Roadhouse Quotes

We've searched our database for all the quotes and captions related to Roadhouse. Here they are! All 29 of them:

Maybe I should go put on my ragged white dress and stone necklace and you can put on your leopard skin tunic and we can pedal in our stone car to the roadhouse before you go bowling with Barney and I go shopping with Betty, Fred. –Sadie
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
The cowboy music twanged in the roadhouse and carried across the fields, all sadness. It was all right with me. I kissed my baby and we put out the lights.
Jack Kerouac (On the Road)
You were just a beautiful woman. Now you're my beautiful woman. What you got under your clothes is for me. No one else. They don't look. They don't touch. That's the deal. Yeah?" I stared at him, speechless, which was a good thing because if I had words, I would have said them so loudly the neighbors would hear. "Now," he went on, either not feeling or not caring about the badder than bad vibes emanating from me directly toward him, "go put on a tank." That’s when I found my words. "Maybe I should go put on my ragged white dress and stone necklace and you can put on your leopard skin tunic and we can pedal in our stone car to the roadhouse before you go bowling with Barney and I go shopping with Betty, Fred.
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
So my first impression, that he was a person of some undefined consequence, had gradually faded and he had become simply the proprietor of an elaborate road-house next door.
F. Scott Fitzgerald (The Great Gatsby)
Half-Heartedness Gamble everything for love, if you are a true human being. If not, leave this gathering. Half-heartedness does not reach into majesty. You set out to find God, but then you keep stopping for long periods at mean-spirited roadhouses.
Jalal ad-Din Muhammad ar-Rumi (A Year With Rumi)
Racket beer, sonny,” he said sadly. “Tasteless as a roadhouse blonde.” (Spanish Blood)
Raymond Chandler (The Simple Art of Murder)
Chicago: invisible hierarchy of decorticated wops, smell of atrophied gangsters, earthbound ghost hits you at North and Halsted, Cicero, Lincoln Park, panhandler of dreams, past invading the present, rancid magic of slot machines and roadhouses.
William S. Burroughs (Naked Lunch)
To those of us gathered here today, Matthew Connell filled a number of different roles in our lives. Matthew was a son, a brother, a father and a friend. Matthew's last days in his young life were bleak, suffering ones. Yet, we must remember the real Matthew, the loving young man who had a great lust for life. A keen musician, Matthew loved to entertain friends with his guitar playing... Renton could not make eye contact with Spud, standing next to him in the pew, as nervous laughter gripped him. Matty was the shitest guitarest he'd known, and could only play the Doors' 'Roadhouse Blues' and a few Clash and Status Quo numbers with any sort of proficiency. He tried hard to do the riff from 'Clash City Rockers', but could never quite master it. Nonetheless, Matty loved that Fender Strat. It was the last thing he sold, holding onto it after the amplifier had been flogged off in order to fill his veins with shite. Perr Matty, Renton thought. How well did any of us really know him? How well can anybody really know anybody else?
Irvine Welsh (Trainspotting (Mark Renton, #2))
And after a refreshing sleep filled with cobwebby dreams of my past life in the East I got up, washed in the station men’s room, and strode off, fit and slick as a fiddle, and got me a rich thick milkshake at the roadhouse to put some freeze in my hot, tormented stomach.
Jack Kerouac (On the Road)
Celebrating the fact that you don’t have enough friends for an intervention? First drink is on the house! —SIGN AT THE ROADHOUSE BAR AND GRILL
Darynda Jones (A Good Day for Chardonnay (Sunshine Vicram, #2))
If I lose and have nothing when this is over, you can still drop me with my guitar by parachute anywhere in America; I’ll walk to the nearest roadhouse, find a pickup band and light up your night. Just because I can.
Bruce Springsteen (Born to Run)
He takes dinner in a likable-looking roadhouse. Because he’s off duty for the night, he has an extra-dry martini with a twist before dinner, another with an ahi appetizer, plus a glass of cabernet sauvignon with his steak.
Dean Koontz (Photographing the Dead (Nameless: Season One, #2))
Stories were made up and spun in the evenings in rooms smelling of melting lard and fried onions, village halls, smoky taverns, roadhouses, crofts, tar kilns, forest homesteads and border watchtowers. Tales were spun and told. About war. About heroism and chivalry. About friendship and hatred. About wickedness and betrayal. About faithful and genuine love, about the love that always triumphs. About the crimes and punishments that always befall criminals. About justice that is always just. About truth, which always rises to the surface like oil. Tales were told; people rejoiced in them. Enjoyed the fairy-tale fictions. Because, indeed, all around, in real life, things happened entirely back to front.
Andrzej Sapkowski (Pani Jeziora (Saga o Wiedźminie, #5))
Chad is a slim blond boy with a strange witch-doctor face that goes with his interest in anthropology and prehistory Indians, His nose beaks softly and almost creamily under a golden flare of hair; he has the beauty and grace of a Western hotshot who’s danced in roadhouses and played a little football. A quavering twang comes out when he speaks.
Jack Kerouac (On the Road)
The highway was ragged with filling stations and trailer camps and roadhouses. After a while, there were stretches where red gulleys dropped off on either side of the road, and behind them there were patches of field buttoned together with 666 posts. The sky leaked over all of it, and then it began to leak into the car. The head of a string of pigs appeared snout-up over the ditch, and he had to screech to a stop and watch the rear of the last pig disappear shaking into the ditch on the other side. He started the car again and went on. He had the feeling that everything he saw was a broken-off piece of some giant blank thing that he had forgotten had happened to him.
Flannery O'Connor (Wise Blood)
game hunting was flourishing; and, dining at Muthaiga Club, I was offered trout freshly caught in the mountains, together with some last bottles of a particularly fragrant Rhine wine. Not since that last bright summer in Paris in 1939, when the wealthy of the world came flocking to spend their money lest they should not visit Paris again, had I seen women so well groomed, wearing so many lush furs. Baboon pelts and leopard skins were particularly popular. Great log fires burned in the grates of the club chimney places, though the nights were scarcely sharp. The men wore dinner-jackets or dress uniform. The conversation tended to hunting. In the day one had golf at Brackenridge, or swimming or riding or fooling round the game reserves where giraffe still roam haphazardly. Normally one looked in at a roadhouse for an apéritif around eight in the evening, and after dinner perhaps went down to Torr’s to dance. They say the altitude at Nairobi makes people slightly crazy, but after the desert I found it all delightful, as though the world were enjoying one long holiday. As
Alan Moorehead (Desert War: The North African Campaign 1940-43)
Kenilworth, Mountainside, Scotch Plains, Dunellen... they themselves seemed far from Jersey: names out of Waverley novels, promising vistas of castles, highland waterfalls, and meadows dotted with flocks of grazing sheep. But the signboards lied, the books had lied, the Times had lied; the land here was one vast and charmless suburb, and as the bus passed through it, speeding west across the state, Freirs saw before him only the flat grey monotony of highway, broken from time to time by gas stations, roadhouses, and shopping malls that stretched away like deserts. The bus was warm, and the ride was beginning to give him a headache. He could feel the backs of his thighs sweating through his chinos. Easing himself farther into the seat, he pushed up his glasses and rubbed his eyes. The scenery disappointed him, yet it was still an improvement over what they'd just come through. Back there, on the fringes of the city, every work of man seemed to have been given over to the automobile, in an endless line of showrooms and repair shops for mufflers, fenders, carburetors, ignitions, tires, brakes. Now at last he could make out hills in the distance and extended zones of green, though here and there the nearness of some larger town or development meant a length of highway lined by construction, billboards touting banks or amusement parks, and drive-in theaters, themselves immense blank billboards, their signs proclaiming horror movies, "family pictures," soft-core porn. A speedway announced that next Wednesday was ladies' night. Food stands offered pizzaburgers, chicken in the basket, fish 'n' chips.
T.E.D. Klein (The Ceremonies)
We was just kids, we did kid stuff. And we didn’t have things to do like people in the city. We couldn’t catch the bus to the beach or the movies or hang out in big shopping malls. We had to ride everywhere or shanks it. Go for a milkshake at the roadhouse, check out the tip. Because there was no KFC or Subway. We’d walk along the highway looking for eagle feathers.
Tim Winton (The Shepherd's Hut)
As Patrick Swayze (as Dalton, in the movie Roadhouse) once said, “Be nice, until it is time not to be nice.
Kris Wilder (The Big Bloody Book of Violence: The Smart Person's Guide for Surviving Dangerous Times: What Every Person Must Know About Self-Defense)
It's not a personality clash between them; it's something else, for which neither is to blame, but for which neither has any solution, and for which I'm not sure I have any solution either, just ideas. The ideas began with what seemed to be a minor difference of opinion between John and me on a matter of small importance: how much one should maintain one's own motorcycle. It seems natural and normal to me to make use of the small tool kits and instruction booklets supplied with each machine, and keep it tuned and adjusted myself. John demurs. He prefers to let a competent mechanic take care of these things so that they are done right. Neither viewpoint is unusual, and this minor difference would never have become magnified if we didn't spend so much time riding together and sitting in country roadhouses drinking beer and talking about whatever comes to mind. What comes to mind, usually, is whatever we've been thinking about in the half hour or forty-five minutes since we last talked to each other. When it's roads or weather or people or old memories or what's in the newspapers, the conversation just naturally builds pleasantly. But whenever the performance of the machine has been on my mind and gets into the conversation, the building stops. The conversation no longer moves forward. There is a silence and a break in the continuity. It is as though two old friends, a Catholic and Protestant, were sitting drinking beer, enjoying life, and the subject of birth control somehow came up. Big freeze-out. And, of course, when you discover something like that it's like discovering a tooth with a missing filling. You can never leave it alone. You have to probe it, work around it, push on it, think about it, not because it's enjoyable but because it's on your mind and it won't get off your mind. And the more I probe and push on this subject of cycle maintenance the more irritated he gets, and of course that makes me want to probe and push all the more. Not deliberately to irritate him but because the irritation seems symptomatic of something deeper, something under the surface that isn't immediately apparent.
Anonymous
ADELE AND MARIE WERE ABLE to keep liquor out of the Worth home, but Franklin easily circumvented this by doing his drinking outside the house, in one of the many taverns and roadhouses along Palisade Avenue. Marie kept the car keys in her possession at all times so Franklin would not commit vehicular suicide, but this meant he often staggered home dead drunk for all the neighbors to see, which added a new dimension of mortification for Marie. She and Adele, along with Dr. DeCecio, begged Franklin to stop, to go to Alcoholics Anonymous, but Franklin only withdrew further into himself, in final retreat from his battle with life
Alan Brennert (Palisades Park)
But I heard business at Merlotte’s has fallen off?” Victor tried a look of faux concern on for size, discarded it. “If you need a job, Sookie, I’ll put in a good word with my manager at the Redneck Roadhouse . . . unless you’d prefer to work here? Wouldn’t that be fun!” I had to take a deep breath. There was a long moment’s silence. For that moment, everything hung in the balance. With an amazing control, Eric spackled his rage away behind a wall, at least temporarily. He said, “Sookie is well suited where she works now, Victor. If she were not, she would come to live with me and perhaps work at Fangtasia. She is a modern American woman and used to supporting herself.” Eric said this as if he were proud of my independence, though I knew that wasn’t the case. He really couldn’t understand why I persisted in keeping my job.
Charlaine Harris (Dead Reckoning (Sookie Stackhouse, #11))
I’m just trying to figure out what to wear to a gorgon dive bar on the docks.
Seana Kelly (The Viper’s Nest Roadhouse & Cafe (Sam Quinn, #6))
Dragons cared about other dragons. And treasure. That was about it.
Seana Kelly (The Viper’s Nest Roadhouse & Cafe (Sam Quinn, #6))
A Love Story Told Through Burritos
Seana Kelly (The Viper’s Nest Roadhouse & Cafe (Sam Quinn, #6))
I mean, well, really, it seems to me, when I think about it, sometimes, you were much happier, and so was I, when we had the roadhouse. Weren't we? For that matter, it was a lot more fun when you were a race-track detective. Heavens, even the all-night broadcasting job. It was crazy, but I liked it.
Kenneth Fearing (The Big Clock)
We emerge into the warm night air and I smell the honeyed wisteria, hear an owl hooting across the fields on the far side of the river. I’m eager to dive in; I love to swim. I’m picking my way down the little slope when, behind me, I hear a commotion, and look back to see Paige braced between Evan and Leo; she’s tripped on her wedge heels and is cackling like a banshee. Kendra looks at me and rolls her eyes. “Hopefully the cold water’ll sober her up a bit,” she says resignedly. I don’t answer, even though I completely agree. Because, leaning against the wall of the club on our left, long legs crossed at the ankles, shoulders propped square to the stone, black hair falling over his face, is a silhouette that looks eerily familiar, like a ghost that haunts my dreams. There’s a book called The Beautiful and Damned, by F. Scott Fitzgerald, that I found in the villa’s library, and I’ve been reading it. I don’t quite understand it all; to be honest, I pulled it off the shelf because the title spoke to me, made me think of him. Luca. Definitely beautiful, and the damned part fits too, because he’s so dark, so brooding, so sad; it feels sometimes as if he doesn’t want to reach for happiness, as if he actually pushes it away-- But he saved me when I saw in danger, I remind myself. He saved my life. And then he told me he thought I might be his half sister. Which meant we couldn’t see each other anymore, in case that was true… A red dot flashes in the blue-black night as the figure raises a cigarette to his lips. It can’t be Luca, I tell myself. We’re beyond Siena, miles and miles from Chianti, where he lives. It can’t be him. Everyone’s already passed me, brushing by as I stopped to stare at the lean boy draped against the roadhouse wall. “Violet!” Kelly calls, her voice high and thrilled. “Come on! Wait till you see this!” I turn back toward the river and plunge down the little path as if I were being chased by the hounds of hell. Away from a silhouette that’s making me think of things--want things--that I can never have.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
Second in intensity to the regret of hating their bodies is the wish of the dying that they had appreciated their bodies in the course of their lives... So they talk about their favorite memories of their bodies.... And dancing. So many stories about dancing. I can't count the hundreds of times people--more men than women--have closed their eyes and said, when describing USO dances during World War II...or long exuberant nights dancing at roadhouses and discos and barns and whereever else there were bodies and music, "If I had only known, I would ahve danced more.
Kerry Egan (On Living)
All one night we sat, with a friend of his, in a big dark roadhouse outside of Philadelphia, arguing and arguing about mysticism, and smoking more and more cigarettes and gradually getting drunk. Eventually, filled with enthusiasm for the purity of heart which begets the vision of God, I went on with them into the city, after the closing of the bars, to a big speak-easy where we completed the work of getting plastered.
Thomas Merton (The Seven Storey Mountain)