“
What I don't understand is how women can pour hot wax on their bodies, let it dry, then rip out every single hair by its root and still be scared of spiders.
”
”
Jerry Seinfeld
“
But all our phrasing—race relations, racial chasm, racial justice, racial profiling, white privilege, even white supremacy—serves to obscure that racism is a visceral experience, that it dislodges brains, blocks airways, rips muscle, extracts organs, cracks bones, breaks teeth. You must never look away from this. You must always remember that the sociology, the history, the economics, the graphs, the charts, the regressions all land, with great violence, upon the body.
”
”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
Have you ever been in love? Horrible, isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up. You build up all these defenses. You build up this whole armor, for years, so nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life… You give them a piece of you. They don't ask for it. They do something dumb one day like kiss you, or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so a simple phrase like "maybe we should just be friends" or "how very perceptive" turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a body-hurt, a real gets-inside-you-and-rips-you-apart pain. Nothing should be able to do that. Especially not love. I hate love.
”
”
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
“
I tried to make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body
”
”
Bret Easton Ellis (American Psycho)
“
Roza..."
The voice caressed my skin, cold and deadly. Still scrutinizing his surroundings, Dimitri took one step forward. Then another. And then another.
I think it occurred to him to look up the instant I jumped. My body slammed into his, knocking him to the ground back first. He immediately tried to throw me off, just as I tried to drive the stake through his heart. Signs of fatigue and fighting were all over him. Defeating the other Strigoi had taken its toll, though I doubted I was in much better shape. We grappled, and once, I managed to rake the stake over his cheek. He snarled in pain but kept his chest well protected. Over it, I could see where I'd ripped his shirt the first time I'd staked him. The wound had already healed. "You. Are. Amazing," he said, his words full of both pride and battle fury.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
He swapped the fistful of my shirt for one in my hair, and ground his mouth against mine.
I exploded.
I shoved at him, and clawed him closer. He shoved me back, and yanked me tighter to his body. I pulled his hair. He pulled mine. He didn‘t fight fair. Actually, he fought exactly fair. He didn‘t extend courtesies, not a single one.
I bit his lip. He tripped me and pushed me down to the stone floor of the cavern. I punched him. He straddled me.
I ripped his shirt down the front, left it hanging in tatters from his shoulders.
"I liked that shirt", he snarled. He rose over me, a dark demon, glistening in the torchlight, dripping sweat and blood, his torso covered with tattoos that disappeared beneath his waistband.
He grabbed the hem of my shirt, tore it straight up to my neck, and inhaled sharply.
”
”
Karen Marie Moning (Bloodfever (Fever, #2))
“
A hand settles on either side of my head and he leans down to my eye level. “Take off Jaiden’s jersey, or I will rip it from your body.
”
”
Hannah Grace (Icebreaker (UCMH, #1))
“
Wait,” Kaidan called from behind me. I squeezed my eyes shut for a second, but kept walking. Then I felt his hand around my
wrist, spinning me in a half circle and pulling me to his chest. His face was so close. He reached down and cupped my face with one
woolly hand, and wiped the top corner of my lip hard with his thumb. I flinched back.
“What are you doing?”
“I...” He appeared to have no idea himself. “I wanted to see your freckle.”
A vulnerable tenderness flashed across his face, more painful to see than the coldness. It took every ounce of strength I had not to
beg for one last kiss. As fast as his expression had softened, it was back to stone again.
“What do you want from me, Kai?”
“For starters?” His voice lowered to sexy, dangerous depths. “I want to introduce myself to every freckle on your body.”
A powerful shiver ripped through me.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
BLUE SWEATER
Bom Bom...
Bom Bom...
Bom Bom...
Do you hear that?
That's the sound of my heart beating...
Bom Bom...
Bom Bom...
Bom Bom...
Do you hear that? That's the sound of your heart beating.
It was the first day of October. I was wearing my blue sweater, you know the one I bought at Dillard’s? The one with a double knitted hem and holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean.
You promised to love me forever that night...
and boy
did you
ever!
It was the first day of December this time. I was wearing my blue sweater, you know the one I bought at Dillard’s? The one with a double knitted hem and holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean.
I told you I was three weeks late
You said it was fate.
You promised to love me forever that night...
and boy
did you
ever!
It was the first day of May. I was wearing my blue sweater, although this time the double stitched hem was worn
and the strength of each thread tested as they were pulled tight against my growing belly. You know the one. The same one I bought at Dillard’s? The one with holes in the ends of the
sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the
ocean.
The SAME sweater you RIPPED off of my body as you shoved me to the
floor,
calling me a
whore
,
telling me
you didn't love me
anymore.
Bom Bom...
Bom Bom...
Bom Bom...
Do you hear that? That's the sound of my heart beating.
Bom Bom...
Bom Bom...
Bom Bom...
Do you hear that? That's the sound of your heart
beating.
(There is a long silence as she clasps her hands to her stomach, tears streaming down her face)
Do you hear that? Of course you don't. That's the silence
of my womb.
Because you
RIPPED
OFF
MY
SWEATER!
”
”
Colleen Hoover (Slammed (Slammed, #1))
“
I was ripped from my body, I was less than spirit, less than the meanest ghost . . . but still, I was alive.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
I don’t know anything about art so I can’t tell you that it’s watercolor or acrylic or that it’s on canvas or anything art related at all. I can tell you that it’s a painting of a hand, my hand, turned up and opened to the world and that it reaches into my body and rips out everything that’s left. Because in the palm, right in the center, is the pearl button I never reached.
”
”
Katja Millay (The Sea of Tranquility)
“
I want to rip his damn arms off his body Ash. Sawyer, who I'd do anything for. I want to hurt him. If he touches you again in front of me I'm going to crack. I can't take this
”
”
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
“
I was not wounded in any part of my body, but I had never experienced such intense pain, such a ripping of the nerves, such an ache of the heart.
”
”
Yann Martel (Life of Pi)
“
Fireheart tensed, waiting for whatever had hunted down these apprentices to emerge from the trees and attack, but nothing stirred. Feeling as if his legs hardly belonged to him, he sprang down and stumbled across to Swiftpaw.
The apprentice lay on his side, his legs splayed out. His black-and-white fur was torn, and his body was covered with dreadful wounds, ripped by teeth far bigger than any cat's. His jaws still snarled and his eyes glared. He was dead, and Fireheart could see that he had died fighting.
”
”
Erin Hunter (A Dangerous Path (Warriors, #5))
“
What does this mean? It means I get to spend the morning having the hair ripped off my body while Peeta sleeps in.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
You dump trash. You dump yard waste and old ripped couches that smell like body odor and forgetfulness. You dump cigarette butts and banana peels and hazardous waste. But people?
”
”
Autumn Doughton (I'll Be Here)
“
If she wanted to, she could reach into my chest and rip my heart out of my body because it already belongs to her.
”
”
Autumn Doughton (In This Moment)
“
My body
Healed quickly. But the wound
to my psyche was deep.
Wide. First aid, too little, too late,
left me hemorrhaging inside,
the blood unstaunched by psychological
bandage or love's healing magic.
Eventually it scabbed over,
a thick, ugly welt of memory.
I work to conceal it, but no matter
how hard I try, once in a while
something makes me pick at it
until the scarring bleeds.
In my arms, Ashante cries,
innocence ripped apart
by circumstance. Bloodied by
inhuman will. Time will prove
a tourniquet. But she will always
be at risk of infection.
”
”
Ellen Hopkins (Fallout (Crank, #3))
“
He touches my body but he tears at my soul, ripping pieces out of me that are now his and his alone.
”
”
J.M. Darhower (Monster in His Eyes (Monster in His Eyes, #1))
“
Everything that burns, everything that rips me apart, I want to suffer with my body. I'd rather have a hundred wounds, whips, poisons - than this kind of suffering in the head, this phantom of suffering, which touches me softly and caresses me without ever really hurting.
”
”
Jean-Paul Sartre (No Exit)
“
Lea stood upon a fallen log ahead of us, staring ahead. Mouse walked up to her.
Gggrrrr rawf arrrgggrrrrarrrr," I said.
Mouse gave me an impatient glance, and somehow--I don't know if it was something in his body language or what--I became aware that he was telling me to sit down and shut up or he'd come over and make me.
I sat down. Something in me really didn't like that idea, but when I looked around, I saw that everyone else had done it too, and that made me feel better.
Mouse said, again in what sounded like perfectly clear English, "Funny. Now restore them."
Lea turned to look at the big dog and said, "Do you dare to give me commands, hound?"
Not your hound," Mouse said. I didn't know how he was doing it. His mouth wasn't moving or anything. "Restore them before I rip your ass off. Literally rip it off."
The Leanansidhe tilted her head back and let out a low laugh. "You are far from your sources of power here, my dear demon."
I live with a wizard. I cheat." He took a step toward her and his lips peeled up from his fangs in unmistakable hostility. "You want to restore them? Or do I kill you and get them back that way?"
Lea narrowed her eyes. Then she said, "You're bluffing."
One of the big dog's huge, clawed paws dug at the ground, as if bracing him for a leap, and his growl seemed to . . . I looked down and checked. It didn't seem to shake the ground. The ground was actually shaking for several feet in every direction of the dog. Motes of blue light began to fall from his jaws, thickly enough that it looked quite a bit like he was foaming at the mouth. "Try me."
The Leanansidhe shook her head slowly. Then she said, "How did Dresden ever win you?"
He didn't," Mouse said. "I won him.
”
”
Jim Butcher (Changes (The Dresden Files, #12))
“
Welcome to Barrayar, son. Here you go: have a world of wealth and poverty, wrenching change and rooted history. Have a birth; have two. Have a name. Miles means "soldier," but don't let the power of suggestion overwhelm you. Have a twisted form in a society that loathes and fears the mutations that have been its deepest agony. Have a title, wealth, power, and all the hatred and envy they will draw. Have your body ripped apart and re-arranged. Inherit an array of friends and enemies you never made. Have a grandfather from hell. Endure pain, find joy, and make your own meaning, because the universe certainly isn't going to supply it. Always be a moving target. Live. Live. Live.
”
”
Lois McMaster Bujold (Barrayar (Vorkosigan Saga, #7))
“
Meditation on inevitable death should be performed daily. Every day when one’s body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears and swords, being carried away by surging waves, being thrown into the midst of a great fire, being struck by lightning, being shaken to death by a great earthquake, falling from thousand-foot cliffs, dying of disease or committing seppuku at the death of one’s master. And every day without fail one should consider himself as dead
”
”
Yamamoto Tsunetomo
“
When the power of the shift rips the human body apart and transforms it into its new shape, there lives a second, less than a second, a mere shimmer of time when the mind is without a home, no body to call its own. Existence is painless in there, nothing but formlessness beyond understanding. A secret place, it contains nothing but the essence of self, a lost self. In the fire of pain, Colton found a whisper of that place, its ghost, its echo, and from that echo he withdrew a thread of deepest black.
”
”
Finn Marlowe (A Thread of Deepest Black)
“
Then don't. I can't help you. They say that women dream of danger to those in their care and men of danger to themselves. But I don't dream at all. You say you can't? Then don't do it. That's all. Because I am done with my own whorish heart and I have been for a long time. You talk about taking a stand but there is no stand to take. My heart was ripped out of me the night he was born so don't ask for sorrow now. There is none. Maybe you'll be good at this. I doubt it, but who knows. The one thing I can tell you is that you won't survive for yourself. I know because I would have never have come this far. A person who had no one would be well advised to cobble together some passable ghost. Breathe it into being and coax it along with words of love. Offer it each phantom crumb and sheild it from harm with your body. As for me my only hope is for eternal nothingness and I hope it with all my heart.
”
”
Cormac McCarthy (The Road)
“
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore.
Yes, sure,' George said, looking into the stormdrain.
And a balloon? I’ve got red and green and yellow and blue...'
Do they float?'
Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...'
George reached.
The clown seized his arm.
And George saw the clown’s face change.
What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke.
They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches.
They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–'
George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly.
Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more.
Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth.
The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
”
”
Stephen King (It)
“
All I know is that right now I wanna rip your clothes off right here in the middle of this hall and throw you in one of these classrooms and kiss every square inch of your body, while a bunch of people who drive minivans listen wishing they were us.
”
”
L.J. Smith
“
She kept her stare locked on his as she let go of his face and slowly, making sure he understood every step of the way,tilted her head back until her throat was arched and bared before him.
"Aelin," he breathed. Not in reprimand or warning, but... a plea. It sounded like a plea. He lowered his head to her exposed neck and hovered a hair's breath away.
She arched her neck farther, a silent invitation.
Rowan let out a soft groan and grazed his teeth against her skin.
One bite, one movement, was all it would take for him to rip out her throat.
His elongated canines slid along her flesh-gently, precisely. She clenched the sheets to keep from running her fingers down on his bare back and drawing him closer.
He braced one hand beside her head, his fingers twining in her hair.
"No one else," she whispered. "I would never allow anyone else at my throat." Showing him was the only way he'd understand that trust, in a manner that only the predatory, Fae side of him would comprehend. "No one else," she said again.
He let out another low groan, answer and confirmation and request, and the rumble echoed inside her. Carefully, he closed his teeth over the spot where her lifeblood thrummed and pounded, his breath hot on her skin.
She shut her eyes, every sense narrowing on that sensation, on the teeth and mouth at her throat, on the powerful body trembling with restraint above hers. His tongue flicked against her skin.
She made a small noise that might have been a moan, or a word, or his name. He shuddered and pulled back, the cool air kissing her neck. Wildness-pure wildness sparked in those eyes.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Yielding flesh in his hands, hot with fear, sticky with sweat and blood and already smelling of heaven. Helpless bones his to crack, helpless skin his to rip open, sweet red river his to drink from. He had to do it. He had to know. With his eyes and his hands, with all his body, he had to see.
”
”
Poppy Z. Brite
“
Gabriel pulled her over his body to lie on the bed beside him. His kisses pressed her down into the oblivion of the mattress as her hands explored his chest, his shoulders, his face.
"I want to lay my kill at your feet," he said, more growl than words, and held her tight by her hair as he marked her neck with his teeth.
She writhed against him. She wanted to bite him, she wanted to rip the flesh from his back, but most terrible of all, she didn't want him to stop. Her back arched, her body shattered, she howled.
”
”
Annette Curtis Klause (Blood and Chocolate)
“
There is a blinding flash, a pain that rips through me for one searing instant, a silent scream from my broken body. For the first time, I can sense how fully agonizing staying will be.
”
”
Gayle Forman (If I Stay (If I Stay, #1))
“
Will, meet Thammuz, a minor demon from the eighth dimension. Thammuz, meet Will, a minor Shadowhunter from-Wales, was it?"
"I will rip out your eyes," hissed the creature. "I will tear the skin from your face." "Don't be rude, Thammuz," said Magnus "Will has questions. You will answer them."
Will shook his head. "I don't know, Magnus," he said. "He doesn't look like the right one to me."
"You said he was blue. This one's blue."
"He is blue," Will acknowledged, stepping closer to the circle of flame. "But the demon I need-well, he was really a cobalt blue. This one's more . . .
periwinkle."
"What did you call me?" The demon roared with rage. "Come closer, little Shadowhunter, and let me feast upon your liver! I will tear it from your body while you scream.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chef’s knife in the other.
“Are you sober?” I asked from the doorway.
He turned and leveled a smile at me that made me a little wobbly. “I am."
“Good. Because if not I was going to take the deadly kitchen utensil away from you.” I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sauté pan on the stove. “You cook."
Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. “Yes,” he said. “I cook.”
“Do you usually wear a wife beater and,” I pushed him back a little by his shoulder “an apron that says ‘Kiss the Cook’ while you’re doing it? ”
He leaned so close to me my heart skipped a couple of beats. “I’ll wear it all the time if you’ll consider it.
”
”
Myra McEntire (Hourglass (Hourglass, #1))
“
Or maybe what he fears is just the opposite: that nobody is looking; that his death, like his life, is without purpose; that there is neither greater good nor evil--only people living and dying because their bodies function and then do not; that the universe is a rip.
”
”
Jonathan Safran Foer
“
Make love to me. Please. I’m dying for it, for you. And therein lay the other major problem. His body was a wreck along with his mind. His past addictions were spinning in desperation and it was taking everything he had to keep from flying apart. The hunger to hurt and be hurt had never been more volatile and each second he didn’t connect with Mercy, it grew worse. But how exactly was a monster cyclone supposed to connect with an angel and not rip her apart in ways that made him feel vile and dirty? Fuck, he never wanted to feel that with her.
”
”
Lucian Bane (Beg For Mercy (Mercy, #3))
“
I felt heat and
my body trembled
and forces
beyond my control
pulled me to him
as the music ripped
through our bodies
”
”
Lisa Schroeder (Far from You)
“
yesterday
the rain tried to imitate my hands
by running down your body
i ripped the sky apart for allowing it
-jealousy
”
”
Rupi Kaur (The Sun and Her Flowers)
“
No.” He wouldn’t lie about that. Not to her. And not because she’d rip him to pieces when she discovered the truth. “I can’t give you forever.”
The nibbling increased in intensity, leaving a bead of blood in the center of her mouth. “Because we’re not a good match?”
Of course she would remember every insult he’d ever thrown at her. “Yes.”
“Then what can you give me?”
“Here. Now.” Something his body craved more with every second that passed.
”
”
Gena Showalter (The Darkest Surrender (Lords of the Underworld, #8))
“
An hour later, Cookie, Lacey, and I sat in the graveyard, watching a slave demon who looked like a nineteen-year-old kid--a very well-built nineteen-year-old kid--dig up a grave shirtless, his wide shoulders shimmering in the moonlight.
"I'm going to hell," Cookie said, unable to rip her gaze off him.
"Well, if you go, there are probably others who look like that. It might not be such a bad place."
"I want to have his demon babies," Lacey said
”
”
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
“
My desire, my sincere and heartfelt desire is to rip that surprisingly sheer garment from your body, toss you onto that bed, and indeed ravish you from head to toe. I wish to make love to you until you are too exhausted to do so much as stand without support. Until you call out my name in your dreams and reach for me in your sleep. Until you can think of no one and nothing beyond the touch of my hand, the caress of my lips.
”
”
Victoria Alexander (What A Lady Wants (Last Man Standing, #2))
“
I love being aroused.
I love how that feeling overcomes me, as I look at a man’s erect cock, as I feel his hands ripping my clothes from my body, as the air caresses my naked skin, and how I feel like I’m blossoming like a flower.
”
”
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
“
His mouth was on mine then, and I couldn't fight him. Not because he was so many thousand times stronger than me, but because my will crumbled into dust the second our lips met. This kiss was not quite as careful as others I remembered, which suited me just fine. If I was going to rip myself up further, I might as well get as much in trade as possible.
So I kissed him back, my heart pounding out a jagged, disjointed rhythm while my breathing turned to panting and my fingers moved greedily to his face. I could feel his marble body against every line of mine, and I was so glad he hadn't listened to me―there was no pain in the world that would have justified missing this. His hand memorized my face, the same way mine were tracing his, and, in the brief seconds when his lips were free, he whispered my name.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
It does not hit you until later. The fact that you were essentially dead does not register until you begin to come alive. Frostbite does not hurt until it starts to thaw. First it is numb. Then a shock of pain rips through the body. And then, every winter after, it aches.
”
”
Marya Hornbacher
“
It's a fox! A pest! This is probably what was living in the hearth before we ripped that den out. They steal food from the kitchens.” The creature wasn't nearly as hideous as I'd first thought. I darted forward, stooping low, covering the little thing with my body, gripped by a sudden remorse. “You definitely can't kill it then. Not if we destroyed its home.” “It's going to bite you,” Kingfisher said. “No, it won't. It—” It bit me.
”
”
Callie Hart (Quicksilver (Fae & Alchemy, #1))
“
You came into this life with a starving heart. I know better than anyone that you cannot fill it with fence posts or china patterns. You cannot fill it with paper bodies, people whose skin rips in your palms.
For some people, you will be too hard: an unmanageable puzzle, all sharp edges, and snarls. For others, you will be too soft: always looking to set up camp somewhere safe and warm where the wind won’t knock you down. You cannot build your home like a house of cards in the mouth of a lover who breathes too hard at night.
”
”
Trista Mateer (Honeybee)
“
The silences after his last gasp were sung together by a blackbird. I lay there, my eyes unable to close. His were unable to open. I listed the places where I hurt, and how much. My loins felt ripped. Something inside had torn. There were seven places on my body where he had sunk his fangs into my skin and bitten. He'd dug his nails into my neck, and twisted my head to one side, and clawed my face. I hadn't made a noise. He had made all the noise for both of us. Had it hurt him?
”
”
David Mitchell (Ghostwritten)
“
She loved him in a way that was necessary, not luxurious. She loved him like the tide loves the sand—trapped together, one lost without the other, pushed and pulled, but never ripped apart. She loved him in a deep and singular way, almost as though God had crafted one heart in heaven, then split it between Holden’s body and hers, fating her to a never-ending longing to be with him, or a fractional life without him.
”
”
Katy Regnery (Never Let You Go (A Modern Fairytale, #2))
“
It is hard to face this. But all our phrasing—race relations, racial chasm, racial justice, racial profiling, white privilege, even white supremacy—serves to obscure that racism is a visceral experience, that it dislodges brains, blocks airways, rips muscle, extracts organs, cracks bones, breaks teeth. You must never look away from this. You must always remember that the sociology, the history, the economics, the graphs, the charts, the regressions all land, with great violence, upon the body.
”
”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
Right now I can see her, this other version of myself. I can see her dragging her dirty fingernails against the chambers of my heart, drawing blood. And if I could reach inside myself and rip her out of me with my own two hands, I would.
I would snap her little body in half.
I would toss her mangled limbs out to sea.
I would be rid of her then, fully and truly, bleached forevermore of her stains on my soul. But she refuses to die. She remains within me, an echo. She haunts the halls of my heart and mind and though I'd gladly murder her for a chance at freedom, I cannot.....So I close my eyes and beg myself to be brave. I take deep breaths. I cannot let the broken girl inside of me inhale all that I've become. I will not shatter, not again, in the wake of an emotional earthquake.
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
Are you scared?" she purrs. "Been too long? Out of practice?" Her head cocks to the side, a bad-girl grin on her face.
And then her words register.
Too scared to shag her? I can't even dignify that with a response. I can't even sputter. And then she gives me a purple-nurple, twisting my nipple.
"Oy!" I grab her wrist, the mad little cat. I should spank her arse for that.
Suddenly my towel is gone and my body is announcing just how much I've enjoyed her naughty act, complete with the ripping-off-of-the-towel finale.
”
”
Wendy Higgins (Sweet Temptation (Sweet, #4))
“
Then Night came down like the feathery soot of a smoky lamp, and smutted[9] first the bedquilt, then the hearth-rug, then the window-seat, and then at last the great, stormy, faraway outside world. But sleep did not come. Oh, no! Nothing new came at all except that particularly wretched, itching type of insomnia which seems to rip away from one's body the whole kind, protecting skin and expose all the raw, ticklish fretwork of nerves to the mercy of a gritty blanket or a wrinkled sheet. Pain came too, in its most brutally high night-tide; and sweat, like the smother of furs in summer; and thirst like the scrape of hot sand-paper; and chill like the clammy horror of raw fish.
”
”
Eleanor Hallowell Abbott (Molly Make-believe)
“
Regret hung from the hem of everyone's lives, a rip cord reminder that what you want is not always what you get. Look at himself, outliving Aimee. Or Az, trying to find his daughter, only to have her wind up dead. Look at Shelby, with a child who was dying by degrees. Ethan, born into a body nobody deserves. At some point or another, everyone was failed by this world. Disappointment was the one thin humans had in common.
Taken this way, Ross didn't feel quite so alone. Trapped in your whirlpool of what might have been, you might no be able to drag yourself out - but you could be saved by someone else who reached in.
”
”
Jodi Picoult (Second Glance)
“
Drustan raked a hand through his hair and fumbled in the dark for the door. When it didn't budge, a part of him was unsurprised. Yet another part of him met the fact with a kind of glad resignation.
She wanted battle? Battle she would get. It would be a pleasure to have it out with her finally. Once he'd ripped the door from the framing, he would exact vengeance upon her wee body with gleeful abandon. No more honorable I-won't-touch-you-because-I'm-betrothed. Nay he'd touch her. Any damn place and any damn way he wanted to. As many times as he wanted to. Until she begged and whimpered beneath him. She'd been trying to drive him mad? Well, he was giving in to it. He would act like the animal she made him feel like being. The hell with Anya, the hell with duty and honor, the hell with discipline. He needed to tup. Her. Now.
”
”
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
“
When you least expect it, nature has cunning ways of finding our weakest spot. Just remember I’m here. Right now, you may not want to feel anything. Maybe you’ll never want to feel anything. And, maybe it’s not to me you want to speak about these things, but I feel something you obviously did.
Look, you had a beautiful friendship. Maybe more than a friendship. And I envy you.
In my place, most parents would hope the whole thing goes away, or pray that their sons land on their feet. But I am not such a parent. We rip out so much of ourselves to be cured of things faster that we go bankrupt by the age of 30 and have less to offer each time we start with someone new. But to make yourself feel nothing so as not to feel anything—what a waste!
And I’ll say one more thing… it’ll clear the air. I may have come close, but I never have what you two have. Something always held me back or stood in the way. How you live your life is your business. Just remember, our hearts and our bodies are given to us only once, and before you know it, your heart’s worn out. And as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now, there’s sorrow, pain; don’t kill it, and with it, the joy you’ve felt.
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
But if I had to choose between where I live and you, I'd rip up everything I own because the only landscape worth looking is the landscape of the human body. I kiss your Blue Ridge Mountains of Virginia. I kiss your Missouri and Monongahela and Susquehanna and Shenandoah and Rio Grande. I kiss the confluence of all those rivers. I kiss your amber waves of grain. I kiss your spacious skies, your rocket's red glare, your hand I love, your purple mountain'd majesty. But most of all I kiss your head. I kiss the place where we make our decisions. I kiss the place where we keep our resolves. The place where we do our dreams. I kiss the place behind the eyes where we store up secrets and knowledge to save us if we're caught in a corridor on a dark, wintry evening.
”
”
John Guare (Landscape of the Body)
“
After ripping through The Hobbit, I read The Lord of the Rings, and the darkness of that story enveloped me in a way that is impossible to explain. I was THERE, in a very real sense. The fear was palpable in the presence of the black-cloaked Ringwraiths, and I could taste the sulfurous fumes of Mt. Doom. I could smell the sweat of horses and hot leather and hear the clash of battle as I rode with the Rohan on the fields of the Pelennor. I bled and died with the sun-king, Theoden. I rose again with Eowyn’s defiance of the Witch King. I soared with the Eagles as they swept the broken and bloody body of Frodo and his companion Samwise the Brave from the smoking crags of the fiery mountain. There has never been such a story, and I don’t think there ever shall be again.
”
”
Steve Bivans (Be a Hobbit, Save the Earth: the Guide to Sustainable Shire Living)
“
It's hard to think when someone's trying to kill you. We human beings aren't wired to be rational and creative when we know our lives are in danger of a swift and violent end. The body has definite ideas of which survival strategies it prefers to embrace, and those are generally limited to "rip threat to pieces" or "run like hell." No thinking need be involved, as far as our instincts are concerned.
Our instincts were a long time in the making, though, and the threats that can come after us now have outpaced them. You can't outrun a bullet, and you don't go hand-to-hand with a gunman unless you're certain you are about to die anyway. Speed and mindless aggression weren't going to keep me alive.
”
”
Jim Butcher (Small Favor (The Dresden Files, #10))
“
The religion of the flag promptly replaced the cult of heaven, an old cloud which had already been deflated by the Reformation and reduced to a network of episcopal money boxes. In olden times the fanatical fashion was: 'Long live Jesus! Burn the heretics!' . . . But heretics, after all, were few and voluntary . . . Whereas today vast hordes of men are fired with aim and purpose by cries of ‘Hang the limp turnips! The juiceless lemons! The innocent readers! By the millions, eyes right!’ If anybody doesn’t want to fight or murder, grab ‘em, tear ‘em to pieces! Kill them in thirteen juicy ways. For a starter, to teach them how to live, rip their guts out of their bodies, their eyes out of their sockets, and the years out of their filthy slobbering lives!
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
With time to think, the full reality of what had happened hit Thomas like a falling boulder. Ever since Thomas had entered the Maze, Newt had been there for him. Thomas hadn’t realized just how much of a friend he’d become until now. His heart hurt.
He tried to remind himself that Newt wasn’t dead. But in some ways this was worse. In most ways. He’d fallen down the slope of insanity, and he was surrounded by bloodthirsty Cranks. And the prospect of never seeing him again was almost unbearable. [...]
He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences:
Kill me. If you’ve ever been my friend, kill me.
Thomas read it over and over, wishing the words would change. To think that his friend had been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank.
And Thomas had failed him. [...]
“Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!”
Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.”
“Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.”
The words horrified Thomas. “Newt, maybe we can—”
“Shut up! Just shut up! I trusted you! Now do it!”
“I can’t.”
“Do it!”
“I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends?
“Kill me or I’ll kill you. Kill me! Do it!”
“Newt …”
“Do it before I become one of them!”
“I …”
“KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.”
With his heart falling into a black abyss, Thomas pulled the trigger.
”
”
James Dashner (The Death Cure (The Maze Runner, #3))
“
We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything – what a waste! (…) How you live your life is your business. But remember, our hearts and bodies are given to us only once. Most of us can’t help but live as though we got two lives, one is the mockup, the other the finished version. But there’s only one and before you know it, your heart is worn out. Right now there’s sorrow. I don’t envy the pain. But I envy you the pain.
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
Tamlin shrank from her outstretched finger, claws digging into the earth. “Put that finger down, you witch.”
Nesta smiled. “I’m glad you remember what happened to the last person I pointed at.” She lowered her arm. “We’re going now.”
She stepped back to where Cassian was already waiting, arms open. He wrapped them around her waist. Nesta glanced to Eris, who gave her a shallow, approving nod, then vanished.
Nesta said to Tamlin before they shot into the skies, “Tell anyone you saw us, High Lord, and I’ll rip your head from your body, too.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Instead of just praying for deliverance from fear, using the techniques learned with deliverance ministry, the Holy Spirit will reveal to a person the why behind the fear. What caused the fear to gain a stronghold in your life? What is keeping the fear present in your body, manifested negatively through physical and/or mental symptoms? By addressing the true cause of the fear and replacing that lie with God’s truth, fear is ripped out by its roots and becomes spiritually dead once and for all. It cannot return to keep tormenting you because it has been dealt with in total. The root is completely gone, the door has been shut and you can only move forward.
”
”
John Ramirez (Destroying Fear: Strategies to Overthrow the Enemy's Tactics and Walk in Total Freedom)
“
there is a list of questions
i want to ask but never will
there is a list of questions
i go through in my head
every time i'm alone
and my mind can't stop itself from searching for you
there is a list of questions i want to ask
so if you're listening somewhere
here i am asking them
what do you think happens
to the love that's left behind
when two lovers leave
how blue do you think it gets
before it passes away
does it pass away
or does it still exist somewhere
waiting for us to come back
when we lied to ourselves by
calling this unconditional and left
which one of us hurt more
i shattered into a million little pieces
and those pieces shattered into a million more
crumbled into dust till
there was nothing left of me but the silence
tell me how love
how did the grieving feel for you
how did the mourning hurt
how did you peel your eyes open after every blink
knowing i'd never be there staring back
it must be hard to live with what ifs
there must always be this constant dull aching
in the pit of your stomach
trust me
i feel it too
how in the world did we get here
how did we live through it
and how are we still living
how many months did it take
before you stopped thinking of me
or are you still thinking of me
cause if you are
then maybe i am too
thinking of you
thinking of me
with me
in me
around me
everywhere
you and me and us
do you still touch yourself to the thoughts of me
do you still imagine my naked naked tiny tiny body
pressed into yours
do you still imagine the curve of my spine and
how you wanted to rip it out of me
cause the way it dipped into my
perfectly rounded bottom
drove you crazy
baby
sugar baby
sweet baby
ever since we left
how many times did you pretend
it was my hand stroking you
how many times did you search for me in your fantasies
and end up crying instead of coming
don't you lie to me
i can tell when you're lying
cause there's always that little bit of
arrogance in your response
are you angry with me
are you okay
and would you tell me if you're not
and if we ever see each other again
do you think you'd reach out and hold me
like you said you would
the last time we spoke and
you talked of the next time we would
or do you think we'd just look
shake in our skin as we pine to
absorb as much as we can of each other
cause by this time we've probably got
someone else waiting at home
we were good together weren't we
and is it wrong that i'm asking you these questions
tell me love
that you have been
looking for these answers too
”
”
Rupi Kaur (The Sun and Her Flowers)
“
I mean, why would someone do this?! Why do people fall in love if it means there is a chance of feeling this way? What the fuck is wrong with humans?! HUMANS ARE FUCKING SICK AND TWISTED! I mean, I get it—it feels good, you know? Being in love, being happy.” Her body trembled as the tears fell faster than she could take breaths. “But when that magical rug is ripped out from under you, it takes all the happy and good feelings with it. And your heart? It just breaks. It breaks and it’s unapologetic. It shatters into a million pieces, leaving you numb, blankly staring at the pieces because all your free will, all the common sense you once had in your life is gone. You gave up everything for this bullshit thing called love, and now you’re just destroyed.
”
”
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
“
Princess.” Puck’s voice broke through my numb trance. I glared poisoned daggers at him and he gave me a weak smile. “Scary. You can rip me to pieces later. His royal iciness isn’t looking so good. We have to get him to a healer, now.” Ethan sniffed and clamped himself to my leg, his small body tight with determination. “No!” he wailed. “No, she’s not leaving! No!” I looked at Puck helplessly, torn in several directions and feeling I could scream. “I can’t leave him here alone.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
The way the Rider flourished his sword afterward- spinning it in a quick circle by his side- suddenly seemed familiar to Eragon, as did all his preceding swordsmanship. He stared with growing horror at his enemy's hand-and-a-half sword, then back up at the eye slits of his mirrored helm, and shouted, "I know you!
He threw himself at the Rider, trapping both swords between their bodies, hooked his fingers underneath the helm, and ripped it off. And there in the center of the plateau, on the edge of the Burning Plains of Allagaesia, stood Murtagh.
”
”
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
“
Pain! Deep, tearing, throbbing, needle-sharp, hammer-blunt pain – ripping through his body and through his mind, twisting deep in his guts and slicing at his skin with razors and broken glass. Oskan wanted to scream, but his vocal cords had burned away. He was desperate for water and he could hear it dripping all around him, but his charred tongue found nothing in his mouth but blisters and scorched flesh. For hours he lay on the ropes of the low bed, unable to move, the pressure of the hemp on his destroyed skin sending new agonies deep into his body.
”
”
Stuart Hill (The Cry of the Icemark)
“
Something snaps.
I hear a gasp.
I spin around.
I jump up, alert, searching for the sound. It seemed close by. Someone saw me. Someone—
A civilian. She’s already darting away, her body pressed against the wall of a nearby unit.
“Hey!” I shout. “You there—”
She stops. Looks up.
I nearly collapse.
Juliette.
She’s staring at me. She’s actually here, staring at me, her eyes wide and panicked. My legs are suddenly made of lead. I’m rooted to the ground, unable to form words. I don’t even know where to start. There’s so much I want to say to her, so much I’ve never told her, and I’m just so happy to see her—God, I’m so relieved—
She’s disappeared.
I spin around, frantic, wondering whether I’ve actually begun to lose my grip on reality. My eyes land on the little dog still sitting there, waiting for me, and I stare at it, dumbfounded, wondering what on earth just happened. I keep looking back at the place I thought I saw her, but I see nothing.
Nothing.
I run a hand through my hair, so confused, so horrified and angry with myself that I’m tempted to rip it out of my head.
What is happening to me.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
But there’s more to attraction than the exterior packaging. The color of your eyes has been burned into my brain since that man ripped away your hood in Edgecomb. The feel of your body when I caught you on the wagon has tormented me in dreams ever since. I never know what is going on behind those eyes of yours.” He gave her a wicked smile and Shea’s breath caught at the sight. “You are a constantly evolving puzzle. It drives me mad, and for someone like me, who can guess an opponent’s move before they even make it, that is more attractive than a fragile thing like appearance could ever be. You ask why you. How could it be any but you?
”
”
T.A. White (Pathfinder's Way (The Broken Lands, #1))
“
Love is the devil in disguise. He sweeps in and seduces you when you’re at your weakest, when you’ve lost all hope. But he gives you a sense of want and desire. He whispers sweet words, wrapping you into a world of existence, because before Love, you didn’t exist. Then, when you give in fully, when you’re lost in Love and when he has you exactly where he wants you, he takes over completely, possessing your mind, body, and soul.
That’s when he snatches your heart, rips it to shreds, and leaves you with nothing left to give.
”
”
E.L. Montes (Perfectly Damaged)
“
I pull out my notebook, turn to a blank page, and write, The ghost of Charles Dickens told me that after he turned over in his grave, he couldn’t go back to sleep. He’s decided to leave eternal rest, reinhabit his decaying body, and exact revenge on you for disturbing his slumber. You’ve been warned.
I rip out the page and fold it in half twice, making sure the corners are perfectly lined up. I haven’t had to make a friend since kindergarten, and apparently my tactics haven’t changed much.
”
”
Kasie West (Pivot Point (Pivot Point, #1))
“
Her skin is slowly peeled from her body. She knows something low and guttural must be coming out of her mouth, She can feel it ripping its way out of her lungs and past her throat. But she can't hear it because there is a roar in her veins like a hurricane. A bright, pure light pierces her, fixes her on a single point of space and time, and she is screaming still, though not from pain, but from fear and wonder. Like she's just been born.
”
”
Kelley Skovron (Misfit)
“
My mom always said, there are two kinds of love in this world: the steady breeze, and the hurricane.
The steady breeze is slow and patient. It fills the sails of the boats in the harbor, and lifts laundry on the line. It cools you on a hot summer’s day; brings the leaves of fall, like clockwork every year. You can count on a breeze, steady and sure and true.
But there’s nothing steady about a hurricane. It rips through town, reckless, sending the ocean foaming up the shore, felling trees and power lines and anyone dumb or fucked-up enough to stand in its path. Sure, it’s a thrill like nothing you’ve ever known: your pulse kicks, your body calls to it, like a spirit possessed. It’s wild and breathless and all-consuming.
But what comes next?
“You see a hurricane coming, you run.” My mom told me, the summer I turned eighteen. “You shut the doors, and you bar the windows. Because come morning, there’ll be nothing but the wreckage left behind.”
Emerson Ray was my hurricane.
Looking back, I wonder if mom saw it in my eyes: the storm clouds gathering, the dry crackle of electricity in the air. But it was already too late. No warning sirens were going to save me. I guess you never really know the danger, not until you’re the one left, huddled on the ground, surrounded by the pieces of your broken heart.
It’s been four years now since that summer. Since Emerson. It took everything I had to pull myself back together, to crawl out of the empty wreckage of my life and build something new in its place. This time, I made it storm-proof. Strong. I barred shutters over my heart, and found myself a steady breeze to love. I swore, nothing would ever destroy me like that summer again.
I was wrong.
That’s the thing about hurricanes. Once the storm touches down, all you can do is pray.
”
”
Melody Grace (Unbroken (Beachwood Bay, #1))
“
What the hell are you doing?' Jacks growled.
Evangeline turned toward his voice, sweat trickling down her cheek, as she found him standing in the doorway. A vein throbbed furiously along the line of his smooth, marble neck. His skin looked so cool, and she was so hot. All she wanted was to press her mouth to his throat and maybe lick it just once. Her blood rushed faster at the thought, and her fangs started to lengthen.
'Jacks, get out of here!' Chaos ordered. 'Unless you've changed your mind about her becoming a vampire.'
Chaos gripped Evangeline's wrists tighter, pressing them- along with her- more firmly to the bed. She writhed against his grip; he was crushing her again with the full weight of his body.
Something loud cracked in the doorway.
Her eyes shot back to Jacks, who was fisting the now splintered edge of the door. Had he done that with his hands?
He certainly looked livid enough. His silver-blue eyes turned midnight dark as he watched her struggling under Chaos.
Evangeline dimly knew that she should stop her thrashing. If she broke free from Chaos and managed to bite Jacks, the life she had- the life she wanted to keep- would be over. But she also wanted this. She wanted Jacks to stop her struggling. She wanted him to rip Chaos off her chest so that he could pin her to the bed instead.
Evangeline took a rasping breath, and her gaze collided with Jacks' once more.
He scrubbed a hand over his jaw. With Evangeline's heightened senses, she could hear it clench under his palm. Then she heard the scrape of Jacks' boots as he sharply turned and disappeared down the hall.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Amy, amante, amour, he whispered, as if the words themselves were smuts of ash rising and falling, as though the candle were the story of his life and she the flame. He lay down in his haphazard cot. After a time he found and opened a book he had been reading that he had expected to end well, a romance which he wanted to end well, with the hero and heroine finding love, with peace and joy and redemption and understanding. Love is two bodies with one soul, he read, and turned the page. But there was nothing—the final pages had been ripped away and used as toilet paper or smoked, and there was no hope or joy or understanding. There was no last page. The book of his life just broke off. There was only the mud below him and the filthy sky above. There was to be no peace and no hope. And Dorrigo Evans understood that the love story would go on forever and ever, world without end. He would live in hell, because love is that also.
”
”
Richard Flanagan (The Narrow Road to the Deep North)
“
What is art? Art is tar, rearranged. Art is tar on canvas or tar on tarp or tar on a naked body. Art is a bird chirping changed into something visual. Art is an image of a thousand beaks breaking into the office of a quack doctor. I know that doctor, and I've personally spoken to ten of those beaks. Art is rhythm, two hands clapping at a urinal while a third shakes off pee to the beat. Good art stays with you your whole life, especially if that good art is a tattoo. Good art is my name, written backwards, inked on your upper lip in a furry font. Art imitates life, just as life imitates Orafoura. Art can be anything from a Manet to a Monet to a painting of money to a missile. Art can save the world, or devastate it. (We could drop another big bomb on Japan, though I'm not advocating dumping Basquiat paintings on Hiroshima). Art rhymes with a bodily function, and everybody should let their creativity rip everywhere from the privacy of their bathrooms to small heated boxes with four of their closest friends. Art is thinking outside that box, and desperately trying to escape.
”
”
Jarod Kintz (This Book is Not for Sale)
“
You could drink, slice, do meth, snort coke, burn, cut, stab, slash, rip out your eyelashes, or fuck till you bleed and it’s all the same thing: self-harm. She says: whether someone has hurt you or made you feel bad or unworthy or unclean, rather than taking the rational step of realizing that person is an asshole or a psycho and should be shot or strung up and you should stay the fuck away from them, instead we internalize our abuse and begin to blame and punish ourselves and weirdly, once you start cutting or burning or fucking because you feel so shitty and unworthy, your body starts to release this neat-feeling shit called endorphins and you feel so fucking high the world is like cotton candy at the best and most colorful state fair in the world, only bloody and stuffed with infection. But the fucked-up part is once you start self-harming, you can never not be a creepy freak, because your whole body is now a scarred and charred battlefield and nobody likes that on a girl, nobody will love that, and so all of us, every one, is screwed, inside and out. Wash, rinse, fucking repeat.
”
”
Kathleen Glasgow (Girl in Pieces)
“
Julian made a noise. It was a noise Emma couldn't have described, not as human a sound as a how or a scream. It sounded like it was ripped out of the inside of him, like something brutal was tearing through his chest. He dropped the longsword Livvy had risked so much to bring him, fell to his knees and crawled to her, pulling her into his lap.
'Livvy, Livvy, my Livvy' he whispered, cradling her, feverishly stroking her blood-wet hair away from her face. There was so much blood. He was covered in it in seconds; it had soaked through Livvy's clothes, even her shoes were drenched in it. 'Livia' His hands shook; he fumbled out his stele and put it on her arm.
Emma felt as if someone had punched her in the stomach. There were wounds that were beyond and iratze's power. Healing runes only vanished from skin when an occupational poison was involved--or when the person was already dead.
'Livia,' Julian's voice rose, cracking and tumbling over itself like a wave breaking too far out to sea. 'Livvy, my baby, please, sweet- heart, open your eyes it's Jules, I'm here for you, I'm always here for you, please,please--'
Blackness exploded behind Emma's eyes. The pain in her arm was gone; she felt nothing but rage. Rage that bleached everything else out of the world except the sight of Annabel cringing against the lectern, staring at Julian cradling his sister's dead body. At what she'd done.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
Riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Do you know how hard it is to kill something? Nothing wants to die. Things cling to their lives against all hope, even when it's hopeless. It's like the end is always there, you can't escape it. But things try so, so hard not to cross that finish line. So when they finally do, everything's been stripped away, their bodies and happiness and hope. Things just don't know when to die, I wish they did. I wish my friends had known that, sort of anyway. But I'm glad they tried, that's part of being human right? Part of being any living thing. You hold onto life until it gets ripped away from you, even if it gets ripped away in pieces, you just hold on.
”
”
Nick Cutter (The Troop)
“
It's a physical sickness. Etienne. How much I love him.
I love Etienne.
I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent.
I love that.
I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die.
There's only one thing I don't love about him. Her.
If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick.
I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape.
It turns out I am not a nice person.
Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
He wore clothes to cover his nakedness, he drove a car, and he ate with a knife and a fork and a linen napkin. He was gainfully employed in a job that required intellectual ability and acuity. He controlled his sexual urges through various civilized means and would never take a woman against her will. Nevertheless, as he stared at Miss Mitchell and Paul, he realized that he was an animal. Something primitive. Something feral. And something made him want to go over there and rip Paul’s hands from his body and carry Miss Mitchell off. To kiss her senseless, move his lips to her neck, and claim her.
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
One day in March AD 415, Hypatia set out from her home to go for her daily ride through the city. Suddenly, she found her way blocked by a “multitude of believers in God.”32 They ordered her to get down from her chariot. Knowing what had recently happened to her friend Orestes, she must have realized as she climbed down that her situation was a serious one. She cannot possibly have realized quite how serious. As soon as she stood on the street, the parabalani, under the guidance of a Church magistrate called Peter—“a perfect believer in all respects in Jesus Christ”33—surged round and seized “the pagan woman.” They then dragged Alexandria’s greatest living mathematician through the streets to a church. Once inside, they ripped the clothes from her body and, using broken pieces of pottery as blades, flayed her skin from her flesh. Some say that, while she still gasped for breath, they gouged out her eyes. Once she was dead, they tore her body into pieces and threw what was left of the “luminous child of reason” onto a pyre and burned her.34
”
”
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
“
The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away
Small, smooth fingers pouring gold over gaping wounds
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the cracks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that make incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes;
Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that rip open the seams.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won’t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Dragged the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes.
And now you’re back.
And so is the Universe.
And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
Suddenly William loomed over him, scowling, snarling and bloody, his suit dirt-stained and ripped. “Do you know. How many strands. Of hair I lost. On my way down?”
Whatever. “Math was never my thing, but I’m gonna say you lost…a lot.”
Electric-blues glittered with menace. “You are a cruel, sadistic bastard. My hair needs TLC and you…you… Damn you! I’ve gutted men for less.”
“I know. I’ve watched you.” Paris lumbered to his feet and scanned the rocky bank they stood upon, the crimson ocean lapping and bubbling in every direction. The drawbridge was only a fifty-yard dash away. “Don’t kill the messenger, but I’m thinking you should change your dating profile to balding.”
Masculine cheeks went scarlet as the big bad warrior struggled for a comeback.
…
“One of these days you’re going to wake up,” William finally said, “and I will have shaved you. Everywhere.”
“Won’t make a difference. Women will still want me. But you know what else? What I did to you wasn’t cruel, Willy.” He offered the warrior a white-flag grin. A trick. A lie. “This, however, is.”
He grabbed William by the wrist, swung the man around and around before at last releasing him and hurling his body directly onto the bridge.
”
”
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
“
His feet started in her direction, his body following rather as a dog would its master, with no thought of deviating from the path chosen by her for him—
iAm grabbed his arm and yanked him back. “Don’t even fucking think about it.”
Trez’s first impulse was to rip himself free, even if he left his own limb behind in his brother’s grip. “I don’t know what you’re talking about—”
“Do not make me grab your hard-on to prove my point,” iAm hissed.
Numbly, Trez looked down at the front of himself. Well. What do you know. “I’m not going to…” Fuck her came to mind, but God, he couldn’t use the f-word around that female, even in the hypothetical. “You know, do anything.”
“You actually expect me to believe that.”
Trez’s eyes flipped over to the doorway she’d disappeared through. Shit. Talk about having no credibility on the subject of abstinence
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
So, you guyes are like us in other, uh, departments?”
Deamon sat up, arching a brow. “Come again?”
I felt my cheeks flush. “You know, like sex? I mean, you guys are all glowy and stuff. I don’t see how certain stuff would work.”
Deamon’s lips curled into a half smile, and that was the only warning he gave. Moving unbelievably fast, I was on my back and he was above me in a flash. “Are you asking if I’m attracted to human girls?” he asked. Dark, wet waves of hair fell forward. Tiny droplets of water fell off the ends, splashing against my cheek. “Or are you asking if I’m attracted to you?”
Using his hands, he lowered himself slowly. There wasn’t an inch of space between our bodies. Air fled my lungs at the contact of his body against mine. He was male and ripped in all the places I was soft. Being this close to him was startling, causing an array of sensations to zing through me. I shivered. Not from the cold, but from how warm and wonderful he felt. I could feel every breath he took, and when he shifted his hips, my eyes went wide and I gasped.
Oh yeah, certain stuff was definitely working.
Daemon rolled off me, onto his back beside me. “Next question?” he asked, voice deep and thick.
I didn’t move. I stared wide-eyed at the blue-skies. “You could’ve just told me, you know?” I looked at him. “You didn’t have to show me.”
“And what fund would there be in telling you?” He turned his head toward me. “Next question, Kitten?”
“Why do you call me that?”
“You remind me of a little fuzzy kitten, all claws and no bite.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death.
He smashed that one first.
My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven.
He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands.
'Daddy?' Buckley said. My brother held the doorknob with his hand.
My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him.
My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived.
'You are so special to me, little man,' my father said, clinging to him.
Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult.
'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.
”
”
Alice Sebold (The Lovely Bones)
“
Wheeling around, he went blindly for the doors, messing up the piles, nearly knocking himself over on the coffee table.
Saxton got there first, blocking the way out with his body.
Blay's eyes locked on the males face." Get out of my way. Right now. You don't want to be around me."
"Is that not for me to decide."
Blay shifted his focus to those lips he knew so well. "Don't push me."
"Or what."
"If you don't get the fuck out of my way, I'm going to bend you over that desk of your-"
"Prove it."
Wrong thing to say. In the wrong tone. At the wrong time.
Blay let out a roar that rattled the diamond-paned windows. Then he grabbed his lover by the back of the head and all but threw Saxton across the room. As the male caught himself of the desk, papers went flying, the confetti of yellow legal pad and computer printouts falling down like snow.
Saxton's torso curled around as he looked behind at what was coming at him.
"Too late to run." Blay growled as he ripped open his button fly.
Falling upon the male, he was rough with his hands, tearing the the layers that kept him from what he was going to take. When there were no barriers, he bared his fangs and bit down on Saxton's shoulder through his clothes, locking the male beneath him even as he grabbed those wrist and all but nailed them to the leather blotter.
And then he pushed in hard and let out everything he had, his body taking over .. . even as his heart stayed far, far away.
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
Wait,” Kaidan called from behind me. I squeezed my eyes shut for a second, but kept walking. Then I felt his hand around my wrist, spinning me in a half circle and pulling me to his chest. His face was so close. He reached down and cupped my face with one woolly hand, and wiped the top corner of my lip hard with his thumb. I flinched back.
“What are you doing?”
“I...” He appeared to have no idea himself. “I wanted to see your freckle.”
A vulnerable tenderness flashed across his face, more painful to see than the coldness. It took every ounce of strength I had not to beg for one last kiss. As fast as his expression had softened, it was back to stone again.
“What do you want from me, Kai?”
“For starters?” His voice lowered to sexy, dangerous depths. “I want to introduce myself to every freckle on your body.”
A powerful shiver ripped through me.
“So, just something physical, then?” I clarified. “That's all you want?”
“Tell me you hate me,” he demanded. I felt the air of his words against my face.
“But I don't hate you. I couldn't.”
“You could,” he assured me, pulling me tighter. “And you should.”
“I'm letting you go.” My voice shook. “But only because I have to. I need to move on with my life, but I'll never hate you.”
“The one who got away,” Kaidan murmured.
“Nobody got away,” I corrected him. “And so help me, if you start comparing us to an unfinished game that went into overtime-”
He released me and I stumbled back a step. I had to get away before I started clinging and begging him to admit his feelings, whatever they might have been. It was necessary to rip off this Band-Aid, and fast. So, as I'd done at the airport, I walked away from him, dragging my heart behind me. I didn't look back. Game over.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
First I need to do something.’ He pulled me closer towards him until our lips were almost touching.
‘What might that be?’ I managed to stutter, closing my eyes, anticipating the warmth of his lips against mine. But the kiss didn’t come. I opened my eyes. Alex had jumped to his feet.
‘Swim,’ he said, grinning at me. ‘Come on.’
‘Swim?’ I pouted, unable to hide my disappointment that he wanted to swim rather than make out with me.
Alex pulled his T-shirt off in one swift move. My eyes fell straightaway to his chest – which was tanned, smooth and ripped with muscle, and which, when you studied it as I had done, in detail, you discovered wasn’t a six-pack but actually a twelve-pack.
My eyes flitted to the shadowed hollows where his hips disappeared into his shorts, causing a flutter in parts of my body that up until three weeks ago had been flutter-dormant. Alex’s hands dropped to his shorts and he started undoing his belt.
I reassessed the swimming option. I could definitely do swimming.
He shrugged off his shorts, but before I could catch an eyeful of anything, he was off, jogging towards the water. I paused for a nanosecond, weighing up my embarrassment at stripping naked over my desire to follow him. With a deep breath, I tore off my dress then kicked off my underwear and started running towards the sea, praying Nate wasn’t doing a fly-by.
The water was warm and flat as a bath. I could see Alex in the distance, his skin gleaming in the now inky moonlight. When I got close to him, his hand snaked under the water, wrapped round my waist and pulled me towards him. I didn’t resist because I’d forgotten in that instant how to swim. And then he kissed me and I prayed silently and fervently that he took my shudder to be the effect of the water.
I tried sticking myself onto him like a barnacle, but eventually Alex managed to pull himself free, holding my wrists in his hand so I couldn’t reattach. His resolve was as solid as a nuclear bunker’s walls. Alex had said there were always chinks. But I couldn’t seem to find the one in his armour. He swam two long strokes away from me. I trod water and stayed where I was, feeling confused, glad that the night was dark enough to hide my expression.
‘I’m just trying to protect your honour,’ he said, guessing it anyway.
I groaned and rolled my eyes. When was he going to understand that I was happy for him to protect every other part of me, just not my honour?
”
”
Sarah Alderson (Losing Lila (Lila, #2))
“
What if she doesn't worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women's shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem to obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like?
”
”
Naomi Wolf (The Beauty Myth)
“
I want to tell you a story. I'm going to ask you all to close your eyes while I tell you the story. I want you to listen to me. I want you to listen to yourselves. Go ahead. Close your eyes, please. This is a story about a little girl walking home from the grocery store one sunny afternoon. I want you to picture this little girl. Suddenly a truck races up. Two men jump out and grab her. They drag her into a nearby field and they tie her up and they rip her clothes from her body. Now they climb on. First one, then the other, raping her, shattering everything innocent and pure with a vicious thrust in a fog of drunken breath and sweat. And when they're done, after they've killed her tiny womb, murdered any chance for her to have children, to have life beyond her own, they decide to use her for target practice. They start throwing full beer cans at her. They throw them so hard that it tears the flesh all the way to her bones. Then they urinate on her. Now comes the hanging. They have a rope. They tie a noose. Imagine the noose going tight around her neck and with a sudden blinding jerk she's pulled into the air and her feet and legs go kicking. They don't find the ground. The hanging branch isn't strong enough. It snaps and she falls back to the earth. So they pick her up, throw her in the back of the truck and drive out to Foggy Creek Bridge. Pitch her over the edge. And she drops some thirty feet down to the creek bottom below. Can you see her? Her raped, beaten, broken body soaked in their urine, soaked in their semen, soaked in her blood, left to die. Can you see her? I want you to picture that little girl. Now imagine she's white.
”
”
John Grisham (A Time to Kill (Jake Brigance, #1))
“
Buster went bananas, running over to Paci and jumping up on his legs, begging for attention. Paci didn’t disappoint him, either. He bent down and baby-talked with Buster, like he was an old hand at it.
I smiled in amusement. Paci was no wimp. He was almost as big as Bodo and ripped to the max. He had zero body fat, so Peter and I were able to admire his every muscle, which I noticed Peter was doing with unabashed curiosity. I caught his attention and raised my eyebrows at him in a conspiratorial message of mutual admiration. He smiled in return, giving me a pitiful wink that made him look like he had something stuck in both eyes. It made me laugh.
Paci looked up at me. “Something strike you as funny?”
“Yeah. You baby-talking to a nude poodle.
”
”
Elle Casey (Warpaint (Apocalypsis, #2))
“
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat.
“This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand.
My gaze dropped to it and I made no attempt to take it.
Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?”
His question caught me off guard, but I kept quiet.
He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.”
“She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.”
As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded.
Rolland chuckled. “She’s had a rough day, Sadi.”
At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag.
“Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.”
“Are you?” Daemon replied.
Every hair on my body rose as my arms unfolded.
“Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans.
And oh, hell to the no. “Get your hands off him.”
Sadi’s head snapped in my direction. “Excuse me?”
“I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.”
One side of her plump red lips curled up. “You want to make me?”
In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away.
“Stop it,” he murmured, voice dropped low in that teasing way of his.
I saw red.
The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
“And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails.
The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
What happened next? I retain nothing from those terrible minutes except indistinct memories which flash into my mind with sudden brutality, like apparitions, among bursts and scenes and visions that are scarcely imaginable. It is difficult even to even to try to remember moments during which nothing is considered, foreseen, or understood, when there is nothing under a steel helmet but an astonishingly empty head and a pair of eyes which translate nothing more than would the eyes of an animal facing mortal danger. There is nothing but the rhythm of explosions, more or less distant, more or less violent, and the cries of madmen, to be classified later, according to the outcome of the battle, as the cries of heroes or of murderers. And there are the cries of the wounded, of the agonizingly dying, shrieking as they stare at a part of their body reduced to pulp, the cries of men touched by the shock of battle before everybody else, who run in any and every direction, howling like banshees. There are the tragic, unbelievable visions, which carry from one moment of nausea to another: guts splattered across the rubble and sprayed from one dying man to another; tightly riveted machines ripped like the belly of a cow which has just been sliced open, flaming and groaning; trees broken into tiny fragments; gaping windows pouring out torrents of billowing dust, dispersing into oblivion all that remains of a comfortable parlor...
”
”
Guy Sajer (The Forgotten Soldier)
“
Going somewhere?” Tamlin asked. His voice was not entirely of this world.
I suppressed a shudder. “Midnight snack,” I said, and I was keenly aware of every movement, every breath I took as I neared him.
His bare chest was painted with whorls of dark blue woad, and from the smudges in the paint, I knew exactly where he’d been touched. I tried not to notice that they descended past his muscled midriff.
I was about to pass him when he grabbed me, so fast that I didn’t see anything until he had me pinned against the wall. The cookie dropped from my hand as he grasped my wrists. “I smelled you,” he breathed, his painted chest rising and falling so close to mine. “I searched for you, and you weren’t there.”
He reeked of magic. When I looked into his eyes, remnants of power flickered there. No kindness, none of the wry humor and gentle reprimands. The Tamlin I knew was gone.
“Let go,” I said as evenly as I could, but his claws punched out, imbedding in the wood above my hands. Still riding the magic, he was half-wild.
“You drove me mad,” he growled, and the sound trembled down my neck, along my breasts until they ached. “I searched for you, and you weren’t there. When I didn’t find you,” he said, bringing his face closer to mine, until we shared breath, “it made me pick another.”
I couldn’t escape. I wasn’t entirely sure that I wanted to.
“She asked me not to be gentle with her, either,” he snarled, his teeth bright in the moonlight. He brought his lips to my ear. “I would have been gentle with you, though.” I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. “I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.” He said my name like a caress, and his hot breath tickled my ear. My back arched slightly.
He ripped his claws free from the wall, and my knees buckled as he let go. I grasped the wall to keep from sinking to the floor, to keep from grabbing him—to strike or caress, I didn’t know. I opened my eyes. He still smiled—smiled like an animal.
“Why should I want someone’s leftovers?” I said, making to push him away. He grabbed my hands again and bit my neck.
I cried out as his teeth clamped onto the tender spot where my neck met my shoulder. I couldn’t move—couldn’t think, and my world narrowed to the feeling of his lips and teeth against my skin. He didn’t pierce my flesh, but rather bit to keep me pinned. The push of his body against mine, the hard and the soft, made me see red—see lightning, made me grind my hips against his. I should hate him—hate him for his stupid ritual, for the female he’d been with tonight …
His bite lightened, and his tongue caressed the places his teeth had been. He didn’t move—he just remained in that spot, kissing my neck. Intently, territorially, lazily. Heat pounded between my legs, and as he ground his body against me, against every aching spot, a moan slipped past my lips.
He jerked away. The air was bitingly cold against my freed skin, and I panted as he stared at me. “Don’t ever disobey me again,” he said, his voice a deep purr that ricocheted through me, awakening everything and lulling it into complicity.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
In Group, Casper doesn't like us to say cut or cutting or burn or stab. She says it doesn't matter what you do or how you do it: it's all the same. You could drink, slice, do meth, snort coke, burn, cut, stab, slash, rip out your eyelashes, or fuck till you bleed and it's all the same thing: self-harm. She says: whether someone has hurt you or made you feel bad or unworthy or unclean, rather than taking the rational step of realizing that person is an asshole or a psycho and should be shot or strung up and you should stay the fuck away from them, instead we internalize our abuse and begin to blame and punish ourselves and weirdly, once you start cutting or burning or fucking because you feel so shitty and unworthy, your body starts to release this neat-feeling shit called endorphins and you feel so fucking high the world is like cotton candy at the best and most colorful state fair in the world, only bloody and stuffed with infection. But the fucked-up part is once you start self-harming, you can never not be a creepy freak, because your whole body is now a scarred and charred battlefield and nobody likes that on a girl, nobody will love that, and so all of us, every one, is screwed, inside and out. Wash, rinse, fucking repeat.
”
”
Kathleen Glasgow (Girl in Pieces)
“
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands.
Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets.
“I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.”
I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs.
A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust.
Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon.
She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin.
“Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.”
Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor.
I grinned at the newcomer. “Hey, Sis.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.'
'Oh my God... said Jonathan, his mouth stalling the open position.
'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")
”
”
David J. Schow (Seeing Red)