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I realized that Mick had quite enjoyed one side of my being a junkie—the one that kept me from interfering in day-to-day business. Now here I was, off the stuff. I came back with the attitude of, OK, thanks a lot. I’ll relieve you of the weight. Thank you for carrying the burden for several years while I was out there. I’ll make recompense in time. I’d never fucked up; I’d given him some great songs to sing. The only person it fucked up was me. “Got out of there, Mick, by the skin of my teeth,” and he’d got out of a few things by the skin of his teeth too. I think I expected this burst of gratitude: sort of, thank God, mate. But what I got was, I’m running this shit. It was that rebuff. I would ask, what’s happening here, what are we doing with this? And I’d get no reply. And I realized that Mick had got all of the strings in his hands and he didn’t want to let go of a single one. Had I really read this right? I didn’t know power and control were that important to Mick. I always thought we’d worked on what was good for all of us. Idealistic, stupid bastard, right? Mick had fallen in love with power while I was being… artistic. But all we had was ourselves. What’s the point of struggling between us? Look how thin the ranks are. There’s Mick, me and Charlie, there’s Bill. The phrase from that period that rings in my ears all these years later is “Oh, shut up, Keith.” He used it a lot, many times, in meetings, anywhere. Even before I’d conveyed the idea, it was “Oh, shut up, Keith. Don’t be stupid.” He didn’t even know he was doing it—it was so fucking rude. I’ve known him so long he can get away with murder like that. At the same time, you think about it; it hurts.
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