Road To Rhode Island Quotes

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I search for a capital I know that I don't think anyone else does. "Rhode Island." She claps her hands. "The boy knows how to play! Now, Rhode Island is the smallest US state in land area, but did you know it ranks number two in population density per square mile? That means that are a lot of people in each others' space. Oh, and the capital is Providence.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Cormac McCarthy has to be accounted as a secret master, and the rightful heir (but oh how one hates to invoke yet another Great American Writer in discussing McCarthy, who at times has seemed ot be in danger of disappearing in a heavy snowfall of comparisons to Melville, Faulkner, O'Conner, Hemingway) to the American Gothic tradition of Poe and Lovecraft, dark god of Providence, Rhode Island, where McCarthy was born.
Michael Chabon (The Road)
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
Jack Kerouac (Dr. Sax)
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
Jack Kerouac (Dr. Sax)
The Greenes were incensed and Rhode Islanders took up the family’s cause as theirs, for what happened to one merchant could happen to others, who were, after all, only engaged in their God-given right to smuggle rum, sugar, and molasses rather than pay duties that everyone knew Parliament had no right to levy.
John Buchanan (The Road to Guilford Courthouse: The American Revolution in the Carolinas)
There’s so many little peninsulas and tidal marshes along the shore, Danny thinks, you got to drive inland, then along the coast, then back toward the sea to get to any particular place. Quicker if they drained the marshes and built some roads, but that’s Connecticut, not Rhode Island. Rhode Island likes things difficult, hard to find. The other unofficial state motto—“If you were supposed to know, you’d know.
Don Winslow (City on Fire (Danny Ryan, #1))
On November 29, 1883, only two days after his ship arrived in New York and he had boarded the overnight train for Washington, Sanford was received by President Arthur at the White House. Leopold’s great work of civilization, he told the president and everyone else he met in Washington, was much like the generous work the United States itself had done in Liberia, where, starting in 1820, freed American slaves had moved to what soon became an independent African country. This was a shrewdly chosen example, since it had not been the United States government that had resettled ex-slaves in Liberia, but a private society like Leopold’s International Association of the Congo. Like all the actors in Leopold’s highly professional cast, Sanford relied on just the right props. He claimed, for example, that Leopold’s treaties with Congo chiefs were similar to those which the Puritan clergyman Roger Williams, famed for his belief in Indian rights, had made in Rhode Island in the 1600s—and Sanford just happened to have copies of those treaties with him. Furthermore, in his letter to President Arthur, Leopold promised that American citizens would be free to buy land in the Congo and that American goods would be free of customs duties there. In support of these promises, Sanford had with him a sample copy of one of Leopold’s treaties with a Congo chief. The copy, however, had been altered in Brussels to omit all mention of the monopoly on trade ceded to Leopold, an alteration that deceived not only Arthur but also Sanford, an ardent free-trader who wanted the Congo open to American businessmen like himself. In Washington, Sanford claimed that Leopold’s civilizing influence would counter the practices of the dreadful “Arab” slave-traders. And weren’t these “independent States” under the association’s generous protection really a sort of United States of the Congo? Not to mention that, as Sanford wrote to Secretary of State Frederick Frelinghuysen (Stanley was still vigorously passing himself off as born and bred in the United States), the Congo “was discovered by an American.” Only a week after Sanford arrived in Washington, the president cheerfully incorporated into his annual message to Congress, only slightly rewritten, text that Sanford had drafted for him about Leopold’s high-minded work in the Congo: The rich and populous valley of the Kongo is being opened by a society called the International African Association, of which the King of the Belgians is the president. . . . Large tracts of territory have been ceded to the Association by native chiefs, roads have been opened, steamboats have been placed on the river and the nuclei of states established . . . under one flag which offers freedom to commerce and prohibits the slave trade. The objects of the society are philanthropic. It does not aim at permanent political control, but seeks the neutrality of the valley.
Adam Hochschild (King Leopold's Ghost)
I found a hospital on the Sudley road, back of the field of battle, at which Colonel Jones, of the Fourth Alabama, had been, which was in charge of a surgeon of a Rhode Island regiment, whose name was Harris, I think. I asked him if he had what he wanted for the men under his care, and he told me he would like to have some morphine, of which his supply was short. I directed a young surgeon of our cavalry, who rode up at the time, to furnish the morphine, which he did, from a pair of medical saddle-pockets which he had. Dr. Harris told me that he knew that their troops had had a great deal of coffee and sugar mixed, ready for boiling, of which a good deal had been left at different points near the field, and asked if there would be any objection to his sending out and gathering some of it for the use of the wounded under his charge, as it would be of much service to them. I gave him the permission to get not only that, but anything else that would tend to the comfort of his patients. There did not come within my observation any instance of harsh or unkind treatment of the enemy's wounded; nor did I see any indication of a spirit to extend such treatment to them. The stories which were afterward told before the Committee on the Conduct of the War (appointed by the Federal Congress), in regard to 'rebel atrocities,' were very grossly exaggerated, or manufactured from the whole cloth....
Jefferson Davis (The Rise and Fall of the Confederate Government)
Why did the chicken cross the road? That's one small step for a Rhode Island Red, one giant leap for poultry.
Martin H. Samuel
I’d hate to interrupt this little budget superhero whisper party, but we should probably get this show on the road, don’t you think? It’s four hours and twenty-two minutes to sunrise,” I say with a flick of my focus to my watch. When I look up, the new guy’s head tilts as though he’s surprised by my quick calculation. Probably justified, given the dubious first impression. When I shift my gaze to Batman, his eyes are a narrow slash behind his mask. But I square my shoulders and raise my chin beneath, armoring myself against his judgment. “Well? The sooner we fix this, the sooner we never see each other again.” “Works for me, Blunder Barbie,” my wet-suited Dark Knight snaps. I catch the cadence of an accent despite his attempt to hide it, though I can’t place its origin. “Don’t drown, Budget Batman. What would Rhode Island do without your exemplary customer service skills and your empathetic medical diagnoses?
Brynne Weaver (Leather & Lark (Ruinous Love, #2))
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