Rings Movie Quotes

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No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President
Pablo
It comes in pints?
Peter Jackson
Me too." I agree fervently. "Every film should definitely have a message." Which is true. I mean... take the Lord of the Rings movies- they've got loads of messages. Like "Don't lose your ring.
Sophie Kinsella (Shopaholic and Sister (Shopaholic, #4))
Aragorn: Gentlemen! We do not stop 'til nightfall. Pippin: But what about breakfast? Aragorn: You've already had it. Pippin: We've had one, yes. But what about second breakfast? [Aragorn stares at him, then walks off.] Merry: Don't think he knows about second breakfast, Pip. Pippin: What about elevensies? Luncheon? Afternoon tea? Dinner? Supper? He knows about them, doesn't he? Merry: I wouldn't count on it Pip.
Peter Jackson
End? No, the journey doesn't end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it. White shores, and beyond, a far green country under a swift sunrise.
unattributed
One does not simply walk into Mordor
Peter Jackson
I had a question. 'Why does the name Pearl Harbor sound so familiar?' The lieutenant colonel's eyes narrowed. 'Pearl Harbor is the most famous U.S. military base in the world,' he said crisply. 'It's the only place on U.S. soil that has been attacked in a wars, since the Revolutionary War.' None of this was ringing a bell, but you already know I'm totally uneducated. Gazzy leaned over to whisper, 'It was a movie with Ben Affleck.' Ah. Now I remembered.
James Patterson (Max (Maximum Ride, #5))
So I ring Justine Kalinsky and I say, "It's Francesca Spinelli," and she says, "Francesca, you've got to stop using last names. How are you doing?" and I say "I feel like shit", and I don't know how it happens, but by eight o'clock that night I'm lying next to her on the couch with Siobhan and Tara and we're eating junk food and watching a Keanu movie. And I want to stay on that couch for the rest of my life.
Melina Marchetta (Saving Francesca)
Frodo: 'It's a pity Bilbo didn't kill Gollum when he had the chance.' Gandalf: 'Pity? It's a pity that stayed Bilbo's hand. Many that live deserve death. Some that die deserve life. Can you give it to them, Frodo? Do not be too eager to deal out death in judgment. Even the very wise cannot see all ends. My heart tells me that Gollum has some part to play in it, for good or evil, before this is over. The pity of Bilbo may rule the fate of many.' Frodo: 'I wish the Ring had never come to me. I wish none of this had happened.' Gandalf: 'So do all who live to see such times, but that is not for them to decide. All we have to decide is what to do with the time that is given to us. There are other forces at work in this world, Frodo, besides that of evil. Bilbo was meant to find the Ring, in which case you were also meant to have it. And that is an encouraging thought.
J.R.R. Tolkien
I would have followed you. My brother. My captain. My king.
J.R.R. Tolkien (The Lord Of The Rings (box set))
I knew him instantly, even though he'd...changed. I think in a crowd of a million people, I would have recognized him. The connection between us would allow nothing else. And after being deprived of him for so long, I drank in every feature. The dark, chin-length hair, worn loose tonight and curling slightly around his face. The familiar set of lips, quirked now in an amused yet chilling smile. He even wore the duster he always wore, the long leather coat that could have come straight out of a cowboy movie. [...] The eyes. Oh God, the eyes. Even with that sickening red ring around his pupils, his eyes still reminded me of the Dimitri I'd known. The look in his eyes—the soulless, malicious gleam—that was nothing like him. But there was just enough resemblance to stir my heart, to overwhelm my senses and feelings. My stake was ready. All I had to do was keep swinging to make the kill. I had momentum on my side... But I couldn't. I just needed a few more seconds, a few more seconds to drink him in before I killed him. And that's when he spoke. "Roza." His voice had the same wonderful lowness, the same accent...it was just colder. "You forgot my first lesson: Don't hesitate.
Richelle Mead (Blood Promise (Vampire Academy, #4))
If this was The Lord of the Rings and I had a smart British voice like Cate Blanchett, I could tell you the background of the events of that fall in a really suspenseful way. And you’d be straining to hear the rest.
Charlaine Harris (From Dead to Worse (Sookie Stackhouse, #8))
I mean . . . take the Lord of the Rings movies—they’ve got loads of messages. Like “Don’t lose your ring.
Sophie Kinsella (Shopaholic and Sister (Shopaholic, #4))
We were just a hair's breadth from electing America's first female president to succeed America's first black president. We weren't done, but we were doing it. And then, true to form-like the Balrog's whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, 'If I can't have you, no one can'-white American voters shoved an incompetent, racist con man into the White House.
Lindy West (The Witches Are Coming)
This is not my favorite way to wake up. My favorite way to wake up is to have a certain French movie star whisper to me softly at two thirty in the afternoon that if I want to get to Sweden in time to pick up my Nobel Prize for Literature I had better ring for breakfast. This occurs rather less often than one might wish.
Fran Lebowitz
I wanted to skip down the hall yell-singing “Paper Rings.
Lynn Painter (Better Than the Movies)
You know that bit in the first Lord of the Rings film? Where Gandalf stands up to that fire demon on the bridge and yells, ‘YOU SHALL NOT PASS’? Well…” I paused, feeling so ashamed. “Essentially my vagina had a Gandalf standing at the entrance, and he thought Milo’s dick was a fire demon.
Holly Bourne (It Only Happens in the Movies)
Megan, I’m pretty sure none of my family is going to break out into song like in a Bollywood movie tonight,” he said, with amusement ringing in his voice.
Katie Ashley (The Pairing (The Proposition, #3))
I can’t talk to you when you’re like this.” “Happy? Excited? Hopeful?” I wanted to skip down the hall yell-singing “Paper Rings.
Lynn Painter (Better Than the Movies)
While that thing was on, we ran a ridiculous amount of data through our servers.” “How much?” I asked. He looked exasperated. “Enough that I could make up some kind of strained analogy involving the contents of the Library of Congress and the number of pixels in all of the Lord of the Rings movies put together and how many phone calls the NSA intercepts in a single day and you would be like, ‘Holy shit, that’s a lot.’” “Holy shit, that’s a lot!” I exclaimed dutifully.
Neal Stephenson (The Rise and Fall of D.O.D.O. (D.O.D.O. #1))
A good swordsman is more important than a good sword.
Amit Kalantri (Wealth of Words)
It's a pity Bilbo didn't kill Gollum when he had the chance. Pity? It is pity that stayed Bilbo's hand. Many that live deserve death. Some that die deserve life. Can you give it to them, Frodo? Do not be too eager to deal out death in judgment. Even the very wise cannot see all ends. My heart tells me Gollum has some part to play in this, for good or evil...(not finished yet)
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
It was Valentine's Day and I had spent the day in bed with my life partner, Ketel One. The two of us watched a romance movie marathon on TBS Superstation that made me wonder how people who write romantic comedies can sleep at night. At some point during almost every romantic comedy, the female lead suddenly trips and falls, stumbling helplessly over something ridiculous like a leaf, and then some Matthew McConaughey type either whips around the corner just in the nick of time to save her or is clumsily pulled down along with her. That event predictably leads to the magical moment of their first kiss. Please. I fall all-the-time. You know who comes and gets me? The bouncer. Then, within the two hour time frame of the movie, the couple meet, fall in love, fall out of love, break up, and then just before the end of the movie, they happen to bump into each other by "coincidence" somewhere absolutely absurd, like by the river. This never happens in real life. The last time I bumped into an ex-boyfriend was at three o'clock in the morning at Rite Aid. I was ringing up Gas-X and corn removers.
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
but was this funny? was this funny? was this funny? why was this funny? why was Sugar Kane funny? why were men dressed as women funny? why were men made up as women funny? why were men staggering in high heels funny? why was Sugar Kane funny, was Sugar Kane the supreme female impersonator? was this funny? why was this funny? why is female funny? why were people going to laugh at Sugar Kane & fall in love with Sugar Kane? why, another time? why would Sugar Kane Kovalchick girl ukulelist be such a box office success in America? why dazzling-blond girl ukulelist alcoholic Sugar Kane Kovalchick a success? why Some Like It Hot a masterpiece? why Monroe's masterpiece? why Monroe's most commercial movie? why did they love her? why when her life was in shreds like clawed silk? why when her life was in pieces like smashed glass? why when her insides had bled out? why when her insides had been scooped out? why when she carried poison in her womb? why when her head was ringing with pain? her mouth stinging with red ants? why when everybody on the set of the film hated her? resented her? feared her? why when she was drowning before their eyes? I wanna be loved by you boop boopie do! why was Sugar Kane Kovalchick of Sweet Sue's Society Syncopaters so seductive? I wanna be kissed by nobody else but you I wanna! I wanna! I wanna be loved by you alone but why? why was Marilyn so funny? why did the world adore Marilyn? who despised herself? was that why? why did the world love Marilyn? why when Marilyn had killed her baby? why when Marilyn had killed her babies? why did the world want to fuck Marilyn? why did the world want to fuck fuck fuck Marilyn? why did the world want to jam itself to the bloody hilt like a great tumescent sword in Marilyn? was it a riddle? was it a warning? was it just another joke? I wanna be loved by you boop boopie do nobody else but you nobody else but you nobody else
Joyce Carol Oates (Blonde)
Breyona didn’t have to force a laugh. “Fellowship? Who do you think you are? Freedo the hobbit?” “It’s Frodo,” he said over his shoulder. “And if I was a character from L.O.T.R., I’d obviously by Strider.” Shaking his head, he continued down the trail, mumbling obscenities. “What is L.O.T.R.?” Shiv asked. “Who is this Freedo?” Both questions brought exasperated sighs from Bronson. “It stands for Lord of the Rings. Don’t you ever see any movies?” “Weren’t they books before they were movies?” Em asked. “They wrote them after,” Bronson said. Breyona winked at Danny. “That Freedo was hot,” she said loud enough for Bronson to hear. “Even with those dumb-ass furry feet, he’s my kind of cute.” Bronson threw his hands up. “Frodo. It’s Frodo. And he’s not hot!
Eric Kent Edstrom (Undermountain (The Undermountain Saga #1))
My Precioussss! -Gollum
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
Regret nothing. Not the cruel novels you read to the end just to find out who killed the cook. Not the insipid movies that made you cry in the dark, in spite of your intelligence, your sophistication. Not the lover you left quivering in a hotel parking lot, the one you beat to the punchline, the door, or the one who left you in your red dress and shoes, the ones that crimped your toes, don’t regret those. Not the nights you called god names and cursed your mother, sunk like a dog in the livingroom couch,b chewing your nails and crushed by loneliness. You were meant to inhale those smoky nights over a bottle of flat beer, to sweep stuck onion rings across the dirty restaurant floor, to wear the frayed coat with its loose buttons, its pockets full of struck matches. You’ve walked those streets a thousand times and still you end up here. Regret none of it, not one of the wasted days you wanted to know nothing, when the lights from the carnival rides were the only stars you believed in, loving them for their uselessness, not wanting to be saved. You’ve traveled this far on the back of every mistake, ridden in dark-eyed and morose but calm as a house after the TV set has been pitched out the upstairs window. Harmless as a broken ax. Emptied of expectation. Relax. Don’t bother remembering any of it. Let’s stop here, under the lit sign on the corner, and watch all the people walk by.
Dorianne Laux (The Book of Men)
But one moment stood out to me, as I sat beneath a dark sky full of stars and retold a moment from the Lord of the Rings. Trick memory. It was just one conversation in a three-hour long film in a quartet of movies, but I’ve always remembered it. “And Gandalf paused, and spoke. He looked at Pippin with a smile, and said ‘End? No, the journey doesn’t end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it.’ And Pippin said, ‘What? Gandalf? See what?’” I look around. My audience is spellbound. I take a breath. “‘White shores, and beyond, a far green country under a swift sunrise.’” As I finish speaking, I look up, about to finish the scene and describe the Rohirrim coming to Gondor’s aid.
Pirateaba (Fae and Fare (The Wandering Inn, #2))
Earlier in the day, while killing some hours by circling in blue ballpoint ink every uppercase M in the front section of a month-old New York Times, Chip had concluded that he was behaving like a depressed person. Now, as his telephone began to ring, it occurred to him that a depressed person ought to continue staring at the TV and ignore the ringing — ought to light another cigarette and, with no trace of emotional affect, watch another cartoon while his machine took whoever’s message. That his impulse, instead, was to jump to his feet and answer the phone — that he could so casually betray the arduous wasting of a day — cast doubt on the authenticity of his suffering. He felt as if he lacked the ability to lose all volition and connection with reality the way depressed people did in books and movies. It seemed to him, as he silenced the TV and hurried into his kitchen, that he was failing even at the miserable task of falling properly apart.
Jonathan Franzen (The Corrections)
Just as sometimes I wondered if Grandpa had ever existed, sometimes I wondered if I truly existed myself. As I was running, I could see myself from outside myself: a skinny girl with the flapping shorts and too- big a T-shirt, always watching the other girls at school, a girl in a pink bedroom sitting with a book propped on her knees, the words she was reading entering her mind, some sticking like gluey never to be forgotten, others disappearing instantly, I could remember everything and remember nothing. I would watch a movie and recall every scene as if I had written the script, then watch another movie another day and be unable to recall it at all.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
The Bridge of Sighs, he thought, recalling one of his favorite boyhood movies, A Little Romance, which was based on the legend that if two young lovers kissed beneath this bridge at sunset while the bells of St. Mark’s were ringing, they would love each other forever. The
Dan Brown (Inferno (Robert Langdon, #4))
But every woman thinks she'll be the one to change me. That our sex will be so magical, I'll be star-struck by her goods in the bedroom and put a ring on it. Or the least ask her out to a movie. And when I don't, they get all upset and confused. I'm the one who should be confused. I straight up tell them, and almost every time, they get mad when the agreement clearly was not a fuck tonight and dinner tomorrow.
Angeline Kace (Wicked Thing)
All day, I worried—what if she resorts to the bathrobe sweater at the last minute? What if she gets something in her teeth and doesn’t notice? What if this guy doesn’t see how totally adorable she is? What if he hurts her feelings? Saturday night, I went to a movie with a friend, but the whole night I was checking my phone to see if my mother had called or texted. When she finally called at midnight, I picked up the phone on the first ring. “How was it?” “Aw, it didn’t go so well.” My heart sank. I was already hatching revenge plots against the cad when she continued, “He was nice, but I’m not sure I’m interested.” I breathed a sigh of relief. Not everyone is lucky enough to hang out with my fashionable, smooth, totally cool mom. Just me.
Lisa Scottoline (My Nest Isn't Empty, It Just Has More Closet Space: The Amazing Adventures of an Ordinary Woman)
When a man loves you, you will know. You will know it not by the expensive gifts he buys you or thousand times he articulates those three magical words. You will know by the sense of certain knowing, a sense that makes your bones tickle at the mere thought of him. You will know when you don't need to check on him after every another hour through calls or text messages. You will know when you don't have to stalk him on Facebook or last seen status on whats app. You will know when you can feel his laughter seeping through your soul as he hears your voice. You will know when he does not make loud promises but is there to hold your hand when things go wrong. You will know he loves you when either of you don't know what the future holds but still somehow you know you are always together. You will know when a man loves you..by the way he looks at you when you are shabbily dressed or when he discovers that first or second streak of grey hair. You will know..by the way he treats you on special days and ordinary ones...you will know when a man loves you. It is different from your rosy teenage dreams or romantic tales of SRK movies...when a man loves you, you may not hear any bells ringing in your heart, you may not get to pluck the rose buds to know if he is into you or not..when a man loves you, you will know by the way he says your name.
Sakshi Chanana
Real spies don't have all the cool gadgets you see in the movies," Dak said, watching Sera struggle with the lock. "Though I sure wish we had a sonic screwdriver right about now.
Jennifer A. Nielsen (Behind Enemy Lines (Infinity Ring, #6))
Well,' Rydell said, trying to pick up his end, 'I was watching this one old movie last night-' Sublett perked up. 'Which one?' Dunno,' Rydell said. 'This guy's in L.A. and he's just met this girl. Then he picks up a pay phone, 'cause it's ringing. Late at night. It's some guy in a missile silo somewhere who knows they've just launched theirs at the Russians. He's trying to phone his dad, or his brother, or something. Says the world's gonna end in short order. Then the guy who answered the phone hears these soldiers come in and shoot the guy. The guy on the phone, I mean.' Suhlett closed his eyes, scanning his inner trivia-banks. 'Yeah? How's it end?' Dunno,' Rydell said. 'I went to sleep.
William Gibson (Virtual Light (Bridge, #1))
This is what cinema is all about. Images, sound, whatever, are what we use to construct a way which is cinema, which is supposed to produce effects, not only in our eyes and ears, but in our "mental" movie theater in which image and sound already are there. There is a kind of on-going movie all the time, in which the movie that we see comes in and mixes, and the perception of all these images and sound proposed to us in a typical film narration piles up in our memory with other images, other associations of images, other films, but other mental images we have, they pre-exist. So a new image in a film titillates or excites another mental image already there or emotions that we have so when you propose something to watch and hear, it goes, it works. It's like we have sleeping emotions in us all the time, half-sleeping, so one specific image or the combination of one image and sound, or the way of putting things together, like two images one after another, what we call montage, editing - these things ring a bell. These half-asleep feelings just wake up because of that - that is what it is about. This is not to make a film and say: "Okay, let's get a deal, let's tell the story, let's have a good actress, good-bye, not bad," and we go home and we eat. What I am dealing with is the effects, the perception, and the subsidiary effects of my work as proposals, as an open field, so that you can get there things you always wanted to feel and maybe didn't know how to express, imagine, watch, observe, whatever. This is so far away from the strong screenplay, the beautiful movie, etc., that sometimes I don't know what I should discuss. You understand, this is really fighting for that "Seventh Art" which is making films.
Agnès Varda (Agnes Varda: Interviews)
lower her to my side and pull her against me so that her head is resting on my jacket. Her breath tastes like starburst and it makes me want to keep kissing her until I can identify every single flavor. Her hand touches my arm and she gives it a tight squeeze just as my tongue slips inside her mouth. That would be strawberry on the tip of her tongue. She keeps her hand on my arm, periodically moving it to the back of my head, then returning it to my arm. I keep my hand on her waist, never once moving it to touch any other part of her. The only thing we explore is each other’s mouths. We kiss without making another sound. We kiss until the alarm sounds off on my phone. Despite the noise, neither of us stops kissing. We don’t even hesitate. We kiss for another solid minute until the bell rings in the hallway outside and suddenly lockers are slamming shut and people are talking and everything about our moment is stolen from us by all the inconvenient external factors of school. I still my lips against hers, then slowly pull back. “I have to get to class,” she whispers. I nod, even though she can’t see me. “Me, too,” I reply. She begins to scoot out from beneath me. When I roll onto my back, I feel her move closer to me. Her mouth briefly meets mine one more time, then she pulls away and stands up. The second she opens the door, the light from the hallway pours in and I squeeze my eyes shut, throwing my arm over my face. I hear the door shut behind her and by the time I adjust to the brightness, the light is gone again. I sigh heavily. I also remain on the floor until my physical reaction to her subsides. I don’t know who the hell she was or why the hell she ended up here, but I hope to God she comes back. I need a whole hell of a lot more of that. • • • She didn’t come back the next day. Or the day after that. In fact, today marks exactly a week since she literally fell into my arms, and I’ve convinced myself that maybe that whole day was a dream. I did stay up most of the night before watching zombie movies with Chunk, but even though I was going on two hours of sleep, I don’t know that I would have been able to imagine that. My fantasies aren’t that fun. Whether she comes back or not, I still don’t have a fifth period and until someone calls me out on it, I’ll keep hiding out in here. I actually slept way too much last night, so I’m not tired. I pull my phone out to text Holder when the door to the closet begins to open. “Are you in here, kid?” I hear her whisper. My heart immediately picks up pace and I can’t tell if it’s that she came back or if it’s because the
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
Now, are you familiar with the Lord of the Rings?” Molech hesitated again, realizing he was playing someone else’s game, but with no idea what else to do. He said, “Yeah, old horror movie about a ghost girl who crawls out of a television?” “No, this is the one with wizards and elves. Ends with the midgets fighting in a volcano? It
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
THE SOUNDTRACK OF WES AND LIZ Someone Like You | Van Morrison Paper Rings | Taylor Swift Lovers | Anna of the North ocean eyes | Billie Eilish Bad Liar | Selena Gomez Public Service Announcement (Interlude) | Jay-Z Up All Night | Mac Miller How Would You Feel (Paean) | Ed Sheeran Hello Operator | The White Stripes Paradise | Bazzi Sabotage | Beastie Boys Feelin’ Alright | Joe Cocker Someone Like You | Adele Monkey Wrench | Foo Fighters Bella Luna | Jason Mraz Forrest Gump | Frank Ocean Electric (feat. Khalid) | Alina Baraz Kiss | Tom Jones Enter Sandman | Metallica Death with Dignity | Sufjan Stevens We Are Young | fun. feat. Janelle Monáe New Year’s Day | Taylor Swift River | Joni Mitchell
Lynn Painter (Better Than the Movies)
The Y Not had a waitress named Shirley who was the most disagreeable person I have ever met. Whatever you ordered, she would look at you as if you had asked to borrow her car to take her daughter to Tijuana for a filthy weekend. ‘You want what?’ she would say. ‘A pork tenderloin and onion rings,’ you would repeat apologetically. ‘Please, Shirley. If it’s not too much trouble. When you get a minute.’ Shirley would stare at you for up to five minutes, as if memorizing your features for the police report, then scrawl your order on a pad and shout out to the cook in that curious dopey lingo they always used in diners, ‘Two loose stools and a dead dog’s schlong,’ or whatever. In a Hollywood movie Shirley would have been played by Marjorie Main. She would have been gruff and bossy, but you would have seen in an instant that inside her ample bosom there beat a heart of pure gold. If you unexpectedly gave her a birthday present she would blush and say, ‘Aw, ya shouldana oughtana done it, ya big palooka.’ If you gave Shirley a birthday present she would just say, ‘What the fuck's this?' Shirley, alas, didn’t have a heart of gold.
Bill Bryson (Neither Here nor There: Travels in Europe)
It should be illegal for a woman to look as good as you do.” “Really?” She peered down at herself again, but saw nothing all that spectacular. “I’m glad you like it.” “I love it. I love you.” He dug in his pocket. “When I left today, it was for this.” Speechless, Priss watched as he opened a now-wet jeweler’s box. Inside, securely nestled in velvet, was a beautiful diamond engagement ring. Her heart nearly stopped. “I wanted it to be a surprise.” There were no words. Her eyes suddenly burned and her throat went tight. Trace took her hand and slipped the ring on her finger. The fit was perfect, but then, anything Trace did, he did right. “Priss?” Using the edge of his fist, he lifted her chin. “We’ve been to movies and plays, to small diners and fancy restaurants. I’ve taken you dancing and hiking, to the amusement park and the zoo.” Sounding like a choked frog, Priss said, “All the things I never got to do growing up.” “But there’s so much more, honey.” He moved wet tendrils of hair away from her face and over her shoulder. “I was trying to give you time to enjoy it all.” “No!” Priss did not want him second-guessing his intent. “I don’t need any more time. Really I don’t.” Both still very attentive, Matt and Chris snickered. Trace just smiled at her. Closing her hand into a fist, she held the ring tight. “All I need, all I want, is you.” “Glad to hear it, because I’m not an overly patient guy. Hell, I think I knew you were the one the day you showed up in Murray’s office.” He kissed the tip of her nose, her lips, her chin. “You were so damned outrageous, and so pushy, that you scared me half to death.” “You felt me up,” Priss reminded him. “But that was a first for me, too.” “I remember it well.” He treated her to a deeper kiss, and ended it with a groan. “Every day since then, I’ve wanted you more. Even when you worried me, or lied to me, or made me insane, I admired you for it.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Zach: Are you close with your brother? He’s partially to blame for the wrong number thing, isn’t he? * * * Me: Kind of. Yeah, we’re close. My mom worked at the hospital so it was usually just us two fending for ourselves. * * * Me: Okay, so I shouldn’t say fending for ourselves. That makes me sound like a dick and unappreciative of all my mom did. We just spent many nights just the two of us because my mom was a hardworking single lady and she wasn’t searching for a man to put a ring on it because she. Is. Fierce. * * * Zach: I bet your mom is the shit. * * * Me: She really is. You should meet her sometime. * * * Me: Oh, awkward…I’m talking about meeting the family and we’re not even officially a couple. * * * Zach: We’re not? * * * Me: We are? My phone lights up with a call from Zach. “Are you saying we aren’t dating?” he says before I can say anything. “We are…” “Are you saying you’re wanting to see other people?” “No…” “So then we’re a couple.” I’m quiet, unsure what to say. I’m so scared to label this, which is stupid, I know. “Delia?” “Yes, Zach?” “Do you not want to be?” I take a deep breath and push out the answer I know is right, even though my head is saying otherwise. “No. I want to be a couple.” “Are you sure?” “Yes. I’m just…scared. I know I shouldn’t put that all on you, but you’re kind of the reason I’m scared. I like you, Zach—a lot—but what if this doesn’t work out? What if we jump in too soon?” He sighs. “Remember when we were talking about our exes? About the lack of fireworks?” “Yeah.” “I swear to god, someone is going to swoop in and take my man card for this shit, but I felt them with you. When we first kissed, I knew right then you were worth jumping in with both feet and taking a risk.” I don’t let myself overthink his words, wanting to keep my head level and clear. “What if I’m not worth the risk?” “We’ll never know if we don’t take it.” “Say you’re a couple already, Dalilah!” Robbie’s voice comes loud through the speaker. “He paused the movie during an epic scene!” “How many times have I told you that her name is Delia. Deal-ya. Get it?” “You talk about me with Robbie?” I ask. “Sometimes.” “Say yes! He looks like someone kicked his goat!” “Shut the fuck up, Robbie!” I laugh. “If I say yes, will he stop shouting?” “YES!” Robbie shouts again. “I’ll take the risk, Zach, but you better be worth it.” “You’ve seen my Harry Potter underwear—you know I’m worth it.” Then he whispers, “Wink.
Teagan Hunter (Let's Get Textual (Texting, #1))
But I wouldn’t be alive. Not really. I would be wasting oxygen, space, and resources, going back to not-so-secretly wishing I’d die. The realization dawned on me like a cold shower. I didn’t want to die when I was with Grace. I wanted to live. To laugh. To love. To date her and nibble on her neck and listen to her talking about plays and nineties movies and defending fanny packs vehemently. I’d been relishing life—actively enjoying it, even—for months, and I didn’t even realize it. I didn’t want to die anymore. Somewhere along the road, the idea of veering my bike off the road when I picked up speed stopped appealing to me. I no longer imagined what it would feel like to hurl myself off a cliff. I stopped walking into the ring wanting the asshole in front of me to throw a punch that would send me into cardiac arrest. And it was all because of Grace ‘Texas’ Shaw.
L.J. Shen (Playing with Fire)
Leaving him and going out into the paint-fuming air I had the feeling that I had been talking beyond myself, had used words and expressed attitudes not my own, that I was in the grip of some alien personality lodged deep within me. Like the servant about whom I'd read in psychology class who, during a trance, had recited pages of Greek philosophy which she had overheard one day while she worked. It was as though I were acting out a scene from some crazy movie. Or perhaps I was catching up with myself and had put into words feelings which I had hitherto suppressed. Or was it, I thought, starting up the walk, that I was no longer afraid? I stopped, looking at the buildings down the bright street slanting with sun and shade. I was no longer afraid. Not of important men, not of trustees and such; for knowing now that there was nothing which I could expect from them, there was no reason to be afraid. Was that it? I felt light-headed, my ears were ringing. I went on.
Ralph Ellison (Invisible Man)
She rambled on and on about how my attending a new private school was going to be a “stressful time of tremendous personal growth” and how my best “coping mechanism” would be to “communicate” my “thoughts and feelings.” I was absolutely ECSTATIC because you can communicate with a NEW CELL PHONE! Right?! I kind of zoned out on most of what my mom was saying because I was DAYDREAMING about all of the cool ring tones, music, and movies I was going to download. It was going to be LOVE AT FIRST SIGHT!
Rachel Renée Russell (Tales from a Not-So-Fabulous Life (Dork Diaries, #1))
Competition is the spice of sports; but if you make spice the whole meal you'll be sick. The simplest single-celled organism oscillates to a number of different frequencies, at the atomic, molecular, sub-cellular, and cellular levels. Microscopic movies of these organisms are striking for the ceaseless, rhythmic pulsation that is revealed. In an organism as complex as a human being, the frequencies of oscillation and the interactions between those frequencies are multitudinous. -George Leonard Learning any new skill involves relatively brief spurts of progress, each of which is followed by a slight decline to a plateau somewhat higher in most cases than that which preceded it…the upward spurts vary; the plateaus have their own dips and rises along the way…To take the master’s journey, you have to practice diligently, striving to hone your skills, to attain new levels of competence. But while doing so–and this is the inexorable–fact of the journey–you also have to be willing to spend most of your time on a plateau, to keep practicing even when you seem to be getting nowhere. (Mastery, p. 14-15). Backsliding is a universal experience. Every one of us resists significant change, no matter whether it’s for the worse or for the better. Our body, brain and behavior have a built-in tendency to stay the same within rather narrow limits, and to snap back when changed…Be aware of the way homeostasis works…Expect resistance and backlash. Realize that when the alarm bells start ringing, it doesn’t necessarily mean you’re sick or crazy or lazy or that you’ve made a bad decision in embarking on the journey of mastery. In fact, you might take these signals as an indication that your life is definitely changing–just what you’ve wanted….Be willing to negotiate with your resistance to change. Our preoccupation with goals, results, and the quick fix has separated us from our own experiences…there are all of those chores that most of us can’t avoid: cleaning, straightening, raking leaves, shopping for groceries, driving the children to various activities, preparing food, washing dishes, washing the car, commuting, performing the routine, repetitive aspects of our jobs….Take driving, for instance. Say you need to drive ten miles to visit a friend. You might consider the trip itself as in-between-time, something to get over with. Or you could take it as an opportunity for the practice of mastery. In that case, you would approach your car in a state of full awareness…Take a moment to walk around the car and check its external condition, especially that of the tires…Open the door and get in the driver’s seat, performing the next series of actions as a ritual: fastening the seatbelt, adjusting the seat and the rearview mirror…As you begin moving, make a silent affirmation that you’ll take responsibility for the space all around your vehicle at all times…We tend to downgrade driving as a skill simply because it’s so common. Actually maneuvering a car through varying conditions of weather, traffic, and road surface calls for an extremely high level of perception, concentration, coordination, and judgement…Driving can be high art…Ultimately, nothing in this life is “commonplace,” nothing is “in between.” The threads that join your every act, your every thought, are infinite. All paths of mastery eventually merge. [Each person has a] vantage point that offers a truth of its own. We are the architects of creation and all things are connected through us. The Universe is continually at its work of restructuring itself at a higher, more complex, more elegant level . . . The intention of the universe is evolution. We exist as a locus of waves that spreads its influence to the ends of space and time. The whole of a thing is contained in each of its parts. We are completely, firmly, absolutely connected with all of existence. We are indeed in relationship to all that is.
George Leonard
It was awfully quiet. Chicago only gets this quiet when it snows, he thought. And then he flipped open the phone, pressed the voice button, and said “Katherine.” He said it softly, reverently. Five rings and then her voice mail. Hey, it’s Katherine, he heard, and in the background cars rushed by. They’d been walking home together from the RadioShack when she recorded the message. I’m not, uh. And she uhed, he remembered, because he’d goosed her butt as she tried to talk. Uh, at my cell phone, I guess. Leave me a message and I’ll call you back. And he remembered everything about it, and also everything about everything else, and why couldn’t he forget and beep. “Hey, it’s Col. I’m standing in a soybean field outside of Gutshot, Tennessee, which is a long story, and it’s hot. K. I’m standing here sweating like I had hyperhidrosis, that disease where you sweat a lot. Crap. That’s not interesting. But anyway, it’s hot, and so I’m thinking about cold to stay cool. And I was remembering walking through the snow coming back from the ridiculous movie. Do you remember that, K? We were on Giddings, and the snow made it so quiet, I couldn’t hear a thing in the world but you. And it was so cold then, and so silent, and I loved you so much. Now it’s hot, and dead quiet again, and I love you still.” Five minutes later, he was trudging back when his phone began vibrating. He raced back to the spot with good reception and, breathless answered. “Did you listen to the message?” he asked immediately. “I don’t think I need to,” she answered. “I’m sorry, Colin. But I think we made a really good decision.” And he didn’t even care to point out that they hadn’t made a decision, because the sound of her voice felt so good –well not good exactly. It felt like the mysterium tremedum et fascinans, the fear and the fascination. The great and terrible awe.
John Green (An Abundance of Katherines)
I devoured each of what Halliday referred to as “The Holy Trilogies”: Star Wars (original and prequel trilogies, in that order), Lord of the Rings, The Matrix, Mad Max, Back to the Future, and Indiana Jones. (Halliday once said that he preferred to pretend the other Indiana Jones films, from Kingdom of the Crystal Skull onward, didn’t exist. I tended to agree.) I also absorbed the complete filmographies of each of his favorite directors. Cameron, Gilliam, Jackson, Fincher, Kubrick, Lucas, Spielberg, Del Toro, Tarantino. And, of course, Kevin Smith. I spent three months studying every John Hughes teen movie and memorizing all the key lines of dialogue.
Ernest Cline (Ready Player One (Ready Player One, #1))
The ring of the old telephones, the clacking of typewriters, milk in bottles, baseball without designated hitters, vinyl records, galoshes, stockings and garter belts, black-and-white movies, heavyweight champions, the Brooklyn Dodgers and the New York Giants, paperback books for thirty-five cents, the political left, Jewish dairy restaurants, double features, basketball before the three-point shot, palatial movie houses, nondigital cameras, toaster that lasted for thirty years, contempt for authority, Nash Ramblers, and wood-paneled station wagons. But there is nothing you miss more than the world as it was before smoking was banned in public places.
Paul Auster (Winter Journal)
Do you want my jacket?” Jared asked. He was taking it off as he spoke, a little awkwardly as he still had to hang onto her. “Yes,” said Kami instantly. He drew it close around her shoulders. “Also your pin and your class ring. That’s how you do dating in America, isn’t it? You see, I know the ways of your people.” “I don’t really know how dating works,” Jared told her. “High school for me was mostly musical numbers. That’s how it is in the States, you’ve seen the movies. Every time someone had an emotional dilemma or epiphany, they would burst into song, and we would all have to break out into perfectly choreographed dance sequences. It took a lot of intensive training. So many jazz squares, no time for love.
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
All good books are different but all bad books are exactly the same. I know this to be a fact because in my line of work I read a lot of bad books – books so bad they aren’t even published, which is quite a feat, when you consider what is published. And what they all have in common, these bad books, be they novels or memoirs, is this: they don’t ring true. I’m not saying that a good book is true necessarily, just that it feels true for the time you’re reading it. A publishing friend of mine calls it the Seaplane Test, after a movie he once saw about people in the City of London that opened with the hero arriving for work in a seaplane he landed on the Thames. From then on, my friend said, there was no point in watching.
Robert Harris (The Ghost)
All that day we went about stunned – we, the small town of real people behind the corporate logo of a ringed blue planet spinning through starry space. In the studio's Corner Store, in small groups that met on the company streets and in a hundred offices, we pieced our own experiences together with what was coming to light in the media. The suspect: a deranged, 43-year-old drifter who two days earlier had allegedly killed three people in Albuquerque, NM. He had fled to California where for reasons unknown he had been trying to contact actor-producer Michael Landon on the day of the shootings. The employees he had approached had repeatedly turned him away, since Landon had no particular connection with our studio. But just after dark the man had come back to the main gate again. He had walked up to a young actress waiting for her ride after an audition, said "hello" to her and then stepped over to the guardhouse. "I heard a shot and looked up," a secretary who had been passing nearby told me. "I saw Jeren fall and heard him groan. And there was this guy in a gray jacket just standing over him, pointing down at him with a gun. Then he raised the gun and pointed it at the other guard and shot again, and I saw Armando fall out the other side of the guardhouse. For a split second – just because we're at a movie studio – I thought it must be a movie they were filming. But there weren't any lights or cameras, and I realized it was real, and I thought, ‘He's gonna come after us because we saw it!' So I ran. I felt I was running for my life.
James Glaeg
With Tommy by his side but Anthony Jr. nowhere to be seen, Anthony cranks out an old 8mm projector, and soon choppy black- and-white images appear on the cream wall capturing a few snapshots from the canyon of their life—that tell nothing, and yet somehow everything. They watch old movies, from 1963, 1952, 1948, 1947—the older, the more raucous the children and parents becoming. This year, because Ingrid isn’t here, Anthony shows them something new. It’s from 1963. A birthday party, this one with happy sound, cake, unlit candles. Anthony is turning twenty. Tatiana is very pregnant with Janie. (“Mommy, look, that’s you in Grammy’s belly!” exclaims Vicky.) Harry toddling around, pursued loudly and relentlessly by Pasha—oh, how in 1999 six children love to see their fathers wild like them, how Mary and Amy love to see their precious husbands small. The delight in the den is abundant. Anthony sits on the patio, bare chested, in swimshorts, one leg draped over the other, playing his guitar, “playing Happy Birthday to myself,” he says now, except it’s not “Happy Birthday.” The joy dims slightly at the sight of their brother, their father so beautiful and whole he hurts their united hearts—and suddenly into the frame, in a mini-dress, walks a tall dark striking woman with endless legs and comes to stand close to Anthony. The camera remains on him because Anthony is singing, while she flicks on her lighter and ignites the candles on his cake; one by one she lights them as he strums his guitar and sings the number one hit of the day, falling into a burning “Ring of Fire ... ” The woman doesn’t look at Anthony, he doesn’t look at her, but in the frame you can see her bare thigh flush against the sole of his bare foot the whole time she lights his twenty candles plus one to grow on. And it burns, burns, burns . . . And when she is done, the camera—which never lies—catches just one microsecond of an exchanged glance before she walks away, just one gram of neutral matter exploding into an equivalent of 20,000 pounds of TNT. The reel ends. Next. The budding novelist Rebecca says, “Dad, who was that? Was that Grammy’s friend Vikki?” “Yes,” says Anthony. “That was Grammy’s friend Vikki.” Tak zhivya, bez radosti/bez muki/pomniu ya ushedshiye goda/i tvoi serebryannyiye ruki/v troike yeletevshey navsegda . . . So I live—remembering with sadness all the happy years now gone by, remembering your long and silver arms, forever in the troika that flew by . . . Back
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Slowing everything down is a big part of this. Telling my mind and body to stay put with my daughter rather than answering the phone, not reacting to inner impulses to call someone who “needs calling” right in that moment, choosing not to acquire new things on impulse, or even to automatically answer the siren call of magazines or television or movies on the first ring are all ways to simplify one’s life a little. Others are maybe just to sit for an evening and do nothing, or to read a book, or go for a walk alone or with a child or with my wife, to restack the woodpile or look at the moon, or feel the air on my face under the trees, or go to sleep early. I practice saying no to keep my life simple, and I find I never do it enough. It’s an arduous discipline all its own, and well worth the effort. Yet it is also tricky.
Jon Kabat-Zinn (Wherever You Go, There You Are)
He looked up at her and saw that she wore the face of Everyone. It was the face of the two women who talked in the seat behind him on the bus; it was the face of Mrs. Leslie, saying to him, "Some of us are going to organize a Pretentionist Club ..." It was the face of those who did not dare sit down and talk with themselves, the people who could not be alone a minute, the people who were tired without knowing they were tired and afraid without knowing that they were afraid. And, yes, it was the face of Mrs. Leslie's husband, crowding drink and women into a barren life. It was the grinding anxiety that had become commonplace, that sent people fleeing for psychological shelters against the bombs of uncertainty. Gaiety no longer was sufficient, cynicism had run out, and flippancy had never been more than a temporary shield. So now the people fled to the drug of pretense, identifying themselves with another life and another time and place--at the movie theater or on the television screen or in the Pretentionist movement. For so long as you were someone else you need not be yourself. Clifford D. Simak. Ring Around the Sun (Kindle Locations 1207-1215). Avon. Kindle Edition.
Clifford D. Simak (Ring Around the Sun (Masters of Science Fiction))
When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.
Jason Derr (The Boston 395)
Who’s the guy?” “What guy?” “The guy you’re dating.” That’s when I see him. Peter Kavinsky, walking down the hallway. Like magic. Beautiful, dark-haired Peter. He deserves background music, he looks so good. “Peter. Kavinsky. Peter Kavinsky!” The bell rings, and I sail past Josh. “I’ve gotta go! Talk later, Josh!” “Wait!” he calls out. I run up to Peter and launch myself into his arms like a shot out of a cannon. I’ve got my arms around his neck and my legs hooked around his waist, and I don’t even know how my body knows how, because I’ve for sure never touched a boy like this in my life. It’s like we’re in a movie and the music is swelling and waves are crashing around us. Except for the fact that Peter’s expression is registering pure shock and disbelief and maybe a drop of amusement, because Peter likes to be amused. Raising his eyebrows, he says, “Lara Jean? What the--?” I don’t answer. I just kiss him. My first thought is: I have muscle memory of his lips. My second thought is: I hope Josh is watching. He has to be watching or it’s all for nothing. My heart is beating so fast I forget to be afraid of doing it wrong. Because for about three seconds, he’s kissing me back. Peter Kavinsky, the boy of every girl’s dreams, is kissing me back. I haven’t kissed that many boys before. Peter Kavinsky, John Ambrose McClaren, Allie Feldman’s cousin with the weird eye, and now Peter again. I open my eyes and Peter’s staring at me with that same expression on his face. Very sincerely I say, “Thank you.” He replies, “You’re welcome,” and I hop out of his arms and sprint off in the opposite direction.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Sometimes Marlboro Man and I would venture out into the world--go to the city, see a movie, eat a good meal, be among other humans. But what we did best was stay in together, cooking dinner and washing dishes and retiring to the chairs on his front porch or the couch in his living room, watching action movies and finding new and inventive ways to wrap ourselves in each other’s arms so not a centimeter of space existed between us. It was our hobby. And we were good at it. It was getting more serious. We were getting closer. Each passing day brought deeper feelings, more intense passion, love like I’d never known it before. To be with a man who, despite his obvious masculinity, wasn’t at all afraid to reveal his soft, affectionate side, who had no fears or hang-ups about declaring his feelings plainly and often, who, it seemed, had never played a head game in his life…this was the romance I was meant to have. Occasionally, though, after returning to my house at night, I’d lie awake in my own bed, wrestling with the turn my life had taken. Though my feelings for Marlboro Man were never in question, I sometimes wondered where “all this” would lead. We weren’t engaged--it was way too soon for that--but how would that even work, anyway? It’s not like I could ever live out here. I tried to squint and see through all the blinding passion I felt and envision what such a life would mean. Gravel? Manure? Overalls? Isolation? Then, almost without fail, just about the time my mind reached full capacity and my what-ifs threatened to disrupt my sleep, my phone would ring again. And it would be Marlboro Man, whose mind was anything but scattered. Who had a thought and acted on it without wasting even a moment calculating the pros and cons and risks and rewards. Who’d whisper words that might as well never have existed before he spoke them: “I miss you already…” “I’m thinking about you…” “I love you…” And then I’d smell his scent in the air and drift right off to Dreamland. This was the pattern that defined my early days with Marlboro Man. I was so happy, so utterly content--as far as I was concerned, it could have gone on like that forever. But inevitably, the day would come when reality would appear and shake me violently by the shoulders. And, as usual, I wasn’t the least bit ready for it.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Hypnotherapy You may have seen scenes on television in which hypnotists make people act like chickens or take off their clothes. In reality, hypnotherapy is nothing like that. You actually might experience a hypnotic state many times every week, or possibly every day. It is essentially no different than being engrossed in a book or movie, or being in the meditative state you may reach while exercising. During hypnosis you are highly focused and are not distracted by random thoughts. At the same time, you are aware of outside events, such as the telephone ringing or a door slamming. When you see a hypnotherapist, he or she is simply a guide helping you reach a deeply relaxed state. The therapist may begin by having you picture a pleasant and safe environment. Or, he or she might ask you to focus on an object in your line of vision until your eyes become heavy. Once you are in the hypnotized state, it is easier to focus on your anxiety. You can talk about past experiences, can work on your self-esteem, and can prepare for upcoming social events. You won’t have distracting thoughts or be monitoring everything you say. You may remember events you had forgotten, or may come up with new ways to help yourself cope with the symptoms of anxiety. Adriana was really nervous when her therapist suggested they use hypnosis to work on her fear of meeting new people, but she decided to try it. First, the therapist asked her to visualize a quiet place where she felt completely relaxed and comfortable. When Adriana’s body felt heavy and warm, the therapist asked her to describe how she feels when she speaks with strangers. Adriana discussed how she feels embarrassed and worried, how her face gets red and hot, and how her mind is distracted by negative thoughts. Next, the therapist asked Adriana to visualize being introduced to a stranger. She imagined herself feeling calm and relaxed and looking the person in the eyes. She rehearsed what she would say about herself and said it over and over, sounding more confident each time. The therapist then asked her to think of three things that could help her in those situations. Adriana decided to try relaxing, making sure she is breathing properly, and focusing on the other person instead of on her negative thoughts. Later that week, she dined with a friend and his cousin, whom she had never met before. She was able to take deep breaths and remain relaxed. Once initial introductions went well, Adriana felt more confident and was able to maintain conversations for the entire evening.
Heather Moehn (Social Anxiety (Coping With Series))
What did it look like?” “My watch? It was silver. Not expensive or anything. Just a regular watch.” “Shiny?” “I guess.” “Raccoons.” Determined not to say anything stupid for at least the next ten minutes, she considered his single-word statement. Raccoons? Okay. He probably hadn’t started a word-association game, so what did he mean? Going with the safest response, she cautiously repeated, “Raccoons?” “They like shiny things. Take off with them whenever they can.” “You’re saying a raccoon stole my watch?” “Probably.” She really wanted to point out that they couldn’t possibly tell time, but knew instinctively that was a bad idea. “Can I get it back?” “Sure. If you can find it.” Could she? She glanced around at the underbrush, the trees, the stream. “Is it safe for me to go exploring?” she asked. “You’re not likely to be attacked by raccoons, but you’ll probably get lost, fall down a ravine, break your leg and starve to death. But if the watch is that important to you, have at it.” She felt herself deflating. “You don’t like me much, do you?” she asked sadly. She half expected Zane to stalk away, but instead he exhaled and shook his head. “Sorry.” She blinked. “What?” “I said I’m sorry.” Had the earth stopped turning, or had the taciturn hunky cowboy standing in front of her just apologized? “I--you--” She paused for breath. “That’s okay. I guess it was a stupid question.” “No. It was a reasonable question under the circumstances.” He shoved his hands into his pockets. “I get a little sarcastic sometimes.” “Let’s call it a dry sense of humor.” He half nodded in acknowledgement. “You’ll never find them, and even if you did, your watch would probably be all broken up and rusty from them dunking it in the water. Don’t leave out anything they’ll take. Shiny jewelry, another watch.” “I don’t have another watch. Not with me.” “You need to know the time?” “Just when the meals are.” “Cookie rings a bell.” “Really? Just like in the movies?” “Yeah.” One corner of his mouth turned up as he spoke. It wasn’t exactly a smile, but it was close enough to get her breathing up to Mach 3. “Come on,” he said. “It’s nearly time for lunch.” He started back toward the camp. Phoebe followed him happily. “You think the raccoons could ever learn to tell time?” she asked. He glanced at her. “You’re kidding, right?” “Maybe I have a dry sense of humor, too.” “City girl.” He was probably insulting her, but the way he said the word made her feel almost tall and, if not blonde, then certainly highlighted. “I think Rocky likes me,” she confided. “I’m sure he does.
Susan Mallery (Kiss Me (Fool's Gold, #17))
I didn’t think we were being quiet, particularly. High heels may have looked dainty, but they didn’t sound that way on a tile floor. Maybe it was just that my dad was so absorbed in the convo on his cell phone. For whatever reason, when we emerged from the kitchen into the den, he started, and he stuffed the phone down by his side in the cushions. I was sorry I’d startled him, but it really was comical to see this big blond manly man jump three feet off the sofa when he saw two teenage girls. I mean, it would have been funny if it weren’t so sad. Dad was a ferocious lawyer in court. Out of court, he was one of those Big Man on Campus types who shook hands with everybody from the mayor to the alleged ax murderer. A lot like Sean, actually. There were only two things Dad was afraid of. First, he wigged out when anything in the house was misplaced. I won’t even go into all the arguments we’d had about my room being a mess. They’d ended when I told him it was my room, and if he didn’t stop bugging me about it, I would put kitchen utensils in the wrong drawers, maybe even hide some (cue horror movie music). No spoons for you! Second, he was easily startled, and very pissed off afterward. “Damn it, Lori!” he hollered. “It’s great to see you too, loving father. Lo, I have brought my friend Tammy to witness out domestic bliss. She’s on the tennis team with me.” Actually, I was on the tennis team with her. “Hello, Tammy. It’s nice to meet you,” Dad said without getting up or shaking her hand or anything else he would normally do. While the two of them recited a few more snippets of polite nonsense, I watched my dad. From the angle of his body, I could tell he was protecting that cell phone behind the cushions. I nodded toward the hiding place. “Hot date?” I was totally kidding. I didn’t expect him to say, “When?” So I said, “Ever.” And then I realized I’d brought up a subject that I didn’t want to bring up, especially not while I was busy being self-absorbed. I clapped my hands. “Okay, then! Tammy and I are going upstairs very loudly, and after a few minutes we will come back down, ringing a cowbell. Please continue with your top secret phone convo.” I turned and headed for the stairs. Tammy followed me. I thought Dad might order me back, send Tammy out, and give me one of those lectures about my attitude (who, me?). But obviously he was chatting with Pamela Anderson and couldn’t wait for me to leave the room. Behind us, I heard him say, “I’m so sorry. I’m still here. Lori came in. Oh, yeah? I’d like to see you try.” “He seems jumpy,” Tammy whispered on the stairs. “Always,” I said. “Do you have a lot of explosions around your house?” I glanced at my watch. “Not this early.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever. All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen! Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt. He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter. When it happened, I felt like I was floating, and my stomach had butterflies. My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be. Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!
Marcel Ray Duriez (Nevaeh The Miracle)
When I swung open the door, there he was: Marlboro Man, wearing Wranglers and a crisp white shirt and boots. And a sweet, heart-melting smile. What are you doing here? I thought. You’re supposed to be in the shower. You’re supposed to be with the sex kitten. “Hey,” he said, wasting no time in stepping through the door and winding his arms around my waist. My arms couldn’t help but drape over his strong shoulders; my lips couldn’t help but find his. He felt soft, warm, safe…and our first kiss turned into a third, and a sixth, and a seventh. It was the same kiss as the night before, when the phone call alerting him to the fire had come. My eyes remained tightly closed as I savored every second, trying to reconcile the present with the horror movie I’d imagined just moments earlier. I had no idea what was going on. At that point, I didn’t even care. “Ummmmm!!! I’m t-t-t-ttellin’!” Mike teased from the top of the stairs, just before running down and embracing Marlboro Man in a bear hug. “Hi, Mike,” Marlboro Man said, politely patting him on the back. “Mike?” I said, smiling and blinking my eyes. “Will you excuse us for a couple of minutes?” Mike obliged, giggling and oooo-ing as he walked toward the kitchen. Marlboro Man picked me up and brought my eyes to the level of his. Smiling, he said, “I’ve been trying to call you this afternoon.” “You have?” I said. I hadn’t even heard the phone ring. “I, um…I sort of took a nine-hour nap.” Marlboro Man chuckled. Oh, that chuckle. I needed it badly that night. He set my feet back down on the floor. “So…,” he teased. “You still cranky?” “Nope,” I finally answered, smiling. So, who is that woman in your house? So…what did you do all day? “Did you ever get any sleep?” So, who is that woman in your house? “Well,” he began. “I had to help Tim with something this morning, then I crashed on the couch for a few hours…it felt pretty good.” Who was the woman? What’s her name? What’s her cup size? He continued. “I would’ve slept all day, but Katie and her family showed up in the middle of my nap,” he said. “I forgot they were staying at my house tonight.” Katie. His cousin Katie. The one with the two young kids, who had probably just gone to bed when I’d called earlier. “Oh…really?” I said, my chest relaxing with a long, quiet exhale. “Yeah…but it’s a little crowded over there,” he said. “I thought I’d come over here and take you to a movie.” I smiled, stroking his back with my hand. “A movie sounds perfect.” The busty, bronze mystery girl slowly faded into oblivion. Mike came barreling out of the kitchen, where he’d been listening to every word. “Hey--if you guys are goin’ to the movie, c-c-c-can you drive me to the mall?” he yelled. “Sure, Mike,” Marlboro Man said. “We’ll drive you to the mall. It’ll cost you ten bucks, though.” And as the three of us made our way outside to Marlboro Man’s diesel pickup, I had to bite my lip to keep myself from articulating the only seven words in the English language that were in my vocabulary at that moment: God help me--I love that man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Movie. What's my favorite kind of movie?” “Is there a point to this?” “Please, Lucy. What's my favorite movie?” “Horror. Why?” “No reason,” I sighed as I slouched back in the chair. “And would you stop that! Please? It's distracting,” she said as she slammed her hand down on top of mine to stop me from twirling my ring. I jerked my hand out from under hers so I could cross my arms over my chest. “What's with you today?” Her tone was saturated with distaste. “Nothing.” “Well, you're being awfully annoying for nothing to be wrong,” she retorted. “Go ahead, Josh. I'm listening now.” I could feel the cold emanating from her and flowing in my direction. It had been this way for a while I just didn't want to see it. Danny and Josh looked at me and then awkwardly focused on other things.
Kaitlin Scott (For Danny)
In other words, magic in both The Lord of the Rings and The Chronicles of Narnia is not equivalent to the occult practices in which people in the real world can be involved. When the Bible commands against the use of sorcery and divination, it is not referring to the magical things that magical creatures can do in fantasy worlds.
Douglas M. Beaumont (The Message Behind the Movie: How to Engage with a Film Without Disengaging Your Faith)
Have you ever seen The Lord of The Rings?” He nodded while taking a sip of his coffee. “Yes, I know. This ring reminds you of that movie, but unfortunately this is real. Anybody can look up The Seal of Solomon on the internet, and see for themselves the legend behind it. So it’s realistic to believe the possibility of its existence, where Tolkien’s story is pure fantasy, an excellent one, but not real.
Rebekkah Ford (Beyond the Eyes (Beyond the Eyes #1))
Remember that scene in the first Indiana Jones movie when someone asks Indy what he’s going to do next, and he replies, “I don’t know, I’m making it up as we go along.” That’s how I view leadership. It’s an act of controlled improvisation, a Thelonious Monk finger exercise, from one moment to the next.
Phil Jackson (Eleven Rings: The Soul of Success)
A lot of authors become discouraged with negative reviews. The important thing to remember is that there will always be that one person or a couple of people that will hate something just because it does not suit their interests. Friends have almost figuratively talked my ears off over why I should "be into" Star Trek and The Lord of the Rings. They put up good arguments; however, I'm still not convinced. Why? The Lord of the Rings and Star Trek are not my interests. I've had friends that were not into comic book movies (one of my interests) and friends often get upset with each other because some of their interests are not the same. It's not a friendship issue... everyone has different interests and that's fine... everyone is different and life is interesting because of that. Debates spark interests and they bring up excellent things about life and work and they bring up issues with life and work that you may not have noticed before. Therefore, if you get a bad review, I know that it is not easy, but do not take it to heart.
Monica Murray
No matter how hard I tried to get Ronnie’s attention he wouldn’t look me. He avoided eye contact by toying with the ring tones on his cellular phone. His unwillingness to look me in the eye and speak directly to me annoyed me. Ronnie was seventeen and stood about five foot nine inches tall. He had brown skin just like mine and wore his hair French braided. That day he was wearing an oversize white T-shirt, baggy Sean John jeans and what appeared to be a new pair of Nike Air Force One gym shoes. We were standing on the sidewalk in front of the apartment building that he lived in with his mother. In the distance I heard the thud of music from a trunk amp bouncing against the air. Ronnie is my boyfriend, or should I say was my boyfriend until I caught him snuggled up with some girl inside of a movie theater. When I saw him and the other girl I decided to play it cool at first, you know, just to make sure that I wasn’t overreacting. I discreetly positioned myself in a seat directly behind them so that I could keep a close eye on them. No sooner than the lights
Earl Sewell (Keysha's Drama (Keysha, #1))
Annie was trying to listen but she was unable to shake the image of herself dressed in a knock-off Lady Lightning outfit, sitting alone at a table at a mid-level comic book convention, drinking a diet soda and staring at her cell phone, which did not ring. “Annie?” Daniel said. “I want to talk to you about the movie.” Annie imagined herself in Japan, shilling caffeinated tapioca pearls, living in a closet-size apartment, dating a washed-up sumo wrestler. “Annie?” Daniel said again. Annie imagined herself doing dinner theater in a converted barn, playing Myra Marlowe in A Bad Year for Tomatoes, getting fat on carved roast beef and macaroni and cheese from the buffet during intermission. “I want to help you, Annie,” Daniel continued, undeterred by Annie’s blank-faced analysis of her future. “And I think I can.
Kevin Wilson (The Family Fang)
Donald Ray sliced his hand open with a knife during a demonstration in a drunk woman’s house and the splash of blood kept the Fangs from nodding off. The movie was so low-budget, Mr. Fang wondered if the actor who played Donald Ray had actually cut open his hand for the scene. He felt his estimation of the actor rise considerably. “Here it comes,” Annie whispered, turning to her parents. “This is me.” Donald Ray, his hand wrapped in a makeshift bandage, picked up the hotel phone and made a collect call to his family back in Little Rock. As the phone rang, tinny and soft in the receiver, the film jumped to Donald Ray’s home, the telephone shrilly ringing on the coffee table. As the camera pulled back, a woman leaned over to answer the phone. She listened for a few seconds and then said that she’d accept the charges. “Donald Ray,” she finally said, both angry and relieved to hear from him. “Look real close,” Annie said. Behind Donald Ray’s wife, sitting on the floor and staring dully at the carpet, was Annie. “That’s you,” Buster said. “Watch now,” Annie said. “This is my big moment.” The Fangs watched their daughter on the big screen, her face empty of expression, seemingly unaware of the conversation going on beside her. It was, the Fangs would later admit, a fairly compelling performance. Then, suddenly, so fast that you would miss it if you weren’t looking, Annie looked toward the camera and smiled. The Fangs could not believe it had happened, the moment so jarring and unsettling that it took them a few seconds to realize what they had just seen. Annie had smiled at the camera. Her teeth bared. Fanged. “Annie?” Mr. and Mrs. Fang said at once. In the seat next to them, Annie was smiling, beaming, the scene ended, her character not to return for the rest of the movie. She was, the Fangs now understood, a star. Chapter Five Annie needed to get out of town. Three days after her disastrous interview,
Kevin Wilson (The Family Fang)
Sometimes, we have a very pretty notion of what love should be. As though love can only happen in a… like a made-for-tv movie, with flowers and diamond rings and … maybe kissing in elevators.” He chuckled. “But it’s not like that at all. Sometimes love fucking hurts, because you fall in love with someone who doesn’t know how to love you back. And all you can do is accept them, and hope they figure it out. Even if it means walking away.” ~ A Forged Affair
M.A. Clarke Scott
The images on the tape had not been created mechanically, by a television camera or any similar device. Instead, the individual responsible had utilized his or her own psychological power to project them directly onto the videotape. Psychic photography, “thoughtography”. Psychic power had imprinted those images onto a blank tape that had been left in the VCR by pure chance. The Loop was a closed world. Going strictly by the physical laws that obtained there, such a thing was not possible. That wasn’t the way the set-up worked. Kaoru began to feel as if he were watching a movie—a well-made one, to be sure, but based on some pretty juvenile premises.
Kōji Suzuki (Loop (Ring, #3))
On the surface, nothing about Bryant’s move felt logical. He was a B student with a 1080 SAT score. He was being recruited by everyone, with Duke considered the most probable landing spot. He had yet to work out for a single NBA scout, many of whom had never actually heard of him. “He’s kidding himself,” Marty Blake, the NBA’s scouting director, told the Los Angeles Times. “Sure he’d like to come out. I’d like to be a movie star. He’s not ready.” “You watch Kobe Bryant and you don’t see special,” said Rob Babcock, Minnesota’s director of player personnel. “His game doesn’t say, ‘I’m a very special talent.’ ” “I think it’s a total mistake,” said Jon Jennings, the Boston Celtics’ director of basketball development. “Kevin Garnett was the best high school player I ever saw, and I wouldn’t have advised him to jump. And Kobe is no Kevin Garnett.
Jeff Pearlman (Three-Ring Circus: Kobe, Shaq, Phil, and the Crazy Years of the Lakers Dynasty)
At MGM, Arthur Freed and Vincente Minnelli made their last musical together, Bells Are Ringing (1960), reunited with Comden and Green. Dean Martin joined the Broadway package, replacing Sydney Chaplin, Charlie’s eldest son.13 Adding Martin’s star persona to the Judy Holliday vehicle produced another close match of movie star to musical role. As Jeff Moss, a Broadway playwright who’s been hitting the bottle harder than the typewriter, Martin fit the public perception of his romance with the grape. Even those who don’t care for the liquid Martin style find him charming in this musical.14 The vivacious answering-service operator Holliday nurses him back to sobriety and success, and the laid back, breezy Martin hoofs with Holliday in casual soft-shoe duets like “Just in Time.” In “Drop that Name,” Minnelli’s eye adds stylish brilliance to a satire of New York’s pretentious social elite, a Black-and-White Ball of burlesques and grotesques in answer to An American in Paris. Though Bells Are Ringing is neither vintage Freed nor vintage Minnelli—cramped by a middle-class present, a CinemaScope frame imprisoned in stageset interiors, and self-conscious disguises for Holliday’s shape—it is pleasant enough Holliday and Martin.
Gerald Mast (CAN'T HELP SINGIN': THE AMERICAN MUSICAL ON STAGE AND SCREEN)
For me, writing any piece of advertising is unnerving. You sit down with your partner and put your feet up. You read the strategist's brief, draw a square on a pad of paper, and you both stare at the damned thing. You stare at each other's shoes. You look at the square. You give up and go to lunch. You come back. The empty square is still there. Is the square gonna be a poster? Will it be a branded sitcom, a radio spot, a website? You don't know. All you know is the square's still empty. So you both go through the brand stories you find online, on the client's website, what people are saying in the Amazon reviews. You go through the reams of material the account team left in your office. You discover the bourbon you're working on is manufactured in a little town with a funny name. You point this out to your partner. Your partner keeps staring out the window at some speck in the distance. (Or is that a speck on the glass? Can't be sure.) He says, “Oh.” Down the hallway, a phone rings. Paging through an industry magazine, your partner points out that every few months the distillers rotate the aging barrels a quarter turn. You go, “Hmm.” On some blog, you read how moss on trees happens to grow faster on the sides that face a distillery's aging house. Now that's interesting. You feel the shapeless form of an idea begin to bubble up from the depths. You poise your pencil over the page…and it all comes out in a flash of creativity. (Whoa. Someone call 911. Report a fire on my drawing pad 'cause I am SMOKIN' hot.) You put your pencil down, smile, and read what you've written. It's complete rubbish. You call it a day and slink out to see a movie. This process continues for several days, even weeks, and then one day, completely without warning, an idea just shows up at your door, all nattied up like a Jehovah's Witness. You don't know where it comes from. It just shows up. That's how you come up with ideas. Sorry, there's no big secret. That's basically the drill.
Luke Sullivan (Hey, Whipple, Squeeze This: The Classic Guide to Creating Great Ads)
Suddenly Heller turned serious and stepped away from Lawson. He came straight at me—okay, what the hell was he doing?—and I about swallowed my tongue. Heller hugged me like a long-lost brother. “Thank you for protecting my mate,” he whispered in my ear. “You’re welcome. You mean the world to him, you know?” I left it at that because, really, what more was there to say? “Yeah, I do know. Now he needs to know.” Heller stepped back from me, then turned around to face Lawson. Then he went down on one knee. Lawson gasped, Remi thrust his fist in the air and yelled, “Yes,” and I rolled my eyes. Of course, that was more for show than anything. I did have a reputation to keep up “Lawson?” Heller held his hand out to Lawson, who took it. “You’re my everything, but I’ve told you that. My life would be… would be incomplete without you. You’re my mate—my one and only. What I haven’t done is tell you that… that… I love you, and I don’t know why I haven’t. I think… no, I know I fell in love with you the moment I looked into those beautiful gunmetal-gray eyes of yours at your shop.” “Jesus, Heller,” Lawson gasped. Heller pulled a small box out of his front pocket. “Shifters don’t marry… not like humans. Sometimes we have to shift with next to no warning, so we don’t wear jewelry.” “But… you don’t shift, and being part human, I guessed marriage means a lot to you. It does, right?” Lawson wiped his eyes. “Oh God, yes, it does. Especially since now gays can marry.” “Will… will you wear my ring? Will you… will you wear it so the whole world can see that you’re taken?” “Fuck.” Lawson dropped to his knees and threw his arms around Heller, sobbing into his neck. “Dammit, hellcat! I love you. I love you so much.” Lawson pulled back to look at Heller. “Yes, yes, I will wear your ring. Oh my God, you’re unbelievable! Put it on me!” Remi eased his arm around me and rested his head on my shoulder. “Beautiful, isn’t it?” I turned my head and kissed his hair. “They worked hard for this.” “Yes, they did. How many times do you think he rehearsed this speech?” “At least ten.” After a passionate kiss I thought I might have to break up before they set the rug on fire, the four of us munched on goodies, drank a couple of beers, and spent what was left of the evening watching movies. Things were going exceptionally well. I couldn’t help but wonder when the other shoe would drop
M.A. Church (It Takes Two to Tango (Fur, Fangs, and Felines #3))
So while we formally mourn the dead from our past wars once a year, we increasingly see war as something that happens when peace—the normal state of affairs—breaks down. At the same time we can indulge a fascination with great military heroes and their battles of the past; we admire stories of courage and daring exploits in war; the shelves of bookshops and libraries are packed with military histories; and movie and television producers know that war is always a popular subject. The public never seems to tire of Napoleon and his campaigns, Dunkirk, D-Day or the fantasies of Star Wars or The Lord of the Rings. We enjoy them in part because they are at a safe distance; we are confident that we ourselves will never have to take part in war. The result is that we do not take war as seriously as it deserves. We may prefer to avert our eyes from what is so often a grim and depressing subject, but we should not.
Margaret MacMillan (War: How Conflict Shaped Us)
I didn’t get around to reading the Lord of the Rings until after I saw Peter Jackson’s movie adaptations, which I thought did a much better job of telling the story than the books. I know the text is legendary and deeply beloved, but it is also slo-ow. It takes forever to get going. Frodo waits something like five years between discovering the ring and leaving the shire. Many characters get little or no introduction, important things happen in flashback or get relegated to the appendices, and the villain never even actually makes an appearance. The real central message isn’t about friendship or singsongy environmentalism, but is something that the late wife of William Burroughs could certainly appreciate: never trust a junkie. Conventional
Craig McLay (Village Books)
I tracked down a vegan baker and had this cake special ordered for tonight. It’s a vanilla cake made with almond milk and maple syrup, glazed with cocoa icing. The damn thing smells delicious, yet my mouth is as dry as the Sahara Desert. That’s probably because of the message. Or, I should say, question iced on top of the cake. Walking up to the kitchen, I see her shaking her booty as she sings to the loud music blasting through the apartment. In her hand, she has a knife and is cutting up a banana. On the stove, I can see a small pot of melted dark chocolate and what looks like toasted and chopped walnuts on a plate. “Hey, babe! You’re home too early.” She gives me a fake pout. “I wanted to surprise you.” Setting my chin on her shoulder, I place my hands on her hips and watch as she starts cutting up another banana. “Surprise me with what, Pixie?” “Something sweet for us to eat while we watch the movie tonight.” Kissing the side of her neck, I murmur into her skin, “I’ve got your sweet covered.” She looks at the box with curious eyes. “Oh? And what do you have there, Trevor Blake?” Lifting the lid, I push the now visible cake with its question closer to her, and she gasps. Her hands start to tremble, and I watch the hand holding the knife with a wary eye. Perhaps I should have asked her to put that down first. I watch her face as her eyes tear up at the question in red icing. Will You Marry Me? The ring is the dot at the bottom of the question mark, shiny and blinking at her. Standing here, I wait for an answer. And I wait more. Thing is, it’s too quiet. There are silent tears running down her face, but she’s not said a single word. Fuck. What if she isn’t ready for this? I open my mouth to try to fix this, but suddenly my little sprite is squealing loudly, jumping up and down. I should be fucking thrilled that she’s happy, but all I can see is that knife bouncing up and down with her little body. She’s talking so fast I can barely understand what she’s saying. “Oh-my-gosh-Trevor-are-you-serious-right-now!” “Babe, happy as hell that you’re excited, but can you do me a favor really quick?” Paisley stops jumping up and down and nods her head repeatedly like a bobble head doll. I have to stop myself from laughing at her. She smiles brightly at me. “If you wanna know my answer, it’s yes!” “Well, that, too. But, Pixie, can you please put down the knife? Would really fucking hate it if one of us got accidentally stabbed on the night that I’m asking you to become my wife.
Chelsea Camaron (Coal (Regulators MC, #3))
Waiting for a late friend. Waiting in line at the movies. Waiting for the phone to ring. Waiting for the mail. Waiting at the checkout counter. Waiting in traffic. Waiting for the train. Waiting for the plane. Waiting in a darkened theater. Waiting in a foreign country. Waiting to give birth. Waiting for sluggish minors. Waiting for elderly parents. Waiting for something to go wrong. Waiting at the doctor’s office. The waiting of chronic illness. Eroded public services waiting. Waiting for the Messiah. Wait list waiting. The hoping and waiting, the waiting and hoping. The waiting of childhood. The waiting to grow up. The waiting of old age. Waiting to recover. Waiting for another stroke. Waiting for the body to let go. Waiting for inspiration. Letting-the-field-lie-fallow waiting. The thinking-of-nothing and thinking-of-everything waiting. Waiting just as the storm ends. Waiting for the sun.
Kyo Maclear (Birds Art Life: A Year of Observation)
marlow martin | January 1, 2016 Noted Ring Names: Dean Ambrose, Jon Moxley From: Cincinnati, Ohio Date of Birth: December 7, 1985 WWE Debut: Survivor Series 2012 WWE Titles Held: United States Championship, Intercontinental Championship Born: December 7, 1985 (age 30), Cincinnati, OH Height: 6′ 4″ Weight: 225 lbs Nationality: American Trained by: Les Thatcher Movies and TV shows: WWE Raw, 12 Rounds 3: Lockdown Dean Ambrose started his career back in 2004 under the name of Jon Moxley. Earning high praise from independent companies around the world, he became a household name for the hardcore, holding championship gold in companies such as Combat Zone Wrestling. With his name capturing the attention of wrestling fans across the globe, Jon soon earned a developmental contract with the WWE. He then took on the name of Dean Ambrose and began the process of cementing his name in stone. Feuding with William Regal and Seth Rollins most notably on NXT, Ambrose went on to make his much anticipated main roster debut at Survivor Series 2012, coming in alongside Seth Rollins and Roman Reigns to make a massive impact in the main event, aiding CM Punk in retaining his WWE Championship. The Shield have torn an unstoppable path through the WWE and at Extreme Rules 2013, Dean laid claim to his first taste of WWE gold, capturing the
Marlow Martin (Dean Ambrose)
Tommy always used to tell me, “We’re on different highways. You are young, so we see things different. You go your way. I go my way.” I never really understood what he meant by that, but I found myself thinking of those words while his phone was ringing. He didn’t answer, so I left a message: “Hey, Tommy. Just wondering how you’re doing and how London is. I hope you’re on a good highway.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
While timing was only part of the issue with Doris Day, it would be a key reason why, from the mid-1950s onward, good people were unable to appear in good musicals. An original like Never Steal Anything Small was unsuccessful on every level—and heinous in its waste of Jimmy Cagney’s talent—while skillful adaptations like Silk Stockings and Bells Are Ringing flopped resoundingly. As fewer opportunities arose, they were sometimes attended by the questionable notion that dubbing solves all problems. This is why Rossano Brazzi and Sidney Poitier could look great, in South Pacific and Porgy and Bess, and sound ostensibly like the opera singers who were doing the actual vocalizing. While dubbing had been present from the very beginning, it achieved some kind of pinnacle from the mid-fifties to the late sixties. Hiring nonsinging names like Deborah Kerr and Rosalind Russell and Natalie Wood and Audrey Hepburn, even nonsinging non-names like Richard Beymer, was viewed as a form of insurance, conviction be damned.8 Casting for name recognition instead of experience has long been part of the film equation, and it cuts both ways. It may, for example, have seemed more astute than desperate to put Lee Marvin and Clint Eastwood into Paint Your Wagon, despite the equivocal results. Nicole Kidman in Moulin Rouge! was far less a musical player than a photogenic, aurally enhanced artifact, and many people left Mamma Mia! wondering if Pierce Brosnan’s execrable singing was intended as a deliberate joke. In contrast with these are the film people who take the plunge with surprising ease.
Richard Barrios (Dangerous Rhythm: Why Movie Musicals Matter)
He feeds me a hearty dinner, and together we watch dubbed movies late into the night. And there’s Panadería La Union, about which I hear stories months before I actually arrive. Its location is triple-ringed excitedly on my dog-eared map, and a note scrawled to the side: ‘Bakery. Delicious empanadas and cakes. Hosts cyclists for free.
Lonely Planet (Lonely Planet Epic Bike Rides of the World)
Despite repeated and increasingly terrifying efforts to end Andrew Jackson II once and for all – including forcing him to watch all three extended versions of the Lord of the Rings movies and the entire Hobbit trilogy without a bathroom break – Chester A. Arthur XVII and the Five Lincolns ultimately reconciled themselves to simply burying the reconstituted president alive, deep, deep underground in the atomic backwoods of Romania, where he would surely not harbor a grudge, and even more surely never bother anyone ever again.
Eirik Gumeny (The End of Everything Forever (Exponential Apocalypse))
IF HE CAN'T SEE WHERE HE IS, THEN HE CAN'T TALK ABOUT WHERE HE IS
Tim Heidecker
I have it under pretty good authority that Peter Jackson is familiar with this book, and is currently preparing not one, not two, not three, not four, but over a hundred separate movies based on the characters in the Silmarillion
Gregg Turkington
In New York City on a February morning nearly fifty years later, the faintest pale light begins to limn the buildings. A movie, a romantic adventure. It still plays that way in my imagination. And yet, unlike in a movie, I will now pay the consequences of my foolish actions. So many years later, when I have finally begun to offer something of value to the world, something that heals the wounds of time and life, I will have to flee, leave it all behind. I can’t bear it. Worse, though, how can I bear prison? Either way, I will no longer live the life I so love. A tear stings my eye. I don’t want to give this up. This home, these nieces of mine, my Instagram world, this full and satisfying life. Wallowing has never been my style. But . . . where will I go? Who will be there when I arrive? In the dark, I let myself shed tears of regret. My phone rings in my hand, startling me. The screen says Asher. My heart drops. “Asher? Is everything all right?” “Sam is in the hospital. Intensive care.” And suddenly the vistas of faraway lands disappear, and I see myself in prison gray, because I cannot leave my niece. I won’t. “I’ll be right there.” Chapter Eighteen Sam The next time I awaken, my headache is vaguely less horrific. It’s still there, pulsing around the skin of my brain, and I feel dizzy and strange, but I can also actually see a little bit. There are no windows, so I can’t tell what time it is. An IV pumps drugs into my arm, and a machine beeps my heartbeat. I swing my head carefully to the right, and there is Asher, sound asleep. He looks terrible, his skin pale and greasy, his hair unkempt. The vision from my dream pops up, of him balding and older, our two little boys,
Barbara O'Neal (Write My Name Across the Sky)
You got a name?” the ring announcer asked me. I’m sure I had thought of a million ideas, but I was drawing a blank. This was all happening fast, and I had nothing. I totally froze. A wrestler who went by the name Tack turned to Cody, “He’s like the F’n guy from the movie, Varsity Blues, Jonathan Moxley!” In the movie the guy’s name is Jonathan Moxon. So thankfully, he had actually messed it up. Cody gave the OK sign to the ring announcer. I was busy pissing my pants, so I didn’t offer anything. Just like that, I had a name, a name I like to think I’ve defined as my own. The fact that women wearing whipped-cream bikinis are often lurking around every corner ready to accost me is purely a coincidence.
Jon Moxley (MOX)
The 'fundamental attribution error' is a psychological phenomenon in which we tend to view other people's actions as reflections of their characters and to overlook the power of situation to influence their actions, whereas with ourselves, we recognize the pressures of circumstance. When other people's cell phones ring during a movie, it's because they're inconsiderate boors; if my cell phone rings during a movie, it's because I need to be able to take a call from the babysitter. I tried to remember not to judge people harshly, especially on the first or second encounter. Their actions might not reveal their enduring character but instead reflect some situation they find themselves in. Forbearance is a form of generosity.
Gretchen Rubin (The Happiness Project)
All that is gold does not glitter, Not all those who wander are lost; The old that is strong does not wither, Deep roots are not reached by the frost. From the ashes a fire shall be woken, A light from the shadows shall spring; Renewed shall be blade that was broken, The crownless again shall be king. — J.R.R. Tolkien, The Fellowship of the Ring
J.R.R. Tolkien (THE LORD OF THE RINGS Trilogy - (The Fellowship of the Ring, The Return of the Ring, The Two Towers) - 3 BOOK SET (MOVIE COVERS))
Oculus[2,3,8,12,8,6] = [14,2,10,7,5] = [12,2,3,17] = [14,12,13] = [1,15] = 14, Box Model For Paisbox Molecular Portal [phirand, ring, circlet, diadem, itemizer, abstracter] Attributes= pi= Modulation, phi= Abstraction, HP[health], MP[mana] Elements= Hexagonal Sphere= HP, MP; Mana Prism= pi, phi Finally, POAMULET[3,2,1,13,8,12,5,7]= "The (Oculus) Is Injected Into (Paisbox) To Create The Amulet
Jonathan Roy Mckinney Gero EagleO2
When the phone rang she did not look at it the way they do in the movies. Real people don't look at ringing phones.
Don DeLillo (The Body Artist)
Much as the hunter, deep in the backcountry, often thinks of his family by the hearth, so too the warrior on the distant battlefield longs for a homecoming. Similarly, when they return home, the hunter dreams of going back to the woods, just as the warrior yearns for battle. Is it the guilt of no longer being in the fight? Not standing shoulder to shoulder with brothers in arms? Or is it missing the sense of belonging that only comes from being part of a team that has spilt blood in war? Or is it something darker? Is it because of the kill? Is it because that is the only place one can truly feel alive? Martin Sheen’s line from Apocalypse Now, the movie my BUD/S class watched before going into Hell Week, rings true for those who have answered the call: “When I was here, I wanted to be there. When I was there, all I could think of was getting back into the jungle.” Warriors can relate.
Jack Carr (The Terminal List, True Believer, and Savage Son)
The present wasn't really the ring. The present wasn't even really the proposal. The present was three years of barbecues and escape rooms and raspberry pear pies, wine prayers exchanged at Passover and late-night movie screenings. It was the fact that when I needed help moving, washing dishes, figuring out what board games to buy, there was always someone there. The present was this little tribe of reliable people who considered me a part of them. It was this feeling of belonging. You're ours.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
INT. EDORAS, GOLDEN HALL - DAWN CLOSE ON: ARAGORN bursts into the GOLDEN HALL. ARAGORN The beacons of Minas Tirith! The beacons are lit! Condor calls for aid! ANGLE ON: THEODEN looks up startled. (CONTINUED) Final Revision - October, 2003 44, CONTINUED: CLOSE ON: EOWYN, EOMER turn to look at their UNCLE ... tension builds. CLOSE ON: THEODEN his head lowered ... Slowly it rises - he looks ARAGORN in the EYE. THEODEN Then Rohan will answer. Muster the Rohirrim! EXT.
James Wtorkowski (Lord of the Rings: Return of the King: movie script)