Roaming With Friends Quotes

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your lives be as full and happy as ours,and may the seasons be kind to you and your friends. The door of our Abbey is always open to any travellers roaming the dusty path between the woodlands and the plains.
Brian Jacques
The Layers I have walked through many lives, some of them my own, and I am not who I was, though some principle of being abides, from which I struggle not to stray. When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see the milestones dwindling toward the horizon and the slow fires trailing from the abandoned camp-sites, over which scavenger angels wheel on heavy wings. Oh, I have made myself a tribe out of my true affections, and my tribe is scattered! How shall the heart be reconciled to its feast of losses? In a rising wind the manic dust of my friends, those who fell along the way, bitterly stings my face. Yet I turn, I turn, exulting somewhat, with my will intact to go wherever I need to go, and every stone on the road precious to me. In my darkest night, when the moon was covered and I roamed through wreckage, a nimbus-clouded voice directed me: “Live in the layers, not on the litter.” Though I lack the art to decipher it, no doubt the next chapter in my book of transformations is already written. I am not done with my changes.
Stanley Kunitz (The Collected Poems)
We grew in age - and love - together Roaming the forest, and the wild; My breast her shield in wintry weather - And, when the friendly sunshine smil'd, And she would mark the opening skies, I saw no Heaven - but in her eyes.
Edgar Allan Poe (The Complete Poetry)
The hungry men were seen, followed by their valets, roaming the quais and guards' quarters; gleaning from their outside friends all the dinners they could find; for, according to Aramis, in prosperity one should sow meals right and left, in order to harvest some in adversity.
Alexandre Dumas (The Three Musketeers)
As virtuous men pass mildly away, And whisper to their souls to go, Whilst some of their sad friends do say, "The breath goes now," and some say, "No," So let us melt, and make no noise, No tear-floods, nor sigh-tempests move; 'Twere profanation of our joys To tell the laity our love. Moving of the earth brings harms and fears, Men reckon what it did and meant; But trepidation of the spheres, Though greater far, is innocent. Dull sublunary lovers' love (Whose soul is sense) cannot admit Absence, because it doth remove Those things which elemented it. But we, by a love so much refined That our selves know not what it is, Inter-assured of the mind, Care less, eyes, lips, and hands to miss. Our two souls therefore, which are one, Though I must go, endure not yet A breach, but an expansion. Like gold to airy thinness beat. If they be two, they are two so As stiff twin compasses are two: Thy soul, the fixed foot, makes no show To move, but doth, if the other do; And though it in the center sit, Yet when the other far doth roam, It leans, and hearkens after it, And grows erect, as that comes home. Such wilt thou be to me, who must, Like the other foot, obliquely run; Thy firmness makes my circle just, And makes me end where I begun.
John Donne
We passed upon the stair, We spoke of was and when. Although I wasn't there, He said I was his friend, Which came as some surprise. I spoke into his eyes I thought you died alone, a long long time ago Oh no, not me, I never lost control. You're face to face With the man who sold the world. I laughed and shook his hand, And made my way back home. I searched for form and land, For years and years I roamed. I gazed a gazely stare At all the millions here. We must have died alone, A long, long time ago. Who knows? Not me. We never lost control. You're face to face With the man who sold the world Who knows? Not me. We never lost control. You're face to face With the man who sold the world - The Man Who Sold the World
David Bowie
So, what you're saying," Dad says, "is that when you've been telling your mother and me that you are studying at a friend's, you've actually been roaming the streets hunting monsters." "No, not always," I say. "Most of the time I was at Gretchen's loft, studying. Training." "Gretchen's loft?" Mom echoes. "That's where you were last night?" My cheeks burn. "No, I was in Greer's basement." "Gretchen's loft blew up," Greer offers.
Tera Lynn Childs (Sweet Shadows (Medusa Girls, #2))
if you're a teenaged babysitter caring for a mute toddler in a remote Maine cabin during a once-in-a-century blizzard while and escaped killers (bearing a strange resemblance to the handicapped boy you and your friends bulled of an embankment and left for dead all those years ago) roams the woods, you're probably in a horror movie.
Seth Grahame-Smith (How to Survive a Horror Movie (How to Survive))
Out of the city and over the hill, Into the spaces where Time stands still, Under the tall trees, touching old wood, Taking the way where warriors once stood; Crossing the little bridge, losing my way, But finding a friendly place where I can stay. Those were the days, friend, when we were strong And strode down the road to an old marching song When the dew on the grass was fresh every morn, And we woke to the call of the ring-dove at dawn. The years have gone by, and sometimes I falter, But still I set out for a stroll or a saunter, For the wind is as fresh as it was in my youth, And the peach and the pear, still the sweetest of fruit, So cast away care and come roaming with me, Where the grass is still green and the air is still free.
Ruskin Bond
What I crave more than anything today is to sit at an outdoor cafe on a cool autumn day. I just want to feel that end-of-the-year breeze as I sip a cup of green tea and take my time with a piece of pumpkin pie. I would slump in my chair and allow my mind to roam wherever it chose. Nothing else in the world epitomizes absolute freedom to me more than that thought. I could be alone or with a friend I know so well that we wouldn't have to speak. Sometimes I wake up in the morning thinking about pumpkin pie.
Damien Echols (Life After Death)
The War Sonnets: V. The Soldier If I should die, think only this of me: That there's some corner of a foreign field That is for ever England. There shall be In that rich earth a richer dust concealed; A dust whom England bore, shaped, made aware, Gave, once, her flowers to love, her ways to roam, A body of England's, breathing English air, Washed by the rivers, blest by suns of home. And think, this heart, all evil shed away, A pulse in the eternal mind, no less Gives somewhere back the thoughts by England given; Her sights and sounds; dreams happy as her day; And laughter, learnt of friends; and gentleness, In hearts at peace, under an English heaven.
Rupert Brooke (If I Should Die (Phoenix 60p Paperbacks))
إنني أعتبر الإيمان بهذه الطريقة، مثل البستان فيه ورود مخفية كنت أطوف فيه ذات يومٍ وأستنشق الروائح العطرة التي تعبق منه، لكن لم يعد بإمكاني أن أدخله. أريد أن يعود الله صديقًا لي كما كان ذات مرة، وبهذا الشوق أدور حول تلك الحديقة أبحث عن مدخل لعلي أجد بوابة تمكنني من الدخول. Which is how I think of faith—like a hidden rose garden where I once roamed and inhaled its perfumed smells but can no longer enter. I want God to be my friend again. With that longing I am circling that garden, searching for an entrance, hoping to find a gate that will let me in.
Elif Shafak (The Forty Rules of Love)
So rest and relax and grow stronger, Let go and let God share your load, Your work is not finished or ended, You’ve just come to “a bend in the road”. “When you ask God for a gift, be thankful if He sends, not diamonds, pearls or riches, but the love of real true friends.” “It takes a Mother’s Love to make a house a home, a place to be remembered, no matter where we roam.” “When you are in troubled and worried and sick at heart And your plans are upset and your world falls apart, Remember God’s ready and waiting to share The burden you find much to heavy to bear– So with faith, “Let Go and Let GOD” lead your way.
Helen Steiner Rice
Once a year the Hattifatteners collect there before setting out again on their endless foraging expedition round the world. They come from all points of the compass, silent and serious with their small, white empty faces, and why they hold this yearly meeting it is difficult to say, as they can neither hear nor speak, and have no object in life but the distant goal of their journey's end. Perhaps they like to have a place where they feel at home and can rest a little and meet friends.
Tove Jansson (Finn Family Moomintroll (The Moomins, #3))
See, I was never a guy who had a whole heap of friends to belong to. Besides Greg Fienni, I never really had friends. I kind of stayed on my own. I hated it, but I was proud of it too. Cameron Wolfe needed no one. He didn't need to be amongst a pack. Not all of us roam like that. No, all he needed was his instincts. All he needed was himself.
Markus Zusak (Underdog (Wolfe Brothers, #1))
You're a good man," Fang said. "You're the last good man in this whole town. All the good that could be squeezed out of this forsaken place was used to make you. That's why you're so small, my friend: there just wasn't that much left." Fang laughed. "and that's why you can see us, you know, and nobody else can. You see everybody, even that lumberjack.
Daniel Wallace (The Kings and Queens of Roam)
Love Song My own dear love, he is strong and bold And he cares not what comes after. His words ring sweet as a chime of gold, And his eyes are lit with laughter. He is jubilant as a flag unfurled— Oh, a girl, she’d not forget him. My own dear love, he is all my world,— And I wish I’d never met him. My love, he’s mad, and my love, he’s fleet, And a wild young wood-thing bore him! The ways are fair to his roaming feet, And the skies are sunlit for him. As sharply sweet to my heart he seems As the fragrance of acacia. My own dear love, he is all my dreams,— And I wish he were in Asia. My love runs by like a day in June, And he makes no friends of sorrows. He’ll tread his galloping rigadoon In the pathway of the morrows. He’ll live his days where the sunbeams start, Nor could storm or wind uproot him. My own dear love, he is all my heart,— And I wish somebody’d shoot him.
Dorothy Parker
Suri had a wolf named Minna. They were the best of friends and roamed the forest together. She had tattoos, was always filthy, afraid of nothing, and could do magic. From the first time I met her, I wanted to be Suri… I still do. —THE BOOK OF BRIN
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
The Author To Her Book Thou ill-formed offspring of my feeble brain, Who after birth did'st by my side remain, Till snatcht from thence by friends, less wise than true, Who thee abroad exposed to public view, Made thee in rags, halting to th' press to trudge, Where errors were not lessened (all may judge). At thy return my blushing was not small, My rambling brat (in print) should mother call. I cast thee by as one unfit for light, The visage was so irksome in my sight, Yet being mine own, at length affection would Thy blemishes amend, if so I could. I washed thy face, but more defects I saw, And rubbing off a spot, still made a flaw. I stretcht thy joints to make thee even feet, Yet still thou run'st more hobbling than is meet. In better dress to trim thee was my mind, But nought save home-spun cloth, i' th' house I find. In this array, 'mongst vulgars may'st thou roam. In critic's hands, beware thou dost not come, And take thy way where yet thou art not known. If for thy father askt, say, thou hadst none; And for thy mother, she alas is poor, Which caused her thus to send thee out of door.
Anne Bradstreet (The Works of Anne Bradstreet (John Harvard Library))
Some say that the closest friend we will ever have is our own shadow. But even our shadows leave us when we are surrounded in darkness. I promise I will be better than your shadow; I will not leave you when you need to roam in the dark.
xq (Semicolon)
I never blindly roamed with a team just for the sake of social labeling or fitting in. I was never part of a particular group, scene or tribe. I was friends with everybody. My best friend in high school was prom queen, yet I was voted the biggest nonconformist of my senior class.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Do you know what the worst thing about literature is? . What? I said. That you end up being friends with writers. And friendship, treasure though it may be, destroys your critical sense. Once, said Don Pancracio, Monteforte Toledo dropped this riddle in my lap: a poet is lost in a city on the verge of collapse, with no money, or friends, or anyone to turn to. And of course, he neither wants nor plans to turn to anyone. For several days he roams the city and the country, eating nothing, or eating scraps. He's even stopped writing. Or he writes in his head: in other words, he hallucinates. All signs point to an imminent death. His drastic disappearance foreshadows it. And yet the poet doesn't die.
Roberto Bolaño (The Savage Detectives)
I had a friend in high school named Sally Newlyn who explained what had gone wrong with God's plan for the world. During one of her schizophrenic episodes, she told me that God had given mankind a finite number of souls. He set them free in the sky where they orbited silently until they were needed for the newly conceived. He intended for the souls to be reincarnated so that humanity would grow more generous and wise with each generation. But God had underestimated man's propensity to go forth and multiply, and so, on our planet today, millions of bodies were roaming the earth searching in the vain for a soul.
Kaylie Jones (Celeste Ascending)
Mokhtar and his friends would be working a hustle when one of them would look up. Isn’t that your pops, Mokhtar? His father circled his childhood as he circled the city—a kind of sixty-foot roaming conscience.
Dave Eggers (The Monk of Mokha)
We grew in age—and love—together, Roaming the forest, and the wild; My breast her shield in wintry weather— And, when the friendly sunshine smil’d, And she would mark the opening skies, I saw no Heaven—but in her eyes.
Edgar Allan Poe (Edgar Allan Poe: Complete Tales and Poems)
Exactly. You know what it says in the Book of Job.” “Remind me.” “Well, Satan is there in heaven, with God. God says, where have you been? And Satan says, roaming around the earth! It’s a regular conversation. And they begin arguing about Job. Satan believes Job’s goodness is founded entirely upon his good fortune. And God agrees to let Satan torment Job. This is the most nearly true picture of the situation which we possess. God doesn’t know everything. The Devil is a good friend of his. And the whole thing is an experiment. And this Satan is a far cry from being the Devil as we know him now, worldwide.” “You’re really speaking of these ideas as if they were real beings …
Anne Rice (The Tale of the Body Thief (The Vampire Chronicles, #4))
he had been afraid of finding things quite different, and now it pained him to find them so unchanged. the prospect of meeting people, of looking up old friends left him vaguely bored. from a distance fancy is free to roam. the tender friendships one gives up, on parting, leave their bite on the heart, but also a curious feeling of a treasure somewhere buried. what selfish love such flights occasionally attest !
Antoine de Saint-Exupéry (Southern Mail)
I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. “Who are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. “I'm...Anna.” “Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? “I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. “Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. “If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. “Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. “Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. “Yes,” I assured him with confidence. “I am.” “How do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
Wendy Higgins (Sweet Evil (Sweet, #1))
It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel; I will drink life to the lees. All times I have enjoyed Greatly, have suffered greatly, both with those that loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vexed the dim sea. I am become a name; For always roaming with a hungry heart Much have I seen and known---cities of men And manners, climates, councils, governments, Myself not least, but honored of them all--- And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades Forever and forever when I move. How dull it is to pause, to make an end. To rust unburnished, not to shine in use! As though to breathe were life! Life piled on life Were all too little, and of one to me Little remains; but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, my own Telemachus, To whom I leave the scepter and the isle--- Well-loved of me, discerning to fulfill This labor, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail; There gloom the dark, broad seas. My mariners, Souls that have toiled, and wrought, and thought with me--- That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads---you and I are old; Old age hath yet his honor and his toil. Death closes all; but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with gods. The lights begin to twinkle from the rocks; The long day wanes; the slow moon climbs; the deep Moans round with many voices. Come, my friends. 'Tis not too late to seek a newer world. Push off, and sitting well in order smite the sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down; It may be that we shall touch the Happy Isles, And see the great Achilles, whom we knew. Though much is taken, much abides; and though We are not now that strength which in old days Moved earth and heaven, that which we are, we are--- One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.
Alfred Tennyson
Wasn’t I proud of all we accomplished–the prestigious home in the Hudson Valley, the apartment in Manhattan, the eight phone lines, the friends and the picnics and the parties, the weekends spent roaming the aisles of some box-shaped superstore of our choice, buying ever more appliances on credit? I had actively participated in every moment of the creation of this life–so why did I feel like none of it resembled me? Why did I feel so overwhelmed with duty, tired of being the primary breadwinner and the housekeeper, and the social coordinator and the dog walker and the wife and the soon-to-be mother, and — somewhere in my stolen moments–a writer…?
Elizabeth Gilbert (Eat, Pray, Love)
The Soldier IF I should die, think only this of me; That there's some corner of a foreign field That is for ever England. There shall be In that rich earth a richer dust concealed; A dust whom England bore, shaped, made aware, Gave, once, her flowers to love, her ways to roam, A body of England's breathing English air, Washed by the rivers, blest by suns of home. And think, this heart, all evil shed away, A pulse in the eternal mind, no less Gives somewhere back the thoughts by England given; Her sights and sounds; dreams happy as her day; And laughter, learnt of friends; and gentleness, In hearts at peace, under an English heaven.
Rupert Brooke
Lost count of all the countless things I've lost throughout the years Lost friends and time and interest in The things I should hold dear Lost sleep just pondering the things That have been lost to me Especially the loss of love I've need desperately I find it doesn't help at all To sit around and brood I find nobody gives a damn About your petty moods At least that's what I thought Until the day you came along Now, I found my restless soul Has finally found a home Lost and found, I'm safe sound No more drifting aimlessly, I've settled down I've finally came around No more to roam, those days are gone I was alone, now I know I don't have to be Since your amazing love has found me
Dolly Parton (Run, Rose, Run)
Facing Wine Never refuse wine. I'm telling you, people come smiling in spring winds: peach and plum like old friends, their open blossoms scattering toward me, singing orioles in jade-green trees, and moonlight probing gold winejars. Yesterday we were flush with youth, and today, white hair's an onslaught. Bramble's overgrown Shih-hu Temple, and deer roam Ku-su Terrace ruins: it's always been like this, yellow dust choking even imperial gates closed in the end. If you don't drink wine, where are those ancient people now?
Li Po
May love and laughter light your days, and warm your heart and home.  May good and faithful friends be yours, wherever you may roam.  May peace and plenty bless your world with joy that long endures.  May all life's passing seasons bring the best to you and yours! Here’s looking at you,
Katie Salidas (Crimson Dreams)
My friends were thin, pretty, naturally bronzed and accessorized with bug-eyed sunglasses. They slurped vodka straight from the bottle while they drove. They roamed the streets in bikinis by day and by night, skimpy dresses short enough to bare their ass cheeks when they bent over. They pushed up their breasts and snorted coke in the bathrooms of clubs before grinding their crotches into strangers until last call. And when the night came to an end, they romped through the filthy, gum-stained streets barefoot because they were too hammered to feel the glass shards beneath their soles. The PB girls were wild, edgy, and dangerously carefree.
Maggie Georgiana Young (Just Another Number)
I don't want to be married anymore. In daylight hours, I refused that thought, but at night it would consume me. What a catastrophe. How could I be such a criminal jerk as to proceed this deep into a marriage, only to leave it? We'd only just bought this house a year ago. Hadn't I wanted this nice house? Hadn't I loved it? So why was I haunting its halls every night now, howling like Medea? Wasn't I proud of all we'd accumulated—the prestigious home in the Hudson Valley, the apartment in Manhattan, the eight phone lines, the friends and the picnics and the parties, the weekends spent roaming the aisles of some box-shaped superstore of our choice, buying ever some appliances on credit? I had actively participated in every moment of the creation of this life—so why did I feel like none of it resembled me? Why did I feel so overwhelmed with duty, tired of being the primary breadwinner and the housekeeper and the social coordinator and the dog-walker and the wife and the soon-to-be mother, and—somewhere in my stolen moments—a writer...? I don't want to be married anymore.
Elizabeth Gilbert (Eat, Pray, Love)
Here, listen to this; a poem by a Greek who lived in Alexandria, one Cavafy: “You said, ‘I shall go to another land to another sea Another city will be found better than this. My every effort is a written indictment And my heart—like the dead—is buried. How long will my mind be in this decay,’ “and so on like that, it’s the same old song we know so well—if only I were somewhere else, I would be happy. Until the poet replies to his poor friend, “New lands you will not find, you won’t find other seas. The city will follow you. The streets you roam will be the same. There is no boat for you, there is no street. In the same way your life you destroyed here In this petty corner, you have spoiled it in the entire universe.
Kim Stanley Robinson (Aurora)
My Wild Woman welcomed me with open arms into the womb of my cave. She grasped me by the hand and, one by one, introduced me to my shadow creatures. I roamed, I raged, I roared, I explored and when I thought I was done, that I couldn’t possibly go any further, my Wild Woman drew me into her lap. She comforted me in the circle of her fierce embrace and affectionally whispered tendernesses to me. She firmly sent me back out to play until the creatures became my friends. She revealed to me the place where the soft glow of my inner hearth resided and there, we were joined by my Wise Woman, Together, they showed me how to ignite the fire with the parts of myself which no longer served the woman I was becoming and they held me while I grieved.
Tanya Valentin (When She Wakes, She Will Move Mountains - 5 Steps to Reconnecting With Your Wild Authentic Inner Queen)
I settled down to long sweet sleeps, day-long meditations in the house, writing, and long walks around beloved old Manhattan a half hour subway ride away. I roamed the streets, the bridges, Times Square, cafeterias, the waterfront, I looked up all my poet beatnik friends and roamed with them, I had love affairs with girls in the Village, I did everything with that great mad joy you get when you return to New York City.
Jack Kerouac (Lonesome Traveler)
THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
I resolved to come right to the point. "Hello," I said as coldly as possible, "we've got to talk." "Yes, Bob," he said quietly, "what's on your mind?" I shut my eyes for a moment, letting the raging frustration well up inside, then stared angrily at the psychiatrist. "Look, I've been religious about this recovery business. I go to AA meetings daily and to your sessions twice a week. I know it's good that I've stopped drinking. But every other aspect of my life feels the same as it did before. No, it's worse. I hate my life. I hate myself." Suddenly I felt a slight warmth in my face, blinked my eyes a bit, and then stared at him. "Bob, I'm afraid our time's up," Smith said in a matter-of-fact style. "Time's up?" I exclaimed. "I just got here." "No." He shook his head, glancing at his clock. "It's been fifty minutes. You don't remember anything?" "I remember everything. I was just telling you that these sessions don't seem to be working for me." Smith paused to choose his words very carefully. "Do you know a very angry boy named 'Tommy'?" "No," I said in bewilderment, "except for my cousin Tommy whom I haven't seen in twenty years..." "No." He stopped me short. "This Tommy's not your cousin. I spent this last fifty minutes talking with another Tommy. He's full of anger. And he's inside of you." "You're kidding?" "No, I'm not. Look. I want to take a little time to think over what happened today. And don't worry about this. I'll set up an emergency session with you tomorrow. We'll deal with it then." Robert This is Robert speaking. Today I'm the only personality who is strongly visible inside and outside. My own term for such an MPD role is dominant personality. Fifteen years ago, I rarely appeared on the outside, though I had considerable influence on the inside; back then, I was what one might call a "recessive personality." My passage from "recessive" to "dominant" is a key part of our story; be patient, you'll learn lots more about me later on. Indeed, since you will meet all eleven personalities who once roamed about, it gets a bit complex in the first half of this book; but don't worry, you don't have to remember them all, and it gets sorted out in the last half of the book. You may be wondering -- if not "Robert," who, then, was the dominant MPD personality back in the 1980s and earlier? His name was "Bob," and his dominance amounted to a long reign, from the early 1960s to the early 1990s. Since "Robert B. Oxnam" was born in 1942, you can see that "Bob" was in command from early to middle adulthood. Although he was the dominant MPD personality for thirty years, Bob did not have a clue that he was afflicted by multiple personality disorder until 1990, the very last year of his dominance. That was the fateful moment when Bob first heard that he had an "angry boy named Tommy" inside of him. How, you might ask, can someone have MPD for half a lifetime without knowing it? And even if he didn't know it, didn't others around him spot it? To outsiders, this is one of the most perplexing aspects of MPD. Multiple personality is an extreme disorder, and yet it can go undetected for decades, by the patient, by family and close friends, even by trained therapists. Part of the explanation is the very nature of the disorder itself: MPD thrives on secrecy because the dissociative individual is repressing a terrible inner secret. The MPD individual becomes so skilled in hiding from himself that he becomes a specialist, often unknowingly, in hiding from others. Part of the explanation is rooted in outside observers: MPD often manifests itself in other behaviors, frequently addiction and emotional outbursts, which are wrongly seen as the "real problem." The fact of the matter is that Bob did not see himself as the dominant personality inside Robert B. Oxnam. Instead, he saw himself as a whole person. In his mind, Bob was merely a nickname for Bob Oxnam, Robert Oxnam, Dr. Robert B. Oxnam, PhD.
Robert B. Oxnam (A Fractured Mind: My Life with Multiple Personality Disorder)
It's not an adventure 'til something goes wrong. You can only be brave when you're scared. Through Four Gates and Five Worlds by watch or by song, Your journey is meant to be shared. Adventures are wasted on those who don't learn. Adventures must come to their ends. But there's always another one 'round the next curve. And in Traveler's Rest, you'll find friends. So, cheer up, young traveler, Adventure awaits! The timepiece has chosen you to roam. And no matter the time or where you go next At six thirty, you'll always come home.
Nick Goss (The Timepiece: Book 1 of The Traveler's League)
The thing is, I remember how I used to be even worse than Cherry when I was young, back when I had my voice and my confidence. My friends and I, we terrorized the streets and knew no fear of money or the future. I know how she thinks. And that’s the problem. Because I know there isn’t anything that can change her except time and inevitable misfortune. Those girls I used to roam with, they all live with despair now, I can tell you that. I just hope that whatever calamity she has coming her way, it strikes sooner, rather than later.
Frances Cha (If I Had Your Face)
show me your face i crave flowers and gardens open your lips i crave the taste of honey come out from behind the clouds i desire a sunny face your voice echoed saying "leave me alone" i wish to hear your voice again saying "leave me alone" i swear this city without you is a prison i am dying to get out to roam in deserts and mountains i am tired of flimsy friends and submissive companions i die to walk with the brave am blue hearing nagging voices and meek cries i desire loud music drunken parties and wild dance one hand holding a cup of wine one hand caressing your hair then dancing in orbital circle that is what i yearn for i can sing better than any nightingale but because of this city's freaks i seal my lips while my heart weeps yesterday the wisest man holding a lit lantern in daylight was searching around town saying i am tired of all these beasts and brutes i seek a true human we have all looked for one but no one could be found they said yes he replied but my search is for the one who cannot be found
Jalal ad-Din Muhammad ar-Rumi (Rumi: Fountain of Fire)
A Valediction: Forbidding Mourning BY JOHN DONNE As virtuous men pass mildly away, And whisper to their souls to go, Whilst some of their sad friends do say The breath goes now, and some say, No: So let us melt, and make no noise, No tear-floods, nor sigh-tempests move; 'Twere profanation of our joys To tell the laity our love. Moving of th' earth brings harms and fears, Men reckon what it did, and meant; But trepidation of the spheres, Though greater far, is innocent. Dull sublunary lovers' love (Whose soul is sense) cannot admit Absence, because it doth remove Those things which elemented it. But we by a love so much refined, That our selves know not what it is, Inter-assured of the mind, Care less, eyes, lips, and hands to miss. Our two souls therefore, which are one, Though I must go, endure not yet A breach, but an expansion, Like gold to airy thinness beat. If they be two, they are two so As stiff twin compasses are two; Thy soul, the fixed foot, makes no show To move, but doth, if the other do. And though it in the center sit, Yet when the other far doth roam, It leans and hearkens after it, And grows erect, as that comes home. Such wilt thou be to me, who must, Like th' other foot, obliquely run; Thy firmness makes my circle just, And makes me end where I begun.
John Donne
Here is the voice of my main Character in my Talon book series, I’ll let her introduce herself to you: My name is Matica and I am a special needs child with a growth disability. I am stuck in the body of a two year old, even though I am ten years old when my story begins in the first book of the Talon series, TALON, COME FLY WITH ME. Because of that disability, (I am saying ‘that’ disability, not ‘my’ disability because it’s a thing that happens to me, nothing more and because I am not accepting it as something bad. I can say that now after I learned to cope with it.) I was rejected by the local Indians as they couldn’t understand that that condition is not a sickness and so it can’t be really cured. It’s just a disorder of my body. But I never gave up on life and so I had lots of adventures roaming around the plateau where we live in Peru, South America, with my mother’s blessings. But after I made friends with my condors I named Tamo and Tima, everything changed. It changed for the good. I was finally loved. And I am the hero and I embrace my problem. In better words: I had embraced my problem before I made friends with my condors Tamo and Tima. I held onto it and I felt sorry for myself and cried a lot, wanting to run away or something worse. But did it help me? Did it become better? Did I grow taller? No, nothing of that helped me. I didn’t have those questions when I was still in my sorrow, but all these questions came to me later, after I was loved and was cherished. One day I looked up into the sky and saw the majestic condors flying in the air. Here and now, I made up my mind. I wanted to become friends with them. I believed if I could achieve that, all my sorrow and rejection would be over. And true enough, it was over. I was loved. I even became famous. And so, if you are in a situation, with whatever your problem is, find something you could rely on and stick to it, love that and do with that what you were meant to do. And I never run from conflicts.
Gigi Sedlmayer
If you don’t know what became of someone, if you don’t attend a person’s funeral or hear word from a friend of a friend, these persons who float from our lives attain a kind of immortality, always hovering around the next corner. By closing your eyes, you can attach to them any set of attributes: the various chairs he reclines in, the soda she might sip from, the dreams they have of you they can’t remember in the morning. This brings me to life’s great paradox: for someone to truly be a part of you – to live in your thoughts, roaming your memory and vision, occupying planes of hope, nostalgia, and speculation in your mind – he or she must be wholly inaccessible to you. Twin
Adam Johnson (Parasites Like Us)
We live on a spinning rock suspended in darkness, which evolves around a dying star. Our spinning rock was once ruled and owned by gigantic reptiles, all over! In sea, land, and air, gigantic reptiles roamed! Then a smaller rock fell from the sky and made a hole in the ground, so big that all the giant reptiles died! We live on a spinning rock we got from dragons flying through the air, and on this rock we kill each other over things like religion and money! And on this rock we make friends, we fall in love, we work hard to earn papers so we can buy things. On this rock we have dreams at night that remind us of beautiful places we have never been to, beautiful wonders we have never imagined before... we write stories and we make books, we try to travel to other rocks around us, we wonder if anyone else is out there. Our planet, and our existence as a human species, is bizarre! Our reality is bizarre! What we think is normal, when spelled out, is not normal at all. It's only normal because we are familiar with it. We are residents of a universe that is expanding at a rate of more than 5 billion meters per every few seconds, forming new realities and new substances with each expansion! We will never become familiar with even the very tip of what actually is! So why are any of us afraid of the possibilities of what could be? Why does this frighten us, why does this scare us? When we actually never know anything at all!
C. JoyBell C.
Christmas In India Dim dawn behind the tamerisks -- the sky is saffron-yellow -- As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they're making merry 'neath the white and scarlet berry -- What part have India's exiles in their mirth? Full day begind the tamarisks -- the sky is blue and staring -- As the cattle crawl afield beneath the yoke, And they bear One o'er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly -- Call on Rama -- he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid "good Christian men rejoice!" High noon behind the tamarisks -- the sun is hot above us -- As at Home the Christmas Day is breaking wan. They will drink our healths at dinner -- those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap -- wherefore we sold it. Gold was good -- we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks -- the parrots fly together -- As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how'er so far we roam. Hard her service, poor her payment -- she is ancient, tattered raiment -- India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple's shrine we enter, The door is hut -- we may not look behind. Black night behind the tamarisks -- the owls begin their chorus -- As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors -- let us feast with friends and neighbors, And be merry as the custom of our caste; For if "faint and forced the laughter," and if sadness follow after, We are richer by one mocking Christmas past.
Rudyard Kipling
MY HOUSE I have built me a house at the end of the street Where the tall fir trees stand in a row, With a garden beside it where, purple and gold, The pansies and daffodils grow: It has dear little windows, a wide, friendly door Looking down the long road from the hill, Whence the light can shine out through the blue summer dusk And the winter nights, windy and chill To beckon a welcome for all who may roam ... ‘Tis a darling wee house but it’s not yet a home. It wants moonlight about it all silver and dim, It wants mist and a cloak of grey rain, It wants dew of the twilight and wind of the dawn And the magic of frost on its pane: It wants a small dog with a bark and a tail, It wants kittens to frolic and purr, It wants saucy red robins to whistle and call At dusk from the tassels of fir: It wants storm and sunshine as day follows day, And people to love it in work and in play. It wants faces like flowers at the windows and doors, It wants secrets and follies and fun, It wants love by the hearthstone and friends by the gate, And good sleep when the long day is done: It wants laughter and joy, it wants gay trills of song On the stairs, in the hall, everywhere, It wants wooings and weddings and funerals and births, It wants tears, it wants sorrow and prayer, Content with itself as the years go and come ... Oh, it needs many things for a house to be home! Walter Blythe
L.M. Montgomery (The Blythes Are Quoted)
To whom shall I speak today ? Brothers are mean, The friends of today do not love. To whom shall I speak today? Hearts are greedy, Everyone robs his comrade's goods. To whom shall I speak today ? Kindness has perished, Insolence assaults everyone. To whom shall I speak today ? One is content with evil, Goodness is cast to the ground everywhere. To whom shall I speak today? He who should enrage men by his crimes — He makes everyone laugh at his evildoing. To whom shall I speak today ? Men plunder, Everyone robs his comrade. To whom shall I speak today ? The criminal is one’s intimate, The brother with whom one dealt is a foe. To whom shall I speak today ? The past is not remembered, Now one does not help him who helped. To whom shall I speak today ? Brothers are mean, One goes to strangers for affection. To whom shall I speak today? Faces are blank, Everyone turns his face from his brothers. To whom shall I speak today ? Hearts are greedy, No man’s heart can be relied on. To whom shall I speak today ? None are righteous, The land is left to evildoers. To whom shall I speak today ? One lacks an intimate, One resorts to an unknown to complain. To whom shall I speak today ? No one is cheerful, He with whom one walked is no more. To whom shall I speak today ? I am burdened with grief For lack of an intimate. To whom shall I speak today ? Wrong roams the earth, And ends not.
Miriam Lichtheim (Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms)
Our parents never structured our studies. "Let 'em learn what they like," my father used to say. "A child will eat a well-balanced diet if she's given a choice of wholesome foods and left alone. If a kid's body knows what it needs to grow and stay healthy, why wouldn't her mind, too?" To his friends he explained, "My girls have free run of the forest and public library. They have a mother who is around to fix them lunch and define any words don't know. School would only get in the way of that. Besides, if they went to school, they'd spend over two hours a day in the car. Lord knows I could use the company on those drives, but it's better for my kids to stay in the woods." So while other children were reciting their times tables and asking permission to get drinks of water, Eva and I were free to roam and learn as we pleased. Together we painted murals and made up plays, built forts, raised butterflies, and designed computer games. We made paper, concocted new recipes for cookies, edited newsletters, and caught minnows. We grew gourds and nursed fledglings and played with prisms, and our parents told the state that what we did was school. For years I studied what I wanted to, when and how I wanted to study it. One book led to another in a random pattern, meandering from interest to interest like a good conversation, and the only thing that connected them was their juxtaposition on the bookshelves in mother's workroom.
Jean Hegland (Into the Forest)
Under the Sun by Maisie Aletha Smikle The year was seventeen ten When I turned ten I played with Maggy my hen And wrote a skit for a friend I fed Maggy corn That was fetched from the barn And milked the goats For breakfast I made porridge from oats On a bench I sat Eating my Pop When out flew Maggy my hen From her pen I left my meal This was unreal The hen had left her coop So I got some grain and stooped Then called out to Maggy my hen Maggy O Maggy come back to your pen The hen flapped her wings Her leg was caught between two strings Two men got my poor hen They grabbed me and my hen And stuffed us in a pen Then sold us for a stipend My precious hen they took Made fire slaughter and cook Then gulped water from a nearby brook My poor neck was hooked In chains like a crook It must be a nightmare The crooks were here To get more than their share Have I died and gone to hell I simply couldn’t tell I always do good And was never misunderstood Are these vultures One could not tell Their skin looked like the skin of bald head vultures O dear me roaming wingless vultures Are these aliens from hell One could not tell They looked like me head hands and feet They don't have four feet O Lord I did not make it to heaven Even though I had forgiven Heated red hot metal pierced my body Steam gushed from my broiling flesh There is no doubt these are the demons of hell Brandishing fiery stones and red hot iron Burning those who did not make it to heaven Shoving them into hell’s decked unlit pit The year was seventeen ten When I turned ten Maggy my hen flew from her pen And the sun stopped shining at half past ten
Maisie Aletha Smikle
As a country, as a people, have we changed? On the surface we might appear to have done so, but underneath I think we are still the same. Our change is measurable, but not significant. We remain bent on destroying ourselves. We still kill each other with alarming frequency and for foolish reasons, and we begin the killing at a younger age. We have much to celebrate, but we live in fear and doubt. We are pessimistic about our own lives and the lives of our children. We trust almost no one. “It is the same everywhere. We are a people under siege, walled away from each other and the world, trying to find a safe path through the debris of hate and rage that collects around us. We drive our cars as if they were weapons. We use our children and our friends as if their love and trust were expendable and meaningless. We think of ourselves first and others second. We lie and cheat and steal in little ways, thinking it unimportant, justifying it by telling ourselves that others do it, so it doesn’t matter if we do it, too. We have no patience with the mistakes of others. We have no empathy for their despair. We have no compassion for their misery. Those who roam the streets are not our concern; they are examples of failure and an embarrassment to us. It is best to ignore them. If they are homeless, it is their own fault. They give us nothing but trouble. If they die, at least they will provide us with more space to breathe.” His smile was bitter. “Our war continues, the war we fight with one another, the war we wage against ourselves. It has its champions, good and bad, and sometimes one or the other has the stronger hand. Our place in this war is often defined for us. It is defined for many because they are powerless to choose. They are homeless or destitute. They are a minority of sex or race or religion. They are poor or disenfranchised. They are abused or disabled, physically or mentally, and they have forgotten or never learned how to stand up for themselves.
Terry Brooks (A Knight of the Word (Word & Void, #2))
After the Grand Perhaps” After vespers, after the first snow has fallen to its squalls, after New Wave, after the anorexics have curled into their geometric forms, after the man with the apparition in his one bad eye has done red things behind the curtain of the lid & sleeps, after the fallout shelter in the elementary school has been packed with tins & other tangibles, after the barn boys have woken, startled by foxes & fire, warm in their hay, every part of them blithe & smooth & touchable, after the little vandals have tilted toward the impossible seduction to smash glass in the dark, getting away with the most lethal pieces, leaving the shards which travel most easily through flesh as message on the bathroom floor, the parking lots, the irresistible debris of the neighbor’s yard where he’s been constructing all winter long. After the pain has become an old known friend, repeating itself, you can hold on to it. The power of fright, I think, is as much as magnetic heat or gravity. After what is boundless: wind chimes, fertile patches of the land, the ochre symmetry of fields in fall, the end of breath, the beginning of shadow, the shadow of heat as it moves the way the night heads west, I take this road to arrive at its end where the toll taker passes the night, reading. I feel the cupped heat of his left hand as he inherits change; on the road that is not his road anymore I belong to whatever it is which will happen to me. When I left this city I gave back the metallic waking in the night, the signals of barges moving coal up a slow river north, the movement of trains, each whistle like a woodwind song of another age passing, each ambulance would split a night in two, lying in bed as a little girl, a fear of being taken with the sirens as they lit the neighborhood in neon, quick as the fire as it takes fire & our house goes up in night. After what is arbitrary: the hand grazing something too sharp or fine, the word spoken out of sleep, the buckling of the knees to cold, the melting of the parts to want, the design of the moon to cast unfriendly light, the dazed shadow of the self as it follows the self, the toll taker’s sorrow that we couldn’t have been more intimate. Which leads me back to the land, the old wolves which used to roam on it, the one light left on the small far hill where someone must be living still. After life there must be life.
Lucie Brock-Broido (A Hunger)
cotton wool, decided that it was not good to eat, ran all round the table, sat up and put his fur in order, scratched himself, and jumped on the small boy’s shoulder. “Don’t be frightened, Teddy,” said his father. “That’s his way of making friends.” “Ouch! He’s tickling under my chin,” said Teddy. Rikki-tikki looked down between the boy’s collar and neck, snuffed at his ear, and climbed down to the floor, where he sat rubbing his nose. “Good gracious,” said Teddy’s mother, “and that’s a wild creature! I suppose he’s so tame because we’ve been kind to him.” “All mongooses are like that,” said her husband. “If Teddy doesn’t pick him up by the tail, or try to put him in a cage, he’ll run in and out of the house all day long. Let’s give him something to eat.” They gave him a little piece of raw meat. Rikki-tikki liked it immensely, and when it was finished he went out into the veranda and sat in the sunshine and fluffed up his fur to make it dry to the roots. Then he felt better. “There are more things to find out about in this house,” he said to himself, “than all my family could find out in all their lives. I shall certainly stay and find out.” He spent all that day roaming over the house. He nearly drowned himself in the bathtubs, put his nose into the ink on a writing table, and burned it on the end of the big man’s cigar, for he climbed up in the big man’s lap to see how writing was done. At nightfall he ran into Teddy’s nursery to watch how kerosene lamps were lighted, and when Teddy went to bed Rikki-tikki climbed up too. But he was a restless companion, because he had to get up and attend to every noise all through the night, and find out what made it. Teddy’s mother and father came in, the last thing, to look at their boy, and Rikki-tikki was awake on the pillow. “I don’t like that,” said Teddy’s mother. “He may bite the child.” “He’ll do no such thing,” said the father. “Teddy’s safer with that little beast than if he had a bloodhound to watch him. If a snake came into the nursery now–” But Teddy’s mother wouldn’t think of anything so awful. · · · Early in the morning Rikki-tikki came to early breakfast in the veranda riding on Teddy’s shoulder, and they gave him banana and some boiled egg. He sat on all their laps one after the other, because every well-brought-up mongoose always hopes to be a house mongoose some day and have rooms to run about in; and Rikki-tikki’s mother (she used to live in the general’s house at Segowlee) had carefully told Rikki what to do if ever he came across white men.
Rudyard Kipling (Rikki-Tikki-Tavi)
So Japan is allied with Germany and they’re like “Sweet the rest of the world already hates us let’s take their land!” So they start invading China and Malaysia and the Philippines and just whatever else but then they’re like “Hmm what if America tries to stop us? Ooh! Let’s surprise attack Hawaii!” So that’s exactly what they do. The attack is very successful but only in a strictly technical sense. To put it in perspective, let’s try a metaphor. Let’s say you’re having a barbecue but you don’t want to get stung by any bees so you find your local beehive and just go crazy on it with a baseball bat. Make sense? THEN YOU MUST BE JAPAN IN THE ’40s. WHO ELSE WOULD EVER DO THIS? So the U.S. swarms on Japan, obviously but that’s where our bee metaphor breaks down because while bees can sting you they cannot put you in concentration camps (or at least, I haven’t met any bees that can do that). Yeah, after that surprise attack on Pearl Harbor everybody on the West Coast is like “OMG WE’RE AT WAR WITH JAPAN AND THERE ARE JAPANESE DUDES LIVING ALLLL AROUND US.” I mean, they already banned Japanese immigration like a decade before but there are still Japanese dudes all over the coast and what’s more those Japanese dudes are living right next door to all the important aircraft factories and landing strips and shipyards and farmland and forests and bridges almost as if those types of things are EVERYWHERE and thus impossible not to live next door to. Whatever, it’s pretty suspicious. Now, at this point, nothing has been sabotaged and some people think that means they’re safe. But not military geniuses like Earl Warren who points out that the only reason there’s been no sabotage is that the Japanese are waiting for their moment and the fact that there has been no sabotage yet is ALL THE PROOF WE NEED to determine that sabotage is being planned. Frank Roosevelt hears this and he’s like “That’s some pretty shaky logic but I really don’t like Japanese people. Okay, go ahead.” So he passes an executive order that just says “Any enemy ex-patriots can be kicked out of any war zone I designate. P.S.: California, Oregon, and Washington are war zones have fun with that.” So they kick all the Japanese off the coast forcing them to sell everything they own but people are still not satisfied. They’re like “Those guys look funny! We can’t have funny-looking dudes roaming around this is wartime! We gotta lock ’em up.” And FDR is like “Okay, sure.” So they herd all the Japanese into big camps where they are concentrated in large numbers like a hundred and ten thousand people total and then the military is like “Okay, guys we will let you go if you fill out this loyalty questionnaire that says you love the United States and are totally down to be in our army” and some dudes are like “Sweet, free release!” but some dudes are like “Seriously? You just put me in jail for being Asian. This country is just one giant asshole and it’s squatting directly over my head.” And the military is like “Ooh, sorry to hear that buddy looks like you’re gonna stay here for the whole war. Meanwhile your friends get to go fight and die FOR FREEDOM.
Cory O'Brien (George Washington Is Cash Money: A No-Bullshit Guide to the United Myths of America)
Gasping Stars Look Down Upon My Tired Soul When I need to again find my own way late midnight walks are my mainstay There is this place I walk and roam comfort away from worries of my home The sidewalk ends and fields begin I imagine they stretch and never end Cool night air soothes my tired brain far away, whistle of an old night train My pace slows to soak so much more in I am not alone, night is my friend Gasping stars look down upon my soul Seeking calm, I then reach my goal Dog barks sadly as I slowly trod by moans so blue, almost seems to cry Past the farmhouse my favorite tree massive black oak, does so comfort me Gazing at its massive majestic form I see damage from a terrible storm Ahh yes, none are immune from harm not even this great titan on the farm Very slowly I turn to find my way back retracing this walk along this track A calm has now found my lonely spirit happiness approaches I can even hear it My pace increases as I seek to return to the place where my love does burn Family , the gift of my very long life my children, my love , my sweet wife When I need to again find my own way late midnight walks are my mainstay
Robert Lindley
They were a mile from Grant’s place at eight-fifteen. The day before, they’d spotted a diner with a strong and reliable Wi-Fi and no protection, with parking on the side and in back, out of sight from the street. Kidd signed on from a laptop and dialed up another laptop, which was hooked into his cell phone, back at the condo. His phone made a call to a friend who, at that moment, was playing a violin in a chamber quartet at the birthday party for a St. Paul surgeon’s wife. Kidd let the call ring through to the answering service, left a message that suggested handball on Friday. “Done,” he said, when he’d hung up. An alibi. Both of their desktop computers would be roaming websites all through the evening, and they’d send out a couple of e-mails.
John Sandford (Silken Prey (Lucas Davenport #23))
This world disappoints you, does it not?” Quinn asked. “Your crusade was intended to create something exceptional, exquisite even. But you have become lost amongst your own desires, my friend. What you are doing no longer falls under the rubric of surgery… you work in darker hues. Kelly must be the last. Any more and the East End of London will explode. We already have Lusk and his Vigilante Committee roaming the streets, accosting every fletcher, leather apron and anyone trading with a knife. Warren is poised to retire, people are afraid. What you have accomplished cannot be understated. We have large plans for this city and our vision of social reform has been led by you… you should be proud. But the increased enthusiasm for your work threatens to undermine those plans. You are upsetting the status quo, for want of a better word.
David McCaffrey (In Extremis: A Hellbound Novella)
Setting the tone for the popes who would follow him, he ignored many of the monarchic trappings of the papacy. He rarely wore the tiara and preferred practical shoes to the more usual silk slippers. Vatican officials were no longer required to approach the pope by bowing three times and addressing him on their knees. Nor did they need to leave the room backwards. Pope John roamed the Vatican exploring and making friends with everyone from gardeners to bureaucrats. He used mealtimes as social opportunities to meet with people he needed or wanted to see.
Wyatt North (Pope John XXIII: The Good Pope)
One fine day, it will be your turn. You will leave homes, cities and countries to pursue grander ambitions. You will leave friends, lovers and possibilities for the chance to roam the world and make deeper connections. You will defy your fear of change, hold your head high and do what you once thought was unthinkable: walk away. And it will be scary. At first. But what I hope you’ll find in the end is that in leaving, you don’t just find love, adventure or freedom. More than anything, you find you.
Paulo Coelho (The Alchemist)
New Year’s Eve and New Year’s Day are usually huge celebrations in Bulgaria. People traditionally dine out at fine restaurants, where they are entertained by popular artists or host parties at their homes. Gabby decided to invite her friends to the restaurant where she was working that night. That way, they could add a modern spin to old traditions. This was one of the downfalls of being a hospitality worker—working during holidays. After Gabby’s shift ended, long after midnight, all three of them roamed the festive streets of New York. The crisp air was filled with music and good cheer. People were dancing in the streets; the three amigos joined them, dancing, laughing, and having a great time. " The Porcelain Doll, Part IV, Chapter 4 Holidays
Desislava Kaludova
Is that what God does? He helps? Tell me, why didn't God help my innocent friend who died for no reason while the guilty roam free? Okay, fine. Forget the one-offs. How about the countless wars declared in his name? Okay, fine. Let's skip the random, meaningless murder for a second, shall we? How about the racist, sexist, phobia soup we've all been drowning in because of him? And I'm not just talking about Jesus. I'm talking about all organized religion... Exclusive groups created to manage control, a dealer getting people hooked on the drug of hope, his followers nothing but addicts who want their hit of bullshit to keep their... Their dopamine of ignorance, addicts afraid to believe the truth... That there is no order, there's no power, that all religions are just metastasizing mind worms meant to divide us so it's easier to rule us by the charlatans that want to run us. All we are to them are paying fanboys of their poorly written sci-fi franchise. If I don't listen to my imaginary friend, why the fuck should I listen to yours? People think their worship's some key to happiness. That's just how he owns you. Even I'm not crazy enough to believe that distortion of reality. So fuck God. He's not a good enough scapegoat for me.
Sam Esmail (Mr. Robot 1x01 Pilot Screenplay)
Then I felt a sharp pain in my stomach. I pulled away from Adam and looked down to see my own diamond sword buried in my belly. “I’m sorry,” Adam said, standing up with a grim look on his face. “But you gave me no choice.” I looked up at Adam, who looked down at me with eyes full of hate. “You, Dave and all your friends are all the same,” he said. “You’re just trying to ruin my life! I never asked for any of this—I was just trying to protect my wife!” He grabbed the hilt of his sword and pulled it out of me in one swift motion. And everything went black. ??????? I dreamed of time: of the first burst of light that emerged from the Void; the plants and trees that spread across the land; the first animals that roamed the world in peace; the rise of the Old People and their eventual fall into darkness, and the monsters that took their place when they were gone; the villagers who followed in the Old People’s place. All of time passed before my eyes, and it was glorious. Glorious and terrifying. I saw a thousand versions of myself, stretching back to the beginning of the world. Each was a man in blue clothes with brown hair. All the Steves who had lived and died: all my previous lives. “I want to wake up,” I told them. “I need to go back.” “You will,” they replied. “Although you will be changed. That cannot be helped.” And then a wind swept me up; up towards the light.  And I screamed… THURSDAY I jolted awake in bed. “What was that?” I said. “Some kind of a nightmare?
Dave Villager (Dave the Villager 16: An Unofficial Minecraft Book (The Legend of Dave the Villager))
I am mist, I am mist that cloaks things but never unties them. I am mist unchanged into rain water.I am mist and mist is my loneliness and my being alone, and in this, is my hunger and my thirst.My misfortune, however, is that this mist is my reality, and that it longs to meet with another mist in the sky, longs to hear the words: "You are not alone, there are two of us, I know who you are." Tell me, Tell me , my friends, is there anyone in this world who would be able or willing to say to me I am another mist, o mist, so let us cloack the mountains and the valleys, let us wander among and over the trees, let us cover the high rocks, let us together penetrate the heart and the pores of all creation and let us roam through those faraway places, impregnable and undiscovered.
Kahlil Gibran
I was a good for nothing vagabond roaming the streets of Calcutta. If I have done so much with no resources to speak of, how much will you do! Wake up my friend, the ailing world awaits.
Abhijit Naskar (Heart Force One: Need No Gun to Defend Society)
Man finds the expatriation of his beloved friends difficult to bear because his pleasure comes through the five senses. But Gibran's soul has already grown beyond that to a plane of higher enjoyment which does not require the mediation of the five senses. His soul sees, hears, and feels, but not through the medium of eyes, ears, and fingers. His soul roams the whole world and returns without the use of feet, cars, and ships.
Kahlil Gibran (A Self Portrait)
A hog is neither a safe nor an easy animal for a dog to manage. A drove of pigs, such as Colonel Theron kept in his east orchard and low bog lot, cannot be turned and controlled as can even the most recalcitrant cattle. A collie can learn with ease to avoid flying heels or tossing horns of a cow, and to nip or bark her into line. A hog is different. There is something latently murderous about an unpenned hog, especially a hog that is accustomed to root for a living and to roam at will. The tough hide is hard to hurt by even the sharpest nip. The teeth are rendingly terrible. There is a vicious devil lurking behind the red-rimmed little pale eyes.
Albert Payson Terhune (My Friend the Dog)
My right hand was locked so tightly in a fist, it was starting to shake. My gaze was riveted to two people on the dancefloor, and it was taking every ounce of willpower I had to remain standing there in favour of destroying the man touching Darcy Vega. Seth Capella’s hands were roaming all over her as they danced like there was no one else here but them. They were staring at each other, exchanging flirtatious smiles and their mouths were getting all too close all too many times. Through the thump of the music and clamour of voices, it was difficult to focus on the words that passed between them, but I managed to catch a couple of sentences. “Fuck being enemies, I wanna be your friend tonight,” Seth purred in her ear, his fingers twisting into the blue ends of her hair and making me spit a snarl. Darcy laughed, clearly drunk as her fingers slid down his arm while his other hand dropped onto her ass, drawing her even closer and squeezing hard. No. “What kind of friends act like this?” she laughed again and he nuzzled the side of her head, a carnal look entering his eyes that made my canines sharpen. All rational thought was exiting my mind until I was nothing but an animal about to attack. I knew in that second I was going to do it. I was going to shoot over there, tear Seth Capella off of her and make him bleed for touching her like that. She was my gir- Source. “The best of friends,” he answered with a wolfish grin and I took a step forward, but suddenly Darius was there with a scowl the size of a Dragon’s tail, blocking my line of sight. “Well?” he demanded irritably like I’d just punched him in the cock. “Well what?” I sniped back and he frowned. “Oh right, yeah. We need to go hunting.” I gritted my teeth, crushing them to dust in my mouth as I forced my feet to move towards the exit, refusing to let myself look back. Darius walked stiffly at my side, seeming as pissed off as I did to be leaving and judging by how hard he’d been grinding himself against Tory Vega, I had to wonder if she was the reason. I glanced at my friend and caught him looking back. “What?” he snapped and I looked away again. “Nothing,” I grunted. “I’m just in the mood to kill something.” “Same. Let’s find the fucking Nymph and make it suffer.” His eyes turned to reptilian slits and a group of guys in our way scarpered aside as they saw us coming. I uncurled my still clenched right hand, my knuckles white as I flexed them and brought magic to my fingertips. Is she gonna go home with him? Is she gonna fuck him? She can’t. He’s a fucking Heir. The worst fucking Heir. The urge to go back was rising in me and I had to force my legs to keep moving away from that nightclub. There was a Nymph out here somewhere, that was my priority. Not whether or not Darcy Vega chose to fuck an Heir. My heart thumped a painful tune in my chest, continuing its plea with me to go back. To stop her from making the most stupid decision of her life. She was too good for that Wolf asshole. Too sweet. He didn’t deserve to get his hands on her flesh. I pictured her pinned beneath him and stopped dead in the street. (Orion POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
Caleb’s eyes twinkled with amusement and he caught my cheek in his large hand, kissing me again. There wasn’t as much heat in it but it still made me feel a little weak at the knees. Maybe making nice with one of the Heirs wasn’t the worst choice I’d ever made. “Caleb?” a harsh voice came from the doorway beside us and fear darted through me as I pulled away from Caleb in surprise. Darius stood in the hall, the vine which had secured the door burned to a crisp on the ground from his magic. He was scowling at the two of us and seemed even more intimidating than usual. His gaze took in the cards and poker chips all over the floor alongside the less than perfect state of my hair and I was endlessly grateful that he hadn’t turned up five minutes ago. Caleb didn’t release his hold on me but turned to look at the other Heir with a hint of irritation in his gaze. “I’m busy,” he said flatly, a clear demand for Darius to leave. “My father and the other Councillors want to speak to all of the Heirs before we leave. They sent me to look for you,” Darius said, ignoring his friend’s irritation. “Your sister and Lance are already waiting outside for you,” he added to me, his tone dismissive. Caleb sighed and turned back to look at me but I couldn’t tear my eyes away from Darius. He looked my way, meeting my eyes and I almost flinched from the anger I found there. “I haven’t finished yet,” Caleb said, his eyes roaming over me but I was still trapped in Darius’s gaze. “Well stop playing with your food and get on with it,” Darius demanded. Caleb growled in response to the command but he leaned in to brush his mouth against my neck. I didn’t bother to try and fight him off but I released my hold on his shirt so I was no longer pulling him towards me. “We can pick this up later, sweetheart,” Caleb murmured. “But I need my strength if I’ve gotta face the Councillors.” His teeth slid into my neck, and his hand pushed into my hair as he held me in place. The strange sucking sensation pulled at my gut as he tapped into the well of power that lay within me, drawing it into himself. Darius’s gaze stayed fixed on us the entire time and I couldn’t help but look back at him. His eyes were like two burning pits of rage and I wondered briefly if Caleb was breaking some rule of theirs by being less than awful to me. Caleb withdrew his fangs from my skin and brushed his fingers over the wound, healing it for me. I looked up at him in surprise and he smiled ruefully. “See you downstairs, sweetheart,” he murmured, leaning forward like he was going to kiss me again. I ducked aside with a taunting grin. “Not if I see you first,” I warned playfully. He chuckled darkly. “I look forward to catching you again then.” Caleb moved to join Darius and the two of them turned and walked away down the corridor without another glance at me. “What the hell was that about?” Darius asked him in an undertone. “Lighten up, Darius. We were just playing a game. And you have to admit I got a damn hot prize for winning it.” Darius grunted in response and the two of them turned a corner, leaving me alone. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Rollo and Cynthia Bankvole are bellringers, just as Tess and I once were. Rollo’s latest yearning is to become a squirrel and join the band of Sam and Elmtail to become part of the Mossflower Patrol. That Rollo, he will probably want to be a badger next. Constance is getting ready to sit out in the sun and take things easy. She is teaching Auma all she knows, and some season soon Auma will become the Mother of Redwall. She is dearly loved by every creature in our Abbey. Orlando is Constance’s firm friend and they are seldom apart. His axe hangs in Great Hall. As Lord of the Western Plains he only has to stand on the west battlements to survey his lands. Last summer the Churchmouse family was united to the Warriors, much to the delight of my mother and Cornflower. Mattimeo and my sister Tess were married. Our parents like to sit out in the sun a lot, my mother and father, Cornflower and Matthias. Like all life, they are growing no younger. They prefer to talk of the old times with friends, and that is good. They deserve a little rest and peace after bringing us up, though Matthias still joins Basil and Orlando to train the defenders. It is difficult to believe that we have all grown from young scamps into responsible creatures. But I am rambling. I will finish my writings and go outside into the sunlight, to the ceremony and the feast at the main gate. Forgive me for not telling you earlier, but today we have a new Redwall Champion and a naming party. Matthias is to place the great sword in the paws of his son Mattimeo, and he will be our Abbey Warrior from henceforth; there is one scamp who made doubly good. Did I not tell you? Tess and Mattimeo have a little son and I am an uncle! My mother and Cornflower chose the new baby’s name; he is to be called Martin. So the legend of Redwall has come full circle, through Martin to Matthias, from Matthias to Mattimeo, and finally back to the little life we are all so proud of: Martin, Son of the Warrior. The bells are tolling for the ceremony, so you will have to pardon me for hurrying off like this. May your lives be as full and happy as ours, and may the seasons be kind to you and your friends. The door of our Abbey is always open to any traveller roaming the dusty path between the woodlands and the plains. Tim Churchmouse (Recorder of Redwall Abbey in Mossflower country).
Brian Jacques (Mattimeo (Redwall, #3))
Where everyone hated the dress code, but snickered at the “rednecks” who roamed Citadel Mall in stonewashed denim and mullets. Where everyone was desperate to be an individual, but they all were terrified to stand out.
Grady Hendrix (My Best Friend's Exorcism)
4. Thou shall attempt a staycation, even if thou detests the word staycation. There are two types of people in the world. Those who will camp, and those who won't. Those who fall in the former category need little encouragement to pack up their sleeping bag and a Kelly Kettle and head out into the countryside. The ones who wander freely clearing up after themselves can set up a tent anywhere they fancy, as long as they show respect. This freedom to roam also lends itself well to the coorie movement. Braving the night-time chill around a fire with a furry friend at your feet and a hot chocolate in your hands after a day of toiling to create a coorie campsite is pretty special. A caravan stay in Aberfeldy is a more realistic option for the extended family than schlepping abroad en masse. Bonding time between grandparents and wee ones also gives mums and dads the chance for a gin on the banks of the River Tay before sundown.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
Out in the west, where the rivers run wide, Grady Hale rode with his head held high. With Bess by his side, through the dust and the gales, He lived by the code of the old cowboy tales. (Chorus) Oh, ride on, Grady, ride into the sun, Your story's not over, it's only begun. With each step that Bess takes, your legend will grow, Ride on, Grady Hale, through the high and the low. (Verse 2) He stood for the right, when the wrong came to call, A hero to many, a friend to them all. With a heart made of gold and a will made of steel, He fought for a world where the broken could heal. (Chorus) Oh, ride on, Grady, ride into the sun, Your story's not over, it's only begun. With each step that Bess takes, your legend will grow, Ride on, Grady Hale, through the high and the low. (Bridge) In the town where the shadows had taken their claim, Grady's courage shone through, like a bright, burning flame. And though he fell to a bullet, his spirit stayed strong, In the whispers of wind, you can still hear his song. (Verse 3) Now Emma looks out, where the meadows meet skies, And she feels her love's presence, no need for goodbyes. For the cowboy she loved is still riding so free, In the stories we tell, in the memories we see. (Chorus) Oh, ride on, Grady, ride into the sun, Your story's not over, it's only begun. With each step that Bess takes, your legend will grow, Ride on, Grady Hale, through the high and the low. (Outro) So here's to the cowboy, who rode past the end, With the love of a woman, the trust of a friend. May his tale be a beacon, for all those who roam, Ride on, Grady Hale, forever you're home.
James Hilton-Cowboy
The Ballad of the Lone Cowboy In the heart of the prairie, where the wildflowers bloom, Lived a cowboy named James, with his guitar and tunes. He’d sit by the fire, under stars shining bright, And pen down his thoughts, every day and each night. His page was a canvas, where his stories took flight, “Cowboy’s-just for fun,” in the soft moonlight. With quotes that inspired, and tales that spun, He shared his heart freely, just for fun. One day he wrote of a boy, so young and so brave, Whose mother fought battles, no more could she save. Through the eyes of the child, the world seemed so vast, But James’ tender words, held the readers fast. The cowboy’s creations, like his spirit, roamed free, From grand tales of adventure, to sweet family glee. Each post was a window, to a life rich and full, Of laughter and sorrow, of push and of pull. So here’s to the cowboy, with his hat and his grin, Whose stories keep dancing, on the winds that spin. For in every line, and each word that’s penned, Lies the essence of life, from start to end. I hope this story captures the essence of the “Cowboy’s-just for fun” page and resonates with the themes you enjoy. And if you like this page, please share it with your friends. I hope you enjoy this story and feel inspired to share it with others
James Hilton-Cowboy
Furl your banners and hang you heads,” muttered the wind, “this is no time for tourney. Cast into my four arms those gaudy trappings, for what can cause you joy, O trees, at such a time as this?” “This rising Sun and the long bright bright day,” the beech cried out. “The setting Sun and the cool dark night,” the oak said quietly. “And the rain,” the pine murmured gratefully, “wit it’s gentle fingers finer than my needles.” The maple was silent. The wind spun around it’s rough gray trunk and sent a shower of gold into the sky. “O wind,” the maple said, “the side passage of the year from cold to heat, from growing to fruition, from birds nesting to their migrations, is joy enough for us. Let us celebrate it, O wind, before the snow lays it’s white fingers on us and bids us be silent for a time.” The maple spoke wistfully, golden leaves tumbling down the day at every word. “You speak of memories,” the wind went on. “I who have roamed the earth have seen suffering and cruelty and sorrow. You who stand so still in one place always must believe me.” “For you, O wind, perhaps it has been a year of sad revelation,” the beech said softly; “but for us it has been a year like all others—rising suns and waxing moons, rains and dews and storms, and the seasons marching in orderly procession around us.” “Ah,” the wind wailed, clutching at gold and scarlet and green, “how can you hold those banners high when evil still stalks the earth?” The trees quivered and were silent. The wind raged around them, and his fury brought down cascades of leaves, which he sent hurling over the dry ground. “We hold our banners high in faith, O wind,” the pine spoke out, lifting its voice so the wind would hear, “emblem for this brief moment of the pledge we have made. We have heard before of these things that you would tell us. The stars have told us many strange tales, and the moon has told us even stranger ones. But we must still be faithful.” “To what?” moaned the wind, annoyed that his words could not deter the trees from their galliard ways. “To the everlasting right at the heart of things,” replied the maple. “Evil has but a little day, O wind, and good has a thousand.” The banners were fading and falling, and the wind laughed to himself that the brave words of the trees must be as thin and fleeting. He stamped and reached high, swept over the ground and leapt aloft, while leaves fell in a gilded shower about him. Cheering at his triumph, he looked through bare branches to the sky, heavy with scudding clouds. Oak, maple, beech were silenced now. Dark trunks stood rooted in the earth, crossed boughs were held uplifted to the heavens. The pine swayed slowly, it’s heraldic blazon of sable and vert gleaming darkly. “Look higher, wind, than those bare boughs. Look wider.” The wind looked, and there, outlined against the sunset gold, on every twig tight buds were tipping: the crimson secret of the oak, the enscaled cradle of the maple, the little sheathed sword of the beech. “Faith, my friend,” the pine said in a whisper, “faith has the last word always.” The wind bowed low, low enough to kiss the leaves that swirled around him in a moment of ecstasy; then the wind went on his way down the archway of the year that was luminous with promise.
Elizabeth Yates (Patterns on the Wall)
Climb That Mountain (Poem) *** There is a mountain placed before us. It's wide, big; high above the clouds. With no way around it; no choice about it. Just to climb it, even through low sighs. Some mountains, we choose. Often those that we pursue are easy to climb. They leave no bruise; we step on them like crumbs. No sweat, no fuse. But also no valuable lesson. Just an excuse after an excuse. There are harsh sessions on the high mountain. Hard lessons on the big mountain. No breaks, no fountains. Just hardships and rough times. No awards, no rewards. Just emotional, mental tides and fines. Fine, we usually accept the challenge. Out of options, we welcome the change. An exchange of comfort for caution. We become deranged for family. For our children, friends, even lovers. Some lovers who may become an enemy. We become a destiny with no back covers. With our back against the wall. Our back totally exposed to all. But, step by step, day by day, with our veins, we climb up but not in vain. Some days we want to go back to our fortress. Some days we only see black, no success. But, after a while, mounting in grime, we forget about the pain. The hardships start to fade. We start to familiarise the pain with the trees. We accept the bushes and rocks as home. We follow the footsteps of animals and bees; looking for shortcuts to roam. Seeking solace in the shade of what we see. We seek and become one with isolation. In isolation, we start to rely on ourselves more. We learn to love all our sores; to trust our own instincts. We become stronger and sharper in senses. And the stronger we become, the faster we mount in fun. In the end, we reach the top. Out of it all, we come out unbreakable, alive. Tired but, surely, revived.
Mitta Xinindlu
In phantom father's shadow, I still roam, A love unwritten, a yearning for home. First male touch, a myth my heart craves, His absence echoes in unspoken graves. I search for him in faces passing by, A familiar line, a flicker in their eye. His name a whisper on the wind's soft sigh, A ghost I chase, a tear that won't dry. But love, it blooms in unexpected ways, In mentors' wisdom, friends' unwavering gaze. In echoes of kindness, hands that hold me tight, In lessons learned from shadows and from light. So father, phantom, wherever you may be, Though you left me wanting, I set myself free. From the chains of longing, the hunger for your face, I build my own fortress, in this heart's embrace. With threads of resilience, I weave my own song, A tapestry of strength, where I belong. No longer searching in the empty air, My love blooms within, a flame I dare to share. And though the echo of your absence may remain, It no longer defines me, a dance in the rain. I rise above the loss, with spirit bright and bold, My own story unfolds, in colors yet untold. So let the phantom father fade into the mist, His memory a whisper, a lesson I've kissed. For I am the daughter, of courage and grace, And love, my own compass, lights up this space.
Mriganka Sekhar Ganguly
But the account which she gave of her movements on that day when her child was admittedly murdered, and the entire narrative which she asked the jury to believe, confirmed, by their inherent weakness, the very positive case put forward against her by the Crown. To take a single crucial point – she surrenders the care of her child to strangers of whom she knows nothing, and whose place of residence she does not think it worthwhile to visit beforehand. It is not likely that a woman really devoted to her child would act in this manner. In addition to this piece of negative evidence, we have a tissue of other improbabilities – the sudden appearance of the unknown baby-farmers, their equally prompt disappearance after the tragedy, not the faintest sign of their presence in the waiting room or the apartment where the poor child was done to death, and the time said to have been spent by the prisoner in wandering about Brighton, without managing to leave such traces of her roamings as would enable their genuineness to be ascertained. Against this strange texture of improbable circumstances the jury had to set a formidable body of facts. It was undoubted that the prisoner was herself the last person in whose care the child had been seen. She secured possession of the child by falsehood. Some of the clothes that he had worn before his murder were found in her hands. The brick with which the deed was done resembled in shape and general appearance bricks to which she had access in the home of a friend [referring to Léonie Cadisch’s house] and it could easily have been carried in the bag which she had with her on the day of the murder. All that could be said to weaken these considerations was that no human being could be so callous as to make a murder the preliminary act in an intrigue. But, unhappily, the history of crime shows how untrustworthy are deductions of this sort.
Kate Clarke (Trial of Louise Masset: (Notable British Trials))
New Year Way Out by Stewart Stafford Take off down the truculent highway For a well-earned New Year escape Tasty lunch at some time warp hotel Seedy tree in an old folks dining room. Destination reached in crimson twilight Friends from back in the day greet us Bags dragged in, up and put in corners Then, downstairs for a seafood dinner. Catch up on all the gossip and chat Take a moonlight walk on the beach Crabs roam the sand as sleep comes Routine fractured in grinning dreams. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
I said goodbye to the last ten years like an old friend. One I had finally outgrown, but would remember forever. Rambunctious, restless, and ramshackle. Roving, raucous, and rebellious. My roaming decade; my roaring twenties.
Dolly Alderton (Everything I Know About Love: A Memoir)
Grandpa's Little Angel August 6, 2024 at 9:30 AM [Verse] She's Grandpa's little angel, his shining star, On his knee, she heard tales of days gone by. She brought sunshine to his days, near and far, And in Grandpa's arms, she'd always sigh. [Verse 2] Sunday morning, on the porch they'd sway, With a cup of coffee and a sigh of grace. She'd listen close to every word he'd say, In Grandpa’s embrace, she found her place. [Chorus] In Grandpa’s garden, she'd roam free, Picking flowers with a child's delight. In her eyes, he saw eternity, In her laughter, he found light. [Verse 3] Evenings by the fire, stories turned to song, He'd play the old guitar, she'd hum along. Time stood still for moments so long, In Grandpa's heart, she belonged. [Verse 4] Years have passed, the porch is worn, But memories linger in her heart so clear. Grandpa’s voice in every dawn, Whispering love that never disappears. [Bridge] In dreams, she walks those fields again, Hand in hand with her old friend. He’s the star in her night’s refrain, Guiding her until the end.
James Hilton-Cowboy
The thought turned him topsy-turvy. It seemed to summarize the whole worthless way of the world--if there was one. And versions of it began to flutter wildly through his head. You have to look round to see straight. Good enough. Useful. And the rough places plain. But all that's geometry. But it measures the earth. You have to go slow to catch up. Eat to get thin? no, but fast to grow fat, that was a fine one. Then lose to win? fail to succeed? Risky. Stop to begin. The form made noiseless music--lumly lum lum or lum-lee-lee lum--like fill to empty, every physical extreme. Die to live was a bit old hat. But default to repay. And lie to be honest. He liked the ring of that. Flack! I'm white in order to be black. Sin first and saint later. Cruel to be kind, of course, and the hurts in the hurter--that's what they say--a lot of blap. That's my name, my nomination: Saint Later. Now then: humble to be proud; poor to be rich. Enslave to make free? That moved naturally. Also multiply to subtract. Dee dee dee. Young Saint Later. A list of them, as old as Pythagoras had. Even engenders odd. How would that be? Eight is five and three. There were no middle-aged saints--they were all old men or babies. Ah, god--the wise fool. The simpleton sublime. Babe in the woods, roach in the pudding, prince in the pauper, enchanted beauty in the toad. This was the wisdom of the folk and the philosopher alike--the disorder of the lyre, or the drawn-out bow of that sane madman, the holy Heraclitus. The poet Zeno. The logician Keats. Discovery after discovery: the more the mice eat, the fatter the cats. There were tears and laughter, for instance--how they shook and ran together into one gay grief. Dumb eloquence, swift still waters, shallow deeps. Let's see: impenitent remorse, careless anxiety, heedless worry, tense repose. So true of tigers. Then there was the friendly enmity of sun and snow, and the sweet disharmony of every union, the greasy mate of cock and cunt, the cosmic poles, war that's peace, the stumble that's an everlasting poise and balance, spring and fall, love, strife, health, disease, and the cold duplicity of Number One and all its warm divisions. The sameness that's in difference. The limit that's limitless. The permanence that's change. The distance of the near at home. So--to roam, stay home. Then pursue to be caught, submit to conquer. Method--ancient--of Chinese. To pacify, inflame. Love, hate. Kiss, kill. In, out, up, down, start, stop. Ah . . . from pleasure, pain. Like circumcision of the heart. Judgement and mercy. Sin and grace. It little mattered; everything seemed to Furber to be magically right, and his heart grew fat with satisfaction. Therefore there is good in every evil; one must lower away to raise; seek what's found to mourn its loss; conceive in stone and execute in water; turn profound and obvious, miraculous and commonplace, around; sin to save; destroy in order to create; live in the sun, though underground. Yes. Doubt in order to believe--that was an old one--for this the square IS in the circle. O Phaedo, Phaedo. O endless ending. Soul is immortal after all--at last it's proved. Between dead and living there's no difference but the one has whiter bones. Furber rose, the mosquitoes swarming around him, and ran inside.
William H. Gass (Omensetter's Luck)
Tiger bounded out barking and bounding around the yard. “Looks like he’s happy to be home, too,” Sage said. “Yes,” Nic agreed. “I know he missed the freedom to roam he had here at …” Her voice trailed off as she noted an addition to her yard. “Is that a doghouse? With a deck?” Sarah joined Nic and Sage and shook her head. “I told him the deck was overkill.” Nic walked closer and read the sign hanging above the opening. “ ‘Tiger’s Den’? Who built this?” “Gabe.” “Gabe? You’re kidding.” She stared at her friends in disbelief. “That sounds like he’s calling the dog by name.” “Something like that.” Sarah shrugged. “Larry Wilson says he came into the hardware store and bought a dog collar and an engraved tag that said Tiger and listed your address. But he also bought a tag that said Clarence with your address. There’s a sign on the other side of the doghouse that says Clarence’s Castle.” How many times had Nic heard Gabe say that he didn’t name things he didn’t intend to keep? Too many to count, that’s for sure. And now two names? “Why give the boxer two names?” “Larry said Gabe wanted to talk to you first. He didn’t want to change the boxer’s name if it would be a problem for the dog.” Nic took another long look at the elaborate doghouse and shook her head. “Clarence?” She
Emily March (Angel's Rest (Eternity Springs, #1))
The name of the zoo was the Queensland Reptile and Fauna Park. As I crossed the parking area, I prepared myself for disappointment. I am going to see a collection of snakes, lizards, and miserable creatures in jars, feel terribly sorry for them, and leave. It was October 1991. I was Terri Raines, a twenty-seven-year-old Oregon girl in Australia on an unlikely quest to find homes for rescued American cougars. A reptile park wasn’t going to be interested in a big cat. I headed through the pleasant spring heat toward the park thinking pessimistic thoughts. This is going to be a big waste of time. But the prospect of seeing new species of wildlife drew me in. I walked through the modest entrance with some friends, only to be shocked at what I found on the other side: the most beautiful, immaculately kept gardens I had ever encountered. Peacocks strutted around, kangaroos and wallabies roamed freely, and palm trees lined all the walkways. It was like a little piece of Eden.
Terri Irwin (Steve & Me)
Reinvention is my philosophy, if you want to call it that,” he says, looking out the window. “Imagination is the key to creating a life that is ever new.” Stanley turns his eyes to me. “We are each of us a changeling person,” he says. “We are not going to be the same decade after decade. Wisdom results from confronting not only one’s desires and capacities but also one’s limitations.” “The Layers,” one of Stanley’s best-loved poems, is his crystallization of this wisdom. I have walked through many lives, some of them my own, and I am not who I was, though some principle of being abides from which I struggle not to stray. When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see the milestones dwindling toward the horizon and the slow fires trailing from the abandoned camp-sites, over which scavenger angels wheel on heavy wings. Oh, I have made myself a tribe out of my true affections, and my tribe is scattered! How shall the heart be reconciled to its feast of losses? In a rising wind the manic dust of my friends, those who fell along the way, bitterly stings my face. Yet I turn, I turn, exulting somewhat, with my will intact to go wherever I need to go, and every stone on the road is precious to me. In my darkest night, when the moon was covered and I roamed through wreckage, a nimbus-clouded voice directed me: “Live in the layers, not on the litter.” Though I lack the art to decipher it, no doubt the next chapter in my book of transformations is already written. I am not done with my changes.
Mark Matousek (When You're Falling, Dive: Lessons in the Art of Living)
Please, call me Melaina, and I will call you Sinda. Though I have to say, I did not expect to see you roaming the palace again.” Her gaze flicked to Kiernan behind me. “But I can see that even the maneuvering of kings and wizards were not enough to keep you from your friends.” “Yes,” I said in what I hoped was a light voice, though it sounded more strangled to me. “There’s very little that could keep me away from Kiernan.
Eilis O'Neal (The False Princess)
One thing her trip taught, and that is apparent to scientists studying the pronghorn, is the vital importance of “connectivity.” It is a lesson being learned, and preached, by innovative environmental thinkers all over the West, and it applies to many of the region’s threatened species. It comes down to a simple point: wild animals need to roam. It’s true that putting land aside for our national parks may be, to paraphrase Stegner paraphrasing Lord Bryce, the best idea our country ever had, and it’s also true that at this point we have put aside more than 100 million acres of land, a tremendous accomplishment that we should be proud of. But what we are now learning is that parks are not enough. By themselves they are islands—particularly isolated and small islands—the sort of islands where many conservation biologists say species go to die. That would change if the parks were connected, and connecting the parks, and other wild lands, is the mission of an old friend of Ed Abbey’s, Dave Foreman. Foreman, one of the founders of Earth First!, eventually soured on the politics of the organization he helped create. In recent years he has focused his energy on his Wildlands Project, whose mission is the creation of a great wilderness corridor from Canada to Mexico, a corridor that takes into account the wider ranges of our larger predators. Parks alone can strand animals, and leave species vulnerable, unless connected by what Foreman calls “linkages.” He believes that if we can connect the remaining wild scraps of land, we can return the West to being the home of a true wilderness. He calls the process “rewilding.” Why go to all this effort? Because dozens of so-called protected species, stranded on their eco-islands, are dying out. And because when they are gone they will not return. A few more shopping malls, another highway or gas patch, and there is no more path for the pronghorn. But there is an even more profound reason for trying to return wildness to the West. “We finally learned that wilderness is the arena of evolution,” writes Foreman. Wilderness is where change happens.
David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
I never blindly roamed with a team just for the sake of social labeling or fitting in. I was never part of a particular group, scene or tribe. I was friends with everybody. My best friend in high school was prom queen, yet I was voted the biggest nonconformist of my senior class. I've lived all over the country, but my roots, views and attitude are very Midwestern. I was born in the Heartland, where there exists a true melting pot of religions, classes and cultures.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Argument in Isolation" Premise: one exists alone, Within a system of increasingly mild ideals —The good of love, the greater good of dreams— Abstracted from the musings of the grown-up child That somewhere, in a scene above the sky, Lies smiling. Anxious to begin Before the will can answer and its passions fly away Like sparrows, he lays aside his cares and Lets the world come, lets its shapes return, Its mirrors answer and its angels roam across the narrow Confines of the page. Like friends Estranged by distance and the inwardness of age, The spaces between letters become spaces between lives, The fact of pain begins to seem unreal, the trees Begin to seem too distant; the imaginary self, Concealed from the world, begins its cry Yet remains empty—as though it could contain No tenderness beyond its own, and no other love Than that concealed in its own reflection, hovering On the threshold of age, between two lives. Premise: the world and the mind are one, With a single splendor. And to By the way a Street looked, or the way the light fell in a canyon, Is to realize the way time feels in passing, as The will to change becomes the effort to remember, And then a passive sigh. An eidolon Constructed out of air, grown out of nothing, Planted at the center of a space shaped like the heart
John Koethe (Falling Water)
There is a mountain placed before us. It's wide, big; high above the clouds. With no way around it; no choice about it. Just to climb it, even through low sighs. Some mountains, we choose. Often those that we pursue are easy to climb. They leave no bruise; we step on them like crumbs. No sweat, no fuse. But also no valuable lesson. Just an excuse after an excuse. There are harsh sessions on the high mountain. Hard lessons on the big mountain. No breaks, no fountains. Just hardships and rough times. No awards, no rewards. Just emotional, mental tides and fines. Fine, we usually accept the challenge. Out of options, we welcome the change. An exchange of comfort for caution. We become deranged for family. For our children, friends, even lovers. Some lovers who may become an enemy. We become a destiny with no back covers. With our back against the wall. Our back totally exposed to all. But, step by step, day by day, with our veins, we climb up but not in vain. Some days we want to go back to our fortress. Some days we only see black, no success. But, after a while, mounting in grime, we forget about the pain. The hardships start to fade. We start to familiarise the pain with the trees. We accept the bushes and rocks as home. We follow the footsteps of animals and bees; looking for shortcuts to roam. Seeking solace in the shade of what we see. We seek and become one with isolation. In isolation, we start to rely on ourselves more. We learn to love all our sores; to trust our own instincts. We become stronger and sharper in senses. And the stronger we become, the faster we mount in fun. In the end, we reach the top. Out of it all, we come out unbreakable, alive. Tired but, surely, revived.
Mitta Xinindlu
Exhaustion Salima sat in the fancy hotel room In the evening time. Here she is again in another foreign city, Attending a conference discussing “human rights”. Her eyes roamed the room. She suddenly felt a severe chill in her body. She suddenly realized that she is exhausted, But her exhaustion is not that of one day, It was one of a lifetime! It fell upon her abruptly. The thoughts of the bygone years Nested in her head, Were suddenly awoken. One thought after another. She realized at that moment That she is tired of responding to The same absurd questions About her origins Her ethnicity, Her religion, Her hobbies, Her favorite foods, Her education background, Her age, And her occupation. Questions asked frequently by people who don’t care. She suddenly realized That throughout her life, She never found a friend who could really understand. The evening was about to draw its dark curtains. She remembered that ever since she was a child, She had been hiding her favorite words and writings In notebooks that nobody will read. She has been murmuring her favorite tunes, In places where nobody could hear her. The evening was about to draw its dark curtains. She realized that her true thoughts and feelings Lived nowhere expect inside of her head, And there they will most likely die. Her head had become like a prison for her thoughts. The evening was about to draw its dark curtains. She suddenly realized That she had wasted so many years of her life Looking for someone who might understand. And each time she thought she had found one, She found herself in yet another prison. She looked through the window of the fancy hotel room And saw that the darkness had covered the entire city. September 9, 2017
Louis Yako (أنا زهرة برية [I am a Wildflower])
My family doesn’t understand me. They think I have these headaches because my business is failing. They think I roam the house at night, moving from bed to couch to chair to floor, because I’m worrying about my business. They think I’m worrying about new possibilities and plans. So they soften me and treat me gingerly. Husband and father must have a quiet house, so the house is quiet. He must not be upset, so he is avoided. He must not be expected to be friendly and sociable because he is passive and shy. He must be indirectly talked into doing what they want, in the right way, at the right moment. It takes careful planning. He must have sympathy, even if it’s false, to be able to face the tough, competitive world outside. They cannot and will not recognize that this man they handle with kid gloves, whom they fear upsetting, whom they decide has to be coddled and manipulated into buying new clothes, a new car, a new home, all the other possessions a family feels it must have, this man does not really exist and never did.
Clark E. Moustakas (Loneliness)
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Chloe
Have you been travelling, my young friend? Come in out of the darkness and rain. Sit by the fire, eat, drink and rest yourself. Life is one long journey from beginning to end, you know. We all walk different roads, both with our bodies and our minds. Some of us lose heart and fall by the wayside, whilst others go on to realise their dreams and desires. Let me tell you a story of travellers, and the paths they followed. Of young ones, like yourself, sometimes uncertain of their direction, and often reluctant to listen to the voices of sense and wisdom. Of a mighty warrior, set on a course of destiny and vengeance, unstoppable in his resolve. Of an evil one and his crew, cruel and ruthless, bound on a march of destruction and conquest. Of a simple maid and her friends, homebodies whose only aims were peace and well-being for all. Of wicked, foolish wanderers, chasing fantasies and fables, consumed by their own greed. Of small babes who dreamed small dreams, not knowing what the future held in store for them. And, finally, of two friends, faithful and true, who had roamed many highways and together chose their own way. The lives I will tell you of are intertwined by fate—good and evil bringing their just rewards to each, as they merited them. Listen whilst I relate this story. For am I not the Teller of Tales, the Weaver of Dreams!
Anonymous
A man whose sense of shame has some profundity encounters his destinies and delicate decisions, too, on paths which few ever reach and of whose mere existence his closest intimates must not know: his mortal danger is concealed from their eyes, and so is his regained sureness of life. Such a concealed man who instinctively needs speech for silence and for burial in silence and who is inexhaustible in his evasion of communication, wants and sees to it that a mask of him roams in his place through the hearts and heads of his friends. And supposing he did not want it, he would still realize some day that in spite of that a mask of him is there - and that this is well. Every profound spirit needs a mask: even more, around every profound spirit a mask is growing continually, owing to the constantly false, namely shallow , interpretation of every word, every step, every sign of life he gives.
Frederick Niestzsche
The mind roams more widely in the dark than it does in light. It is no surprise, then, stepping out of the unlit house into the unlit compound to find myself with the sudden thought, What if I inhabited another body and had a different destiny? We have all had these notions, perhaps while standing on a porch over a lake in the summer night as our friends enjoy a party indoors, or maybe on waking alone at three in the morning. Moments of great isolation. And there is that other thought: What if everything changed tonight? What if there is an explosion in the generator house? Nighted color seeps into the mind.
Teju Cole (Every Day Is for the Thief)
I have learn'd Poppy that people come an' go. Only Jesus is your true friend. And even He had Judas. Git rid of your Judas. Like your sister. Marc has lost his mind. Buying one gift for her an' anoth'r for Cherie. That boy bet'r git himself home. There's ain't no blessing in sin, I tell ya. The devil roams, he prowls Poppy and a man's heart is fertile territory.
Toni Orrill
The Soldier If I should die, think only this of me: That there's some corner of a foreign field That is for ever England. There shall be In that rich earth a richer dust concealed; A dust whom England bore, shaped, made aware, Gave, once, her flowers to love, her ways to roam, A body of England's, breathing English air, Washed by the rivers, blest by suns of home. And think, this heart, all evil shed away, A pulse in the eternal mind, no less Gives somewhere back the thoughts by England given; Her sights and sounds; dreams happy as her day; And laughter, learnt of friends; and gentleness, In hearts at peace, under an English heaven.
Rupert Brooke