Risk Or Regret Quotes

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There is strange comfort in knowing that no matter what happens today, the Sun will rise again tomorrow.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
The struggles we endure today will be the ‘good old days’ we laugh about tomorrow.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
If you are afraid to take a chance, take one anyway. What you don't do can create the same regrets as the mistakes you make.
Iyanla Vanzant
If anyone were to find out—” I began. Patch kissed me, hard, but with an amused glint in his eye. “If I get caught, it’ll mean the end of kissing you. Do you really think I’d risk that?” His face grew serious. “I know I can’t feel your touch, but I feel your love, Nora. Inside me. It means everything to me. I wish I could feel you the same way you feel me, but I have your love. Nothing will ever outweigh that. Some people go their entire lives never feeling the emotions you’ve given me. There is no regret in that.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
It's in those quiet little towns, at the edge of the world, that you will find the salt of the earth people who make you feel right at home.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
Life's trials will test you, and shape you, but don’t let them change who you are.” ~ Aaron Lauritsen, ‘100 Days Drive
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
True friends don't come with conditions.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
Without struggle, success has no value.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
I'm not interested in waiting around and risking the who-knows and the what-ifs and the huge regrets. I want to feel all of it....
Tahereh Mafi (Unravel Me (Shatter Me, #2))
From this point forward, you don’t even know how to quit in life.” ~ Aaron Lauritsen, ‘100 Days Drive
Aaron Lauritsen
Those who achieve the extraordinary are usually the most ordinary because they have nothing to prove to anybody. Be Humble.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
At some point, you just gotta forgive the past, your happiness hinges on it.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
Burning bridges behind you is understandable. It's the bridges before us that we burn, not realizing we may need to cross, that brings regret.
Anthony Liccione
Being safe doesn't mean you won't be sorry.
Katerina Stoykova Klemer
Can’t change the past, don’t cry over the present, don’t stress about the future. It’s all pointless, especially regret.
Elle Kennedy (The Risk (Briar U, #2))
Explore, Experience, Then Push Beyond.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
Letting my heart instead of my hormones decide when to do it made what Aiden and I'd done special. And when we passed each other throughout the day, the looks we stole suddenly meant more. Everything meant more, because we both were risking it all and neither of us regretted that.
Jennifer L. Armentrout (Deity (Covenant, #3))
He who spends time regretting the past loses the present and risks the future.
Francisco de Quevedo
But if you never did anything you couldn't undo you'd end up doing nothing at all.
Anne Tyler (Ladder of Years)
The freedom of the open road is seductive, serendipitous and absolutely liberating.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
Never, ever regret or apologize for believing that when one man or one woman decides to risk addressing the world with truth, the world may stop what it is doing and hear. There is too much evidence to the contrary.
Robert Fulghum (Maybe, Maybe Not)
There's more to a person than flesh. Judge others by the sum of their soul and you'll see that beauty is a force of light that radiates from the inside out.
Aaron Lauritsen
If you didn't earn something, it's not worth flaunting.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
It’s the ‘everyday’ experiences we encounter along the journey to who we wanna be that will define who we are when we get there.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
I regretted that I hadn't turned myself into the kind of man that you could be with. That it wouldn't be just for me to be with you, even if you wanted me. Our lives started in the same shit hole, Elene, but somehow you've turned into you, and I've turned into this. I don't like what I've done. I don't like who I've become. You don't deserve a fairy tale? I don't deserve another chance, but I'm asking you for one. You're afraid that love is too risky? I've seen what happens when you don't risk it. [...] I'm willing to risk it to see the world through your eyes.
Brent Weeks (The Way of Shadows (Night Angel, #1))
I've got this tiny pang of regret when I think of how much I have probably missed out on in the last few years because I was too scared to take a risk, or too shy to speak up, or too worried to be bold. It is my one wild and precious life, after all.
Jessi Kirby (Golden)
There. That is the answer to this riddle. The promises I can make, and the one I can't. Gwen. I will never leave you willingly. Life is a risk, and so love is, as well. But I swear to God, you will not regret the gamble.
Meredith Duran (Wicked Becomes You)
Building bridges is the best defence against ignorance.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
there are risks you'll take for yourself because you know that if your plan goes wrong, it'll be too late for regrets. but if you risk the lives of others and fail, you'll have a lifetime to regret it.
Kelley Armstrong
Do you know what's scarier than taking a risk and losing"? I shook my head. "Regret, Joss. Regret does awful things to a person.
Samantha Young
The high road of grace will get you somewhere a whole lot faster then the freeway of spite.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
We love our partners for who they are, not for who they are not.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
I've missed the rush of power that comes with playing a game like this, of strategy and cunning. I hate to admit it, but I've missed risking my neck. There's no room for regrets when you're busy trying to win. Or at least not to die.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
People regret not achieving enough success in life, they should regret missing many opportunities in life.
Amit Kalantri
Better to risk helping someone than regret what you could have done.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
Life’s better with a few risks than a lot of regrets,
Kate Mascarenhas (The Psychology of Time Travel)
I think we seldom regret the risks we take as much as the times we did not try at all.
Gail Carriger (Imprudence (The Custard Protocol, #2))
But the most dangerous thing in the world in the world is to run the risk of waking up one morning and realizing suddenly that all this time you've been living without really and truly living and by then it's too late. When you wake up to that kind of realization, it's too late for wishes and regrets. It's even too late to dream.
Kinky Friedman (Kill Two Birds and Get Stoned)
I'd rather regret the risk that didn't work out than the chances I didn't take at all.
Simone Biles
Travel is costly yes, but it pays dividends too.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
Love is the one thing in this world worth taking a risk for. When you're older and you look back on the life you lived, you won't regret the fact that you took the chance to love someone. But you will regret the chances on love you didn't take. Especially the ones rooted in fear. They're only scary because you have the most to lose. You feel the most for them. Don't let the fear of losing love stop you from having the experience altogether.
J. Sterling (The Sweetest Game (The Perfect Game, #3))
Boldness in the course of a noble fight is worth the risk...If you stand on truth, you'll only regret your timidity later, but you'll never regret being bold.
Charles R. Swindoll
The real regrets in life are the risks you didn't take.
Habeeb Akande
To live a full life is to live one without regrets.
Rebecca K. Sampson (Stronger Now: How to Thrive in Any Circumstance and Become Unstoppable)
Don't risk your life for those that doesn't love your life, lest you end up in regrets if not death.
Michael Bassey Johnson
You have this one life. How do you want to spend it? Apologizing? Regretting? Questioning? Hating yourself? Dieting? Running after people who don't see you? Be brave. Believe in yourself. Do what feels good. Take risks. You have this one life. Make yourself proud.
Christine Riccio (Again, But Better)
Be a team player, not a bandwagon jumper.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
I look back on those days and regret none of it, not the risks, not the shame, not the total lack of foresight.
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
pause, ponder,consult, think through it well, understand the consequence, know the benefit and take a second look at it again for it takes a little mistake to cause a big had I know with a deep regret
Ernest Agyemang Yeboah
The willingness to be a champion for stupid ideas is the key to greater creativity, innovation, fulfillment, inspiration, motivation and success.
Richie Norton (The Power of Starting Something Stupid: How to Crush Fear, Make Dreams Happen, and Live without Regret)
Take the risk. Fail. And let regret come along for the ride. A passenger, not the driver.
Julia Whelan (Thank You for Listening)
What I do know is that there are two kinds of pain in this life: risk and regret. I'd rather live with the first than the second.
Holley Gerth (You're Made for a God-Sized Dream: Opening the Door to All God Has for You)
Live without regrets. It’s very easy to, really. You just listen to your heart, follow it, and take chances. Always take chances. And take risks, especially when it comes to love. Because love is the one thing in this world that’s worth risking everything for.
J. Sterling (The Sweetest Game (The Perfect Game, #3))
I wanted to project myself forward to age 80 and say, ‘OK, I’m looking back on my life. I want to minimise the number of regrets I have.’ And I knew that when I was 80, I was not going to regret having tried this. I was not going to regret trying to participate in this thing called the Internet that I thought was going to be a really big deal. I knew that if I failed, I wouldn’t regret that. But I knew the one thing I might regret is not ever having tried. I knew that that would haunt me every day.
Jeff Bezos
At the end of our lives, we mostly regret the risks we didn't take, the dreams we didn't do and the love we failed to give. If those things are going to be important to you at the end, make them important to you right now.
Robin S. Sharma
I would rather risk rejection and fail, then never try, and live with regret.
Dianne Rosena Jones
There is no such thing as loving a child too much.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
It's dying," I say. "When the center is exposed like that, it doesn't have a chance." "But it's beautiful," she points out, I stare at the shriveling cactus and try to see the beauty in it. "That's the way I want to go out," she decides. "What?" I ask. "Torn up and ripped open?" She shakes her head. "Totally exposed, with no regrets. You can tell this cactus lived; it has the battle scars to prove it. Why go out looking perfect and put together? It means you didn't experience anything. You didn't take any risks.
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
The Million Ways To Fail – Tuesday, June 30, 2015 Here’s how you fail: You fail with your heart on your sleeve. You fail like you mean it with every part of you. You fail attempting the impossible and the ridiculous. You fail in front of others and you fail and they laugh at you and you fail and you feel nothing and regret less. You fail sincerely and earnestly and you risk everything at every opportunity. This is how you fail: You fail beautifully You fail with grace.
Iain S. Thomas (I Wrote This for You, 2007-2017 (I Wrote This For You #1))
I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
There is a very real danger present when we suppress our feelings to act on inspiration in exchange for the “safety” of the status quo. We risk sacrificing the opportunity to live a more fulfilling and purpose driven life. We risk sacrificing the opportunity to make a difference in the lives of others. We risk sacrificing the beautiful blessing of finding a greater sense of meaning in our own lives. In short, we run the very real risk living a life of regret.
Richie Norton
Whenever we give our hearts in love, the burden of our vulnerability grows. We risk being rebuffed or embarrassed or inadequate. Beyond these things, we risk the enormous pain of loss. When those we love die, a part of us dies with them. When those we love are sick, in body or spirit, we too feel the pain. All of this is worth it. Especially the pain. If we insulate our hearts from suffering, we shall only subdue the very thing that makes life worth living. We cannot protect ourselves from loss. We can only protect ourselves from the death of love, we are left only with the aching hollow of regret, that haunting emptiness where love might have been.
Forrest Church
Regret weighs more than risk
shawonwatson
Regrets and mistakes help us identify areas of growth. They are not meant to be dwelled on. Do not let them undermine your potential.
Naide P Obiang
I can’t promise anything just like you can’t, but you’re not the only one who worries about this. I can tell you that being around is what I want. We have no guarantees, but at the same time, I would rather risk it all than look back with regrets.
Corinne Michaels (One Last Time (Second Time Around, #2))
I'm halfway through my life, and as far as I can tell, the real lesson of the past isn't that I made some mistakes, it's that I didn't make nearly enough of them. I doubt I'll be lying on my deathbed in forty or fifty years, congratulating myself on the fact that I never had sex in an airplane with a handsome Italian businessman, or patting myself on the back for all those years of involuntary celibacy I endured after my divorce. If recent experience is any guide, I'll probably be lying in that hospital bed with my body full of tubes, sneaking glances at the handsome young doctor, wishing that I hadn't been such a coward. Wishing I'd taken more risks, made more mistakes, and accumulated more regrets. Just wishing I'd lived when I had the chance.
Tom Perrotta (The Abstinence Teacher)
I look back on those days and regret none of it, not the risks, not the shame, not the total lack of foresight. The lyric cast of the sun, the teeming fields with tall plants nodding away under the intense midafternoon heat, the squeak of our wooden floors, or the scrape of the clay ashtray pushed ever so lightly on the marble slab that used to sit on my nightstand. I knew that our minutes were numbered, but I didn't dare count them, just as I knew where all this was headed, but I didn't care to read the signposts. This was a time when I intentionally failed to drop bread crumbs for my return journey; instead, I ate them. He could turn out to be a creep; he could change me or ruin me forever, while time and gossip might ultimately disembowel everything we shared and trim the whole thing down till nothing but fish bones remained. I might miss this day, or I might do far better, but I'd always know that on those afternoons in my bedroom I had held my moment.
André Aciman (Call Me by Your Name)
Gabe's face flashed into my mind, and I knew that Asher and Gabe had both been right about my feelings. Gabe would do anything to save me, even put his life at risk for mine. He would do all that for a girl who'd never kissed him, or been brave enough to take a chance on him. Suddenly, I regretted that immensely.
Corrine Jackson (Ignited (Sense Thieves #3))
The only person that should wear your ring is the one person that would never… 1. Ask you to remain silent and look the other way while they hurt another. 2. Jeopardize your future by taking risks that could potentially ruin your finances or reputation. 3. Teach your children that hurting others is okay because God loves them more. God didn’t ask you to keep your family together at the expense of doing evil to others. 4. Uses religious guilt to control you, while they are doing unreligious things. 5. Doesn't believe their actions have long lasting repercussions that could affect other people negatively. 6. Reminds you of your faults, but justifies their own. 7. Uses the kids to manipulate you into believing you are nothing. As if to suggest, you couldn’t leave the relationship and establish a better Christian marriage with someone that doesn’t do these things. Thus, making you believe God hates all the divorced people and will abandon you by not bringing someone better to your life, after you decide to leave. As if! 8. They humiliate you online and in their inner circle. They let their friends, family and world know your transgressions. 9. They tell you no marriage is perfect and you are not trying, yet they are the one that has stirred up more drama through their insecurities. 10. They say they are sorry, but they don’t show proof through restoring what they have done. 11. They don’t make you a better person because you are miserable. They have only made you a victim or a bitter survivor because of their need for control over you. 12. Their version of success comes at the cost of stepping on others. 13. They make your marriage a public event, in order for you to prove your love online for them. 14. They lie, but their lies are often justified. 15. You constantly have to start over and over and over with them, as if a connection could be grown and love restored through a honeymoon phase, or constant parental supervision of one another’s down falls. 16. They tell you that they don’t care about anyone other than who they love. However, their actions don’t show they love you, rather their love has become bitter insecurity disguised in statements such as, “Look what I did for us. This is how much I care.” 17. They tell you who you can interact with and who you can’t. 18. They believe the outside world is to blame for their unhappiness. 19. They brought you to a point of improvement, but no longer have your respect. 20. They don't make you feel anything, but regret. You know in your heart you settled.
Shannon L. Alder
My soul will dance with Athena's soul; I'll be with her while I sleep; I'll wake up sweating and go into the kitchen for a glass of water. I'll understand that in order to combat ghosts you must use weapons that form no part of reality. Then, following the advice of my grandmother, I'll place an open pair of scissors on my bedside table to snip off the end of the dream. The next day, I'll look at the scissors with a touch of regret, but I must adapt to living in the world again or risk going mad.
Paulo Coelho (The Witch of Portobello)
We pass and leave you lying. No need for rhetoric, for funeral music, for melancholy bugle-calls. No need for tears now, no need for regret. We took our risk with you; you died and we live. We take your noble gift, salute for the last time those lines of pitiable crosses, those solitary mounds, those unknown graves, and turn to live our lives out as we may. Which of us were fortunate--who can tell? For you there is silence and cold twilight drooping in awful desolation over those motionless lands. For us sunlight and the sound of women's voices, song and hope and laughter, despair, gaiety, love--life. Lost terrible silent comrades, we, who might have died, salute you.
Richard Aldington (Roads to Glory (Arts and Literature Series))
Regret is for those who fear taking risks.
Sheila Renee Parker
We need more people who are willing to demonstrate what it looks like to risk and endure failure, disappointment, and regret—people willing to feel their own hurt instead of working it out on other people, people willing to own their stories, live their values, and keep showing up.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
There are so many things to regret in your lifetime, but loving someone is not one of them. You gave the purest part of your soul to someone else. It takes courage to risk your heart in a world where very few people take risks. The lesson of lost love is not found in regret. It is found in understanding how much love you truly are capable of. One day, the right person will comes along and you will recognize real love because their love will resemble something you once gave away.
Shannon L. Alder
I am sorrowful. I am sorrowful that I happened to be born into a world where being disgusted with yourself was what you were supposed to be. I am sorrowful that my fellow countrymen feel that being human is something to repress, something ugly, something nasty. It's... It's just a fucking shame. It really is. I am penitent. I am penitent for all the relationships this shame has ruined. I am penitent that I've allowed my shame and unhappiness to spread to others. I've fucked men and I've fucked women, Father Kolkan. I have sucked numerous pricks, and I have had my pricked sucked by numerous people. I have fucked and been fucked. And it was lovely, really lovely. I had an excellent time doing it, and I would gladly do it again. I really would. I have been lucky enough to find and meet and come to hold beautiful people in my arms - honestly, some beautiful, lovely, brilliant people - and I am filled with regret that my awful self-hate drove them away. I don't know if you made the world, Father Kolkan. And I don't know if you made my people or if they made themselves. But if it was your words they taught me as a child, and if it's your words that encourage this vile self-disgust, this ridiculous self-flagellation, this incredibly damaging idea that to be human and to love and to risk making mistakes is wrong, then... Well, I guess fuck you, Father Kolkan.
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
When I look at you, I still see the son I love more than my own life. But I also see a man who has become so far removed from what matters that his perception is skewed. Family is real, son. A home to settle into—that’s real. People who love you and care about you. You’ve had a phenomenal career, and I’m proud of you. But it’s time to stop basing your worth on championships and endorsement deals. You can’t buy happiness. You can’t earn it. God isn’t counting all the deals you’re racking up—and neither is your family.” He lifted his brow. “And neither is Lucy. For the first time someone’s looking at the person inside—and you have to decide if you’re going to let her in and be the man she needs you to be.” His father turned his head toward a family picture on the mantel. “It’s a risk. But one I’ve never regretted.
Jenny B. Jones (Save the Date)
However it might go, I should have no regrets. If I should be reduced to begging in the street, then I should enjoy the feel of pavement beneath my feet and the odors of asphalt and automobile exhausts. Good and bad fortune were equally attractive when viewed in such a context. Hunger was as interesting as satiety. A life without sight was as interesting as life with sight. Who was to say different? Society? The bulk of humanity? They were living their first lives, cautiously aware that someday they would die. They had everything to lose. They could not take the risks. But I had been through death, had my insides burned out by it twice. I was living a second life, freed of those cautious awarenesses. I had nothing to lose. I could take all the risks.
John Howard Griffin (Scattered Shadows: A Memoir of Blindness and Vision)
Love is the one thing in this world worth taking a risk for. When you’re older and you look back on the life you lived, you won’t regret the fact that you took the chance to love someone. But you will regret the chances on love you didn’t take. Especially the ones rooted in fear. They’re only scary because you have the most to lose. You feel the most for them. Don’t let the fear of losing love stop you from having the experience altogether.
J. Sterling (The Sweetest Game (The Perfect Game, #3))
The Grum’s Ledger is a tale of regret. In real life, there was no happy ending. Alexander Grum died alone because he was afraid to seize love and risk all the unknowns that go with it. He chose certainty—and it was his ruin. “The only guarantee I could offer him—against all the unknowns, all the obstacles—was that we would face life together.
Jon Cohen (Harry's Trees)
Studies consistently show that when we look back on our lives the most common regrets are not the risks we took, but the ones we didn’t. Of the many regrets people describe, regrets of inaction outnumber those of action by nearly two to one. Some of the most common include not pursuing more education, not being more assertive, and failing to seize the moment. When people reflect later in life, it is the things they did not do that generate the greatest despair.
Jocelyn K. Glei (Maximize Your Potential: Grow Your Expertise, Take Bold Risks & Build an Incredible Career (99U Book 2))
the hinder portion scalding-house good eating Curve B in addition to the usual baths and ablutions military police sumptuousness of the washhouse risking misstatements kept distances iris to iris queen of holes damp, hairy legs note of anger chanting and shouting konk sense of "mold" on the "muff" sense of "talk" on the "surface" konk2 all sorts of chemical girl who delivered the letter give it a bone plummy bare legs saturated in every belief and ignorance rational living private client bad bosom uncertain workmen mutton-tugger obedience to the rules of the logical system Lord Muck hot tears harmonica rascal that's chaos can you produce chaos? Alice asked certainly I can produce chaos I said I produced chaos she regarded the chaos chaos is handsome and attractive she said and more durable than regret I said and more nourishing than regret she said
Donald Barthelme (Sixty Stories)
There is my father whispering in my ear, Be still still still. And yet you change everything. What was the marsh like, waiting for the storm before you came and kneeled in the water? It was nothing. Watch after you leave the water, now cold and regretful, miles from home, certain of the belt on your backside, the cold shoulder, the extra chores; watch. Watch the water heal itself of your presence--not to repair injury but to offer itself again should you care to risk another strapping [...].
Paul Harding (Tinkers)
It is a mistake to think of the expatriate as someone who abdicates, who withdraws and humbles himself, resigned to his miseries, his outcast state. On a closer look, he turns out to be ambitious, aggressive in his disappointments, his very acrimony qualified by his belligerence. The more we are dispossessed, the more intense our appetites and illusions become. I even discern some relation between misfortune and megalomania. The man who has lost everything preserves as a last resort the hope of glory, or of literary scandal. He consents to abandon everything, except his name. [ . . . ] Let us say a man writes a novel which makes him, overnight, a celebrity. In it he recounts his sufferings. His compatriots in exile envy him: they too have suffered, perhaps more. And the man without a country becomes—or aspires to become—a novelist. The consequence: an accumulation of confusions, an inflation of horrors, of frissons that date. One cannot keep renewing Hell, whose very characteristic is monotony, or the face of exile either. Nothing in literature exasperates a reader so much as The Terrible; in life, it too is tainted with the obvious to rouse our interest. But our author persists; for the time being he buries his novel in a drawer and awaits his hour. The illusion of surprise, of a renown which eludes his grasp but on which he reckons, sustains him; he lives on unreality. Such, however, is the power of this illusion that if, for instance, he works in some factory, it is with the notion of being freed from it one day or another by a fame as sudden as it is inconceivable. * Equally tragic is the case of the poet. Walled up in his own language, he writes for his friends—for ten, for twenty persons at the most. His longing to be read is no less imperious than that of the impoverished novelist. At least he has the advantage over the latter of being able to get his verses published in the little émigré reviews which appear at the cost of almost indecent sacrifices and renunciations. Let us say such a man becomes—transforms himself—into an editor of such a review; to keep his publication alive he risks hunger, abstains from women, buries himself in a windowless room, imposes privations which confound and appall. Tuberculosis and masturbation, that is his fate. No matter how scanty the number of émigrés, they form groups, not to protect their interests but to get up subscriptions, to bleed each other white in order to publish their regrets, their cries, their echoless appeals. One cannot conceive of a more heart rending form of the gratuitous. That they are as good poets as they are bad prose writers is to be accounted for readily enough. Consider the literary production of any "minor" nation which has not been so childish as to make up a past for itself: the abundance of poetry is its most striking characteristic. Prose requires, for its development, a certain rigor, a differentiated social status, and a tradition: it is deliberate, constructed; poetry wells up: it is direct or else totally fabricated; the prerogative of cave men or aesthetes, it flourishes only on the near or far side of civilization, never at the center. Whereas prose demands a premeditated genius and a crystallized language, poetry is perfectly compatible with a barbarous genius and a formless language. To create a literature is to create a prose.
Emil M. Cioran (The Temptation to Exist)
So much of what we hear today about courage is inflated and empty rhetoric that camouflages personal fears about one’s likability, ratings, and ability to maintain a level of comfort and status. We need more people who are willing to demonstrate what it looks like to risk and endure failure, disappointment, and regret—people willing to feel their own hurt instead of working it out on other people, people willing to own their stories, live their values, and keep showing up. I feel so lucky to have spent the past couple of years working with some true badasses, from teachers and parents to CEOs, filmmakers, veterans, human-resource professionals, school counselors, and therapists. We’ll explore what they have in common as we move through the book, but here’s a teaser: They’re curious about the emotional world and they face discomfort straight-on.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
It would be nice if the story ended differently - if he had burst into tears and professed his love for me; if he had said the same three words back and hugged me; if he had given it thought and then asked if we could try a relationship. But you know what? I said those three words to a boy who didn’t love me back, at least not in that way. He casually dropped a “love you” later on, and in a platonic ‘you have impacted my life’ way, he was telling the truth. But I knew. He had given it thought, and we were not on the same page. I built up all this courage to say “I love you” for the very first time, and I said those words to a person that couldn’t reciprocate them. But guess what? I don’t regret any of it.
Stephen Lovegrove (How to Find Yourself, Love Yourself, & Be Yourself: The Secret Instruction Manual for Being Human)
Diner Customer 1 (Kyle): …I’ll give you one piece of advice, on account of I like you and I don’t want to see you get hurt. First time I went to Vegas, I thought It was the most beautiful place in the world. All lights and neon. And the women --- well, the WOMEN… Anyway, didn’t take me long to figure out the whole place was on the hustle, that none of it was what it looked like, and if you’re not real careful, a place like that can kill you. Bill: Asgard ain’t Vegas, Kyle. Diner Customer 1 (Kyle): No, sir. You’re absolutely right. It isn’t Vegas. ‘Cause in Vegas, even guys like you and me can win once in a while. (Kyle leaves the diner) Diner Customer 2: Pay no attention to him, Bill. A man loses two hundred-fifty dollars on the slots, and he thinks it gives him wisdom. Biggest mistakes I ever made were in listening to guys like that, instead of listening to my own heart… what my granddad used to call “The Tyranny of Reasonable Voices.” Mistakes you make can always be worked out. The mistakes you don’t make because you do nothing, because you don’t try, you don’t risk, those are the ones that haunt you when you get old. Regret, that’s the real killer. Go where your heart leads you, Bill. Life’ll take care of the rest. It always does. - Thor #10 (2007)
J. Michael Straczynski
Foundation regrets arise from our failures of foresight and conscientiousness. Like all deep structure regrets, they start with a choice. At some early moment, we face a series of decisions. One set represents the path of the ant. These choices require short-term sacrifice, but in the service of a long-term payoff. The other choices represent the path of the grasshopper. This route demands little exertion or assiduousness in the short run, but risks exacting a cost in the long run.
Daniel H. Pink (The Power of Regret: How Looking Backward Moves Us Forward)
When you face asymmetric risk, it makes total sense to be bold, to grab the opportunity at hand. At the extreme, when the downside is very low (or nonexistent, as in the “nothing to lose” case) and the upside is really high, it’s actually riskier not to make the bold move. The downside of not even taking a chance is emotional: potentially a lifetime of regret and wondering What if? The upside of taking a chance always includes emotional benefits—even if things don’t work out. There’s a great sense of pride at having pursued an important goal wholeheartedly. If you’ve given something your all, you’ll get a lot of positive memories out of the experience no matter what happens.
Bill Perkins (Die with Zero: Getting All You Can from Your Money and Your Life)
Farewell, eyes that I loved! Do not blame me if the human body cannot go three days without water. I should never have believed that man was so truly the prisoner of the springs and freshets. I had no notion that our self-sufficiency was so circumscribed. We take it for granted that a man is able to stride straight out into the world. We believe that man is free. We never see the cord that binds him to wells and fountains, that umbilical cord by which he is tied to the womb of the world. Let man take but one step too many... and the cord snaps. Apart from your suffering, I have no regrets. All in all, it has been a good life. If I got free of this I should start right in again. A man cannot live a decent life in cities, and I need to feel myself live. I am not thinking of aviation. The airplane is a means, not an end. One doesn't risk one's life for a plane any more than a farmer ploughs for the sake of the plough. But the airplane is a means of getting away from towns and their bookkeeping and coming to grips with reality.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Birthdays are a time when one stock takes, which means, I suppose, a good spineless mope: I scan my horizon and can discern no sail of hope along my own particular ambition. I tell you what it is: I'm quite in accord with the people who enquire 'What is the matter with the man?' because I don't seem to be producing anything as the years pass but rank self indulgence. You know that my sole ambition, officially at any rate, was to write poems & novels, an activity I never found any difficulty fulfilling between the (dangerous) ages of 17-24: I can't very well ignore the fact that this seems to have died a natural death. On the other hand I feel regretful that what talents I have in this direction are not being used. Then again, if I am not going to produce anything in the literary line, the justification for my selfish life is removed - but since I go on living it, the suspicion arises that the writing existed to produce the life, & not vice versa. And as a life it has very little to recommend it: I spend my days footling in a job I care nothing about, a curate among lady-clerks; I evade all responsibility, familial, professional, emotional, social, not even saving much money or helping my mother. I look around me & I see people getting on, or doing things, or bringing up children - and here I am in a kind of vacuum. If I were writing, I would even risk the fearful old age of the Henry-James hero: not fearful in circumstance but in realisation: because to me to catch, render, preserve, pickle, distil or otherwise secure life-as-it-seemed for the future seems to me infinitely worth doing; but as I'm not the entire morality of it collapses. And when I ask why I'm not, well, I'm not because I don't want to: every novel I attempt stops at a point where I awake from the impulse as one might awake from a particularly-sickening nightmare - I don't want to 'create character', I don't want to be vivid or memorable or precise, I neither wish to bathe each scene in the lambency of the 'love that accepts' or be excoriatingly cruel, smart, vicious, 'penetrating' (ugh), or any of the other recoil qualities. In fact, like the man in St Mawr, I want nothing. Nothing, I want. And so it becomes quite impossible for me to carry on. This failure of impulse seems to me suspiciously like a failure of sexual impulse: people conceive novels and dash away at them & finish them in the same way as they fall in love & will not be satisfied till they're married - another point on which I seem to be out of step. There's something cold & heavy sitting on me somewhere, & until something budges it I am no good.
Philip Larkin (Philip Larkin: Letters to Monica)
I learned regret in the ruins of Tarbfhlaith. I regretted that ambition had ruled my heart instead of affection for my kin. And with the lesson of regret came the gratitude for having life still to move my lips and limbs, and to speak kind words to and embrace those I may not see again on this sweet-smelling earth. I learned that I cannot wait to love what is in my presence, for it or I may well be gone tomorrow. To some, such as Giannon, this lesson poisons the heart with bitterness. But such bitterness has no value and is, in fact, cowardly. For bitterness risks nothing.
Kate Horsley (Confessions of a Pagan Nun)
Poverty doesn't scare me, ignorance does. Work doesn't scare me, laziness does. Pleasure doesn't scare me, pain does. Charity doesn't scare me, weakness does. Chastisement doesn't scare me, flattery does. Friendship doesn't scare me, betrayal does. Enmity doesn't scare me, anger does. Marriage doesn't scare me, divorce does. Love doesn't scare me, heartache does. Sex doesn't scare me, parenting does. Ambition doesn't scare me, envy does. Adversity doesn't scare me, boredom does. Risk doesn't scare me, cowardice does. Competition doesn't scare me, mediocrity does. Defeat doesn't scare me, weakness does. Misfortune doesn't scare me, bitterness does. Maturing doesn't scare me, infirmity does. Life doesn't scare me, regret does. Aging doesn't scare me, death does. Existence doesn't scare me, oblivion does. War doesn't scare me, bloodshed does. Government doesn't scare me, corruption does. Politics doesn't scare me, manipulation does. Revolution doesn't scare me, tyranny does. Rebellion doesn't scare me, slavery does. Ideology doesn't scare me, fanaticism does. Religion doesn't scare me, immorality does. Faith doesn't scare me, hopelessness does. Morality doesn't scare me, evil does. God doesn't scare me, extremism does.
Matshona Dhliwayo
The unexamined life is surely worth living, but is the unloved life worth examining? It seems a strange question until one realizes how much of our so-called mental life is about the lives we are not living, the lives we are missing out on, the lives we could be leading but for some reason are not. What we fantasize about, what we long for, are the experiences, the things and the people that are absent. It is the absence of what we need that makes us think, that makes us cross and sad. We have to be aware of what is missing in our lives - even if this often obscures both what we already have and what is actually available - because we can survive only if our appetites more or less work for us. Indeed, we have to survive our appetites by making people cooperate with our wanting. We pressurize the world to be there for our benefit. And yet we quickly notice as children - it is, perhaps, the first thing we do notice - that our needs, like our wishes, are always potentially unmet. Because we are always shadowed by the possibility of not getting what we want, we lean, at best, to ironize our wishes - that is, to call our wants wishes: a wish is only a wish until, as we say, it comes true - and, at worst, to hate our needs. But we also learn to live somewhere between the lives we have and the lives we would like.(…) There is always what will turn out to be the life we led, and the life that accompanied it, the parallel life (or lives) that never actually happened, that we lived in our minds, the wished-for life (or lives): the risks untaken and the opportunities avoided or unprovided. We refer to them as our unloved lives because somewhere we believe that they were open to us; but for some reason - and we might spend a great deal of our lived lives trying to find and give the reason - they were not possible. And what was not possible all too easily becomes the story of our lives. Indeed, our lived lives might become a protracted mourning for, or an endless tantrum about, the lives we were unable to live. But the exemptions we suffer, whether forced or chosen, make us who we are. As we know more now than ever before about the kinds of lives it is possible to live - and affluence has allowed more people than ever before to think of their lives in terms of choices and options - we are always haunted by the myth of our potential, of what we might have it in ourselves to be or do. So when we are not thinking, like the character in Randall Jarrell's poem, that "The ways we miss our lives is life", we are grieving or regretting or resenting our failure to be ourselves as we imagine we could be. We share our lives with the people we have failed to be. We discover these unloved lives most obviously in our envy of other people, and in the conscious 9and unconscious) demands we make on our children to become something that was beyond us. And, of course, in our daily frustrations. Our lives become an elegy to needs unmet and desires sacrificed, to possibilities refused, to roads not taken. The myth of our potential can make of our lives a perpetual falling-short, a continual and continuing loss, a sustained and sometimes sustaining rage; though at its best it lures us into the future, but without letting us wonder why such lures are required (we become promising through the promises made to us). The myth of potential makes mourning and complaining feel like the realest things we eve do; and makes of our frustration a secret life of grudges. Even if we set aside the inevitable questions - How would we know if we had realized our potential? If we don't have potential what do we have? - we can't imagine our lives without the unloved lives they contain. We have an abiding sense, however obscure and obscured, that the lives we do lead are informed by the lives that escape us. That our lives are defined by loss, but loss of what might have been; loss, that is, of things never experienced.
Adam Phillips (Missing Out: In Praise of the Unlived Life)
I had never before spent a night with a woman, had someone lying by my side in the quietness of the dark, hearing her breath and feeling her warmth beside me. It is a sin, and it is a crime. I say it frankly, for I have been taught so all my life, and only madmen have said otherwise. The Bible says it, the fathers of the church have said it, the prelates now repeat it without end, and all the statues of the land prescribe punishment for what we did that night. Abstain from fleshly lusts, which war against the soul. It must be so, for the Bible speaks only God’s truth. I sinned against the law, against God’s word reported, I abused my family and exposed them even more to risk of public shame, I again risked permanent exclusion from those rooms and books which were my delight and my whole occupation; yet in all the years that have passed since I have regretted only one thing: that it was but a passing moment, never repeated, for I have never been closer to God, nor felt His love and goodness more.
Iain Pears (An Instance of the Fingerpost)
I’ve smoked because I was full and I’ve smoked because I was hungry. I’ve smoked because I was glad and I’ve smoked because I was depressed. I’ve smoked out of loneliness and out of friendship, out of fear and out of exuberance. Every cigarette that I’ve ever smoked served a purpose — they were a signal, medication, a stimulant or a sedative, they were a plaything, an accessory, a fetish object, something to help pass the time, a memory aid, a communication tool or an object of meditation. Sometimes they were all of these things at once. I no longer smoke, but there are still moments when I can think of nothing but cigarettes. This is one of those moments. I really shouldn’t be writing this book. It’s too much of a risk. But I won’t be deterred. I will write about it all, without mystifying or demonising it. I regret nothing. Every cigarette I’ve ever smoked was a good cigarette.
Gregor Hens (Nicotine)
I look back on those days and regret none of it, not the risks, not the shame, not the total lack of foresight. The lyric cast of the sun, the teeming fields with tall plants nodding away under the intense midafternoon heat, the squeak of our wooden floors, or the scrape of the clay ashtray pushed ever so lightly on the marble slab that used to sit on my nightstand. I knew that our minutes were numbered, but I didn't dare count them, just as I knew where all this was headed, but I didn't care to read the milestones. This was a time when I intentionally failed to drop bread crumbs for my return journey; instead, I ate them. He could turn out to be a creep; he could change me or ruin me forever, while time and gossip might ultimately disembowel everything we shared and trim the whole thing down till nothing but fish bones remained. I might miss this day, or I might do far better, but I'd always know that on those afternoons in my bedroom I had held my moment.
André Aciman (Call Me by Your Name)
How are things going with your brothers?” “The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.” “That is awesome!” “Yeah.” “What’s wrong?” “Carrie and Joe hired a lawyer and I lost visitation.” Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry." I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law." "Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls." I lowered my voice. "Not that it matters. I only care what one girl thinks about me." She relaxed her fingers into mine and stroked her thumb over my skin. Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?” “No.” If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.” Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.” “Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better. I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.” “I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.” “That’s awesome, Echo. Sounds like you’re fitting into your future perfectly. Where did you decide to go to school?” “I don’t know if I’m going to school.” Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know? You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?” My damned little siren laughed at me. “I see your language has improved.” Poof—like magic, the anger disappeared. “If you’re not going to school, then what are your plans?” "I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.” “I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?” Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.” "I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Thieving was not a sheer absurdity. It was a form of human industry, perverse indeed, but still an industry exercised in an industrious world; it was work undertaken for the same reason as the work in potteries, in coal mines, in fields, in tool-grinding shops. It was labour, whose practical difference from the other forms of labour consisted in the nature of its risk, which did not lie in ankylosis, or lead poisoning, or fire-damp, or gritty dust, but in what may be briefly defined in its own special phraseology as "Seven years' hard". Chief Inspector Heat was, of course, not insensible to the gravity of moral differences. But neither were the thieves he had been looking after. They submitted to the severe sanction of a morality familiar to Chief Inspector Heat with a certain resignation. They were his fellow citizens gone wrong because of imperfect education, Chief Inspector Heat believed; but allowing for that difference, he could understand the mind of a burglar, because, as a matter of fact, the mind and the instincts of a burglar are of the same kind as the mind and the instincts of a police officer. Both recognize the same conventions, and have a working knowledge of each other's methods and of the routine of their respective trades. They understand each other, which is advantageous to both, and establishes a sort of amenity in their relations. Products of the same machine, one classed as useful and the other as noxious, they take the machine for granted in different ways, but with a seriousness essentially the same. The mind of Chief Inspector Heat was inaccessible to ideas of revolt. But his thieves were not rebels. His bodily vigour, his cool, inflexible manner, his courage, and his fairness, had secured for him much respect and some adulation in the sphere of his early successes. He had felt himself revered and admired. And Chief Inspector Heat, arrested within six paces of the anarchist nicknamed the Professor, gave a thought of regret to the world of thieves--sane, without morbid ideals, working by routine, respectful of constituted authorities, free from all taint of hate and despair.
Joseph Conrad (The Secret Agent)
The tattoos around his eyes burned as he scanned the surrounding area. No one but him probably noticed, but the plumes of darkness branching in every direction were writhing and groaning, desperate to avoid the light of the moon and street lamps. Come to me, he beseeched them. They didn’t hesitate. As if they’d merely been waiting for the invitation, they danced toward him, flattening against his car, shielding it—and thereby him—from prying eyes. “Freaks me out every damn time you do that,” Rowan said as he crawled into the front passenger seat. For the first time, Sean’s friend had accompanied him to “keep you from doing something you’ll regret.” Not that Gabby had known. Rowan had lain in the backseat the entire drive. “I can’t see a damn thing.” “I can.” Sean’s gaze could cut through shadows as easily as a knife through butter. Gabby was in the process of settling behind the wheel of her car. Though more than two weeks had passed since their kiss, they hadn’t touched again. Not even a brush of fingers. He was becoming desperate for more. That kiss . . . it was the hottest of his life. He’d forgotten where he was, what—and who—was around him. He’d never, never, risked discovery like that. But that night, having Gabby so close, those lush lips of hers parted and ready, those brown eyes watching him as if he were something delicious, he’d been unable to stop himself. He’d beckoned the shadows around them, meshed their lips together, touched her in places a man should only touch a woman in private, and tasted her. Oh, had he tasted her. Sugar and lemon. Which meant she’d been sipping lemonade during her breaks. Lemonade had never been sexy to him before. Now he was addicted to the stuff. Drank it every chance he got. Hell, he sported a hard-on if he even spotted the yellow fruit. At night he thought about pouring lemon juice over her lean body, sprinkling that liquid with sugar, and then feasting. She’d come, he’d come, and then they could do it all over again. Seriously. Lemonade was like his own personal brand of cocaine now—which he’d once been addicted to, had spent years in rehab combating, and had sworn never to let himself become so obsessed with a substance again. Good luck with that. “I’m getting nowhere with her,” Rowan said. “You, she watches. You, she kissed.” “Yeah, I’ve been meaning to talk to you about that.” Gabby’s car passed his and he accelerated, staying close enough to her that anyone trying to merge into her lane wouldn’t clip his car because they couldn’t see him. Not that anyone was out and about at this time of night. “She’s mine. I don’t want you touching her.” “Finally. The truth. Which is a good thing, because I already called Bill and told him you were gonna be the one to seduce her.” “Thanks.” This was one of the reasons he and Rowan were such good friends. “But I thought you were here tonight to keep me from her.” “First, you’re welcome. Second, I lied.
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
Remus,” said Hermione tentatively, “is everything all right . . . you know . . . between you and—” “Everything is fine, thank you,” said Lupin pointedly. Hermione turned pink. There was another pause, an awkward and embarrassed one, and then Lupin said, with an air of forcing himself to admit something unpleasant, “Tonks is going to have a baby.” “Oh, how wonderful!” squealed Hermione. “Excellent!” said Ron enthusiastically. “Congratulations,” said Harry. Lupin gave an artificial smile that was more like a grimace, then said, “So . . . do you accept my offer? Will three become four? I cannot believe that Dumbledore would have disapproved, he appointed me your Defense Against the Dark Arts teacher, after all. And I must tell you that I believe that we are facing magic many of us have never encountered or imagined.” Ron and Hermione both looked at Harry. “Just—just to be clear,” he said. “You want to leave Tonks at her parents’ house and come away with us?” “She’ll be perfectly safe there, they’ll look after her,” said Lupin. He spoke with a finality bordering on indifference. “Harry, I’m sure James would have wanted me to stick with you.” “Well,” said Harry slowly, “I’m not. I’m pretty sure my father would have wanted to know why you aren’t sticking with your own kid, actually.” Lupin’s face drained of color. The temperature in the kitchen might have dropped ten degrees. Ron stared around the room as though he had been bidden to memorize it, while Hermione’s eyes swiveled backward and forward from Harry to Lupin. “You don’t understand,” said Lupin at last. “Explain, then,” said Harry. Lupin swallowed. “I—I made a grave mistake in marrying Tonks. I did it against my better judgment and I have regretted it very much ever since.” “I see,” said Harry, “so you’re just going to dump her and the kid and run off with us?” Lupin sprang to his feet: His chair toppled over backward, and he glared at them so fiercely that Harry saw, for the first time ever, the shadow of the wolf upon his human face. “Don’t you understand what I’ve done to my wife and my unborn child? I should never have married her, I’ve made her an outcast!” Lupin kicked aside the chair he had overturned. “You have only ever seen me amongst the Order, or under Dumbledore’s protection at Hogwarts! You don’t know how most of the Wizarding world sees creatures like me! When they know of my affliction, they can barely talk to me! Don’t you see what I’ve done? Even her own family is disgusted by our marriage, what parents want their only daughter to marry a werewolf? And the child—the child—” Lupin actually seized handfuls of his own hair; he looked quite deranged. “My kind don’t usually breed! It will be like me, I am convinced of it—how can I forgive myself, when I knowingly risked passing on my own condition to an innocent child? And if, by some miracle, it is not like me, then it will be better off, a hundred times so, without a father of whom it must always be ashamed!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))