Road Trip With Family Quotes

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The car was full of unhappy people heading west. It was the Great American Family Road Trip, all right. Whaaa-hoo!
Kim Harrison (Pale Demon (The Hollows, #9))
I can only drive slowly." "That's all right." "And I can only do left turns." Rose ran downstairs, grabbed a road atlas, and ran triumphantly back up again. "Wales is left! Look! It's left all the way!
Hilary McKay (Saffy's Angel (Casson Family, #1))
There are millions of people out there who live this way, and their hearts are breaking just like mine. It’s okay to say, “My kid is a drug addict or alcoholic, and I still love them and I’m still proud of them.” Hold your head up and have a cappuccino. Take a trip. Hang your Christmas lights and hide colored eggs. Cry, laugh, then take a nap. And when we all get to the end of the road, I’m going to write a story that’s so happy it’s going to make your liver explode. It’s going to be a great day.
Dina Kucera (Everything I Never Wanted to Be: A Memoir of Alcoholism and Addiction, Faith and Family, Hope and Humor)
...my father, [was] a mid-level phonecompany manager who treated my mother at best like an incompetent employee. At worst? He never beat her, but his pure, inarticulate fury would fill the house for days, weeks, at a time, making the air humid, hard to breathe, my father stalking around with his lower jaw jutting out, giving him the look of a wounded, vengeful boxer, grinding his teeth so loud you could hear it across the room ... I'm sure he told himself: 'I never hit her'. I'm sure because of this technicality he never saw himself as an abuser. But he turned our family life into an endless road trip with bad directions and a rage-clenched driver, a vacation that never got a chance to be fun.
Gillian Flynn (Gone Girl)
At least you earned your belief in something...Most people around here just say they believe whatever their family believes. They don't bother thinking for themselves...And the less they know, the louder they believe it.
Angela N. Blount (Once Upon a Road Trip (Once Upon a Road Trip, #1))
There’s a great episode of The Office in which this strategy lands Michael Scott and Dwight Schrute in a lake during a sales trip, Michael shouting, “The machine knows!” as he follows the GPS instructions and drives his SUV off the road into the water. I’ve watched a lot of good people drive their lives, their families, their churches, their communities, even their countries into a lake, shouting, “The Bible knows!” all the way down.
Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again)
A road trip is a way for the whole family to spend time together and annoy each other in interesting new places.
Tom Lichtenheld (Everything I Know About Cars: A Collection of Made-Up Facts, Educated Guesses, and Silly Pictures about Cars, Trucks, and Other Zoomy Things)
Aw, my girl misses her family. “Now that we’re dating, come with me to dinner at my folks’ house on the weekend.” She laughs. “Blake, seriously? You’re heading out on a week-long road trip, where I’ll bet you’d rather be single.” “Nope. I’m going to text you every night. You’ll see.” “We’re not dating,” she says. Except she’s cuddling me with her entire naked body and stroking my chest lovingly with one hand. “Want to eat ice cream in bed?” I ask. “Yeah,” she sighs, the arch of her foot stroking mine. Silly Jessie. We are dating. She just doesn’t know it yet.
Sarina Bowen (Good Boy (WAGs, #1))
I even have a welcoming speech prepared for fear, which I deliver right before embarking upon any new project or big adventure. It goes something like this: “Dearest Fear: Creativity and I are about to go on a road trip together. I understand you’ll be joining us, because you always do. I acknowledge that you believe you have an important job to do in my life, and that you take your job seriously. Apparently your job is to induce complete panic whenever I’m about to do anything interesting—and, may I say, you are superb at your job. So by all means, keep doing your job, if you feel you must. But I will also be doing my job on this road trip, which is to work hard and stay focused. And Creativity will be doing its job, which is to remain stimulating and inspiring. There’s plenty of room in this vehicle for all of us, so make yourself at home, but understand this: Creativity and I are the only ones who will be making any decisions along the way. I recognize and respect that you are part of this family, and so I will never exclude you from our activities, but still—your suggestions will never be followed. You’re allowed to have a seat, and you’re allowed to have a voice, but you are not allowed to have a vote. You’re not allowed to touch the road maps; you’re not allowed to suggest detours; you’re not allowed to fiddle with the temperature. Dude, you’re not even allowed to touch the radio. But above all else, my dear old familiar friend, you are absolutely forbidden to drive.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
I’ve watched it time and time again—a woman always slots into a man’s life better than he slots into hers. She will be the one who spends the most time at his flat, she will be the one who makes friends with all his friends and their girlfriends. She will be the one who sends his mother a bunch of flowers on her birthday. Women don’t like this rigmarole any more than men do, but they’re better at it—they just get on with it. This means that when a woman my age falls in love with a man, the list of priorities goes from this: Family Friends To this: Family Boyfriend Boyfriend’s family Boyfriend’s friends Girlfriends of the boyfriend’s friends Friends Which means, on average, you go from seeing your friend every weekend to once every six weekends. She becomes a baton and you’re the one at the very end of the track. You get your go for, say, your birthday or a brunch, then you have to pass her back round to the boyfriend to start the long, boring rotation again. These gaps in each other’s lives slowly but surely form a gap in the middle of your friendship. The love is still there, but the familiarity is not. Before you know it, you’re not living life together anymore. You’re living life separately with respective boyfriends then meeting up for dinner every six weekends to tell each other what living is like. I now understand why our mums cleaned the house before their best friend came round and asked them “What’s the news, then?” in a jolly, stilted way. I get how that happens. So don’t tell me when you move in with your boyfriend that nothing will change. There will be no road trip. The cycle works when it comes to holidays as well—I’ll get my buddy back for every sixth summer, unless she has a baby in which case I’ll get my road trip in eighteen years’ time. It never stops happening. Everything will change.
Dolly Alderton (Everything I Know About Love: A Memoir)
The moon, almost full, shines high in the sky in front of me. I roll down the window and rest my arm on top of the door frame. The night air blowing in softly through the open window feels cool on my face. For the moment, all seems right with the world.
Kevin James Shay (It's a Mad, Mad, Mad, Mad Trip: On the Road of the Longest Two-Week Family Road Trip in History)
45,000 sections of reinforced concrete—three tons each. Nearly 300 watchtowers. Over 250 dog runs. Twenty bunkers. Sixty five miles of anti-vehicle trenches—signal wire, barbed wire, beds of nails. Over 11,000 armed guards. A death strip of sand, well-raked to reveal footprints. 200 ordinary people shot dead following attempts to escape the communist regime. 96 miles of concrete wall. Not your typical holiday destination. JF Kennedy said the Berlin Wall was a better option than a war. In TDTL, the Anglo-German Bishop family from the pebbledashed English suburb of Oaking argue about this—among other—notions while driving to Cold War Berlin, through all the border checks, with a plan to visit both sides of it.
Joanna Campbell (Tying Down the Lion)
Road trip?" "I'm going to dig up some dead relatives," she went on, "and ask them where the family money is.
Cinda Williams Chima
Make sure you control the radio on a long road trip. You don't want to listen to some old-fashioned music the whole time.
Preston Shay (It’s a Mad, Mad, Mad, Mad Trip: On the Road of the Longest Two-Week Family Road Trip in History)
When visiting the Grand Canyon, make sure you hike into the canyon. And be careful not to fall or step in mule poop.
McKenna Shay (It’s a Mad, Mad, Mad, Mad Trip: On the Road of the Longest Two-Week Family Road Trip in History)
To be a member of the Galvin family is to never stop tripping on land mines of family history, buried in odd places, stashed away out of shame.
Robert Kolker (Hidden Valley Road: Inside the Mind of an American Family)
Funny, how a choice I made out of a small infatuation led to a turn in my life’s trajectory. We were probably at that strange age when seemingly inconsequential decisions could have major consequences.
Snehil Niharika (That’ll Be Our Song)
The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.
Anthony Marra (A Constellation of Vital Phenomena)
Our road trip makes me see that needing help doesn't mean there aren't other places to get it besides home, other people who can provide it besides family, that having limits doesn't mean I cannot—must not, maybe—bewitch and bewilder, range far and wander wide and wild. For home is like black holes—no matter how small, no matter how humble, they capture everything in range and trap it inside. The only way to escape their draw is to be far enough away.
Laurie Frankel (One Two Three)
there are so many turquoise bodies of water left for us to dive in. there is family. blood or chosen. the possibility of falling in love. with people and places. hills high as the moon. valleys that roll into new worlds. and road trips. i find it deeply important to accept that we are not the masters of this place. we are her visitors. and like guests let’s enjoy this place like a garden. let us treat it with a gentle hand. so the ones after us can experience it too. let’s find our own sun. grow our own flowers. the universe delivered us with the light and the seeds. we might not hear it at times but the music is always on. it just needs to be turned louder. for as long as there is breath in our lungs — we must keep dancing.
Rupi Kaur (The Sun and Her Flowers)
When someone asks, "What do you do?” don't start with your occupation or family status. Instead, tell them about the "real you" with a spin. You might say, "Back home I'm run a coffee shop, but on this trip, I'm getting in touch with the part of me who wished she'd studied archeology.
Tamela Rich (Hit The Road: A Woman's Guide to Solo Motorcycle Touring)
We wanted to take Polaroids of her and all the kids, about eight of them, of all ages, several photos, so we could give some to the family. She grabbed her youngest and asked us to wait. And then like any mother, anywhere in the world—do not let anyone tell you that people are fundamentally different—she combed the child’s hair and changed his shirt before letting him pose for the pictures. The second shirt was slightly less dirty than the first. She wanted him to look his best. That mother could have been in Greenwich, Connecticut, as easily as on the steppes of Mongolia.
Jim Rogers (Adventure Capitalist: The Ultimate Road Trip)
As we were wrapping up the book, I sat down and thought about all the lessons I’d learned over the past two years. I couldn’t list them all, but here are a few: Never complain about the price of a gift from your spouse--accept it with love and gratitude. You can’t put a price on romance. Take lots of videos, even of the mundane. You will forget the sound of your children’s voices and you will miss your youth as much as theirs. Celebrate every wedding anniversary. Make time for dates. Hug your spouse every single morning. And always, ALWAYS, say “I love you.” Believe in your partner. When you hit hard times as a couple, take a weekend away or at least a night out. The times that you least feel like doing it are likely the times that you need it the most. Write love notes to your spouse, your children, and keep the ones they give you. Don’t expect a miniature pig to be an “easy” pet. Live life looking forward with a goal of no regrets, so you can look back without them. Be the friend you will need some day. Often the most important thing you can do for another person is just showing up. Question less and listen more. Don’t get too tied up in your plans for the future. No one really knows their future anyway. Laugh at yourself, and with life. People don’t change their core character. Be humble, genuine, and gracious. Before you get into business with someone, look at their history. Expect them to be with you for the long haul, even if you don’t think they will be. If they aren’t someone you could take a road trip across the country with, don’t do business with them in the first place. Real families and real sacrifices live in the fabric of the Red, White, and Blue; stand for the national anthem.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
road. It’s soul lifting. You’re going to see what makes America’s heart beat. My family took a cross-country trip when I was a kid. Boy, those were some of the best memories of my life.” “What happened?” Pep asked. “Uh . . . I . . . don’t remember, actually,” Dr. McDonald admitted. “It was
Dan Gutman (Mission Unstoppable)
I started to understand that Mamaw saw returning to Jackson as a duty to endure rather than a source of enjoyment. To me, Jackson was about my uncles, and chasing turtles, and finding peace from the instability that plagued my Ohio existence. Jackson gave me a shared home with Mamaw, a three-hour road trip to tell and listen to stories, and a place where everyone knew me as the grandson of the famous Jim and Bonnie Vance. Jackson was something much different to her. It was the place where she sometimes went hungry as a child, from which she ran in the wake of a teenage pregnancy scandal, and where so many of her friends had given their lives in the mines. I wanted to escape to Jackson; she had escaped from it.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Here we go then," Dad says. "Motoring towards our dreams, Bridge." "You shouldn't follow dreams," Grandma announces. "Why?" I ask her. "Because it's a road paved with disappointments, that's why. People should get on with what they've blinking well got at home." "You can't tell people what their dreams are meant to be." "I can. But they never listen, do they?
Joanna Campbell (Tying Down the Lion)
Throwing things near her but not exactly at her. I’m sure he told himself: I never hit her. I’m sure because of this technicality he never saw himself as an abuser. But he turned our family life into an endless road trip with bad directions and a rage-clenched driver, a vacation that never got a chance to be fun. Don’t make me turn this car around. Please, really, turn it around.
Gillian Flynn (Gone Girl)
and then there are days when the simple act of breathing leaves you exhausted. it seems easier to give up on this life. the thought of disappearing brings you peace. for so long i was lost in a place where there was no sun. where there grew no flowers. but every once in a while out of the darkness something i loved would emerge and bring me to life again. witnessing a starry sky. the lightness of laughing with old friends. a reader who told me the poems had saved their life. yet there i was struggling to save my own. my darlings. living is difficult. it is difficult for everybody. and it is at that moment when living feels like crawling through a pin-sized hole. that we must resist the urge of succumbing to bad memories. refuse to bow before bad months or bad years. cause our eyes are starving to feast on this world. there are so many turquoise bodies of water left for us to dive in. there is family. blood or chosen. the possibility of falling in love. with people and places. hills high as the moon. valleys that roll into new worlds. and road trips. i find it deeply important to accept that we are not the masters of this place. we are her visitors. and like guests let’s enjoy this place like a garden. let us treat it with a gentle hand. so the ones after us can experience it too. let’s find our own sun. grow our own flowers. the universe delivered us with the light and the seeds. we might not hear it at times but the music is always on. it just needs to be turned louder. for as long as there is breath in our lungs—we must keep dancing.
Rupi Kaur (The Sun and Her Flowers)
She kissed the top of his head and stroked his back. “If, a year from now, you were stuck on the tracks and a train was coming, what would you regret? Not taking a road trip to the Grand Canyon? Or not spending that year with Emma?” He gave a short laugh. “Trust me, Emma is the train.” “That’s love, honey.” She squeezed a little harder and he felt some of the crappiness he’d been feeling slip away.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
During my road trip of life I have encountered many potholes, areas under construction, delays caused by others on the same road, and 18 wheelers that seemed like they were only there to prevent me from arriving at my destination. Through it all my next stop is just down the road and I still have my 4 tires (faith, health, family, and friends) It's also so important to remember the Lord just lets you THINK you're in the drivers seat, its up to you to KNOW who is really in control.
Donavan Nelson Butler
He promised me Berlin," Mum says. "It will kill him if we do not arrive." "It'd take more than that to kill my Roy. Your lot didn't manage it, did they?" "But what would happen if the brakes fail, Nell?" Mum dabs at her damp forehead with the hem of her cardigan. "Oh, I do hope Roy can take me home." "He won't." "Oh, Nell, can you not let me dream?" "If hopes and dreams were big ice-creams, the world would be right sticky. Now come on, Bridge. Pull yourself together. Jesus wept, look at the state of you. You're as much use as a knitted knife.
Joanna Campbell (Tying Down the Lion)
Old maps make sense to me. With their strange collections of obscure landmarks. It's how we all got around when young. An hour to Gainesville. Turn off where they have the livestock fair. Then past an airport owned by my stepdad's family. A Rotunda. Tiny Horses. Dani's house. Jonesville didn't have much back then. Rosie's Bar and a Lil' Champ. Still when we saw the sign we knew we were close. "HAY!" Screamed by a face on the side of a store. We'd all yell it as we passed. For good luck. Later that sign was stolen. This created suspicions. Some asked if we had taken it. No. But we should have.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
He never beat her, but his pure, inarticulate fury would fill the house for days, weeks, at a time, making the air humid, hard to breathe, my father stalking around with his lower jaw jutting out, giving him the look of a wounded, vengeful boxer, grinding his teeth so loud you could hear it across the room. Throwing things near her but not exactly at her. I’m sure he told himself: I never hit her. I’m sure because of this technicality he never saw himself as an abuser. But he turned our family life into an endless road trip with bad directions and a rage-clenched driver, a vacation that never got a chance to be fun.
Gillian Flynn (Gone Girl)
Those are the moments I’m proud of. The times I saw through them. The times I made them work to break me, even though I knew they would. The times I questioned the lies being fed to me, though everyone around me believed. I learned early that if everyone around you has their head bowed, their eyes shut tight—keep your eyes open and look around. I’m reflexively suspicious of anyone who stands on a soapbox. Tell me you have the answers and I’ll know you’re trying to sell me something. I’m as wary of certainty as I am of good vibes and positive thinking. They’re delusions that allow you to ignore reality and lay the blame at the feet of those suffering. They just didn’t follow the rules, or think positively enough. They brought it on themselves. I don’t have the answers. Maybe depression’s the natural reaction to a world full of cruelty and pain. But the thing I know about depression is if you want to survive it, you have to train yourself to hold on; when you can see no reason to keep going, you cannot imagine a future worth seeing, you keep moving anyway. That’s not delusion. That’s hope. It’s a muscle you exercise so it’s strong when you need it. You feed it with books and art and dogs who rest their head on your leg, and human connection with people who are genuinely interested and excited; you feed it with growing a tomato and baking sourdough and making a baby laugh and standing at the edge of oceans and feeling a horse’s whiskers on your palm and bear hugs and late-night talks over whiskey and a warm happy sigh on your neck and the unexpected perfect song on the radio, and mushroom trips with a friend who giggles at the way the trees aren’t acting right, and jumping in creeks, and lying in the grass under the stars, and driving with the windows down on a swirly two-lane road. You stock up like a fucking prepper buying tubs of chipped beef and powdered milk and ammo. You stock up so some part of you knows and remembers, even in the dark, all that’s worth saving in this world. It’s comforting to know what happens next. But if there’s one thing I know, it’s that no one fucking knows. And it’s terrifying. I don’t dream of a home and a family, a career and financial stability. I dream of living. And my inner voice, defective though it may be, still tells me happiness and peace, belonging and love, all lie just around the next corner, the next city, the next country. Just keep moving and hope the next place will be better. It has to be. Just around the next bend, everything is beautiful. And it breaks my heart.
Lauren Hough (Leaving Isn't the Hardest Thing)
He never beat her, but his pure, inarticulate fury would fill the house for days, weeks, at a time, making the air humid, hard to breathe, my father stalking around with his lower jaw out, giving him the look of a wounded , vengeful boxer, grinding his teeth so loud you could hear it across the room. Throwing things near her but not exactly at her. I'm sure he told himself he never actually hit her. I'm sure because of his technicality he never saw himself as an abuser. But he turned our family life into an endless road trip with bad directions and a rage-clenched driver, a vacation that never got a chance to be fun. Don't make me turn this car around. Please, really, turn it around.
Gillian Flynn (Gone Girl)
It was always a strange thing, coming home. Coming home meant that you had, at one point, left it and, in doing so, irreversibly changed. How odd, then, to be able to return to a place that would always be anchored in your notion of the past. How could this place still be there, if the you that once lived there no longer existed? Yet, at the same time, in complete contradiction, seeing that said place had changed in your absence was nothing if not surreal. Dex felt this as they approached the road leading to their family's farm, just as they felt every time they made the trip. The road was the same, but the fence had been mended. The field was the same, but the greyberry bushes had been cut down to the root. The farm was a place where Dex knew they would always be welcome but never in the same way as before they left; a place they knew intimately and no longer knew at all.
Becky Chambers
Dearest Fear: Creativity anI are about to go on a road trip together. I understand you'll be joining us, because you always do. I acknowledge that you believe you have an important job to do in my life, and that you take your job seriously. Apparently your job is to inducecomplete panic whenever I'm about to do anything interesting – and, may I say, you are superb at your job. So by all means, keep doing your job, if you feel you must. But I will also be doing my job on this road trip, which is to work hard and stay focused. And Creativity will be doing its job, which is to remain stimulating and inspiring. There's plenty of room in this vehicle for all of us, so make yourself at home, but understand this: Creativity and I are the only two who will be making any decisions along this way. I recognize and respect that you are part of this family, and so I will never exclude you from activities, but still – your suggestions will never be followed. You're allowed to have a seat, and you're allowed to have a voice, but you're not allowed to have a vote. You're not allowed to touch the road maps; you're not allowed to fiddle with temperature. Dude, you're not even allowed to touch the radio. But above all else, my dear old familiar friend, you're absolutely forbidden to drive.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Roosevelt wouldn't interfere even when he found out that Moses was discouraging Negroes from using many of his state parks. Underlying Moses' strikingly strict policing for cleanliness in his parks was, Frances Perkins realized with "shock," deep distaste for the public that was using them. "He doesn't love the people," she was to say. "It used to shock me because he was doing all these things for the welfare of the people... He'd denounce the common people terribly. To him they were lousy, dirty people, throwing bottles all over Jones Beach. 'I'll get them! I'll teach them!' ... He loves the public, but not as people. The public is just The Public. It's a great amorphous mass to him; it needs to be bathed, it needs to be aired, it needs recreation, but not for personal reasons -- just to make it a better public." Now he began taking measures to limit use of his parks. He had restricted the use of state parks by poor and lower-middle-class families in the first place, by limiting access to the parks by rapid transit; he had vetoed the Long Island Rail Road's proposed construction of a branch spur to Jones Beach for this reason. Now he began to limit access by buses; he instructed Shapiro to build the bridges across his new parkways low -- too low for buses to pass. Bus trips therefore had to be made on local roads, making the trips discouragingly long and arduous. For Negroes, whom he considered inherently "dirty," there were further measures. Buses needed permits to enter state parks; buses chartered by Negro groups found it very difficult to obtain permits, particularly to Moses' beloved Jones Beach; most were shunted to parks many miles further out on Long Island. And even in these parks, buses carrying Negro groups were shunted to the furthest reaches of the parking areas. And Negroes were discouraged from using "white" beach areas -- the best beaches -- by a system Shapiro calls "flagging"; the handful of Negro lifeguards [...] were all stationed at distant, least developed beaches. Moses was convinced that Negroes did not like cold water; the temperature at the pool at Jones Beach was deliberately icy to keep Negroes out. When Negro civic groups from the hot New York City slums began to complain about this treatment, Roosevelt ordered an investigation and an aide confirmed that "Bob Moses is seeking to discourage large Negro parties from picnicking at Jones Beach, attempting to divert them to some other of the state parks." Roosevelt gingerly raised the matter with Moses, who denied the charge violently -- and the Governor never raised the matter again.
Robert A. Caro (The Power Broker: Robert Moses and the Fall of New York)
By the time Lillian had turned twelve ears old, cooking had become her family. It had taught her lessons usually imparted by parents- economy from a limp head of celery left too long in the hydrator, perseverance from the whipping of heavy cream, the power of memories from oregano, whose flavor only grew stronger as it dried. Her love of new ingredients had brought her to Abuelita, the owner of the local Mexican grocery store, who introduced her to avocados and cilantro, and taught her the magic of matching ingredients with personalities to change a person's mood or a life. But the day when twelve-year-old Lillian had handed her mother an apple- fresh-picked from the orchard down the road on an afternoon when Indian summer gave over to autumn- and Lillian's mother had finally looked up from the book she was reading, food achieved a status for Lillian that was almost mystical. "Look how you've grown," Lillian's mother had said, and life had started all over again. There was conversation at dinner, someone else's hand on the brush as it ran through her hair at night. A trip to New York, where they had discovered a secret fondue restaurant, hidden behind wooden shutters during the day, open by candlelight at night. Excursions to farmers' markets and bakeries and a shop that made its own cheese, stretching and pulling the mozzarella like taffy. Finally, Lillian felt like she was cooking for a mother who was paying attention, and she played in an open field of pearl couscous and Thai basil, paella and spanakopita and eggplant Parmesan.
Erica Bauermeister (The Lost Art of Mixing)
By the time Lillian had turned twelve years old, cooking had become her family. It had taught her lessons usually imparted by parents- economy from a limp head of celery left too long in the hydrator, perseverance from the whipping of heavy cream, the power of memories from oregano, whose flavor only grew stronger as it dried. Her love of new ingredients had brought her to Abuelita, the owner of the local Mexican grocery store, who introduced her to avocados and cilantro, and taught her the magic of matching ingredients with personalities to change a person's mood or a life. But the day when twelve-year-old Lillian had handed her mother an apple- fresh-picked from the orchard down the road on an afternoon when Indian summer gave over to autumn- and Lillian's mother had finally looked up from the book she was reading, food achieved a status for Lillian that was almost mystical. "Look how you've grown," Lillian's mother had said, and life had started all over again. There was conversation at dinner, someone else's hand on the brush as it ran through her hair at night. A trip to New York, where they had discovered a secret fondue restaurant, hidden behind wooden shutters during the day, open by candlelight at night. Excursions to farmers' markets and bakeries and a shop that made its own cheese, stretching and pulling the mozzarella like taffy. Finally, Lillian felt like she was cooking for a mother who was paying attention, and she played in an open field of pearl couscous and Thai basil, paella and spanakopita and eggplant Parmesan.
Erica Bauermeister (The Lost Art of Mixing)
I rail a lot against passion, because I feel like passion can be very exclusionary, and very elitist, and it can leave a lot of people feeling like they don't belong... I'm much more interested in allowing people to follow curiosity, which is a much more gentle impulse that doesn't require that you sacrifice your entire life for something. It's more of kind of a scavenger hunt, where you're allowed to pick up these tiny beautiful little clues along the pathway. It's more of a tap on the shoulder that asks you to turn your attention one inch to the left. Oh that's a little bit mildly interesting - what is that? Okay now I'm going to take that clue... I'm going to take it another inch, and I'm going to take it another inch. Rather than this idea that the symphony is born whole, because you sit down and you're struck by lightening and then you start to create. Curiosity I think, is a far more friendly way to do creativity than passion." ...this is why I say the path of curiosity is the scavenger hunt, because it took my probably three years between "gee it would be nice to put some plants in my backyard" to here I am in the South Pacific exploring the history of moss and inventing this giant novel. You know I think everybody thinks that creativity comes in lightening strikes, but I think it comes with whispers. And then the whispers can grow thunderous over time if you are patient enough to explore it, almost in the way that a scientist would. Be open to - you don't need to know why you are interested in this, it will be revealed if you continue to investigate. That's all that curiosity asks of you. Passion asks you to throw it all in the bonfire. And curiosity is way more generous in that it just says - give me a little bit of your time and let's see what we can do. Fear is part of our make-up, it's something that's inherent in us, it's a protective device. My experience with fear is to permit it to exist and then to figure out how to work with it. And to me working with fear is what courage is. I've never started any project that I wasn't afraid... during the entire thing.And the conversation that I have with fear is not to say you are the death of creativity and I can't be creative because you exist, but rather to say: "You are part of the family of my consciousness. You are one of the emotions that I possess and I hear your complaint. I see your anxiety and I see everything you are putting before me about how this is going to be a disaster, and how I'm going to die and how everyone's going to mock me and how I'm going to fail... and I thank you so much for your contribution, but your sister creativity and I are going to go off on this journey now and do this thing but you are allowed to be in the car. We're going on a road trip, but I don't expect you to not come." And once you allow fear to just be present it seems to quiet down and go to sleep and then you can go about your work. But it's never out of the picture and I don't waste my energy trying to kick it out of the picture because that feels to me just like a colossal exhausting waste of energy. Whereas a radical kind of inclusive self acceptance seems to be a way to create a lot more.
Elizabeth Gilbert
The only thing that runs in this family are our great legs, our wit, and our ability to eat our body weight in ice cream.” Her mom folded her arms as her amber eyes reflected her emotions like a mood ring. “I mean it, Cat. Life’s a journey, and right now you’ve got a flat tire. It’s not the end of the road trip.
Amanda Ashby (The Heartbreak Cure)
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Parents and TV? They would watch at night. It’s weird, because I realize I had advantages my students didn’t. Like, before dinner, um, there was just this weird hour, late in the afternoon, when, you know, dinner was more or less simmering. And there’d be music on, and they’d be reading, and we’d be reading. We’d all sit around the living room, and we’d each be reading our own thing. And every once in a while, we’d talk about what we were reading. And I for a long time, I think, thought all families were like that. And didn’t realize that …
David Lipsky (Although Of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
Dearest Fear: Creativity and I are about to go on a road trip together. I understand you’ll be joining us, because you always do. I acknowledge that you believe you have an important job to do in my life, and that you take your job seriously. Apparently your job is to induce complete panic whenever I’m about to do anything interesting—and, may I say, you are superb at your job. So by all means, keep doing your job, if you feel you must. But I will also be doing my job on this road trip, which is to work hard and stay focused. And Creativity will be doing its job, which is to remain stimulating and inspiring. There’s plenty of room in this vehicle for all of us, so make yourself at home, but understand this: Creativity and I are the only ones who will be making any decisions along the way. I recognize and respect that you are part of this family, and so I will never exclude you from our activities, but still—your suggestions will never be followed. You’re allowed to have a seat, and you’re allowed to have a voice, but you are not allowed to have a vote. You’re not allowed to touch the road maps; you’re not allowed to suggest detours; you’re not allowed to fiddle with the temperature. Dude, you’re not even allowed to touch the radio. But above all else, my dear old familiar friend, you are absolutely forbidden to drive.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
I was sound asleep at the Oregon beach cabin one night when there was a knock at the door. A woman who said she was from the Red Cross stood on the front porch. I was foggy-headed. At first, I could not get through my brain what she was saying. “I don’t mean to alarm you,” she said. “But you need to call home immediately.” Terror struck me. My mind raced. Where was Steve? Bindi lay asleep in the bedroom. I asked the woman from the Red Cross to stay on the porch while I went across the street to the pay phone. The international calling procedure seemed immensely complicated that morning, and terribly slow. I tried to keep my fingers steady as I dialed. The sun had not yet risen. I was in my robe. It was February of 2000, and I remember thinking, It’s always the coldest just before the sun comes up. I heard Steve’s voice on the other end of the phone and experienced an immediate flood of relief. He’s alive. But something was terribly wrong. Steve was incoherent. I couldn’t figure out what had happened. Not long before, we had lost our favorite crocodile to old age, and I thought that something had happened to one of our animals. But the tone of Steve’s voice was different. He was sobbing, but finally managed to choke out the words. His mother had been killed in a car accident. I felt the blood drain from my face. I couldn’t believe it. I didn’t know what he was talking about. He tried to explain, but he couldn’t really talk. The next thing I knew, the line went dead. It took a few frantic calls to find out what had happened. In the process of moving to their new home on our property, Lyn had left Rosedale to make one last trip with a few remaining family possessions. She was driving with the family malamute, Aylic, in the passenger seat beside her, and Sharon, their bird-eating spider, in a glass terrarium tank in the back of the truck. Lyn left the Rosedale house early, about three o’clock in the morning. As she approached Ironbark Station, her Ute left the road traveling sixty miles an hour. The truck hit a tree and she died instantly. Aylic was killed as well, and the tank holding the bird-eating spider was smashed to pieces. Early in the morning, at the precise moment when the crash happened, Steve was working on the backhoe at the zoo. He suddenly felt as if he had been hit by something that knocked him over, and he fell violently off the machine, hitting the ground so hard that his sunglasses came off. He told me later that he knew something terrible had happened. Steve got in his Ute and started driving. He had no idea what had happened, but he knew where he had to go. It was still early. With uncanny precision, he drove toward where the accident occurred. His mobile phone rang. It was Frank. When his brother-in-law told him what had happened and where, Steve realized he was already headed there.
Terri Irwin (Steve & Me)
If I learned anything from Scott, it’s that I’m not responsible for what goes on in a boy’s head with no input from me. Okay,
Matthew S. Cox (The Last Family Road Trip (Vampire Innocent, #4))
So by all means, keep doing your job, if you feel you must. But I will also be doing my job on this road trip, which is to work hard and stay focused. And Creativity will be doing its job, which is to remain stimulating and inspiring. There’s plenty of room in this vehicle for all of us, so make yourself at home, but understand this: Creativity and I are the only ones who will be making any decisions along the way. I recognize and respect that you are part of this family, and so I will never exclude you from our activities, but still—your suggestions will never be followed. You’re allowed to have a seat, and you’re allowed to have a voice, but you are not allowed to have a vote. You’re not allowed to touch the road maps; you’re not allowed to suggest detours; you’re not allowed to fiddle with the temperature. Dude, you’re not even allowed to touch the radio. But above all else, my dear old familiar friend, you are absolutely forbidden to drive.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
But my throat’s tight as hell, and all I can get out is, “I’m sorry, baby.” A frown knits her brows together. “For what?” “For what I’m about to do.” Heart pounding, I slip my hand into my pocket. “Because you know making sure that you have choices is my number one priority. But I’m not giving you a choice now.” The confusion creasing her brow smooths into utter astonishment when I hold up the ring between us. The diamond’s sparkle gleams in the sudden tears pooling in her eyes. I begin speaking, fear and hope crashing together in every gruff word. “You can choose winter, summer, spring, or fall. You can choose a big wedding or a small. You can choose to invite thousands of people, or just our family. You can choose to do it here, or the church down the road, or in a fucking castle in Transylvania. You can choose between a honeymoon in Paris or hiking up Everest or a road trip or a month holed up in a flea-bitten hotel.” Filled with emotion, my voice roughens to pure gravel. “The only thing you can’t choose is your answer. It’s yes.
Kati Wilde (Going Nowhere Fast)
But my throat’s tight as hell, and all I can get out is, “I’m sorry, baby.” A frown knits her brows together. “For what?” “For what I’m about to do.” Heart pounding, I slip my hand into my pocket. “Because you know making sure that you have choices is my number one priority. But I’m not giving you a choice now.” The confusion creasing her brow smooths into utter astonishment when I hold up the ring between us. The diamond’s sparkle gleams in the sudden tears pooling in her eyes. I begin speaking, fear and hope crashing together in every gruff word. “You can choose winter, summer, spring, or fall. You can choose a big wedding or a small. You can choose to invite thousands of people, or just our family. You can choose to do it here, or the church down the road, or in a fucking castle in Transylvania. You can choose between a honeymoon in Paris or hiking up Everest or a road trip or a month holed up in a flea-bitten hotel.” Filled with emotion, my voice roughens to pure gravel. “The only thing you can’t choose is your answer. It’s yes.
Kati Wilde (Going Nowhere Fast)
One family described their core value of hospitality, lived out as they cleaned the house together each Friday for the express purpose of welcoming people over the weekend. They wanted to be able to spontaneously invite others over, knowing their space was ready to receive them. All this was explained to their kids by connecting the dots between the practice of keeping house and the immense welcome of God. They talked about their apartment as a gift and a refuge, and how important it was for it to feel inviting. Hosting people was not about living some Magnolia life; it was how they loved their neighbors. Thus, Friday night cleanup was a faith practice. One family used the tradition of a summer road trip to visit relatives as a means to support being who God uniquely made each of them to be. Each family member got to design the itinerary for one day of the trip. On that day, everyone else went along with that person’s choices for restaurants and an activity. They talked about the wonder of God’s image in each person and how this was a fun way to see each member of the family just as God made them to be. Thus, a family trip was a faith ritual. What about your family? What unique characteristics need to be accounted for as you craft a vision for faith? • Who makes up your family? List the members. You may share a living space with them or not, live in the same town or not, be relationally close or not. • Next to each person on the list, jot down a few distinguishing key traits of that person. What are they like? What are they interested in? • What are some of your family’s strengths and loves as a group? Do you love a good party? Cheer for a certain team? Love a particular place or meal? • What are some of your family’s unique challenges right now? Do you have a child who doesn’t “fit the mold,” for whatever reason? Are finances tight? Have any of the relationships been strained or broken? • List anything else that feels important to you about who your family is and what they are like. What other traits make you, you?
Meredith Miller (Woven: Nurturing a Faith Your Kid Doesn't Have to Heal From)
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And then we went on vacation. Not just any vacation, but a monthlong, four-thousand-mile family road trip. We spent twenty-nine days touring the country — seeing some incredible sites and visiting with friends and family all along the way. It was the trip of a lifetime, one my husband and I had dreamed about taking for years. We created countless memories that I will cherish forever.
Ruth Soukup (Living Well, Spending Less: 12 Secrets of the Good Life)
I wonder if what might help couples build great families is to pick a place for their family to go and then hit the gas, to work toward their vision and build it out. Relationships have a way of stabilizing when in motion. Until then, they just feel like a road trip to nowhere.
Donald Miller (Scary Close: Dropping the Act and Finding True Intimacy)
double rainbows, waterfalls and fire-breathing dragons—well, my mother might have taken some liberties with the landscape. My sister and father would often join in with the fantastic storytelling, but I never minded the fiction too much. I did become a writer, after all. Liam’s driving is so calm and solid compared to Owen’s. I can’t help thinking that I wish I could be driving with him forever. Even if we never get to my sister’s wedding, it will have been worth it to me for the trip. I haven’t had this much fun in years, and it’s so nice to be around other human beings. These two doctors are so silly and nice, and I simply love road trips. Liam’s words from earlier come back to me, unbidden, and I try to shut them out. For some reason, the doctor’s words really did make me feel special and important. I had not realized that my work had caused such a great impact on anyone. I am suddenly stricken with the realization of what’s happening. Am I really doing this? Am I really in a car with two men I just met, heading back to New York? Am I really going to have a chance at getting my vision back? Could it be possible? Am I really going to see my family? For a few minutes, I get lost in thoughts of my mother and father. I remember how much they loved each other. I remember Carmen’s boundless energy and enthusiasm, and how she could never miss an opportunity to insult or tease me. I remember when things were good. “Tell us a story, Helen.” My mother’s
Loretta Lost (Clarity (Clarity, #1))
Shara met me at the airport in London, dressed in her old familiar blue woolen overcoat that I loved so much. She was bouncing like a little girl with excitement. Everest was nothing compared to seeing her. I was skinny, long-haired, and wearing some very suspect flowery Nepalese trousers. I short, I looked a mess, but I was so happy. I had been warned by Henry at base camp not to rush into anything “silly” when I saw Shara again. He had told me it was a classic mountaineers’ error to propose as soon as you get home. High altitude apparently clouds people’s good judgment, he had said. In the end, I waited twelve months. But during this time I knew that this was the girl I wanted to marry. We had so much fun together that year. I persuaded Shara, almost daily, to skip off work early from her publishing job (she needed little persuading, mind), and we would go on endless, fun adventures. I remember taking her roller-skating through a park in central London and going too fast down a hill. I ended up headfirst in the lake, fully clothed. She thought it funny. Another time, I lost a wheel while roller-skating down a steep busy London street. (Cursed skates!) I found myself screeching along at breakneck speed on only one skate. She thought that one scary. We drank tea, had afternoon snoozes, and drove around in “Dolly,” my old London black cab that I had bought for a song. Shara was the only girl I knew who would be willing to sit with me for hours on the motorway--broken down--waiting for roadside recovery to tow me to yet another garage to fix Dolly. Again. We were (are!) in love. I put a wooden board and mattress in the backseat so I could sleep in the taxi, and Charlie Mackesy painted funny cartoons inside. (Ironically, these are now the most valuable part of Dolly, which sits majestically outside our home.) Our boys love playing in Dolly nowadays. Shara says I should get rid of her, as the taxi is rusting away, but Dolly was the car that I will forever associate with our early days together. How could I send her to the scrapyard? In fact, this spring, we are going to paint Dolly in the colors of the rainbow, put decent seat belts in the backseat, and go on a road trip as a family. Heaven. We must never stop doing these sorts of things. They are what brought us together, and what will keep us having fun. Spontaneity has to be exercised every day, or we lose it. Shara, lovingly, rolls her eyes.
Bear Grylls (Mud, Sweat and Tears)
One icy winter morning he called for me at a hotel in a Midwestern city to take me about thirty-five miles to another town to fill a lecture engagement. We got into his car and started off at a rather high rate of speed on the slippery road. He was going a little faster than I thought reasonable, and I reminded him that we had plenty of time and suggested that we take it easy. “Don’t let my driving worry you,” he replied. “I used to be filled with all kinds of insecurities myself, but I got over them. I was afraid of everything. I feared an automobile trip or an airplane flight; and if any of my family went away I worried until they returned. I always went around with a feeling that something was going to happen, and it made my life miserable. I was saturated with inferiority and lacked confidence. This state of mind reflected itself in my business and I wasn’t doing very well. But I hit upon a wonderful plan which knocked all these insecurity feelings out of my mind, and now I live with a feeling of confidence, not only in myself but in life generally.
Anonymous
a brief respite with the family in Cannes, he road tripped with Harvard
Amber Hunt (The Kennedy Wives: Triumph and Tragedy in America's Most Public Family)
It’s ‘round the next bend, down a sunny dirt road. Just ask the next squirrel, Caterpillar, or toad for the tree-house home of the Bear family, where Ma, Pa, and the cubs are cozy and warm in their split-level tree. Just at the moment, Inside their quaint home, They’re reading the harvest honeycomb. “Honeycomb dribble, honeycomb drip, what lies ahead? A handsome stranger? Money? A trip? Grizzly growl, grizzly grum, warn us of any danger to come! Then, Mama blew hard. Loose flour flew. Who caught the flour? Papa, that’s who. But Mama and Papa both had turned white-- Pa from the flour, Mama from fright. The sign in the pan, stuck to the honey, was no handsome stranger, no trip, no money, but a bone-chilling warning of danger ahead, the frightening footprint of a great giant’s tread. “Bigpaw!” breathed Mama. “Good grief and alas! The Thanksgiving Legend is coming to pass!
Stan Berenstain (The Berenstain Bears' Thanksgiving)
Yeah, it’s like how when we’re leaving for a road trip, everyone loaded in the car and buckled up, and you decide to take a shower.
Pixel Ate (The Accidental Minecraft Family: MegaBlock 2 Edition (Books 5-8) (The Accidental Minecraft Family Megablock))
Friends don’t let friends do stupid things,” God declared. “You let me do stupid things like walk up to creepy houses in the middle of the night,” I whispered. “That’s different,” he whispered back. “You’re family.
J.B. Lynn (The Hitwoman Takes a Road Trip (Confessions of a Slightly Neurotic Hitwoman, #17))
Soon after, Ling Ling began introducing Mei to family: cousins, sisters, aunts, all of whom kept similarly erratic schedules, till Mei finally understood that this was not a biological family but a family of sex workers.
Soma Mei Sheng Frazier (Off the Books)
Even in 2019, we felt the simmer of concerns about "driving while Black"; but imagine, back in the 1930s when The Green Book appeared, all the way up through the 1960s, planning a road trip to visit a relative or a family friend and, in the back of your mind, having to worry about the possibility of an encounter that could be intentionally demeaning or deliberately threatening, or that could turn unexpectedly violent, even deadly. African Americans knew then that simply driving--being behind the wheel of a car--was viewed in many parts of the United States as an affront to social restrictions based on white supremacy. In many towns, cities, and states, any white person--not just white law enforcement--could stop and challenge a Black person's right, as an American, to be on the road: the right to be in a particular neighborhood, the right to own a nice car; and the right to simply enjoy the roadways of the United States.
Alvin Hall (Driving the Green Book: A Road Trip Through the Living History of Black Resistance)
In retrospect, The General Theory would set the intellectual agenda for Friedman’s entire career, but when it appeared, he barely noticed. As Keynes’s ideas were making landfall in American universities, Friedman offered a course through the Columbia University extension school that was a throwback to the early 1930s. Focused on individual demand curves, individual marginal utility, and individual economic decision-making, Friedman’s course, Structure of Neo-classical Economics, made no mention of business cycles, national income, or current economic conditions. Drawing on the approach pioneered by Knight and Simons, it placed the question of “how free enterprise system solves economic problem” front and center.45 At the same time, Friedman did offer an implicit critique of the fiscal revolution, particularly Hansen’s concept of secular stagnation. Picking up a theme from Knight, Friedman told his class, “Once wants are satisfied, new wants are going to be formed; the process of want formation is part of the basic drive.”46 There were two critical implications. First was that perpetual wanting would keep economies always in motion: “Impossibility of completely satisfying all wants. If the greatest want is the desire for new wants … the notion of satiety is silly.” It was more than a philosophical point. Not only was it impossible for the economy to stagnate, but it would be impossible to design a government program that would adequately satisfy wants, which tended to continually increase. Friedman drew out the second implication in another comment. “Attitude toward all policies will be affected by our ideas concerning wants,” he argued.47 In a letter to Arthur Burns, he was more direct. Reflecting on a road trip to visit Rose’s family, he wrote, “The whole West, particularly California, and more particularly Southern California, gives you the feeling that the frontier is not yet gone and makes you feel like telling the stagnationites to come out and take a look.”48 Although he worked for the New Deal, Friedman was not a New Dealer. Nor was he a Keynesian. He thoroughly rejected the ideas that would most profoundly shape economics in the years ahead.
Jennifer Burns (Milton Friedman: The Last Conservative)
Christian families cannot default to the American rule of life—we must fight for better habits. One of the places this is most urgent is helping our kids not engage in a life that is so busy that they don’t have space for imaginative reading, long conversations with friends, silent reflection, hobbies that are just for fun (not for getting into college), a walk in nature, a road trip with friends, a church retreat—the list goes on. We know that we were created by God to work, but there is so much more to life than work—there is play and rest too.
Justin Whitmel Earley (Habits of the Household: Practicing the Story of God in Everyday Family Rhythms)
Transportation Sector The transportation sector is a close second to industry in terms of energy use. While air travel gets a bad rap, it is transport on highways that by far dominates this sector’s energy use, using more than 10 times the energy of air travel. Of this highway energy, about 75% is expended by small vehicles, the passenger cars and trucks used to move ourselves around. Amazingly, almost half of this is used on trips of less than 20 miles, mostly to get to and from work and for family responsibilities—things like church, shopping, and school. Of non-highway transport, air travel is the largest contributor, followed by ships and then trains. Incidentally, a fully loaded modern jet aircraft gets the equivalent of around 60 miles per gallon (MPG) per passenger, so for traveling long distances, they beat solo road trips in cars (but if you take four friends with you, even a gas-guzzling American car is not so bad—something hyped by the ride-share community). We can even see that the energy required to transport fossil fuels is significant, with about 1% of US energy use committed to transporting natural gas (we’ll come back to this later). Nearly half of freight-rail transportation is used to move coal—most of the other half is wheat and food. A not-so-surprising revelation from a close study
Saul Griffith (Electrify: An Optimist's Playbook for Our Clean Energy Future)
I’m that person. I write about good and bad boys who make my heart sing and cry and scream. I write about things I fear—misogyny, mental illness, and bigotry. I write about the little things I like—shimmery dresses, dogs, ice cream, and radio.
Snehil Niharika (That’ll Be Our Song)
Before Kerouac changed the life script of the West, life was processed through the idea of home. Home was not just a building in which you lived. It was a place to which you were deeply connected. Home was a family and a community of people to whom you belonged. Home was a unified worldview. This worldview infused every part of your life: it informed your recreational life, your work life, your religious life, even your sex life. This sense of home was held together by traditions and a way of life to which the individual submitted.
Mark Sayers (The Road Trip that Changed the World: The Unlikely Theory that will Change How You View Culture, the Church, and, Most Importantly, Yourself)
Interestingly, he hadn’t taken I-40 for most of the trip, preferring smaller state roads, like the Oak Ridge Highway. I’d been told it was a scenic drive on the Oak Ridge Highway between Oliver Springs and Knoxville. I’d also been told there were historic Cherokee caverns just before Karns which were decorated with lights and displays around Christmastime. Beyond Knoxville, I’d never driven on the Oak Ridge Highway, though I’d always wanted to see the caverns. When my family drove any significant distance—like to Nashville—we stuck to the large freeways, and ventured out only during daylight hours, never at night. Roscoe was approaching Solway now, and I watched as he took the exit for the Pellissippi Parkway. This route made sense if he didn’t want to drive through Knoxville. Assuming he didn’t make any detours, he’d be in Green Valley in about an hour.
Penny Reid (Dr. Strange Beard (Winston Brothers, #5))
Russian regime de jure recognition. The fork in the road for father and son, both philosophically and physically, was the New World. In the same year that saw MacDonald elected into office, the prince sailed for what he came to consider as his safe haven, the United States, a land free from the pomp and protocol that dominated the court. Here he could enjoy the semblance of a life unanchored from the restraints and restrictions imposed by his father. His experiences in America encouraged him to believe that he could pick a pathway between his private life and his public duties. It was not a distinction that the king and queen, their advisors, or the mass media would allow him to make. The reality was that his increasingly hedonistic private life intruded into the public duty pressed on him by his family, politicians, and his people. Ostensibly billing the trip as a holiday, the prince spent three glorious weeks during the summer of 1924 carousing, dancing, drinking, and playing polo on Long Island with a flashy set of Americans whom the British ambassador, Esme Howard, dismissed as “oily magnates.” A headline in the Pittsburgh Gazette Times of September 8, 1924, summarized the prince’s behaviour. “Prince Likes America; Doesn’t Want to Leave. Spends Another Night Out—Vanishes from Party. Later Seen in All-Night Stand Eating ‘Hot Dogs.’ Dances with Duchess.” While the prince resented what he called the “damned spying” of the American press, his actions served only to encourage society matrons in thinking
Andrew Morton (17 Carnations: The Windsors, The Nazis and The Cover-Up)
The truth is my dad may have loved his cars a little too much. When it came to selecting optional trim packages, styling accessories, and color combinations, he could go a little overboard. In an era when automobile designers already pushed the limits of good taste, my father was all too willing to nudge them just a little further. He loved whitewall tires and sparkling chrome wheels. He insisted on pinstripes, the more lines the better. He adored monument-size hood ornaments and glimmering side trim. He considered features like carriage tops and burled wood dashboards standard equipment. As a result, one of the two cars my family owned at any given time often resembled the perp vehicle being chased down on the latest episode of Starsky and Hutch.
Richard Ratay (Don't Make Me Pull Over!: An Informal History of the Family Road Trip)
Another friend told me of the cheers he and his siblings let loose as they finally crossed the state line into sunny Florida. After being cooped up together in a car for two and a half days, they were eager to finally spend a day frolicking on the beach. Instead, upon seeing a billboard, my friend’s dad impulsively pulled over in St. Augustine to tour the home of Prince Achille Murat, the son of the brother-in-law of Napoleon. I’ll say that again: the home . . . of the son of the brother-in-law of Napoleon.
Richard Ratay (Don't Make Me Pull Over!: An Informal History of the Family Road Trip)
One friend, whose father was an avid outdoorsman, has shared horror stories of being forced to ride for hours in the cap-enclosed bed of the family’s pickup truck en route to their distant cabin. While her parents traveled in relative comfort in the cab up front, she and her sister were tossed about in a dim, poorly ventilated compartment crammed with constantly shifting suitcases, tackle boxes, fishing poles, and even the family dog. In those days, this arrangement wasn’t illegal. And in the Midwest, where dads who hunt and fish abound, it was likely common.
Richard Ratay (Don't Make Me Pull Over!: An Informal History of the Family Road Trip)
We had portable music before the iPod, most commonly in the form of the Sony Walkman and Discman (and their competitors), but these devices played only a restricted role in most people’s lives—something you used to entertain yourself while exercising, or in the back seat of a car on a long family road trip. If you stood on a busy city street corner in the early 1990s, you would not see too many people sporting black foam Sony earphones on their way to work. By the early 2000s, however, if you stood on that same street corner, white earbuds would be near ubiquitous. The iPod succeeded not just by selling lots of units, but also by changing the culture surrounding portable music. It became common, especially among younger generations, to allow your iPod to provide a musical backdrop to your entire day—putting the earbuds in as you walk out the door and taking them off only when you couldn’t avoid having to talk to another human.
Cal Newport (Digital Minimalism: Choosing a Focused Life in a Noisy World)
Chet Atkins recalled one of Williams’s pathetic efforts to wean himself from booze during a road trip to Kansas City with the Carters: “I’d see him down at the newsstand, buying a whole bunch of comic books: Captain Marvel, Superman, and all that stuff. That was his reading material when he was trying to go straight. But he would call his wife at two o’clock in the morning and she would be out catting around. And that drove him to drink, of course. He never stopped loving Audrey. Men tend to fall in love with women they can’t control. That’s my opinion . . . and should be yours.
Mark Zwonitzer (Will You Miss Me When I'm Gone? The Carter Family and Their Legacy in American Music)
While they cleaned up the mess, everyone had to avoid Bruce, who was in too much of a food coma to move from the middle of the road.  “Darn cat!” Dad said as he tripped over him for the tenth time.  Bruce just burped.
Pixel Ate (The Accidental Minecraft Family: Book 13)
Dearest Fear: Creativity and I are about to go on a road trip together. I understand you’ll be joining us, because you always do. I acknowledge that you believe you have an important job to do in my life, and that you take your job seriously. Apparently your job is to induce complete panic whenever I’m about to do anything interesting—and, may I say, you are superb at your job. So by all means, keep doing your job, if you feel you must. But I will also be doing my job on this road trip, which is to work hard and stay focused. And Creativity will be doing its job, which is to remain stimulating and inspiring. There’s plenty of room in this vehicle for all of us, so make yourself at home, but understand this: Creativity and I are the only ones who will be making any decisions along the way. I recognize and respect that you are part of this family, and so I will never exclude you from our activities, but still—your suggestions will never be followed. You’re allowed to have a seat, and you’re allowed to have a voice, but you are not allowed to have a vote. You’re not allowed to touch the road maps; you’re not allowed to suggest detours; you’re not allowed to fiddle with the temperature. Dude, you’re not even allowed to touch the radio. But above all else, my dear old familiar friend, you are absolutely forbidden to drive.” Then we head off together—me and creativity and fear—side by side by side forever, advancing once more into the terrifying but marvelous terrain of unknown outcome.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Whoever got the idea to call it a ‘catfight’ when a pair of women are trying to kill each other needs to burn in hell.
Matthew S. Cox (The Last Family Road Trip (Vampire Innocent, #4))
intuition is a one-way communication from God, who never seems inclined to satisfy our curiosity, perhaps because, given the chance, every one of us would be like a child on a family road trip, endlessly asking Are we there yet? or the equivalent.
Anonymous
Jep has turned into an excellent cameraman. He shoots our Duckman videos and does a lot editing. Phil brags about how no one can capture ducks like Jep does. You have to be a hunter to do it, and Jep knows exactly how ducks fly and where he needs to be at all times to capture them on film. Plus, Jep isn’t as outgoing as Jase and me, so he works well behind a camera. He loves to hunt but doesn’t mind being a guy who sits and watches the action, and that’s something Jase and I could never do. Plus, I really like hanging out with Jep. He and I share a love for cooking and coming up with new recipes. He’s the brother I would always choose first to accompany me on a road trip for a hunt or business deal. He’s quieter than the rest of us, but his sense of humor is epic, and he is an awesome deer hunter. He accompanies me on many trips for deer and gets everything set up for me. I guess I have kind of prided myself on seeing value in people, no matter how big or small. When people are more outspoken about their talents, anyone can see the value, but for others you have to help them along to really unleash their potential. And hey, life is too short to spend it with boring people. Jep and I have the same spirit of adventure. When we travel, Jase and Phil will just sit in their rooms, eat some ham and cheese, and do nothing. Jep and I always need to kick it up a notch.
Willie Robertson (The Duck Commander Family)
It was not the destination that matters, but the journey. Which is true in its way, but destinations aren't all that bad. And as we kept driving north, the whole family in the car together, it got darker, and snowier. Until finally, the road delivered us, to the one place, that all my youthful trips west, never could...home
John Green
If you are the child of the pothole loving family, you have been programmed to believe that life is supposed to be filled with potholes, frustration, enormous car bills, chaos, turmoil, dangerous road trips, anxiety, and fear. You might believe that everyone has such terrible life experiences as well.
Lisa A. Romano (Quantum Tools to Help You Heal Your Life Now: Healing the Past Using the Secrets of the Law of Attraction)
5. Thou must set the scene with tunes. Road trips aren't the only time a decent playlist is required. How we consume music has changed radically over the years. Dinner at my grandparents' house was set to silence, at my parents' the radio, and at my friends' something much more personal: a playlist put together for the occasion with songs that are meaningful to us. Supper is on hold until the right music starts to play, even if it means holding a knife and fork and slavering over the smell of dinner until the person in charge of the tunes has done their job.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
Dearest Fear: Creativity and I are about to go on a road trip together. I understand you’ll be joining us, because you always do. I acknowledge that you believe you have an important job to do in my life, and that you take your job seriously. Apparently your job is to induce complete panic whenever I’m about to do anything interesting—and, may I say, you are superb at your job. So by all means, keep doing your job, if you feel you must. But I will also be doing my job on this road trip, which is to work hard and stay focused. And Creativity will be doing its job, which is to remain stimulating and inspiring. There’s plenty of room in this vehicle for all of us, so make yourself at home, but understand this: Creativity and I are the only ones who will be making any decisions along the way. I recognize and respect that you are part of this family, and so I will never exclude you from our activities, but still—your suggestions will never be followed.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)