Ritual Ceremony Quotes

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When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment?
Muriel Barbery (The Elegance of the Hedgehog)
This is what rituals are for. We do spiritual ceremonies as human beings in order to create a safe resting place for our most complicated feelings of joy or trauma, so that we don't have to haul those feelings around with us forever, weighing us down. We all need such places of ritual safekeeping. And I do believe that if your culture or tradition doesn't have the specific ritual you are craving, then you are absolutely permitted to make up a ceremony of your own devising, fixing your own broken-down emotional systems with all the do-it-yourself resourcefulness of a generous plumber/poet.
Elizabeth Gilbert (Eat, Pray, Love)
Don’t judge the way other people connect to God; to each his own way and his own prayer. God does not take us at our word. He looks deep into our hearts. It is not the ceremonies or rituals that make a difference, but whether our hearts are sufficiently pure or not.
Shams Tabrizi (Rumi's Sun: The Teachings of Shams of Tabriz)
You get home okay or are you deep in the mountains recovering from a ceremonial male bonding ritual after killing a bear?
Kristen Ashley (Breathe (Colorado Mountain, #4))
This is what rituals are for. We do spiritual ceremonies as human beings in order to create a safe resting place for our most complicated feelings of joy or trauma, so that we don't have to haul those feelings around with us forever, weighing us down.
Elizabeth Gilbert (Eat, Pray, Love)
The modern habit of doing ceremonial things unceremoniously is no proof of humility; rather it proves the offender's inability to forget himself in the rite, and his readiness to spoil for every one else the proper pleasure of ritual.
C.S. Lewis
Malcolm X and Edmund Burke shared an appreciation of this important insight, this painful truth--that the state wants men to be weak and timid, not strong and proud.
Thomas Szasz (Ceremonial Chemistry: The Ritual Persecution of Drugs, Addicts and Pushers)
It is only by working the rituals, that any significant degree of understanding can develop. If you wait until you are positive you understand all aspects of the ceremony before beginning to work, you will never begin to work.
Lon Milo DuQuette (The Magick of Aleister Crowley: A Handbook of the Rituals of Thelema)
Let my idle chatter be the muttering of prayer, my every manual movement the execution of ritual gesture, my walking a ceremonial circumambulation, my eating and other acts the rite of sacrifice, my lying down prostration in worship, my every pleasure enjoyed with dedication of myself, let whatever activity is mine be some form of worship of you.
Adi Shankaracharya (The Saundaryalahari or Flood of Beauty)
Zhi yin. Jem had told her once that it meant understanding music, and also a bond that went deeper than friendship. Jem played, and he played the years of Will's life as he had seen them. He played two little boys in the training room, one showing the other how to throw knives, and he played the ritual of parabatai: the fire and the vows and burning runes. He played two young men running through the streets of London in the dark, stopping to lean up against a wall and laugh together. He played the day in the library when he and Will had jested with Tessa about ducks, and he played the train to Yorkshire on which Jem had said that parabatai were meant to love each other as they loved their own souls. He played that love, and he played their love for Tessa, and hers for them, and he played Will saying, In your eyes I have always found grace. He played the too few times he had seen them since he had joined the Brotherhood- the brief meetings at the Institute; the time when Will had been bitten by a Shax demon and nearly died, and Jem had come from the Silent City and sat with him all night, risking discovery and punishment. And he played the birth of their first son, and the protection ceremony that had been carried out on the child in the Silent City. Will would have no other Silent Brother but Jem perform it. And Jem played the way he had covered his scarred face with his hands and turned away when he'd found out the child's name was James. He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears. Jem set down his bow, and came toward the bed, drawing back his hood, so she could see his closed eyes and his scarred face. And he had sat down beside them on the bed, and taken Will's hand, the one that Tessa was not holding, and both Will and Tessa heard Jem's voice in their minds. I take your hand, brother, so that you may go in peace. Will had opened the blue eyes that had never lost their color over all the passing years, and looked at Jem and then Tessa, and smiled, and died, with Tessa's head on his shoulder and his hand in Jem's.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
The more death, the more birth. People are entering, others are exiting. The cry of a baby, the mourning of others. When others cry, the other are laughing and making merry. The world is mingled with sadness, joy, happiness, anger, wealth, poverty, etc.
Michael Bassey Johnson
The rottweiler stood his ground and waited for me to take the next step in the dance of ritualized intimidation. Instead, I leaped at him. Screw ritual. Now was not the time to stand on ceremony.
Kelley Armstrong (Stolen (Women of the Otherworld, #2))
...Tea. There is nothing saner than tea, he thought. ... Tea was the great leveler. It brought calm, quiet, contentment, warmth. And it was something to do. .....Tea-- so normal, so mundane, so hot... ...The heat and scent of it permeated his head and cleared his mind. He understood completely the attraction of ceremonies grounded in the ritual of drinking tea. It required both caution and abandonment of the senses. It demanded that you move into it slowly and savor the moment. And it rewarded you with warmth and delicacy of taste and refreshment. And after you were done, it could parse out your future.
Thea Devine
Perhaps the individual is so viable a god because he can actually understand the ceremonial significance of the way he is treated, and quite on his own can respond dramatically to what is proffered him. In contacts between such deities there is no need for middlemen; each of these gods is able to serve as his own priest.
Erving Goffman (Interaction Ritual - Essays on Face-to-Face Behavior)
The sauce to meat is ceremony; Meeting were bare without it.
William Shakespeare (Macbeth)
Each and every reader comprehends the Qur’an/ Bible on a different level in tandem with the depth of his understanding. There are 4 levels of insight. The first level is the outer meaning and it is the one that the majority of people are content with. Next is the Batum- the inner level. Third there is the inner of the inner. And the fourth level is so deep it cannot be put into words and is therefore bound to be indescribable. Scholars who focus on the Sharia/ Bible know the outer meaning. Sufis/ Lightworkers know the inner meaning. Saints know the inner of the inner. The fourth level is known by prophets and those closest to God. So don’t judge the way other people connect to God. To each his own way and his own prayer. God does not take us at our word but looks deep into our hearts. It is not the ceremonies or rituals that make a difference, but whether our hearts are sufficiently pure or not. (3)
Various
... meaning where meaning is genuinely to be found — in families, in friends, in the passage of seasons, in nature, in simple ceremonies and rituals, in curiosity, generosity, compassion, and service to others, in a decent independence and privacy, in all the free and inexpensive things out of which real families, real friends, and real communities are built
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
I can't believe it's actually happening. This is independent adulthood, this is what it feels like. Shouldn't there be some sort of ritual? In certain remote African tribes there'd be some incredible four day rites of passage ceremony involving tattooing and potent hallucinogenic drugs extracted from tree-frogs, and village elders smearing my body with monkey blood, but here,rites of passage is all about three new pairs of pants and stuffing your duvet in a bin-liner.
David Nicholls (Starter for Ten)
The wedding was in Monterey, a sombre boding ceremony in a little Protestant chapel. The church had so often seen two ripe bodies die by the process of marriage that it seemed to celebrate a mystic double death with its ritual.
John Steinbeck (To a God Unknown)
So you see, don’t judge the way other people connect to God,” concluded Shams. To each his own way and his own prayer. God does not take us at our word. He looks deep into our hearts. It is not the ceremonies or rituals that make a difference, but whether our hearts are sufficiently pure or not.
Elif Shafak (The Forty Rules of Love)
Government cannot be religious and self-assertive at the same time. Religious experience needs a spontaneity which laws inevitably suppress. And you cannot govern without laws. Your laws eventually must replace morality, replace conscience, replace even the religion by which you think to govern. Sacred ritual must spring from praise and holy yearnings which hammer out a significant morality. Government, on the other hand, is a cultural organism particularly attractive to doubts, questions and contentions. I see the day coming when ceremony must take the place of faith and symbolism replaces morality.
Frank Herbert (Dune Messiah (Dune Chronicles, #2))
ceremony is essential to humans: It's a circle that we draw around important events to separate the momentous from the ordinary. And ritual is a sort of magical safety harness that guides us from one stage of our lives into the next, making sure we don't stumble or lose ourselves along the way. Ceremony and ritual march us carefully right through the center of our deepest fears about change…
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
Culture can only function if we live out the unwanted elements symbolically. All healthy societies have a rich ceremonial life. Less healthy ones rely on unconscious expressions: war, violence, psychosomatic illness, neurotic suffering, and accidents are very low-grade ways of living out the shadow. Ceremony and ritual are a far more intelligent means of accomplishing the same thing. Ceremonies
Robert A. Johnson (Owning Your Own Shadow: Understanding the Dark Side of the Psyche)
The home is the most ritualized place in a society; each house is like a religious order with its own ceremonies.
Heather O'Neill (Lullabies for Little Criminals)
The blessing was an empty ritual, she knew, but rituals and ceremonies had power in the eyes of the ignorant.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Rituals are like electrically powered transmitters sending stimulating sparks of electric current or inspirational feelings that connect us to our inner being or soul.
Wes Adamson
In order to understand the intensity of ritual forms, one must rid oneself of the idea that all happiness derives from nature, and all pleasure from the satisfaction of a desire. On the contrary, games, the sphere of play, reveal a passion for rules, a giddiness born of rules, and a force that comes from ceremony, and not desire.
Jean Baudrillard (Seduction)
The magic in these Masonic rituals is very, very old. And way back in those days, it worked. As time went on, and it started being used for spectacle, to consolidate what were only secular appearances of power, it began to lose its zip. But the words, moves, and machinery have been more or less faithfully carried down over the millennia, through the grim rationalizing of the World, and so the magic is still there, though latent, needing only to touch the right sensitive head to reassert itself.
Thomas Pynchon (Gravity’s Rainbow)
Secret ceremonies in which malevolent men and women cloaked in hooded robes, hiding behind painted faces and chanting demonic incantations while inflicting sadistic wounds on innocent children lying on makeshift alters, or tied to inverted crosses, sounds like the stuff of which B-grade horror movies are made. Some think amoral religious cults only populate the world of Rosemary's Baby, but don't exist in real life. Or, do they? Ask Jenny Hill.
Judy Byington (Twenty-Two Faces)
Human beings have a natural urge to worship that “something greater” which coheres us, but we, in modernity, are living in a kind of spiritual cul-de-sac where our gifts only serve the human community. Unlike the many shamanic cultures that practice dreamwork, ritual, and thanksgiving, Westerners have forgotten what indigenous people understand to be cardinal: that this world owes its life to the unseen. Every hunt and every harvest, every death, and every birth is distinguished by ceremony for that which we cannot see, feeding back that which feeds us. I believe our epidemic alienation is, in good part, the felt negligence of that reciprocity.
Toko-pa Turner (Belonging: Remembering Ourselves Home)
The sun was up, the room already too warm. Light filtered in through the net curtains, hanging suspended in the air, sediment in a pond. My head felt like a sack of pulp. Still in my nightgown, damp from some fright I'd pushed aside like foliage, I pulled myself up and out of my tangled bed, then forced myself through the usual dawn rituals - the ceremonies we perform to make ourselves look sane and acceptable to other people. The hair must be smoothed down after whatever apparitions have made it stand on end during the night, the expression of staring disbelief washed from the eyes. The teeth brushed, such as they are. God knows what bones I'd been gnawing in my sleep.
Margaret Atwood (The Blind Assassin)
They did indeed use the AM in religious rituals and AM does have deliriant and hallucinatory effects and more. This would mean not only is it linked to religion and religious social structures in the ceremony, but there is a significant link that it produced these experiences by way of muscimol induced hallucinations. Since its consumption began fifty thousand years ago, it would put its use on the very beginning of religion itself. The idea that this is somehow a fallacy is far from the truth as not only is there a religious connection but the connection began at the same time.
Leviak B. Kelly (Religion: The Ultimate STD: Living a Spiritual Life without Dogmatics or Cultural Destruction)
Ritual and ceremony are powerful bonding tools. They result in a sense of community, a feeling of unity far beyond what you might expect.
Del Suggs (Truly Leading: Lessons in Leadership)
The world is made up of rituals. From the way you brush your teeth to how you show obeisance during religious ceremonies, it’s an endless list of interlocking behaviours seared into your unconscious self, charms against the madness of reality.
Cassandra Khaw (Food of the Gods (Gods & Monsters: Rupert Wong #1-2))
A wedding ritual in my part of Wales. A man and woman exchange vows with a stone held between their joined hands. After the ceremony, they go together to cast the stone into a lake, and the earth itself becomes part of their oath. From then on, they are bound to each other for as long as the world exists.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
I’ve never attended a Quaker service before.” “We believe that true religion is a personal encounter with God rather than a matter of ritual and ceremony, and that all aspects of life are sacramental. Therefore, no one day or place or activity is any more spiritual than any other. But we gather together at such times to discover in stillness a deeper sense of God’s presence.
C.S. Harris (Where Serpents Sleep (Sebastian St. Cyr, #4))
Leopards break into the temple and drink to the dregs what is in the sacrificial pitchers; this is repeated over and over again; finally it can be calculated in advance, and it becomes a part of the ceremony. (Leoparden brechen in den Tempel ein und saufen die Opferkrüge leer; das wiederholt sich immer wieder; schließlich kann man es vorausberechnen, und es wird ein Teil der Zeremonie.)
Franz Kafka (Parables and Paradoxes)
She can’t even imagine how this loss will shape the person Luca becomes. They need to do a funeral ceremony as soon as they’re safe. Luca will need a ritual, a method of fashioning his grief into a thing he can exert some small control over.
Jeanine Cummins (American Dirt)
It is mainly by resisting authority that the individual defines himself. This is why authorities--whether parental, priestly, political, or psychiatric--must be careful how and where they assert themselves; for while it is true that the more they assert themselves the more they govern, it is also true that the more they assert themselves the more opportunities they offer for being successfully denied.
Thomas Szasz (Ceremonial Chemistry: The Ritual Persecution of Drugs, Addicts and Pushers)
All global ambitions are based on a definition of productivity and the good life so alienated from common human reality that I am convinced it is wrong and that most people would agree with me if they could perceive an alternative. We might be able to see that if we regained a hold on a philosophy that locates meaning where meaning is genuinely to be found — in families, in friends, in the passage of seasons, in nature, in simple ceremonies and rituals, in curiosity, generosity, compassion, and service to others, in a decent independence and privacy, in all the free and inexpensive things out of which real families, real friends, and real communities are built — then we would be so self-sufficient we would not even need the material “sufficiency” which our global “experts” are so insistent we be concerned about.
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
I receive remarkable letters. They are opened for me, unfolded, and spread out before my eyes in a daily ritual that gives the arrival of the mail the character of a hushed and holy ceremony. I carefully read each letter myself. Some of them are serious in tone, discussing the meaning of life, invoking the supremacy of the soul, the mystery of every existence. And by a curious reversal, the people who focus most closely on these fundamental questions tend to be people I had known only superficially. Their small talk has masked hidden depths. Had I been blind and deaf, or does it take the harsh light of disaster to show a person's true nature? Other letters simply relate the small events that punctuate the passage of time: roses picked at dusk, the laziness of a rainy Sunday, a child crying himself to sleep. Capturing the moment, these small slices of life, these small gusts of happiness, move me more deeply than all the rest. A couple of lines or eight pages, a Middle Eastern stamp or a suburban postmark... I hoard all these letters like treasure. One day I hope to fasten them end to end in a half-mile streamer, to float in the wind like a banner raised to the glory of friendship. It will keep the vultures at bay.
Jean-Dominique Bauby (The Diving Bell and the Butterfly)
So if we completely reject, not intellectually but actually, all so-called spiritual authority, all ceremonies, rituals and dogmas, it means that we stand alone and are already in conflict with society; we cease to be respectable human beings. A respectable human being cannot possibly come near to that infinite, immeasurable, reality.
J. Krishnamurti (Freedom from the Known)
You could have ruled the world with your power,' he said carefully. 'I don't want to rule the world.' Her eyes were unguarded in a way he had never seen. Mate, she had called him. 'What do you want?' Cassian managed to ask, voice rasping. She smiled, and damn if it wasn't the loveliest thing he'd ever seen. 'You.' 'You've had me from the moment you met me.' She tucked a strand of hair behind an arched ear. 'I know.' He brushed a kiss over her mouth. But Nesta said, 'I want a disgustingly ornate mating ceremony. He laughed, pulling away. 'Really?' 'Why not?' 'Because I'll never hear the end of it from Azriel and Mor.' Or the Illyrians. Nesta considered. Then pulled something out of her pocket. A small biscuit, swiped from a tray in the birthing room. 'Then here. Food. From me to you, my mate. That's the official ritual, isn't it? The sharing of food from one mate to the other?' He choked. 'These are my two options? A frilly mating ceremony or a stale biscuit?' Her face filled with such true light, it nearly stole the breath from him. 'Yes.' So Cassian laughed again, and folded her fingers around the pathetic biscuit, leaning to whisper in her ear, 'We'll make a coronation of it, Nes.' 'I already have a crown,' she said. 'I just want you.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
The fun-raising adjunct to many church bazaars is commonly known as a carnival, which used to mean the celebration of the flesh; now a carnival is okay because the money goes to the church so that it can preach against the temptations of the Devil! It will be said that these things are only pagan devices and ceremonies- that the Christians borrowed them. True, but the Pagans reveled in the delights of the flesh, and were condemned by the very same people who celebrate their rituals, but call them by different names.
Anton Szandor LaVey (The Satanic Bible)
The outer affects the inner.
A.J. Jacobs (The Year of Living Biblically: One Man's Humble Quest to Follow the Bible as Literally as Possible)
There is no ceremony, no initiation ritual, no secret hand-shake. All you need to be a writer is to write.
M. Kirin
Baseball is a ceremony, a ritual, as surely as sacrificing a goat beneath a full moon is a ritual.
W.P. Kinsella (Shoeless Joe)
Yes, this sudden transmutation in the order of things seems to enhance our pleasure, as if consecrating the unchanging nature of a ritual established over our afternoons together, a ritual that has ripened into a solid and meaningful reality. Today, because it has been transgressed, our ritual suddenly acquires all its power; we are tasting the splendid gift of this unexpected morning as if it were some precious nectar; ordinary gestures have an extraordinary resonance, as we breathe in the fragrance of the tea, savor it, lower our cups, serve more, and sip again: every gesture has the bright aura of rebirth. At moments like this the web of life is revealed by the power of ritual, and each time we renew our ceremony, the pleasure will be all the greater for our having violated one of its principles. Moments like this act as magical interludes, placing our hearts at the edge of our souls: fleetingly, yet intensely, a fragment of eternity has come to enrich time. Elsewhere the world may be blustering or sleeping, wars are fought, people live and die, some nations disintegrate, while others are born, soon to be swallowed up in turn - and in all this sound and fury, amidst eruptions and undertows, while the world goes its merry way, bursts into flames, tears itself apart and is reborn: human life continues to throb.
Muriel Barbery (The Elegance of the Hedgehog)
Every religion is eventually corrupted by its fallible clergy and the slow, inevitable drift toward hollow ritual and empty ceremony… That’s why religion needs refreshing every millennium or so.
Rainn Wilson (The Bassoon King: My Life in Art, Faith, and Idiocy)
There is no God in Buddha’s teachings. There is no religious ritual in Buddha’s teachings. All that there is, is simple “Karma” or “Work” – that is the “Dhamma” or “Duty” or “Religion” he preached.
Abhijit Naskar
I smiled ruefully to myself, knowing I had already experienced a far greater and deeper union with this man than that which propriety was so busy guarding against. I had seen and accepted our fate here, tonight, on the crest of this ancient hill, and all other ceremonies would be just that: rituals to please the people and make public the commitment that had been made in the privacy of my own heart.
Persia Woolley (Child of the Northern Spring (Guinevere, #1))
It is one thing to accept something intellectually, but to accept the same thing emotionally is an entirely different matter. The one thing psychiatry cannot fill is man's inherent need for emotionalizing through dogma. Man needs ceremony and ritual, fantasy and enchantment. Psychiatry, despite all the good it has done, has robbed man of wonder and fantasy which religion, in the past, has provided.
Anton Szandor LaVey
Of course, I do not believe that there is such a thing as a 'value-free' science, much less a value-free 'social science.' Hence, I do not urge anything so naive as a value-free observer or observation; on the contrary, what I urge is that the observer's aims and values be as clear and explicit as possible.
Thomas Szasz (Ceremonial Chemistry: The Ritual Persecution of Drugs, Addicts and Pushers)
To each his own way and his own prayer. God does not take us at our word. He looks deep into our hearts. It is not the ceremonies or rituals that make a difference, but whether our hearts are sufficiently pure or not.
Elif Shafak (The Forty Rules of Love)
In cases of organized and multi-perpetrator abuse when the abuse occurs in the context of rituals and ceremonies, some elements of the experience may have been staged specifically with the intention of encouraging the disbelief of others if the victim were to report the crime. For example, someone reporting such a crime may mention that the devil was present, or that someone well-known was there, or that acts of magic were performed. These were tricks and deceptions by the abusers-often experienced by the victims after being given medication or hallucinogenic drugs - that render the account unbelievable, make the witness sound unreliable, and protect the perpetrators. (page 120, Chapter 9, Some clinical implications of believing or not believing the patient)
Graeme Galton (Forensic Aspects of Dissociative Identity Disorder (Forensic Psychotherapy Monograph Series))
The examination combines the techniques of an observing hierarchy and those of a normalizing judgement. It is a normalizing gaze, a surveillance that makes it possible to qualify, to classify and to punish. It establishes over individuals a visibility through which one differentiates them and judges them. That is why, in all the mechanisms of discipline, the examination is highly ritualized. In it are combined the ceremony of power and the form of the experiment, the deployment of force and the establishment of truth. At the heart of the procedures of discipline, it manifests the subjection of those who are perceived as objects and the objectification of those who are subjected. The superimposition of the power relations and knowledge relations assumes in the examination all its visible brilliance.
Michel Foucault (Discipline and Punish: The Birth of the Prison)
The modern habit of doing ceremonial things unceremoniously is no proof of humility; rather it proves the offender’s inability to forget himself in the rite, and his readiness to spoil for every one else the proper pleasure of ritual.
C.S. Lewis (A Preface to Paradise Lost)
Tea has nothing to do with being hungry," said Nimrod. "For Englishmen, it is like a canonical hour. And almost as much of an important ritual as the tea ceremony in Japan. Except for one thing. With tea, in Japan, recognition is given that every human encounter is a singular occasion which can, and will, never recur again exactly. Thus every aspect of tea must be savored for what it gives the participants. But in England, the significance occurs in the fact that teas is always the same, and will always recur again and again, exactly . For how is the endurance of a great civilization to be measured?
P.B. Kerr (The Akhenaten Adventure (Children of the Lamp, #1))
Culture can only function if we live out the unwanted elements symbolically. All healthy societies have a rich ceremonial life. Less healthy ones rely on unconscious expressions: war, violence, psychosomatic illness, neurotic suffering, and accidents are very low-grade ways of living out the shadow. Ceremony and ritual are a far more intelligent means of accomplishing the same thing.
Robert A. Johnson (Owning Your Own Shadow: Understanding the Dark Side of the Psyche)
Rituals, ceremonies, prayers, and special outfits are inevitable, but they do not—they cannot—express the heart of what the Buddha taught. In fact, all too often, such things get in the way. They veil the simple wisdom of the Buddha’s words, and distract us from it.
Steve Hagen (Buddhism Plain and Simple: The Practice of Being Aware Right Now, Every Day)
Reuben says in many cultures, the wedding ceremony and all of it's rituals are much the same as a funeral: a transition into another phase of life. It is like dying and being reborn, if you believe in the afterlife. If you don't believe in an afterlife, then you are toast
Suzanne Finnamore (Otherwise Engaged)
He who deceives another deceives himself much more. Therefore know the Charlatans by their love of rich robes, ceremony, ritual, magical retirements, absurd conditions, and other stupidity, too numerous to relate. Their entire doctrine a boastful display, a cowardice hungering for notoriety; their standard everything unnecessary, their certain failure assured. Hence it is that those with some natural ability quickly lose it by their teaching. They can only dogmatise, implant and multiply that which is entirely superficial. Were I a teacher I should not act as master, as knowing more, the pupil could lay no claim to discipleship. Assimilating slowly, he would not be conscious of his learning, he would not repeat the vital mistake; without fear he would accomplish with ease. The only teaching possible is to show a man how to learn from his own wisdom, and to utilise his ignorance and mistakes. Not by obscuring his vision and intention by righteousness. 
Austin Osman Spare (The Book of Pleasure (Self-Love): The Psychology of Ecstasy)
Dancing as if language had surrendered to movement - as if this ritual, this wordless ceremony, was now the way to speak, to whisper private and sacred things, to be in touch with some otherness. Dancing as if the very heart of life and all its hopes might be found in those assuaging notes and those hushed rhythms and in those silent and hypnotic movements. Dancing as if language no longer existed because words were no longer necessary...
Brian Friel (Dancing at Lughnasa)
Religions are all living faiths and their essence does not consist in their externals such as rituals, methods of prayer, ceremonies, etc. It rather consist in the inner beliefs and convictions which they carry along with them and which give their followers a distinctive character and way of life.
Kedar Nath Tiwari (Comparative Religion)
The universal hero myth always refers to a powerful man or god-man who vanquishes evil in the form of drag- ons, serpents, monsters, demons, and so on, and who liberates his people from destruction and death. The narration or ritual repetition of sacred texts and ceremonies, and the worship of such a figure with dances, music, hymns, prayers, and sacrifices, grip the audience with numinous emotions and exalt the individual to an identification with the hero.
C.G. Jung (Man and His Symbols)
Q: How do you take off your suit of armor? How do you open yourself? A: It is not a question of how you do it. There is no ritual or ceremony or formula for opening. The first obstacle is the question itself: “How?” If you don’t question yourself, don’t watch yourself, then you just do it. We do not consider how we are going to vomit; we just vomit. There is no time to think about it; it just happens. If we are very tense, then we will have tremendous pain and will not really be able to vomit properly. We will try to swallow it back, try to struggle with our illness. We have to learn to relax when we are sick.
Chögyam Trungpa (Cutting Through Spiritual Materialism)
We need new rituals to awaken us to the fact that we are not separate from the land, water, and sky. We need ceremonies putting us back in touch, and urging us to conserve the resources that give life to everything in existence. We need to once again think as part of something greater, to view reality from a place higher than the narrow confines of a shortsighted ego. Empathy toward other living things should be one of the very first lessons instilled by all religions.
Daniele Bolelli (Create Your Own Religion: A How-To Book Without Instructions)
There is a kind of alchemy in the transformation of base chocolate into this wise fool's-gold, a layman's magic that even my mother might have relished. As I work, I clear my mind, breathing deeply. The windows are open, and the through-draft would be cold if it were not for the heat of the stoves, the copper pans, the rising vapor from the melting couverture. The mingled scents of chocolate, vanilla, heated copper, and cinnamon are intoxicating, powerfully suggestive; the raw and earthy tang of the Americas, the hot and resinous perfume of the rain forest. This is how I travel now, as the Aztecs did in their sacred rituals: Mexico, Venezuela, Columbia. The court of Montezuma. Cortez and Columbus. The Food of the Gods, bubbling and frothing in ceremonial goblets. The bitter elixir of life.
Joanne Harris (Chocolat (Chocolat, #1))
What we have waited for too long, or possessed only in secret, or had for too short a while: how hard it is to walk through our days with a loss not apparent. To have survived endings that had no ceremony and called forth no condolences. That were bereft even of a grave or death certificate. Sadness without sign or symbol.
Tanya Shadrick (The Cure for Sleep)
Even older and just as rich, the ritual of Kappa Alpha Order thrilled his soul and permeated his mind. By the end of the ceremony he was so awed, so filled with idealism, so saturated with nebulous aspirations, that he gazed with love on all his brothers…He floated down the stairs of the old Administration Building that night new born and shining, warm and secure in the midst of a group that no outside force could penetrate nor unsuspected evil ever tarnish. Porter was a Knight of Kappa Alpha Order (193)
Ferrol Sams (The Whisper of the River (Porter Osborne Jr, #2))
A distinct maṇḍala initiation ceremony was introduced to China in the middle of the seventh century. It brings together a rich set of existing ritual instructions for individual deities, typically organized around images, to create a ceremony that initiates the candidate into a common ritual tradition (a “secret dharma storehouse”). This maṇḍala initiation continues to occupy a central place in medieval Esoteric Buddhist ritual, though both the rituals for individual deities and the initiation itself have undergone profound changes.
Koichi Shinohara (Spells, Images, and Mandalas: Tracing the Evolution of Esoteric Buddhist Rituals)
Humans are amazing ritual animals, and it must be understood that the Tzutujil, nor any other real intact people, do not 'practice' rituals. Just as a bear must turn over stumps searching for beetles, real humans can only live life spiritually. Birth itself was a ritual: there was not a ritual for birth, or a ritual for death, or a ritual for marriage, for death was a ritual, life a ritual, cooking a ritual, and eating were all rituals with ceremonial guidelines, all of which fed life. Sleeping was a ritual, lovemaking was a ritual, sowing, cultivating, harvesting, storing food were rituals, even sweeping, insulting, fighting were rituals, everything human was a ritual, and to all Tzutujil, ritual was plant-oriented and based on feeding some big Holy ongoing vine-like, tree-like, proceedance that fed us it's fruit.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
The majority of initiatory ordeals more or less clearly imply a ritual death followed by resurrection or a new birth. The central moment of every initiation is represented by the ceremony symbolizing the death of the novice and his return to the fellowship of the living. But he returns to life a new man, assuming another mode of being. Initiatory death signifies the end at once of childhood, ignorance, and the profane condition.
Mircea Eliade (Rites and Symbols of Initiation: The Mysteries of Birth and Rebirth)
Everything depends on what is being enacted. Enactment itself, since it is almost synonymous with ceremony, is, as we have seen, part of the very fabric of our human life. We do enact things. We will enact things. No on can stop us from enacting things. The most gaunt anti-ceremonialist may refuse to take off his hat in a shrine, whereupon he has given the whole game away. He agrees with the priests at the shrine that hats on or hats off are significant, and to register his dissociation from their cult, he keeps his on. It is a ceremonial enactment of what he believes. A church wishes to stress the table aspect of the Eucharist, so it instructs its people to remain seated as they eat the bread and drink the cup. This is a ceremonial enactment of something important to them. They agree with the Christians who kneel that posture is immensely significant. The external act matters; stay seated.
Thomas Howard (Evangelical Is Not Enough: Worship of God in Liturgy and Sacrament)
Audio of interview - http://www.youtube.com/watch?feature=... "No I haven't been in a ceremony but I've seen the marks on them, I've seen the terror they're in and I've seen how they were before such events happened and how they are when they speak about it, how consistent they are in other things they say, so that there has been no reason from a psychological point of view to doubt their capacity to give good evidence, but its the police who need to find the proper corroboration." - Dr Valerie Sinason, Clinic for Dissociative Studies, London - talks about Private Eye magazine's suggestion that she "invented" the story published in the Express and that no abuse existed
Valerie Sinason
Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
Tom Robbins (Skinny Legs and All)
Another theme we’ll discuss is that magic didn’t miraculously disappear with the rise of the scientific worldview. Magic is still intensely present. Prayer is a form of intentional magic, a mental act intended to affect the world in some way. Wearing a sacred symbol is a form of sympathetic magic, a symbolic correspondence said to transcend time and space. Many religious rituals are forms of ancient ceremonial magic. The abundance of popular books on the power of affirmations and positive thinking are all based on age-old magical principles.
Dean Radin (Real Magic: Ancient Wisdom, Modern Science, and a Guide to the Secret Power of the Universe)
A ceremony then. One could well argue that there are not categories of no ceremony but only ceremonies of greater or lesser degree and deferring to this argument we will say that this is a ceremony of a certain magnitude perhaps more commonly known as a ritual. A ritual includes the letting of blood. Rituals which fail in this requirement are but mock rituals. Here every man knows the false at once. Never doubt it. That feeling in the breast that evokes a child's memory of loneliness such as when the other have gone and only the game is left with its solitary participant. A solitary game, without opponent. Where only the rules are at hazard. Dont look away. We are not speaking of mysteries. You of all men are no stranger to that feeling, the emptiness and the despair. It is that which we take arms against, is it not? Is not blood the tempering agent in the mortar which bonds? The judge leaned closer. What do you think death is, man? Of whom do we speak when we speak of a man who was and is not? Are these blind riddles or are they not some part of every man's jurisdiction? What is death if not an agency? And whom does he intend toward?
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The reality was that all manner of instructions could be given, but people needed to eat and they needed supplies. Some considered feeding the soul as important as feeding the body, so they, too, disregarded the order to not attend Mass. Father Pedro himself had refused to accept that the illness was capable of entering the church, much less spread and grow during the sacred ceremony. But this disease did not respect holy places, rituals, or people, as the pig-headed and dead Father Pedro must now know, wherever he was. Nor did the disease respect medical personnel. The town’s already limited hospital, founded by the ladies of high society, had closed its doors after the death or desertion of its nurses and the rest of its staff. Now Linares’s doctors and any surviving medical staff who dared do so roamed the town, like Cantú, visiting houses where they were not welcome.
Sofía Segovia (The Murmur of Bees)
La estética de los ochaya procede de la tradicional ceremonia japonesa del té, una difícil disciplina artística que sería más correcto traducir por "el camino del té". Este ceremonial es un intrincado ritual de normas fijas que no celebra sino el simple acto de disfrutar de una taza de té en compañía de amigos, una agradable forma de descansar de las preocupaciones cotidianas. De modo que se requiere un exceso de artificio para producir el efecto de simplicidad que manifiesta. Así, todos los objetos artesanales que se utilizan en él y el propio salón de té son obras de arte creadas con el máximo esmero.
Mineko Iwasaki (Geisha, a Life)
We need ecstasy, which in its Greek sense (ek-stasis) means to be outside the ego. The ego is a prison, caught in time, space and rationality. We need to leave this mental prison behind from time to time, and on a regular basis. What can get us out? Poetry, love, sex, therapy, passion, nature, ritual, ceremony, music, empathy, compassion, and ‘feeling with’ the world. All of these things Jung calls ‘religion’. Religion is anything that provides escape from egocentricity, relief from the mundane, and as such he gives a Dionysian spin to religion, that seems almost contrary to what an archbishop, for instance, might mean by this term.
David Tacey
Ritual in a way is an anti-machine, even though the industrial world is not totally devoid of the practice of ritual. David Kertzer, in Ritual, Politics and Power, points out it is innately inscribed within humans to do ritual. He goes on to show that ritual exists in every aspect of political practice where the construction of power is ordered by symbol and ceremony. For him, ritual is unavoidable in modern political and social interplay because it is something that enables people to deal with archetypes. There is some truth in such a vision. But I think that the term is being manipulated to fit certain urges for legitimization. A spirit can be used to legitimize someone’s desires. For example, someone can say that a spirit told him or her to do something, which legitimizes his or her unwarranted action (as in the American comedy line “The devil made me do it!”). One can claim divine sponsorship to justify actions that have nothing to do with the divine. One has only to look at American televangelism for that. It
Malidoma Patrice Somé (Ritual: Power, Healing and Community (Compass))
...It drifts in from somewhere far away - a mirage of sound - a dream music that is both heard and imagined; that seems to be both itself and its own echo; a sound so alluring and so mesmeric that the afternoon is bewitched, maybe haunted, by it. And, what is so strange about that memory is that everybody seems to be floating on those sweet sounds , moving rhythmically, languorously, in complete isolation; responding more to the mood of the music than to its beat. When I remember it, I think of it as dancing. Dancing with eyes half closed because to open them would break the spell. Dancing as if language had surrendered to movement - as if this ritual, this wordless ceremony, was now the way to speak, to whisper private and sacred things, to be in touch with some otherness. dancing as if the very heart of life and all its hopes might be found in those assuaging notes and those hushed rhythms and in those silent and hypnotic movements. Dancing as if language no longer existed because words were no longer necessary...
Brian Friel
Azita Ghahreman, is an Iranian poet.[1] She was born in Iran in 1962. She has written four books in Persian and one book in Swedish. She has also translated American poetry. She is a member of the Iranian Writers Association and International PEN. She has published four collections of poetry: Eve's Songs (1983), Sculptures of Autumn (1986), Forgetfulness is a Simple Ritual (1992) and The Suburb of Crows (2008), a collection reflecting on he exile in Sweden (she lives in an area called oxie on the outskirts of Malmö) that was published in both Swedish and Persian. Her poems directly address questions of female desire and challenge the accepted position of women. A collection of Azita's work was published in Swedish in 2009 alongside the work of Sohrab Rahimi and Christine Carlson. She has also translated a collection of poems by the American poet and cartoonist, Shel Silverstein, into Persian, The Place Where the Sidewalk Ends (2000). And she has edited three volumes of poems by poets from Khorasan, the eastern province of Iran that borders Afghanistan and which has a rich and distinctive history. Azita's poems have been translated into German, Dutch, Arabic, Chinese, Swedish, Spanish, Macedonian, Turkish, Danish, French and English. A new book of poetry, Under Hypnosis in Dr Caligari's Cabinet was published in Sweden in April 2012. [edit]Books Eva's Songs, (persian)1990 Autumn Sculptures,(persian) 1995 Where the sidewalk ends, Shell Silverstein(Translated to Persian with Morteza Behravan) 2000 The Forgetfulness has a Simple Ceremony,(persian) 2002 Here is the Suburb of Crows,(persian) 2009 four Poetry books ( collected poems 1990-2009 in Swedish), 2009 under hypnosis in Dr kaligaris Cabinet, (Swedish) 2012 Poetry Translation Center London( collected poems in English) 2012
آزیتا قهرمان (شبیه خوانی)
There are many who try to blend these two systems, using the texts that speak of the ceremonial law to prove that the moral law has been abolished; but this is a perversion of the Scriptures. The distinction between the two systems is broad and clear. The ceremonial system was made up of symbols pointing to Christ, to his sacrifice and his priesthood. This ritual law, with its sacrifices and ordinances, was to be performed by the hebrews until type met antitype in the death of Christ, the Lamb of God that taketh away the sin of the world. Then all the sacrificial offerings were to cease. It is this law that Christ “took ...out of the way, nailing it to his cross.” Colossians 2:14. But concerning the law of Ten Commandments
Ellen Gould White (Patriarchs and Prophets)
In connection with these reflections he coined the phrase mémoire involontaire. This concept bears the marks of the situation which gave rise to it; it is part of the inventory of the individual who is isolated in many ways. Where there is experience in the strict sense of the word, certain contents of the individual past combine with material of the collective past. The rituals with their ceremonies, their festivals (quite probably nowhere recalled in Proust’s work) kept producing the amalgamation of these two elements of memory over and over again. They triggered recollection at certain times and remained handles of memory for a lifetime. In this way, voluntary and involuntary recollection lose their mutual exclusiveness.
Walter Benjamin (Illuminations: Essays and Reflections)
In the United States, thirteen-year-old Jewish boys often mark the transition to adulthood with a bar mitzvah, involving a rather elaborate ceremony that includes singing a passage from the ancient Torah, followed by a celebration of dancing to hip-hop music and gorging on dessert. Sambian boys in Papua New Guinea mark the same transition by participating in the Flute Ceremony, which includes playing ritual flutes and performing fellatio on older boys and elders of their tribe. Imagine if the Sambian and American Jewish boy suddenly changed places. We’d witness how a momentous source of pride to members of one culture could be a totally meaningless or humiliating experience to members of another, because the behaviors and achievements that confer self-esteem do so only to the extent that we embrace a cultural worldview that deems them worthy.
Sheldon Solomon (The Worm at the Core: On the Role of Death in Life)
Excavators uncovered one of Malta's most famous Neolithic sculptures, the "Sleeping Lady" of the Hypogeum, off the main hall. She reclines peacefully on her side, head in hand...This sculpture and another one shown lying on her stomach on a couch reminds us of initiation and healing rites known in later classical times. During these various classical ceremonies, the initiate spent a night in the temple (or cave or other remote place). The initiate experienced a night of visions and dreams, with spiritual or physical healing taking place...This rite probably derived from Neolithic practices that likened sleeping in a cave, temple, or underground chamber to slumbering in the goddess' uterus before spiritual reawakening. For the living, such a ritual brought physical healing and spiritual rebirth. For the dead, burial within underground chambers, shaped and colored like the uterus, represented the possibility of regeneration through the goddess' symbolic womb.
Marija Gimbutas (The Living Goddesses)
The Temple of Hekate at Lagina, Caria, Anatolia was the last major temple built during the Hellenistic period. The temple was constructed on the site of an older settlement, which may have included an earlier temple. Lagina is the largest known temple which was dedicated entirely to Hekate and is famous for being the site of a key-bearing procession. In this procession, a key was carried by a young girl along the Sacred Way, an 11km road which connected the temple at Lagina to the nearby city of Stratonicea. Unfortunately, we don’t have reliable information on the purpose of the ceremony. Johnston writes that: "None of our sources explain what it was supposed to accomplish, but if it took its name from a key that was carried, then that key must have been of central importance - it must have been used to lock or unlock something significant." [89] Johnston further explains that although we don’t know what the key opened, the number of inscriptions naming the festival indicates that it was a significant festival. We can speculate that it was the key to the city, the key to the temple at Lagina, or the key to another (unknown) precinct. Considering Hekate’s ability to traverse between the worlds of the living and the dead, it is conceivable that the key opened the way to some form of ritual katabasis. At Lagina, the goddess Hekate was given the epithet Kleidouchos (key-bearer), so it is also possible that the young girl who carried the keys in the procession represented the goddess in the ceremony.
Sorita d'Este (Circle for Hekate - Volume I: History & Mythology (The Circle for Hekate Project Book 1))
Isn't she doing this too? Connecting and disconnecting. Facing grief then turning from it. One minute she is caught up in minutiae. Will her feet get sore standing in heels at the church? Have they made enough food? Will the kitten get scared by dozens of strangers in the house? Should she shut him in a room upstairs? The next moment she is weeping uncontrollably, taken over by pain so profound she can barely move. Then there was the salad bowl incident; her own fury scared her. But maybe these are different ways of dealing with events for all of them. Molly and Luke are infantile echos of her, their emotions paired down, their reactions simpler but similar. For if they have difficulty taking in what has happened, then so too does she. Why is she dressing up, for instance? Why can't she wear clothes to reflect the fact that she is at her lowest end? A tracksuit, a jumper full of holes, dirty jeans? Why can't she leave her hair a mess, her face unmade up? The crazed and grieving Karen doesn't care about her appearance. Yet she must go through with this charade, polish herself and her children to perfection. She, in particular, must hold it together. Oh, she can cry, yes, that's allowed. People expect that. They will sympathize. But what about screaming, howling, and hurling plates like she did yesterday? She imagines the shocked faces as she shouts and swears and smashes everything. But she is so angry, surely others must feel the same. Maybe a plate throwing ceremony would be a more fitting ritual than church, then everyone could have a go...smashing crockery up against the back garden wall.
Sarah Rayner (One Moment, One Morning)
It’s about to rain forks and knives,” Winterborne reported, water drops glittering on his hair and the shoulders of his coat. He reached for a glass of champagne from a silver tray on the table, and raised it in Tom’s direction. “Good luck it is, for the wedding day.” “Why is that, exactly?” Tom asked, disgruntled. “A wet knot is harder to untie,” Winterborne said. “The marriage bond will be tight and long lasting.” Ethan Ransom volunteered, “Mam always said rain on a wedding day washed away the sadness of the past.” “Not only are superstitions irrational,” Tom said, “they’re inconvenient. If you believe in one, you have to believe them all, which necessitates a thousand pointless rituals.” Not being allowed to see the bride before the ceremony, for example. He hadn’t had so much as a glimpse of Cassandra that morning, and he was chafing to find out how she was feeling, if she’d slept well, if there was something she needed. West came into the room with his arms full of folded umbrellas. Justin, dressed in a little velveteen suit, was at his heels. “Aren’t you supposed to be upstairs in the nursery with your little brother?” St. Vincent asked his five-year-old nephew. “Dad needed my help,” Justin said self-importantly, bringing an umbrella to him. “We’re about to have a soaker,” West said briskly. “We’ll have to take everyone out to the chapel as soon as possible, before the ground turns to mud. Don’t open one of these indoors: It’s bad luck.” “I didn’t think you were superstitious,” Tom protested. “You believe in science.” West grinned at him. “I’m a farmer, Severin. When it comes to superstitions, farmers lead the pack. Incidentally, the locals say rain on the wedding day means fertility.” Devon commented dryly, “To a Hampshireman, nearly everything is a sign of fertility. It’s a preoccupation around here.” “What’s fertility?” Justin asked. In the sudden silence, all gazes went to West, who asked defensively, “Why is everyone looking at me?” “As Justin’s new father,” St. Vincent replied, making no effort to hide his enjoyment, “that question is in your province.” West looked down into Justin’s expectant face. “Let’s ask your mother later,” he suggested. The child looked mildly concerned. “Don’t you know, Dad?
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
WOMEN HAVE ALWAYS BEEN THE property of men. It’s a truth written into social customs, old legal doctrines, some would say it’s written into the very laws of nature itself. In the Bible, women are told that their husbands shall rule over them. Fathers give their daughters away on their wedding day. The new owner is the groom. Much of history is based on the practice. In Europe, kings gave their daughters as peace offerings to other nations. Peasants gave their daughters in marriage to landowners as a means of trading their way out of feudal servitude. In other lands, tribes and clans gave their women as sacrifices to their enemies or gifts to their heroes. A beautiful daughter was prized not because of who she was or what she was capable of, but for what she could be bartered for. The entire marriage ceremony, to this day, is a complicated, ritualized human sacrifice. It is a custom of bondage and ownership. The bride is adorned in the most intricate, delicate and expensive clothing possible. She represents wealth, a high dowry, a prized possession. She is walked down the aisle by her father, the current owner, and delivered, in payment for something, always in payment for something, to her new owner, her groom.
Abby Weeks (Given to the Pack (Wolfpack Trilogy, #1))
One day Moses was walking in the mountains on his own when he saw a shepherd in the distance. The man was on his knees with his hands spread out to the sky, praying. Moses was delighted. But when he got closer, he was equally stunned to hear the shepherd’s prayer. “Oh, my beloved God, I love Thee more than Thou can know. I will do anything for Thee, just say the word. Even if Thou asked me to slaughter the fattest sheep in my flock in Thy name, I would do so without hesitation. Thou would roast it and put its tail fat in Thy rice to make it more tasty.” Moses inched toward the shepherd, listening attentively. “Afterward I would wash Thy feet and clean Thine ears and pick Thy lice for Thee. That is how much I love Thee.” Having heard enough, Moses interrupted the shepherd, yelling, “Stop, you ignorant man! What do you think you are doing? Do you think God eats rice? Do you think God has feet for you to wash? This is not prayer. It is sheer blasphemy.” Dazed and ashamed, the shepherd apologized repeatedly and promised to pray as decent people did. Moses taught him several prayers that afternoon. Then he went on his way, utterly pleased with himself. But that night Moses heard a voice. It was God’s. “Oh, Moses, what have you done? You scolded that poor shepherd and failed to realize how dear he was to Me. He might not be saying the right things in the right way, but he was sincere. His heart was pure and his intentions good. I was pleased with him. His words might have been blasphemy to your ears, but to Me they were sweet blasphemy.” Moses immediately understood his mistake. The next day, early in the morning, he went back to the mountains to see the shepherd. He found him praying again, except this time he was praying in the way he had been instructed. In his determination to get the prayer right, he was stammering, bereft of the excitement and passion of his earlier prayer. Regretting what he had done to him, Moses patted the shepherd’s back and said: “My friend, I was wrong. Please forgive me. Keep praying in your own way. That is more precious in God’s eyes.” The shepherd was astonished to hear this, but even deeper was his relief. Nevertheless, he did not want to go back to his old prayers. Neither did he abide by the formal prayers that Moses had taught him. He had now found a new way of communicating with God. Though satisfied and blessed in his naïve devotion, he was now past that stage—beyond his sweet blasphemy. “So you see, don’t judge the way other people connect to God,” concluded Shams. “To each his own way and his own prayer. God does not take us at our word. He looks deep into our hearts. It is not the ceremonies or rituals that make a difference, but whether our hearts are sufficiently pure or not.
Elif Shafak
Damn it, Jacob, I’m freezing my butt off.” “I came as fast as I could, considering I thought it would be wise to walk the last few yards.” Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection. “I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’” “Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?” “Well, I’m fifty percent sure.” “Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.” “As Legna tells it, that’s what you’re supposed to do.” “Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck. “Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.” “This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.” “Jacob!” she gasped, laughing. “Some traditions are not necessarily publicized,” he teased. “You people are outrageous.” “Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?” Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so. “Have I ever said no to you?” “No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled. “How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair. His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet. “If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.” “Okay,” she agreed, her tongue touching his pulse. “Bella . . .” “Jacob, I want to spend the entire night making love to you,” she murmured. Jacob stopped in his tracks, taking a moment to catch his breath. “Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?” “You started it,” she reminded him, laughing softly. “I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.” “I’m sorry, you’re right.” She turned her face away from his neck. Jacob resumed his ritual walk for all of thirty seconds before he stopped again. “Bella . . .” he warned dangerously. “I’m sorry! It just popped into my head!” “What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace. “Well, in about an hour, I hope it will be me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
The sun goes down and it's night-time in New Orleans. The moon rises, midnight chimes from St. Louis cathedral, and hardly has the last note died away than a gruesome swampland whistle sounds outside the deathly still house. A fat Negress, basket on arm, comes trudging up the stairs a moment later, opens the door, goes in to the papaloi, closes it again, traces an invisible mark on it with her forefinger and kisses it. Then she turns and her eyes widen with surprise. Papa Benjamin is in bed, covered up to the neck with filthy rags. The familiar candles are all lit, the bowl for the blood, the sacrificial knife, the magic powders, all the paraphernalia of the ritual are laid out in readiness, but they are ranged about the bed instead of at the opposite end of the room as usual. The old man's head, however, is held high above the encumbering rags, his beady eyes gaze back at her unflinchingly, the familiar semicircle of white wool rings his crown, his ceremonial mask is at his side. 'I am a little tired, my daughter,' he tells her. His eyes stray to the tiny wax image of Eddie Bloch under the candles, hairy with pins, and hers follow them. 'A doomed one, nearing his end, came here last night thinking I could be killed like other men. He shot a bullet from a gun at me. I blew my breath at it, it stopped in the air, turned around, and went back in the gun again. But it tired me to blow so hard, strained my voice a little.' A revengeful gleam lights up the woman's broad face. 'And he'll die soon, papaloi?' 'Soon,' cackles the weazened figure in the bed. The woman gnashes her teeth and hugs herself delightedly. ("Papa Benjamin" aka "Dark Melody Of Madness")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
Prince Arctic?” A silvery white dragon poked her head around the door, tapping three times lightly on the ice wall. Arctic couldn’t remember her name, which was the kind of faux pas his mother was always yelling at him about. He was a prince; it was his duty to have all the noble dragons memorized along with their ranks so he could treat them according to exactly where they fit in the hierarchy. It was stupid and frustrating and if his mother yelled at him about it one more time, he would seriously enchant something to freeze her mouth shut forever. Oooo. What a beautiful image. Queen Diamond with a chain of silver circles wound around her snout and frozen to her scales. He closed his eyes and imagined the blissful quiet. The dragon at his door shifted slightly, her claws making little scraping sounds to remind him she was there. What was she waiting for? Permission to give him a message? Or was she waiting for him to say her name — and if he didn’t, would she go scurrying back to the queen to report that he had failed again? Perhaps he should enchant a talisman to whisper in his ear whenever he needed to know something. Another tempting idea, but strictly against the rules of IceWing animus magic. Animus dragons are so rare; appreciate your gift and respect the limits the tribe has set. Never use your power frivolously. Never use it for yourself. This power is extremely dangerous. The tribe’s rules are there to protect you. Only the IceWings have figured out how to use animus magic safely. Save it all for your gifting ceremony. Use it only once in your life, to create a glorious gift to benefit the whole tribe, and then never again; that is the only way to be safe. Arctic shifted his shoulders, feeling stuck inside his scales. Rules, rules, and more rules: that was the IceWing way of life. Every direction he turned, every thought he had, was restricted by rules and limits and judgmental faces, particularly his mother’s. The rules about animus magic were just one more way to keep him trapped under her claws. “What is it?” he barked at the strange dragon. Annoyed face, try that. As if he were very busy and she’d interrupted him and that was why he was skipping the usual politic rituals. He was very busy, actually. The gifting ceremony was only three weeks away. It was bad enough that his mother had dragged him here, to their southernmost palace, near the ocean and the border with the Kingdom of Sand. She’d promised to leave him alone to work while she conducted whatever vital royal business required her presence. Everyone should know better than to disturb him right now. The messenger looked disappointed. Maybe he really was supposed to know who she was. “Your mother sent me to tell you that the NightWing delegation has arrived.” Aaarrrrgh. Not another boring diplomatic meeting.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
In all cases of locating reservations,” he once said, “it would be best to show some deference to the expressed wishes of the tribe.” Euro-Americans, particularly in the boom-and-bust West, were relentlessly mobile. They blew about in the wind—deracinated, it seemed, always in search of better fortune. Miners, traders, trappers, merchants, missionaries, they thought nothing of moving great distances and starting all over when new opportunity struck. The hunger to push on, particularly in a westward direction, was an attribute of the (white) American. But Carson knew enough about Indian culture to recognize that even among nomadic tribes, the familiar landmarks of one’s homeland were profoundly significant—in fact, they were sacred—and one strayed from them with great trepidation. Homeland was crucial in practical terms, but also in terms of ceremony and ritual, central to a tribe’s collective identity and its conception of the universe.
Hampton Sides (Blood and Thunder: The Epic Story of Kit Carson and the Conquest of the American West)
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
For me, the biggest conflict with the surgery date was that it fell on the same day as Cole’s junior/senior formal at school. The formal had been a big night for Reed two years earlier, with the highlight being a special ring ceremony. Juniors receive their senior rings and ask two special people in their lives to turn the ring on their finger. Reed has asked me to be one of those two people for him, which was a special honor for me. If Cole wants me there, I will reschedule Mia’s surgery. “Cole, who are you planning on having turn your ring?” I asked. “I didn’t get a ring, Mom. I really don’t want one,” Cole replied. Seriously? I thought. Boy, are you your father’s son or what? “All I really care about is getting some really good pictures.” I knew Cole was telling me the truth. He is not about fanfare or rituals. But he did want to remember the night. “Absolutely! I’ll make sure we have plenty of pictures of you,” I exclaimed. As it turned out, I think he was the most photographed student that night. Since I could not be there in person, people texted, e-mailed, and tagged me on Facebook with pictures of him. Again, my friends and Cole’s friends’ parents did what they could to help us through this difficult time. Something as simple as taking pictures was priceless to me. Yes, Cole was completely fine with my not being at the formal, but he was also sad that he could not be at the hospital for Mia. I assured him that there’s never a good time for surgery, and he shouldn’t feel guilty about attending his event--all of us wanted him to go and have a great time.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
The contemporary Christian Church, precisely, has understood them in this' 'wrong way, to the letter, 'like the Jews,' exoterically, not esoterically. Nevertheless to say 'like the Jews' is an error. One would have to say 'as the Jews want.' Because they also possess an exotericism, for their masses, represented by the Torah and Talmud, and an esotericism, in the Cabala (which means: 'Received Tradition'), in the Zohar ('brightness'), the Merkaba or Chariot being the most secret part of the Cabala which only initiated rabbis know and use as the powerful tool of their magic. We have already said that the Cabala reached them from elsewhere, like everything else, in the Middle Ages, even though they tell us otherwise, using and transforming it in concordance with their Archetype. The Hasidim, from Poland, represent an exclusively esoteric sect of Judaism. Islam also has its esoteric magic, represented by Sufism and the sect of the Assassins, Hassanists, oflran. They interpret the Koran symbolically. And it was because of contact with this sect of the 'Old Man of the Mountain' that the Templars felt compelled to secede more and more from the direction of Rome, centering themselves in their Esoteric Kristianity and Mystery of the Gral. This was also why Rome destroyed them, like the esoteric Cathars (katharos = pure in Greek), the Bogomils, the Manichees and the gnostics. In the Church of Rome, called Catholic, there only remains a soulless ritual of the Mass, as a liturgical shell that no longer reaches the Symbol, which no longer touches it, no longer puts it into action. The Nordic contribution has been lost, destroyed by prejudice and the ethnological persecution of Nordicism, Germanism and the complete surrender to Judaism. Zen Buddhism preserves the esotericism of Buddha. In Japan Shinto and Zen are practiced by a racially superior warrior caste, the Samurai. The most esoteric side of Hinduism is found in Tantrism, especially in the Kaula or Kula Order. So understood, esotericism is what goes beyond the exterior form and the masses, the physical, and puts an elite in contact with invisible superior forces. In my case, the condition that paralysed me in the midst of dreaming and left me without means to influence the phenomena. The visible is symbol of invisible forces (Archetypes, Gods). By means of an esoteric knowledge, of an initiation in this knowledge, a hierarchic minority can make contact with these invisible forces, being able to act on the Symbol, dynamizing and controlling the physical phenomena that incarnate them. In my case: to come to control the involuntary process which, without knowing how, was controlling me, to be able to guide it, to check or avoid it. Jung referred to this when he said 'if someone wisely faces the Archetype, in whatever place in the world, he acquires universal validity because the Archetype is one and indivisible'. And the means to reach this spiritual world, 'on the other side of the mirror,' is Magic, Rite, Ritual, Ceremony. All religions have possessed them, even the Christian, as we have said. And the Rite is not something invented by humans but inspired by 'those from beyond,' Jung would say by the Collective Unconscious.
Miguel Serrano