“
Be silent and safe — silence never betrays you;
Be true to your word and your work and your friend;
Put least trust in him who is foremost to praise you,
Nor judge of a road till it draw to the end.
”
”
John Boyle O'Reilly (Life of John Boyle O'Reilly)
“
It amazes me how easy it is for things to change, how easy it is to start off down the same road you always take and wind up somewhere new. Just one false step, one pause, one detour, and you end up with new friends or a bad reputation or a boyfriend or a breakup. It's never occurred to me before; I've never been able to see it. And it makes me feel, weirdly, like maybe all of these different possibilities exist at the same time, like each moment we live has a thousand other moments layered underneath it that look different.
”
”
Lauren Oliver (Before I Fall)
“
Freedom is a heavy load, a great and strange burden for the spirit to undertake. It is not easy. It is not a gift given, but a choice made, and the choice may be a hard one. The road goes upward towards the light; but the laden traveler may never reach the end of it.
”
”
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
“
My Lord God, I have no idea where I am going. I do not see the road ahead of me. I cannot know for certain where it will end. Nor do I really know myself, and the fact that I think that I am following your will does not mean that I am actually doing so. But I believe that the desire to please you does in fact please you. And I hope I have that desire in all that I am doing. I hope that I will never do anything apart from that desire. And I know that if I do this you will lead me by the right road though I may know nothing about it. Therefore will I trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone.
”
”
Thomas Merton (Thoughts in Solitude)
“
So for now,
I will miss you like I’ll never see you again,
And the next time I see you,
I will kiss you like I’ll never kiss you again,
And when I fall asleep beside you
I will fall asleep as if I’ll never wake up again,
because I don’t know if I will.
I don’t know if I will.
- I Will Love You Like The World Is Ending
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
I'm rightly tired of the pain I hear and feel, boss. I'm tired of bein on the road, lonely as a robin in the rain. Not never havin no buddy to go on with or tell me where we's comin from or goin to or why. I'm tired of people bein ugly to each other. It feels like pieces of glass in my head. I'm tired of all the times I've wanted to help and couldn't. I'm tired of bein in the dark. Mostly it's the pain. There's too much. If I could end it, I would. But I can't.
”
”
Stephen King (The Green Mile)
“
My beard grows down to my toes,
I never wears no clothes,
I wraps my hair
Around my bare,
And down the road I goes.
”
”
Shel Silverstein (Where the Sidewalk Ends: Poems and Drawings)
“
I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language."
I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever.
Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end.
And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
”
”
Audre Lorde
“
Some people think love is the end of the road, and if you're lucky enough to find it, you stay there. Other people say it just becomes a cliff you drive off, but most people who've been around awhile know it's just a thing that changes day by day, and depending on how much you fight for it, you get it, or you hold on to it, or you lose it, but sometimes it's never even there in the first place.
”
”
Colum McCann (Let the Great World Spin)
“
You must resist the common urge toward the comforting narrative of divine law, toward fairy tales that imply some irrepressible justice. The enslaved were not bricks in your road, and their lives were not chapters in your redemptive history. They were people turned to fuel for the American machine. Enslavement was not destined to end, and it is wrong to claim our present circumstance—no matter how improved—as the redemption for the lives of people who never asked for the posthumous, untouchable glory of dying for their children. Our triumphs can never compensate for this.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
Although the road is never ending
take a step and keep walking,
do not look fearfully into the distance...
On this path let the heart be your guide
for the body is hesitant and full of fear.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
I never saw such crazy musicians. Everybody in Frisco blew. It was the end of the continent; they didn't give a damn.
”
”
Jack Kerouac (On the Road)
“
Magic made everything feel so impermanent, it was easy to forget that some things, once changed, could never be undone. That not everything was either changeable or infinite. Some roads kept going, and others had an end.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
I ain't never seen a creature like that before, she says. He's so smart, he's-
More, like a person than a bird? I says.
Yeah, she says. That's it.
Whatever you do, I says, don't tell him that. I'll never hear the end of it.
”
”
Moira Young (Blood Red Road (Dust Lands #1))
“
What she had begun to learn was the weight of liberty. Freedom is a heavy load, a great and strange burden for the spirit to undertake. It is not easy. It is not a gift given, but a choice made, and the choice may be a hard one. The road goes upward towards the light; but the laden traveler may never reach the end of it.
”
”
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
“
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter.
I see it now though.
Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further.
And then he touches me again, and my convictions disappear like smoke in the wind.
This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct?
Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him.
Tomorrow.
What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever.
Just one last time, Sweets. Just one last fix. That’s all I need.
And that is why I now understand addiction.
”
”
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
“
We are vampires, Kanin had told me, on one of our last nights together. It makes no difference who we are, where we came from. Princes, Masters and rabids alike, we are monsters, cut off from humanity. They will never trust us. They will never accept us. We hide in their midst and walk among them, but we are forever separate.
Damned. Alone. You don’t understand now, but you will. There will come a time when the road before you splits, and you must decide your path. Will you choose to become a demon with a human face, or will you fight your demon until the end of time, knowing you will forever struggle alone?
”
”
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
“
There are no guarantees with finally being honest and coming clean with people. Sometimes you don’t win love back. Sometimes you lose the love you had. Sometimes you crush people that cared. Sometimes you break apart families. Sometimes you lose your career. Sometimes you lose your way of life. Sometimes you end up worse off than you were before. However, you walk away with a heart free from lies, regret and you have closure. Within time, you find yourself in a life that is far from the prison you once lived in. This type of freedom is the scariest road you will ever travel. However, it is the road God will never let you travel alone.
”
”
Shannon L. Alder
“
Death is not the end
Death can never be the end.
Death is the road.
Life is the traveller.
The Soul is the Guide
...
Our mind thinks of death.
Our heart thinks of life
Our soul thinks of Immortality
”
”
Sri Chinmoy
“
The road to hell for me is paved with everything I would do for you, and that list never fucking ends.
”
”
J. Bree (Blood Bonds (The Bonds that Tie, #3))
“
You love him because this is what you do. Over and over again. You knit yourself right up into these men's lives, these men who will never ever be able to love you back, and then you wonder like a crazy person why you aren't the chosen one at the end. You have to stop doing this...
”
”
Collier Lumpkin (Love, to Taste)
“
Learning
After some time, you learn the subtle difference between
holding a hand
and imprisoning a soul;
You learn that love does not equal sex,
and that company does not equal security,
and you start to learn….
That kisses are not contracts and gifts are not promises,
and you start to accept defeat with the head up high
and open eyes,
and you learn to build all roads on today,
because the terrain of tomorrow is too insecure for plans…
and the future has its own way of falling apart in half.
And you learn that if it’s too much
even the warmth of the sun can burn.
So you plant your own garden and embellish your own soul,
instead of waiting for someone to bring flowers to you.
And you learn that you can actually bear hardship,
that you are actually strong,
and you are actually worthy,
and you learn and learn…and so every day.
Over time you learn that being with someone
because they offer you a good future,
means that sooner or later you’ll want to return to your past.
Over time you comprehend that only who is capable
of loving you with your flaws, with no intention of changing you
can bring you all happiness.
Over time you learn that if you are with a person
only to accompany your own solitude,
irremediably you’ll end up wishing not to see them again.
Over time you learn that real friends are few
and whoever doesn’t fight for them, sooner or later,
will find himself surrounded only with false friendships.
Over time you learn that words spoken in moments of anger
continue hurting throughout a lifetime.
Over time you learn that everyone can apologize,
but forgiveness is an attribute solely of great souls.
Over time you comprehend that if you have hurt a friend harshly
it is very likely that your friendship will never be the same.
Over time you realize that despite being happy with your friends,
you cry for those you let go.
Over time you realize that every experience lived,
with each person, is unrepeatable.
Over time you realize that whoever humiliates
or scorns another human being, sooner or later
will suffer the same humiliations or scorn in tenfold.
Over time you learn to build your roads on today,
because the path of tomorrow doesn’t exist.
Over time you comprehend that rushing things or forcing them to happen
causes the finale to be different form expected.
Over time you realize that in fact the best was not the future,
but the moment you were living just that instant.
Over time you will see that even when you are happy with those around you,
you’ll yearn for those who walked away.
Over time you will learn to forgive or ask for forgiveness,
say you love, say you miss, say you need,
say you want to be friends, since before
a grave, it will no longer make sense.
But unfortunately, only over time…
”
”
Jorge Luis Borges
“
For the world did not change, this violence had always existed and would never be eradicated, men would die under the boot and fists and horror of other men until the end of time, and all human history was a history of violence.
”
”
Richard Flanagan (The Narrow Road to the Deep North)
“
Time moves so fucking fast.
Blink, and you’re halfway through school, paralyzed by the idea that whatever you choose to do, it means choosing not to do a hundred other things, so you change your major half a dozen times before finally ending up in theology, and for a while it seems like the right path, but that’s really just a reflex to the pride on your parents’ faces, because they assume they’ve got a budding rabbi, but the truth is, you have no desire to practice, you see the holy texts as stories, sweeping epics, and the more you study, the less you believe in any of it.
Blink, and you’re twenty-four, and you travel through Europe, thinking—hoping—that the change will spark something in you, that a glimpse of the greater, grander world will bring your own into focus. And for a little while, it does. But there’s no job, no future, only an interlude, and when it’s over, your bank account is dry, and you’re not any closer to anything.
Blink, and you’re twenty-six, and you’re called into the dean’s office because he can tell that your heart’s not in it anymore, and he advises you to find another path, and he assures you that you’ll find your calling, but that’s the whole problem, you’ve never felt called to any one thing. There is no violent push in one direction, but a softer nudge a hundred different ways, and now all of them feel out of reach.
Blink and you’re twenty-eight, and everyone else is now a mile down the road, and you’re still trying to find it, and the irony is hardly lost on you that in wanting to live, to learn, to find yourself, you’ve gotten lost.
”
”
Victoria Schwab (The Invisible Life of Addie LaRue)
“
Marriage is like going on a road trip with the person you want to spend the rest of your life with, except you have no map or fancy GPS system to help you out. You might not always agree on what music to play or which direction you should go. I can guarantee there will be moments you want to rip your hair out—or each other’s. Just like there will be times that test you, where you think that maybe things would be easier if you hitch a ride with someone else. The point is, life is going to throw a lot of things at you. Stuff like flat tires, dead ends, and mechanical issues. But you can either make the most of the journey with one another or cry about never getting to your destination. No one can make the right decision but you.
”
”
Lauren Asher (Terms and Conditions (Dreamland Billionaires, #2))
“
There are millions of people out there who live this way, and their hearts are breaking just like mine. It’s okay to say, “My kid is a drug addict or alcoholic, and I still love them and I’m still proud of them.” Hold your head up and have a cappuccino. Take a trip. Hang your Christmas lights and hide colored eggs. Cry, laugh, then take a nap. And when we all get to the end of the road, I’m going to write a story that’s so happy it’s going to make your liver explode. It’s going to be a great day.
”
”
Dina Kucera (Everything I Never Wanted to Be: A Memoir of Alcoholism and Addiction, Faith and Family, Hope and Humor)
“
Love makes you weak. Carin fer somebody that much means you cain't think straight. Look at Pa. Who'd wanna end up like him? I ain't never gonna love nobody. It's better that way.
”
”
Moira Young (Blood Red Road (Dust Lands #1))
“
Feminism is an endeavor to change something very old, widespread, and deeply rooted in many, perhaps most, cultures around the world, innumerable institutions, and most households on Earth—and in our minds, where it all begins and ends. That so much change has been made in four or five decades is amazing; that everything is not permanantly, definitively, irrevocably changed is not a sign of failure. A woman goes walking down a thousand-mile road. Twenty minutes after she steps forth, they proclaim that she still has nine hundred ninety-nine miles to go and will never get anywhere.
”
”
Rebecca Solnit (Men Explain Things to Me)
“
And I never started to plow in my life
That some one did not stop in the road
And take me away to a dance or picnic.
I ended up with forty acres;
I ended up with a broken fiddle—
And a broken laugh, and a thousand memories,
And not a single regret.
”
”
Edgar Lee Masters (Spoon River Anthology)
“
You are a mischievous one. You will cause no end of trouble. You have to travel many roads before you find the river of your destiny. This life of yours will be full of riddles. You will be protected and you will never be alone.
”
”
Ben Okri
“
DEATH
Why do you fear me?
I am your friend.
I but guide trav'lers
Rounding the bend ---
Lead them to freedom
From time and age,
Help them start writing a new page...
Seek for me never,
Keep your course true ---
When I am needed
I'll come to you,
Then I will show you
Roads without end ---
Why do you fear me?
I am your friend.
”
”
Clarence E. Flynn
“
They couldn’t have known that even this was a lie—that we never really choose, not entirely. We are always being pushed and squeezed down one road or another. We have no choice but to step forward, and then step forward again, and then step forward again; suddenly we find ourselves on a road we haven’t chosen at all.
But maybe happiness isn’t in the choosing. Maybe it’s in the fiction, in the pretending: that wherever we have ended up is where we intended to be all along.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
I'll tell you how the sun rose
A ribbon at a time...
It's a living book, this life; it folds out in a million settings, cast with a billion beautiful characters, and it is almost over for you. It doesn't matter how old you are; it is coming to a close quickly, and soon the credits will roll and all your friends will fold out of your funeral and drive back to their homes in cold and still and silence. And they will make a fire and pour some wine and think about how you once were . . . and feel a kind of sickness at the idea you never again will be.
So soon you will be in that part of the book where you are holding the bulk of the pages in your left hand, and only a thin wisp of the story in your right. You will know by the page count, not by the narrative, that the Author is wrapping things up. You begin to mourn its ending, and want to pace yourself slowly toward its closure, knowing the last lines will speak of something beautiful, of the end of something long and earned, and you hope the thing closes out like last breaths, like whispers about how much and who the characters have come to love, and how authentic the sentiments feel when they have earned a hundred pages of qualification.
And so my prayer is that your story will have involved some leaving and some coming home, some summer and some winter, some roses blooming out like children in a play. My hope is your story will be about changing, about getting something beautiful born inside of you, about learning to love a woman or a man, about learning to love a child, about moving yourself around water, around mountains, around friends, about learning to love others more than we love ourselves, about learning oneness as a way of understanding God. We get one story, you and I, and one story alone. God has established the elements, the setting and the climax and the resolution. It would be a crime not to venture out, wouldn't it?
”
”
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
“
The road never ends ... only our vision does.
”
”
Amit Reddy (Who Stole My India?)
“
On the other hand, it will be equally forgotten that the vigor of government is essential to the security of liberty; that, in the contemplation of a sound and well-informed judgment, their interest can never be separated; and that a dangerous ambition more often lurks behind the specious mask of zeal for the rights of the people than under the forbidden appearance of zeal for the firmness and efficiency of government. History will teach us that the former has been found a much more certain road to the introduction of despotism than the latter, and that of those men who have overturned the liberties of republics, the greatest number have begun their career by paying an obsequious court to the people; commencing demagogues, and ending tyrants.
”
”
Alexander Hamilton (The Federalist Papers)
“
We all walk in a land of dreams. For what are we but atoms and hope, a handful of stardust and sinew? We are weary travelers trying to find our way home on a road that never ends. Am I a part of your dream? or are you but a part of mine?
”
”
Libba Bray
“
Racing cars which have been converted for road use never really work. It's like making a hard core adult film, and then editing it so that it can be shown in British hotels. You'd just end up with a sort of half hour close up of some bloke's sweaty face.
”
”
Jeremy Clarkson
“
Six Wisemen came to Jhaampe-town
Climbed a hill, and never came down
Found their flesh and lost their skins
Flew away on stony wings.
Five Wisemen came to Jhaampe-town
Walked a road not up nor down
Were torn to many and turned to one,
In the end, left a task half-done
Four Wisemen came to Jhaampe-town
They spoke in words without a sound
They begged their Queen to let them go
And what became of them, no one can know.
Three Wisemen came to Jhaampe-town
They’d helped a king to keep his crown.
But when they tried to climb the hill
Down they came in a terrible spill.
Two Wisemen came to Jhaampe-town
Gentle women there they found.
Forgot their quest and lived in love
Perhaps were wiser than ones above.
One Wiseman came to Jhaampe-town.
He set aside both Queen and Crown
Did his task and fell asleep
Gave his bones to the stones to keep.
No wise men go to Jhaampe-town,
To climb the hill and never come down.
‘Tis wiser far and much more brave
To stay at home and face the grave.
”
”
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
“
The ultimate ends of the activities of reasonable beings are never economic. Money is one of the greatest instruments of freedom ever invented by man.
”
”
Friedrich A. Hayek
“
Death is not the end death can never be the end. Death is the road. Life is the traveller. The Soul is the Guide
”
”
Sri Chinmoy
“
I could not have asked for a better friends or a better life, but there’s a nasty trick about living. It happens at its own pace and in its own way and you never, never know what’s coming next. So you keep running and running to keep up with it and most people get tired. Others don’t get tired. They just get overtaken by the road.
”
”
Melodie Ramone (After Forever Ends)
“
I am Welcomed in the Home of Ravens and Other Scavengers in the Wake of Warriors," Ringil recited for him, hollowly. "I am Friend to Carrion Crows and Wolves. I am Carry Me and Kill with Me, and Die with Me Where the Road Ends. I am not the Honeyed Promise of Length of Life in Years to Come, I am the Iron Promise of Never Being a Slave.
”
”
Richard K. Morgan (The Cold Commands (A Land Fit for Heroes, #2))
“
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..."
"It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself."
"The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.”
“You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.”
“If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.”
“If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.”
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
"There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark."
"But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'”
"When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.”
“There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
”
”
Paulo Coelho (Maktub)
“
He was a soldier. He was a shepherd. He was a beggar, and a king. He was a farmer, gleeman, sailor, carpenter. He was born, lived, and died Aiel. He died mad, he died rotting, he died of sickness, accident, age. He was executed, and multitudes cheered his death. He proclaimed himself the Dragon Reborn and flung his banner across the sky; he ran from the Power and hid; he lived and died never knowing. He held off the madness and the sickness for years; he succumbed between two winters. Sometimes Moiraine came and took him away from the Two Rivers, alone or with those of his friends who had survived Winternight; sometimes she did not. Sometimes other Aes Sedai came for him. Sometimes Red Ajah. Egwene married him; Egwene, stern-faced in stole of Amyrlin Seat, led Aes Sedai who gentled him; Egwene, with tears in her eyes, plunged a dagger into his heart, and he thanked her as he died. He loved other women, married other women. Elayne, and Min, and a fair-haired farmer's daughter met on the road to Caemlyn, and women he had never seen before he lived those lives. A hundred lives. More. So many he could not count them. And at the end of every life, as he lay dying, as he drew his final breath, a voice whispered in his ear. I have won again, Lews Therin. Flicker.
”
”
Robert Jordan (The Great Hunt (The Wheel of Time, #2))
“
There’s this long road ahead. It’s never-ending, because you don’t get over losing someone. Not completely. Not when she was a part of you. Not when loving her broke you as much as it changed you.
”
”
Tess Sharpe (Far From You)
“
The road for hell for me is paved with everything I would do for you, and that list never fucking ends.
”
”
J. Bree (Broken Bonds (The Bonds that Tie, #1))
“
The silent killer’s home is a dark place and it swallows our children by taking them deeper into a dungeon of lies. It changes our children and leads them into a shadowy place which sometimes is a road that has no return. That road is a never-ending road of darkness.
”
”
Charlena E. Jackson
“
The future can be a scary thing. Because it's something that's always left open for anything to happen. It's a total mystery. But at the same time, it's so exciting. Each decision we make can alter how our future will turn out, so how we end up in the future is really our decision. We never know what will be thrown at us, but it's up to each of us as to how we deal with whatever does come. No one else can decide that for us. While I might be wondering about what will happen down the road for me, and gt nervous about it now and then, I am also really hopeful for it because I know there will be so many windows of opportunity that can really change my life if I choose to take hold of them and not be afraid to go for it.
”
”
David Archuleta (Chords of Strength: A Memoir of Soul, Song and the Power of Perseverance)
“
But it was cold and the headlight trailing off into the night was like the flickering beam of a film projector. The movie was dark, looped footage of a never-ending road.
”
”
Gregor Xane (It Came From Hell and Smashed the Angels)
“
The horse could not do without Manhattan. It drew him like a magnet, like a vacuum, like oats, or a mare, or an open, never-ending, tree-lined road.
”
”
Mark Helprin (Winter's Tale)
“
she might never leave the road at all, but just hurry on and on until the wheels of the car were worn to nothing and she had come to the end of the world.
”
”
Shirley Jackson (The Haunting of Hill House)
“
And so, we end with a beginning. Because every ending is really a beginning. All you need is a house that's old and creaky ... filled with lots of books ... a cat ... a person who's willing to try again ... someone who promises never to leave ... and most important of all ... a little Hope.
”
”
Kate Klise (Dying to Meet You (43 Old Cemetery Road, #1))
“
YOU FOUND ME, when i was HEARTLESS and afraid. ABSOLUTE silence and all we never say. LOVE DONT DIE, DONT GIVE IT AWAY. HOLD MY HAND, and lets watch our days fade away. This is not WHERE THE STORY ENDS. TOGETHER we stand with SOME TRUST in the palms of our hands. Dont let me go, stay with me and BE THE ONE. Be my one and only. HEAVEN FORBID i lose you now. I will surly break and isolate. WE BUILD AND WE BREAK, HAPPINESS is at stake. UNCERTAINTY always gets the better of us, But have a little faith. I'll LOOK AFTER YOU, till OUR LAST DAYS.
”
”
Rhyan Roads
“
I've never loved like this. Never known what love was until I met you. But the fear of losing you doesn't make me run the other way. It makes me run toward you ... and I'll keep running. I'll fight for you until you tell me to stop. Love always involves fear. There are no guarantees about tomorrow for any of us. But in the meantime, while we're waiting for answers ... while we're wondering what's at the end of the road ... I want to walk it with you.
”
”
Karen Kingsbury (Longing (Bailey Flanigan, #3))
“
The road goes upward towards the light; but the laden traveler may never reach the end of it.
”
”
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
“
There is the image of the man who imagines himself to be a prisoner in a cell. He stands at one end of this small, dark, barren room, on his toes, with arms stretched upward, hands grasping for support onto a small, barred window, the room's only apparent source of light. If he holds on tight, straining toward the window, turning his head just so, he can see a bit of bright sunlight barely visible between the uppermost bars. This light is his only hope. He will not risk losing it. And so he continues to staring toward that bit of light, holding tightly to the bars. So committed is his effort not to lose sight of that glimmer of life-giving light, that it never occurs to him to let go and explore the darkness of the rest of the cell. So it is that he never discovers that the door at the other end of the cell is open, that he is free. He has always been free to walk out into the brightness of the day, if only he would let go. (192)
”
”
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)
“
She had never driven far alone before. The notion of dividing her lovely journey into miles and hours was silly; she saw it [...] as a passage of moments, each one new, carrying her along with them, taking her down a path of incredible novelty to a new place. The journey itself was her positive action, her destination vague, perhaps nonexistent. [...] Or she might never leave the road at all, but just hurry on and on until the wheels of the car were worn to nothing and she had come to the end of the world.
”
”
Shirley Jackson (The Haunting of Hill House)
“
Odd, how life makes twists and turns. I never would have guessed that I’d end up where I am now, but I wouldn’t trade it for the world. I wouldn’t trade this path I’m on for the whole solar system, for that matter. If I’ve learned anything these last several months, it’s that sometimes the most scenic roads in life are the detours you didn’t mean to take.
”
”
Angela N. Blount (Once Upon an Ever After (Once Upon a Road Trip #2))
“
I want to be like him. He's never hung-up, he goes every direction, he lets it all out, he knows time, he has nothing to do but rock back and forth. Man, he's the end! You see, if you go like him all the time you'll finally get it.
”
”
Jack Kerouac (On the Road)
“
Never wrestle with pigs for the pigs remain clueless and you end up muddy.
”
”
Orrin Woodward
“
David Foster Wallace: I think the reason why people behave in an ugly manner is that it’s really scary to be alive and to be human, and people are really really afraid. And that the reasons…
That the fear is the basic condition, and there are all kinds of reasons for why we’re so afraid. But the fact of the matter is, is that, is that the job that we’re here to do is to learn how to live in a way that we’re not terrified all the time. And not in a position of using all kinds of different things, and using people to keep that kind of terror at bay. That is my personal opinion.
Well for me, as an American male, the face I’d put on the terror is the dawning realization that nothing’s enough, you know? That no pleasure is enough, that no achievement is enough. That there’s a kind of queer dissatisfaction or emptiness at the core of the self that is unassuageable by outside stuff. And my guess is that that’s been what’s going on, ever since people were hitting each other over the head with clubs. Though describable in a number of different words and cultural argots. And that our particular challenge is that there’s never been more and better stuff comin’ from the outside, that seems temporarily to sort of fill the hole or drown out the hole.
Personally, I believe that if it’s assuageable in any way it’s by internal means. And I don’t know what that means. I think it’s fine in some way. I think it’s probably assuageable by internal means. I think those internal means have to be earned and developed, and it has something to do with, um, um, the pop-psych phrase is lovin’ yourself.
It’s more like, if you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do this.
”
”
David Lipsky (Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
“
Do the bees know they make the honey for you? Or do they work tirelessly because they think it is their own choice? Have you never noticed that, after hearing a new word for the first time in your life, you’ll hear it again within twenty-four hours? Do you ever wonder why sometimes you’ll see a single shoe lying along the road?
”
”
David Wong (John Dies at the End (John Dies at the End, #1))
“
ON THE DAY I DIE
On the day I die, when I'm being carried
toward the grave, don't weep. Don't say,
He's gone! He's gone. Death has nothing to do with going away. The sun sets and
the moon sets, but they're not gone.
Death is a coming together. The tomb
looks like a prison, but it's really
release into union. The human seed goes
down in the ground like a bucket into
the well where Joseph is. It grows and
comes up full of some unimagined beauty.
Your mouth closes here, and immediately
opens with a shout of joy there.
---------------------------------
One who does what the Friend wants done
will never need a friend.
There's a bankruptcy that's pure gain.
The moon stays bright when it
doesn't avoid the night.
A rose's rarest essence
lives in the thorn.
----------------------------------
Childhood, youth, and maturity,
and now old age.
Every guest agrees to stay
three days, no more.
Master, you told me to
remind you. Time to go.
-----------------------------------
The angel of death arrives,
and I spring joyfully up.
No one knows what comes over me
when I and that messenger speak!
-------------------------------------
When you come back inside my chest no matter how far I've wandered off,
I look around and see the way.
At the end of my life, with just one breath left, if you come then, I'll sit up and sing.
--------------------------------------
Last night things flowed between us
that cannot now be said or written.
Only as I'm being carried out
and down the road, as the folds of my shroud open in the wind,
will anyone be able to read, as on
the petal-pages of a turning bud,
what passed through us last night.
-------------------------------------
I placed one foot on the wide plain
of death, and some grand
immensity sounded on the emptiness.
I have felt nothing ever
like the wild wonder of that moment.
Longing is the core of mystery.
Longing itself brings the cure.
The only rule is, Suffer the pain.
Your desire must be disciplined,
and what you want to happen
in time, sacrificed.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems – Coleman Barks's Sublime Renderings of the 13th-Century Sufi Mystic's Insights into Divine Love and the Human Heart)
“
I’ve given up on Lulu before. In Utrecht. In Mexico. But that felt like surrendering. Like it was me I was really giving up on. This feels different, somehow. Like maybe Lulu brought me to this place, and for the first time in a long time, I’m on the cusp of something real. Maybe this is the point of it all. Maybe this is where the road is meant to end. I think of the postcards I left in her suitcase. I’d written sorry on one of them. Only now do I understand what I really should’ve written was thank you.
“Thank you,” I say quietly to the empty house. I know she’ll never hear it, but somehow that seems besides the point.
”
”
Gayle Forman (Just One Year (Just One Day, #2))
“
Well, this is basically the end, so the answers should be in these next few pages. I doubt they will surprise you, but you never know. I don't know how smart or thick you are. You could be Albert Einstein for all I know, or some literary prizewinner, or maybe you're just middle of the road like me.
”
”
Markus Zusak (Underdog (Wolfe Brothers, #1))
“
I’ve never met anyone that was all bad.
Mostly bad, yes, but never all bad. Everyone was once a child,
and that gives me hope for people. They just end up bringing to
the table what they have and they do what they do for a reason,
even if they don’t know themselves what it is. Takes time to find
it sometimes, but there is always a reason.
”
”
William Paul Young (Cross Roads: What If You Could Go Back and Put Things Right?)
“
Two years I searched for you,” he said. “Two years of empty wastes and endless roads. Of not knowing if I’d ever see you again. By when the ash rose up to choke me, it was thoughts of you that helped me breathe. When the night seemed never-ending, it was dreams of you that helped me sleep. You. And only you.
”
”
Jay Kristoff (LIFEL1K3 (Lifelike, #1))
“
Surely she had never asked God for anything except that He should let her have her will. And every time she had been granted what she asked for—for the most part. Now here she sat with a contrite heart—not because she had sinned against God but because she was unhappy that she had been allowed to follow her will to the road’s end.
”
”
Sigrid Undset (Kristin Lavransdatter)
“
And so this letter ends
with no sadness:
my feet are firm upon the earth,
my hand writes this letter on the road,
and in the midst of life I shall be
always
beside the friend, facing the enemy,
with your name on my mouth
and a kiss that never
broke away from yours.
”
”
Pablo Neruda (The Captain's Verses)
“
Anyway, since you and I must choose one road to follow, out of the many that run to the same place in the end, it might as well be a road that a unicorn has taken. We may never see her, but we will always know where she has been. Come, then. Come with me.
So they began their new journey, which took them in its time in and out of most of the folds of the sweet, wicked, wrinkled world, and so at last to their own strange and wonderful destiny.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
Pining for things we lost is the same as hoping for things that can never be. Both roads dead-end in despair.
”
”
Rick Yancey
“
this long road ahead. It’s never-ending, because you don’t get over losing someone. Not completely. Not when she was a part of you. Not when loving her broke you as much as it changed
”
”
Tess Sharpe (Far From You)
“
Reclaiming ourselves usually means coming to recognize and accept that we have in us both sides of everything. We are capable of fear and courage, generosity and selfishness, vulnerability and strength. These things do not cancel each other out but offer us a full range of power and response to life. Life is as complex as we are. Sometimes our vulnerability is our strength, our fear develops our courage, and our woundedness is the road to our integrity. It is not an either/or world. It is a real world. In calling ourselves "heads" or "tails," we may never own and spend our human currency, the pure gold of which our coin is made.
But judgment may heal over time. One of the blessings of growing older is the discovery that many of the things I once believed to be my shortcomings have turned out in the long run to be my strengths, and other things of which I was unduly proud have revealed themselves in the end to be among my shortcomings. Things that I have hidden from others for years turn out to be the anchor and enrichment of my middle age. What a blessing it is to outlive your self-judgments and harvest your failures.
”
”
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
“
What is the point in talking to people you like when you know you will never going to be someone number one? That you will never be the one? When you know they will get bored of you after a while? Even when you are still smiling at their replies.
I want to make someone feel the way I feel, to live like the world is going to end tomorrow. I want to make someone feel alive. I want to make someone's heart sing and make their eyes shine, when they look at me. I just want someone to believe in me, the way I believe in them...
”
”
Rhyan Roads
“
I once expected to spend seven years walking around the world on foot. I walked from Mexico to Panama where the road ended before an almost uninhabited swamp called the Choco Colombiano. Even today there is no road. Perhaps it is time for me to resume my wanderings where I left off as a tropical tramp in the slums of Panama. Perhaps like Ambrose Bierce who disappeared in the desert of Sonora I may also disappear. But after being in all mankind it is hard to come to terms with oblivion - not to see hundreds of millions of Chinese with college diplomas come aboard the locomotive of history - not to know if someone has solved the riddle of the universe that baffled Einstein in his futile efforts to make space, time, gravitation and electromagnetism fall into place in a unified field theory - never to experience democracy replacing plutocracy in the military-industrial complex that rules America - never to witness the day foreseen by Tennyson 'when the war-drums no longer and the battle-flags are furled, in the parliament of man, the federation of the world.'
I may disappear leaving behind me no worldly possessions - just a few old socks and love letters, and my windows overlooking Notre-Dame for all of you to enjoy, and my little rag and bone shop of the heart whose motto is 'Be not inhospitable to strangers lest they be angels in disguise.' I may disappear leaving no forwarding address, but for all you know I may still be walking among you on my vagabond journey around the world."
[Shakespeare & Company, archived statement]
”
”
George Whitman
“
Mother. Father. I am sorry. I have failed you both. I made a promise to protect our people, Mother. I thought if I could stop the Templars, If I could keep the revolution free from their influence, then those I supported would do what was right. They did, I suppose, do what was right - what was right for them. As for you, Father, I thought I might unite us, that we would forget the past and forge a better future. In time, I believed you could be made to see the world as I do - to understand. But it was just a dream. This, too, I should have known. Were we not meant to live in peace, then? Is that it? Are we born to argue? To fight? So many voices - each demanding something else.
"It has been hard at times, but never harder than today. To see all I worked for perverted, discarded, forgotten. You would say I have described the whole of history, Father. Are you smiling, then? Hoping I might speak the words you long to hear? To validate you? To say that all along you were right? I will not. Even now, faced as I am with the truth of your cold words, I refuse. Because I believe things can still change.
"I may never succeed. The Assassins may struggle another thousand years in vain. But we will not stop."
"Compromise. That's what everyone has insisted on. And so I have learnt it. But differently than most, I think. I realize now that it will take time, that the road ahead is long and shrouded in darkness. It is a road which will not always take me where I wish to go - and I doubt I will live to see it end. But I will travel down it nonetheless."
"For at my side walks hope. In the face of all that insists I turn back, I carry on: this, this is my compromise.
”
”
Oliver Bowden (Forsaken (Assassin's Creed, #5))
“
Each time I drew my blade, I imagined the look of fear in his eyes when I returned for him. When he realized the wife whose arm he had cut off and left for dead would be the one to end him. I wanted him to know—he did not break me, as that was never his choice to make. I wanted to see the moment he realized that everything he had done to me—every slap, every punch, every kick—was kindling. It built me up into a raging wildfire, and now it was time for him to burn.
”
”
Demi Winters (The Road of Bones (The Ashen, #1))
“
Be silent and safe — silence never betrays you;
Be true to your word and your work and your friend;
Put least trust in him who is foremost to praise you,
Nor judge of a road till it draw to the end.
James Jeffery Roche
”
”
James McAllister (iNation)
“
I don’t understand,’ Dad says. ‘You were such happy children.’
‘I was never a happy child,’ George says.
‘True, but Henry was.’
‘I’m not anymore. It’s actually hard to imagine how my life could be any more shit at this point,’ I say, and George holds up the copy of the book she’s reading. The Road.
‘Okay. Sure. It could get more shit if there was some kind of world-ending event and people started eating each other. But that’s a whole different shit scale. On your average human-emotion scale, my life is registering as the shittiest of the shit.
”
”
Cath Crowley (Words in Deep Blue)
“
Don’t make listening a chore. It doesn’t have to be hard work. Make it fun. Make it a game. Make it a treasure hunt. What could be more interesting than discovering new things and increasing our powers of perception? Listening is a never-ending journey along an ever-improving road.
”
”
Joseph Deitch (Elevate: An Essential Guide to Life)
“
She did feel it. A dark hand had let go its lifelong hold upon her heart. But she did not feel joy, as she had in the mountains. She put her head down in her arms and cried, and her cheeks were salt and wet. She cried for the waste of her years in bondage to a useless evil. She wept in pain, because she was free.
What she had begun to learn was the weight of liberty. Freedom is a heavy load, a great and strange burden for the spirit to undertake. It is not easy. It is not a gift given, but a choice made, and the choice may be a hard one. The road goes upward towards the light; but the laden traveler may never reach the end of it.
”
”
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
“
That Rollo Greb is the greatest, most wonderful of all. That's what I was trying to tell you - that's what I want to be. I want to be like him. He's never hung-up, he goes every direction, he lets it all out, he knows time, he has nothing to do but rock back and forth. Man, he's the end! You see, if you go like him all the time you'll finally get it.
”
”
Jack Kerouac (On the Road)
“
The radio only played static and screams. Tune in, and it tunes into you—your fears, your sins, your final destination.
”
”
Jack D. Ace (Ghoul Car: The Road Never Ends)
“
My journey, however, has followed a far less predictable story: stalled chapters, unexpected plot twists, and dozens of rewrites that have left the ending more than a little uncertain.
”
”
Mandy Hale (I've Never Been to Vegas, but My Luggage Has: Mishaps and Miracles on the Road to Happily Ever After)
“
But it’s time for both of us to stop padding our lives so we don’t feel bumps in the road anymore. I think we’ll get hurt a lot in this life, but maybe it’s worth it because sometimes we will experience really amazing things, too. Maybe not everything will end in hurt. But we’ll never know if we don’t try.
”
”
Sarah Adams (When in Rome (When in Rome, #1))
“
You've always lived here, right?" Sarah asked.
"Except for the years I went to college."
"Didn't you ever want to move away? To experience something new?"
"Like bistros?"
She nudged him playfully with her elbow. "No, not just that. Cities have a vibrancy, a sense of excitement that you can't find in a small town."
"I don't doubt it. But to be honest, I've never been interested in things like that. I don't need those things to make me happy. A nice quiet place to unwind at the end of the day, beautiful views, a few good friends. What else is there?
”
”
Nicholas Sparks (A Bend in the Road)
“
Maeniel felt this was why all the great sages never wrote anything down. In the final analysis, scriptures are futile things, dependent as they are on the intentions of the interpreter. All too often too literal a mind can lead human students into strange follies. Sometimes it is better to allow the searchers to try to plumb the depths of the great mystery on their own and accept that not every one of those taking the road will see the same end.
”
”
Alice Borchardt
“
He is in love with the land that is always over
The next hill and the next, with the bird that is never,
Caught, with the room beyond the looking glass.
He likes the half-hid, the half-heard, the half-lit,
The man in the fog, the road without an ending …
”
”
A.S.J. Tessimond (The Collected Poems of A.S.J. Tessimond)
“
I think of all that is happening elsewhere, as I lie here. Nearby, I can hear the sounds of a road crew. Somewhere else, monkeys chatter in trees. A male seahorse becomes pregnant. A diamond forms, a bee dances out directions, a windshield shatters. Somewhere a mother spreads peanut butter for her son's lunch, a lover sighs, a knitter binds off the edge of a sleeve. Clouds gather to make rain, corn ripens on the stalk, a cancer cell divides, a little league team scores. Somewhere blossoms open, a man pushes a knife in deeper, a painter darkens her blue. A cashier pours new dimes into an outstretched hand, rainbows form and fade, plates in the earth shift and settle. A woman opens a velvet box, male spiders pluck gently on the females' webs, falcons fall from the sky. Abstracts are real and time is a lie, it cannot be measured when one moment can expand to hold everything. You can want to live and end up choosing death; and you can want to die and end up living. What keeps us here, really? A thread that breaks in a breeze. And yet a thread that cannot be broken
”
”
Elizabeth Berg (Never Change)
“
Emma?” “Hmm?” “You took everything I told you really well.” “I’ve never understood the woe-is-me thing. I mean, the hottest guy in town just told me he wants me badly enough to bite me and make me like him, and now he wants to drag me home and ravish me. I’m going to, what, run screaming into the night? Oh, no! I’m a Puma now! My life is over! Sob!” Emma rolled her eyes. “I mean, don’t get me wrong, it’s freaking me out a bit, and it’s probably going to cost me a fortune in bikini waxing, but it’s not the end of my world.” Max nearly ran off the road. “You get a bikini wax?” “Wouldn’t you like to know?” “Hell yes.
”
”
Dana Marie Bell (The Wallflower (Halle Pumas, #1))
“
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
I'm happy you're saying that, because... I mean, I always feel like a freak, because I'm never able to move on like... this! You know. People just have an affair, or even entire relationships... they break up and they forget! They move on like they would have changed brand of cereals! I feel I was never able to forget anyone I've been with. Because each person have... their own, specific qualities. You can never replace anyone. What is lost is lost. Each relationship, when it ends, really damages me. I never fully recover. That's why I'm very careful with getting involved, because... It hurts too much! Even getting laid! I actually don't do that... I will miss on the other person the most mundane things. Like I'm obsessed with little things. Maybe I'm crazy, but... when I was a little girl, my mom told me that I was always late to school. One day she followed me to see why. I was looking at chestnuts falling from the trees, rolling on the sidewalk, or... ants crossing the road, the way a leaf casts a shadow on a tree trunk... Little things. I think it's the same with people. I see in them little details, so specific to each of them, that move me, and that I miss, and... will always miss. You can never replace anyone, because everyone is made of such beautiful specific details. Like I remember the way, your beard has a bit of red in it. And how the sun was making it glow, that... that morning, right before you left. I remember that, and... I missed it! I'm really crazy, right?
”
”
Céline
“
I watched [her] from the window, my hand pressing hard into the glass. There should be a word for it. That phantom limb, reaching out from your chest, towards things you’ll never have. She crossed the road with wide, lovely strides, and I always wonder what she went on to. The last shred of sunlight caught her hair when she turned the corner, like the start of one thing and the end of another. The dusk itself. I never saw her again.
”
”
Joseph Knox (Sirens (Aidan Waits Thriller, #1))
“
Raven looks at me. “What about you, Lena?”
I can feel Alex’s eyes on me. My mouth is so dry; the sun is so blinding. I look away, toward the hundreds and hundreds of people who have been driven out of their homes, out of their lives, to this place of dust and dirtiness, all because they wanted the power to feel, to think, to choose for themselves. They couldn’t have known that even this was a lie—that we never really choose, not entirely. We are always being pushed and squeezed down one road or another. We have no choice but to step forward, and then step forward again, and then step forward again; suddenly we find ourselves on a road we haven’t chosen at all.
But maybe happiness isn’t in the choosing. Maybe it’s in the fiction, in the pretending: that wherever we have ended up is where we intended to be all along.
Coral shifts, and moves her hand to Alex’s arm.
“I’m with Julian,” I say at last. This, after all, is what I have chosen.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
Chuckling, Jason picked up the bucket of explosives.
Rachel felt the moment slipping away. There was so much she wanted to say. What if something happened to him? What if she never told him how much she appreciated his coming back to Lyrian for her? How much she cared about him? There were too many feelings to translate into words. "See you later," she managed.
"Not if I see you first," Jason said, starting toward the main doors of the temple.
She watched him walking away. Were those the last words he would say to her? She stalked after him. "You can't leave with a joke."
He glanced back. "Why not?"
"What if I die?"
"Then at least I cheered you up before the end."
"That wasn't a cheerful joke. It was a teasing joke. And not even a very good one."
"Fine. Why did the baby cross the road?"
"No jokes," Rachel complained, striding alongside him.
"I guess it's more fitting that we should end with an argument."
"I just mean there are certain times when jokes aren't appropriate."
"Which makes them more needed and funny.
”
”
Brandon Mull (Chasing the Prophecy (Beyonders, #3))
“
I’ve watched it time and time again—a woman always slots into a man’s life better than he slots into hers. She will be the one who spends the most time at his flat, she will be the one who makes friends with all his friends and their girlfriends. She will be the one who sends his mother a bunch of flowers on her birthday. Women don’t like this rigmarole any more than men do, but they’re better at it—they just get on with it. This means that when a woman my age falls in love with a man, the list of priorities goes from this: Family Friends To this: Family Boyfriend Boyfriend’s family Boyfriend’s friends Girlfriends of the boyfriend’s friends Friends Which means, on average, you go from seeing your friend every weekend to once every six weekends. She becomes a baton and you’re the one at the very end of the track. You get your go for, say, your birthday or a brunch, then you have to pass her back round to the boyfriend to start the long, boring rotation again. These gaps in each other’s lives slowly but surely form a gap in the middle of your friendship. The love is still there, but the familiarity is not. Before you know it, you’re not living life together anymore. You’re living life separately with respective boyfriends then meeting up for dinner every six weekends to tell each other what living is like. I now understand why our mums cleaned the house before their best friend came round and asked them “What’s the news, then?” in a jolly, stilted way. I get how that happens. So don’t tell me when you move in with your boyfriend that nothing will change. There will be no road trip. The cycle works when it comes to holidays as well—I’ll get my buddy back for every sixth summer, unless she has a baby in which case I’ll get my road trip in eighteen years’ time. It never stops happening. Everything will change.
”
”
Dolly Alderton (Everything I Know About Love)
“
Seth and I used to like to picture how our world would look to visitors someday, maybe a thousand years in the future, after all the humans are gone and all the asphalt has crumbled and peeled away. We wondered what thise visitors would find here. We liked to guess at what would last. Here the indentations suggesting a vast network of roads. Here the deposits of iron where giant steel structures once stood, shoulder to shoulder in rows, a city. Here the remnants of clothing and dishware, here the burial grounds, here the mounds of earth that were once people's homes.
But among the artifacts that will never be found - among the objects that will disintegrate long before anyone from elsewhere arrives - is a certain patch of sidewalk on a Californian street where once, on a dark afternoon in summer at the waning end of the year of the slowing, two kids knelt down together on the cold ground. We dipped our fingers in the wet cement, and we wrote the truest, simplest things we knew - our names, the date, and these words: We were here.
”
”
Karen Thompson Walker (The Age of Miracles)
“
We would all be together on the journey then, our destination the village at the end of the road where people gamble day and night but never lose their money, eat but never fill their stomachs, drink but never leave their minds.
”
”
Louise Erdrich (Tracks (Love Medicine. #3))
“
One of the best things about road-tripping with monks is that monks are used to repeating chants over and over and over, so they really don't mind songs like 'Ninety-nine Bottles of Beer on the Wall' or 'The Song That Never Ends.
”
”
M.T. Anderson (Agent Q, or The Smell of Danger! (Pals in Peril #4))
“
The engine didn't just growl—it whispered names. Old ones. Forgotten ones. And every mile the road stretched longer, like it was feeding on the miles we'd already burned. You can't outrun what's already riding shotgun in your soul.
”
”
Jack D. Ace (Ghoul Car: The Road Never Ends)
“
Your NOT FALLING APART, i tell my self. IF ONLY YOU KNEW, its HARDER TO BREATH with out you. THE AIR I BREATH is not the same with out you. I dont want to LOVE SOMEBODY else. MAKES ME WONDER if i could ever tell you, but I'm OUT OF GOODBYES. I don't want to lose you. This is MISERY, I CANT LIE, i am LOSING MY MIND over you. NOTHING LAST FOREVER, but THIS LOVE dose. Its a TANGLED mystery. ONE MORE NIGHT goes bye with no reply. The FORTUNE TELLER said you would never be mine. I end up BACK AT YOUR DOOR, when THE SUN comes back to life. This is are LAST CHANCE, RUNAWAY with me tonight. And lets never say goodbye.
”
”
Rhyan Roads
“
Since I emerged that day from the labyrinth,
Dazed with the tall and echoing passages,
The swift recoils, so many I almost feared
I’d meet myself returning at some smooth corner,
Myself or my ghost, for all there was unreal
After the straw ceased rustling and the bull
Lay dead upon the straw and I remained…
I could not live if this were not illusion.
It is a world, perhaps; but there’s another.
For once in a dream or trance I saw the gods
Each sitting on the top of his mountain-isle,
While down below the little ships sailed by…
That was the real world; I have touched it once,
And now shall know it always. But the lie,
The maze, the wild-wood waste of falsehood, roads
That run and run and never reach an end,
Embowered in error – I’d be prisoned there
But that my soul has birdwings to fly free.
Oh these deceits are strong almost as life.
Last night I dreamt I was in the labyrinth,
And woke far on. I did not know the place.
”
”
Edwin Muir
“
Do you think it will make good wine?”
“Probably not,” he said, and laughed.
“Then why have you gone to so much trouble?”
“Because you never know. The grapes might turn out to reveal some attributes of the wine that you never expected. Something that expresses this place more perfectly than anything you could have planned. You have to…”
As Sam paused, searching for the right phrase, Lucy said softly, “You have to take a leap of faith.”
Sam gave her an arrested glance. “Yes.”
Lucy understood all too well. There were times in life when you had to take a risk that might end in failure. Because otherwise you would be haunted by what you hadn’t done…the paths you hadn’t taken, the things you hadn’t experienced.
”
”
Lisa Kleypas (Rainshadow Road (Friday Harbor, #2))
“
I finished and e-mailed to myself to see what it’d read like to open, and decided it looked a little loopy and that I’d been the right person to open it after all. I read him, thought about him, and I never saw him again except on television once.
”
”
David Lipsky (Although Of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
“
For an instant he thought he grasped the truth of a terrifying world in which one could not escape horror, in which violence was eternal, the great and only verity, greater than the civilisations it created, greater than any god man worshipped, for it was the only true god. It was as if man existed only to transmit violence to ensure its domain is eternal. For the world did not change, this violence had always existed and would never be eradicated, men would die under the boot and fists and horror of other men until the end of time, and all human history was a history of violence.
”
”
Richard Flanagan (The Narrow Road to the Deep North)
“
Midway in our life’s journey, I went astray from the straight road and woke to find myself alone in a dark wood. How shall I say what wood that was! I never saw so drear, so rank, so arduous a wilderness! Its very memory gives a shape to fear. Death could scarce be more bitter than that place! But since it came to good, I will recount all that I found revealed there by God’s grace. How I came to it I cannot rightly say, so drugged and loose with sleep had I become when I first wandered there from the True Way. But at the far end of that valley of evil whose maze had sapped my very heart with fear! I found myself before a little hill (15) and lifted up my eyes. Its shoulders glowed already with the sweet rays of that planet whose virtue leads men straight on every road, and the shining strengthened me against the fright whose agony had wracked the lake of my heart through all the terrors of that piteous night.
”
”
Dante Alighieri (Inferno)
“
She reached into the pocket of her riding leathers and extended the Amulet of Orynth and a sliver of black stone to Dorian. He balked. “Elena said Mala’s bloodline can stop this. It runs in both your houses.” The golden eyes were weary—heavy. He realized what Manon was asking. Aelin had never planned to see Terrasen again. She had married Rowan knowing she would have months at best, days at the worst, with him. But she would give Terrasen a legal king. To hold her territory together. She had made plans for all of them—and none for herself. “The quest does not end here,” Dorian said softly. Manon shook her head. And he knew she meant more than the keys, than the war, as she said, “No, it does not.” He took the keys from her. They throbbed and flickered, warming his palm. A foreign, horrible presence, and yet … all that stood between them and destruction. No, the quest did not end here. Not even close. Dorian slid the keys into his pocket. And the road that now sprawled away before him, curving into unknown, awaiting shadow … it did not frighten him.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
Our souls danced in magic, but reality wore thin.
Two lovers who kept getting it wrong -
Our timing always out of sync.
A telepathy between our hearts, but our human keeps getting it wrong.
A new melody but the same old song.
Apart, but together - on the road we travel on.
We'll never be out of touch our souls are too interwined - but we'll be out of reach , walking paths of a different kind, promised to find eachother first next life.
”
”
Nikki Rowe
“
The road to changing the world
Is never-ending
--pace yourself
”
”
Rupi Kaur (The Sun and Her Flowers)
“
Death is not the end. Death can never be the end. Death is the road. Life is the traveler. The soul is the guide.
”
”
Sri Chinmoy (Death and Reincarnation: Eternity's Voyage)
“
That’s why it’s so dangerous to place our identities in anything other than Christ; people leave and die, jobs end, looks fade, and money is lost.
”
”
Mandy Hale (I've Never Been to Vegas, but My Luggage Has: Mishaps and Miracles on the Road to Happily Ever After)
“
Once upon a raindrop, I landed on Depression. My umbrella broke and broke me with it's bones. It hurt but didn't, and it eased my rain. Curious a little afraid, I tried it once again. Bitter feeling, my starburst shrunk with fear. Sadness filled me up and now I'm here. Repeat, repeat, feeling numb and blue. Cutting became my flight from Depression to Okay and I pushed through. Though a bad solution, it became the one. It's lasted years, it's never done. Once upon a raindrop, I smile and blink a tear. Sometimes my plane flies me back to Depression and cutting then appears. I try and try to stop, but I always round the bend. I can stay on Okay for months, but then I reach an end. It's been a rough road, maybe it will end. It's been a rough road, I know cutting's not my friend. So my starburst searches for solutions, not sure which to choose. And once upon a raindrop, I might land in Happy's shoes.
”
”
Alysha Speer
“
[...] we all die, and the length of our life has been set before the earth was formed. Sometimes God takes the little ones to keep the eyes of the rest of the family on Heaven. They will never forget where this road leads if one of their own has already come to the end of it.
”
”
Susan Claire Potts (Burning Faith)
“
And somewhere along the way, amidst all the loss, tears, triumph, tragedy, joy, pain, laughter, transformation, restoration, lessons, love, and life, you realize that the true meaning of it all isn’t to settle for merely a Happy Ending, but to hold out for a Happy Everything.
”
”
Mandy Hale (I've Never Been to Vegas, but My Luggage Has: Mishaps and Miracles on the Road to Happily Ever After)
“
One/Or the Other was about the Cole that I heard in the monitors on stage versus the Cole that paced the hotel halls at night. This was what One/Or the Other was: It was the knowledge that I was surrounded by adults with lives that I could never imagine living. It was the humming noise inside me that told me to do something and found nothing to do that meant anything, the bit of me that was like a fly smashing itself again and again on a windowpane. It was the futility of aging. It was a piano piece gotten right the first tie. It was the time I picked Angie up for a date and she was wearing a cardigan that made her look like her mother. It was roads that ended in cul-de-sacs and careers that ended with desks and songs screamed in a gymnasium at night. It was the realization that this was life, and I didn't belong here.
”
”
Maggie Stiefvater
“
I will persist until I succeed.
I was not delivered unto this world in defeat, nor does failure course in my veins. I am not a sheep waiting to be prodded by my shepherd. I am a lion and I refuse to talk, to walk, to sleep with the sheep. I will hear not those who weep and complain, for their disease is contagious. Let them join the sheep. The slaughterhouse of failure is not my destiny.
I will persist until I succeed.
The prizes of life are at the end of each journey, not near the beginning; and it is not given to me to know how many steps are necessary in order to reach my goal. Failure I may still encounter at the thousandth step, yet success hides behind the next bend in the road. Never will I know how close it lies unless I turn the corner.
Always will I take another step. If that is of no avail I will take another, and yet another. In truth, one step at a time is not too difficult.
I will persist until I succeed.
Henceforth, I will consider each day’s effort as but one blow of my blade against a mighty oak. The first blow may cause not a tremor in the wood, nor the second, nor the third. Each blow, of itself, may be trifling, and seem of no consequence. Yet from childish swipes the oak will eventually tumble. So it will be with my efforts of today.
I will be liken to the rain drop which washes away the mountain; the ant who devours a tiger; the star which brightens the earth; the slave who builds a pyramid. I will build my castle one brick at a time for I know that small attempts, repeated, will complete any undertaking.
I will persist until I succeed.
I will never consider defeat and I will remove from my vocabulary such words and phrases as quit, cannot, unable, impossible, out of the question, improbable, failure, unworkable, hopeless, and retreat; for they are words of fools. I will avoid despair but if this disease of the mind should infect me then I will work on in despair. I will toil and I will endure. I will ignore the obstacles at my feet and keep mine eyes on the goals above my head, for I know that where dry desert ends, green grass grows.
I will persist until I succeed.
The Greatest Salesman in the World
Og Mandino
”
”
Og Mandino
“
I decided I would put off the novel until I had gone to Europe and had a lover, and that I would never learn a word of shorthand. If I never learned shorthand I would never have to use it. I thought I would spend the summer reading "Finnegan's Wake" and writing my thesis. Then I would be way ahead when college started at the end of September, and able to enjoy my last year instead of swotting away with no make up and stringy hair, on a diet of Benzedrine, the way most of the seniors taking honors did, until they finished their thesis. Then I thought I might put off college for a year and apprentice myself to a pottery maker.
Or work my way to Germany and be a waitress, until I was bilingual.
Then plan after plan started leaping through my head, like a family of scatty rabbits. I saw the years of my life spaced along a road in the form of telephone poles, threaded together by the wires. I counted one, two, three.... nineteen telephone poles dangled in space, and try as I would, I couldn't see a single pole beyond the nineteenth.
”
”
Sylvia Plath (The Bell Jar)
“
I picked up an old microscope at a flea market in Verona. In the long evenings, in my imitation of life science, I set up in the courtyard and examined local specimens. Pointless pleasure, stripped of ends. The ancient contadino from across the road, long since convinced that we were mad, could not resist coming over for a look.
I showed him where to put his eye. I watched him, thinking, this is how we attach to existence. We look through awareness’s tube and see the swarm at the end of the scope, taking what we come upon there for the full field of sight itself.
The old man lifted his eye from the microscope lens, crying.
Signore, ho ottantotto anni e non ho mai Saputo prima che cosa ci fosse in una goccia d’acqua. I’m eighty-eight years old and I never knew what was in a droplet of water.
”
”
Richard Powers (Galatea 2.2)
“
The writer has us by the hand, forces us along her road, makes us see what she sees, never leaves us for a moment or allows us to forget her. At the end we are steeped through and through with the genius, the vehemence, the indignation of Charlotte Bronte. Remarkable faces, figures of strong outline and gnarled feature have flashed upon us in passing; but it is through her eyes that we have seen them.
”
”
Virginia Woolf (The Common Reader)
“
It’s become trite, that old saying of John Lennon’s: “Life is what happens when you’re busy making other plans.” But, how right he was. We never know where Life will take us. We can dream, plan, and some quirk in the road will take us to another road. The book is written about our lives before we are even born. We can fight it, try to turn it around, ignore it, but our life ends up the way it was written.
”
”
Susan Marie Molloy (The Green Gloves)
“
What she had begun to learn was the weight of liberty. Freedom is a heavy load, a great and strange burden for the spirit to undertake. It is not easy. It is not a gift given, but a choice made, and the choice may be a hard one. The road goes upward toward the light; but the laden traveler may never reach the end
”
”
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
“
Why is it so important for me to forgive that son-of-a-bitch? I’m not the one at fault here. It shouldn’t be about me. He’s the one that did wrong. Screw his feelings. He should feel like he’s hated for what he did.” Lisa added another used tissue to the growing pile on the table.
Lyn warmly smiled. “Forgiving Byron isn’t for his sake, it’s for yours. The block in your life’s road can only be removed if you forgive him for what he did. If you don’t, you’ll just keep bumping into that block again and again. The life you live will be miserable. You’ll never be able to break the chains of the past.”
Lisa listened and let the words sink into her subconscious. She realized the only way to get to the end of the road was to take the first step. There was a block preventing her from moving forward in life. She had to find a way past it.
”
”
Dane Hatchell (Resurrection X)
“
What is the point at talking to people you like when you know you will never going to be someone number one? That you will never be the one? When you know they will get bored of you after a while? Even when you are still smiling at their replies.
I want to make someone feel the way I feel, to live like the world is going to end tomorrow. I want to make someone feel alive. I want to make someone's heart sing and make their eyes shine, when they look at me. I just want someone to believe in me, the way I believe in them...
”
”
Rhyan Roads
“
You're here because you know what it's like to feel powerless. Everyone you see here has been given every privilege that money can buy, but at the end of the day, there are some privileges that money can't buy. Money doesn't keep people from telling girls who look like me to go back to the other side of the border. And no matter what your family name is, or how white your skin, I'm willing to bet that there are still people who tell you to smile, because you look so pretty when you smile." She paused, just for an instant. "we all play by rules our brothers will never even have to know.
"You want to know why we go cliff-diving and off-roading and drag you out to abandoned islands in the night?" Victoria's voice was no louder, but her delivery was suddenly crystal clear. "Because we can. Because when people say that well-behaved women rarely make history, they leave out the little tidbit that the women who do make history rarely do so alone.
”
”
Jennifer Lynn Barnes (Deadly Little Scandals (Debutantes, #2))
“
What she had begun to learn was the weight of liberty. Freedom is a heavy load, a great and strange burden for the spirit to undertake. It is not easy. It is not a gift given, but a choice made, and the choice may be a hard one. The road goes upward toward the light; but the laden traveler may never reach the end of it.
”
”
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
“
I.
My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the workings of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
II.
What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare.
III.
If at his counsel I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed, neither pride
Now hope rekindling at the end descried,
So much as gladness that some end might be.
IV.
For, what with my whole world-wide wandering,
What with my search drawn out through years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring,
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.
V.
As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bit the other go, draw breath
Freelier outside, ('since all is o'er,' he saith
And the blow fallen no grieving can amend;')
VI.
When some discuss if near the other graves
be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves
And still the man hears all, and only craves
He may not shame such tender love and stay.
VII.
Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among 'The Band' to wit,
The knights who to the Dark Tower's search addressed
Their steps - that just to fail as they, seemed best,
And all the doubt was now - should I be fit?
VIII.
So, quiet as despair I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.
IX.
For mark! No sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backwards a last view
O'er the safe road, 'twas gone; grey plain all round;
Nothing but plain to the horizon's bound.
I might go on, naught else remained to do.
X.
So on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers - as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind with none to awe,
You'd think; a burr had been a treasure trove.
XI.
No! penury, inertness and grimace,
In some strange sort, were the land's portion. 'See
Or shut your eyes,' said Nature peevishly,
It nothing skills: I cannot help my case:
Tis the Last Judgement's fire must cure this place
Calcine its clods and set my prisoners free.
”
”
Robert Browning
“
I saw what Andrew did in our family. I saw that he came in and listened and watched and understood who we were, each individual one of us. He tried to discover our need and then supply it. He took responsibility for other people and it didn't seem to matter to him how much it cost him. And in the end, while he could never make the Ribeira family normal, he gave us peace and pride and identity. Stability. He married Mother and was kind to her. He loved us all. He was always there when we wanted him, and seemed unhurt by it when we didn't. He was firm with us about expecting civilized behavior, but never indulged his whims at our expense. And I thought: This is so much more important than science. Or politics, either. Or any particular profession or accomplishment or thing you can make. I thought: If I could just make a good family, if I could just learn to be to other children, their whole lives, what Andrew was, coming so late into ours, then that would mean more in the long run, it would be a finer accomplishment than anything I could ever do with my mind or hands."
"So you're a career father," said Valentine.
"Who works at a brick factory to feed and clothe the family. Not a brick-maker who also has kids. Lini also feels the same way... She followed her own road to the same place. We do what we must to earn our place in the community, but we live for the hours at home. For each other, for the children.
”
”
Orson Scott Card (Xenocide (Ender's Saga, #3))
“
You once said you would like to sit beside me while I write. Listen, in that case I could not write (I can’t do much, anyway), but in that case I could not write at all. For writing means revealing oneself to excess; that utmost of selfrevelation and surrender, in which a human being, when involved with others, would feel he was losing himself, and from which, therefore, he will always shrink as long as he is in his right mind—for everyone wants to live as long as he is alive —even that degree of selfrevelation and surrender is not enough for writing. Writing that springs from the surface of existence— when there is no other way and the deeper wells have dried up—is nothing, and collapses the moment a truer emotion makes that surface shake. This is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough. This is why there is never enough time at one’s disposal, for the roads are long and it is easy to go astray, there are even times when one becomes afraid and has the desire—even without any constraint or enticement—to run back (a desire always severely punished later on), how much more so if one were suddenly to receive a kiss from the most beloved lips! I have often thought that the best mode of life for me would be to sit in the innermost room of a spacious locked cellar with my writing things and a lamp. Food would be brought and always put down far away from my room, outside the cellar’s outermost door. The walk to my food, in my dressing gown, through the vaulted cellars, would be my only exercise. I would then return to my table, eat slowly and with deliberation, then start writing again at once. And how I would write! From what depths I would drag it up! Without effort! For extreme concentration knows no effort. The trouble is that I might not be able to keep it up for long, and at the first failure—which perhaps even in these circumstances could not be avoided—would be bound to end in a grandiose fit of madness.
”
”
Franz Kafka (Letters to Felice)
“
What rules, then, can one follow if one is dedicated to the truth? First, never speak falsehood. Second, bear in mind that the act of withholding the truth is always potentially a lie, and that in each instance in which the truth is withheld a significant moral decision is required. Third, the decision to withhold the truth should never be based on personal needs, such as a need for power, a need to be liked or a need to protect one’s map from challenge. Fourth, and conversely, the decision to withhold the truth must always be based entirely upon the needs of the person or people from whom the truth is being withheld. Fifth, the assessment of another’s needs is an act of responsibility which is so complex that it can only be executed wisely when one operates with genuine love for the other. Sixth, the primary factor in the assessment of another’s needs is the assessment of that person’s capacity to utilize the truth for his or her own spiritual growth. Finally, in assessing the capacity of another to utilize the truth for personal spiritual growth, it should be borne in mind that our tendency is generally to underestimate rather than overestimate this capacity. All this might seem like an extraordinary task, impossible to ever perfectly complete, a chronic and never-ending burden, a real drag. And it is indeed a never-ending burden of self-discipline, which is why most people opt for a life of very limited honesty and openness and relative closedness, hiding themselves and their maps from the world. It is easier that way. Yet the rewards of the difficult life of honesty and dedication to the truth are more than commensurate with the demands. By virtue of the fact that their maps are continually being challenged, open people are continually growing people. Through their openness they can establish and maintain intimate relationships far more effectively than more closed people. Because they never speak falsely they can be secure and proud in the knowledge that they have done nothing to contribute to the confusion of the world, but have served as sources of
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
I live completely without regret. Sure there are plenty of things that someone could second guess, but I see the path of life like driving down the road without a map. The thing is, some dark alleys open up in majestic places, and some bright and shiny highways to the top end in cliffs to the bottom. You never know until you get there. What I know for sure is that if many years ago I actually had a map to the path of life, the destination that I would have chosen is right here, with this family, in this place, and with these smiles. That makes anything that could have been regretful, the best decision in the world.
”
”
Michael A. Wood Jr.
“
As a physician, I was trained to deal with uncertainty as aggressively as I dealt with disease itself. The unknown was the enemy. Within this worldview, having a question feels like an emergency; it means that something is out of control and needs to be made known as rapidly, efficiently, and cost-effectively as possible. But death has taken me to the edge of certainty, to the place of questions.
After years of trading mystery for mastery, it was hard and even frightening to stop offering myself reasonable explanations for some of the things that I observed and that others told me, and simply take them as they are. "I don't know" had long been a statement of shame, of personal and professional failing. In all of my training I do not recall hearing it said aloud even once.
But as I listened to more and more people with life-threatening illnesses tell their stories, not knowing simply became a matter of integrity. Things happened. And the explanations I offered myself became increasingly hollow, like a child whistling in the dark. The truth was that very often I didn't know and couldn't explain, and finally, weighed down by the many, many instances of the mysterious which are such an integral part of illness and healing, I surrendered. It was a moment of awakening.
For the first time, I became curious about the things I had been unwilling to see before, more sensitive to inconsistencies I had glibly explained or successfully ignored, more willing to ask people questions and draw them out about stories I would have otherwise dismissed. What I have found in the end was that the life I had defended as a doctor as precious was also Holy.
I no longer feel that life is ordinary. Everyday life is filled with mystery. The things we know are only a small part of the things we cannot know but can only glimpse. Yet even the smallest of glimpses can sustain us.
Mystery seems to have the power to comfort, to offer hope, and to lend meaning in times of loss and pain. In surprising ways it is the mysterious that strengthens us at such times. I used to try to offer people certainty in times that were not at all certain and could not be made certain. I now just offer my companionship and share my sense of mystery, of the possible, of wonder. After twenty years of working with people with cancer, I find it possible to neither doubt nor accept the unprovable but simply to remain open and wait.
I accept that I may never know where truth lies in such matters. The most important questions don't seem to have ready answers. But the questions themselves have a healing power when they are shared. An answer is an invitation to stop thinking about something, to stop wondering. Life has no such stopping places, life is a process whose every event is connected to the moment that just went by. An unanswered question is a fine traveling companion. It sharpens your eye for the road.
”
”
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
“
Stalin ordered a road built between Yakutsk and Magadan. Two thousand kilometers across the taiga and the permafrost. They started building it simultaneously from both ends. Summer came, thaws, the permafrost melted, water underran the soil, turned the road into a quagmire, it drowned. Together with the road drowned the prisoners who worked on it. Stalin ordered the work to start anew. But it ended up the same way. Once again, he commanded. The two ends of the road never met, but their builders perhaps met in heaven.
”
”
Ryszard Kapuściński (Imperium)
“
Some people think love is the end of the road, and if you’re lucky enough to find it, you stay there. Other people say it just becomes a cliff you drive off, but most people who’ve been around awhile know it’s just a thing that changes day by day, and depending on how much you fight for it, you get it, or you hold on to it, or you lose it, but sometimes it’s never even there in the first place.
”
”
Colum McCann (Let the Great World Spin)
“
It amazes me how easy it is for things to change, how easy it is to start off down the same road you always take and wind up somewhere new. Just one false step, one pause, one detour, and you end up with new friends or a bad reputation or a boyfriend or a breakup. It’s never occurred to me before; I’ve never been able to see it. And it makes me feel, weirdly, like maybe all of these different possibilities exist at the same time, like each moment we live has a thousand other moments layered underneath it that look different.
”
”
Lauren Oliver (Before I Fall)
“
How often, in everyday conversation, had I said things I didn’t mean or feel, just to be polite, to make things easier? How often had I said to Brandon what I thought I should say in order to maintain order, to repair a rift? We had never been good at disagreement. One of us always gave in when it got too uncomfortable. One of us would recognize that we were at a dead end, would begin to back out. We rarely paved a road through to the other side. We rarely stuck with it long enough to forge any kind of new, if painful, understanding.
”
”
Molly Wizenberg (The Fixed Stars)
“
Sometimes you are going down a particular road, and the journey seems so long that you can almost imagine it will never end. Then you reach a landmark, and that is enough to make you understand that indeed you are covering distance, and reaching your destination is only a matter of time.
”
”
Phyllis T. Smith (I Am Livia)
“
DFW: I think there are different people on the page than in real life. I do six to eight drafts of everything that I do. Um, I am probably not the smartest writer going. But I also--and I know, OK, this is gonna fit right into the persona--I work really really hard. I'm really--you give me twenty-four hours? If we'd done this interview through the mail? I could be really really really smart. I'm not all that fast. And I'm really self-conscious. And I get confused really easily. When I'm in a room by myself alone, and have enough time, I can be really really smart. And people are different that way. You know what I mean? I may not--I don't think I'm quite as smart, one-on-one with people, when I'm self-conscious, and I'm really really confused. And it's like, My dream would be for you to write this up, and then to send it to me, and I get to rewrite all my quotes to you. Which of course you'll never do...
”
”
David Lipsky (Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
“
Fifteen years ago, the cultural critic Greil Marcus wrote of Jimi's performance of our national anthem as "his great NO to the war, to racism, to whatever you or he might think of and want gone. But then that discord shattered, and for more than four and a half long, complex minutes Hendrix pursued each invisible crack in a vessel that had once been whole, feeling out and exploring and testing himself and his music against anguish, rage, fear, hate, love offered, and love refused. When he finished, he had created an anthem that could never be summed up and that would never come to rest. In the end it was a great YES, both a threat and a beckoning, an invitation to America to match its danger, glamour, and freedom."
…
In late 1969, Jimi Hendrix wrote a poem celebrating Woodstock, saying with words what his music had in August: "500,000 halos outshined the mud and history. We washed and drank in God's tears of joy. And for once, and for everyone, the truth was not still a mystery.
”
”
Michael Lang (The Road to Woodstock)
“
(I typed this up myself)
MY SKY
We were outside
in the street
me and some other kids
kicking the ball
before dinner
and Sky was
chasing chasing chasing
with his feet going
every which way
and his tail
wag-wag-wagging
and his mouth
slob-slob-slobbering
and he was
all over the place
smiling and wagging
and slobbering
and making
us laugh
and my dad
came walking up the street
he was way down there
near the end
I could see him
after he got off the bus
and he was walk-walk-walking
and I saw him wave
and he called out
"Hey there, son!"
and I didn't see
the car
coming from the other way
until someone else-
one of the big kids-
called out
"Car!"
and I turned around
and saw a
blue car blue car
splattered with mud
speeding down the road
And I saw Sky
going after the ball
wag-wag-wagging
his tail
and I called him
"Sky! Sky!"
and he turned his
head
but it was too late
because the
blue car blue car
splattered with mud
hit Sky
thud thud thud
and kept on going
in such a hurry
so fast
so many miles to go
it couldn't even stop
and
Sky
was just there in the road
lying on his side
with his legs bent funny
and his side heaving
and he looked up at me
and I said
"Sky! Sky! Sky!"
and then my dad
was there
and he lifted Sky
out of the road
and laid him on the grass
and
Sky
closed his eyes
and
he
never
opened
them
again
ever.
”
”
Sharon Creech (Love That Dog (Jack, #1))
“
FIDDLER JONES
The earth keeps some vibration going
There in your heart, and that is you.
And if the people find you can fiddle,
Why, fiddle you must, for all your life.
What do you see, a harvest of clover?
Or a meadow to walk through to the river?
The wind's in the corn; you rub your hands
For beeves hereafter ready for the market;
Or else you hear the rustle of skirts.
Like the girls when dancing at Little Grove.
To Cooney Potter a pillar of dust
Or whirling leaves meant ruinous drouth;
They looked to me like Red-Head Sammy
Stepping it off, to Toor-a-Loor.
How could I till my forty acres
Not to speak of getting more,
With a medley of horns, bassoons and piccolos
Stirred in my brain by crows and robins
And the creak of a will-mill – only these?
And I never started to plow in my life
That some one did not stop in the road
And take me away to a dance or picnic.
I ended up with forty acres;
I ended up with a broken fiddle –
And a broken laugh, and a thousand memories,
And not a single regret.
”
”
Edgar Lee Masters (Spoon River Anthology)
“
Not all journeys have destinations. Power is the ability to effect change, and people who create change ride that tide, with far-reaching effects. For some of us, that’s something we’re born into. Our fathers or mothers instill us with a hunger for it from a very early point in time. We’re raised on it, always striving to be the top, in academics, in sports, in our careers. Then we either run into a dead-end, or we face diminishing returns.”
“Less and less results for the same amount of effort,” Grue said.
“Others of us are born with nothing. It is hard to get something when you don’t have anything. You can’t make money until you have money. The same applies to contacts, to success, to status. It’s a chasm, and where you start is often very close to where you finish. The vast majority never even move from where they began. Of the few that do make it, many are so exhausted by the time they meet some success that they stop there. And others, a very small few, they make that drive for success, that need to climb becomes a part of themselves. They keep climbing, and when someone like Accord recognizes them and offers them another road to climb, they accept without reservation.
”
”
Wildbow (Worm (Parahumans, #1))
“
A common and traditionally masculine marital problem is created by the husband who, once he is married, devotes all his energies to climbing mountains and none to tending to his marriage, or base camp, expecting it to be there in perfect order whenever he chooses to return to it for rest and recreation without his assuming any responsibility for its maintenance. Sooner or later this “capitalist” approach to the problem fails and he returns to find his untended base camp a shambles, his neglected wife having been hospitalized for a nervous breakdown, having run off with another man, or in some other way having renounced her job as camp caretaker. An equally common and traditionally feminine marital problem is created by the wife who, once she is married, feels that the goal of her life has been achieved. To her the base camp is the peak. She cannot understand or empathize with her husband’s need for achievements and experiences beyond the marriage and reacts to them with jealousy and never-ending demands that he devote increasingly more energy to the home. Like other “communist” resolutions of the problem, this one creates a relationship that is suffocating and stultifying, from which the husband, feeling trapped and limited, may likely flee in a moment of “mid-life crisis.” The women’s liberation movement has been helpful in pointing the way to what is obviously the only ideal resolution: marriage as a truly cooperative institution, requiring great mutual contributions and care, time and energy, but existing for the primary purpose of nurturing each of the participants for individual journeys toward his or her own individual peaks of spiritual growth. Male and female both must tend the hearth and both must venture forth. As an adolescent I used to thrill to the words of love the early American poet Ann Bradstreet spoke to her husband: “If ever two were one, then we.”20 As I have grown, however, I have come to realize that it is the separateness of the partners that enriches the union. Great marriages cannot be constructed by individuals
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
It's been open about a year now.And it is one of my favorite places in the city."
"You never told me," he said, sounding surprised.
"So even after all these years,we can still surprise one another," she teased.
He leaned over and kissed her quickly on the cheek. "Even after all these years," he said. "So enlighten me-how often do you come to this place?"
"Five,maybe six times a week."
"Oh?"
"Every morning when I'd leave the shop,I'd usually walk down to the Embarcadero,amble along the promenade and end up walking the length of this pier.Where did you think I was for that hour?"
"I thought you'd popped across the road for coffee."
"Yea,Nicholas," Perenelle said in French. "I drink tea. You know I hate coffee."
"You hate coffee?" Nicholas said. "Since when?"
"Only for the last eighty years or so."
Nicholas blinked,pale eyes reflecting the blue of the sea. "I knew that.I think."
"You're teasing me."
"Maybe," he admitted.
”
”
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
“
And that as the Internet grows, and as our ability to be linked up, like—I mean, you and I coulda done this through e-mail, and I never woulda had to meet you, and that woulda been easier for me. Right? Like, at a certain point, we’re gonna have to build some machinery, inside our guts, to help us deal with this. Because the technology is just gonna get better and better and better and better. And it’s gonna get easier and easier, and more and more convenient, and more and more pleasurable, to be alone with images on a screen, given to us by people who do not love us but want our money. Which is all right. In low doses, right? But if that’s the basic main staple of your diet, you’re gonna die. In a meaningful way, you’re going to die. (Passionate)
”
”
David Lipsky (Although Of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
“
*One clue that there’s something not quite real about sequential time the way you experience it is the various paradoxes of time supposedly passing and of a so-called ‘present’ that’s always unrolling into the future and creating more and more past behind it. As if the present were this car—nice car by the way—and the past is the road we’ve just gone over, and the future is the headlit road up ahead we haven’t yet gotten to, and time is the car’s forward movement, and the precise present is the car’s front bumper as it cuts through the fog of the future, so that it’s now and then a tiny bit later a whole different now, etc. Except if time is really passing, how fast does it go? At what rate does the present change? See? Meaning if we use time to measure motion or rate—which we do, it’s the only way you can—95 miles per hour, 70 heartbeats a minute, etc.—how are you supposed to measure the rate at which time moves? One second per second? It makes no sense. You can’t even talk about time flowing or moving without hitting up against paradox right away. So think for a second: What if there’s really no movement at all? What if this is all unfolding in the one flash you call
the present, this first, infinitely tiny split-second of impact when the speeding car’s front bumper’s just starting to touch the abutment, just before the bumper crumples and displaces the front end and you go violently forward and the steering column comes back at your chest as if shot out of something enormous? Meaning that what if in fact this now is infinite and never really passes in the way your mind is supposedly wired to understand pass, so that not only your whole life but every single humanly conceivable way to describe and account for that life has time to flash like neon shaped into those connected cursive letters that businesses’ signs and windows love so much to use through your mind all at once in the literally immeasurable instant between impact and death, just as you start forward to meet the wheel at a rate no belt ever made could restrain—THE END."
footnote ("Good Old Neon")
”
”
David Foster Wallace (Oblivion)
“
As she rounded a corner one of her favourite songs came on the radio, and sunlight filtered through the trees the way it does with lace curtains, reminding her of her grandmother, and tears began to slide down her cheeks. Not for her grandmother, who was then still very much among the living, but because she felt an enveloping happiness to be alive, a joy made stronger by the certainty that someday it would all come to an end. It overwhelmed her, made her pull the car to the side of the road. Afterwards she felt a little foolish, and never spoke to anyone about it. Now, however, she knows she wasn’t being foolish. She realizes that for no particular reason she stumbled into the core of what it is to be human. It’s a rare gift to understand that your life is wondrous, and that it won’t last forever.
”
”
Steven Galloway (The Cellist of Sarajevo)
“
That year it seemed as if the summer were never coming to an end: days of shimmering golden stillness followed each other in equal radiance, as if by their sweetness and peace they wanted to make the war, now in its bloodiest period, appear doubly insensate. As the sun dipped behind the chain of mountain peaks, as the sky paled into tenderer blue, as the road stretched away more peacefully and all life folded in upon itself like the breathing of a sleeper, that stillness grew more and more accessible and acceptable to the human soul. Surely that Sabbath peace lay over the whole of the German fatherland, and in a sudden uprush of yearning the Major thought of his wife and children whom he saw walking over the sunset fields. "I wish this were all over and done with," and Esch could not find any word of comfort for him. Hopeless and dreary this life seemed to both of them, its sole meagre return a walk in the evening landscape which they were both contemplating. It's like a reprieve, thought Esch. And so they went on in silence.
”
”
Hermann Broch (The Sleepwalkers (The Sleepwalkers, #1-3))
“
Karsa shrugged. ‘The Malazan soldiers in Genabaris said the Seven Cities was going to rebel against their occupiers. This is why the Teblor do not make conquests. Better that the enemy keeps its land, so that we may raid again and again.’
‘Not the imperial way,’ the Daru responded, shaking his head. ‘Possession and control, the two are like insatiable hungers for some people. Oh, no doubt the Malazans have thought up countless justifications for their wars of expansion. It’s well known that Seven Cities was a rat’s warren of feuds and civil wars, leaving most of the population suffering and miserable and starving under the heels of fat warlords and corrupt priest-kings. And that, with the Malazan conquest, the thugs ended up spiked to the city walls or on the run. And the wilder tribes no longer sweep down out of the hills to deliver mayhem on their more civilized kin. And the tyranny of the priesthoods was shattered, putting an end to human sacrifice and extortion. And of course the merchants have never been richer, or safer on these roads. So, all in all, this land is rife for rebellion.
”
”
Steven Erikson (House of Chains (Malazan Book of the Fallen, #4))
“
I wish I could say, James, that we forgave each other in the end. I wish I could say: she put her head on my shoulder and I welcomed it and we laughed and said all was well. But in fact we were quiet for a long time, and we heard a television laughing across the road and the train leaving for Liverpool Street, and then she said, 'Do you think we can love each other and never ever forgive?'
I didn't know, I said. But I thought we ought to try.
(Thomas Hart)
”
”
Sarah Perry (Enlightenment)
“
You are stronger than you think. I have weathered many storms, tragedies, and heartaches in my life–and here I am still standing. Here you are still standing. Joy is right around the corner you just have to change your focus and look for it. And that can be rough. Rough roads can be unbearable, but you can walk them. Sometimes when you come to the end of yourself–give yourself a chance to dig in deeper. Look for the good, and you’ll find strength you never knew you had.
”
”
Michelle Muriel
“
Never forget that for 250 years black people were born into chains—whole generations followed by more generations who knew nothing but chains. You must struggle to truly remember this past in all its nuance, error, and humanity. You must resist the common urge toward the comforting narrative of divine law, toward fairy tales that imply some irrepressible justice. The enslaved were not bricks in your road, and their lives were not chapters in your redemptive history. They were people turned to fuel for the American machine. Enslavement was not destined to end, and it is wrong to claim our present circumstance—no matter how improved—as the redemption for the lives of people who never asked for the posthumous, untouchable glory of dying for their children. Our triumphs can never compensate for this. Perhaps our triumphs are not even the point. Perhaps struggle is all we have because the god of history is an atheist, and nothing about his world is meant to be. So you must wake up every morning knowing that no promise is unbreakable, least of all the promise of waking up at all. This is not despair. These are the preferences of the universe itself: verbs over nouns, actions over states, struggle over hope.
”
”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
A Prayer by Thomas Merton My Lord God, I have no idea where I am going. I do not see the road ahead of me. I cannot know for certain where it will end. Nor do I really know myself, and the fact that I think I am following your will does not mean that I am actually doing so. But I believe that the desire to please you does in fact please you. And I hope I have that desire in all that I am doing. I hope that I will never do anything apart from that desire. And I know that if I do this you will lead me by the right road, though I may know nothing about it. Therefore will I trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone.
”
”
Kevin O'Brien (The Ignatian Adventure: Experiencing the Spiritual Exercises of St. Ignatius in Daily Life)
“
My Lord God, I have no idea where I am going. I do not see the road ahead of me. I cannot know for certain where it will end. Nor do I really know myself, and the fact that I think I am following your will does not mean that I am actually doing so. But I believe that the desire to please you does in fact please you. And I hope I have that desire in all that I am doing. I hope that I will never do anything apart from that desire. And I know that if I do this you will lead me by the right road, though I may know nothing about it. Therefore I will trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone. —Thomas Merton, Thoughts in Solitude
”
”
Barbara Brown Taylor (Learning to Walk in the Dark: Because Sometimes God Shows Up at Night)
“
Life’s journey doesn’t start on the highest mountain peak where a clear view of the trail ahead, obstacles and all, is laid out for us to observe before setting foot on the path. No. Life’s journey begins on a low road, in a valley, or even down inside a pit where the trail beyond can only be seen in short stretches, and any obstacles are met as they come. This makes life trying, even scary at times. Have faith that God gave you this life, and hence it is worth seeing through to the end of the trail.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
If only I had met Molly sooner, when it was still possible to choose one road rather than another! Before that bitch Musyne and that little turd Lola crimped my enthusiasm! But it was too late to start being young again. I didn't believe in it any more! We grow old so quickly and, what's more, irremediably. You can tell by the way you start loving your misery in spite of yourself. Nature is stronger than we are, no two ways about it. She tries us in one particular mould, and we're never able to throw it off. I had started out as the restless type. Little by little, without realizing it, you begin to take your role and fate seriously, and, before you know it, it's too late to change. You're a hundred per cent restless, and it's set that way for good.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Even innocent people find themselves in trouble, Adolfina is innocent. We're all innocent. The only ones at fault for the bad things that are happening are the authorities. They with their way of being. Their behavior. Yes, the only ones who go to jail or end up wounded or dead along the roads are the poor. And that's because the authorities have a predilection--they know who to hassle. They exist to boss the poor around. To order the poor about, to beat up on the poor and to carry them off as if they were animals. Someday the good life they're living will end. Always doing it to the people, always. They've never suffered the slightest hurt. That's where they get their pride from. Once they're in uniform they think they're kings of the world, and they themselves say they're disposed to anything
”
”
Manlio Argueta (One Day of Life)
“
He closed the book and said, “We believe too often that on the roads we walk we walk alone. Which is never true. Even this man who is unknown to us was known to God and God was his constant companion. God never promised us an easy life. He never promised that we wouldn’t suffer, that we wouldn’t feel despair and loneliness and confusion and desperation. What he did promise was that in our suffering we would never be alone. And though we may sometimes make ourselves blind and deaf to his presence he is beside us and around us and within us always. We are never separated from his love. And he promised us something else, the most important promise of all. That there would be surcease. That there would be an end to our pain and our suffering and our loneliness, that we would be with him and know him, and this would be heaven. This man, who in life may have felt utterly alone, feels alone no more. This man, whose life may have been days and nights of endless waiting, is waiting no more. He is where God always knew he would be, in a place prepared. And for this we rejoice.
”
”
William Kent Krueger (Ordinary Grace)
“
What happened? Stan repeats.
To us?
To the country?
What happened when childhood ends in Dealey Plaza, in Memphis, in the kitchen of the Ambassador, your belief your hope your trust lying in a pool of blood again? Fifty-five thousand of your brothers dead in Vietnam, a million Vietnamese, photos of naked napalmed children running down a dirt road, Kent State, Soviet tanks roll into Prague so you turn on drop out you know you can't reinvent the country but maybe you reimagine yourself you believe you really believe that you can that you can create a world of your own and then you lower that expectation to just a piece of ground to make a stand on but then you learn that piece of ground costs money that you don't have.
What happened?
Altamont, Charlie Manson, Sharon Tate, Son of Sam, Mark Chapman we saw a dream turn into a nightmare we saw love and peace turn into endless war and violence our idealism into realism our realism into cynicism our cynicism into apathy our apathy into selfishness our selfishness into greed and then greed was good and we
Had babies, Ben, we had you and we had hopes but we also had fears we created nests that became bunkers we made our houses baby-safe and we bought car seats and organic apple juice and hired multilingual nannies and paid tuition to private schools out of love but also out of fear.
What happened?
You start by trying to create a new world and then you find yourself just wanting to add a bottle to your cellar, a few extra feet to the sunroom, you see yourself aging and wonder if you've put enough away for that and suddenly you realize that you're frightened of the years ahead of you what
Happened?
Watergate Irangate Contragate scandals and corruption all around you and you never think you'll become corrupt but time corrupts you, corrupts as surely as gravity and erosion, wears you down wears you out I think, son, that the country was like that, just tired, just worn out by assassinations, wars, scandals, by
Ronald Reagan, Bush the First selling cocaine to fund terrorists, a war to protect cheap gas, Bill Clinton and realpolitik and jism on dresses while insane fanatics plotted and Bush the Second and his handlers, a frat boy run by evil old men and then you turn on the TV one morning and those towers are coming down and the war has come home what
Happened?
Afghanistan and Iraq the sheer madness the killing the bombing the missiles the death you are back in Vietnam again and I could blame it all on that but at the end of the day at the end of the day
we are responsible for ourselves.
We got tired, we got old we gave up our dreams we taught ourselves to scorn ourselves to despise our youthful idealism we sold ourselves cheap we aren't
Who we wanted to be.
”
”
Don Winslow (The Kings of Cool (Savages, #1))
“
In the tense silence the continual buzzing of the horseflies was the only audible sound, that and the constant rain beating down in the distance, and, uniting the two, the ever more frequent scritch-scratch of the bent acacia trees outside, and the strange nightshift work of the bugs in the table legs and in various parts of the counter whose irregular pulse measured out the small parcels of time, apportioning the narrow space into which a word, a sentence or a movement might perfectly fit. The entire end-of-October night was beating with a single pulse, its own strange rhythm sounding through trees and rain and mud in a manner beyond words or vision: a vision present in the low light, in the slow passage of darkness, in the blurred shadows, in the working of tired muscles; in the silence, in its human subjects, in the undulating surface of the metaled road; in the hair moving to a different beat than do the dissolving fibers of the body; growth and decay on their divergent paths; all these thousands of echoing rhythms, this confusing clatter of night noises, all parts of an apparently common stream, that is the attempt to forget despair; though behind things other things appear as if by mischief, and once beyond the power of the eye they don't hang together. So with the door left open as if forever, with the lock that will never open. There is a chasm, a crevice.
”
”
László Krasznahorkai (Satantango)
“
Some of the city legislators, whose concern for appropriate names and the maintenance of the city's landmarks was the principal part of their political life, saw to it that "Doctor Street" was never used in any official capacity. And since they knew that only Southside residents kept it up, they had notices posted in the stores, barbershops, and restaurants in that part of the city saying that the avenue running northerly and southerly from Shore Road fronting the lake to the junction of routes 6 and 2 leading to Pennsylvania, and also running parallel to and between Rutherford Avenue and Broadway, had always been and would always be known as Mains Avenue and not Doctor Street.
It was a genuinely clarifying public notice because it gave Southside residents a way to keep their memories alive and please the city legislators as well. They called it Not Doctor Street, and were inclined to call the charity hospital at its northern end No Mercy Hospital since it was 1931, on the day following Mr. Smith's leap from its cupola, before the first colored expectant mother was allowed to give birth inside its wards and not on its steps.
”
”
Toni Morrison (Song of Solomon)
“
I've been ordered to take you men with me. I've been told that if you don't come I can shoot you. Well, you know I won't do that. Not Maine men. I won't shoot any man who doesn't want this fight. Maybe someone else will, but I won't. So that's that."
He paused again. There was nothing on their faces to lead him.
"Here's the situation. I've been ordered to take you along, and that's what I'm going to do. Under guard if necessary. But you can have your rifles if you want them. The whole Reb army is up the road a ways waiting for us and this is no time for an argument like this. I tell you this: we sure can use you. We're down below half strength and we need you, no doubt of that. But whether you fight or not is up to you. Whether you come along, well, you're coming."
Tom had come up with Chamberlain's horse. Over the heads of the prisoners Chamberlain could see the regiment falling into line out in the flaming road. He took a deep breath.
"Well, I don't want to preach to you. You know who we are and what we're doing here. But if you're going to fight alongside us there's a few things I want you to know."
He bowed his head, not looking at eyes. He folded his hands together.
"This regiment was formed last fall, back in Maine. There were a thousand of us then. There's not three hundred of us now." He glanced up briefly. "But what is left is choice."
He was embarrassed. He spoke very slowly, staring at the ground.
"Some of us volunteered to fight for Union. Some came in mainly because we were bored at home and this looked like it might be fun. Some came because we were ashamed not to. Many of us came...because it was the right thing to do. All of us have seen men die. Most of us never saw a black man back home. We think on that, too. Freedom...is not just a word."
He looked into the sky, over silent faces.
"This is a different kind of army. If you look at history you'll see men fight for pay, or women, or some other kind of loot. They fight for land, or because a king makes them, or just because they like killing. But we're here for something new. I don't...this hasn't happened much in the history of the world. We're an army going out to set other men free."
He bent down, scratched the black dirt into his fingers. He was beginning to warm to it; the words were beginning to flow. No one in front of him was moving. He said, "This is free ground. All the way to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by what your father was. Here you can be something. Here's a place to build a home. It isn't the land- there's always more land. It's the idea that we all have value, you and me, we're worth something more than the dirt. I never saw dirt I'd die for, but I'm not asking you to come join us and fight for dirt. What we're all fighting for, in the end, is each other.
”
”
Michael Shaara (The Killer Angels: A Novel of the Civil War)
“
Imagining the end of things, when you are a child, is perhaps impossible. The thin child, despite the war that was raging, was more afraid of eternal boredom, of doing nothing that mattered, of day after day going nowhere, than she was of death or the end of things. When she thought of death she thought of the little boy across the road who had died of diabetes. No one at school, told of this, knew how to respond. Some giggled. They shifted in their seats. She did not, in fact, imagine this boy as dead; she went no further than understanding that he was not there and never would be. She knew that her father would not return, but she knew this as a fact in her own life, not in his. He would not be there again. She had nightmares about hangings, appalled that any human being could condemn any other human to live through the time of knowing the end was ineluctably coming.
”
”
A.S. Byatt (Ragnarok)
“
What I remember most clearly is how it felt. I’d just finished painting a red fire engine-like the one I often walked past near my grandparents’ house. Suddenly the teachers, whose names I've long forgotten, closed in on my desk. They seemed unusually impressed, and my still dripping fire engine was immediately and ceremoniously pinned up. I don’t know what they might have said, but their unexpected attention and having something I’d made given a place of honor on the wall created an overwhelming and totally unfamiliar sense of pride inside me. I loved that feeling, and I wanted to feel it again and again. That desire, I suppose, was the beginning of my career.
I have no idea where my fire engine painting ended up, but I never forgot the basic layout. Several decades later, it served as the inspiration for this sketch for an illustration in a book called Why the chicken crossed the Road.
”
”
David Macaulay
“
Personal happiness is an end game; it is not an immediate necessity. A person whom attains lasting happiness will necessarily endure many hardships. People earn happiness by courageously braving the storms of life, instead of merely existing. A person must steep oneself in the type of experiences that girds one when times on the streets are the meanest. I will garner a comforting sense of self-satisfaction from taking the longer and more difficult road to personal happiness. I can never again work exclusively for money. I shall seek truth wherever it exists, muster the courage to plunge along headfirst without fear, maintain personal dreams when all hope seems lost, and adamantly refuse to be mollified or satisfied with anything less than my very best work. I will dedicate personal efforts to mining my substratum while maintaining a diligent stewardship of a cherished central individuality.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
I love London. I love everything about it. I love its palaces and its museums and its galleries, sure. But also, I love its filth, and damp, and stink. Okay, well, I don’t mean love, exactly. But I don’t mind it. Not any more. Not now I’m used to it. You don’t mind anything once you’re used to it. Not the graffiti you find on your door the week after you painted over it, or the chicken bones and cider cans you have to move before you can sit down for your damp and muddy picnic. Not the everchanging fast food joints – AbraKebabra to Pizza the Action to Really Fried Chicken – and all on a high street that despite its three new names a week never seems to look any different. Its tawdriness can be comforting, its wilfulness inspiring. It’s the London I see every day. I mean, tourists: they see the Dorchester. They see Harrods, and they see men in bearskins and Carnaby Street. They very rarely see the Happy Shopper on the Mile End Road, or a drab Peckham disco. They head for Buckingham Palace, and see waving above it the red, white and blue, while the rest of us order dansak from the Tandoori Palace, and see Simply Red, White Lightning, and Duncan from Blue. But we should be proud of that, too. Or, at least, get used to it.
”
”
Danny Wallace (Charlotte Street)
“
Yesterday, I went to see Gladwell, who is home for a few days. A terrible blow has struck them, his young sister, so full of life, with dark eyes and hair, had fallen from a horse at Blackheath; they found her unconscious and she died five hours later, without regaining consciousness. She was seventeen years old. As soon as I heard the news, I went to see them, knowing that Gladwell was home. I left at eleven o’clock; and had a long walk to Lewisham. I crossed London from one end to the other and didn’t arrive at my destination until almost five o’clock. They had all just come back from the funeral; the whole household was in mourning. I was happy to have come, but confused, truly upset by the spectacle of a pain so great and so venerable. “Blessed are they that mourn, blessed are they that sorrow, but always rejoice, blessed are the pure in heart for they shall see God. Blessed are those that find love on their road, who are bound together by God, for to them all things will work together for their good.” I chatted for a long time, until evening, with Harry, about everything, the kingdom of God, the Bible; we chatted further, we walked up and down the station platform. Never will we forget the moments before we said goodbye.
”
”
Vincent van Gogh (The Letters of Vincent van Gogh)
“
I want you to know never have a bad day. there's never bad things that happen there is merely changes in direction on the road of live. You never come to a dead end just turn left or right you know and it's gonna be good. You'll still get where you want. You're going down the hallway, you're just gonna bounce of the walls a little bit.
The law of attraction, just like the law of gravity. You can't out-will the law of gravity and you cannot out-will the law of attraction. it's a real physical law, it?
Science has determent really exists the more you think about beautiful amazing things the reality is those things are gonna come right to you. The more you think about the things you fear, the more you start to think about things you don't want to happen, or you're scared of or whatever those things are gonna come to you.because you're dwelling on them, even if you're dwelling on the fact that you're scared of them, it's just putting those images out those frequencies from your brain,
Whenever you start to feel scared or fucked up, or it's a bad day , instantly think about great things, successful things, beautiful things, helping people,going out there and living the life that you want to. if it's snowing go outside and think about sun, if you're out of money go outside and think of being a billionaire, if you're horny go out there and think about..me, on top of you, completely naked, sweating just a little bit, and doing all the things to your body that you want me to do. i must sign out, because now, you have to go take a cold shower.
”
”
Tom DeLonge
“
During my stay in London I resided for a considerable time in Clapham Road in the neighbourhood of Clapham Common... One fine summer evening I was returning by the last bus 'outside' as usual, through the deserted streets of the city, which are at other times so full of life. I fell into a reverie (Träumerei), and 10, the atoms were gambolling before my eyes! Whenever, hitherto, these diminutive beings had appeared to me, they had always been in motion: but up to that time I had never been able to discern the nature of their motion. Now, however, I saw how, frequently, two smaller atoms united to form a pair: how the larger one embraced the two smaller ones: how still larger ones kept hold of three or even four of the smaller: whilst the whole kept whirling in a giddy dance. I saw how the larger ones formed a chain, dragging the smaller ones after them but only at the ends of the chain. I saw what our past master, Kopp, my highly honoured teacher and friend has depicted with such charm in his Molekular-Welt: but I saw it long before him. The cry of the conductor 'Clapham Road', awakened me from my dreaming: but I spent part of the night in putting on paper at least sketches of these dream forms. This was the origin of the 'Structural Theory'.
”
”
August Kekulé
“
Dr. Mary Atwater's story was so inspiring. Growing up, Dr. Atwater had a dream to one day be a teacher. But as a black person in the American South during the 1950s, she didn't have many great educational opportunities. It didn't help that she was also a girl, and a girl who loved science, since many believed that science was a subject only for men. Well, like me, she didn't listen to what others said. And also like me, Dr. Atwater had a father, Mr. John C. Monroe, who believed in her dreams and saved money to send her and her siblings to college. She eventually got a PhD in science education with a concentration in chemistry. She was an associate director at New Mexico State University and then taught physical science and chemistry at Fayetteville State University. She later joined the University of Georgia, where she still works as a science education researcher. Along the way, she began writing science books, never knowing that, many years down the road, one of those books would end up in Wimbe, Malawi, and change my life forever.
I'd informed Dr. Atwater that the copy of Using Energy I'd borrowed so many times had been stolen (probably by another student hoping to get the same magic), so that day in Washington, she presented me with my own copy, along with the teacher's edition and a special notebook to record my experiments.
"Your story confirms my belief in human beings and their abilities to make the world a better place by using science," she told me. "I'm happy that I lived long enough to see that something I wrote could change someone's life. I'm glad I found you."
And for sure, I'm also happy to have found Dr. Atwater.
”
”
William Kamkwamba (The Boy Who Harnessed the Wind: Creating Currents of Electricity and Hope)
“
From birth to death and further on
As we were born and introduced into this world,
We had a gift hard to express by word
And somewhere in our continuous road,
It kind of lost it sense and turned.
There was that time we sure remember,
When everything was now and 'till forever
Children with no worries and no regrets,
The only goal was making a few friends.
But later on everything has changed,
By minds that had it all arranged
To bring the people into stress,
Into creating their own mess.
We have been slaved by our own mind,
Turned into something out of our kind
Slowly faded away from the present time,
Forced to believe in lies, in fights and crime.
They made it clearly a fight of the ego,
A never ending war that won't just go
They made it a competitive game,
To seek selfish materialistic fame.
They turned us one against eachother,
Man against man, brother against brother
Dividing us by religion and skin color,
Making us fight to death over a dollar.
Making us lose ourselves in sadly thoughts,
Wasting our days by living in the past
Depressed and haunted by the memories,
And yet still hoping to fly in our dreams.
Some of us tried learning how to dance,
Step after step, giving our soul a new chance
Some of us left our ego vanish into sounds,
Thus being aware of our natural bounce.
Some tried expressing in their rhymes,
The voice of a generation which never dies
They reached eternity through poetry
Leaving the teachings that shall fulfill the prophecy
Others have found their way through spirituality,
Becoming conscious of the human duality
Seeking the spiritual enlightenment,
Of escaping an ego-oriented fighting
Science, philosophy, religion,
Try to explain the human origin.
Maybe changes are yet to come,
And it shall be better for some
Death's for the spirit not an end,
But a relieving of the embodiment
So I believe that furthermore,
We'll understand the power of our soul
But leaving behind all we know,
And all that we might not yet know
It all resumes to that certain truth,
That we all seek to once conclude.
”
”
Virgil Kalyana Mittata Iordache
“
JESUS & THE WEATHER
I don't think Jesus Who is Our Lord would have liked the weather in Limerick because it's always raining and the Shannon keeps the whole city damp. My father says the Shannon is a killer river because it killed my two brothers. When you look at pictures of Jesus He's always wandering around ancient Israel in a sheet. It never rains there and you never hear of anyone coughing or getting consumption or anything like that and no one has a job there because all they do is stand around and eat manna and shake their fists and go to crucifixions.
Anytime Jesus got hungry all He had to do was go up the road to a fig tree or an orange tree and have His fill. If He wanted a pint He could wave His hand over a big glass and there was the pint. Or He could visit Mary Magdalene and her sister, Martha, and they'd give Him His dinner no questions asked and He'd get his feet washed and dried with Mary Magdalene's hair while Martha washed the dishes, which I don't think is fair. Why should she have to wash the dishes while her sister sits out there chatting away with Our Lord? It's a good thing Jesus decided to be born Jewish in that warm place because if he was born in Limerick he'd catch the consumption and be dead in a month and there wouldn't be any Catholic Church and there wouldn't be any Communion or Confirmation and we wouldn't have to learn the catechism and write compositions about Him.
The End.
”
”
Frank McCourt (Angela's Ashes (Frank McCourt, #1))
“
A single name of a multitude of practices centered about the auto-driven auto. Flashing across the country in the sure hands of an invisible chauffeur, windows all opaque, night dark, sky high, tires assailing the road below like four phantom buzzsaws—and starting from scratch and ending in the same place, and never knowing where you are going or where you have been—it is possible, for a moment, to kindle some feeling of individuality in the coldest brainpan, to produce a momentary awareness of self by virtue of an apartness from all but a sense of motion. This is because movement through darkness is the ultimate abstraction of life itself—at least that’s what one of the Vital Comedians said, and everybody in the place laughed.
”
”
Roger Zelazny (The Dream Master)
“
I hope this doesn’t sound racist—these days I never know what will give offense—but black people seem terribly good at waiting, as if they inherited the gene for patience along with the one for sickle-cell. I noticed that in Africa as well: dozens of Africans sitting or standing by the side of the road, waiting for the bus or, even harder, waiting for nothing in particular, and they never appeared restive or annoyed. They didn’t pull grass and chew the tender ends with their front teeth; they didn’t draw aimless pictures with the toes of their plastic sandals in the dry red clay. They were still, and present. The capacity is existential, that ability to just be, with a profundity that I have seen elude some very well educated people.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle.
Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
Girls don’t learn the difference between personal victory and team victory or personal loss and team loss. Girls learned that if you don’t do it yourself, it doesn’t get done. Girls were never asked to fight the war in Vietnam or any other war. But if they had been, girls would have won. Girls would have felt guilty for not winning it sooner, and girls would have restored all of the roads, rebuilt all of the bombed homes, adopted all of the orphans, established daycare centers, domestic violence shelters and homeless shelters, and girls would have processed endlessly about what we could have done to have prevented the war and what we still can do to prevent it from ever happening again. Because girls believe, in the end, everything that happens is our own personal fault.
”
”
Cheryl Peck (Fat Girls and Lawn Chairs)
“
John has a narrow mind. For him, neither the beauty nor the prosperity of the city of Ephesus is worth a second glance. Ephesus was situated at the end of the Silk Road from China and the caravan route from India which used to pass through the Parthian Empire en route to the West. But the prophet is quite unaware that this particular world exists at all. Even culture means absolutely nothing to him; for example, in 18:22 he rejoices that not only song but also the sound of the flute have disappeared. The world which he knows is limited to the seven churches whose Christianity corresponded with his own; and that in but a single province of the Roman Empire, namely Asia. As to the rest, he is only familiar with the mother church in Jerusalem and the sister church in Rome.
John is utterly obsessed by Rome. The fact that this particular metropolis had bestowed both law and peace upon no less than one-half of the world never got through to him at all. He is also quite oblivious of the fact that Rome oppresses nations and exploits slaves. He could not care less about national or social considerations. He abominates the "whore on the seven hills" simply because Rome is persecuting Christians. This is precisely what the Apocalypse is all about: innocent suffering.
”
”
Gilles Quispel (The Secret Book of Revelation: The Apocalypse of St John the Divine)
“
The entire end-of-October night was beating with a single pulse, its own strange rhythm sounding through trees and rain and mud in a manner beyond words or vision: a vision present in the low light, in the slow passage of darkness, in the blurred shadows, in the working of tired muscles; in the silence, in its human subjects, in the undulating surface of the metaled road; in the hair moving to a different beat than do the dissolving fibers of the body; growth and decay on their divergent paths; all these thousands of echoing rhythms, this confusing clatter of night noises, all parts of an apparently common stream, that is the attempt to forget despair; though behind things other things appear as if by mischief, and once beyond the power of the eye they no longer hang together. So with the door left open as if forever, with the lock that will never open.
”
”
László Krasznahorkai (Satantango)
“
Science, like love, is a means to that transcendence, to that soaring experience of the oneness of being fully alive. The scientific approach to nature and my understanding of love are the same: Love asks us to get beyond the infantile projections of our personal hopes and fears, to embrace the other’s reality. This kind of unflinching love never stops daring to go deeper, to reach higher.
This is precisely the way that science loves nature. This lack of a final destination, an absolute truth, is what makes science such a worthy methodology for sacred searching. It is a never ending lesson in humility. The vastness of the universe—and love, the thing that makes the vastness bearable—is out of reach to the arrogant. This cosmos only fully admits those who listen carefully for the inner voice reminding us to remember we might be wrong. What’s real must matter more to us than what we wish to believe. But how do we tell the difference?
I know a way to part the curtains of darkness that prevent us from having a complete experience of nature. Here it is, the basic rules of the road for science: Test ideas by experiment and observation. Build on those ideas that pass the test. Reject the ones that fail. Follow the evidence wherever it leads. And question everything, including authority. Do these things and the cosmos is yours.
”
”
Ann Druyan (Cosmos: Possible Worlds)
“
Whatever the final cost of HS2, all those tens of billions could clearly buy lots of things more generally useful to society than a quicker ride to Birmingham. Then there is all the destruction of the countryside. A high-speed rail line offers nothing in the way of charm. It is a motorway for trains. It would create a permanent very noisy, hyper-visible scar across a great deal of classic British countryside, and disrupt and make miserable the lives of hundreds of thousands of people throughout its years of construction. If the outcome were something truly marvellous, then perhaps that would be a justifiable price to pay, but a fast train to Birmingham is never going to be marvellous. The best it can ever be is a fast train to Birmingham. Remarkably, the new line doesn’t hook up to most of the places people might reasonably want to go to. Passengers from the north who need to get to Heathrow will have to change trains at Old Oak Common, with all their luggage, and travel the last twelve miles on another service. Getting to Gatwick will be even harder. If they want to catch a train to Europe, they will have to get off at Euston station and make their way half a mile along the Euston Road to St Pancras. It has actually been suggested that travelators could be installed for that journey. Can you imagine travelling half a mile on travelators? Somebody find me the person who came up with that notion. I’ll get the horsewhip. Now here’s my idea. Why not keep the journey times the same but make the trains so comfortable and relaxing that people won’t want the trip to end? Instead, they could pass the time staring out the window at all the gleaming hospitals, schools, playing fields and gorgeously maintained countryside that the billions of saved pounds had paid for. Alternatively, you could just put a steam locomotive in front of the train, make all the seats inside wooden and have it run entirely by volunteers. People would come from all over the country to ride on it. In either case, if any money was left over, perhaps a little of it could be used to fit trains with toilets that don’t flush directly on to the tracks, so that when I sit on a platform at a place like Cambridge or Oxford glumly eating a WH Smith sandwich I don’t have to watch blackbirds fighting over tattered fragments of human waste and toilet paper. It is, let’s face it, hard enough to eat a WH Smith sandwich as it is.
”
”
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
“
But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once
in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man,
as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross.
Few people nowadays know what man is. Many sense this ignorance and die the more easily because of it, the same way that I will die more easily once I have completed this story. I do not consider myself less ignorant than most people. I have been and still am a seeker, but I have ceased to question stars and books; I have begun to listen to the teachings my blood whispers to me. My story is not a pleasant one; it is neither sweet nor harmonious, as invented stories are; it has the taste of nonsense and chaos, of madness and dreams--like the lives of all men who stop deceiving themselves. Each man's life represents a road toward himself, an attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself. Yet each one strives to become that--one in an awkward, the other in a more intelligent way, each as best he can. Each man carries the vestiges of his birth--the slime and eggshells of his primeval past--with him to the end of his days. Some never become human, remaining frog, lizard, ant. Some are human above the waist, fish below. Each represents a gamble on the part of nature in creation of the human. We all share the same origin, our mothers; all of us come in at the same door. But each of us--experiments of the depths--strives toward his own destiny. We can understand one another; but each of us is able to interpret himself to himself alone.
”
”
Hermann Hesse (Demian: Die Geschichte von Emil Sinclairs Jugend)
“
As she looked into all the hopeful but weary eyes of the magical community, Brystal was reminded of her final moments with Madame Weatherberry, and she knew exactly what she wanted to say.
"Hello, everyone," she said. "I can only imagine what you've all been through to get here - both in life and on the road. This historic day is possible thanks to a long history of brave men and women making tremendous sacrifices. And although the fight for acceptance and freedom may seem like it's over, our work isn't finished. The world will never be a better place for us until we make it a better place for all. And no matter what challenges await us, no matter whose favor we've yet to earn, we cannot allow anyone's hate to rob us of our compassion or dampen our ambition along the way."
"The truth is," Brystal continued, "there will always be a fight, there will always be bridges to cross and stones to turn, but we must never forfeit our joy to the times we live in. When we surrender our ability to be happy, we become as flawed as the battles we face. And too many lives have already been lost for us to lose sight of what we're fighting for now. So let's honor the people who gave their lives for this moment to happen - let's cherish their memory by living each and every day as freely, as proudly, and as joyfully as they would have wanted us to. Together let's begin a new chapter for our community, so when they tell our story years in the future, the tale of magic has a happy and prosperous ending.
”
”
Chris Colfer (A Tale of Magic... (A Tale of Magic, #1))
“
According to the gospels, Christ healed diseases, cast out devils, rebuked the sea, cured the blind, fed multitudes with five loaves and two fishes, walked on the sea, cursed a fig tree, turned water into wine and raised the dead.
How is it possible to substantiate these miracles?
The Jews, among whom they were said to have been performed, did not believe them. The diseased, the palsied, the leprous, the blind who were cured, did not become followers of Christ. Those that were raised from the dead were never heard of again.
Can we believe that Christ raised the dead?
A widow living in Nain is following the body of her son to the tomb. Christ halts the funeral procession and raises the young man from the dead and gives him back to the arms of his mother.
This young man disappears. He is never heard of again. No one takes the slightest interest in the man who returned from the realm of death. Luke is the only one who tells the story. Maybe Matthew, Mark and John never heard of it, or did not believe it and so failed to record it.
John says that Lazarus was raised from the dead.
It was more wonderful than the raising of the widow’s son. He had not been laid in the tomb for days. He was only on his way to the grave, but Lazarus was actually dead. He had begun to decay.
Lazarus did not excite the least interest. No one asked him about the other world. No one inquired of him about their dead friends.
When he died the second time no one said: “He is not afraid. He has traveled that road twice and knows just where he is going.”
We do not believe in the miracles of Mohammed, and yet they are as well attested as this. We have no confidence in the miracles performed by Joseph Smith, and yet the evidence is far greater, far better.
If a man should go about now pretending to raise the dead, pretending to cast out devils, we would regard him as insane. What, then, can we say of Christ? If we wish to save his reputation we are compelled to say that he never pretended to raise the dead; that he never claimed to have cast out devils.
We must take the ground that these ignorant and impossible things were invented by zealous disciples, who sought to deify their leader. In those ignorant days these falsehoods added to the fame of Christ. But now they put his character in peril and belittle the authors of the gospels.
Christianity cannot live in peace with any other form of faith. If that religion be true, there is but one savior, one inspired book, and but one little narrow grass-grown path that leads to heaven.
Why did he not again enter the temple and end the old dispute with demonstration? Why did he not confront the Roman soldiers who had taken money to falsely swear that his body had been stolen by his friends? Why did he not make another triumphal entry into Jerusalem? Why did he not say to the multitude: “Here are the wounds in my feet, and in my hands, and in my side. I am the one you endeavored to kill, but death is my slave”? Simply because the resurrection is a myth. The miracle of the resurrection I do not and cannot believe.
We know nothing certainly of Jesus Christ. We know nothing of his infancy, nothing of his youth, and we are not sure that such a person ever existed.
There was in all probability such a man as Jesus Christ. He may have lived in Jerusalem. He may have been crucified; but that he was the Son of God, or that he was raised from the dead, and ascended bodily to heaven, has never been, and, in the nature of things, can never be, substantiated.
”
”
Robert G. Ingersoll
“
I have raised you to respect every human being as singular, and you must extend that same respect into the past. Slavery is not an indefinable mass of flesh. It is particular, specific enslaved woman, whose mind is active as your own, whose range of feeling is as vast as your own; who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddies in a nearby stream, who loves her mother in her own complicated way, thinks her sister talks too loud, has a favorite cousin, a favorite season, who excels at dressmaking and knows, inside herself, that she is as intelligent and capable as anyone. 'Slavery' is this same woman born in a world that loudly proclaims its love of freedom and inscribes this love in its essential texts, a world in which these same professors hold this woman a slave, hold her mother a slave, her father a slave, her daughter a slave, and when this woman peers back into the generations all she sees is the enslaved. she can hope for more. But when she dies, the world - which is really the only world she can ever know - ends. For this woman, enslavement is not a parable. It is damnation. It is the never-ending night. And the length of that night is most of our history. Never forget that we were enslaved in this country longer than we have been free. Never forget that for 250 years black people were born into chains - whole generations followed by more generations who knew nothing but chains.
You must struggle to truly remember this past in all its nuance, error, and humanity. You must resist the common urge toward the comforting narrative of divine law, toward fairy tales that imply some irrepressible justice. The enslaved were not bricks in your road, and their lives were not chapters in your redemptive history. They were people turned to fuel for the American machine. Enslavement was not destined to end, and it is wrong to claim our present circumstance - not matter how improved - as the redemption for the lives of people who never asked for the posthumous, untouchable glory of dying for their children. Our triumphs can never compensate for this. Perhaps our triumphs are not even the point. Perhaps struggle is all we have because the god of history is an atheist, and nothing about his world is meant to be. So you must wake up every morning knowing that no promise is unbreakable, least of all the promise of waking up at all. This is not despair. These are the preferences of the universe itself: verbs over nouns, actions over states, struggle over hope.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
She was a hunchback with a sweet smile. She smiled sweetly at anything; she couldn't help it; the trees, me, the grass, anything. The basket pulled her down, dragging her toward the ground. She was such a tiny woman, with a hurt face, as if slapped forever. She wore a funny old hat, an absurd hat, a maddening hat, a hat to make me cry, a hat with faded red berries on the brim. And there she was, smiling at everything, struggling across the carpet with a heavy basket containing Lord knew what, wearing a plumed hat with red berries.
I got up. It was so mysterious. There I was, like magic, standing up, my two feet on the ground, my eyes drenched.
I said, "Let me help."
She smiled again and gave me the basket. We began to walk. She led the way. Beyond the trees it was stifling. And she smiled. It was so sweet it nearly tore my head off. She talked, she told me things I never remembered. It didn't matter. In a« dream she held me, in a dream I followed under the blinding sun. For blocks we went forward. I hoped it would never end. Always she talked in a low voice made of human music. What words! What she said! I remembered nothing. I was only happy. But in my heart I was dying. It should have been so. We stepped from so many curbs, I wondered why she did not sit upon one and hold my head while I drifted away. It was the chance that never came again.
That old woman with the bent back! Old woman, I feel so joyfully your pain. Ask me a favor, you old woman you! Anything. To die is easy. Make it that. To cry is easy, lift your skirt and let me cry and let my tears wash your feet to let you know I know what life has been for you, because my back is bent too, but my heart is whole, my tears are delicious, my love is yours, to give you joy where God has failed. To die is so easy and you may have my life if you wish it, you old woman, you hurt me so, you did, I will do anything for you, to die for you, the blood of my eighteen years flowing in the gutters of Wilmington and down to the sea for you, for you that you might find such joy as is now mine and stand erect without the horror of that twist.
I left the old woman at her door.
The trees shimmered. The clouds laughed. The blue sky took me up. Where am I? Is this Wilmington, California? Haven't I been here before? A melody moved my feet. The air soared with Arturo in it, puffing him in and out and making him something and nothing. My heart laughed and laughed. Goodbye to Nietzsche and Schopenhauer and all of you, you fools, I am much greater than all of you! Through my veins ran music of blood. Would it last? It could not last. I must hurry. But where? And I ran toward home. Now I am home. I left the book in the park. To hell with it. No more books for me. I kissed my mother. I clung to her passionately. On my knees I fell at her feet to kiss her feet and cling to her ankles until it must have hurt her and amazed her that it was I.
”
”
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
“
Humans never outgrow their need to connect with others, nor should they, but mature, truly individual people are not controlled by these needs. Becoming such a separate being takes the whole of a childhood, which in our times stretches to at least the end of the teenage years and perhaps beyond. We need to release a child from preoccupation with attachment so he can pursue the natural agenda of independent maturation. The secret to doing so is to make sure that the child does not need to work to get his needs met for contact and closeness, to find his bearings, to orient.
Children need to have their attachment needs satiated; only then can a shift of energy occur toward individuation, the process of becoming a truly individual person. Only then is the child freed to venture forward, to grow emotionally. Attachment hunger is very much like physical hunger. The need for food never goes away, just as the child's need for attachment never ends. As parents we free the child from the pursuit of physical nurturance. We assume responsibility for feeding the child as well as providing a sense of security about the provision. No matter how much food a child has at the moment, if there is no sense of confidence in the supply, getting food will continue to be the top priority.
A child is not free to proceed with his learning and his life until the food issues are taken care of, and we parents do that as a matter of course. Our duty ought to be equally transparent to us in satisfying the child's attachment hunger.
In his book On Becoming a Person, the psychotherapist Carl Rogers describes a warm, caring attitude for which he adopted the phrase unconditional positive regard because, he said, “It has no conditions of worth attached to it.” This is a caring, wrote Rogers, “which is not possessive, which demands no personal gratification. It is an atmosphere which simply demonstrates I care; not I care for you if you behave thus and so.” Rogers was summing up the qualities of a good therapist in relation to her/his clients.
Substitute parent for therapist and child for client, and we have an eloquent description of what is needed in a parent-child relationship. Unconditional parental love is the indispensable nutrient for the child's healthy emotional growth. The first task is to create space in the child's heart for the certainty that she is precisely the person the parents want and love. She does not have to do anything or be any different to earn that love — in fact, she cannot do anything, since that love cannot be won or lost. It is not conditional. It is just there, regardless of which side the child is acting from — “good” or “bad.” The child can be ornery, unpleasant, whiny, uncooperative, and plain rude, and the parent still lets her feel loved.
Ways have to be found to convey the unacceptability of certain behaviors without making the child herself feel unaccepted. She has to be able to bring her unrest, her least likable characteristics to the parent and still receive the parent's absolutely satisfying, security-inducing unconditional love. A child needs to experience enough security, enough unconditional love, for the required shift of energy to occur. It's as if the brain says, “Thank you very much, that is what we needed, and now we can get on with the real task of development, with becoming a separate being. I don't have to keep hunting for fuel; my tank has been refilled, so now I can get on the road again.” Nothing could be more important in the developmental scheme of things.
”
”
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
“
Man’s Chief End “Man’s chief end,” says the Shorter Catechism, magnificently, “is to glorify God, and to enjoy him for ever.” End, note, not ends; for the two activities are one. God’s chief end, purposed in all that he does, is his glory (and what higher end could he have?), and he has so made us that we find our own deepest fulfillment and highest joy in hallowing his name by praise, submission, and service. God is no sadist, and the principle of our creation is that, believe it or not (and or course many don’t, just as Satan doesn’t), our duty, interest and delight completely coincide. Christians get so hung up with the pagan idea (very dishonoring to God, incidentally) that God’s will is always unpleasant, so that one is rather a martyr to be doing it, that they hardly at first notice how their experience verifies the truth that in Christian living duty and delight go together. But they do!—and it will be even clearer in the life to come. To give oneself to hallowing God’s name as one’s life-task means that living, though never a joy ride, will become increasingly a joy road. Can you believe that? Well, the proof of the pudding is in the eating! Try it, and you will see.
”
”
J.I. Packer (Growing in Christ)
“
So began my love affair with books. Years later, as a college student, I remember having a choice between a few slices of pizza that would have held me over for a day or a copy of On the Road. I bought the book. I would have forgotten what the pizza tasted like, but I still remember Kerouac.
The world was mine for the reading. I traveled with my books. I was there on a tramp steamer in the North Atlantic with the Hardy Boys, piecing together an unsolvable crime. I rode into the Valley of Death with the six hundred and I stood at the graves of Uncas and Cora and listened to the mournful song of the Lenni Linape. Although I braved a frozen death at Valley Forge and felt the spin of a hundred bullets at Shiloh, I was never afraid. I was there as much as you are where you are, right this second. I smelled the gunsmoke and tasted the frost. And it was good to be there. No one could harm me there. No one could punch me, slap me, call me stupid, or pretend I wasn’t in the room. The other kids raced through books so they could get the completion stamp on their library card. I didn’t care about that stupid completion stamp. I didn’t want to race through books. I wanted books to walk slowly through me, stop, and touch my brain and my memory. If a book couldn’t do that, it probably wasn’t a very good book. Besides, it isn’t how much you read, it’s what you read.
What I learned from books, from young Ben Franklin’s anger at his brother to Anne Frank’s longing for the way her life used to be, was that I wasn’t alone in my pain. All that caused me such anguish affected others, too, and that connected me to them and that connected me to my books. I loved everything about books. I loved that odd sensation of turning the final page, realizing the story had ended, and feeling that I was saying a last goodbye to a new friend.
”
”
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
“
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about.
They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three.
There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters.
They'll stop you at the river, he says.
The second corporal looks past his comrades. Are you talking to me?
At the river. Be told. They'll jail you to a man.
Who will?
The United States Army. General Worth.
They hell they will.
Pray that they will.
He looks at his comrades. He leans toward the Mennonite. What does that mean, old man?
Do ye cross that river with yon filibuster armed ye'll not cross it back.
Don't aim to cross it back. We goin to Sonora.
What's it to you, old man?
The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs.
But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be?
How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call.
There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
People just have an affair, or even entire relationships. They break up and they forget. They move on like they would have changed brand of cereals. I feel I was never able to forget anyone I’ve been with because each person had their own specific qualities. You can never replace anyone. What is lost is lost. Each relationship, when it ends, really damages me. I never fully recover. That’s why I’m very careful with getting involved because it hurts too much. Even getting laid, I actually don’t do that because I will miss of the person the most mundane things, like I’m obsessed with little things. Maybe I’m crazy, but when I was a little girl, my mom told me that I was always late to school. One day she followed me to see why. I was looking at chestnuts falling from the trees, rolling on the sidewalk or ants crossing the road, the way a leaf casts a shadow on a tree trunk. Little things. I think it’s the same with people. I see in them little details, so specific to each of them that move me and that I miss and will always miss. You can never replace anyone because everyone is made of such beautiful, specific details. Like, I remember the way your beard has a bit of red in it and how the sun was making it glow that morning right before you left. I remembered that, and I missed it. I'm really crazy, right?”.
”
”
Celine (Before Sunset, 2004 | Dir. Richard Linklater))
“
Only in America do we ask our writers to believe they don't matter as a condition of writing. It is time to end this. Much of my time as a student was spent doubting the importance of my work, doubting the power it had to reach anyone or do anything of significance. I was already tired o hearing about how the pen was mightier than the sword by the time I was studying writing. Swords, it seemed to me, won all the time. By the time I found that Auden quote -- "poetry makes nothing happen" -- I was more than ready to believe what I thought he was saying. But books were still to me as they had been when I found them: the only magic. My mother's most common childhood memory of me is of standing next to me trying to be heard over the voice of the page. I didn't really commit to writing until I understood that it meant making that happen for someone else. And in order to do that, I had to commit the chaos inside of me to an intricate order, an articulate complexity.
To write is to tell a ticket to escape, not from the truth, but into it. My job is to make something happen in a space barely larger than the span of your hand, behind your eyes, distilled out of all that I have carried, from friends, teachers, people met on planes, people I have only seen in my mind, all my mother and father ever did, every favorite book, until it meets and distills from you, the reader, something out of the everything it finds in you. All of this meets along the edge of a sentence like this on, as if the sentence is a fence, with you on one side and me on the other. When the writing works best, I feel like I could poke one of these words out of place and find the writer's eye there, looking through to me.
If you don't know what I mean, what I mean is this: when I speak of walking through a snowstorm, you remember a night from your childhood full of snow, or from last winter, say, driving home at night, surprised by a storm. When I speak of my dead friends and poetry, you may remember your own dead friends, or if none of your friends are dead, you may imagine how it might feel to have them die. You may think of your poems, or poems you've seen or heard. You may remember you don't like poetry.
Something new is made from my memories and yours as you read this. It is not my memory, not yours, and it is born and walks the bridges and roads of your mind, as long as it can. After it has left mine.
All my life I've been told this isn't important, that it doesn't matter, that it could never matter. And yet I think it does. I think it is the real reason the people who would take everything from us say this. I think it's the same reason that when fascists come to power, writers are among the first to go to jail. And that is the point of writing.
”
”
Alexander Chee (How to Write an Autobiographical Novel)
“
And growth has no end. One part of my life was given over to the service of destruction; it belonged to hate, to enmity, to killing. But life remained in me. And that in itself is enough, of itself almost a purpose and a way. I will work in myself and be ready; I will bestir my hands and my thoughts. I will not take myself very seriously, nor push on when sometimes I should like to be still. There are many things to be built and almost everything to repair; it is enough that I work to dig out again what was buried during the years of shells and machine guns. Not every one need be a pioneer; there is employment for feebler hands, lesser powers. It is there I mean to look for my place. Then the dead will be silenced and the past not pursue me any more; it will assist me instead. How simple it is—but how long it has taken to arrive there! And I might still be wandering in the wilderness, have fallen victim to the wire snares and the detonators, had Ludwig’s death not gone up before us like a rocket, lighting to us the way. We despaired when we saw how that great stream of feeling common to us all—that will to a new life shorn of follies, a life recaptured on the confines of death—did not sweep away before it all survived half-truth and self-interest, so to make a new course for itself, but instead of that merely trickled away in the marshes of forgetfulness, was lost among the bogs of fine phrases, and dribbled away along the ditches of social activities, of cares and occupations. But to-day I know that all life is perhaps only a getting ready, a ferment in the individual, in many cells, in many channels, each for himself; and if the cells and channels of a tree but take up and carry farther the onward urging sap, there will emerge at the last rustling and sunlit branches—crowns of leaves and freedom. I will begin. It will not be that consummation of which we dreamed in our youth and that we expected after the years out there. It will be a road like other roads, with stones and good stretches, with places torn up, with villages and fields—a road of toil. And I shall be alone. Perhaps sometimes I shall find some one to go with me a stage of the journey—but for all of it, probably no one. And I may often have to hump my pack still, when my shoulders are already weary; often hesitate at the crossways and boundaries; often have to leave something behind me, often stumble and fall. But I will get up again and not just lie there; I will go on and not look back. —Perhaps I shall never be really happy again; perhaps the war has destroyed that, and no doubt I shall always be a little inattentive and nowhere quite at home—but I shall probably never be wholly unhappy either—for something will always be there to sustain me, be it merely my own hands, or a tree, or the breathing earth. The
”
”
Erich Maria Remarque (The Road Back)
“
Alain gazed at the old road, his expression uncharacteristically somber. "The Emperors believe they have the power to force their illusions on all others. This is part of that. The road itself is declared dead, never to be used, and no one dares dispute the Imperial will."
"Not much better that the Great Guilds, is it?"
"No I do not think so. When you seek allies among the commons, Mari, I believe you should look to those who do not blindly accept the authority of their leaders."
"Too much failure to accept authority and you end up with anarchy, like in Tiae," Mari pointed out.
"That is so," Alain agreed. "But as you told your elder, there is much that lies between total control and anarchy. The leaders of our Guilds and the rulers of the Empire would have us believe that only those two extremes exist, but I have been among the free cities and you have been in the confederation. Their governing systems are not perfect, but they work while still allowing their people freedom."
"Freedom?" Mari turned to Alain, surprised. "I've never heard you use that word. Hardly anybody uses it."
"I was taught that freedom is an illusion, only one more illusion which distracts from the path of wisdom." A flare of some deep emotion showed in Alain's eyes. "But I have felt freedom, Mari, as I walked the road beside you, and I know it is no illusion. The will of the Great Guilds, of the Emperor, those things are illusions, and their images will not endure.
”
”
Jack Campbell (The Hidden Masters of Marandur (The Pillars of Reality, #2))
“
Life sometimes is like tossing a coin in the air calling heads or tails, but it doesn’t matter what side it lands on; life goes on.
It is hard when you’ve lost the will to fight because you’ve been fighting for so long. You are smothered by the pain. Mentally, you are drained. Physically, you are weak. Emotionally, you are weighed down. Spiritually, you do not have one tiny mustard seed of faith. The common denominator is that other people’s problems have clouded your mind with all of their negativity. You cannot feel anything; you are numb. You do not have the energy to surrender, and you choose not to escape because you feel safe when you are closed in.
As you move throughout the day, you do just enough to get by. Your mindset has changed from giving it your all to—well, something is better than nothing. You move in slow motion like a zombie, and there isn’t any color, just black and white, with every now and then a shade of gray. You’ve shut everyone out and crawled back into the rabbit hole. Life passes you by as you feel like you cannot go on.
You look around for help; for someone to take the pain away and to share your suffering, but no one is there. You feel alone, you drift away when you glance ahead and see that there are more uphill battles ahead of you. You do not have the option to turn around because all of the roads are blocked.
You stand exactly where you are without making a step. You try to think of something, but you are emotionally bankrupt.
Where do you go from here? You do not have a clue.
Standing still isn’t helping because you’ve welcomed unwanted visitors; voices are in your head, asking, “What are you waiting for? Take the leap. Jump.” They go on to say, “You’ve had enough. Your burdens are too heavy.”
You walk towards the cliff; you turn your head and look at the steep hill towards the mountain. The view isn’t helping; not only do you have to climb the steep hill, but you have to climb up the mountain too.
You take a step; rocks and dust fall off the cliff. You stumble and you move forward. The voices in your head call you a coward. You are beginning to second-guess yourself because you want to throw in the towel. You close your eyes; a tear falls and travels to your chin. As your eyes are closed the Great Divine’s voice is louder; yet, calmer, soothing; and you feel peace instantly. Your mind feels light, and your body feels balanced. The Great Divine whispers gently and softly in your ear:
“Fallen Warrior, I know you have given everything you’ve got, and you feel like you have nothing left to give.
Fallen Warrior, I know it’s been a while since you smiled.
Fallen Warrior, I see that you are hurting, and I feel your pain.
Fallen Warrior, this is not the end. This is the start of your new beginning.
Fallen Warrior, do not doubt My or your abilities; you have more going for you than you have going against you.
Fallen Warrior, keep moving, you have what it takes; perseverance is your middle name.
Fallen Warrior, you are not the victim! You are the victor!
You step back because you know why you are here. You know why you are alive. Sometimes you have to be your own Shero.
As a fallen warrior, you are human; and you have your moments. There are days when you have more ups than downs, and some days you have more downs than ups. I most definitely can relate.
I was floating through life, but I had to change my mindset. During my worst days, I felt horrible, and when I started to think negatively I felt like I was dishonoring myself. I felt sick, I felt afraid, fear began to control my every move. I felt like demons were trying to break in and take over my life.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
I don’t know if I’ve mentioned this to you before, but a few years ago, I started keeping a diary, which I called ‘the life book’. I began with the idea of writing one short entry each day, just a line or two, describing something good. I suppose by ‘good’ I must have meant something that made me happy or brought me pleasure. I went back to look at it the other day, and the early entries are all from that autumn, almost six years ago now. Dry upturned sycamore leaves scuttling like claws along the South Circular Road. The artificial buttered taste of popcorn in the cinema. Pale-yellow sky in the evening, Thomas Street draped in mist. Things like that. I didn’t miss a day through all of September, October, November that year. I could always think of something nice, and sometimes I would even do things for the purpose of putting them in the book, like taking a bath or going for a walk. At the time I felt like I was just absorbing life, and at the end of the day I never had to strain to think of anything good I had seen or heard. It just came to me, and even the words came, because my only aim was to get the image down clearly and simply so that I would later remember how it felt. And reading those entries now, I do remember what I felt, or at least what I saw and heard and noticed. Walking around, even on a bad day, I would see things—I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that—like I was an instrument and the world touched me and reverberated inside me.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
He looked her face over, loving the strong features and the short hair and the piercing forest green eyes. “I never would have asked you, you know…to blow everything you have here away for me.”
“That’s only one of the reasons I love you.”
“Will you tell me the others later?”
“Maybe.” She slipped her hand between his legs, shocking the shit out of him and making him gasp. “Might show you, too.”
He covered her mouth with his and pushed his tongue into her as he backed her up against the wall. He didn’t care if Rhage waited on the front lawn for an extra— His phone went off. And kept ringing. V lifted his head and looked through the window by the front door. Rhage was on the front lawn, phone to his ear, staring back. The brother made a show of checking his watch, then flashing his middle finger at V. Vishous pounded a fist into the Sheetrock and stepped off from Jane. “I’m coming back at the end of the night. Be naked.”
“Wouldn’t you rather undress me?”
“No, because I’d shred that shirt, and I want you sleeping in it every night until you’re in my bed with me. Be. Naked.”
“We’ll see.”
His whole body throbbed at the disobedience. And she knew it, her stare level and erotic. “God, I love you,” he said.
“I know. Now run along and kill something. I’ll be waiting for you.”
He smiled at her. “Couldn’t love you more if I tried.”
“Ditto.”
He kissed her and dematerialized out front to Rhage’s side, making sure some mhis was in place. Oh, great. It was raining. Man, he’d so much rather be cozied up with Jane than out with his brother, and he couldn’t help but shoot a short-stack glare at Rhage. “Like another five minutes would kill you?”
“Please. You start down that road with your female and I’ll be here until summer.”
-Vishous, Jane, & Rhage
”
”
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
“
Only One
[Intro]
As I lay me down to sleep
I hear her speak to me
[Verse 1]
Hello 'Mari, how ya doin'?
I think the storm ran out of rain, the clouds are moving
I know you're happy, cause I can see it
So tell the voice inside ya' head to believe it
I talked to God about you, he said he sent you an angel
And look at all that he gave you
You asked for one and you got two
You know I never left you
Cause every road that leads to heaven's right inside you
So I can say
[Hook 1]
Hello my only one, just like the morning sun
You'll keep on rising till the sky knows your name
Hello my only one, remember who you are
No you're not perfect but you're not your mistakes
[Verse 2]
Hey, hey, hey, hey
Oh the good outweighs the bad even on your worst day
Remember how I'd say
Hey hey one day you'll be the man you always knew you could be
And if you knew how proud I was
You'd never shed a tear, have a fear, no you wouldn't do that
And though I didn't pick the day to turn the page
I know it's not the end every time I see her face, and I hear you say
[Hook 2]
Hello my only one, remember who you are
You got the world cause you got love in your hands
And you're still my chosen one
So can you understand? One day you'll understand
[Bridge]
So hear me out, hear me out
I won't go, I won't go
No goodbyes, no goodbyes
Just hello, just hello
And when you cry, I will cry
And when you smile, I will smile
And next time when I look in your eyes
We'll have wings and we'll fly
[Hook 3]
Hello my only one, just like the morning sun
You'll keep on rising till the sky knows your name
And you're still my chosen one, remember who you are
No you're not perfect but you're not your mistakes
[Outro]
Hey, hey, hey, hey
Tell Nori about me, tell Nori ab-
I just want you to do me a favor
Tell Nori about me, tell Nori about me
Tell Nori about me, tell Nori about me
Tell Nori about me, tell Nori about me
Tell Nori about me, tell Nori about me
Tell Nori about me...
”
”
Kanye West
“
You sit and lean against the wall, and look at the beautiful, riddlesome totality. The Summa52 lies before you like a book, and an unspeakable greed seizes you to devour it. Consequently you lean back and stiffen and sit for a long time. You are completely incapable of grasping it. Here and there a light flickers, here and there a fruit falls from high trees which you can grasp, here and there your foot strikes gold. But what is it, ifyou compare it with the totality, which lies spread out tangibly close to you? You stretch out your hand, but it remains hanging in invisible webs. You want to see it exactly as it is but something cloudy and opaque pushes itself exactly in between. You would like to tear a piece out of it; it is smooth and impenetrable like polished steel. So you sink back against the wall, and when you have crawled through all the glow- ing hot crucibles of the Hell of doubt, you sit once more and lean
back, and look at the wonder of the Summa that lies spread out before you. Here and there a light flickers, here and there a fruit falls. For you it is all too little. But you begin to be satisfied with yourself, and you pay no attention to the years passing away. What are years? What is hurrying time to him that sits under a tree? Your time passes like a breath of air and you wait for the next light, the next fruit.
The writing lies before you and always says the same, if you believe in words. But if you believe in things in whose places only words stand, you never come to the end. And yet you must go an endless road, since life flows not only down a finite path but also an infinite one. But the unbounded makes you53 anxious since the unbounded is fearful and your humanity rebels against it. Consequently you seek limits and restraints so that you do not lose yoursel£ tumbling into infinity Restraint becomes imperative for you. You cry out for the word which has one meaning and no other, so that you escape boundless ambiguity. The word becomes your God, since it protects you from the countless possibilities of interpretation. The word is protective magic against the daimons of the unending, which tear at your soul and want to scatter you to the winds. You are saved if you can say at last: that is that and only that. You spealc the magic word, and the limitless is finally banished. Because of that men seek and make words.54
He who breaks the wall ofwords overthrows Gods and defiles temples. The solitary is a murderer. He murders the people, because he thus thinks and thereby breaks down ancient sacred walls. He calls up the daimons of the boundless. And he sits, leans back, and does not hear the groans of mankind, whom the fearful fiery smoke has seized. And yet you cannot find the new words if you do not shatter the old words. But no one should shatter the old words, unless he finds the new word that is a firm rampart against the limitless and grasps more life in it than in the old word. A new word is a new God for old men. Man remains the same, even if you create a new model of God for him. He remains an imitator. What was word, shall become man. The word created the world and came before the world. It lit up like a light in the darkness, and the darkness did not comprehend it.55 And thus the word
should become what the darkness can comprehend, since what use is the light if the darkness does not comprehend it? But your darkness should grasp the light.
The God of words is cold and dead and shines from afar like the moon, mysteriously and inaccessibly: Let the word return to its / creator, to man, and thus the word will be heightened in man. Man should be light, limits, measure. May he be your fruit, for which you longingly reach. The darkness does not compre- hend the word, but rather man; indeed, it seizes him, since he himself is a piece of the darkness. Not from the word down to man, but from the word up to man: that is what the darkness comprehends. The darkness is your mother; she is dangerous.
”
”
C.G. Jung
“
Indeed, he could not be long in discovering that people beyond a suspicion of unbalance, or not obviously coveting the moment's arrest of attention gained them by their statements, never had experience with or knowledge of the restless dead. Slowly accepting this as evidence that no such things existed, Mr. Lecky found terrors deeper, and to him more plausible, to fill that unoccupied place - the simple sense of himself alone, and, not unassociated with it, the conception of a homicidal maniac quietly pursuing him.
The first was exemplified by chance solitude in what he had considered deep woods. No part in it was played by natural dismay which he might have felt at finding himself lost, and none by any tangible suggestion of danger. Mr. Lecky could not even remember where or when it was. Long ago, under a seamless gray sky which would probably end with snow; in an autumnal silence free from birds, unmoved by the least breath of wind, he had come to be walking at random impulse.
Leaves, yellow, tan, drifted deep and loose over the difficulties of an uneven hillside. His feet crashed and crackled in them. He was not going anywhere. He had nothing in mind. It might have been this receptive vacancy of thought which let him, little by little, grow aware of a menace. The unnatural light leaf-buried ground, the low dark sky, the solitary noise of his unskilled progress - none of them was good. He began to notice that though the fall of leaves left an apparent bright openness, in reality it merely pushed to a distance the point at which the woods became as impenetrable as a wall.
He walked more and more slowly, listening, hearing nothing; looking, seeing nothing. Soon he stopped, for he was not going any farther. Standing in the deep leaves beneath trees bare and practically dead in the catalepsy of impending winter, he knew that he did not want to be here. A great evil - no more to be named than, met, to be escaped - waited fairly close. So he left. He got out of those woods onto an open road where he need not watch for anything he could not see.
”
”
James Gould Cozzens (Castaway)
“
N.E.W.T. Level Questions 281-300: What house at Hogwarts did Moaning Myrtle belong to? Which dragon did Viktor Krum face in the first task of the Tri-Wizard tournament? Luna Lovegood believes in the existence of which invisible creatures that fly in through someone’s ears and cause temporary confusion? What are the names of the three Peverell brothers from the tale of the Deathly Hallows? Name the Hogwarts school motto and its meaning in English? Who is Arnold? What’s the address of Weasley’s Wizarding Wheezes? During Quidditch try-outs, who did Ron beat to become Gryffindor’s keeper? Who was the owner of the flying motorbike that Hagrid borrows to bring baby Harry to his aunt and uncle’s house? During the intense encounter with the troll in the female bathroom, what spell did Ron use to save Hermione? Which wizard, who is the head of the Department for the Regulation and Control of Magical Creatures at the Ministry of Magic lost his son in 1995? When Harry, Ron and Hermione apparate away from Bill and Fleur’s wedding, where do they end up? Name the spell that freezes or petrifies the body of the victim? What piece did Hermione replace in the game of Giant Chess? What bridge did Fenrir Greyback and a small group of Death Eaters destroy in London? Who replaced Minerva McGonagall as the new Deputy Headmistress, and became the new Muggle Studies teacher at Hogwarts? Where do Bill and Fleur Weasley live? What epitaph did Harry carve onto Dobby’s grave using Malfoy’s old wand? The opal neckless is a cursed Dark Object, supposedly it has taken the lives of nineteen different muggles. But who did it curse instead after a failed attempt by Malfoy to assassinate Dumbledore? Who sends Harry his letter of expulsion from Hogwarts for violating the law by performing magic in front of a muggle? FIND THE ANSWERS ON THE NEXT PAGE! N.E.W.T. Level Answers 281-300 Ravenclaw. Myrtle attended Hogwarts from 1940-1943. Chinese Firebolt. Wrackspurts. Antioch, Cadmus and Ignotus. “Draco dormiens nunquam titillandus” and “Never tickle a sleeping dragon.” Arnold was Ginny’s purple Pygmy Puff, or tiny Puffskein, bred by Fred and George. Number 93, Diagon Alley. Cormac McLaggen. Sirius Black. “Wingardium Leviosa”. Amos Diggory. Tottenham Court Road in London. “Petrificus Totalus”. Rook on R8. The Millenium Bridge. Alecto Carrow. Shell Cottage, Tinworth, Cornwall. “HERE LIES DOBBY, A FREE ELF.” Katie Bell. Malfalda Hopkirk, the witch responsible for the Improper use of Magic Office.
”
”
Sebastian Carpenter (A Harry Potter Quiz for Muggles: Bonus Spells, Facts & Trivia (Wizard Training Handbook (Unofficial) 1))
“
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up.
There’s really no other option.
And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe.
Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill.
“We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.”
I turn to my own ragtag crew.
“Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!”
A blond boy whispers to his friend, “Who’s Rudy?”
The kid shrugs.
And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.”
“It’s my birthday too.” I give him a high-five. “Twinning!”
I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.”
A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?”
And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.”
“No,” I try, “that’s not what I—”
But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away.
“Darn.”
Then a soft voice whispers right against my ear.
“They’re already going AWOL on you, lass? You’re fucked.”
I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him.
“Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.”
And then Logan does something that melts my insides and turns my knees to quivery goo.
He laughs.
And it’s beautiful.
It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs?
He’s heart-stopping.
He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness.
“Come on, children. Let’s go be heroes.”
It was a massacre.
We never stood a chance.
In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint.
But we tried—I think Rudy and Charlize would be proud
”
”
Emma Chase (Royally Endowed (Royally, #3))