“
Merda! Her lace panties had snagged on his ring, the signet ring he'd inherited from his father, Giacomo Casanova. His father had seduced hundred of women without any problems whatsoever, and he was having trouble with just one. This was the real reason he never used the Casanova name. He could never live up to his father's reputation. The old man was probably laughing in his grave.
Nine circles of hell," Jack muttered.
Hell?" Lara asked. "I thought I was the Holy Land."
You're paradise. Unfortunately, I am stuck there."
Her eyes widened. "Stuck?"
Normally, I would love being stuck to your lovely bum, but it would look odd if we go sightseeing with my hand under your skirt. Especially in the basilica."
She glanced down. "How can you be stuck?"
My ring. It's caught in the lace. See?" He moved his hand down her hip, dragging her undies down a few inches.
Okay, stop." She bit her lip, frowning, then suddenly giggled. "I can't believe this has happened."
I assure you, as much as I had hoped to get your clothes off, this was not part of my original plan."
She snorted. "No problem. Just rip yourself loose."
Are you sure?" It will destroy you undies."
She narrowed her eyes with a seductuve look. "Rip it."
Very well." He jerked his hand away, but the panties came with him. He yanked his hand back and forth, but the lacy, latex material simply stretched with him. "Santo cielo, they are indestructible."
Lara laughed.
He continued to wage battle, but to no avail. "They could use this material to build spaceships.
”
”
Kerrelyn Sparks (Secret Life of a Vampire (Love at Stake, #6))
“
With frightening suddenness he now began ripping the pages out of the book in handfuls and throwing them in the waste-paper basket.
Matilda froze in horror. The father kept going. There seemed little doubt that the man felt some kind of jealousy. How dare she, he seemed to be saying with each rip of a page, how dare she enjoy reading books when he couldn't? How dare she?
”
”
Roald Dahl (Matilda)
“
Bran nodded at Charles. Charles looked at the prisoners and smiled. Asil had practiced in a mirror, trying to get that smile. His own were very good, but he hadn’t gotten quite the same “I’d rather rip you to little pieces, but my father says I can’t—yet” effect. Asil was better at the “I’m crazy, and you are about to die.
”
”
Patricia Briggs (Shifting Shadows (Mercy Thompson #0.1, #0.5, #0.7, #0.9, #1.2, #1.8, #4.5, #5.5, #7.4, #8.5))
“
He looked like you ripped his heart out of his chest, threw it to
the ground, and stomped all over it while singing a jaunty tune.”
Annwyl shrugged at Morfyd’s bemused expression. “I might have
seen that look before on his brother.”
“Perhaps when you stabbed our father?”
Annwyl laughed. “No. Then he just looked proud.
”
”
G.A. Aiken (About a Dragon (Dragon Kin, #2))
“
He’d seen her vulnerable multiple times and nuzzled her jugular instead of ripping it out. He’d seen her feisty so many times and had fed her fire instead of dousing it. He’d seen her as her and despite everything, he’d not exploited that, like her own father had done so many times
”
”
RuNyx (The Predator (Dark Verse, #1))
“
Fury wagged his tail and smiled wickedly, then tried to look up Bride’s dress.
Vane caught him quickly by the neck. “Stop!” he snarled mentally to Fury. “Or I’ll rip your head off.”
Bride frowned at them. “Don’t you like my wolf?”
“Yeah,” Van said, patting him roughly on the head. “He’s my new best friend.”
“I’m your only friend, dickhead.”
Vane balled his fist in the wolf’s fur as a warning to him. “You know you have to be firm with wolves. Let them know who the alpha is.”
“Your father?”
Vane smacked Fury’s head.
“Ow!”
”
”
Sherrilyn Kenyon (Night Play (Dark-Hunter, #5; Were-Hunter, #1))
“
Grief is a curious thing, when it happens unexpectedly. It is a Band-Aid
being ripped away, taking the top layer off a family. And the underbelly
of a household is never pretty, ours no exception. There were times I
stayed in my room for days on end with headphones on, if only so that I
would not have to listen to my mother cry. There were the weeks that my
father worked round-the-clock shifts, so that he wouldn't have to come
home to a house that felt too big for us.
”
”
Jodi Picoult (My Sister's Keeper)
“
On the train I told him about the day we thought he’d drowned and how I was determined to ask my father to round up as many fishermen as he could to go look for him, and when they found him, to light a pyre on our shore, while I grabbed Mafalda’s knife from the kitchen and ripped out his heart, because that heart and his shirt were all I’d ever have to show for my life. A heart and a shirt. His heart wrapped in a damp shirt – like Anchise’s fish.
”
”
André Aciman (Call Me by Your Name)
“
The boy gestured with his chin at Dimity. “She was shot.” He sounded remarkably unconcerned for a brother with any degree of affection for his sibling.“Good lord!” Sophronia climbed in to see to her new friend’s health. The bullet had grazed Dimity’s shoulder. It had ripped her dress and left a partly burned gash behind, but didn’t look all that bad. Sophronia checked to make certain Dimity had no other injuries. Then she sat back on her heels.“Is that all? I’ve had worse scrapes from drinking tea. Why has she come over all crumpled?”Pillover rolled his eyes. “Faints at the sight of blood, our Dimity. Always has. Weak nerves,father says. It doesn’t even have to be her blood.
”
”
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
“
And here was your mysterious innocence and invulnerability: you abused others without regret, and you condemned abuse, and said it was forbidden. You backed your derision with threats, for example, ‘I’ll rip you apart like a fish.’ And that was dreadful to me, even though I knew that nothing bad would happen (yet as a young child I didn’t know this), but your words served as a sign of your power, and you always seemed capable of doing something. And it was also dreadful when you shouted left and right at the table, and tried to grab someone – or pretended to try – until mother seemingly came to the rescue. And it appeared to a child that life existed through your mercy, and continued as your unearned gift. And linked to this were your threats about disobedience and where it would lead. When I began something which didn’t please you and you threatened me with failure, my awe for your opinion was so great that failure was unavoidable – perhaps at first, if not, then later. I lost the confidence to do anything. I was unsettled, doubtful. And the older I was, the more solid was the material with which you could demonstrate how worthless I was; and gradually, to a certain extent, you became right. But again, I must say that I’m not as I am just because of you; yet you increased what was there, and you increased it greatly; because against me you were very powerful, and you used all your power. You
”
”
Franz Kafka (Letter to My Father)
“
I'm sure you were mistaken," Yaicha says to her brush.
My ears pin back -
"MISTAKEN?
I know who Angie is, Yaicha.
I know who our father is, Yaicha.
He hurts people, he hurts you, you never do anything!" My claws scrape the wall paint.
She turns with soft rabbit eyes. "He'll kill me."
"He's already doing that!"
I am growling, grabbing her sleeve, "Every day, every day he rips you open,
chips off pieces week by week, till a few years from now you are not even a mouthful of sawdust.
A drawn-out killing.
Well, I'm tired of all of us doing nothing. He has to be stopped."
Yaicha's eyes have flinched a few times but soften again. "Nobody can stop him."
My teeth show.
"Nobody can stop him? Good.
To him I have always been
Nobody.
”
”
Thalia Chaltas (Because I Am Furniture)
“
Doing as he was told, Lars called out, “I’m looking at a woman in a suspension unit. I think she’s dying.”
He ripped the helmet off again and glared at Morley. “Why do I have to watch somebody dying?”
“The person you saw was Claire Hyndman. Her father is Alan Hyndman. He’s a big wheel on Arden.”
“So?”
“The RTTC suggests the real Claire Hyndman died and Samantha brain-stripped her and created a substitute.
”
”
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
“
And I have to admit to myself that although I have plenty of sound reasons for not being a father—I know I would also be inconsistent and moody, alternately smothering and neglectful, plus I will never, ever be able to afford riding lessons or braces, let alone college—one of the reasons I don’t want children is fear. I’m afraid that if I ever did have children of my own I would love them so painfully it would rip my soul in half, that I would never again have a waking moment free from the terror that something bad might ever happen to them.
”
”
Tim Kreider (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on The Decision Not To Have Kids)
“
They weren’t happy memories because your father and I were never happy together. Even if we had been briefly and occasionally happy, everything got sullied, ripped up, and destroyed. But people don’t love each other only for happy memories. At a certain point in life, you realize that you just love the memories.
”
”
Natalia Ginzburg (Caro Michele)
“
Father, R.I.P., Sums Me Up at Twenty-Three
She has no head for politics,
craves good jewelry, trusts too readily,
marries too early. Then
one by one she sends away her friends
and stands apart, smug sapphire,
her answer to everything a slender
zero, a silent shrug--and every day
still hears me say she'll never be pretty.
Instead she reads novels, instead her belt
matches her shoes. She is master
of the condolence letter, and knows
how to please a man with her mouth:
Good. Nose too large, eyes too closely set,
hair not glorious blonde, not her mother's red,
nor the glossy black her younger sister has,
the little raven I loved best.
”
”
Deborah Garrison (A Working Girl Can't Win)
“
She was a freaking princess.
And he was a poor Vamp from the Bronx. If he laid a finger on her, she’d probably bite it off. Hell, she’d chew all ten of his digits down to mere stubs, and then her father would sic a pack of werewolves on him to rip apart the rest of this body.
”
”
Kerrelyn Sparks (Wanted: Undead or Alive (Love at Stake, #12))
“
He smiled. I was unprepared for my reaction to the most potent weapon Haden had in his arsenal—a real smile, one that reached his eyes.
One genuine emotion was enough to unravel my life from the security of everything I’d ever known.
For seventeen years, I’d tried to live Father’s way. Each step measured, my words carefully chosen. In his fortress of fears, I grew up—but not strong. I yearned to replace the hole in his heart left by my mother, so my life never belonged to me. My own heart was my weakest muscle, never exercised, never even flexed.
Suddenly, I understood that it still miraculously worked. And it was full. So full it felt like rays of sunshine were bursting through my chest, poking out of me in radiant splendor. Haden spellbound me and life changed to Technicolor. In his smile, I felt the bindings that tethered my spirit rip away.
”
”
Gwen Hayes (Falling Under (Falling Under, #1))
“
Do you know what it feels like to have your soul cleaved in two? To have it ripped from you? That's what it felt like when you died in my arms. Pure, blinding, pain that I don't think this world or the next has a word for. So don't stand there scolding me like a fucking child. You are not my father. I killed him to get to you, and I still wasn't in time. I would burn the world for you, Samkiel, and I would happily hand over my soul so that you may live. I would do it all again if it meant you existed.
”
”
Amber V. Nicole (The Dawn of the Cursed Queen (Gods & Monsters, #3))
“
His tattooed throat ripped out. His sword still gripped in his hand. Gavriel. His father.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
You think of killing him
on the spot
but discard that thought and
leave,
down into the urine-stinking
elevator,
they have you crucified too,
America at work,
where they rip out your intestines
and your brain and your
will and your spirit.
They suck you dry, then throw
you away.
The capitalist system.
The work ethic.
The profit motive.
The memory of your father’s words,
“work hard and you’ll be
appreciated.”
of course, only if you make
much more for them than they pay
you.
”
”
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
“
And we are his problem. I will never be enough for my father, and now there is a hole in my heart the size of him that I cannot fill up. It only grows bigger and bigger. Swallowing me whole. Ripping me apart.
”
”
Asha Ashanti Bromfield (Hurricane Summer)
“
Dave once asked me what blind people dream about. Mostly in sound and feeling, I replied. At night I fall in love with a voice, and then wake to a feeling of physical loss. Sometimes I close my eyes to a chorus of “Happy Birthday!” The smell of cake and the sound of feet under the table. I awake in a body that’s too big. I also dream in motion and sensation. My father’s boat and the snore of the mast; the rough fabric of the safety harness and the rip of Velcro. The sun on my legs. And endless stretch of water impossible to imagine.
”
”
Simon Van Booy (The Illusion of Separateness)
“
I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death.
He smashed that one first.
My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven.
He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands.
'Daddy?' Buckley said. My brother held the doorknob with his hand.
My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him.
My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived.
'You are so special to me, little man,' my father said, clinging to him.
Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult.
'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.
”
”
Alice Sebold (The Lovely Bones)
“
I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely.
“He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers.
I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.”
I’m so suave.
I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father.
This is silly.
Brushing through my embarrassment, I walk up, put my hand on his shoulder.
He straightens up with a wide grin. “Am I glad to see you!”
“Oh, really?”
“Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.”
“Maybe you should have gotten more sleep,” I offer.
“No way,” he says. Then we just gaze at each other for a long moment.
For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also.
“That was the best study session I ever had,” I tell him.
“Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.”
“This thumb?” I reach for one of his callused hands, kiss the thumb.
“It was the left one.” Jase’s face creases into a smile as I pick up his other hand.
“I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.”
I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt.
“Feeling better?”
His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.”
My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.”
Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
When my mother died, too soon after my father, my life’s cover was ripped off, leaving behind an unmoored sense of nakedness, a straining and longing to take back time, a desperate addiction to looking away, a terror of acknowledgement, a fear of finality, and, most of all, ceaseless sadness and anger, each sometimes emerging wrapped in the other.
”
”
Chimamanda Ngozi Adichie (Dream Count)
“
times like these, Father, Mother and Margot don’t matter to me in the least. I wander from room to room, climb up and down the stairs and feel like a songbird whose wings have been ripped off and who keeps hurling itself against the bars of its dark cage. ‘Let me out, where there’s fresh air and laughter!’ a voice within me cries. I don’t even bother to reply any more, but lie down on the divan.
”
”
Anne Frank (The Diary of a Young Girl: The Definitive Edition)
“
My, you ought to seen old Henry the Eight when he was in bloom. He was a blossom. He used to marry a new wife every day, and chop off her head next morning. And he would do it just as indifferent as if he was ordering up eggs. 'Fetch up Nell Gwynn,' he says. They fetch her up. Next morning, 'Chop off her head!' And they chop it off. 'Fetch up Jane Shore,' he says; and up she comes, Next morning, 'Chop off her head'—and they chop it off. 'Ring up Fair Rosamun.' Fair Rosamun answers the bell. Next morning, 'Chop off her head.' And he made every one of them tell him a tale every night; and he kept that up till he had hogged a thousand and one tales that way, and then he put them all in a book, and called it Domesday Book—which was a good name and stated the case. You don't know kings, Jim, but I know them; and this old rip of ourn is one of the cleanest I've struck in history. Well, Henry he takes a notion he wants to get up some trouble with this country. How does he go at it—give notice?—give the country a show? No. All of a sudden he heaves all the tea in Boston Harbor overboard, and whacks out a declaration of independence, and dares them to come on. That was his style—he never give anybody a chance. He had suspicions of his father, the Duke of Wellington. Well, what did he do? Ask him to show up? No—drownded him in a butt of mamsey, like a cat. S'pose people left money laying around where he was—what did he do? He collared it. S'pose he contracted to do a thing, and you paid him, and didn't set down there and see that he done it—what did he do? He always done the other thing. S'pose he opened his mouth—what then? If he didn't shut it up powerful quick he'd lose a lie every time. That's the kind of a bug Henry was; and if we'd a had him along 'stead of our kings he'd a fooled that town a heap worse than ourn done. I don't say that ourn is lambs, because they ain't, when you come right down to the cold facts; but they ain't nothing to that old ram, anyway. All I say is, kings is kings, and you got to make allowances. Take them all around, they're a mighty ornery lot. It's the way they're raised.
”
”
Mark Twain (The Adventures of Huckleberry Finn (Adventures of Tom and Huck, #2))
“
The doctor says, What’s this? That’s an application to join the White Fathers, missionaries to the nomadic tribes of the Sahara and chaplains to the French Foreign Legion. Oh, yeh? French Foreign Legion, is it? Do you know the preferred form of transportation in the Sahara Desert? Trains? No. It’s the camel. Do you know what a camel is? It has a hump. It has more than a hump. It has a nasty, mean disposition and its teeth are green with gangrene and it bites. Do you know where it bites? In the Sahara? No, you omadhaun. It bites your shoulder, rips it right off. Leaves you standing there tilted in the Sahara.
”
”
Frank McCourt (Angela's Ashes)
“
She helps me to the bathroom, helps me wash, then helps me put a gazillion tangles in my hair while she shampoos it. And she actually thinks we’re going to leave it that way.
“I’m not going downstairs looking like a hobo,” I tell her. “We have to comb it.”
“That thick mess will break this flimsy comb. Can’t you just run your fingers through it?”
It’s weird to be arguing about my hair when we still haven’t discussed my wound, how I got it, and how I came to be snoring in Galen’s bed. We both seem to appreciate the bizarreness at the same time. Mom raises a brow. “Don’t think you get special treatment just because you can make a whale do the tango. I’m still your mother.”
We both laugh so hard I think I feel a tiny rip in my newly dressed wound. Without warning, Mom throws her arms around me, careful to avoid touching it. “I’m so proud of you, Emma. And I know your father would be, too. Your grandfather can’t stop talking about it. You were amazing.”
Ah, the bonding power of tangled hair and dancing whales.
She releases me the second before it gets awkward. “Let’s get you dressed. We have a lot to discuss. And I get you’re starving. Rachel made you…uh…Upchuck Eggs.”
“She gets an A for effort.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
body went tense, forcing goose bumps to rise over my bare arms. My tough demeanor had been ripped apart and was replaced by a frightened little girl in need of her father’s protection. But he wasn’t here, and all I had was Jeremy. It wasn’t his responsibility to protect me. He shouldn’t have to worry about me.
And I shouldn’t be falling apart like this.
”
”
Nicole Sobon (No Place Like Home)
“
He closes his eyes, bites his lip, and moans so deep a few of the women watching lean in toward him. “God, Layla . . .” He groans. “Don’t mention soccer balls when we’re in public. They get me so hot.” He lowers one cup to his crotch, but I rip it from his hand before he’s able to follow through. “Hey, I was playing with that,” he says with a childlike pout.
”
”
J.B. Salsbury (A Father's Fight (Fighting, #5))
“
Had little baby Kovit toddled around stabbing his father in the shins and ripping his sister’s hair out? Actually, that probably wasn’t too different from other children.
”
”
Rebecca Schaeffer (Not Even Bones (Market of Monsters, #1))
“
How many birthdays can you fit in your lifetime? If you answered "All of them," you should have your genitals ripped out from underneath your father's pillowcase.
”
”
Jarod Kintz (This Book is Not for Sale)
“
He did not know how much time passed. He got up, ripped the canvas off the frame, threw it into a corner, and put on a new one. He mixed some paints, sat down, and began work. One starts with a hopeless struggle to follow nature, and everything goes wrong; one ends by calmly creating from one’s palette, and nature agrees with it and follows. On croit que j’imagine—ce n’est pas vrai—je me souviens. It was just as Pietersen had told him in Brussels; he had been too close to his models. He had not been able to get a perspective. He had been pouring himself into the mould of nature; now he poured nature into the mould of himself. He painted the whole thing in the colour of a good, dusty, unpeeled potato. There was the dirty, linen table cloth, the smoky wall, the lamp hanging down from the rough rafters, Stien serving her father with steamed potatoes, the mother pouring the black coffee, the brother lifting a cup to his lips, and on all their faces the calm, patient acceptance of the eternal order of things. The sun rose and a bit of light peered into the storeroom window. Vincent got up from his stool. He felt perfectly calm and peaceful. The twelve days’ excitement was gone. He looked at his work. It reeked of bacon, smoke, and potato steam. He smiled. He had painted his Angelus. He had captured that which does not pass in that which passes. The Brabant peasant would never die.
”
”
Irving Stone (Lust For Life)
“
The amazing efficacy of patriarchy is that it is a covert operation. It is entre nos, just between us - man and woman, sister and brother, father and daughter, queer and not so queer. It takes place behind closed doors, inside la hacienda and back there in the slave quarters. It is so seamlessly woven into the fiber of our lives that to pull at that dangling thread of inequity is to rip open an entire life.
”
”
Cherríe L. Moraga (Native Country of the Heart: A Memoir)
“
My heart. I couldn't make myself say the words. My heart. My weak human heart. Scarred and broken and bleeding. The one thing I had always been taught to protect above all. And yet, whatever things struggled along within my ribcage now, far beneath the Mark that my dead father left on me, was anything but protected. It had been torn apart and ripped open.. How had I ever thought Vincent had given me a vampire heart. This was human.
”
”
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
“
Outside, you don't even hear a single bird, and a deathly, oppressive silence hangs over the house and clings to me as if it were going to drag me into the deepest regions of the underworld. At times like these, Father, Mother and Margot don't matter to me in the least. I wander from room to room, climb up and down the stairs and feel like a songbird whose wings have been ripped off and who keeps hurling itself against the bars of its dark cage. "Let me out, where there's fresh air and laughter!" a voice within me cries. I don't even bother to reply anymore, but lie down on the divan. Sleep makes the silence and the terrible fear go by more quickly, helps pass the time, since it's impossible to kill it.
”
”
Anne Frank (Anne Frank: The Diary of a Young Girl)
“
Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...
”
”
Michel Tremblay
“
She was close to tears and I felt that old guilt and sadness rip through me – that I haven’t been able to give my daughter more. So many times, I’ve pictured a different kind of life for her. A life full of people: grandparents, cousins, siblings maybe, a father.
”
”
Libby Page (The Island Home)
“
Do I seem one who will not defend myself? You are her father, so I will make myself clear. Any who seek her harm I will kill. I will rip into them with claw and teeth and separate skin from bone from heart. An enemy, a friends, from within either of our Clans - it does not matter.
”
”
Danielle Monsch (Stone Embrace (Entwined Realms, #1.1))
“
This is nothing like when I lost my father. Back then, it felt like a rip in the fabric of my world, and no matter how hard I tried, I couldn’t hold the edges together. Even now, four years later, when I am going about my day, sometimes I brush up against that seam and it hurts like hell.
”
”
Jodi Picoult (Wish You Were Here)
“
My father was a liar and a drunk. My mother left when I was a kid and never looked back. I witnessed a man kill my grandmother and then rip out her throat with his teeth. I was kept in a cage for six weeks. I was forced to cut off my own finger. I’m pretty sure I’m falling in love with a guy
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
He remembered the black sands beach along California’s lost coast where his mother finally gave up the fight. He hadn’t even realized she’d been injured so badly after running into his father in Seattle. She’d bled most of the way though Oregon, but he hadn’t thought it was serious. He hadn’t known she was bleeding out on the inside, a kidney and her liver ruptured, her intestines bruised beyond repair.
[…] They stopped six feet from the tide and she made him repeat every promise she’d ever dragged out of him: don’t look back, don’t slow down, and don’t trust anyone. Be anyone but himself, and never be anyone for too long.
By the time Neil understood she was saying goodbye, it was too late.
She died gasping for one more breath, panting with something that might have been words or his name or fear. Neil could still feel her fingernails digging into his arms as she fought not to slip away, and the memory left him shaking all over. Her abdomen felt like stone when he touched her, swollen and hard. He tried pulling her from her seat only once, but the sound of her dried blood ripping off the vinyl like Velcro killed him.
[…] He hadn’t cried when the flames caught, and he hadn’t flinched when he pulled her cooling bones out. […] By the time he found the highway again he was numb with shock, and he lasted another day before he fell to his knees on the roadside and puked his guts out.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
When your father died, I thought I'd die too. But then your heart keeps beating, you keep taking breaths and getting hungry and needing sleep, so you know you're not dead. One day, something makes you laugh and you're ripped with guilt because you can. A month passes and then a year, and you've gone on with your life even knowing you couldn't, but you do.
”
”
Jane Kirkpatrick (All Together in One Place (Kinship and Courage Series, #1))
“
ZÉLIE’S PAIN FALLS through the air like rain.
It sinks into my skin.
My chest heaves with her sobs. My heart rips with her anguish.
And all the while I feel a terror unlike anything I’ve ever known. It crushes my soul.
It destroys all will to live.
This can’t be her world.…
This can’t be the life Father built. But the longer her pain grips me, the more I realize: this fear is always there.
”
”
Tomi Adeyemi (Children of Blood and Bone (Legacy of Orïsha, #1))
“
few days. Everywhere hurts, even my hands. I have cried so much that I do not think I have any water left in my body. I have never believed in God but I find myself praying. I am not sure who to, but I feel like I have to. If there is a God, how could He let this happen? I do not believe there is any kind of higher being who can help me now. My prayers are not to any kind of God, they are silent messages to keep me strong. Thoughts of Liliana and my mother fill my mind. I wish I could talk to them and tell them I miss them so much there is an ache squeezing my heart. I want to hear their voices and hold them tight. I want to wake up from this nightmare and be safe in their arms. I think of my father and my husband Stefan, too. They have been dead several years, and for once, I am glad. It would rip them apart to know what has
”
”
Sibel Hodge (Trafficked: The Diary of a Sex Slave)
“
During the period in which newspapers were initially reporting on how asylum-seeking immigrants were having their young children ripped from them, presidential daughter and advisor Ivanka Trump tweeted a photograph of herself beatifically embracing her small son. When Samantha Bee performed a fierce excoriation of Trump’s incivility in both supporting her father’s administration, and posting such a cruel celebration of her own intact family, she called her a “feckless cunt.” It was this epithet, one that Donald Trump had himself used as an insult against women on multiple past occasions, that sent the media into a spiral of shocked alarm and prompted Trump himself to recommend, via Twitter, that Bee’s network, TBS, fire her. But neither Trump’s past use of the word to demean women, nor his possible violation of the First Amendment, provoked as much horror as the feminist comedian’s deployment of a slur that she had used before on her show often in reference to herself. Typically only the incivility of the less powerful toward the more powerful can be widely understood as such, and thus be subject to such intense censure. Which is what made #metoo so fraught and revolutionary. It was a period during which some of the most powerful faced repercussion.
”
”
Rebecca Traister (Good and Mad: The Revolutionary Power of Women's Anger)
“
There are lives completely comprised of ambushes. Lives where you want to scream to the skies, to the earth, rip out your heart and cry the fates, How could this happen? But nothing comes out of your mouth … But to live through it, that is human. Your father wanted to be by your side but you wouldn’t let him come, and he was so tortured by that. How worried he was that there was not a word from you, like a dead person. Like recognizes like. I saw it when you first stepped into the yard. That you’re someone who has already died before. I know how hard it is to keep living despite this, but the only human friend I have in this life is your father. Please let him be by your side. Endure with him, enjoy the sunlight with him, pick fruit with him, sweep the snow with him, all of that. Tell him your stories and listen to him tell his. What else is there to do for each other.
”
”
Kyung-Sook Shin (I Went To See My Father)
“
On the train I told him about the day we thought he’d drowned and how I was determined to ask my father to round up as many fishermen as he could to go look for him, and when they found him, to light a pyre on our shore, while I grabbed Mafalda’s knife from the kitchen and ripped out his heart, because that heart and his shirt were all I’d ever have to show for my life. A heart and a shirt. His heart wrapped in a damp shirt—like Anchise’s fish.
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
I woke with a start, at first I thought I had trumped myself awake again - it was summer so there was lots of fresh vegetables in our diet. But as I listened through the darkness I realized that something far worse was going on. My mother and father were having the row to end all rows. A sudden shot of fear ripped through my pre-pubic body. And now I did trump. The noise fizzled out of my back passage like a child calling for help. That child was me.
”
”
Alan Partridge (I, Partridge: We Need to Talk About Alan)
“
Girls I met only hours before wept beside me on my bed, telling me about their distant mothers and mean fathers and how their boyfriends cheated on them and that the world was a terrible place. None of them had had affairs with older men and they were still screwed up. If I had never met Strane, I doubt I would’ve turned out all that different. Some boy would’ve used me, taken me for granted, ripped my heart out. At least Strane gave me a better story to tell than theirs.
”
”
Kate Elizabeth Russell (My Dark Vanessa)
“
It says our mission is to survive if we can.” Oh gods. Dain read my memories without my permission. He must have told his father to where they’ve been sneaking off. I’ve unknowingly betrayed Xaden…betrayed them all. “That’s not…” Garrick shakes his head. “Guys, this is bad,” Liam shouts, and Imogen races to his side. “This isn’t your fault,” Xaden says to me, then rips his gaze from mine and turns to his friends, who are running down the ramparts to join us. “We’ve been sent here to die.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Scarlet leaned against the regolith wall "My father was a liar and a drunk. My mother left when I was a kid and never looked back. I witnessed a man kill my grandmother and then rip out her throat with his teeth. I was kept in a cage for six weeks. I was forced to cut off my own finger. I'm pretty sure l'm falling in love with a guy who has been genetically modified and mentally programmed to be a predator. So all things considered, I’d say I have a fair amount of scattered pieces myself.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
Aster Osbourne, you’ve been mine since the moment I saw you for the first time. Time was ripped apart from us but I won’t let that happen ever again. I don’t say this much because these words hold little meaning, but I love you. I’d die for you, kill for you, and live for you. And if I ever had to live without you, I wouldn’t bother. You own every piece of my black heart, and I know we’re going to spend the rest of our lives together. Will you marry me, and make me Killian Osbourne? I don’t want you to have my father’s name.
”
”
Ashley Reyes (Unmasking Obsession: A Horror Romance Novella (Special Extended Edition))
“
There should be some drug for fathers of teenage girls. Something that calmed your heart so it didn't practically rip through your chest. Something that could soothe the fury your daughter could inspire, the absolute terror that something unspeakable would happen to her, the almost murderous sense of protection. Something that would give you the words to tell her that no one would ever love her as much as dear old dad, and if she just listened to him, she'd have a much easier time of things and be safe from boys who ruined her life.
”
”
Kristan Higgins (Until There Was You)
“
His body was too heavy for him; its own, particular gravity felt like it would drag him to the ground. How many times? How many times could he do this, feel this way, like something had been carved out of him and left a gaping hole of raw nerves? How did everyone else do this, day after day, grappling with the fear that today might be the day that what you loved most in the world could be ripped away from you, that you couldn’t stop it or save it, that—in fact—what you loved most might be responsible for its own destruction? Christ, how did anyone ever take a full breath again after they had a child?
”
”
Gregory Ashe (Father Complex (Hazard and Somerset: Arrows in the Hand, #4))
“
...spirit was wrenched from its organic origins, separated from the body - the mother {woman} and the goddess - the mother Earth or Earth Goddess. The new manifestation of spirit, projected in hierarchical terms, emanated from the father in whom the 'spirit of life' as sperm was ejected as minuscule baby into the womb {viewed as nutrient value only}. The father as reflected in early patriarchal mythology and later patriarchal science was believed the sole parent. The cosmic dimension of the same movement ripped spirit from its earth people origin and placed it above the people, in the sky as originating in an all-powerful Father - or male God. In patriarchal religious ritual spirit came to be owned and controlled as property in the one and same manner as women were owned. Patriarchs usurped the exclusive right to define, interpret, and evoke the spirit out of their experience and project it onto women and children, as they deemed that women and children 'should' experience it. The moving verb 'transcending' {synonymous with breath and spirit} changed to a static noun, 'transcendence,' separated from the body and woman. The hierarchical direction assumed ultimacy - 'down from up above' instead of the former direction of 'up from down under.
”
”
Nelle Morton (The journey is home)
“
So be the father and husband who makes wild love to your wife at night, wakes early in the morning to bake your family chocolate chip cookies for the evening family dinner, then rips your boys out of bed to go lift heavy kettlebells in the garage and drag sandbags up and down the driveway—followed by dirty, sweaty bear hugs afterward. But don't be the father and husband who stays absent and distracted with "noble" email and social media work all day, then gathers the family round Netflix in the basement in the evening so they can eat takeout while you have an excuse to dink on your phone some more as they're distracted by their own giant screen.
”
”
Ben Greenfield (Fit Soul: Tools, Tactics and Habits for Optimizing Spiritual Fitness)
“
I remember my parents fought all the time. They were not angry people but they were always angry around each other, with each other, and, as a child, I always thought it was because they were different from each other and they wanted different things. My mother wanted a life in the city among shops and restaurants. My father was happiest when he was alone, away from everyone and everything. This was what I saw. What I didn't see, and why my father could have told in simple, plain language, was that he and my mother didn't love each other. They never hand, and this not only destroyed them but it destroyed us children, ripped our world asunder and tore us apart.
”
”
Vaddey Ratner (In the Shadow of the Banyan)
“
Miles,
Rachel wrote me a letter.
Im sorry.
No.
I cant do this. It hurts too much.
No, no, no.
My mother is taking me back to Phoenix. Were both staying there. Its all too complicated, even between the two of them now. Your father already knows.
Clayton brings families together.
Miles rips them apart.
I tried to stay. I tried to love you. Every time I look at you, I see him. Everything is him. If I stay, everything will always be him. You know that. I know you understand that. I shouldnt blame you.
But you do.
Im so sorry.
You stopped loving me with a letter, Rachel?
Love,
I feel it. All the ugly parts of it. Its in my pores. My veins. My memories. My future.
Rachel.
”
”
Colleen Hoover (Ugly Love)
“
Back in New York, my dad refused to admit that he had a wife, much less a daughter on the way. This fantasy came to an end when he picked up his mail to find a postcard from a grinning woman, with a swelling belly, firing off automatic weapons with a group of equally happy Uzbek men. The caption read, 'Enjoying the afternoon with your daughter!'
On July 19, exactly four weeks before I was born, my father opened the door to find a woman wearing a burka, the traditional dress of Iran. When my mother finally went into labor at St. Luke's-Roosevelt Hospital, my dad was finally forced to venture outside his circle of comfort. Having done so—and meeting me—he realized it wasn't so bad out there.
”
”
Nicolaia Rips (Trying to Float: Coming of Age in the Chelsea Hotel)
“
He doesn't like his son's choice...
Father "Because you could do better!"
Albert pointed to me. "Better than that? There's a fucking angel of death in your study and you thought I could do better?"
"I didn't have all the information at the time. She wouldn't give you the time of day. I was sick of watching you chasing after her like some lovesick puppy."
"Did I ask for your help?"
"I am your father! I look after your future! They're an upstart House, and Victoria Tremaine will rip them to shreds when she gets out.:
"My grandmother trusted me to hand this matter," I said. "I'm here instead of her as a courtesy to Albert because of our friendship. House Tremaine doesn't suffer fools, Mr Ravenscroft. Don't be one.
”
”
Ilona Andrews (Emerald Blaze (Hidden Legacy, #5))
“
up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.
”
”
David Vann (Aquarium)
“
At the door he stops, collects himself, and quietly unbolts the door. At first, when he pulls it open, he sees nothing. Then there’s a soft hiss, followed by a ripping noise. The noise sounds as though it has nothing to do with him until suddenly a shirt button pops off and clatters against the door. Karekin looks down as all at once his mouth fills with a warm fluid. He feels himself being lifted off his feet, the sensation bringing back to him childhood memories of being whisked into the air by his father, and he says, “Dad, my button,” before he is lifted high enough to make out the steel bayonet puncturing his sternum. The fire’s reflection leads along the gun barrel, over the sight and hammer, to the soldier’s ecstatic face.
”
”
Jeffrey Eugenides (Middlesex)
“
Now Justin stood in our reading room, leaning up against the wall, arms crossed over his chest. He was tall, with a wiry athletic build. Usually, he was Mr. Ultra-Casual, with sun-kissed blond hair that he kept out of his eyes by pushing his sunglasses up on his forehead. Today, that messy blond hair was clean-cut, and he’d traded his typical board shorts and loose T-shirt for a striped shirt and khakis. His father, the mayor of Eastport, was running for re-election. Since the campaign started last month, Justin had become the mayor’s sixteen-year-old sidekick. I’d heard he was spending the summer working for his dad down at the town hall, which would explain the nice clothes. What sucked for me was that the new style fit him. He looked even better, the jerk.
“I heard you and Tiffany got into a catfight over me at Yummy’s,” Justin announced with an overconfident grin that pissed me off.
I slammed the door behind me. “First off, I dumped a soda over her head. That was it.”
“Damn, a catfight sounded much hotter. I was picturing ripped shirts, exposed skin.”
I rolled my eyes. “And second, it wasn’t over you, egomaniac. You can date every girl in town as far as I’m concerned. I hate you. I pray every night that you’ll fall victim to some strange and unusual castration accident.” I pointed to the door. “So get the hell out.”
His lips twitched, fighting a smile.
Ugh. I was going for “crazy ex filled with hate” not “isn’t she cute when she’s mad?”
“Feel better after getting all that out?
”
”
Kim Harrington (Clarity (Clarity, #1))
“
He reached out for me and held on to my wrist, searching for my reassurance with his eyes half-open. In his other hand he was holding a half-eaten slice of Jarlsberg that folded limply over as he leaned toward me. I fought the urge to rip my arm away from him. I knew I should be feeling sympathy or empathy, camaraderie or compassion, but I only burned with resentment.
He was an undesirable partner in a game with the highest of stakes and insurmountable odds. He was my father and I wanted him to soberly reassure me, not try to goad me into navigating this disheartening path alone. I could not even cry in his presence for fear he would take the moment over, pit his grief against mine in a competition of who loved her more, and who had more to lose.
”
”
Michelle Zauner, Crying in H Mart
“
For many years, a family of ospreys lived in a large nest near my summer home in Maine. Each season, I carefully observed their rituals and habits. In mid-April, the parents would arrive, having spent the winter in South America, and lay eggs. In early June, the eggs hatched. The babies slowly grew, as the father brought fish back to the nest, and in early to mid August were large enough to make their first flight. My wife and I recorded all of these comings and goings with cameras and in a notebook. We wrote down the number of chicks each year, usually one or two but sometimes three. We noted when the chicks first began flapping their wings, usually a couple of weeks before flying from the nest. We memorized the different chirps the parents made for danger, for hunger, for the arrival of food. After several years of cataloguing such data, we felt that we knew these ospreys. We could predict the sounds the birds would make in different situations, their flight patterns, their behavior when a storm was brewing. Reading our “osprey journals” on a winter’s night, we felt a sense of pride and satisfaction. We had carefully studied and documented a small part of the universe. Then, one August afternoon, the two baby ospreys of that season took flight for the first time as I stood on the circular deck of my house watching the nest. All summer long, they had watched me on that deck as I watched them. To them, it must have looked like I was in my nest just as they were in theirs. On this particular afternoon, their maiden flight, they did a loop of my house and then headed straight at me with tremendous speed. My immediate impulse was to run for cover, since they could have ripped me apart with their powerful talons. But something held me to my ground. When they were within twenty feet of me, they suddenly veered upward and away. But before that dazzling and frightening vertical climb, for about half a second we made eye contact. Words cannot convey what was exchanged between us in that instant. It was a look of connectedness, of mutual respect, of recognition that we shared the same land. After they were gone, I found that I was shaking, and in tears. To this day, I do not understand what happened in that half second. But it was one of the most profound moments of my life.
”
”
Alan Lightman (The Accidental Universe: The World You Thought You Knew)
“
Rosemary Klein, Winchester, England: Always keep your knees together, ladies; they are best friends. Sister Rosemary Carroll, R.I.P. Katy Kidd Wright, a friend who described herself as a “non-RC heathen raising RC kids going to Catholic schools” confirmed that ashes on foreheads was still in vogue. “The modern curriculum even has a robotics lesson in Grade 2 where my eldest learned to mechanize Mary and Joseph's walk to Bethlehem.” In my school days, we wrote JMJ on the top of scribbler pages for a Holy Family Jesus, Mary, and Joseph blessing. Other times, we wrote BVM for the Blessed Virgin Mary. It was an alphabet acronym heaven. Whenever Dad felt no one was listening to him, he spoke to the Blessed Virgin Mary statue on the living room mantle. They talked a lot.
”
”
Rick Prashaw (Father Rick Roamin' Catholic)
“
To my surprise, she knelt down by the side of the grave. "Do you remember me, Father Monroe?" she asked quietly. "Catherine Goggin." "You threw me out of the parish in 1945 because I was going to have a child. You tried to destroy me but you didn't. You were a terrible monster of a man and wherever you are you should feel shame for the way you lived your life."
She looked as if she wanted to rip the stone out of the ground with her bare hands and break it over her knee but finally, breathing heavily, she stood up and moved on. I couldn't help but to wonder what might have happened to her if the priest had shown her compassion instead of cruelty, had he intervened with my grandfather and helped him realize that we all make mistakes. If the parish had rallied behind my mother instead of casting her out.
”
”
John Boyne (The Heart's Invisible Furies)
“
Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion.
In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten.
Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage.
Where will the family patterns collide?
In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now?
In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end?
But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays.
Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all?
Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers?
Then comes for many couples an even bigger challenge – children of their own!
At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.
”
”
David W. Jones (The Enlightenment of Jesus: Practical Steps to Life Awake)
“
Our father Blue Bones was much the same and we brothers cowered before his fury when TRACKED-IN SAND was detected on the carpets of the VAUXHALL CRESTA and then there were such threats of whippings with razor strops, electric flex, greenhide belts, God save us, he had that mouth, cruel as a cut across his skin. As a boy I could never understand why nice clean sand would cause such terror in my dad’s bloodshot eyes, but I had never seen an hourglass and did not know that I would die. None shall be spared, and when my father’s hour was come then the eternal sand-filled wind blew inside his guts and ripped him raw, God forgive him for his sins. He could never know peace in life or even death, never understood what it might be to become a grain of sand, falling whispering with the grace of multitudes, through the fingers of the Lord.
”
”
Peter Carey
“
Lydia arched a chiding brow at him. “My father didn’t tell me anything and I’m still angry at him for that. But I remembered you. Even though I didn’t understand it, I felt you with me constantly. And if that wasn’t enough…” She took his hand and placed it on her stomach so he could feel the slight swelling there. “You left me with a very special gift.”
The news slammed into him harder than one of Noir’s blows. She was pregnant?
With his child.
Unimaginable joy ripped through him as he felt the slightest fluttering of his son or daughter moving inside her.
But that only solidified his resolve. “You won’t be safe if I leave.”
She cupped his now healed face in her hands. “No one ever is, Seth. No matter how hard we try. No matter how much we plan and prepare. There will always be an enemy at the door and a storm trying to knock us down. Life’s not about security. It’s about picking up the pieces after it’s all over and carrying on. We can choose to be cowards who fear letting someone inside us, and do that alone. Or we can choose to be brave and let someone stand by our side and help us. I’m not a coward. I never have been. And there is nowhere else I plan to be, except beside you. Forever. Be it on earth, or here in this hellhole if that’s what it takes. I will always be with you.”
In that moment, he realized he didn’t need his swallow to fly him away from pain.
All he needed was her.
And she was right. It took much more courage to lay his heart open to someone else than it did to keep it guarded. To let someone else in to that place deep inside where only they could do you harm.
Only Lydia could destroy him.
And yet only she gave him life … at least one worth living.
”
”
Sherrilyn Kenyon (The Guardian (Dark-Hunter, #20; Dream-Hunter, #5; Were-Hunter, #6; Hellchaser, #5))
“
I’m not what you think I am, Aladdin! I will betray you, and I will hurt you, because that is what I am. Why do you think Nardukha rips souls from the living and creates jinnis? Why do you think he sends us into the world? To make your miserable dreams come true? To bring you happiness?” I laugh sourly. “He gives you the thing you want most and uses it to destroy you. Look at yourself. You’re a prince. You have money, power, privilege. The chance to avenge your parents. And you’re miserable.”
Aladdin stares at me, and in his eyes is pity. “I’ve been making myself miserable my whole life,” he says softly. “I convinced myself long ago that if I could get revenge on Sulifer, I could finally move on. That I could erase the memory of the day my parents died, when I held their severed heads and watched their blood run in the gutters. But as you say, here I am, a step away from that vengeance—and it has soured on my tongue. I don’t want it anymore.”
He sighs and looks up at the sky, as if searching for words among the stars. “You don’t make me miserable, Zahra. I do that to myself, because I’m too weak, too afraid to admit that it isn’t Sulifer I’m angry at—it’s me. My parents were killed because of me. The day before they were executed, I was caught by the guards for stealing an earring, and when they found out who I was, Sulifer had me whipped until I told him where my parents were. And after they were dead, he gave me back the earring as payment for turning my mother and father over to him.” Lowering his gaze to meet mine, he brushes his fingers over the ring in his ear. “I’ve worn it every day since, to remind myself that nothing—nothing—is worth betraying someone you love.
”
”
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
“
I haven't been a kid for a very long time, Ox. That was taken away from me the first time he made me scream into the phone so my mom could hear it as he broke my fingers. I haven't been a kid since he ripped it from me and made me into something else. I know what this is. I know what I'm doing. Yes, I'm seventeen years old, but I knew the day I met you that I would do anything for you. I would do anything to make you happy because no one had ever smelled like you did. It was candy canes and pinecones. It was epic and awesome. And it was home. You smelled like my home, Ox. I'd forgotten what that was like, okay? I'd forgotten that because he took it away from me and I couldn't find it again until I found you. So don't you sit there and say I'm only seventeen. My father gave Mom his wolf when he was seventeen. It's not just a matter of age, Ox. It's when you know.
”
”
T.J. Klune (Wolfsong (Green Creek, #1))
“
Amren smiled slightly- at me, at Varian. 'I watched them for so many eons. Humans- in my world, there were humans, too. And I watched them love, and hate- wage senseless war and find precious peace. Watched them build lives, build worlds. I was... I was never allowed such things. I had not been designed that way, had not been ordered to do so. So I watched. And that day I came here... it was the first selfish thing I had done. For a long, long while I thought it was punishment for disobeying my Father's orders, for wanting. I thought this world was some hell he'd locked me into for disobedience.'
Amren swallowed.
'But I think...I wonder if my Father knew. If he saw how I watched them love and hate and build, and opened that rip in the world not as punishment... but as a gift.' Her eyes gleamed. 'For it has been a gift. This time- with you. With all of you. It has been a gift.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Freddy and his brother Tesoro have not seen each other in five years, and they sit at the kitchen table in Freddy's house and have a jalapeno contest. A large bowl of big green and orange jalapeno peppers sit between the two brothers. A saltshaker and two small glasses of beer accompany this feast. When Tesoro nods his head, the two men begin to eat the raw jalapenos. The contest is to see which man can eat more peppers. It is a ritual from their father, but the two brothers tried it only once, years ago. Both quit after two peppers and laughed it off. This time, things are different. They are older and have to prove a point. Freddy eats his first one more slowly than Tesoro, who takes to bites to finish his and is now on his second. Neither says anything, though a close study of each man's face would tell you the sudden burst of jalapeno energy does not waste time in changing the eater's perception of reality. Freddy works on his second as Tesoro rips into his fourth. Freddy is already sweating from his head and is surprised to see that Tesoro's fat face has not shanged its steady, consuming look. Tesoro's long, black hair is neatly combed, and not one bead of sweat has popped out. He is the first to sip from the beer before hitting his fifth jalapeno. Freddy leans back as the table begins to sway in his damp vision. He coughs, and a sharp pain rips through his chest. Tesoro attempts to laugh at his brother, but Freddy sees it is something else. As Freddy finishes his third jalapeno, Tesoro begins to breathe faster upon swallowing his sixth. The contest momentarily stops as both brothers shift in their seats and the sweat pours down their faces. Freddy clutches his stomach as he reaches for his fourth delight. Tesor has not taken his seventh, and it is clear to Freddy that his brother is suffering big-time. There is a bright blue bird sitting on Tesoro's head, and Tesoro is struggling to laugh because Freddy has a huge red spider crawling on top of his head. Freddy wipes the sweat from his eyes and finishes his fourth pepper. Tesoro sips more beer, sprinkles salt on the tip of his jalapeno, and bites it down to the stem. Freddy, who has not touched his beer, stares in amazement as two Tesoros sit in front of him. They both rise hastily, their beer guts pushing the table against Freddy, who leans back as the two Tesoros waver in the kitchen light. Freddy hears a tremendous fart erupt from his brother, who sits down again. Freddy holds his fifth jalapeno and can't breathe. Tesoro's face is purple, but the blue bird has been replaced by a burning flame of light that weaves over Tesoro's shiny head. Freddy is convinced that he is having a heart attack as he watches his brother fight for breath. Freddy bites into his fifth as Tesoro flips his eighth jalapeno into his mouth, stem and all. This is it. Freddy goes into convulsions and drops to the floor as he tries to reach for his glass of beer. He shakes on the dirty floor as the huge animal that is Tesoro pitches forward and throws up millions of jalapeno seeds all over the table. The last thing Freddy sees before he passes out is his brother's body levitating above the table as an angel, dressed in green jalapeno robes, floats into the room, extends a hand to Tesoro, and floats away with him. When Freddy wakes up minutes later, he gets up and makes it to the bathroom before his body lets go through his pants. As he reaches the bathroom door, he turns and gazes upon the jalapeno plants growing healthy and large on the kitchen table, thick peppers hanging under their leaves, their branches immersed in the largest pile of jalapeno seeds Freddy has ever seen.
”
”
Ray Gonzalez
“
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long.
“Oh, that’s good. Really, really good. What a grand bed!”
Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.”
The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious?
I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook.
“What are you doing?”
She looks up, her doe eyes widening. “Getting ready for bed.”
“You’re going to sleep there?”
“Of course. The sofa’s very uncomfortable.”
“Why can’t we share the bed?”
She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.”
I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.”
“That’s not what I mean.”
“You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.”
And the blush is back. With a vengeance.
“I’m not . . . I don’t . . .”
“You don’t fart?” I scoff. “Really? Are you not human?”
She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining.
She shakes her head, pinning me with her eyes.
“There’s something wrong with you.”
“No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.”
She folds her arms, all tight, trembling indignation. It’s adorable.
“I’m sleeping in the nook, Your Highness. And that’s that.”
I sit up, pinning her gaze right back at her.
“Henry.”
“What?”
“My name is not Highness, it’s fucking Henry, and I’d prefer you use it.”
And she snaps.
“Fine! Fucking Henry—happy?”
I smile.
“Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.”
I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence.
I wiggle around, getting comfy.
I turn on my side and fluff the pillow.
I squeeze my eyes tight . . . but it’s hopeless.
“Fucking hell!” I sit up.
And Sarah springs to her feet. “What? What’s wrong?”
It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick.
I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance.
“You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.”
“You don’t have to do that.”
I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.”
She blinks, her little mouth pursed. “Okay.”
Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow.
The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths.
But then, in the near darkness, her delicate voice floats out on a sigh.
“All right, we can sleep in the bed together.”
Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed.
That’s better.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
Shall I tell you the entire story?" Without waiting for an answer, he continued. "About a brilliant young man, the only son of a king who refused to kill his father's enemies on the battlefield? Whose soul wandered while he dreamt? Who played music to make the faeries envious? Who had golden hair and a face to tempt the Faerie Queen?"
"Very poetic, " Luke growled.
Brendan smiled for the first time. "How about a young human named Luke Dillon who walked out into the solstice when he shouldn't have, and was stolen by the thing that calls herself the Faerie Queen? 'Come hither, ' she told him - "
"She demanded he court her, and he denied her as no one ever had."
"And so, inspired by his soul's dreamy wandering, she ripped it from him and caged it far from his body."
"And she bade the man who wouldn't kill to be her assassin, because it pleased her to watch him suffer. And kill he would, or she would hand over his caged soul to the minions of hell. And so he killed.
”
”
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
“
The same cosmic forces that mold galaxies, stars, and atoms also mold each moment of self and world. The inner self and the outer scene are born in the cleft between expansion and contraction. By giving yourself to those forces, you become those forces, and through that, you experience a kind of immortality—you live in the breath and pulse of every animal, in the polarization of electrons and protons, in the interplay of the thermal expansion and self-gravity that molds stars, in the interplay of dark matter that holds galaxies together and dark energy that stretches space apart. Don’t be afraid to let expansion and contraction tear you apart, scattering you in many directions while ripping away the solid ground beneath you. Behind that seeming disorder is an ordering principle so primordial that it can never be disordered: father-God effortlessly expands while mother-God effortlessly contracts. The ultimate act of faith is to give yourself back to those forces, give yourself back to the Source of the world, and through that, become the kind of person who can optimally contribute to the Mending of the world.
”
”
Shinzen Young (The Science of Enlightenment: How Meditation Works)
“
Baseball may be called the national pastime, but it survives on the sentimentality of middle-age men who wistfully dream of playing catch with their fathers and sons. Football, with its dull stoppages, lost its military-industrial relevance with the end of the Cold War, and has become as tired and predictable in performance as it is in political metaphor. The professional game floats on an ocean of gambling, the players' steroid-laced bodies having outgrown their muscular and skeletal carriages. Biceps rip from their moorings, ankles break on simple pivots. Achilles' tendons shrivel like slugs doused with salt. Soccer and basketball are the only mainstream sports that truly plug into the modem-pulse of a dot-com society. Soccer is perfectly suited for a country of the hamster-treadmill pace, the remote-control zap and the national attention deficit—two 45-minute halves, the clock never stops, no commercial interruptions, the final whistle blows in less than two hours. It is a fluid game of systemized chaos that, no matter how tightly scripted by coaches, cannot be regulated any more than information can be truly controlled on the Internet.
”
”
Jere Longman (The Girls of Summer: The U.S. Women's Soccer Team and How It Changed the World – A Provocative Look at 1999 Role Models and Off-Field Race, Class, and Gender Issues)
“
My father peed like a horse. His urine lowed in one great sweeping dream that started suddenly and stopped just as suddenly, a single, winking arc of shimmering clarity that endured for a prodigious interval and then disappeared in an instant, as though the outflow were a solid object—and arch of glittering ice or a thick band of silver—and not (as it actually approximated) a parabolic, dynamically averaged graph of the interesting functions of gravity, air resistance, and initial velocity on a non-viscous fluid, produced and exhibited by a man who’d just consumed more than a gallon of midwestern beer. The flow was as clear as water. When it struck the edge of the gravel shoulder, the sound was like a bed-sheet being ripped. Beneath this high reverberation, he let out a protracted appreciative whistle that culminated in a tunneled gasp, his lips flapping at the close like a trumpeters. In the tiny topsoil, a gap appeared, a wisp entirely unashamed. Bernie bumped about in the cargo bay. My father moved up close to peer through the windshield, zipping his trousers and smiling through the glass at my mother. I realized that the yellow that should have been in his urine was unmistakable now in his eyes.
‘’Thank goodness,’’ my mother said when the car door closed again. ‘’I was getting a little bored in here.
”
”
Ethan Canin (A Doubter's Almanac)
“
Three years later he had another opportunity to see the little girl.
Helmert had been tearing through the keep, bellowing like a mad bull as he searched for his sister. “Josephine , I swear I’ll rip yer head off when I find ye!”
’Twas eerily similar to Graeme’s first visit.
Remembering his first encounter with the tree sprite, Graeme went in search of Josephine. The first place he looked was the auld oak tree, but she was not there. After a careful search out of doors, he went inside. She was not in the larder or the kitchen. It took more than half an hour before he finally located her in her father’s study, hiding under the large desk.
Graeme crouched low so he could see her better. It didn’t appear she had grown much in three years, though she had lost the cherubic face. This time she wore a dark green dress and matching slippers.
The last time he’d seen her, she’d been quite terrified of her brother. Now, she looked quite angry.
“I’ll nae tell, Josephine,” he whispered, offering her a kind smile.
A scrunched brow said she didn’t believe him.
“Pray tell, what did ye hide this time?” he asked, hoping his amused tone would help lighten the mood.
Reluctantly, she finally confessed. “His strop.”
Graeme raised a confused brow. “Why would ye hide his strop?”
The little girl looked at him as though he were quite daft. “So he will not beat me with it.
”
”
Suzan Tisdale (Isle of the Blessed)
“
Dot didn’t answer. The Sheriff bared his teeth at her. “You ugly, disgusting pig.” He raised his hand to strike her— Hester’s demon slammed into him, bashing the Sheriff in the groin with its horns. Before it could gore him again, a scim ripped through the demon’s claw, pinning the demon to the ceiling. The Sheriff crumpled to the floor, wailing high-pitched noises. Hester gasped, buckling against the wall, as if the wind had been crushed out of her, her skin turning white. Overhead, her red-skinned demon bleated in pain. “H-H-Hester, you okay?” Agatha sputtered. But Hester wasn’t listening, her eyes bloodshot and still fixed on the Sheriff. “Too bad for you, your daughter has friends,” she said. “Lots of friends,” Anadil seethed. “And if you ever touch Dot, you ever speak to her like that again, those friends will tear out your throat,” said Hester. “We will kill her own father to protect her and we won’t feel an ounce of guilt. You don’t know us. You don’t know what we’re capable of.” “And you don’t know the truth about your daughter either,” said Anadil, red glare slashing through the Sheriff. “She isn’t an embarrassment or ugly or any of the other lies you dump on her. She’s a miracle. You know why? Because she came from stock like you and is still the best friend anyone could ask for.” Dot’s face flooded with tears, her whole body quivering. The Sheriff sobbed in pain behind the couch.
”
”
Soman Chainani (Quests for Glory (The School for Good and Evil: The Camelot Years #1))
“
He holds out the piece of paper, and we read: ‘I am scared of the blue giraffe.’ Jesus. ‘Okay,’ he says to the boy, ‘you possess this fear. It is overwhelming and relentless. And you,’ he says to the girl, ‘need to talk him out of it. In whatever way you can.’ He turns to me. ‘And you’—I have a bad feeling about this—’are the fear itself. Start now.’ They both look at me. The blue giraffe. I stand up straighter and pull my shoulders down and start gnashing my jaw and ripping leaves off trees with sideways jerks of my head. I keep doing this as I get closer to the boy. ‘Talk to him,’ the playwright tells the girl. ‘You know this isn’t real,’ she says to the boy. ‘This is just something you made up a long time ago when you were a little boy and scared that night your parents were fighting, but she doesn’t exist and she’s not going to hurt you.’ She is good. But the more she tells him I don’t exist the more real I feel. The boy moves away from me, and I follow him to the blackboard, around the desk, and back closer to our seats. I stand up on my chair and bend over him and start making a loud and terrible sound, a combination of my father’s snoring and Clark’s awful heavy metal singing. The girl keeps talking, and I start howling as loud as I can to stop him from hearing her, tilting my long neck back to get the loudest sound and thrashing my head and people are laughing and also a little scared of me and I am scared of nothing.
”
”
Lily King (Writers & Lovers)
“
He eases himself down to die. He thinks, others can do it and so can I. He inhales something: sweet raw smell of sawdust; from some-where, the scent of the Frescobaldi kitchen, wild garlic and cloves.
He sees the movement from the corner of his eye as the spectators kneel and avert their faces. His mouth is dry, but he thinks, while I breathe I pray. 'All my confidence hope and trust, is in thy most merciful goodness...’ In the sky he senses movement. A shadow falls across his view. His father Walter is here, voice in the air. 'So now get up.' He lies broken on the cobbles of the yard of the house where he was born. His whole body is shuddering. 'So now get up. So now get up.'
The pain is acute, a raw stinging, a ripping, a throb. He can taste his death: slow, metallic, not come yet. In his terror he tries to obey his father, but his hands cannot get a purchase, nor can he crawl. He is an eel, he is a worm on a hook, his strength has ebbed and leaked away beneath him and it seems a long time ago now since he gave his permission to be dead; no one has told his heart, and he feels it writhe in his chest, trying to beat. His cheek rests on nothing, it rests on red. He thinks, follow. Walter says, ‘That's right, boy, spew everywhere, spew everywhere on my good cobbles. Come on, boy, get up. By the blood of creeping Christ, stand on your feet?'
He is very cold. People imagine the cold comes after but it is now. He thinks, winter is here. I am at Launde. I have stumbled deep into the crisp white snow. I flail my arms in angel shape, but now I am crystal, I am ice and sinking deep: now I am water. Beneath him the ground upheaves. The river tugs him; he looks for the quick-moving Pattern, for the flitting, liquid scarlet. Between a pulse-beat and the next he shifts, going out on crimson with the tide of his inner sea. He is far from England now, far from these islands, from the waters salt and fresh. He has vanished; he is the slippery stones underfoot, he is the last faint ripple in the wake of himself. He feels for an opening, blinded, looking for a door: tracking the light along the wall.
”
”
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
“
When you lived in the human world, you had legends of the dread beasts and faeries who would slaughter you if they ever breached the wall, didn’t you? Things that slithered through open windows to drink the blood of children? Things that were so wicked, so cruel there was no hope against their evil?” The hair on her neck rose. “Yes.” Those stories had always unnerved and petrified her. “They were based on truth. Based on ancient, near-primordial beings who existed here before the High Fae split into courts, before the High Lords. Some call them the First Gods. They were beings with almost no physical form, but a keen, vicious intelligence. Humans and Fae alike were their prey. Most were hunted and driven into hiding or imprisonment ages ago. But some remained, lurking in forgotten corners of the land.” He swallowed another mouthful. “When I was nearing three hundred years old, one of them appeared again, crawling out of the roots of a mountain. Before he went into the Prison and confinement weakened him, Lanthys could turn into wind and rip the air from your lungs, or turn into rain and drown you on dry land; he could peel your skin from your body with a few movements. He never revealed his true form, but when I faced him, he chose to appear as swirling mist. He fathered a race of faeries that still plague us, who thrived under Amarantha’s reign—the Bogge. But the Bogge are lesser, mere shadows compared to Lanthys. If there is such a thing as evil incarnate, it is him. He has no mercy, no sense of right or wrong. There is him, and there is everyone else, and we are all his prey. His methods of killing are creative and slow. He feasts on fear and pain as much as the flesh itself.” Her blood chilled. “How did you trap such a thing?” Cassian tapped a spot on his neck where a scar slashed beneath his ear. “I quickly learned I could never beat him in combat or magic. Still have the scar here to prove it.” Cassian smiled faintly. “So I used his arrogance against him. Flattered and taunted him into trapping himself in a mirror bound with ash wood. I bet him the mirror would contain him—and Lanthys bet wrong. He got out of the mirror, of course, but by that time, I’d dumped his miserable self into the Prison.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
SEA” Sounds of the Pacific Ocean at Big Sur “SEA” Cherson! Cherson! You aint just whistlin Dixie, Sea— Cherson! Cherson! We calcimine fathers here below! Kitchen lights on— Sea Engines from Russia seabirding here below— When rocks outsea froth I’ll know Hawaii cracked up & scramble up my doublelegged cliff to the silt of a million years— Shoo—Shaw—Shirsh— Go on die salt light You billion yeared rock knocker Gavroom Seabird Gabroobird Sad as wife & hill Loved as mother & fog Oh! Oh! Oh! Sea! Osh! Where’s yr little Neppytune tonight? These gentle tree pulp pages which’ve nothing to do with yr crash roar, liar sea, ah, were made for rock tumble seabird digdown footstep hollow weed move bedarvaling crash? Ah again? Wine is salt here? Tidal wave kitchen? Engines of Russia in yr soft talk— Les poissons de la mer parle Breton— Mon nom es Lebris de Keroack— Parle, Poissons, Loti, parle— Parlning Ocean sanding crash the billion rocks— Ker plotsch— Shore—shoe— god—brash— The headland looks like a longnosed Collie sleeping with his light on his nose, as the ocean, obeying its accomodations of mind, crashes in rhythm which could & will intrude, in thy rhythm of sand thought— —Big frigging shoulders on that sonofabitch Parle, O, parle, mer, parle, Sea speak to me, speak to me, your silver you light Where hole opened up in Alaska Gray—shh—wind in The canyon wind in the rain Wind in the rolling rash Moving and t wedel Sea sea Diving sea O bird—la vengeance De la roche Cossez Ah Rare, he rammed the gate rare over by Cherson, Cherson, we calcify fathers here below —a watery cross, with weeds entwined—This grins restoredly, low sleep—Wave—Oh, no, shush—Shirk—Boom plop Neptune now his arms extends while one millions of souls sit lit in caves of darkness —What old bark? The dog mountain? Down by the Sea Engines? God rush—Shore— Shaw—Shoo—Oh soft sigh we wait hair twined like larks—Pissit—Rest not —Plottit, bisp tesh, cashes, re tav, plo, aravow, shirsh,—Who’s whispering over there—the silly earthen creek! The fog thunders—We put silver light on face—We took the heroes in—A billion years aint nothing— O the cities here below! The men with a thousand arms! the stanchions of their upward gaze! the coral of their poetry! the sea dragons tenderized, meat for fleshy fish— Navark, navark, the fishes of the Sea speak Breton— wash as soft as people’s dreams—We got peoples in & out the shore, they call it shore, sea call it pish rip plosh—The 5 billion years since earth we saw substantial chan—Chinese are the waves—the woods are dreaming
”
”
Jack Kerouac (Big Sur)
“
refuge imagine how it feels to be chased out of home.
to have your grip ripped. loosened from your
fingertips, something you so dearly held on to.
like a lover’s hand that slips when pulled away
you are always reaching. my father would speak of home. reaching.
speaking of familiar faces. girl next door
who would eventually grow up to be my mother.
the fruit seller at the market. the lonely man
at the top of the road who nobody spoke to.
and our house at the bottom of the street
lit up by a single flickering lamp
where beyond was only darkness. there
they would sit and tell stories
of monsters that lurked and came only at night
to catch the children who sat and listened to
stories of monsters that lurked.
this is how they lived. each memory buried.
an artefact left to be discovered by archaeologists.
the last words on a dying family member’s lips. this
was sacred. not even monsters could taint it.
but there were monsters that came during the day.
monsters that tore families apart with their giant hands.
and fingers that slept on triggers. the sound of gunshots
ripping through the sky became familiar like the tapping
of rain fall on a window sill. monsters that would kill
and hide behind speeches, suits and ties. monsters
that would chase families away forcing them to leave
everything behind. i remember
when we first stepped off the plane.
everything was foreign. unfamiliar. uninviting.
even the air in my lungs left me short of breath. we came here to find refuge. they called us refugees
so, we hid ourselves in their language
until we sounded just like them.
changed the way we dressed to look just like them.
made this our home until we lived just like them
and began to speak of familiar faces. girl next door
who would grow up to be a mother. the fruit seller
at the market. the lonely man at the top of the road
who nobody spoke to. and our house
at the bottom of the street lit up by a flickering lamp
to keep away the darkness. there
we would sit and watch police that lurked
and came only at night to arrest the youths who sat
and watched police that lurked and came only at night.
this is how we lived. i remember one day i heard them say to me
they come here to take our jobs
they need to go back to where they came from
not knowing that i was one of the ones who came.
i told them that a refugee is simply
someone who is trying to make a home.
so next time when you go home
tuck your children in and kiss your families
goodnight, be glad that the monsters
never came for you.
in their suits and ties.
never came for you.
in the newspapers with the media lies.
never came for you.
that you are not despised. and know that deep inside
the hearts of each and every one of us
we are all always reaching
for a place that we can call home.
”
”
J.J. Bola (REFUGE: The Collected Poetry of JJ Bola)
“
Clary held her hands up. 'I do get it. I know you don’t like me, Isabelle. Because I’m a mundane to you.'
'You think that’s why—' Isabelle broke off, her eyes bright; not just with anger, Clary saw with surprise, but with tears. “God, you don’t understand anything, do you? You’ve known Jace what, a month? I’ve known him for seven years. And all the time I’ve known him, I’ve never seen him fall in love, never seen him even like anyone. He’d hook up with girls, sure. Girls always fell in love with him, but he never cared. I think that’s why Alec thought—” Isabelle stopped for a moment, holding herself very still. She’s trying not to cry, Clary thought in wonder—Isabelle, who seemed like she never cried. “It always worried me, and my mom, too—I mean, what kind of teenage boy never even gets a crush on anyone? It was like he was always half-awake where other people were concerned. I thought maybe what had happened with his father had done some sort of permanent damage to him, like maybe he never really could love anyone. If I’d only known what had really happened with his father—but then I probably would have thought the same thing, wouldn’t I? I mean, who wouldn’t have been damaged by that?'
'And then we met you, and it was like he woke up. You couldn’t see it, because you’d never known him any different. But I saw it. Hodge saw it. Alec saw it—why do you think he hated you so much? It was like that from the second we met you. You thought it was amazing that you could see us, and it was, but what was amazing to me was that Jace could see you, too. He kept talking about you all the way back to the Institute; he made Hodge send him out to get you; and once he brought you back, he didn’t want you to leave again. Wherever you were in the room, he watched you…. He was even jealous of Simon. I’m not sure he realized it himself, but he was. I could tell. Jealous of a mundane. And then after what happened to Simon at the party, he was willing to go with you to the Dumort, to break Clave Law, just to save a mundane he didn’t even like. He did it for you. Because if anything had happened to Simon, you would have been hurt. You were the first person outside our family whose happiness I’d ever seen him take into consideration. Because he loved you.'
Clary made a noise in the back of her throat. 'But that was before—'
'Before he found out you were his sister. I know. And I don’t blame you for that. You couldn’t have known. And I guess you couldn’t have helped that you just went right on ahead and dated Simon afterward like you didn’t even care. I thought once Jace knew you were his sister, he’d give up and get over it, but he didn’t, and he couldn’t. I don’t know what Valentine did to him when he was a child. I don’t know if that’s why he is the way he is, or if it’s just the way he’s made, but he won’t get over you, Clary. He can’t. I started to hate seeing you. I hated for Jace to see you. It’s like an injury you get from demon poison—you have to leave it alone and let it heal. Every time you rip the bandages off, you just open the wound up again. Every time he sees you, it’s like tearing off the bandages.'
'I know,' Clary whispered. “How do you think it is for me?”
'I don’t know. I can’t tell what you’re feeling. You’re not my sister. I don’t hate you, Clary. I even like you. If it were possible, there isn’t anyone I’d rather Jace be with. But I hope you can understand when I say that if by some miracle we all get through this, I hope my family moves itself somewhere so far away that we never see you again.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
”
”
Jack Kerouac (Dr. Sax)
“
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)—
SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon.
God bless the children of this picture, this bookmovie.
I’m going on into the Shade.
”
”
Jack Kerouac (Dr. Sax)
“
You still want me?” she murmured, a seductive husk to her voice. Gods, this woman could do me in with a single question. My gaze drifted down to my very proud, very erect cock and back to her face. “I think you know I’ll always want you. But right now? I want you more than I want air.” Lust bloomed through our connection, nearly knocking me for a loop. “That’s good. You know, I almost touched myself in the shower without you,” she admitted, opening her towel and showing me her perfect skin. “Almost made myself come all over my fingers just thinking about you tied up out here.” She threw a leg over mine, straddling me, my cock mere inches from Heaven. But did Wren even graze my aching, leaking head? No. No, she did not. Instead, she held herself from me as she grazed her own skin, palming her breasts, plucking her already-tight nipples. “Fuuuuccccckkkkk,” I groaned, shifting restlessly on the sheets, trying for just a brush of her sex against mine. The pleasure she was giving herself threaded through me—enough that I was ready to rip out of these cuffs and take her over my knee. Her hands traveled down her stomach, her fingers threading through her auburn curls. “Just like this,” she said. “But I thought you’d want to see me. And you want to, don’t you? Watch me fuck myself?” My mouth was as dry as the Sahara. “Yes,” I croaked. “I want to see everything.” She whimpered as she grazed her clit with her thumb, fucking that sweet pussy with her fingers, her delicious heat so far out of reach. “Let me taste you,” I ordered, the thread of command thick in my voice. Wren raised an eyebrow, not giving an inch. “Good boys say please, Nico. Everyone knows that.” “Please,” I whispered, needing her taste on my tongue. Needing it, craving it. If she was going to torture me this way, I wanted something, anything of hers. Wren’s smile widened as she crawled up my body, grazing her luscious tits up my belly and chest. I tried capturing a nipple in my mouth, but she kept it just out of reach. She straddled my chest, her wet, slick heat so close and so far—all at the same time. I wanted her to sit on my face, wanted to lap her up, and drink her down. Wanted her pleasure for my own. But instead of letting me taste her, she went back to work, milking herself of pleasure just out of reach. Her scent filled my nose so much I could almost savor her sweetness, and as her pleasure ramped up, it got thicker in the air. She let her hair down, the wet strands curling over her gorgeous tits as she writhed. She plucked at her nipples, making herself hiss in desire. “That’s it, beautiful,” I growled. “Make yourself come all over my chest. Fuck that gorgeous pussy.” My words must have done the trick because Wren went off like a bomb, her orgasm slamming into both of us, nearly taking me over with it. But she didn’t come to me, didn’t press her body against mine, and that’s when I decided I’d had about enough of this shit. A flick of my wrists later, and Wren was on her back in my bed, her eyes wide. I nearly hissed at her warm skin against mine, but I was too preoccupied with her surprise. It was fucking adorable. “Yo-you just broke out of… How did you… How strong are you?” Like a pair of steel cuffs were a match for any shifter, let alone an Alpha. “Sweetheart, I’m an Acosta Alpha, next in line to take my father’s place if he ever decides to step down. A shifter is strong. I am stronger. Now, you’ve had your fun. It’s my turn.” Her wide green-gold eyes flared as her mouth parted, and even though she’d just had an orgasm, Wren’s desire blazed through us. As reluctant as I was to move,
”
”
Annie Anderson (Magic and Mayhem: Arcane Souls World (The Wrong Witch Book 2))
“
I’m pretty sure he plans on killing me anyway,” I said with a shrug. “At least if he kills me for this, it was for something that matters.”
“I-”
“Tell him I came here and spoke with you about Darius. Tell him I made some excuse to get you to leave the room and by the time you came back I’d done this. Put all the blame on me. I mean that.”
“Okay…” she said hesitantly and I met her eye.
“Do I need to make you swear it on the stars?” I growled.
“No. I’ll tell him. Thank you, Roxanya.”
“It’s Tory. Only Darius calls me Roxy and I can’t make him stop, but I don’t want anyone else making a habit of it,” I said. Although at this point if Darius started calling me Tory it would probably just be weird. Not that I’d ever admit that I was okay with the Roxy thing.
“Okay. Thank you, Tory.”
I smirked at her and hit post.
Catalina gasped as Xavier’s secret went viral and I glanced down at my Atlas as reactions and comments began to pour in before I locked the screen.
Shit, what if Daddy Acrux really does kill me for this?
“Run, Tory,” Catalina breathed, real fear dancing in her eyes. “Run for the gate and get back to the academy before he comes back. If he finds you here-”
“Consider me gone.” I barked a laugh as nerves made my heart flutter.
Catalina smiled at me before ripping her dress off, knocking her hair free of its perfectly styled bun, flashing me those gloriously fake tits and leaping out of thewindow after her son. She transformed as she plummeted and my lips fell open as a stunning silver Dragon burst from her flesh.
She beat a path up towards the clouds just as Xavier dipped beneath them with an excited whinny.
I quickly raised my Atlas and snapped a picture of the two of them dancing through the sky before I took a running jump out of the window too.
My wings burst to life at my back and I flew hard and fast along the drive until I soared over the gates, beyond the anti-stardust wards where I landed quickly, my boots skidding in the gravel.
I grabbed the stardust from my pocket and winked at the startled guards half a second before I tossed it over my head and the stars whisked me back to the academy.
I stumbled as they deposited me and suddenly strong arms locked around my chest from behind, making me scream in surprise.
A hand slapped over my mouth and I stilled for a moment as the scent of smoke and cedar overwhelmed me.
Darius dragged me back through the hole in the wards, pulled me through the fence and shoved me up against a huge tree at the edge of campus before he took his hand from my mouth.
His hands landed either side of my head as he penned me in, glaring down at me with an angry as fuck Dragon peering out of his eyes, his pupils transformed into reptilian slits and a hint of smoke slipped between his lips. He was only wearing sweatpants and I got the impression he’d flown here to ambush me the moment I returned. I guess he didn’t like my FaeBook post.
“What the fuck were you thinking?” he demanded.
“Whoa, chill out dude,” I said, pressing my hands to his chest to push him back. He didn’t move a single inch and I just ended up with my hands pressed to his rock hard muscles, his heart pounding frantically beneath my right palm.
“Do you know what you’ve done?” Darius snarled. “Father could kill Xavier for this! He could-”
“He won’t,” I snapped angrily. “He can’t. Don’t you see that? The only power he held over Xavier was in keeping his real Order form a secret. Now everyone knows, he’s free. Killing him wouldn’t change the truth. And he can’t very well alienate every Pegasus in Solaria by making his Orderist bullshit public knowledge. He’ll have to let Xavier leave the house, join a herd, fly.”
Darius was staring at me like he didn’t know whether to kill me or kiss me and as my gaze fell on his mouth, I found myself aching for the latter. Fuck the stars.
(Tory POV)
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
Zerra, I want to kill my father. I want to shove his head into a hole filled with scorpions and watch him choke on his own tongue. I want to rip him apart with my bare hands and bathe in his blood. But first, I have to get Lor out of here.
”
”
Nisha J. Tuli (Rule of the Aurora King (Artefacts of Ouranos, #2))
“
To make matters worse, the Starlight Captain, Quentin, got to them before we could and he offered them a teasing bow and a smile which made me want to knock his teeth out. Which I intended to do as soon as the second half started. The girls both laughed at something he said, smiling like he was the funniest fucking dipshit they’d ever met.
Roxy’s dark eyes moved to mine and I felt a lurch right in the centre of my gut for a half a second as it seemed almost like she was directing that smile at me. She’d made a dress out of an oversized Pitball shirt which skimmed her thighs and made her look like she'd just crawled out of my bed and pulled it on. The idea of that excited me way more than it should have but as she turned to whisper something to her sister, I saw the name printed across the back of her shirt wasn’t Acrux, it was Grus.
Of course it is. Stop thinking with your dick and get your head back in the game!
The Starlight Captain noticed us approaching and made himself scarce but I noted the lingering looks the twins gave him as he jogged away.
“Enjoying the game, sweetheart?” Caleb asked as we drew close enough to speak with them. I didn’t miss the way Roxy’s eyes trailed over him and the fact that there was considerably less hatred in her gaze when she looked his way than what she directed at me. I guessed he hadn’t half drowned her but it still pissed me off.
“We are,” she admitted with a wide smile. “Isn’t Geraldine amazing?”
“Yeah she’s the fucking cat's pyjamas,” I growled, wishing I could actually aim an insult the Cerberus’s way but that girl was single handedly saving our asses from total annihilation at this point so I couldn’t even pretend to do it. Without her we would have been royally screwed.
“Maybe she should be the Captain,” Gwendalina suggested with a taunting smile.
“Maybe she should,” Lance agreed loudly and I scowled at my friend. There was no way he’d offer me any loyalty when it came to Pitball. If I wasn’t the best then he’d say it to my face. I just wished he’d hold his opinion back in front of the Vegas.
“I just need a quick top up,” Caleb said and Roxy didn’t even fucking flinch at that. She sighed like him biting her was a goddamn inconvenience and pulled her long hair over her shoulder to offer him access to her neck.
“You’d better hurry up,” she added. “Only two minutes of half time left.”
I glanced around at the board to confirm what she’d said and by the time I looked back, Caleb had her in his arms and his teeth were in her throat.
She didn’t even have the decency to look horrified, her fingers twisting into his hair as he held her in place. His fucking hand was on her thigh, skimming the hem of that shirt and for a moment I actually wanted to rip his arm off.
I shook my head and turned away from them. This anger with Milton was spilling into everything I did today. I just couldn’t believe that he’d done such a thing to me. He was one of my most loyal followers, I’d never even sensed an inch of defiance in him let alone a betrayal of this magnitude and I couldn’t get it out of my head. If I couldn’t trust someone as devoted as him then who the hell could I trust?
My gaze skimmed over the box above the twins where my parents were sitting but I didn’t let it linger there. If I saw the look of frustration and disappointment I knew would be on my father’s face then I really would lose the plot.
Caleb released Roxy, leaning close to whisper something in her ear which made her fucking laugh while I ground my teeth. He spared a moment to heal the bite on her neck and we turned back to the pitch.
“I hope you do better this half!” Gwen called after us.
“You can’t do any worse, right?” Roxy added and I clenched my fists to stop myself from rounding on them.
(Darius POV)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
Draco Malfoy was the boy who had no choice. Dominated by his overbearing father, coerced by the Death Eaters, cowed into fear of life of Voldemort, his actions are not his own. They were the actions of a boy whose agency has been ripped from him. He could not make his own decisions, and the turn his life had taken terrified him.
”
”
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
“
Brela was about to watch her father die. No. In that moment, the wall she’d built around her magic broke inside her. She didn’t call it, but the shadows unleashed. She dropped her dagger and screamed as that power tore through her. She felt the magic rip out of her veins and connect with the darkness down the street. The shadows were the most beautiful and vicious things she’d ever seen. Tendrils of black fire and smoke launched from the ground and swarmed the soldiers, swallowing their screams as they shredded through the bodies. Bone, viscera, and red mist sprayed out of the darkness.
”
”
Laura Winter (The Bones of Crystal Sand (Smoke and Shadow, #0))
“
Just about to have dinner with her family. Her father hates me. Her mother cooks organs and the cat wants to rip my nuts off under the table. Send this to the police if you never hear from me again.
”
”
T.L. Swan (The Do-Over (The Miles High Club #4))
“
They were based on truth. Based on ancient, near-primordial beings who existed here before the High Fae split into courts, before the High Lords. Some call them the First Gods. They were beings with almost no physical form, but a keen, vicious intelligence. Humans and Fae alike were their prey. Most were hunted and driven into hiding or imprisonment ages ago. But some remained, lurking in forgotten corners of the land.” He swallowed another mouthful. “When I was nearing three hundred years old, one of them appeared again, crawling out of the roots of a mountain. Before he went into the Prison and confinement weakened him, Lanthys could turn into wind and rip the air from your lungs, or turn into rain and drown you on dry land; he could peel your skin from your body with a few movements. He never revealed his true form, but when I faced him, he chose to appear as swirling mist. He fathered a race of faeries that still plague us, who thrived under Amarantha’s reign—the Bogge. But the Bogge are lesser, mere shadows compared to Lanthys. If there is such a thing as evil incarnate, it is him. He has no mercy, no sense of right or wrong. There is him, and there is everyone else, and we are all his prey. His methods of killing are creative and slow. He feasts on fear and pain as much as the flesh itself.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Lachlan Kite woke at sunrise, crept out of bed, changed into a pair of shorts and running shoes and set out on a four-mile loop around the hills encircling the cottage in Sussex. The news of Xavier’s death had hit him as hard as anything he could recall since the sudden loss of Michael Strawson, his mentor and father figure, to a cancer of the liver which had ripped through him in the space of a few months. Though he had seen Xavier only fitfully over the previous ten years, Kite felt a personal sense of responsibility for his death which was as inescapable as it was illogical and undeserved. Usually, pounding the paths around the cottage, feeling the soft winter ground beneath his feet, he could switch the world off and gain respite from whatever problems or challenges might face him upon his return. Kite had run throughout his adult life—in Voronezh and Houston, in Edinburgh and Shanghai—for just this reason: not simply to stay fit and to burn off the pasta and the pints, but for his own peace of mind, his psychological well-being. It was different today, just as it had been on the afternoon of Martha’s call when Kite had immediately left the cottage and run for seven unbroken miles, memories of Xavier erupting with every passing stride.
”
”
Charles Cumming (BOX 88)