me over: all the things we should have had. We should have stayed up all night together studying and stressing out before exams, Peter and I should have argued over who got to bring Jamie to our first dance and slagged her about how she looked in her dress. We should have come weaving home together, singing and laughing and inconsiderate, after drunken college nights. We could have shared a flat, taken off Interrailing around Europe, gone arm-in-arm through dodgy fashion phases and low-rent gigs and high-drama love affairs. Two of us might have been married by now, given the other one a godchild. I had been robbed blind.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
Adventure is important in life. Making memories matters. It doesn’t have to be a secret seaplane and a historic sports moment, but to have a great life you need great memories. Grab any intriguing offer. Say yes to a challenge and to the unknown. Be creative in adding drama and scope to your life. Work at it like a job. Money from effort comes and goes, but effort from imagination and following adventure creates stories that you keep forever. And anyone can do it.
”
”
Rob Lowe (Love Life)
“
Who you are exposed to, who you choose to surround yourself with, is a unique variable in all of our experiences and it is hugely important in making us who we are. Seek out interesting characters, tough adversaries and strong mentors and your life can be rich, textured, highly entertaining and successful, like a Best Picture winner. Surround yourself with dullards, people of vanilla safety and unextraordinary ease, and you may find your life going straight to DVD.
”
”
Rob Lowe (Love Life)
“
It takes an army to make a movie. Camera crews, lighting crews, wardrobe crews, makeup crews, hair crews, painters, builders (called grips), a crew to provide the props, a crew to provide the furnishings (the art department), electricians, special-effects people, stunt performers, stand-ins, the accountant, scheduling and finance (called the unit production manager), catering and someone to provide snacks and drinks (called craft service), and the team of walkie-talkie-armed Gestapo that police the second-by-second momentum of shooting: the assistant director staff.
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Rob Lowe (Stories I Only Tell My Friends)
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There were no such stipulations made when we discussed the agreement."
"Nor were they expressly not made. I am making them now. You received what you requested. Or, have you forgotten?" The words sent a shiver down her spine. He was standing behind her, and she could feel the warm kiss of his breath on her bare neck, sending a river of heat through her.
"I have not forgotten." The words came unbidden, and she closed her eyes.
He laid a hand on her arm and, with virtually no pressure, turned her face to him. When he met her eyes, the anger that had been there was gone, replaced by something much more complex. "Neither have I. And not for lack of trying."
Before she could begin to consider the meaning behind his words, he settled his mouth upon hers, robbing her of thought.
"I've tried to forget that kiss... and the carriage ride... and the fencing club... but you seem to have taken up residence... in my memory."
As he spoke between long, drugging kisses that consumed her senses, he guided Callie across the study and into a large chair near the fireplace. Kneeling in front of her, he cupped one cheek in a strong, warm hand, and met her gaze with a searing look. Shaking his head as though he couldn't quite understand what had come over him, he kissed her again, growling low in the back of his throat. Her hands found their way into his thick, dark hair as he caught her bottom lip in his teeth, nibbling and licking at it until she thought she might perish from the intensity of the feeling. She whimpered at the sensation, and he rewarded the sound by deepening the kiss, giving her everything she desired.
He broke off the kiss as one of his hands found its way under her skirts, caressing up the inside of her leg. He shifted her against him, running his lips across her cheek to the curl of her ear, sucking and nibbling and licking as he spoke to her, the scandalous words more sensation than sound.
"Such soft skin..." he said, as his fingers played along the inside of her thighs, driving her mad with desire as heat pooled at their juncture. "I've been wondering what you felt like here..." He shifted to gain better access to the skin high on the inside of her thighs, so close to the spot where she most wanted him. "Now that I know... I'm going to be consumed with thoughts of how this soft, lovely skin will feel against me..." He placed a soft, lush kiss on the column of her neck as his hand moved higher, closer to the center of her.
”
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Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
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Yes, our social and economic circumstances shape decisions we make about all sorts of things in life, including sex. Sometimes they rob us of the power to make any decisions at all. But of all human activity, sex is among the least likely to fit neatly into the blueprint of rational decision making favoured by economists. To quote my friend Claire in Istanbul, sex is about 'conquest, fantasy, projection, infatuation, mood, anger, vanity, love, pissing off your parents, the risk of getting caught, the pleasure of cuddling afterwards, the thrill of having a secret, feeling desirable, feeling like a man, feeling like a woman, bragging to your mates the next day, getting to see what someone looks like naked and a million-and-one-other-things.' When sex isn't fun, it is often lucrative, or part of a bargain which gives you access to something you want or need.
If HIV is spread by 'poverty and gender equality', how come countries that have plenty of both, such as Bangladesh, have virtually no HIV? How come South Africa and Botswana, which have the highest female literacy and per capita incomes in Africa, are awash with HIV, while countries that score low on both - such as Guinea, Somalia, Mali, and Sierra Leone - have epidemics that are negligible by comparison? How come in country after country across Africa itself, from Cameroon to Uganda to Zimbabwe and in a dozen other countries as well, HIV is lowest in the poorest households, and highest in the richest households? And how is it that in many countries, more educated women are more likely to be infested with HIV than women with no schooling?
For all its cultural and political overtones, HIV is an infectious disease. Forgive me for thinking like an epidemiologist, but it seems to me that if we want to explain why there is more of it in one place than another, we should go back and take a look at the way it is spread.
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Elizabeth Pisani (The Wisdom of Whores: Bureaucrats, Brothels, and the Business of AIDS)
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While the Austrian crown was dissolving like jelly in your fingers, everyone wanted Swiss francs and American dollars, and large numbers of foreigners exploited the economic situation to feed on the twitching corpse of the old Austrian currency. Austria was ‘discovered’, and became disastrously popular with foreign visitors in a parody of the society season. All the hotels in Vienna were crammed full with these vultures; they would buy anything, from toothbrushes to country estates; they cleared out private collections of antiquities and the antique dealers’ shops before the owners realised how badly they had been robbed and cheated in their time of need. Hotel receptionists from Switzerland and Dutch shorthand typists stayed in the princely apartments of the Ringstrasse hotels. Incredible as it may seem, I can vouch for it that for a long time the famous, de luxe Hotel de l’Europe in Salzburg was entirely booked by unemployed members of the English proletariat, who could live here more cheaply than in their slums at home, thanks to the generous unemployment benefit they received. Anything that was not nailed down disappeared. Word gradually spread of the cheap living and low prices in Austria. Greedy visitors came from further and further afield, from Sweden, from France, and you heard more Italian, French, Turkish and Romanian than German spoken in the streets of the city centre of Vienna.
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Stefan Zweig (The World of Yesterday: Memoirs of a European)
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The following is one of the oldest sermon illustrations used in the Christian church. It also tests one’s understanding of the Christian life. There once lived an ugly, hunchback dwarf. No one ever invited him to a party. No one showed him love or even attention. He became disillusioned with life and decided to climb a mountain and throw himself from its peak into the abyss. When he ascended the mountain, he met a beautiful girl. He talked to her and discovered that she was climbing the mountain for the same purpose. Her suffering was at the other extreme. She had everyone’s attention and love, but the one she loved had forsaken her for another girl, one with riches. She felt life had no meaning for her any longer, so they decided to make the ascent together. While they climbed, they met a man who introduced himself as a police officer in search of a very dangerous bandit who had robbed and murdered many people. The king had promised a large reward to the person who captured him. The police officer was very confident: “I will catch him because I know he has a feature by which he can be recognized. He has six fingers on his right hand. The police have been looking for him for years. For the last two or three, nothing has been heard from him, but he must pay for a multitude of past crimes.” The three climbed the mountain. Near its peak was a monastery. Its abbot, although he had become a monk only recently, had quickly attained great renown for saintliness. When they entered the monastery, he came to meet them. You could see the glory of God in his face. As the girl bowed to kiss his right hand, she saw he had six fingers. With this, the story ends. Those who hear this story are perplexed. It can’t finish like this! What happened to the dwarf, the girl, the policeman? Was the criminal caught? The story’s beauty is that it does finish here. Something beautiful has happened: A criminal hunted because of his many robberies and murders has become a great saint, renowned for his godly life. All the rest is of no further interest. The great miracle has been performed. Christ has been born in the heart of a man of very low character.
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Richard Wurmbrand (The Midnight Bride)
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I’ve always called ’em black and they call themselves blacks now and that suits me fine. They can’t do a white man’s job, except for a few, and take even Buck, he’s never made head of makeup though he’s been here the longest; so they have to rob and kill, the ones that can’t be pimps and prizefighters. They can’t cut the mustard and never could. This country should have taken whosever advice it was, George Washington if memory serves, one of the founding fathers, and shipped ’em all back to Africa when we had a chance. Now, Africa wouldn’t take ’em. Booze and Cadillacs and white pussy, if you’ll pardon my saying so, have spoiled ’em rotten. They’re the garbage of the world, Harry. American Negroes are the lowest of the low. They steal and then they have the nerve to say the country owes it to ’em.
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John Updike (Rabbit Redux (Rabbit Angstrom #2))
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It was the oldest trick in the book - a constant state of low-level dread made people easy to control, because it robbed them of the sense that they could control anything themselves. This was not the sort of anxiety that moved people to action and accomplishment. This was the sort of anxiety that exceeded human capacity. ... You can no longer sit still or reason. You regress, and after a while the only thing you can do is scream, like a helpless terrified baby. you need an adult, a figure of authority. Almost anyone willing to take charge will do. And then, if that someone wants to remain in charge, he will have to make sure that you continue to feel helpless.
The whole country felt helpless. You could see it if you turned on the television, which Arutyunyan rarely did. Everyone on television was screaming all the time.
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Masha Gessen (The Future Is History: How Totalitarianism Reclaimed Russia)
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Richard Price: One of my favorite things that David (Simon) did - one of the sentimental tropes - is that if you take a kid on the street corner, and this kid is dealing and he's holding together the business, he's got the inventory, he's got sales, he's got police pressure, he's got higher-ups pressure. If this kid can keep numbers in his head and make money, they say, "Well, if this was a white kid and you put him in Wharton and he came out, he'd be running the world." What David did, and it's very sentimental to say that, but what David did, he took Stringer Bell - and of course you'd see Stringer Bell in a corporate setting - he took him to the cleaners, everything but his underwear robbed. I loved that, because everybody wants to feel good and say, "If you took this young kid," but no. It might be true if the kid was born in another body, in another world, but he wasn't. There's a ceiling. There's a very low ceiling. (207)
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Jonathan Abrams (All the Pieces Matter: The Inside Story of The Wire)
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Among the dead was Rob Hall, one of the most highly acclaimed mountaineers in the world. He ran out of oxygen attempting to rescue a stricken climber. He collapsed from a lethal combination of exhaustion, oxygen deprivation, and the cold.
Somehow, as night fell and the thermostat plummeted, he managed to hold on.
Rob endured a night at 28,700 feet with temperatures as low as minus fifty degrees centigrade. Then at dawn he spoke to his wife, Jan, from his radio, patched through to a satellite phone at base camp.
She was pregnant with their first child, and those on the mountain sat motionless as he spoke to her. “I love you. Sleep well, my sweetheart. Please don’t worry too much.”
They were his last ever words.
The lessons were clear: Respect the mountain--and understand what altitude and bad weather can do to even the strongest of climbers. In addition, never tempt the wild, and know that money guarantees you nothing--least of all safety--when you climb a mountain as big as Everest.
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Bear Grylls (Mud, Sweat and Tears)
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Concealing himself from his father's wrath, behind the barn with wick turned low and his face two inches from the rough sawtooth page, Young Crawford had read of these atrocities in Beadle's Dime Library and fantasized about "calling out" the brutal old man who had sired him, "throwing down" on him with the "hogleg" he wore high on his hip, and blasting him into hell; after which he would go "on the scout," separating high-interest banks and arrogant railroad barons from their soiled coin and distributing it among their victims, or failing that into his own pockets and saddle pouches and living the "high Life" in saloons and "dance halls" where beautiful women in brief costumes admired his straight legs and square jaw and told him of the men who had "ruined" them (he knew not just how, only that the act was disgraceful and its effects permanent), whereupon he sought the blackguards out and deprived them of their lives. There was usually profit involved; invariably the men were thieves who lived in close proximity to their "ill-gotten booty," and didn't it say somewhere in Scripture that robbing a thief was no sin? If it didn't, it should have.
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Loren D. Estleman (The Branch and the Scaffold: The True Story of the West's Hanging Judge)
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You’re not meant to be a martyr.” Sighing, she lies back in disappointment. “You wouldn’t see the point to it.”
“Oh? Well then, tell me, Eo. What is the point to dying? I’m only a martyr’s son. So tell me what that man accomplished by robbing me of a father. Tell me what good comes of all that bloodydamn sadness. Tell me why it’s better I learned to dance from my uncle than my father.” I go on. “Did his death put food on your table? Did it make any of our lives any better? Dying for a cause doesn’t do a bloodydamn thing. It just robbed us of his laughter.” I feel the tears burning my eyes. “It just stole away a father and a husband. So what if life isn’t fair? If we have family, that is all that should matter.”
She licks her lips and takes her time in replying.
“Death isn’t empty like you say it is. Emptiness is life without freedom, Darrow. Emptiness is living enchained by fear, fear of loss, of death. I say we break those chains. Break the chains of fear and you break the chains that bind us to the Golds, to the Society. Could you imagine it? Mars could be ours. It could belong to the colonists who slaved here, died here.” Her face is easier to see as night fades through the clear roof. It is alive, on fire. “If you led the others to freedom. The things you could do, Darrow. The things you could make happen.” She pauses and I see her eyes are glistening. “It chills me when I think of the things you could do. You have been given so, so much, but you set your sights so low.”
“You repeat the same damn points,” I say bitterly. “You think a dream is worth dying for. I say it isn’t. You say it’s better to die on your feet. I say it’s better to live on our knees.”
“You’re not even living!” she snaps. “We are machine men with machine minds, machine lives.…”
“And machine hearts?” I ask. “That’s what I am?”
“Darrow …”
“What do you live for?” I ask her suddenly. “Is it for me? Is it for family and love? Or is it for some dream?”
“It’s not just some dream, Darrow. I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them.”
“I live for you,” I say sadly.
She kisses my cheek. “Then you must live for more.”
There’s a long, terrible silence that stretches between us. She does not understand how her words wrench my heart, how she can twist me so easily. Because she does not love me like I love her. Her mind is too high. Mine too low. Am I not enough for her?
”
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Pierce Brown (Red Rising (Red Rising Saga, #1))
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Dragging his lips down between her thighs, Kev rooted in the hot silk of her, finding the delicate blunt point of her clitoris, using the velvet flat of his tongue to paint and caress. She clutched his head more tightly and sobbed his name, the throaty sound exciting him.
When the responsive movements of her hips took on a regular rhythm, he pulled his mouth from her and pushed her knees wide and apart. He took an eternity to ease into the lush clenching flesh. Fully seated, he wrapped his arms around her, securing her against his body.
She wriggled, urging him to thrust, but he held still and fast and pressed his mouth to her ear, and whispered that he would make her come just like this, he would stay hard inside her as long as it took. Her ear turned scarlet, and she tightened and throbbed around him. "Please, move," she whispered, and he gently said no.
"Please, move, please..."
No.
But after a while he began to flex his hips in a subtle rhythm. She whimpered and trembled as he drove into her, nudging deeper, relentless in his restraint. The climax broke over her finally, tearing low cries from her lips, bringing wild shudders to the surface. Kev was quiet, experiencing a release so acute and paralyzing that it robbed him of all sound. Her slender body pulled at him, milked him, enclosed him in delicate heat.
The pleasure was so great it caused an unfamiliar stinging in his eyes and nose, and that shook him to his foundations.
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Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
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The Outer Cape is famous for a dazzling quality of light that is like no other place on Earth. Some of the magic has to do with the land being surrounded by water, but it’s also because that far north of the equator, the sunlight enters the atmosphere at a low angle. Both factors combine to leave everything it bathes both softer and more defined. For centuries writers, poets, and fine artists have been trying to capture its essence. Some have succeeded, but most have only sketched its truth. That’s no reflection of their talent, because no matter how beautiful the words or stunning the painting, Provincetown’s light has to be experienced. The light is one thing, but there is also the way everything smells. Those people lucky enough to have experienced the Cape at its best—and most would agree it’s sometime in the late days of summer when everything has finally been toasted by the sun—know that simply walking on the beach through the tall seagrass and rose hip bushes to the ocean, the air redolent with life, is almost as good as it gets. If in that moment someone was asked to choose between being able to see or smell, they would linger over their decision, realizing the temptation to forsake sight for even one breath of Cape Cod in August. Those aromas are as lush as any rain forest, as sweet as any rose garden, as distinct as any memory the body holds. Anyone who spent a week in summer camp on the Cape can be transported back to that spare cabin in the woods with a single waft of a pine forest on a rainy day. Winter alters the Cape, but it doesn’t entirely rob it of magic. Gone are the soft, warm scents of suntan oil and sand, replaced by a crisp, almost cruel cold. And while the seagrass and rose hips bend toward the ground and seagulls turn their backs to a bitter wind, the pine trees thrive through the long, dark months of winter, remaining tall over the hibernation at their feet. While their sap may drain into the roots and soil until the first warmth of spring, their needles remain fragrant through the coldest month, the harshest storm. And on any particular winter day on the Outer Cape, if one is blessed enough to take a walk in the woods on a clear, cold, windless day, they will realize the air and ocean and trees all talk the same language and declare We are alive. Even in the depths of winter: we are alive. It
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Liza Rodman (The Babysitter: My Summers with a Serial Killer)
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Speech to the Reichstag
April 26, 1942
The British Jew, Lord Disraeli, once said that the race problem is the key to the history of the world. We National Socialists have become great in this knowledge. By devoting our attention to the existence of the race problem, we have found the solution for many problems which would have otherwise have seemed incomprehensible.
The hidden forces which incited England already in 1914, in the first world war, were Jews. The force which paralyzed us at that time and finally forced us to surrender with the slogan that Germany was no longer able to bear homeward a victorious flag, came from the Jews. It was the Jews who fomented the revolution among our people and thus robbed us of every possibility at further resistance. Since 1939 the Jews have maneuvered the British Empire into the most perilous crisis it has ever known. The Jews were the carriers of that Bolshevist infection which once threatened to destroy Europe. It was also they who incited the ranks of the plutocracies to war, and it is the Jews who have driven America to war against all her own interests, simply and solely from the Jewish capitalistic point of view. And President Roosevelt, lacking ability himself, lends an ear to his brain trust, whose leading men I do not need to mention by name; they are Jews, nothing but Jews. And once again, as in the year 1915, she (America) will be incited by a Jewish President and his completely Jewish entourage to go to war without any reason or sense whatever, with nations which have never done anything to America, and with people from whom America can never win anything. For what is the sense of a war waged by a state having territory without people against people without territory. In the terms of the war it is no longer a question of the interests of individual nations; it is, rather, a question of conflict between nations which want to make the lives of their people secure on this earth, and nations which have become the helpless tools of an international world parasite.
The German soldiers and the allies have had an opportunity to witness at first hand the actual work of this Jewish International-war mongers in that country in which Jewish dictatorship has exclusive power and in which it is being taught as the most ideal form of government in the world for future generations and to which low subjects of other nations have become inexplicably subservient just as this was the case with us at one time.
And at this juncture this seemingly senile Europe has, as always in the course of its history, raised aloft the torch of its perception and today the men of Europe are marching as the representatives of a new and better order as the genuine youth of social and national liberty throughout the world.
Gentlemen! In the course of this winter a decision has been reached in international struggle which as regards to problems involved far exceeds in scope those difficulties which must and can be solved in normal warfare; when in November 1918 the German nation being befogged by the hypocritical phraseology of the American President at that time, Wilson, laid down its arms, although undefeated, and withdrew from the field of battle it was acting under the influence of that Jewish race which hoped to succeed in establishing a secure bulwark of Bolshevism in the very heart of Europe.
We know the theoretical principles and the cruel truth regarding the aims of this world-wide pestilence. It is called, "the Rule of the Proletariat," and it really is "Jewish Dictatorship," the extermination of national government and of the intelligent element among the nations, and the rule over the proletariat after it has thus deprived of its leaders and through its own fault ended defenseless by the concerted efforts of Jewish international criminals.
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”
Adolf Hitler
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Yet it is capitalism that has truly lost its patriotic element, preferring instead the global marketplace in which cultural sameness is mistaken for genuine diversity. It is odd in a way that anger at the slow erosion of British culture should be directed so overwhelmingly at migrants rather than at the companies whose identikit stores plaster a bland façade of monotonous homogeneity upon every high street throughout the world. But it is a question of proximity, I suppose: the immigrant, or the drinker next door who you suspect of robbing the social to pay for his beer, is a lot more solid – a lot more real – than the shadowy multinational that serves up trash under a slice and anodyne fascia.
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James Bloodworth (Hired: Six Months Undercover in Low-Wage Britain)
“
We sat down and Cage introduced me to a few of his teammates and their spouses, ones I of course didn’t get around to meeting at Everson’s party.
“So how did you two meet?” Brea, one of the wives, asked me as Cage and her husband chatted. She must have thought we were there together. The way she stared at me with her bottom lip protruding out in a you-poor-thing expression told me she also thought I looked less than presentable compared to all the other women there. With my hair back and hat pulled down low on my head to shadow my face, I did look like my next stop might be robbing a convenience store.
“It’s a long and really weird story, but it happened by chance several years ago and we hadn’t seen each other since, until we ran into each other at Everson’s birthday party.”
She leaned in close to me, looking past the shadows of my hat. “Oh my God, you’re that cat lady!”
There it was, that label that would stick forever.
“You had that cat that looked like … like … uh …”
I let her fumble her words. If she thought I would jump in and admit to being the cat lady, she was so very wrong.
”
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Jewel E. Ann (One)
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went absolutely bat-shit. I could hear yelling and the unmistakable rumblings of an angry mob. Quickly, we made our way from the MGM sports complex into the casino,
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Rob Lowe (Love Life)
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Not surprisingly, places with high crime rates rank low on the happiness scale...The reasons are less obvious than you might think. Someone who has been robbed or assaulted, of course, is not likely to be happy, but crime victims still make up a tiny part of the population (in most countries at least). It's not the crime per se that makes a place unhappy. It's the creeping sense of fear that permeates everyone's lives, even those who have never been--and probably never will be--victims of a crime.
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Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
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Josefina had grown up hearing tales of treasures hidden by thieves, gold mines with secret entrances, jars of coins buried by old men afraid of being robbed. She’d always enjoyed these legends, shared by good storytellers when shadows were long and imaginations ran high. She’d never heard of anyone actually finding lost treasure. But she’d never seen a map marked with landmarks and strange sketches, either. Josefina tried to push the image of the map from her mind so that she could go to sleep, but it was no use. Finally, afraid she might wake her sisters, she got up. Wrapping her rebozo around her shoulders against the cool night breeze, she tiptoed out of the sala. She lit a candle and crept to the storeroom where she and Teresita kept their remedios and dyes. Josefina loved the musty-spicy smells of the plant bundles hanging from poles overhead. She loved seeing bins and gourds and baskets filled with supplies that might help ward off illness or cure disease. Sitting on a banco, she savored the peaceful stillness. She could feel her muscles relaxing. Soon she would be ready for sleep. Then an unexpected sound jerked Josefina upright. The candle fell to the hard earthen floor and snuffed out. In the sudden darkness, Josefina strained to hear the sound that had disturbed her. There it was again! A faint crying sound. Was one of her sisters awake? Was Francisca in the courtyard, weeping for Ramón? Josefina cocked her head, but when she heard the sound again, she was sure it came from outside the house. Josefina stepped closer to the window, carefully avoiding a basket of pumpkin stems. Pressing a palm against the wall, she held her breath. And the sound came again, drifting through the open window above her head—a woman’s sob, low and full of anguish. Josefina’s bones turned to ice. Only one woman roamed at night, weeping and wailing: the ghost, La Llorona!
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Kathleen Ernst (Secrets in the Hills: A Josefina Mystery (American Girl))
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I have never before gathered eggs from under a hen. Fernando has never before seen a hen. We bend low into the shed where perch a dozen or so fat lady birds. There's no shrieking or fluttering at all. I approach one and ask if she has an egg or two. Nothing. I ask in Italian. Still nothing. I ask Fernando to pick her up but he's already outside the shed smoking and pacing, telling me he really doesn't like eggs at all and he especially doesn't like frittata. Both bold-faced lies. I start to move the hen and she plumps down from her perch quite voluntarily, uncovering the place where two lovely brown eggs sit. I take them, one at a time, bend down and nestle them in my sack. I want two more. I peruse the room. I choose the hen who sits next to the docile one. I pick her up and she pecks me so hard on my wrist that I drop her. I see there is nothing in her nest and apologise for my insensitivity, thinking her nastiness must have been caused by embarrassment. I move on to another hen and this time find a single, paler brown-shelled beauty, still warm and stuck all over with bits of straw. I take it and leave with an unfamiliar thrill. This is my first full day in Tuscany and I've robbed a henhouse before lunch.
Back home in the kitchen I beat the eggs, the yolks of which are orange as pumpkin, with a few grindings of sea salt, a few more of pepper, adding a tablespoon or so of white wine and a handful of Parmigliano. I dig for my flat broad frying pan, twirl it to coat its floor with a few drops of my tourist oil, and let it warm over a quiet flame. I drop in the rinsed and dried blossoms whole, flatten them a bit so they stay put, and leave them for a minute or so while I tear a few basil leaves, give the eggs another stroke or two. I throw a few fennel seeds into the pan to scent the oil, where the blossoms are now beginning to take colour on their bottom sides. Time to liven up the flame and add the egg batter. I perform the lift-and-tilt motions necessary to cook the frittata without disturbing the blossoms, which are now ensnared in the creamy embrace of the eggs. Next, I run the lush little cake under a hot grill to form a gold blistery skin on top before sliding it onto a plate, strewing it with torn basil. The heat of the eggs warms the herbs so they give up a double-strength perfume. Now I drop a thread of find old balsamico over it. And finally, let it rest.
”
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Marlena de Blasi
“
During this period, I served many celebrities, including Jennifer Aniston, Vince Vaughn, Gary Oldman, Leonardo DiCaprio, Juliette Lewis, Rob Lowe, Colin Farrell, Tom Selleck, David Spade, Thomas Haden Church, Sharon Osbourne, Brad Pitt, John Malkovich, Tara Reid, Toby Maguire and Diane Keaton. You know all of them, so no explanation needed. The hardest thing about serving such famous Hollywood icons, at least for the first time, is trying not to stare at them. It’s so otherworldly to see someone like Selleck, who’s not just huge -he’s bigger than life- and who you´ve watched on big screen and small for years… they are, invariably, taller or shorter than you’d imagined. And the women are either spectacularly beautiful or very ordinary without screen makeup. But you can’t stare. It’s verbatim by ownership.
Brad Pitt was cool and very humble. He had a few Pyramid beers with a producer friend, and then took off on his motorcycle down Sunset Boulevard, heading West towards the Palisades. Am I saying that he was driving drunk? No. He was there for two hours and had two beers, so he wasn’t breaking the law. At least not with my assistance. He had been there many times before, I just hadn’t been the one serving him. I remember when he came in during his filming of Troy. He had long hair and a cast on his leg. Ironically, he had torn his Achilles’ tendon while playing Achilles in the epic film.
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Paul Hartford (Waiter to the Rich and Shameless: Confessions of a Five-Star Beverly Hills Server)
“
Before they became junkies, these young people were sitting in a room alone, cut off from meaning. Most of them could hope at best for a McJob with a shrinking minimum wage—a lifelong burger-flip punctuated by watching TV and scrimping for minor consumer objects. “My job was basically to say—why don’t you stop taking drugs?” Bruce says. “And one guy explained to me very beautifully. He said, ‘Well, think about that for a minute. What would I do if I stopped taking drugs? Maybe I could get myself a job as a janitor or something like that.’ ” Compare that, he said, to “what I’m doing right now, which is really exciting. Because I’ve got friends down here and we do exciting things like rob stores and hang around with hookers.” Suddenly you are part of a world where, together with other addicts, you are embarked on a crusade—a constant frenetic crusade to steal enough to buy the drugs, dodge the police, keep out of jail, and stay alive. If your problem is being chronically starved of social bonds, then part of the solution is to bond with the heroin itself and the relief it gives you. But a bigger part is to bond with the subculture that comes with taking heroin—the tribe of fellow users all embarked on the same mission and facing the same threats and risking death every day with you. It gives you an identity. It gives you a life of highs and lows, instead of relentless monotony. The world stops being indifferent to you, and starts being hostile—which is at least proof that you exist, that you aren’t dead already.
”
”
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
“
Bruce realizes that in all his months and years interviewing addicts about their lives, they had been telling him the answer all along. “People explained over and over before I got it,” Bruce tells me. Before they became junkies, these young people were sitting in a room alone, cut off from meaning. Most of them could hope at best for a McJob with a shrinking minimum wage—a lifelong burger-flip punctuated by watching TV and scrimping for minor consumer objects. “My job was basically to say—why don’t you stop taking drugs?” Bruce says. “And one guy explained to me very beautifully. He said, ‘Well, think about that for a minute. What would I do if I stopped taking drugs? Maybe I could get myself a job as a janitor or something like that.’ ” Compare that, he said, to “what I’m doing right now, which is really exciting. Because I’ve got friends down here and we do exciting things like rob stores and hang around with hookers.” Suddenly you are part of a world where, together with other addicts, you are embarked on a crusade—a constant frenetic crusade to steal enough to buy the drugs, dodge the police, keep out of jail, and stay alive. If your problem is being chronically starved of social bonds, then part of the solution is to bond with the heroin itself and the relief it gives you. But a bigger part is to bond with the subculture that comes with taking heroin—the tribe of fellow users all embarked on the same mission and facing the same threats and risking death every day with you. It gives you an identity. It gives you a life of highs and lows, instead of relentless monotony. The world stops being indifferent to you, and starts being hostile—which is at least proof that you exist, that you aren’t dead already. The heroin helps users deal with the pain of being unable to form normal bonds with other humans. The heroin subculture gives them bonds with other human beings.
”
”
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
“
Arrhythmias are additional common causes of problems and death, and the heart can also be damaged by infections, birth defects, drugs, and faulty wiring. But atherosclerosis is by far the leading culprit, and chronically high blood pressure, hypertension, is a close second. Hypertension is a silent condition that relentlessly strains the heart, arteries, and various organs. At least 100,000 times a day, the heart forces about five liters of blood through thousands of miles of arteries that resist each squeeze, generating pressure. When we exercise, blood pressure rises temporarily, causing the heart’s muscular chambers to adapt, mostly by becoming stronger, larger, and more elastic so it can pump more blood with each stroke.30 Just as important, arteries also adapt to exercise to keep blood pressure low, primarily by expanding, multiplying, and staying elastic.31 However, when blood pressure is chronically high, the heart defends itself by developing thicker muscular walls. These thicker walls stiffen and fill with scar tissue, and eventually the heart weakens. A vicious cycle then ensues. As the heart’s ability to pump blood declines, it becomes harder to exercise and thus control high blood pressure. Blood pressure may rise as the heart progressively weakens until the failing heart cannot support or sustain a normal blood pressure. Death usually ensues. Coronary artery disease is ancient and has even been diagnosed in mummies.32 But research on nonindustrial populations provides powerful evidence that coronary artery disease and hypertension are largely evolutionary mismatches. Although many medical textbooks teach doctors that it’s normal for blood pressure to rise with age, we have known since the 1970s this is not true among hunter-gatherer populations like the San and the Hadza.33 The average blood pressure in a seventy-year-old San hunter-gatherer is 120/67, no different from a twenty-year-old. Lifelong low blood pressure also characterizes many subsistence farming populations. My colleagues Rob Shave and Aaron Baggish and I measured more than a hundred Tarahumara farmers of every age and found no difference in blood pressure between teenagers and octogenarians.34 By the same token, blood pressure can also stay normal into old age among industrialized people who eat sensibly and stay active.35
”
”
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
“
(Amavia's suicide)
But if that carelesse heauens (quoth she) despise
The doome of iust reuenge, and take delight
To see sad PAGEANTS OF MEN'S MISERIES,
As bound by them to liue in liues despight,
Yet can they not warne death from wretched wight.
Come then, come soone, come sweetest death to mee,
And take away this LONG LENT LOATHED LIGHT:
Sharpe be thy wounds, but sweet the medicines bee,
That long captiued soules from wearie thraldome free.
But thou, sweet Babe, whom frowning froward fate
Hath made sad witnesse of thy fathers fall,
Sith heauen thee deignes to hold in liuing state,
Long maist thou liue, and better thriue withall,
Then to thy lucklesse parents did befall:
Liue thou, and to thy mother dead attest,
That cleare she dide from blemish criminall;
Thy litle hands embrewd in bleeding brest
Loe I for pledges leaue. So giue me leaue to rest.
With that a deadly shrieke she forth did throw,
That through the wood reecchoed againe,
And after gaue a grone so deepe and low,
That seemd her tender heart was rent in twaine,
Or thrild with point of thorough piercing paine;
As gentle Hynd, whose sides with cruell steele
Through launched, forth her bleeding life does raine,
Whiles the sad pang approching she does feele,
Brayes out her latest breach, and vp her eyes doth seele.
Which when that warriour heard, dismounting straict
From his tall steed, he rusht into the thicke,
And soone arriued, where that sad pourtraict
Of death and dolour lay, halfe dead, halfe quicke,
In whose white alabaster brest did sticke
A cruell knife, that made a griesly wound,
From which forth gusht a streme of gorebloud thick,
That all her goodly garments staind around,
And into a deepe sanguine dide the grassie ground.
Pittifull spectacle of deadly smart,
Beside a bubbling fountaine low she lay,
Which she increased with her bleeding hart,
And the cleane waues widi purple gore did ray;
Als in her lap a louely babe did play
His cruell sport, in stead of sorrow dew;
For in her streaming blood he did embay
His litle hands, and tender ioynts embrew;
Pitifull spectacle, as euer eye did view.
Out of her gored wound the cruell steele
He lighdy snatcht, and did the floudgate stop
With his faire garment: then gan softly feele
Her feeble pulse, to proue if any drop
Of liuing bloud yet in her veynes did hop;
Which when he felt to moue, he hoped faire
To call backe life to her forsaken shop.
...
Not one word more she sayd
But breaking off, the end for want of breath,
And slyding soft, as downe to sleepe her layd,
And ended all her woe in quiet death.
That seeing good Sir Guyon, could vneath
From tears abstaine, for griefe his hart did grate,
And from so heauie sight his head did wreath,
Accusing fortune, and too cruell fate,
Which plunged had faire Ladie in so wretched state.
Then turning to his Palmer said, Old syre
Behold the image of mortalitie,
And feeble nature cloth’d with fleshly tyre,
When raging passion with fierce tyrannie
Robs reason of her due regalitie,
And makes it seruant to her basest part:
The strong it weakens with infirmitie,
And with bold furie armes the weakest hart;
The strong through pleasure soonest falles, the weake through smart.
”
”
Edmund Spenser (The Faerie Queene)
“
High Switching Costs Products that require a significant amount of work to migrate away are said to have high switching costs. High switching costs reduce your churn and create a moat that keeps customers from switching to a competitor simply because that competitor is newer, cheaper, or even builds a better product. Most APIs are difficult to leave because to do so requires expensive developer time to integrate with a new product. Companies like Stripe, Twilio, and SendGrid have a pretty hefty switching cost moat. Tools like Slack are difficult to switch from because of the need to obtain buy-in from every manager in an organization. Also, because of the high number of integrations pushing data, Slack requires effort to recreate. Tools with low switching costs are those in which history is mostly irrelevant, and the time it takes to recreate something you’ve built in the tool is low or nonexistent. For example, a social media scheduling tool is easy to switch from because there is no critical history stored or complex workflows that need to be recreated using a new tool. Likewise, one-click SaaS analytics tools that tie into your Stripe account are relatively easy to switch from because they are “one-click easy” to set up.
”
”
Rob Walling (The SaaS Playbook: Build a Multimillion-Dollar Startup Without Venture Capital)
“
Unfortunately, all of the stories being told to Blacks in America, Europe, Africa, and the Caribbean have made Blacks worldwide feel low, weak, crazy, backward, and powerless. So low that the storyteller has set the conditions for Blacks to be robbed of all of their stuff and too stupid to recognize it.
”
”
Sister Souljah (The Sister Souljah Reader's Companion: A Collection of Excerpts)
“
By formal declaration the Northern American states had abolished slavery; but the shovel gangs of the Irish and Chinese immigrants who built the railroads were, during their working span, hardly to be distinguished from slaves, if only temporary slaves. Republican government had promoted civil justice, along with law and order, to such an extent that the Commonwealth of Massachusetts showed such a low rate of violence or crime that Daniel Webster could boast without exaggeration that no one had to lock the door of his house at night. But these democratic communities were nevertheless part of a National State that waged merciless war all through the nineteenth century upon the rightful original occupants of the soil, the American Indians; that still shamelessly robs and mistreats their descendants; and that had despoiled Mexico of millions of acres of land in an infamous war.
”
”
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
“
I moved low across the lawn, keeping it smooth and quiet. I didn’t expect a lot of resistance—professional grave robbing, as a career, was about a hundred years past its sell-by date—but I figured they’d have a few uniforms on the grounds keeping a lookout for kids and vandals.
”
”
Craig Schaefer (The Living End (Daniel Faust, #3))
“
The top echelons of the UP bureaucracy had their own traditions; those lower down had theirs, even if these were less known. There are two informal indexes that aid decisions regarding transfers and postings in the UP police. These help superior officers place the right people in the right areas. One is the ‘HLI’ or ‘high loot index’, which rates a locality. For instance, a part of town that is full of markets and businesses would be a ‘high loot index’ area. In other words, a lucrative place for a policeman to be. The other index is the RHI, or the ‘Robin Hood index’, and this rates personnel. A cop who has a high ‘RHI’ mark isn’t someone who, as the name might suggest, robs from the rich and gives to the poor. He simply robs. That is, extorts. When decisions regarding assignments are taken, superior officers try to keep in mind HLI and RHI and find a balance. If, for instance, a high RHI station house officer is posted to a station that’s in a low HLI area, chaos could ensue. Low HLI means fewer extortion opportunities, and a high RHI cop’s appetite would not be satisfied. So the few businesses in the area would be put under an unfair amount of pressure.
”
”
Avirook Sen (Aarushi)
Rob Lowe (Stories I Only Tell My Friends)
“
But farmers noticed as far back as the 1950s that livestock on low doses of antibiotics gained weight a lot more rapidly, even at doses lower than the therapeutic dose. Livestock in the United States is commonly treated with low doses of antibiotics solely to increase the size, and thus the value, of the animals.
”
”
Rob Knight (Follow Your Gut: The Enormous Impact of Tiny Microbes (TED Books))
“
Opening the freezer, Easy smiled. God bless the Rixeys’ ice-cream addiction. There were so many containers, it seemed entirely plausible that they’d robbed an ice-cream delivery truck. He sorted through the tubs until he found a container of chocolate.
Bingo.
Next, he grabbed the milk from the fridge. And then he opened a bunch of cabinets until he found a blender at the back of one of them. The layer of dust on its surfaces told of how long it had gone unused. He rinsed and wiped it off, then brought the detachable pitcher to the other counter, where the ice cream lay waiting.
Shane’s expression was two seconds away from amused.
“Not a word, McCallan.”
He held up his hands and shook his head, but he couldn’t hold back the smile. Fucker.
Scoop, scoop, scoop, milk. Lid on, Easy placed the container on the blender and hit mix. Two minutes later, he had something approximating a very thick milk shake. He spooned it into a glass, then gathered the bagel and soup. Next he built his sandwich, sneaking pieces of beef and cheese as he worked.
“Damn, that looks good,” Shane said, pushing off the stool and grabbing a plate for himself. “Think I’ll make some food for me and Sara, too.”
Easy suddenly felt less self-conscious with Shane making food for his woman, too.
Whoa. He froze with a piece of rye bread in his hand. Jenna was not his woman.
But maybe she could be.
Slapping the bread on top of the lettuce, Easy’s thoughts spun—he came up with lots of reasons why it probably wasn’t a good idea, but that didn’t make him want it any less.
Mid-sandwich-making, Shane spoke in low, even tones. “We don’t have to do that thing where I tell you to handle Jenna with care if you’re thinking of starting something with her, do we?”
For. Fuck. Sake.
Not that Easy was particularly surprised by the question. Hadn’t he been half expecting it? And, his brain noted with interest, it wasn’t a warning off.
“Nope.”
“I didn’t think so,” Shane said in that same casual, even tone. “I see how protective you are of her, Easy, and I’m glad for that. I know you’ll treat her right, so I’m not saying a thing about it, except handle with care.”
Nodding, Easy concentrated on making the floor stand still under his feet. “I like her, Shane,” he finally said, echoing the conversation he and Shane had had a few nights ago about Shane’s growing feelings for Sara. And, well, hi, how ya doin’, Mr. Hypocrite, Easy had told Shane he had to come clean with the team. Despite the fact that Easy hadn’t done so himself. Still.
“Yeah,” Shane said, clapping him on the back of the neck and squeezing. “I know.” Wow.
From the thin cabinet next to the oven Easy retrieved a baking sheet to use as a tray. Improvisation he could do. He loaded it down with everything he thought they’d need, lifted it into his arms and then he was all about getting back to Jenna.
”
”
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
“
That dog has been my companion for two years,” Christopher snapped. “The last thing I would subject him to is that bedlam of a household. He doesn’t need chaos. He doesn’t need noise and confusion--”
He was interrupted by an explosion of wild barking, accompanied by an earsplitting metallic crash. Albert had come racing through the entrance hall and had crossed paths with a housemaid bearing a tray of polished silver flatware.
Beatrix caught a glimpse of forks and spoons scattering to the doorway, just before she was thrown bodily to the receiving room floor. The impact robbed her of breath.
Stunned, she found herself pinned to the carpet and covered by a heavy masculine weight.
Dazedly she tried to take in the situation. Christopher had jumped on her. His arms were around her head…he had instinctively moved to shelter her with his own body. They lay together in a confusion of limbs and disheveled garments and panting breaths.
Lifting his head, Christopher cast a wary glance at their surroundings. For a moment, the blank ferocity of his face frightened Beatrix. This, she realized, was how he had looked in battle. This was what his enemies had seen as he had cut them down.
Albert rushed toward them, baying furiously.
“No,” Beatrix said in a low tone, extending her arm to point at him. “Down.”
The dog’s barking flattened into a growl, and he slowly lowered to the floor. His gaze didn’t move from his master.
Beatrix turned her attention back to Christopher. He was gasping and swallowing, struggling to regain his wits. “Christopher,” she said carefully, but he didn’t seem to hear. At this moment, no words would reach him.
She slid her arms around him, one at his shoulders, the other at his waist. He was a large man, superbly fit, his powerful body trembling. A feeling of searing tenderness swept through her, and she let her fingers stroke the rigid nape of his neck.
Albert whined softly, watching the two of them.
Beyond Christopher’s shoulder, Beatrix glimpsed the housemaid standing uncertainly at the doorway, stray forks clutched in her hand.
Although Beatrix didn’t give a fig about appearances or scandal, she cared very much about shielding Christopher during a vulnerable moment. He would not want anyone to see him when he was not fully in command of himself.
“Leave us,” she said quietly.
“Yes, miss.” Gratefully the maid fled, closing the door behind her.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Everyone knows that the teenage years are a time of
profound emotion. The moody, exuberant, passionate,
lethargic teen is a figure that has a special place in the hall of fame of clichés—and for good reason. It’s all true. When we ourselves are teenagers, we are living life as it comes. There is no point in reflection. We are so inexperienced, there is very little to reflect on. If we fail a big test, we just move on. We win an award and we smile and say thank you. We fall in love and it’s a thrill. We get our hearts broken and we suffer.And we feel all of these highs and lows in our absolute core; it feels as if it’s never happened to anyone else because it’s never happened to us before. Only later can we look back in the comfort that perspective brings.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
How Advocacy Boosts Retention One of the most critical challenges facing fitness clubs is retention. About 30 percent of club members do not renew their memberships, according to IHRSA. In some clubs, turnover rates are even higher. In larger fitness chains, like the fitness club, improving retention rates by even one percent can mean millions in revenues. So how can Brand Advocates help fitness clubs keep more members? Here are three ways: 1. Members are more likely not to renew if their usage levels are low. Brand Advocates can help educate other members about services they may not currently be using, like Group X classes, personal training, swimming lessons, spa services, and more. As the club's most enthusiastic and engaged members, Advocates are glad to tell others about these services. 2. Brand Advocates will happily create content about why they're loyal customers. Ask your Advocates why they stay with your club. Advocates will create compelling answers, which you can then share with other members and even prospects. 3. Sponsor fun events where Advocates encourage new members to participate in club events and take advantage of club services. 4. Lastly, engaging your Advocates increases the likelihood that these enthusiastic members themselves will continue renewing their memberships month after month, year after year. By building and nurturing relationships with your Advocates you deepen their commitment to your club.
”
”
Rob Fuggetta (Brand Advocates: Turning Enthusiastic Customers into a Powerful Marketing Force)
“
CASE STUDY In 2012, investigators were trying to understand why supermarkets in the United States were being robbed every month of Tide detergent – and only Tide detergent. As with every investigation, they ‘followed the money’ only to find that Tide was the money. Bottles of Tide had become an ad hoc street currency, with 150-ounce bottles being exchanged for $5 or $10 worth of drugs, earning it the nickname ‘Liquid Gold’. As New York magazine pointed out: ‘this unlikely black market would not have formed if they weren’t so good at pushing their product’.37 It turns out that despite being considered a ‘low interest category’, people have very strong feelings about their detergents. Tide came in the top three brands that consumers were least likely to give up during tough times. This bond has allowed the producer, Procter & Gamble, to charge 50 per cent more than the average detergent and yet it still outsells its nearest competitor, which is also produced by P&G, by more than two to one. So, what is it about Tide that means more people will pay 50 per cent more for a functionally parity product from the same manufacturer? The investigating sergeant puts it well: ‘I’m a No. 1 Tide fan’, he says. ‘I don’t know if it’s all psychological, but you can tell the difference.’38
”
”
Faris Yakob (Paid Attention: Innovative Advertising for a Digital World)
“
I’m not sure why I thought it would be a good idea to bring Kanish to Mel Odious Sound yesterday. Bringing a Billionheir to a large recording complex full of Producers is like opening a bag of chips at a seagull convention. It wouldn’t be long before every Producer within earshot swooped in to aggressively pitch his latest and greatest pet project, most of which would likely prove unprofitable.
Rev is obviously going to pitch a project, and it very well may be something amazing. But as I’ve pointed out, in order for Kanish to make a profit, he would have to pick up half the Publishing—a non-starter for the Rev. He’s not a Songwriting Producer, so he likely doesn’t have a sufficient portion of the Publishing to share. And even if he did, no seasoned Producer is going to give half of their equity in a song in order to basically secure a small loan from an outside investor. There’s no upside.
For starters, Kanish has no channels of Distribution beyond Streaming, which is already available to anyone and everyone who wants it, and which is currently only profitable for the Major Labels and the stockholders of the Streaming services themselves. Everyone else is getting screwed. And please don’t quote me the Douchebag Big Tech Billionaires running big Streaming Corporations. They are literally lining their pockets with the would-be earnings of Artists and Songwriters alike. What they claim as fair is anything but.
Frankly, I don’t think we should be comfortable with Spotify taking a 30 percent margin off the top, and then disbursing the Tiger’s Share of the remaining 70 percent to the Major Labels who have already negotiated top dollar for access to their catalog. This has resulted in nothing but some remaining scraps trickling down to the tens of thousands of Independent Artists out there who just want to make a living. You can’t make a living off scraps, or even a trickle, for that matter.
Mark my words, we are currently witnessing the greatest heist in the annals of the Music Business, and that’s saying something given its history. Can you say Napster?
Stunningly, the only place that Songwriters can make sufficient Performance Royalties is radio—a medium that is coming up on its hundred-year anniversary. To make matters worse, the Major Distributors still have radio all locked up, and without airplay, there’s no hit. So even now, more than twenty years into the Internet revolution, the odds of breaking through the artistic cacophony without Major-Label Distribution are impossibly low. So much for the Internet leveling the playing field.
At this point, only Congress can solve the problem. And despite the fact that Streaming has been around since the mid-aughts, Congress has done nothing to deal with the issue. Why? Because it’s far cheaper for Big Tech to line the pockets of lobbyists and fund the campaigns of politicians who gladly ignore the issue than it is to pay Artists and Songwriters a fair rate for their work, my friends.
Same is it ever was.
Just so I’m clear, there is a debate to be had as to how much Songwriters and Artists should be paid for Streaming. A radio Spin can reach millions. A Stream rarely reaches more than a few listeners. Clearly, a new method of calculation is required. But that doesn’t mean that we should just sit by as the Big Tech Douchebags rob an entire generation of royalties all so they can sell their Streaming Corporation for billions down the line. I mean, that is the end game, after all. At which point, profit for the new majority stockholder will be all but impossible. How will anyone get paid then?
”
”
Mixerman (#Mixerman and the Billionheir Apparent)
“
In May 2003, the nation’s most prestigious medical journal, the New England Journal of Medicine, published the results of two large studies comparing low-carbohydrate diets with low-fat diets. Both studies showed that low carbohydrate diets did not raise blood cholesterol levels, even when subjects ate all the fat and cholesterol they wanted. Those diets actually improved the balance between good and bad cholesterol, the most accurate measure of heart disease risk. These studies relieved any remaining
”
”
Rob Thompson (The Glycemic Load Diabetes Solution: Six Steps to Optimal Control of Your Adult-Onset (Type 2) Diabetes)
“
It took no time at all for trouble to break out between the colonists sent north with West and the natives living near the falls on the James River, near the site of present-day Richmond. More interested in searching for gold—that nonexistent Virginia gold yet again!—than in planting crops or in peaceful trade, the colonists built a fort of sorts on some low land close to the river and then simply demanded that the natives supply them with food. When the natives resisted, the English took what they wanted. “That disorderlie company so tormented those poore naked soules [the Indians], by stealing their corne, robbing their gardens, beating them, breaking their houses, and keeping some prisoners,
”
”
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)