β
Still round the corner there may wait
A new road or a secret gate
And though I oft have passed them by
A day will come at last when I
Shall take the hidden paths that run
West of the Moon, East of the Sun.
β
β
J.R.R. Tolkien
β
I like too many things and get all confused and hung-up running from one falling star to another till i drop. This is the night, what it does to you. I had nothing to offer anybody except my own confusion.
β
β
Jack Kerouac
β
I remember running down a road on my way to a nursery of flowers. I remember her smile and her laugh when I was my best self and she looked at me like I could do no wrong and was whole. I remember how she looked at me the same way even when I wasnβt. I remember her hand in mine and how that felt, as if something and someone belonged to me.
β
β
Jennifer Niven (All the Bright Places)
β
Ever heard of the rule of three? he shouts as we run.
No!
If you save somebody's life three times, their life belongs to you. You saved my life today, that makes once. Save it twice more an I'm all yers.
β
β
Moira Young (Blood Red Road (Dust Lands, #1))
β
He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
β
β
Cormac McCarthy (The Road)
β
I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language."
I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever.
Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end.
And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
β
β
Audre Lorde
β
Man, he wasn't going to need a stress test anytime soon. If his heart could get through a kiss from her, he could probably run a marathon.
While dragging a car behind him.
Sideways to the road.
β
β
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
β
What keeps you going isn't some fine destination but just the road you're on, and the fact that you know how to drive. You keep your eyes open, you see this damned-to-hell world you got born into, and you ask yourself, 'What life can I live that will let me breathe in & out and love somebody or something and not run off screaming into the woods?
β
β
Barbara Kingsolver (Animal Dreams)
β
I like too many things and get all confused and hung-up running from one falling star to another till I drop. This is the night, what it does to you.
β
β
Jack Kerouac (On the Road)
β
Yes,there are two paths you can go by, but in the long run, there's still time to change the road you're on.
β
β
Led Zeppelin
β
When you find your path, you must ignore fear. You need to have the courage to risk mistakes. But once you are on that road... run, run, run, and don't stop til you've reached its end.
β
β
JosΓ© N. Harris (MI VIDA: A Story of Faith, Hope and Love)
β
For, after all, every one who wishes to gain true knowledge must climb the Hill Difficulty alone, and since there is no royal road to the summit, I must zigzag it in my own way. I slip back many times, I fall, I stand still, I run against the edge of hidden obstacles, I lose my temper and find it again and keep it better, I trudge on, I gain a little, I feel encouraged, I get more eager and climb higher and begin to see the widening horizon. Every struggle is a victory. One more effort and I reach the luminous cloud, the blue depths of the sky, the uplands of my desire.
β
β
Helen Keller (The Story of My Life)
β
Do you think I'm a whore?β Harry pulled over to the side of the road and turned to me. βI think you're brilliant. I think you're tough. And I think the word whore is something ignorant people throw around when they have nothing else.
β¦ βIsn't it awfully convenient,β Harry added, βthat when men make the rules, the one thing that's looked down on the most is the one thing that would bear them the greatest threat? Imagine if every single woman on the planet wanted something in exchange when she gave up her body. You'd all be ruling the place. An armed populace. Only men like me would stand a chance against you. And that's the last thing those assholes want, a world run by people like you and me.β
I laughed, my eyes still puffy and tired from crying. βSo am I a whore or not?β βWho knows?β he said. βWe're all whores, really, in some way or another. At least in Hollywood.β β¦ βBut I like you this way. I like you impure and scrappy and formidable. I like the Evelyn Hugo who sees the world for what it is and then goes out there and wrestles what she wants out of it. So, you know, put whatever label you want on it, just don't change. That would be the real tragedy.
β
β
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
β
Someone who does not run toward the allure of love walks a road where nothing lives.
β
β
Jalal ad-Din Muhammad ar-Rumi (The Book of Love: Poems of Ecstasy and Longing)
β
There is something to be learned from a rainstorm. When meeting with a sudden shower, you try not to get wet and run quickly along the road. But doing such things as passing under the eaves of houses, you still get wet. When you are resolved from the beginning, you will not be perplexed, though you will still get the same soaking. This understanding extends to everything.
β
β
Yamamoto Tsunetomo (The Hagakure: A code to the way of samurai)
β
Running isn't a sport for pretty boys...It's about the sweat in your hair and the blisters on your feet. Its the frozen spit on your chin and the nausea in your gut. It's about throbbing calves and cramps at midnight that are strong enough to wake the dead. It's about getting out the door and running when the rest of the world is only dreaming about having the passion that you need to live each and every day with. It's about being on a lonely road and running like a champion even when there's not a single soul in sight to cheer you on. Running is all about having the desire to train and persevere until every fiber in your legs, mind, and heart is turned to steel. And when you've finally forged hard enough, you will have become the best runner you can be. And that's all that you can ask for.
β
β
Paul Maurer (The Gift - A Runner's Story)
β
Whatβs the use of running, if we are on the wrong road.
β
β
S. Jae-Jones (Wintersong (Wintersong, #1))
β
Money is like gasoline during a road trip. You donβt want to run out of gas on your trip, but youβre not doing a tour of gas stations.
β
β
Tim O'Reilly
β
The less you associate with some people, the more your life will improve.
Any time you tolerate mediocrity in others, it increases your mediocrity. An
important attribute in successful people is their impatience with negative
thinking and negative acting people. As you grow, your associates will
change. Some of your friends will not want you to go on. They will want you
to stay where they are. Friends that don't help you climb will want you to
crawl. Your friends will stretch your vision or choke your dream. Those that
don't increase you will eventually decrease you.
Consider this:
Never receive counsel from unproductive people. Never discuss your problems
with someone incapable of contributing to the solution, because those who
never succeed themselves are always first to tell you how. Not everyone has
a right to speak into your life. You are certain to get the worst of the
bargain when you exchange ideas with the wrong person. Don't follow anyone
who's not going anywhere.
With some people you spend an evening: with others you invest it. Be careful
where you stop to inquire for directions along the road of life. Wise is the
person who fortifies his life with the right friendships. If you run with
wolves, you will learn how to howl. But, if you associate with eagles, you
will learn how to soar to great heights.
"A mirror reflects a man's face, but what he is really like is shown by the
kind of friends he chooses."
The simple but true fact of life is that you become like those with whom you
closely associate - for the good and the bad.
Note: Be not mistaken. This is applicable to family as well as friends.
Yes...do love, appreciate and be thankful for your family, for they will
always be your family no matter what. Just know that they are human first
and though they are family to you, they may be a friend to someone else and
will fit somewhere in the criteria above.
"In Prosperity Our Friends Know Us. In Adversity We Know Our friends."
"Never make someone a priority when you are only an option for them."
"If you are going to achieve excellence in big things,you develop the habit in little matters.
Excellence is not an exception, it is a prevailing attitude.."..
β
β
Colin Powell
β
I just drove past Brad Paisley jogging down the side of the road. I rolled down the window and screamed RUN FORREST RUN. I live forβ¦.. little momentsβ¦..like that.
β
β
Taylor Swift
β
Beyond the East the sunrise, beyond the West the sea,
And East and West the wanderlust that will not let me be;
It works in me like madness, dear, to bid me say good-by!
For the seas call and the stars call, and oh, the call of the sky!
I know not where the white road runs, nor what the blue hills are,
But man can have the sun for friend, and for his guide a star;
And there's no end of voyaging when once the voice is heard,
For the river calls and the road calls, and oh, the call of a bird!
Yonder the long horizon lies, and there by night and day
The old ships draw to home again, the young ships sail away;
And come I may, but go I must, and if men ask you why,
You may put the blame on the stars and the sun and the white road and the sky!
β
β
Gerald Gould
β
Black is the color that is no color at all.
Black is the color of a child's still, empty bedroom. The heaviest hour of night-the one that traps you in your bunk, suffocating in another nightmare. It is a uniform stretched over the broad shoulders of an angry young man. Black is the mud, the lidless eye watching your every breath, the low vibrations of the fence that stretches up to tear at the sky.
It is a road. A forgotten night sky broken up by faded stars.
It is the barrel of a new gun, leveled at your heart.
The color of Chubs's hair, Liam's bruises, Zu's eyes.
Black is a promise of tomorrow, bled dry from lies and hate.
Betrayal.
I see it in the face of a broken compass, feel it in the numbing grip of grief.
I run, but it is my shadow. Chasing, devouring, polluting. It is the button that should never have been pushed, the door that shouldn't have opened, the dried blood that couldn't be washed away. It is the charred remains of buildings. The car hidden in the forest, waiting. It is the smoke.
It is the fire.
The spark.
Black is the color of memory.
It is our color.
The only one they'll use to tell our story.
β
β
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
β
Idiot. Which road do you take when you're running from something weaker than yourself? Or maybe you're the one looking for an excuse to back out.
β
β
Nobuhiro Watsuki
β
Against my better judgment I feel certain that somewhere very near hereβthe first house down the road, maybeβthere's a good poet dying, but also somewhere very near here somebody's having a hilarious pint of pus taken from her lovely young body, and I can't be running back and forth forever between grief and high delight.
β
β
J.D. Salinger (Franny and Zooey)
β
Besides which, she would never understand me because I like too many things and get all confused and hung-up running from one falling star to another till I drop. This is the night, what it does to you. I had nothing to offer anybody except my own confusion.
β
β
Jack Kerouac (On the Road)
β
For ages you have come and gone
courting this delusion.
For ages you have run from the pain
and forfeited the ecstasy.
So come, return to the root of the root
of your own soul.
Although you appear in earthly form
Your essence is pure Consciousness.
You are the fearless guardian
of Divine Light.
So come, return to the root of the root
of your own soul.
When you lose all sense of self
the bonds of a thousand chains will vanish.
Lose yourself completely,
Return to the root of the root
of your own soul.
You descended from Adam, by the pure Word of God,
but you turned your sight
to the empty show of this world.
Alas, how can you be satisfied with so little?
So come, return to the root of the root
of your own soul.
Why are you so enchanted by this world
when a mine of gold lies within you?
Open your eyes and come ---
Return to the root of the root
of your own soul.
You were born from the rays of God's Majesty
when the stars were in their perfect place.
How long will you suffer from the blows
of a nonexistent hand?
So come, return to the root of the root
of your own soul.
You are a ruby encased in granite.
How long will you decieve Us with this outer show?
O friend, We can see the truth in your eyes!
So come, return to the root of the root
of your own soul.
After one moment with that glorious Friend
you became loving, radiant, and ecstatic.
Your eyes were sweet and full of fire.
Come, return to the root of the root
of your own soul.
Shams-e Tabriz, the King of the Tavern
has handed you an eternal cup,
And God in all His glory is pouring the wine.
So come! Drink!
Return to the root of the root
of your own soul.
Soul of all souls, life of all life - you are That.
Seen and unseen, moving and unmoving - you are That.
The road that leads to the City is endless;
Go without head and feet
and you'll already be there.
What else could you be? - you are That.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
You got three seconds, he says, then they're comin down. He starts to count. One... two...
I turn and run.
I can still hear him laughin when I'm halfways back to camp.
β
β
Moira Young (Blood Red Road (Dust Lands, #1))
β
The fog was where I wanted to be. Halfway down the path you canβt see this house. Youβd never know it was here. Or any of the other places down the avenue. I couldnβt see but a few feet ahead. I didnβt meet a soul. Everything looked and sounded unreal. Nothing was what it is. Thatβs what I wantedβto be alone with myself in another world where truth is untrue and life can hide from itself. Out beyond the harbor, where the road runs along the beach, I even lost the feeling of being on land. The fog and the sea seemed part of each other. It was like walking on the bottom of the sea. As if I had drowned long ago. As if I was the ghost belonging to the fog, and the fog was the ghost of the sea. It felt damned peaceful to be nothing more than a ghost within a ghost.
β
β
Eugene O'Neill (Long Dayβs Journey into Night)
β
We still groped for each other on the backstairs or in parked cars
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββas the road around us
grew glossy with ice and our breath softened the view through the glass
ββββββββββββββββββββalready laced with frost,
but more frequently I was finding myself sleepless, and he was running out of
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββlullabies.
But damn if there isnβt anything sexier
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββthan a slender boy with a handgun,
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββa fast car, a bottle of pills.
β
β
Richard Siken (Crush)
β
I think it's the bravest thing in the world - to run straight at love, even knowing how badly you could get hurt.
β
β
Emery Lord (Open Road Summer)
β
She ran down the street and round the corner and up two more streets and crossed the road. βWill I be safe from him?β the girl had said. And will I be safe from Samuel? She reached her car and threw her bag on the front seat and sat holding the steering wheel. Where to go, where to run to?
β
β
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
β
As life runs on, the road grows strange
With faces new, and near the end
The milestones into headstones change,
βNeath every one a friend.
β
β
James Russell Lowell (Anthology of American Literature, Volume 1: Colonial through Romantic)
β
You can run, you can hide, you can choose not to see, but where the road takes you will always lead to me.
β
β
Jay McLean (Where the Road Takes Me)
β
Iβm a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. Iβve been up linked and downloaded, Iβve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. Iβm a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond!
Iβm new wave, but Iβm old school and my inner child is outward bound. Iβm a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so Iβm interactive, Iβm hyperactive and from time to time Iβm radioactive.
Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. Iβm on-point, on-task, on-message and off drugs. Iβve got no need for coke and speed. I've got no urge to binge and purge. Iβm in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. Iβm a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial!
Iβve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You canβt shut me up. You canβt dumb me down because Iβm tireless and Iβm wireless, Iβm an alpha male on beta-blockers.
Iβm a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! Iβm a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and Iβve got a love-child that sends me hate mail.
But, Iβm feeling, Iβm caring, Iβm healing, Iβm sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! Iβm gender specific, capital intensive, user-friendly and lactose intolerant.
I like rough sex. I like tough love. I use the βFβ word in my emails and the software on my hard-drive is hardcore--no soft porn.
I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. Iβm toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. Iβve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity.
Iβm a rude dude, but Iβm the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. Iβve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I donβt snooze, so I donβt lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. Iβm hangin in, there ainβt no doubt and Iβm hangin tough, over and out!
β
β
George Carlin
β
I donβt know if you have ever seem a map of a personβs mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a childβs mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads in the island; for the Neverland is always more or less and island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with six elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose.
β
β
J.M. Barrie (Peter Pan)
β
The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.
β
β
Ray Bradbury (Something Wicked This Way Comes)
β
Someone who does not run toward the allure of love walks a road where nothing lives. But this dove here senses the love hawk floating above, and waits, and will not be driven or scared to safety.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
there are two roads you can go by, they meet up in the long run, but there is still time to change the road your on.
β
β
Robert Plant
β
Do not be impatient with your seemingly slow progress. Do not try to run faster than you presently can. If you are studying, reflecting and trying, you are making progress whether you are aware of it or not. A traveler walking the road in the darkness of night is still going forward. Someday, some way, everything will break open, like the natural unfolding of a rosebud.
β
β
Vernon Howard
β
Running is still running. It doesn't matter if it's a physical move from one place to another or if it's to within yourself.
β
β
Katie McGarry (Nowhere But Here (Thunder Road, #1))
β
When you are drowned by your sorry state, and you feel as if you are carried away from the road that leads to your desires, you should know that you are the one responsible for being led away from the right path.
β
β
Stephen Richards (Think Your way to Success: Let Your Dreams Run Free)
β
If you walk the night road too often, sooner or later, you'll run into ghosts.
β
β
MΓ² XiΔng TΓ³ng XiΓΉ (Grandmaster of Demonic Cultivation: Mo Dao Zu Shi (Novel) Vol. 1)
β
People can be teachers and idiots; they can be philosophers and idiots; they can be politicians and idiots... in fact I think they have to be... a genius can be an idiot. The world is largely run for and by idiots; it is no great handicap in life and in certain areas is actually a distinct advantage and even a prerequisite for advancement.
β
β
Iain Banks (The Crow Road)
β
I ran away one day. He was running in the same direction.
β
β
Melina Marchetta (On the Jellicoe Road)
β
In the long run we get no more than we have been willing to risk giving.
β
β
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)
β
Where are you hiding my love?
Each day without you will never come again.
Even today you missed a sunset on the ocean,
A silver shadow on yellow rocks I saved for you,
A squirrel that ran across the road,
A duck diving for dinner.
My God! There may be nothing left to show you
Save wounds and weariness
And hopes grown dead,
And wilted flowers I picked for you a lifetime ago,
Or feeble steps that cannot run to hold you,
Arms too tired to offer you to a roaring wind,
A face too wrinkled to feel the ocean's spray.
β
β
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
β
The road to the promised land runs past Sinai. The moral law may exist to be transcended: but there is no transcending it for those who have not first admitted its claims up on them, and then tried with all their strength to meet that claim, and fairly and squarely faced the fact of their failure.
β
β
C.S. Lewis (The Problem of Pain)
β
Then I thought of the drive back, late at night, along the starlit river to this rickety antique New England hotel on a shoreline that I hoped would remind us both of the bay of B., and of Van Gogh's starry nights, and of the night I joined him on the rock and kissed him on the neck, and of the last night when we walked together on the coast road, sensing we'd run out of last-minute miracles to put off his leaving. I imagined being in his car asking myself, Who knows, would I want to, would he want to, perhaps a nightcap at the bar would decide, knowing that, all through dinner that evening, he and I would be worrying about the same exact thing, hoping it might happen, praying it might not, perhaps a nightcap would decide - I could just read it on his face as I pictured him looking away while uncorking a bottle of wine or while changing the music, because he too would catch the thought racing through my mind and want me to know he was debating the exact same thing, because, as he'd pour the wine for his wife, for me, for himself, it would finally dawn on us both that he was more me than I had ever been myself, because when he became me and I became him in bed so many years ago, he was and would forever remain, long after every forked road in life had done its work, my brother, my friend, my father, my son, my husband, my lover, myself. In the weeks we'd been thrown together that summer, our lives had scarcely touched, but we had crossed to the other bank, where time stops and heaven reaches down to earth and gives us that ration of what is from birth divinely ours. We looked the other way. We spoke of everything but. But we've always known, and not saying anything now confirmed it all the more. We had found the stars, you and I. And this is given once only.
β
β
AndrΓ© Aciman (Call Me by Your Name)
β
Every concert pianist knows that the surest way to ruin a performance is to be aware of what the fingers are doing. Every dancer and acrobat knows enough to let the mind go, let the body run itself. Every driver of a manual vehicle arrives at destinations with no recollection of the stops and turns and roads traveled in getting there. You are all sleepwalkers, whether climbing creative peaks or slogging through some mundane routine for the thousandth time. You are all sleepwalkers.
β
β
Peter Watts (Blindsight (Firefall, #1))
β
We know what happens to people who stay in the middle of the road. They get run over!
β
β
Aneurin Bevan
β
Upon the hearth the fire is red,
Beneath the roof there is a bed;
But not yet weary are our feet,
Still round the corner we may meet
A sudden tree or standing stone
That none have seen but we alone.
Tree and flower, leaf and grass,
Let them pass! Let them pass!
Hill and water under sky,
Pass them by! Pass them by!
Still round the corner there may wait
A new road or a secret gate,
And though we pass them by today,
Tomorrow we may come this way
And take the hidden paths that run
Towards the Moon or to the Sun.
Apple, thorn, and nut and sloe,
Let them go! Let them go!
Sand and stone and pool and dell,
Fare you well! Fare you well!
Home is behind, the world ahead,
And there are many paths to tread
Through shadows to the edge of night,
Until the stars are all alight.
Then world behind and home ahead,
We'll wander back to home and bed.
Mist and twilight, cloud and shade,
Away shall fade! Away shall fade!
Fire and lamp and meat and bread,
And then to bed! And then to bed!
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
- Some roads to love aren't easy, and I've never been more thankful for being forced to fight for something. I started this journey with a partner I hated, and a man in the mirror I hated even more. The road took me from streets of New York to West Virginia, from the place I born to the place I found a home. It forced me to let go of my past and face my future. And I had to be made blind before I see. (...) I promise to love you until I die. (...) - I promise to never leave you alone in the dark, he whispered.
β
β
Abigail Roux (Crash & Burn (Cut & Run, #9))
β
To withdraw isn't a sign of weakness... It is a sign that a man knows the limits of his capabilities and the most probable outcome of the future. One who retreats to fight another day isn't running away, but looking for another road towards the same destination.
β
β
Lionel Suggs
β
There must be different kinds of loneliness, or at least different degrees of loneliness, but the most terrifying loneliness is not experienced by everyone and can be understood by only a few. I compare the panic in this kind of loneliness to the dog we see running frantically down the road pursuing the family car. He is not really being left behind, for the family knows it is to return, but for that moment in his limited understanding, he is being left alone forever, and he has to run and run to survive. It is no wonder that we make terrible choices in our lives to avoid loneliness.
β
β
Charles M. Schulz (You Don't Look 35, Charlie Brown!)
β
I was stressed and scared and I had to hurry to be someone, become something, do something. I was running and talking and cursed myself when I wasted my time on things that wouldnβt get me anywhere. It was work and it was money and I was never where I was, always somewhere else in my head far, far away.
β
β
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
β
Look, I admit you seem like a decent person. For all I know you stop and move turtles out of the road whenever you see one to keep someone from running it over. But this turtle is tired of having its guts spattered on the pavement while other people drive right over him. I just want to scrape myself up and hide in the woods, okay? (Aiden)
β
β
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
β
The concept of time, as itβs commonly understood by normal
people with normal jobs and normal goddamn lives, doesnβt
exist on the road. The nights spread out like the dark,
godforsaken highways that distinguish them, and the days run
together like Thanksgiving dinner smothered in gravy. You
never really know where you are or what time it is, and the outside
world starts to fade away.
Itβs cool.
β
β
Tiffanie DeBartolo (How to Kill a Rock Star)
β
An incomplete list:
No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by.
No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars.
No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite.
No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position β but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked.
No more countries, all borders unmanned.
No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space.
No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
β
β
Emily St. John Mandel (Station Eleven)
β
But you, fine sir." John Miller clapped Dexter on the shoulder, a bit unsteadily. "You have problems of your own."
"This is true," Dexter replied, nodding.
"The women," John Miller sighed.
Dexter wiped a hand over his face, and glanced down the road. "The women. Indeed, dear squire, they perplex me as well."
"Ah, the fair Remy," John Miller said grandly, and I felt a flush run up my face. Lissa, in the front seat, put a hand to her mouth.
"The fair Remy," Dexter repeated, "did not see me as a worthwhile risk."
"Indeed."
"I am, of course, a rogue. A rapscallion. A musician. I would bring her nothing but poverty, shame, and bruised shins from my flailing limbs. She is the better for our parting."
John Miller pantomined stabbing himself in the heart. "Cold words, my squire."
"Huffah," Dexter agreed.
"Huffah," John Miller repeated, "Indeed.
β
β
Sarah Dessen (This Lullaby)
β
I am running and singing and when itβs raining Iβm the only one left on the open street, smiling with my eyes fixed on the sky because itβs cleaning me. Iβm the one on the other side of the party, hearing laughter and the emptying of bottles while I peacefully make my way to the river, a lonely road, following the smell of the ocean. Iβm the one waking up at 4am to witness the sunrise, where the sky touches the sea, and I hold my elbows, grasping tight to whatever Iβve made of myself.
β
β
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
β
I looked him straight in the eye. "What was it your father used to say?" Hans said nothing. He turned his head away. "What's the use of running, if we are on the wrong road?
β
β
S. Jae-Jones (Wintersong (Wintersong, #1))
β
Through Rohan over fen and field where the long grass grows
The West Wind goes walking, and about the walls it goes.
What news from the West, oh wandering wind, do you bring to me tonight?
Have you seen Boromir the Tall by moon or by starlight?
βI saw him ride over seven streams, over waters wide and grey;
I saw him walk in empty lands, until he passed away
Into the shadows of the North. I saw him then no more.
The North Wind may have heard the horn of the son of Denethor.β
Oh, Boromir! From the high walls westward I looked afar.
But you came not from the empty lands where no men are.
From the mouth of the sea the South Wind flies,
From the sand hills and the stones;
The wailing of the gulls it bears, and at the gate it moans
What news from the South, oh sighing wind, do you bring to me at eve?
Where now is Boromir the Fair? He tarries and I grieve.
βAsk me not where he doth dwell--so many bones there lie
On the white shores and on the black shores under the stormy sky;
So many have passed down Anduin to find the flowing sea.
Ask of the North Wind news of them the North Wind sends to me!β
Oh Boromir! Beyond the gate the Seaward road runs South,
But you came not with the wailing gulls from the grey seas mouth.
From the Gate of Kings the North Wind rides,
And past the roaring falls
And loud and cold about the Tower its loud horn calls.
What news from the North, oh mighty wind, do you bring to me today?
What news of Boromir the Bold? For he is long away.
βBeneath Amon Hen I heard his cry. There many foes he fought
His cloven shield, his broken sword, they to the water brought.
His head so proud, his face so fair, his limbs they laid to rest;
And Rauros, Golden Rauros Falls, bore him upon its breast.β
Oh Boromir! The Tower of Guard shall ever northward gaze
To Rauros, Golden Rauros Falls until the end of days.
β
β
J.R.R. Tolkien
β
The Revolutionary Hill Estates had not been designed to accommodate a tragedy. Even at night, as if on purpose, the development held no looming shadows and no gaunt silhouettes. It was invincibly cheerful, a toyland of white and pastel houses whose bright, uncurtained windows winked blandly through a dappling of green and yellow leaves β¦ A man running down these streets in desperate grief was indecently out of place.
β
β
Richard Yates (Revolutionary Road)
β
There are so many things we canβt do anything about if we think about generalities. Things wonβt go well because there is a huge gap between the generalities and the particulars. If we see generalities from the top of a mountain or from a plane, we feel itβs hopeless, but if we go down, there is a nice road running about fifty meters, we feel this is a nice road, and if the weather is fine and shining, we feel we can go onβ¦ Since the people in the community are cleaning up the river in my neighborhood, I join them when I have the time. A human can often be satisfied with the particulars. Thatβs what I like best these days.
β
β
Hayao Miyazaki
β
There is a Hand to turn the time,
Though thy Glass today be run,
Till the Light hath brought the Towers low
Find the last poor Preterite one . . .
Till the Riders sleep by ev'ry road,
All through our crippl'd Zone,
With a face in ev'ry Mountainside
And a Soul in ev'ry stone
Now Everybody -
β
β
Thomas Pynchon
β
I know I grew up in the time when a young man in a baggy suit and slicked-down hair stood spraddle-legged in the crossroads of history and talked hot and mean about the colored, giving my poor and desperate people a reason to feel superior to somebody, to anybody. I know that even as the words of George Wallace rang through my Alabama, the black family who lived down the dirt road from our house sent fresh-picked corn and other food to the poor white lady and her three sons, because they knew their daddy had run off, because hungry does not have a color.
β
β
Rick Bragg (All Over But the Shoutin')
β
The lizard brain is hungry, scared, angry, and horny.
The lizard brain only wants to eat and be safe.
The lizard brain will fight (to the death) if it has to, but would rather run away. It likes a vendetta and has no trouble getting angry.
The lizard brain cares what everyone else thinks, because status in the tribe is essential to its survival.
A squirrel runs around looking for nuts, hiding from foxes, listening for predators, and watching for other squirrels. The squirrel does this because that's all it can do. All the squirrel has is a lizard brain.
The only correct answer to 'Why did the chicken cross the road?' is 'Because it's lizard brain told it to.' Wild animals are wild because the only brain they posses is a lizard brain.
The lizard brain is not merely a concept. It's real, and it's living on the top of your spine, fighting for your survival. But, of course, survival and success are not the same thing.
The lizard brain is the reason you're afraid, the reason you don't do all the art you can, the reason you don't ship when you can. The lizard brain is the source of the resistance.
β
β
Seth Godin (Linchpin: Are You Indispensable?)
β
I've never loved like this. Never known what love was until I met you. But the fear of losing you doesn't make me run the other way. It makes me run toward you ... and I'll keep running. I'll fight for you until you tell me to stop. Love always involves fear. There are no guarantees about tomorrow for any of us. But in the meantime, while we're waiting for answers ... while we're wondering what's at the end of the road ... I want to walk it with you.
β
β
Karen Kingsbury (Longing (Bailey Flanigan, #3))
β
I don't expect to see perfection before I die. Lord, if I did I would have stuck my head in the oven back in Tucson, after hearing the stories of some of those refugees. What keeps you going isn't some fine destination but just the road you're on, and the fact that you know how to drive. You keep your eyes open, you see this damned-to-hell world you got born into, and you ask yourself, "What life can I live that will let me breathe in & out and love somebody or something and not run off screaming into the woods?
β
β
Barbara Kingsolver (Animal Dreams)
β
My dearest friend Abigail, These probably could be the last words I write to you and I may not live long enough to see your response but I truly have lived long enough to live forever in the hearts of my friends. I thought a lot about what I should write to you. I thought of giving you blessings and wishes for things of great value to happen to you in future; I thought of appreciating you for being the way you are; I thought to give sweet and lovely compliments for everything about you; I thought to write something in praise of your poems and prose; and I thought of extending my gratitude for being one of the very few sincerest friends I have ever had. But that is what all friends do and they only qualify to remain as a part of the bunch of our loosely connected memories and that's not what I can choose to be, I cannot choose to be lost somewhere in your memories. So I thought of something through which I hope you will remember me for a very long time. I decided to share some part of my story, of what led me here, the part we both have had in common. A past, which changed us and our perception of the world. A past, which shaped our future into an unknown yet exciting opportunity to revisit the lost thoughts and to break free from the libido of our lost dreams. A past, which questioned our whole past. My dear, when the moment of my past struck me, in its highest demonised form, I felt dead, like a dead-man walking in flesh without a soul, who had no reason to live any more. I no longer saw any meaning of life but then I saw no reason to die as well. I travelled to far away lands, running away from friends, family and everyone else and I confined myself to my thoughts, to my feelings and to myself. Hours, days, weeks and months passed and I waited for a moment of magic to happen, a turn of destiny, but nothing happened, nothing ever happens. I waited and I counted each moment of it, thinking about every moment of my life, the good and the bad ones. I then saw how powerful yet weak, bright yet dark, beautiful yet ugly, joyous yet grievous; is a one single moment. One moment makes the difference. Just a one moment. Such appears to be the extreme and undisputed power of a single moment. We live in a world of appearance, Abigail, where the reality lies beyond the appearances, and this is also only what appears to be such powerful when in actuality it is not. I realised that the power of the moment is not in the moment itself. The power, actually, is in us. Every single one of us has the power to make and shape our own moments. It is us who by feeling joyful, celebrate for a moment of success; and it is also us who by feeling saddened, cry and mourn over our losses. I, with all my heart and mind, now embrace this power which lies within us. I wish life offers you more time to make use of this power. Remember, we are our own griefs, my dear, we are our own happinesses and we are our own remedies.
Take care!
Love,
Francis.
Title: Letter to Abigail
Scene: "Death-bed"
Chapter: The Road To Awe
β
β
Huseyn Raza
β
For to be possessed of a vigorous mind is not enough; the prime requisite is rightly to apply it. The greatest minds, as they are capable of the highest excellence, are open likewise to the greatest aberrations; and those who travel very slowly may yet make far greater progress, provided they keep always to the straight road, than those who, while they run, forsake it.
β
β
RenΓ© Descartes (Discourse on Method)
β
I could not have asked for a better friends or a better life, but thereβs a nasty trick about living. It happens at its own pace and in its own way and you never, never know whatβs coming next. So you keep running and running to keep up with it and most people get tired. Others donβt get tired. They just get overtaken by the road.
β
β
Melodie Ramone (After Forever Ends)
β
The Pomegranate
The only legend I have ever loved is
the story of a daughter lost in hell.
And found and rescued there.
Love and blackmail are the gist of it.
Ceres and Persephone the names.
And the best thing about the legend is
I can enter it anywhere. And have.
As a child in exile in
a city of fogs and strange consonants,
I read it first and at first I was
an exiled child in the crackling dusk of
the underworld, the stars blighted. Later
I walked out in a summer twilight
searching for my daughter at bed-time.
When she came running I was ready
to make any bargain to keep her.
I carried her back past whitebeams
and wasps and honey-scented buddleias.
But I was Ceres then and I knew
winter was in store for every leaf
on every tree on that road.
Was inescapable for each one we passed.
And for me.
It is winter
and the stars are hidden.
I climb the stairs and stand where I can see
my child asleep beside her teen magazines,
her can of Coke, her plate of uncut fruit.
The pomegranate! How did I forget it?
She could have come home and been safe
and ended the story and all
our heart-broken searching but she reached
out a hand and plucked a pomegranate.
She put out her hand and pulled down
the French sound for apple and
the noise of stone and the proof
that even in the place of death,
at the heart of legend, in the midst
of rocks full of unshed tears
ready to be diamonds by the time
the story was told, a child can be
hungry. I could warn her. There is still a chance.
The rain is cold. The road is flint-coloured.
The suburb has cars and cable television.
The veiled stars are above ground.
It is another world. But what else
can a mother give her daughter but such
beautiful rifts in time?
If I defer the grief I will diminish the gift.
The legend will be hers as well as mine.
She will enter it. As I have.
She will wake up. She will hold
the papery flushed skin in her hand.
And to her lips. I will say nothing.
β
β
Eavan Boland
β
He got up and walked out to the road. The black shape of it running from dark to dark. Then the distant low rumble. Not thunder. You could feel it under your feet. A sound without cognate and so without description. Something imponderable shifting out there in the dark. The earth itself contracting with the cold. It did not come again. What time of year? What age the child? He walked out into the road and stood. The silence. The salitter drying from the earth. The mudstained shapes of flooded cities burned to the waterline. At a crossroads a ground set with dolmen stones where the spoken bones of oracles lay moldering. No sound but the wind. What will you say? A living man spoke these lines? He sharpened a quill with his small pen knife to scribe these things in sloe or lampblack? At some reckonable and entabled moment? He is coming to steal my eyes. To seal my mouth with dirt.
β
β
Cormac McCarthy (The Road)
β
Have a joke for me Tania," he says, "I could use a joke."
"Hmm." She thinks, looks at him, looks to see where Anthony is. He's far in the back. "Okay, what about this." With a short cough she leans into Alexander and lowers her voice.
"A man and his young girlfriend are driving in a car. The man has never seen his girlfriend naked. She thinks he is driving too slow, so they decide to play a game. For every five miles he goes above 50, she will take off a piece of her clothing. In no time at all, he is flying and she is naked. The man gets so excited that he loses control of the car. It veers off the road and hits a tree. She is unharmed but he is stuck in the car and canβt get out. βGo back on the road and get help,β he tells her. βBut Iβm naked,β she says. He rummages around and pulls off his shoe. βHere, just put this between your legs to cover yourself.β She does as she is told and runs out to the road. A truck driver, seeing a naked crying woman, stops. βHelp me, Help me,β she sobs, βMy boyfriend is stuck and I canβt get him out.β
The Truck driver says, βMiss, if heβs that far in, Iβm afraid heβs a goner.
β
β
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
β
Clare snores, quiet animal snores that feel like bulldozers running through my head. I want my own bed, in my own apartment. Home sweet home. No place like home. Take me home, country roads. Home is where the heart is. But my heart is here. So I must be home. Clare sighs, turns her head, and is quiet. Hi, honey, I'm home. I'm home.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
At last, Sturmhond straightened the lapels of his teal frock coat and said, βWell, Brekker, itβs obvious you only deal in half-truths and outright lies, so youβre clearly the man for the job.β
βThereβs just one thing,β said Kaz, studying the privateerβs broken nose and ruddy hair. βBefore we join hands and jump off a cliff together, I want to know exactly who Iβm running with.β
Sturmhond lifted a brow. βWe havenβt been on a road trip or exchanged clothes, but I think our introductions were civilized enough.β
βWho are you really, privateer?β
βIs this an existential question?β
βNo proper thief talks the way you do.β
βHow narrow-minded of you.β
βI know the look of a rich manβs son, and I donβt believe a king would send an ordinary privateer to handle business this sensitive.β
βOrdinary,β scoffed Sturmhond. βAre you so schooled in politics?β
βI know my way around a deal. Who are you? We get the truth or my crew walks.β
βAre you so sure that would be possible, Brekker? I know your plans now. Iβm accompanied by two of the worldβs most legendary Grisha, and Iβm not too bad in a fight either.β
βAnd Iβm the canal rat who brought Kuwei Yul-Bo out of the Ice Court alive. Let me know how you like your chances.β His crew didnβt have clothes or titles to rival the Ravkans, but Kaz knew where heβd put his money if he had any left.
Sturmhond clasped his hands behind his back, and Kaz saw the barest shift in his demeanor. His eyes lost their bemused gleam and took on a surprising weight. No ordinary privateer at all.
βLet us say,β said Sturmhond, gaze trained on the Ketterdam street below, βhypothetically, of course, that the Ravkan king has intelligence networks that reach deep within Kerch, Fjerda, and the Shu Han, and that he knows exactly how important Kuwei Yul-Bo could be to the future of his country. Let us say that king would trust no one to negotiate such matters but himself, but that he also knows just how dangerous it is to travel under his own name when his country is in turmoil, when he has no heir and the Lantsov succession is in no way secured.β
βSo hypothetically,β Kaz said, βyou might be addressed as Your Highness.
β
β
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
β
The media response to unusual weather is as ritualized and predictable as the stages of grief. First comes denial: "I can't believe there's so much snow." Then anger: "Why can't I drive my car, why are the trains not running?" Then blame: "Why haven't the local authorities sanded the roads, where are the snowplows, and how come the Canadians can deal with this and we can't?" This last stage goes on the longest and tends to trail off into a mumbled grumbling moan, enlivened by occasional ILLEGALS ATE MY SNOWPLOW headlines from the *Daily Mail....*
β
β
Ben Aaronovitch (Whispers Under Ground (Rivers of London, #3))
β
Here is what the end of the world looks like:
It looks like a child running out into the road, eyes focused only on some destination ahead - the future, which is on the other side - and the child fails to notice the speeding truck that is there, on that same road, in the present.
This is what the end of the world looks like.
All roads cross here.
β
β
Andrew Smith (Grasshopper Jungle)
β
When you see runners in town is easy to distinguish beginners from veterans. The ones panting are beginners; the ones with quiet, measured breathing are the veterans. Their hearts, lost in thought, slowly tick away time. When we pass each other on the road, we listen to the rhythm of each other's breathing, and sense the way the other person is ticking away the moments.
β
β
Haruki Murakami (What I Talk About When I Talk About Running)
β
Where's your car? Miles asks, glancing at him as he slams his door shut and slings his backpack over his shoulder. "And whats up with your hand?"
"I got rid of it," Damen says, gaze fixed on mine. Then glancing at Miles and seeing his expression he adds, "The car, not the hand."
"Did you trade it in?" I ask, but only because Miles is listening. [...]
He shakes his head and walks me to the gate, smiling as he says, "No, I just dropped off on the side of the road, key in the ignition, engine running."
"Excuse me?!" Miles yelps. "You mean to tell me that you left your shiny, black, BMW M6 Coupeβby the side of the road?"
Damen nods.
But thats a hundred-thousand-dollar car!" Miles gasps as his face turns bright red.
"A hundreds and ten." Damen laughs. "Don't forget, it was fully customized and loaded with options."
Miles stares at him, eyes practically bugging out of his head, unable to comprehend how anyone could do such a thingβwhy anyone would do such a thing. "Um, okay, so let me get this straightβyou just woke up and decidedβHey, what the hell? I think I'll just dump my ridiculously expensive luxury car by the side of the roadβWHERE JUST ANYONE CAN TAKE IT?"
Damen shrugs. "Pretty much."
"Because in case you haven't noticed," Miles says, practically hyperventilating now. "Some of us are a little car deprived. Some of us were born with parents so cruel and unusual they're forced to rely on the kindness of friends for the rest of their lives!"
"Sorry." Damen shrugs. "Guess I hadn't thought about that. Though if it makes you feel any better, it was all for a very good cause.
β
β
Alyson Noel (Shadowland (The Immortals, #3))
β
[...] the diversity of our opinions, consequently, does not arise from some being endowed with a larger share of reason than others, but solely from this, that we conduct our thoughts along different ways, and do not fix our attention on the same objects. For to be possessed of a vigorous mind is not enough; the prime requisite is rightly to apply it. The greatest minds, as they are capable of the highest excellences, are open likewise to the greatest aberrations; and those who travel very slowly may yet make far greater progress, provided they keep always to the straight road, than those who, while they run, forsake it.
β
β
RenΓ© Descartes (Discourse on Method and Meditations on First Philosophy)
β
I watch her walk up the road, and then she disappears and my anxiety returns, just for a split second. And somehow I find myself running, and by the time I catch up to her, the bus has pulled up.
βJustine?β
She looks at me, surprised, as the bus doors open.
Iβm trying to catch my breath because I donβt have much time.
βYouβre my rock.β
The bus driver is telling her to get on the bus, but sheβs just standing there, an I-think-Iβm-going-to-cry look on her face. But I grin at her and she grins back.
β
β
Melina Marchetta (Saving Francesca)
β
One fine day you decide to talk less and less about the things you care most about, and when you have to say something, it costs you an effort . . . Youβre good and sick of hearing yourself talk . . . you abridge . . . You give up β¦ For thirty years youβve been talking . . . You donβt care about being right anymore. You even lose your desire to keep hold of the small place youβd reserved yourself among the pleasures of life . . . Youβre fed up β¦ From that time on youβre content to eat a little something, cadge a little warmth, and sleep as much as possible on the road to nowhere. To rekindle your interest, youβd have to think up some new grimaces to put on in the presence of others . . . But you no longer have the strength to renew your repertory. You stammer. Sure, you still look for excuses for hanging around with the boys, but death is there too, stinking, right beside you, itβs there the whole time, less mysterious than a game of poker. The only thing you continue to value is petty regrets, like not finding time to run out to Bois-Colombes to see your uncle while he was still alive, the one whose little song died forever one afternoon in February. That horrible little regret is all we have left of life, weβve vomited up the rest along the way, with a good deal of effort and misery. Weβre nothing now but an old lamppost with memories on a street where hardly anyone passes anymore.
β
β
Louis-Ferdinand CΓ©line (Journey to the End of the Night)
β
They call me a monster and if it were untrue the weight of my crimes would pin me to the ground. I have maimed and I have murdered and if this mountain stood but a little higher I would cut the angels from their heaven. I care less for accusations than for the rain that soaks me, that runs down every limb. I spit both from my lips. Judgment has always left a sour taste.
β
β
Mark Lawrence (Road Brothers (The Broken Empire, #3.5))
β
Reclaiming ourselves usually means coming to recognize and accept that we have in us both sides of everything. We are capable of fear and courage, generosity and selfishness, vulnerability and strength. These things do not cancel each other out but offer us a full range of power and response to life. Life is as complex as we are. Sometimes our vulnerability is our strength, our fear develops our courage, and our woundedness is the road to our integrity. It is not an either/or world. It is a real world. In calling ourselves "heads" or "tails," we may never own and spend our human currency, the pure gold of which our coin is made.
But judgment may heal over time. One of the blessings of growing older is the discovery that many of the things I once believed to be my shortcomings have turned out in the long run to be my strengths, and other things of which I was unduly proud have revealed themselves in the end to be among my shortcomings. Things that I have hidden from others for years turn out to be the anchor and enrichment of my middle age. What a blessing it is to outlive your self-judgments and harvest your failures.
β
β
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
β
Just try to keep your mind in the present. Whatever arises in the mind, just watch it and let go of it. Don't even wish to be rid of thoughts. Then the mind will return to its natural state. No discriminating between good and bad, hot and cold, fast and slow. No me and no you, no self at allβjust what there is. When you walk there is no need to do anything special. Simply walk and see what is there. No need to cling to isolation or seclusion. Wherever you are, know yourself by being natural and watching. If doubts arise, watch them come and go. It's very simple. Hold on to nothing. It's as though you are walking down a road. Periodically you will run into obstacles. When you meet defilements, just see them and overcome them by letting them go. Don't think about the obstacles you've already passed; don't worry about those you have not yet seen. Stick to the present. Don't be concerned about the length of the road or the destination. Everything is changing. Whatever you pass, don't cling to it. Eventually the mind will reach its natural balance where practice is automatic. All things will come and go of themselves.
β
β
Ajahn Chah (A Still Forest Pool: The Insight Meditation of Achaan Chah (Quest Book Book 0))
β
The things she wanted the baby to know seemed small, so small. How it felt to go to a grocery store on vacation; to wake at three a.m. and run your whole life through your fingertips; first library card; new lipstick; a toe going numb for two months because you wore borrowed shoes to a friendβs wedding; Thursday; October; βSheβs Like the Windβ in a dentistβs office; driverβs license picture where you look like a killer; getting your bathing suit back on after you go to the bathroom; touching a cymbal for sound and then touching it again for silence; playing house in the refrigerator box; letting a match burn down to the fingerprints; one hand in the Scrabble bag and then I I I O U E A; eyes racing to the end of Villette (skip the parts about the crΓ©tin, sweetheart); hamburger wrappers on a road trip; the twist of a heavy red apple in an orchard; word on the tip of the tongue; the portal, but just for a minute.
β
β
Patricia Lockwood (No One Is Talking About This)
β
This tug-of-war often obscures what's also happening between us. I am your mother, the first mile of your road. Me and all my obvious and hidden limitations. That means that in addition to possibly wrecking you, I have the chance to give to you what was given to me: a decent childhood, more good memories than bad, some values, a sense of tribe, a run at happiness. You can't imagine how seriously I take that - even as I fail you. Mothering you is the first thing of consequence that I have ever done.
β
β
Kelly Corrigan (Lift)
β
I donβt know whether you have ever seen a map of a personβs mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a childβs mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still.
Of course the Neverlands vary a good deal. Johnβs, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...
β
β
J.M. Barrie
β
Old Deuteronomy's lived a long time;
He's a Cat who has lived many lives in succession.
He was famous in proverb and famous in rhyme
A long while before Queen Victoria's accession.
Old Deuteronomy's buried nine wives
And more β I am tempted to say, ninety-nine;
And his numerous progeny prospers and thrives
And the village is proud of him in his decline.
At the sight of that placid and bland physiognomy,
When he sits in the sun on the vicarage wall,
The Oldest Inhabitant croaks: "Well, of all β¦
Things β¦ Can it be β¦ really! β¦ No! β¦ Yes! β¦
Ho! hi!
Oh, my eye!
My mind may be wandering, but I confess
I believe it is Old Deuteronomy!"
Old Deuteronomy sits in the street,
He sits in the High Street on market day;
The bullocks may bellow, the sheep they may bleat,
But the dogs and the herdsman will turn them away.
The cars and the lorries run over the kerb,
And the villagers put up a notice: ROAD CLOSED β
So that nothing untoward may chance to disturb
Deuteronomy's rest when he feels so disposed
Or when he's engaged in domestic economy:
And the Oldest Inhabitant croaks: "Well of all β¦
Things β¦ Can it be β¦ really! β¦ No! β¦ Yes! β¦
Ho! hi!
Oh, my eye!
My sight's unreliable, but I can guess
That the cause of the trouble is Old Deuteronomy!
β
β
T.S. Eliot (Old Possum's Book of Practical Cats)
β
There aren't any rules to running away from your problems. No checklist of things to cross off. No instructions. Eeny, meeny, pick a path and go. That's how my dad does it anyway because apparently there's no age limit to running away, either. He wakes up one day, packs the car with everything we own, and we hit the road. Watch all the pretty colors go by until he finds a town harmless enough to hide in. But his problems always find us. Sometimes quicker than others. Sometimes one month and sometimes six. There's no rule when it comes to that, either. Not about how long it takes for the problems to catch up with us. Just that they willβthat much is a given. And then it's time to run again to a new town, a new home, and a new school for me.
But if there aren't any rules, I wonder why it feels the same every time. Feels like I leave behind a little bit of who I was in each house we've left empty. Scattering pieces of me in towns all over the place. A trail of crumbs dotting the map from everywhere we've left to everywhere we go. And they don't make any pictures when I connect dots. They are random like the stars littering the sky at night.
β
β
Brian James (Zombie Blondes)
β
Itβs okay to kill a man if someone else deems him unfit to live.
What I really want to say is who the hell are you and who are you to decide who gets to die. Who are you to decide who should be killed. Who are you to tell me which father I should destroy and which child I should orphan and which mother should be left without her son, which brother should be left without a sister, which grandmother should spend the rest of her life crying in the early hours of the morning because the body of her grandchild was buried in the ground before her own.
What I really want to say is who the hell do you think you are to tell me that itβs awesome to be able to kill a living thing, that itβs interesting to be able to ensnare another soul, that itβs fair to choose a victim simply because Iβm capable of killing without a gun. I want to say mean things and angry things and hurtful things and I want to throw expletives in the air and run far, far away; I want to disappear into the horizon and I want to dump myself on the side of the road if only it will bring me toward some semblance of freedom but I donβt know where to go. I have nowhere else to go.
β
β
Tahereh Mafi (Unravel Me (Shatter Me, #2))
β
The three of us do not go out very often as the three of us. I think Daniel is perfect for Jed, which is the highest compliment I can give. But my friendship isn't with him, and Jed understands that. When we hit the road, we hit it together alone.
We get to the bridge, out undestined destination. Even though there's no sign, no arrow, Jed turns at the last minute and parks us in a verge right before the bridge leaves the ground.
The trunk pops open, and Jed runs round back to retrieve a bag of oranges and a sweatshirt that fits me better.
Shall we make like lizards and leap? he asks.
I never felt the urge to jump off a bridge, but there are times I have wanted to jump out of my life, out of my skin.
Would you stroll me down the promenade instead? I ask back.
Most certainly, my splendid.
There is no word for our kind of friendship. Two people tho don't see each other a lot, but can make each other effortlessly happy.
β
β
David Levithan (The Realm of Possibility)
β
The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about herβher sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that βIt isnβt the same for them as it would be for us,β and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to herβunderstood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe.
β
β
George Orwell (The Road to Wigan Pier)
β
I have been running all about; I have knocked again at all the doors of my youth and desired to enter in there; I thought, surely it must admit me again, for I am still young and have wished so much to forget; but it fled always before me like a will-o'-the-wisp; it fell away without a sound; it crumbled like tinder at my lightest touch. And I could not understand.--Surely here at least something of it must remain? I attempted it again and again, and as a result made myself merely ridiculous and wretched. But now I know. I know now that a still, silent war has ravaged this country of my memories also; I know now it would be useless for me to look farther. Time lies between like a great gulf; I cannot get back. There is nothing for it; I must go forward, march onward, anywhere; it matters nothing, for I have no goal
β
β
Erich Maria Remarque (The Road Back)
β
Then she understood that what she needed was the motion to a purpose, no matter how small or in what form, the sense of an activity going step by step to some chosen end across a span of time. The work of cooking a meal was like a closed circle, completed and gone, leading nowhere. But the work of building a path was a living sum, so that no day was left to die behind her, but each day contained all those that preceded it, each day acquired its immortality on every succeeding tomorrow. A circle, she thought, is the movement proper to physical nature, they say that there's nothing but circular motion in the inanimate universe around us, but the straight line is the badge of man, the straight line of a geometrical abstraction that makes roads, rails and bridges, the straight line that cuts the curving aimlessness of nature by a purposeful motion from a start to an end. The cooking of meals, she thought, is like the feeding of coal to an engine for the sake of a great run, but what would be the imbecile torture of coaling an engine that had no run to make? It is not proper for man's life to be a circle, she thought, or a string of circles dropping off like zeros behind him--man's life must be a straight line of motion from goal to farther goal, each leading to the next and to a single growing sum, like a journey down the track of a railroad, from station to station to--oh, stop it!
β
β
Ayn Rand (Atlas Shrugged)
β
Ella.β
I jump when his warm hand covers mine, and then his head moves to rest on my
shoulder. His soft hair tickles my bare skin, and I force myself not to run a
comforting hand through it. He doesnβt deserve comfort right now.
βYou canβt leave,β he whispers, his breath fanning over my neck. βI donβt want
you to go.β
He kisses my shoulder, but thereβs nothing sexual about it. Nothing romantic in
the way his hand tightens over my knuckles.
βYou belong with us. Youβre the best thing that ever happened to this family.β
Surprise filters through me. Okay. Wow.
βYouβre ours,β Easton mumbles. βIβm sorry about tonight. I really am, Ella.
Pleaseβ¦donβt be mad at me.β
My anger melts away. He sounds like a lost little boy, and I canβt stop myself
from stroking his hair now. βIβm not mad. But dammit, Easton, the gambling needs
to stop. I might not be there to bail you out next time.β
βI know.β He groans. βYou shouldnβt have had to bail me out tonight. I promise
Iβll pay you back, every last cent. Iβ¦β He lifts his head and presses a kiss to my
cheek. βThank you for doing that. I mean it.β
Sighing, I turn my eyes back to the road. βYouβre welcome.
β
β
Erin Watt (Paper Princess (The Royals, #1))
β
...ideas are definitely unstable, they not only CAN be misused, they invite misuse--and the better the idea the more volatile it is. That's because only the better ideas turn into dogma, and it is this process whereby a fresh, stimulating, humanly helpful idea is changed into robot dogma that is deadly. In terms of hazardous vectors released, the transformation of ideas into dogma rivals the transformation of hydrogen into helium, uranium into lead, or innocence into corruption. And it is nearly as relentless.
The problem starts at the secondary level, not with the originator or developer of the idea but with the people who are attracted by it, who adopt it, who cling to it until their last nail breaks, and who invariably lack the overview, flexibility, imagination, and most importantly, sense of humor, to maintain it in the spirit in which it was hatched. Ideas are made by masters, dogma by disciples, and the Buddha is always killed on the road.
There is a particularly unattractive and discouragingly common affliction called tunnel vision, which, for all the misery it causes, ought to top the job list at the World Health Organization. Tunnel vision is a disease in which perception is restricted by ignorance and distorted by vested interest. Tunnel vision is caused by an optic fungus that multiplies when the brain is less energetic than the ego. It is complicated by exposure to politics. When a good idea is run through the filters and compressors of ordinary tunnel vision, it not only comes out reduced in scale and value but in its new dogmatic configuration produces effects the opposite of those for which it originally was intended.
That is how the loving ideas of Jesus Christ became the sinister cliches of Christianity. That is why virtually every revolution in history has failed: the oppressed, as soon as they seize power, turn into the oppressors, resorting to totalitarian tactics to "protect the revolution." That is why minorities seeking the abolition of prejudice become intolerant, minorities seeking peace become militant, minorities seeking equality become self-righteous, and minorities seeking liberation become hostile (a tight asshole being the first symptom of self-repression).
β
β
Tom Robbins (Still Life with Woodpecker)
β
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects β¦ Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses.
That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat β¦ The driver could not control it β straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the βcat, but the driverβs hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driverβs hands, into his brain and muscle, had goggled him and muzzled him β goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor.
He loved the land no more than the bank loved the land. He could admire the tractor β its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades β not plowing but surgery β¦ The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
β
β
John Steinbeck (The Grapes of Wrath)