“
Clary,
Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do.
I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you.
All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me.
The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go.
I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you.
_Jace
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
I need a weapon,” Valkyrie muttered.
“You’re an Elemental with a Necromancer ring, trained in
a variety of martial arts by some of the best fighters in the world,” Skulduggery pointed out. “I’m fairly certain that makes you a weapon.”
“I mean a weapon you hold. You have a gun, Tanith has a sword... I want a stick.”
“I’ll buy you a stick for Christmas.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
Courage will now be your best defence against the storm that is at hand-—that and such hope as I bring.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Maybe you’ve invested a lot of time, effort, money, emotion, and energy in a relationship; you did your best to make it work out. But for some reason, things got off course. And now you feel as though you have been robbed. When we focus on or disappointments, we stop God from ringing fresh new blessing into our lives.
”
”
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
“
First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth.
Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself.
It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
”
”
Carson McCullers (The Ballad of the Sad Café and Other Stories)
“
Chumps always make the best husbands. When you marry, Sally, grab a chump. Tap his head first, and if it rings solid, don't hesitate. All the unhappy marriages come from husbands having brains. What good are brains to a man? They only unsettle him.
”
”
P.G. Wodehouse (Doctor Sally)
“
hope for the best, prepare for the worst
”
”
Chris Bradford (The Ring of Earth (Young Samurai, #4))
“
We shouldn't be here at all, if we'd known more about it before we started. But I suppose it's often that way. The brave things in the old tales and songs, Mr. Frodo: adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that's not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually — their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn't. And if they had, we shouldn't know, because they'd have been forgotten. We hear about those as just went on — and not all to a good end, mind you; at least not to what folk inside a story and not outside it call a good end. You know, coming home, and finding things all right, though not quite the same — like old Mr Bilbo. But those aren't always the best tales to hear, though they may be the best tales to get landed in! I wonder what sort of a tale we've fallen into?
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
Myron reached for the phone and dialed Win's number. After the eighth ring he began to hang up when a weak, distant voice coughed. "Hello?"
Win?"
Yeah."
You okay?"
Hello?"
Win?"
Yeah."
What took you so long to answer the phone?"
Hello?"
Win?"
Who is this?"
Myron."
Myron Bolitar?"
How many other Myrons do you know?"
Myron Bolitar?"
No, Myron Rockefeller."
Something's wrong," Win said.
What?"
Terribly wrong."
What are you talking about?"
Some asshole is calling me at seven in the morning pretending to be my best friend."
Sorry, I forgot the time.
”
”
Harlan Coben (Deal Breaker (Myron Bolitar, #1))
“
Frodo was now safe in the Last Homely House east of the Sea. That house was, as Bilbo had long ago reported, ‘a perfect house, whether you like food or sleep, or story-telling or singing, or just sitting and thinking best, or a pleasant mixture of them all.’ Merely to be there was a cure for weariness, fear and sadness.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
When Summer lies upon the world, and in a noon of gold, Beneath the roof of sleeping leaves the dreams of trees unfold;
When woodland halls are green and cool, and wind is in the West, Come back to me! Come back to me, and say my land is best!
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
Knowing, or thinking we know, can lead to many commotions. What we believe, we know, is maybe a mere illusion. Crucial elements might have disappeared from our mind file and lost in the mist of our memory until suddenly, some bells start ringing. These bells may remind us of correcting our knowledge profile and call us to order. ("The past was her best friend")
”
”
Erik Pevernagie
“
...a perfect house, whether you like food or sleep or story-telling or singing, or just sitting and thinking best, or a pleasant mixture of them all.' Merely to be there was a cure for weariness, fear, and sadness.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
I don't remember everything," he said.
"Not yet. But I remember you."
He brought her hand up, touched the gold ring on her right index finger, the Fair Folk metal warm to the touch.
"Clary," he said.
"You're Clary. You're my best friend.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Kestrel felt a slow, slight throb, a shimmer in the blood. She knew it well.
Her worst trait. Her best trait.
The desire to come out on top, to set her opponent under her thumb.
A streak of pride. Her mind ringed with hungry rows of foxlike teeth.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I don’t like anything here at all.” said Frodo, “step or stone, breath or bone. Earth, air and water all seem accursed. But so our path is laid.”
“Yes, that’s so,” said Sam, “And we shouldn’t be here at all, if we’d known more about it before we started. But I suppose it’s often that way. The brave things in the old tales and songs, Mr. Frodo, adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and
looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that’s not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn’t. And if they had, we shouldn’t know, because they’d have been forgotten. We hear about those as just went on, and not all to a good end, mind you; at least not to what folk inside a story and not outside it call a good end. You know, coming home, and finding things all right, though not quite the same; like old Mr Bilbo. But those aren’t always the best tales to hear, though they may be the best tales to get landed in! I wonder what sort of a tale we’ve fallen into?”
“I wonder,” said Frodo, “But I don’t know. And that’s the way of a real tale. Take any one that you’re fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don’t know. And you don’t want them to.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
William: I just had the best idea ever. Let's give Maddox a ring.
Paris: You mean propose to him? To grumpy ole Maddox? Willie, why didn't you tell us you're a masochist, who swung that way? You're so delicate, he'll rip you to shreds the moment you climb into his bed. Plus, he's hitched himself to Ashlyn. You try to lay a move on him, and that sweet thang will rearrange your face.
William: I mean call him, you idiot. What's with you tonight? Permanent brain damage? We'll breath heavily and ask him what he's wearing. I bet no one's phone sexed him before.
”
”
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
“
The most we can hope for is to create the best possible conditions for success, then let go of the outcome. The ride is a lot more fun that way.
”
”
Phil Jackson (Eleven Rings: The Soul of Success)
“
Books are, let's face it, better than everything else. If we played Cultural Fantasy Boxing League, and made books go fifteen rounds in the ring against the best that any other art form had to offer, then books would win pretty much every time.
”
”
Nick Hornby (The Polysyllabic Spree)
“
Books are, let's face it, better than everything else. If we played cultural Fantasy Boxing League, and made books go 15 rounds in the ring against the best that any other art form had to offer, then books would win pretty much every time. Go on, try it. “The Magic Flute” v. Middlemarch? Middlemarch in six. “The Last Supper” v. Crime and Punishment? Fyodor on points. See? I mean, I don’t know how scientific this is, but it feels like the novels are walking it. You might get the occasional exception -– “Blonde on Blonde” might mash up The Old Curiosity Shop, say, and I wouldn’t give much for Pale Fire’s chance against Citizen Kane. And every now and again you'd get a shock, because that happens in sport, so Back to the Future III might land a lucky punch on Rabbit, Run; but I'm still backing literature 29 times out of 30.
”
”
Nick Hornby (The Polysyllabic Spree)
“
unaccountably we are alone
forever alone
and it was meant to be
that way,
it was never meant
to be any other way–
and when the death struggle
begins
the last thing I wish to see
is
a ring of human faces
hovering over me–
better just my old friends,
the walls of my self,
let only them be there.
I have been alone but seldom
lonely.
I have satisfied my thirst
at the well
of my self
and that wine was good,
the best I ever had,
and tonight
sitting
staring into the dark
I now finally understand
the dark and the
light and everything
in between.
peace of mind and heart
arrives
when we accept what
is:
having been
born into this
strange life
we must accept
the wasted gamble of our
days
and take some satisfaction in
the pleasure of
leaving it all
behind.
cry not for me.
grieve not for me.
read
what I’ve written
then
forget it
all.
drink from the well
of your self
and begin
again.
Mind and Heart
”
”
Charles Bukowski (Come On In!: New Poems)
“
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.
Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.
That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.
Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb
Iron Dragon's Daughter
gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?
Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.
The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
”
”
China Miéville
“
You’re right.” I loosen my fingers from hers so I can hold her face between both hands. “Going to Houston is my best shot at winning a ring.” “Then why would you—” “But staying here,” I cut in, caressing the fullness of her bottom lip with my thumb. “Staying is my best shot at winning you.
”
”
Kennedy Ryan (Long Shot (Hoops, #1))
“
Is it not a strange fate that we should suffer so much fear and doubt for so small a thing? So small a thing! And I have seen it only for an instant in the house of Elrond! Could I not have a sight of it again?"
Frodo looked up. His heart went suddenly cold. He caught the strange gleam in Boromir's eyes, yet his face was still kind and friendly. "It is best that it should lie hidden," he answered.
"As you wish. I care not." said Boromir.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
To set one's name to a work gives no one a title to be remembered, for who knows how many of the best of men have gone without a trace? The iniquity of oblivion blindly scatters her poppyseed and when wretchedness falls upon us one summer's day like snow, all we wish for is to be forgotten.
”
”
W.G. Sebald (The Rings of Saturn)
“
I will see to this; you see to your sister. Be quick about it. It won’t be long before I come for you, and you’d best be ready, Jess, with my ring still gracing your hand. You won’t stay me then. I’ll drag you to Scotland in irons if I have to.”
He left her in a rush. As always, taking her heart with him.
”
”
Sylvia Day (Seven Years to Sin)
“
It is best to love first what you are fitted to love, I suppose: you must start somewhere and have some roots, and the soil of the Shire is deep. Still there are things deeper and higher; and not a gaffer could tend his garden in what he calls peace but for them, whether he knows about them or not. I am glad that I know about them, a little.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
Indeed you did your best...I hope that it may be long before you find yourself in such a tight corner again between two such terrible old men.
~ Gandalf to Pippin
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Go now, and die in what way seems best to you.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
But if I had spoken sooner, it would not have lessened your desire, or made it easier to resist. On the contrary! No, the burned hand teaches best. After that advice about fire goes to the heart.
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
The scientific theory I like best is that the rings of Saturn are composed entirely of lost airline luggage.
”
”
Mark Russell
“
Ysabeau wanted me to know she approved of you. Like the gold from which it is made, you are steadfast. You hide many secrets within you, just as the bands of the ring hide the poesies from view. But it is the stone that best captures who you are: bright on the surface, fiery within, and impossible to break.
”
”
Deborah Harkness (Shadow of Night (All Souls Trilogy, #2))
“
Always check for traps, left is always right unless there's a middle, always put your healer in the best armor and wear your magic rings on your toes instead of your fingers...What else?...Always have rope.
”
”
Kate Milford (Greenglass House (Greenglass House, #1))
“
Dear me! We Tooks and Brandybucks, we can't live long on the heights.'
'No,' said Merry. 'I can't. Not yet, at any rate. But at least, Pippin, we can now see them, and honour them. It is best to love first what you are fitted to love, I suppose: you must start somewhere and have some roots, and the soil of the Shire is deep. Still there are things deeper and higher; and not a gaffer could tend his garden in what he calls peace but for them, whether he knows about them or not.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
And do you know what “the world” is to me? Shall I show it to you in my mirror? This world: a monster of energy, without beginning, without end; a firm, iron magnitude of force that does not grow bigger or smaller, that does not expend itself but only transforms itself; as a whole, of unalterable size, a household without expenses or losses, but likewise without increase or income; enclosed by “nothingness” as by a boundary; not something blurry or wasted, not something endlessly extended, but set in a definite space as a definite force, and not a space that might be “empty” here or there, but rather as force throughout, as a play of forces and waves of forces, at the same time one and many, increasing here and at the same time decreasing there; a sea of forces flowing and rushing together, eternally changing, eternally flooding back, with tremendous years of recurrence, with an ebb and a flood of its forms; out of the simplest forms striving toward the most complex, out of the stillest, most rigid, coldest forms striving toward the hottest, most turbulent, most self-contradictory, and then again returning home to the simple out of this abundance, out of the play of contradictions back to the joy of concord, still affirming itself in this uniformity of its courses and its years, blessing itself as that which must return eternally, as a becoming that knows no satiety, no disgust, no weariness: this, my Dionysian world of the eternally self- creating, the eternally self-destroying, this mystery world of the twofold voluptuous delight, my “beyond good and evil,” without goal, unless the joy of the circle is itself a goal; without will, unless a ring feels good will toward itself— do you want a name for this world? A solution for all of its riddles? A light for you, too, you best-concealed, strongest, most intrepid, most midnightly men?— This world is the will to power—and nothing besides! And you yourselves are also this will to power—and nothing besides!
”
”
Friedrich Nietzsche (The Will to Power)
“
The best that can be said about Victorian hospitals is that they were a slight improvement over their Georgian predecessors. That’s hardly a ringing endorsement when one considers that a hospital’s “Chief Bug-Catcher”—whose job it was to rid the mattresses of lice—was paid more than its surgeons.
”
”
Lindsey Fitzharris (The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine)
“
All the same, I should like it all plain and clear," said he obstinately, putting on his business manner (usually reserved for people who tried to borrow money off him), and doing his best to appear wise and prudent and professional and live up to Gandalf's recommendation. "Also I should like to know about risks, out-of-pocket expenses, time required and remuneration, and so forth"--by which he meant: "What am I going to get out of it ? and am I going to come back alive?
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again)
“
But I suppose it’s often that way. The brave things in the old tales and songs, Mr. Frodo: adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that’s not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually – their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn’t. And if they had, we shouldn’t know, because they’d have been forgotten. We hear about those as just went on – and not all to a good end, mind you; at least not to what folk inside a story and not outside it call a good end. You know, coming home, and finding things all right, though not quite the same – like old Mr. Bilbo. But those aren’t always the best tales to hear, though they may be the best tales to get landed in!
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
No, the burned hand teaches best. After that advice about fire goes to the heart.
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
To set one's name to a work gives no one a title to be remembered, for who knows how many of the best of men have gone without a trace?
”
”
W.G. Sebald (The Rings of Saturn)
“
He pressed another kiss to her lips as he took her hand into his. "I'm sorry for being a jerk last night and almost making the biggest mistake of my life. I was afraid of hurting you. I know what I am and I also know you deserve a guy that can spoil you rotten and take you to all the nice places that you deserve. I-"
"Jason, I don't care about those things," she said softly.
He shook his head stubbornly. "It doesn't mean that you don't deserve them, but if you give me a chance to make up for my past stupidity, and I'm not just talking about with you, I promise that I will do my best to make you happy."
"Jason-"
"I want to try this. You and me, I mean. I know I'll most likely fuck up along the way and you'll want to ring my neck, but I want to try. I'll do my best not to hurt you.
”
”
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
“
Getting rid of dragons is not at all in my line, but I will do my best to think about it. Personally I have no hopes at all, and wish I was safe back at home.
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again)
“
Climbing into the ring, the best-prepared fighter is the one who has tried to understand their opponent. Especially if it’s yourself.
”
”
Bono (Surrender: 40 Songs, One Story)
“
The ball was held in a middle-class home. The girls were anemic - some of them; the others were red as raspberries. John liked the pale ones best, the ones with black or blue rings round their eyes. They looked so sad and suffering and pitiable, and they cast tender yearning glances at him, such yearning glances.
”
”
August Strindberg (The Son of a Servant)
“
Shelby handed off her bouquet and faced Luke, taking both his hands in hers. And she
began: “Luke, I love you. I promise that each day I have you in my life, I will show you my love.”
Noah's eyes drifted to Ellie's and a smile played about his lips as the bride and groom
spoke.
“Shelby, I love you. In each day of our lives together, I will show my love. And where
there is injury, I will pardon without hesitation.”
“Where there is doubt, Luke, I will have faith in you.”
“In times of despair, you will be my hope.”
“In times of darkness, I will find my light in you.”
“When there is sadness, let me bring you joy.”
“Luke, I will not so much seek to be consoled as to console.”
“I will seek to understand, not just to be understood.”
“I will love, not just crave love.”
“I pledge you my heart, my life.”
“And I pledge mine to you.”
“I, Luke Riordan, take you, Shelby MacIntyre, to be wife, my best friend, my lover, my partner, the head of my family and other half of my heart. Forever.” He slid a ring on her finger.
Shelby slid a ring onto his finger. “I, Shelby MacIntyre, take you, Luke Riordan, to be my
husband, best friend, lover, partner, head of my family and other half of my heart. Forever.
”
”
Robyn Carr (Forbidden Falls (Virgin River, #8))
“
Jared,” I whispered. I held his hand, and then placed the ring around the tip of his finger. “I choose you as my best friend, and my love for life. I promise you my deepest love, my fullest devotion, my most tender care…through the pressures of the present and the uncertainties of the future, I promise to be faithful to you. It wasn’t until just now that I recognize that this wasn’t coincidence, or a battle. We were always meant for each other. Our love is heaven sent, and I promise to honor that forever and always. From this day forward, you won’t walk alone. My heart will be your shelter and my arms will be your home.
”
”
Jamie McGuire (Eden (Providence, #3))
“
If you've ever read one of those articles that asks notable people to list their favorite books, you may have been impressed or daunted to see them pick Proust or Thomas Mann or James Joyce. You might even feel sheepish about the fact that you reread Pride and Prejudice or The Lord of the Rings, or The Catcher in the Rye or Gone With the Wind every couple of years with some much pleasure. Perhaps, like me, you're even a little suspicious of their claims, because we all know that the books we've loved best are seldom the ones we esteem the most highly - or the ones we'd most like other people to think we read over and over again.
”
”
Laura Miller (The Magician's Book: A Skeptic's Adventures in Narnia)
“
When I was three years old and in my mother's arms, she looked down at me and said, "Son, the way I'm taking care of you now, when you get old, always have a woman to take care of you like this." Dig this! All I'm goin' do is rest and dress, buy gasoline and lean. I'm goin' buy diamond rings and have the best of everything. I'm goin' pimp whores.
”
”
Donald Goines (Whoreson: The Story of a Ghetto Pimp)
“
Jimmy looks down at the ring in his hand. He sighs before looking at me. “I understand what you’re saying, and if I were you, I’d feel the same way. I know I’m not the best man out there, but I look at you and you make me want to be better. I know what people think of me. I know you and everyone else thinks I’m a man-whore or I’m too young to be tied down. Maybe this will be temporary or maybe it will be for life, I don’t know, but it feels right. I don’t do commitments, but when I look at you, I see a future. I see my future.
”
”
Heidi McLaughlin (Finding My Forever (Beaumont #3))
“
Great meals rarely start at points that all look like beginnings. They usually pick up where something else leaves off. This is how most of the best things are made - imagine if the world had to begin from scratch each dawn: a tree would never grow, nor would we ever get to see the etchings of gentle rings on a clamshell... Meals' ingredients must be allowed to topple into one another like dominos. Broccoli stems, their florets perfectly boiled in salty water, must be simmered with olive oil and eaten with shaved Parmesan on toast; their leftover cooking liquid kept for the base for soup, studded with other vegetables, drizzled with good olive oil, with the rind of the Parmesan added for heartiness. This continuity is the heart and soul of cooking.
”
”
Tamar Adler (An Everlasting Meal: Cooking with Economy and Grace)
“
A beautiful woman should always have at the back of her mind that her ravishing appearance is only an ephemeral quality. When she wakes up in the morning, looks into the mirror, and notices that something is fading away, she knows that the time is ripe for marriage. She should be careful of who she takes into her life because the union is gonna be everlasting.
”
”
Michael Bassey Johnson
“
With time to think, the full reality of what had happened hit Thomas like a falling boulder. Ever since Thomas had entered the Maze, Newt had been there for him. Thomas hadn’t realized just how much of a friend he’d become until now. His heart hurt.
He tried to remind himself that Newt wasn’t dead. But in some ways this was worse. In most ways. He’d fallen down the slope of insanity, and he was surrounded by bloodthirsty Cranks. And the prospect of never seeing him again was almost unbearable. [...]
He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences:
Kill me. If you’ve ever been my friend, kill me.
Thomas read it over and over, wishing the words would change. To think that his friend had been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank.
And Thomas had failed him. [...]
“Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!”
Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.”
“Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.”
The words horrified Thomas. “Newt, maybe we can—”
“Shut up! Just shut up! I trusted you! Now do it!”
“I can’t.”
“Do it!”
“I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends?
“Kill me or I’ll kill you. Kill me! Do it!”
“Newt …”
“Do it before I become one of them!”
“I …”
“KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.”
With his heart falling into a black abyss, Thomas pulled the trigger.
”
”
James Dashner (The Death Cure (The Maze Runner, #3))
“
Her Triumph
I did the dragon's will until you came
Because I had fancied love a casual
Improvisation, or a settled game
That followed if I let the kerchief fall:
Those deeds were best that gave the minute wings
And heavenly music if they gave it wit;
And then you stood among the dragon-rings.
I mocked, being crazy, but you mastered it
And broke the chain and set my ankles free,
Saint George or else a pagan Perseus;
And now we stare astonished at the sea,
And a miraculous strange bird shrieks at us.
”
”
W.B. Yeats
“
Becoming a creature of discomfort can unlock hidden potential in many different types of learning. Summoning the nerve to face discomfort is a character skill—an especially important form of determination. It takes three kinds of courage: to abandon your tried-and-true methods, to put yourself in the ring before you feel ready, and to make more mistakes than others make attempts. The best way to accelerate growth is to embrace, seek, and amplify discomfort.
”
”
Adam M. Grant (Hidden Potential: The Science of Achieving Greater Things)
“
The Wheel
Through winter-time we call on spring,
And through the spring on summer call,
And when abounding hedges ring
Declare that winter's best of all;
And after that there's nothing good
Because the spring-time has not come --
Nor know what disturbs our blood
Is but its longing for the tomb.
”
”
W.B. Yeats (The Collected Poems of W.B. Yeats)
“
He gently sucked on my lower lip, biting it carefully with his teeth. It sent tingles all over my body and I had to hold on to his strong shoulders, firm under my fingers. I opened my mouth and tugged once on his lip ring. What happened next was the best sound I had ever heard before. He groaned so deeply that I couldn’t keep my answering moan quiet.
”
”
Stephanie Witter (Six Years)
“
Where and what are Helm’s Deep and all the rest of it?” said Merry. “I don’t know anything about this country.”
“Then you’d best learn something, if you wish to understand what is happening,” said Gandalf. “But not just now, and not from me: I have too many pressing things to think about.”
“All right, I’ll tackle Strider at the camp-fire: he’s less testy. But why all this secrecy? I though we’d won the battle!
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
In the Wide World the Wood-elves lingered in the twilight of our Sun and Moon, but loved best the stars; and they wandered in the great forests that grew tall in lands that are now lost. They dwelt most often by the edges of the woods, from which they could escape at times to hunt, or to ride and run over the open lands by moonlight or starlight; and after the coming of Men they took ever more and more to the gloaming and the dusk. Still elves they were and remain, and that is Good People.
”
”
J.R.R. Tolkien (The Hobbit)
“
YO MAMA SO POOR... Yo mama so poor when I saw her kicking a can down the street, I asked her what she was doing, she said "Moving." Yo mama so poor she can't afford to pay attention. Yo mama so poor when I ring the doorbell I hear the toilet flush. Yo mama so poor when she goes to KFC, she has to lick other people's fingers. Yo mama so poor she went to McDonald's and put a milkshake on layaway. Yo mama so poor your family ate cereal with a fork to save milk. Yo mama so poor her face is on the front of a foodstamp. Yo mama so poor she was in K-Mart with a box of garbage bags. I said, "What ya doin'?" She said, "Buying luggage." Yo mama so poor she waves around a popsicle stick and calls it air conditioning. Yo mama so poor she has the ducks throw bread at her.
”
”
Jess Franken (The 100 Best Yo Mama Jokes)
“
American circumstances and Chiese character. How could I know these two things do not mix?
I taught her how American circumstances work. If you are born poor here, it's no lasting shame. You are first in line for a scholarship. If the roof crashes on your head, no need to cry over this bad luck. You can sue anybody, make the landlord fix it. You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head. You can buy an umbrella. Or go inside a Catholic church. In America, nobody says you have to keep the circumstances somebody else gives you.
She learned thse things, but I couldn't teach her Chinses character. How to obey parents and listen to your mother's mind. How not to show your own thoughts, to put your feelings behind your face so you can take advantage of hidden opportunities. Why easy things are not worth pursuing. How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best.
”
”
Amy Tan (The Joy Luck Club)
“
But this is terrible!" cried Frodo. "Far worse than the worst that I imagined from your hints and warnings. O Gandalf, best of friends, what am I to do? For now I am really afraid. What am I to do? What a pity that Bilbo did not stab that vile creature, when he had a chance!"
"Pity? It was Pity that stayed his hand. Pity, and Mercy: not to strike without need. And he has been well rewarded, Frodo. Be sure that he took so little hurt from the evil, and escaped in the end, because he began his ownership of the Ring so. With Pity."
"I am sorry," said Frodo. "But I am frightened; and I do not feel any pity for Gollum.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
It’s only in faerie tales that everything works out for the best with a magik spell or a prince’s kiss. It’s only in storybooks some little bastard picks up a sword and wields it like he was born to it. The rest of us? We have to work our arses off. And we might not ever taste triumph, but at least we dared to fail. We stand apart from those cowards whispering on the sidelines about how the strong did stumble, while never daring to set foot in the ring themselves. Victors are just folk who were never satisfied being vanquished. The only thing worse than finishing last is not beginning at all. And fuck finishing last.
”
”
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
“
Yes, that's so,' said Sam. 'And we shouldn't be here at all, if we'd known more about it before we started. But I suppose it's often that way. The brave things in the old tales and songs, Mr. Frodo: adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that's not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually – their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn't. And if they had, we shouldn't know, because they'd have been forgotten. We hear about those as just went on – and not all to a good end, mind you; at least not to what folk inside a story and not outside it call a good end. You know, coming home, and finding things all right, though not quite the same – like old Mr Bilbo. But those aren't always the best tales to hear, though they may be the best tales to get landed in! I wonder what sort of a tale we've fallen into?'
'I wonder,' said Frodo. 'But I don't know. And that's the way of a real tale. Take any one that you're fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don't know. And you don't want them to.'
'No, sir, of course not. Beren now, he never thought he was going to get that Silmaril from the Iron Crown in Thangorodrim, and yet he did, and that was a worse place and a blacker danger than ours. But that's a long tale, of course, and goes on past the happiness and into grief and beyond it – and the Silmaril went on and came to Eärendil. And why, sir, I never thought of that before! We've got – you've got some of the light of it in that star-glass that the Lady gave you! Why, to think of it, we're in the same tale still! It's going on. Don't the great tales never end?'
'No, they never end as tales,' said Frodo. 'But the people in them come, and go when their part's ended. Our part will end later – or sooner.
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
The best thing you can do for your kids is to encourage reading for pleasure--it makes required school reading so much easier and deeper and hones grammar, spelling, writing, comprehension, knowledge and imagination ...be it comic books or classics, fiction or non, Lord of the Rings or Lord of the Flies, let them read what they truly like...:)
”
”
Raven Black
“
I did not buy a book called Lord Foul's Bane by Stephen Donaldson, which has the temerity to compare itself, on the front cover, to 'Tolkien at his best.' The back cover attributes the quote to the Washington Post, a newspaper whose quotations will always damn a book for me from now on. How dare they? And how dare the publishers? It isn't a comparison anyone could make, except to say 'Compared to Tolkien at his best, this is dross.' I mean you could say that even about really brilliant books like A Wizard of Earthsea. I expect Lord Foul's Bane (horrible title, sounds like a Conan book) is more like Tolkien at his worst, which would be the beginning of The Simarillion.
The thing about Tolkien, about The Lord of the Rings, is that it's perfect.
”
”
Jo Walton (Among Others)
“
There is a seed of courage hidden (often deeply, it is true) in the heart of the fattest and most timid hobbit, waiting for some final and desperate danger to make it grow. Frodo was neither very fat nor very timid; indeed, though he did not know it, Bilbo (and Gandalf) had thought him the best hobbit in the Shire. He thought he had come to the end of his adventure, and a terrible end, but the thought hardened him.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
. . . you know who Polworth is?"
"Your best mate," said Robin.
"He's my oldest mate," Strike corrected her. "My best mate . . . "
For a split second he wondered whether he was going to say it, but the whisky had lifted the guard he usually kept upon himself: why not say it, why not let go?
" . . . is you."
Robin was so amazed, she couldn't speak. Never, in four years, had Strike come close to telling her what she was to him. Fondness had had to be deduced from offhand comments, small kindnesses, awkward silences or gestures forced from him under stress. She'd only once before felt as she did now, and the unexpected gift that had engendered the feeling had been a sapphire and diamond ring, which she'd left behind when she walked out on the man who'd given it to her.
She wanted to make some kind of return, but for a moment or two, her throat felt too constricted.
"I . . . well, the feeling's mutual," she said, trying not to sound too happy.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
Love is ordinary, love is dull, love is the natural condition of the human heart, love is the message we carry branded on us from the womb but only the best of us will dare to read it and, even when we dare to read it to people who can never understand, it is still there in us like the rings in a tree or the ridges in a shell, part of us, marking the years and the drought and the growth, even if nobody sees it until the tree is cut down.
”
”
Andrew Nicoll
“
It tugs at me, filling me with the kind of seasick nostalgia that can hit you in the gut when you find an old concert ticket in your purse or an old coin machine ring you got down at the boardwalk on a day when you went searching for mermaids in the surf with your best friend.
That punch of nostalgia hits me now and I start to sink down on the sky-coloured quilt, feeling the nubby fabric under my fingers, familiar as the topography of my hand.
”
”
Brenna Ehrlich (Placid Girl)
“
Merry smiled. ‘Well then,’ he said, ‘if Strider will provide what is needed, I will smoke and think. I had some of Saruman’s best in my pack, but what became of it in the battle, I am sure I don’t know.’ ‘Master Meriadoc,’ said Aragorn, ‘if you think that I have passed through the mountains and the realm of Gondor with fire and sword to bring herbs to a careless soldier who throws away his gear, you are mistaken.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
The best man. You know? He hands you the ring and has to marry the bride if you ran away and so on. The Dean's been reading up on it, haven't you, Dean?"
"Oh, yes," said the Dean, who'd spent all the previous day with "Lady Deirdre Waggon's Book of Etiquette". "She's got to marry someone once she's turned up. You can't have unmarried brides flapping around the place, being a danger to society."
"I completely forgot about a best man!" said Vimes.
”
”
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
“
To leave the distracted masses to join the focused few, I’m arguing, is a transformative experience. The deep life, of course, is not for everybody. It requires hard work and drastic changes to your habits. For many, there’s a comfort in the artificial busyness of rapid e-mail messaging and social media posturing, while the deep life demands that you leave much of that behind. There’s also an uneasiness that surrounds any effort to produce the best things you’re capable of producing, as this forces you to confront the possibility that your best is not (yet) that good. It’s safer to comment on our culture than to step into the Rooseveltian ring and attempt to wrestle it into something better.
”
”
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
“
But this is terrible!’ cried Frodo. ‘Far worse than the worst that I imagined from your hints and warnings. O Gandalf, best of friends, what am I to do? For now I am really afraid. What am I to do? What a pity that Bilbo did not stab that vile creature, when he had a chance!’
‘Pity? It was Pity that stayed his hand. Pity, and Mercy: not to strike without need. And he has been well rewarded, Frodo. Be sure that he took so little hurt from the evil, and escaped in the end, because he began his ownership of the Ring so. With Pity.’
‘I am sorry,’ said Frodo. ‘But I am frightened; and I do not feel any pity for Gollum.’
‘You have not seen him,’ Gandalf broke in.
‘No, and I don’t want to,’ said Frodo. I can’t understand you. Do you mean to say that you, and the Elves, have let him live on after all those horrible deeds? Now at any rate he is as bad as an Orc, and just an enemy. He deserves death.’
‘Deserves it! I daresay he does. Many that live deserve death. And some that die deserve life. Can you give it to them? Then do not be too eager to deal out death in judgement. For even the very wise cannot see all ends.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
We make a pretty good team, huh?"
"The best. In fact, I was planning to do this when we got back to the Fairmont, but suddenly I don't want to wait."
"For what?"
Reaching into the pocket of his black pinstripe suit coat, he retrieved a huge square-cut diamond ring and slid it onto her left hand. "What do you say we make this partnership official?"
Tears flooded her eyes. "Do you promise to love me forever?"
His blue eyes went dark with desire and love as he nodded. "Forever and ever."
"Pinky swear?"
He smiled and wrapped his little finger around hers. "Pinky swear"
She leaned in to kiss him. "Then you've got yourself a deal.
”
”
Marie Force (Everyone Loves a Hero)
“
My apologies, see, I forgot my manners.
I get on the mic ’cause it’s my life. You show off for girls and cameras.
You a pop star, not a rapper. A Vanilla Ice or a Hammer.
Y’all hear this crap he dumping out? Somebody get him a Pamper.
And a crown for me. The best have heard about me.
You can only spell “brilliant” by first spelling Bri.
You see, naturally, I do my shit with perfection.
Better call a bodyguard ’cause you gon’ need some protection,
And on this here election, the people crown a new leader.
You didn’t see this coming, and your ghostwriters didn’t either.
I came here to ether. I’m sorry to do this to you.
This is no longer a battle, it’s your funeral, boo. I’m murdering you.
On my corner they call me coroner, I’m warning ya.
Tell the truth, this dude is borin’ ya.
You confused like a foreigner. I’ll explain with ease:
You’re just a casualty in the reality of the madness of Bri.
No fallacies, I spit maladies, causin’ fatalities,
And do it casually, damaging rappers without bandaging.
Imagining managing my own label, my own salary.
And actually, factually, there’s no MC that’s as bad as me.
Milez? That’s cute. But it don’t make me cower.
I move at light speed, you stuck at per hour.
You spit like a lisp. I spit like a high power.
Bri’s the future, and you Today like Matt Lauer.
You coward. But you’re a G? It ain’t convincing to me.
You talk about your clothes, about your shopping sprees.
You talk about your Glock, about your i-c-e.
But in this here ring, they all talking ’bout me,
Bri!
”
”
Angie Thomas (On the Come Up)
“
So this is a story about light and goodness and Truth with a capital T. It's about beauty, and resurrection, and redemption. But for those things to ring true in a child's heart, the storyteller has to be honest. He has to acknowledge that sometimes when the hall light goes out and the bedroom goes dark, the world is a scary place. He has to nod his head to the presence of all the sadness in the world; children know it's there from a very young age, and I wonder sometimes if that's why babies cry. He has to admit that sometimes characters make bad choices, because every child has seen their parent angry or irritable or deceitful--even the best people in our lives are capable of evil.
But of course the storyteller can't stop there. He has to show in the end there is a Great Good in the world (and beyond it). Sometimes it is necessary to paint the sky black in order to show how beautiful is the prick of light. Gather all the wickedness in the universe into its loudest shriek and God hears it as a squeak at best. And that is a comforting thought. When a child reads the last sentence of my stories, I hope he or she drifts to sleep with a glow in their hearts and a warmth in their bones, believing that all shall be well, and all shall be well, and all manner of things shall be well.
”
”
Andrew Peterson (On the Edge of the Dark Sea of Darkness (The Wingfeather Saga, #1))
“
First of all, love is a joint experience between two persons—but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which has lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world—a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring—this lover can be man, woman, child, or indeed any human creature on this earth.
”
”
Carson McCullers (The Ballad of the Sad Café and Other Stories)
“
Mystery the moon
A hole in the sky
A supernatural nightlight
So full but often right
A pair of eyes, a closin' one,
A chosen child of golden sun
A marble dog that chases cars
To farthest reaches of the beach and far beyond into the swimming sea of stars
A cosmic fish they love to kiss
They're giving birth to constellation
No riffs and oh, no reservation.
If they should fall you get a wish or dedication
May I suggest you get the best
For nothing less than you and I
Let's take a chance as this romance is rising over before we lose the lighting
Oh bella bella please
Bella you beautiful luna
Oh bella do what you do
Do do do do do
You are an illuminating anchor
Of leagues to infinite number
Crashing waves and breaking thunder
Tiding the ebb and flows of hunger
You're dancing naked there for me
You expose all memory
You make the most of boundary
You're the ghost of royalty imposing love
You are the queen and king combining everything
Intertwining like a ring around the finger of a girl
I'm just a singer, you're the world
All I can bring ya
Is the language of a lover
Bella luna, my beautiful, beautiful moon
How you swoon me like no other
May I suggest you get the best
Of your wish may I insist
That no contest for little you or smaller I
A larger chance happened, all them they lie
On the rise, on the brink of our lives
Bella please
Bella you beautiful luna
Oh bella do what you do
Bella luna, my beautiful, beautiful moon
How you swoon me like no other, oh oh oh
((Bella Luna))
”
”
Jason Mraz
“
I taught her how American circumstances work. If you are born poor here, it’s no lasting shame. You are first in line for a scholarship. If the roof crashes on your head, no need to cry over this bad luck. You can sue anybody, make the landlord fix it. You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head. You can buy an umbrella. Or go inside a Catholic church. In America, nobody says you have to keep the circumstances somebody else gives you.
She learned these things, but I couldn’t teach her about Chinese character. How to obey your parents and listen to your mother’s mind. How not to show your own thoughts, to put your feelings behind your face so you can take advantage of hidden opportunities. Why easy things are not worth pursuing. How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best.
”
”
Amy Tan (The Joy Luck Club)
“
Of the Three Rings that the Elves had preserved unsullied no open word was ever spoken among the Wise, and few even of the Eldar knew where they were bestowed. Yet after the fall of Sauron their power was ever at work, and where they abode there mirth also dwelt and all things were unstained by the griefs of time. Therefore ere the Third Age was ended the Elves perceived that the Ring of Sapphire was with Elrond, in the fair valley of Rivendell, upon whose house the stars of heaven most brightly shone; whereas the Ring of Adamant was in the Land of Lórien where dwelt the Lady Galadriel. A queen she was of the woodland Elves, the wife of Celeborn of Doriath, yet she herself was of the Noldor and remembered the Day before days in Valinor, and she was the mightiest and fairest of all the Elves that remained in Middle-earth. But the Red Ring remained hidden until the end, and none save Elrond and Galadriel and Cirdan knew to whom it had been committed.
Thus it was that in two domains the bliss and beauty of the Elves remained still undiminished while that Age endured: in Imladris; and in Lothlórien, the hidden land between Celebrant and Anduin, where the trees bore flowers of gold and no Orc or evil thing dared ever come. Yet many voices were heard among the Elves foreboding that, if Sauron should come again, then either he would find the Ruling Ring that was lost, or at the best his enemies would discover it and destroy it; but in either chance the powers of the Three must then fail and all things maintained by them must fade, and so the Elves should pass into the twilight and the Dominion of Men begin. And so indeed it has since befallen: the One and the Seven and the Nine are destroyed; and the Three have passed away, and with them the Third Age is ended, and the Tales of the Eldar in Middle-earth draw to then-close.
”
”
J.R.R. Tolkien (The Silmarillion)
“
It’s not always easy to follow the subtle energetic information the universe broadcasts, especially when your friends, family, coworkers, or those with a business interest in your creativity are offering seemingly rational advice that challenges your intuitive knowing. To the best of my ability, I’ve followed my intuition to make career turns, and been recommended against doing so every time. It helps to realize that it’s better to follow the universe than those around you. Interference may also come from the voices within. The ones in your head that murmur you’re not talented enough, your idea isn’t good enough, art isn’t a worthwhile investment of your time, the result won’t be well-received, you’re a failure if the creation isn’t successful. It’s helpful to turn those voices down so you can hear the chimes of the cosmic clock ring, reminding you it’s time. Your time to participate.
”
”
Rick Rubin (The Creative Act: A Way of Being)
“
Forever, Tom thought. Maybe he’d never go back to the States. It was not so much Europe itself as the evenings he had spent alone, here and in Rome, that made him feel that way. Evenings by himself simply looking at maps, or lying around on sofas thumbing through guidebooks. Evenings looking at his clothes - his clothes and Dickie’s - and feeling Dickie’s rings between his palms, and running his fingers over the antelope suitcase he had bought at Gucci’s. He had polished the
suitcase with a special English leather dressing, not that it needed polishing
because he took such good care of it, but for its protection. He loved possessions,
not masses of them, but a select few that he did not part with. They gave a man
self-respect. Not ostentation but quality, and the love that cherished the quality.
Possessions reminded him that he existed, and made him enjoy his existence. It was as simple as that. And wasn’t that worth something? He existed. Not many people in the world knew how to, even if they had the money. It really didn’t take
money, masses of money, it took a certain security. He had been on the road to it,
even with Marc Priminger. He had appreciated Marc’s possessions, and they were
what had attracted him to the house, but they were not his own, and it had been
impossible to make a beginning at acquiring anything of his own on forty dollars a week. It would have taken him the best years of his life, even if he had economised stringently, to buy the things he wanted. Dickie’s money had given
him only an added momentum on the road he had been travelling. The money
gave him the leisure to see Greece, to collect Etruscan pottery if he wanted (he had
recently read an interesting book on that subject by an American living in Rome),
to join art societies if he cared to and to donate to their work. It gave him the leisure, for instance, to read his Malraux tonight as late as he pleased, because he did not have to go to a job in the morning. He had just bought a two-volume edition of Malraux’s Psychologic de I’art which he was now reading, with great pleasure, in French with the aid of a dictionary.
”
”
Patricia Highsmith (The Talented Mr. Ripley (Ripley, #1))
“
Only then will women be able to talk about what “beauty” really involves: the attention of people we do not know, rewards for things we did not earn, sex from men who reach for us as for a brass ring on a carousel, hostility and scepticism from other women, adolescence extended longer than it ought to be, cruel aging, and a long hard struggle for identity. And we will learn that what is good about “beauty”—the promise of confidence, sexuality, and the self-regard of a healthy individuality—are actually qualities that have nothing to do with “beauty” specifically, but are deserved by and, as the myth is dismantled, available to all women. The best that “beauty” offers belongs to us all by right of femaleness. When we separate “beauty” from sexuality, when we celebrate the individuality of our features and characteristics, women will have access to a pleasure in our bodies that unites us rather than divides us. The beauty myth will be history.
”
”
Naomi Wolf (The Beauty Myth: How Images of Beauty Are Used Against Women)
“
I could tell he wanted the best for me. Of course, he assumed that would be getting out. Everyone always thought that, not of what we had to go back to, at home. Maybe our parents had thrown away our mattresses. Maybe they'd told our siblings we'd been run over by trains, to make our absence fonder.
Not everyone had a parent. It could be that nothing was waiting for us. Our keys would no longer fit the locks. We'd resort to ringing the bell, saying we've come home, can't we come in?
The eye in the peephole would show itself, and that eye could belong to a stranger, as our family had moved halfway across the country and never informed us. Or that eye could belong to the woman who carried us for nine months, who labored for fourteen hours, who was sliced open with a C-section to give us life, and now wished she never did.
The juvenile correctional system could let us out into the world, but it could not control who would be out there, willing to claim us.
”
”
Nova Ren Suma (The Walls Around Us)
“
...if I have a daughter I will tell her she can do anything, and I will mean it, because I have no other intention of informing her otherwise. As my mother did with me, and my mother's mother before her, I shall simply hide the truth from her. I will tell her that despite what others may whisper, there is no difference between her and any boy. I will tell her to work her hardest and try her best. And that if one day she looks around and finds that, despite her very best efforts, lesser men have superseded her, then she probably could have done better. These words may not be true, nor will they be fair, but I would hope that they ensure she never becomes a victim of her own femininity. I hope she will be empowered to pick herself up, study harder, work longer, and exceed her own expectations. I don't want my daughter to break any glass ceilings. I'd rather she never even contemplated their existence. Because glass ceilings, closed doors, and boys clubs are notions, they're ideas, and they're not tangible. You can't see, touch, or feel them. They can only exercise power over us if we choose to believe in them. So why lay down your own gauntlet? The cliche rings true, if you reach for the moon, you might just land on the stars. Throw a glass ceiling into the works, and it can only get in the way. And I suspect that deep down, every woman who ever truly excelled thought exactly this way. I doubt they ever gave much thought to the fact that they are women. I think they just really wanted to rock out. And they did; louder, harder, and better than anyone else around them. And at some point down the line, enough people took note.
”
”
Amy Mowafi (Fe-mail 2)
“
In Summation
A poem by Taylor Swift
At this hearing
I stand before my fellow members of the Tortured Poets Department
With a summary of my findings
A debrief, a detailed rewinding
For the purpose of warning
For the sake of reminding
As you might all unfortunately recall
I had been struck with a case of a restricted humanity
Which explains my plea here today of temporary i n s a n i t y
You see, the pendulum swings
Oh, the chaos it brings
Leads the caged beast to do the most curious things
Lovers spend years denying what’s ill fated
Resentment rotting away
galaxies we created
Stars placed and glued
meticulously by hand
next to the ceiling fan
Tried wishing on comets.
Tried dimming the shine.
Tried to orbit his planet.
Some stars never align.
And in one conversation, I tore down the whole sky
Spring sprung forth with dazzling freedom hues
Then a crash from the skylight bursting through
Something old, someone hallowed, who told me he could be brand new
And so I was out of the oven
and into the microwave
Out of the slammer and into a tidal wave
How gallant to save the empress from her gilded tower
Swinging a sword he could barely lift
But loneliness struck at that fateful hour
Low hanging fruit on his wine stained lips
He never even scratched the surface of me.
None of them did.
“In summation, it was not a love affair!”
I screamed while bringing my fists to my coffee ringed desk
It was a mutual manic phase.
It was self harm.
It was house and then cardiac arrest.
A smirk creeps onto this poet’s face
Because it’s the worst men that I write best.
And so I enter into evidence
My tarnished coat of arms
My muses, acquired like bruises
My talismans and charms
The tick, tick, tick of love bombs
My veins of pitch black ink
All’s fair in love and poetry
Sincerely,
The Chairman
of The Tortured Poets Department
”
”
Taylor Swift
“
Ya live your life like it's a coma
So won't you tell me why we'd wanna
With all the reasons you give it's
It's kinda hard to believe
But who am I to tell you that I've
Seen any reason why you should stay
Matbe we'd be better off
Without you anyway
You got a one way ticket
On your last chance ride
Gotta one way ticket
To your suicide
Gotta one way ticket
An there's no way out alive
An all this crass communication
That has left you in the cold
Isn't much for consolation
When you feel so weak and old
But is home is where the heart is
Then there's stories to be told
No you don't need a doctor
No one else can heal your soul
Got your mind in submission
Got your life on the line
But nobody pulled the trigger
They just stepped aside
They be down by the water
While you watch 'em waving goodbye
They be callin' in the morning
They be hangin' on the phone
They be waiting for an answer
When you know nobody's home
And when the bell's stopped ringing
It was nobody's fault but your own
There were always ample warnings
There were always subtle signs
And you would have seen it comin'
But we gave you too much time
And when you said
That no one's listening
Why'd your best friend drop a dime
Sometimes we get so tired of waiting
For a way to spend our time
An "It's so easy" to be social
"It's so easy" to be cool
Yeah it's easy to be hungry
When you ain't got shit to lose
And I wish that I could help you
With what you hope to find
But I'm still out here waiting
Watching reruns of my life
When you reach the point of breaking
Know it's gonna take some time
To heal the broken memories
That another man would need
Just to survive
Guns N’ Roses, “Coma” (1991)
”
”
Guns N' Roses (Use Your Illusion I (Bass Guitar, with Tablature))
“
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists.
What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard?
There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet.
For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical.
Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
”
”
Théophile Gautier (Mademoiselle de Maupin)
“
Chris loved to look at every type of plant, animal, and bug he hadn’t seen before on the trail and point out those he did recognize. He enjoyed walking along small streams, listening to the water as it traveled, and searching for eddies where we could watch the minnows scurry amongst the rocks. On one Shenandoah trip, while we were resting at a waterfall, eating our chocolate-covered granola bars and watching the water pummel the rocks below, he said, “See, Carine ? That’s the purity of nature. It may be harsh in its honesty, but it never lies to you”.
Chris seemed to be most comfortable outdoors, and the farther away from the typical surroundings and pace of our everyday lives the better. While it was unusual for a solid week to pass without my parents having an argument that sent them into a negative tailspin of destruction and despair, they never got into a fight of any consequence when we were on an extended family hike or camping trip. It seemed like everything became centered and peaceful when there was no choice but to make nature the focus. Our parents’ attention went to watching for blaze marks on trees ; staying on the correct trail ; doling out bug spray, granola bars, sandwiches, and candy bars at proper intervals ; and finding the best place to pitch the tent before nightfall. They taught us how to properly lace up our hiking boots and wear the righ socks to keep our feet healthy and reliable. They showed us which leaves were safe to use as toilet paper and which would surely make us miserable downtrail. We learned how to purify water for our canteens if we hadn’t found a safe spring and to be smart about conserving what clean water we had left.
At night we would collect rocks to make a fire ring, dry wood to burn, and long twigs for roasting marshmallows for the s’more fixings Mom always carried in her pack. Dad would sing silly, non-sensical songs that made us laugh and tell us about the stars.
”
”
Carine McCandless (The Wild Truth: A Memoir)
“
When Spring unfolds the beechen leaf, and sap is in
the bough;
When light is on the wild-wood stream, and wind is
on the brow;
When stride is long, and breath is deep, and keen the
mountain-air,
Come back to me! Come back to me, and say my
land is fair!
entwife. When Spring is come to garth and field, and corn is
in the blade;
When blossom like a shining snow is on the orchard
laid;
When shower and Sun upon the Earth with
fragrance fill the air,
I’ll linger here, and will not come, because my land is
fair.
ent. When Summer lies upon the world, and in a noon of
gold
Beneath the roof of sleeping leaves the dreams of trees
unfold;
When woodland halls are green and cool, and wind
is in the West,
Come back to me! Come back to me, and say my
land is best!
entwife. When Summer warms the hanging fruit and burns
the berry brown;
622 the two towers
When straw is gold, and ear is white, and harvest
comes to town;
When honey spills, and apple swells, though wind be
in the West,
I’ll linger here beneath the Sun, because my land is
best!
ent. When Winter comes, the winter wild that hill and
wood shall slay;
When trees shall fall and starless night devour the
sunless day;
When wind is in the deadly East, then in the bitter
rain
I’ll look for thee, and call to thee; I’ll come to thee
again!
entwife. When Winter comes, and singing ends; when
darkness falls at last;
When broken is the barren bough, and light and
labour past;
I’ll look for thee, and wait for thee, until we meet
again:
Together we will take the road beneath the bitter
rain!
both. Together we will take the road that leads into the
West,
And far away will find a land where both our hearts
may rest.
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
If the case isn't plea bargained, dismissed or placed on the inactive docket for an indefinite period of time, if by some perverse twist of fate it becomes a trial by jury, you will then have the opportunity of sitting on the witness stand and reciting under oath the facts of the case-a brief moment in the sun that clouds over with the appearance of the aforementioned defense attorney who, at worst, will accuse you of perjuring yourself in a gross injustice or, at best, accuse you of conducting an investigation so incredibly slipshod that the real killer has been allowed to roam free.
Once both sides have argued the facts of the case, a jury of twelve men and women picked from computer lists of registered voters in one of America's most undereducated cities will go to a room and begin shouting. If these happy people manage to overcome the natural impulse to avoid any act of collective judgement, they just may find one human being guilty of murdering another. Then you can go to Cher's Pub at Lexington and Guilford, where that selfsame assistant state's attorney, if possessed of any human qualities at all, will buy you a bottle of domestic beer.
And you drink it. Because in a police department of about three thousand sworn souls, you are one of thirty-six investigators entrusted with the pursuit of that most extraordinary of crimes: the theft of a human life. You speak for the dead. You avenge those lost to the world. Your paycheck may come from fiscal services but, goddammit, after six beers you can pretty much convince yourself that you work for the Lord himself. If you are not as good as you should be, you'll be gone within a year or two, transferred to fugitive, or auto theft or check and fraud at the other end of the hall. If you are good enough, you will never do anything else as a cop that matters this much. Homicide is the major leagues, the center ring, the show. It always has been. When Cain threw a cap into Abel, you don't think The Big Guy told a couple of fresh uniforms to go down and work up the prosecution report. Hell no, he sent for a fucking detective. And it will always be that way, because the homicide unit of any urban police force has for generations been the natural habitat of that rarefied species, the thinking cop.
”
”
David Simon
“
first started therapy, I found it very hard to cry. I feared I’d be carried away by the flood, overwhelmed. Perhaps that’s what it feels like for you. That’s why it’s important to take your time to feel safe, and trust that you won’t be alone in this flood – that I’m treading water here with you.’ Silence. ‘I think of myself as a relational therapist,’ I said. ‘Do you know what that means?’ Silence. ‘It means I think Freud was wrong about a couple of things. I don’t believe a therapist can ever really be a blank slate, as he intended. We leak all kinds of information about ourselves unintentionally – by the colour of my socks, or how I sit or the way I talk – just by sitting here with you, I reveal a great deal about myself. Despite my best efforts at invisibility, I’m showing you who I am.’ Alicia looked up. She stared at me, her chin slightly tilted – was there a challenge in that look? At last I had her attention. I shifted in my seat. ‘The point is, what can we do about this? We can ignore it, and deny it, and pretend this therapy is all about you. Or we can acknowledge that this is a two-way street, and work with that. And then we can really start to get somewhere.’ I held up my hand. I nodded at my wedding ring. ‘This ring tells you something, doesn’t it?’ Alicia’s eyes ever-so-slowly moved in the direction of the ring. ‘It tells you I’m a married man. It tells you I have a
”
”
Alex Michaelides (The Silent Patient)
“
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me.
Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship.
Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell.
“Coming!”
I step back and see Aly stick her head out of her second-story window.
“No problem,” I call back up. “Take your time.”
More time to get my head on straight.
Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not.
I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves.
I grab a second stick and shove it in, too.
With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
”
”
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
“
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business.
Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.
”
”
Henry David Thoreau (Walden)
“
Wedding Superstitions
The Bridal Gown
White - You have chosen right.
Grey - You'll go far away.
Black - You'll wish yourself back.
Red - You'll wish yourself dead.
Green - Ashamed to be seen.
Blue - You'll always be true.
Pearl - You'll live in a whirl.
Peach - A love out of reach.
Yellow - Ashamed of your fellow.
Pink - Your Spirits will sink.
The Wedding Day
Monday for health, Tuesday for wealth,
Wednesday best of all,
Thursday for losses, Friday for crosses,
Saturday for no luck at all.
The Wedding Month
Marry in May, and you'll rue the day,
Marry in Lent, you'll live to repent.
Married when the year is new,
He'll be loving, kind and true.
When February birds do mate,
You wed nor dread your fate.
If you wed when March winds blow,
Joy and sorrow both you'll know.
Marry in April when you can,
Joy for maiden and the man.
Marry in the month of May,
And you'll surely rue the day.
Marry when the June roses grow,
Over land and sea you'll go.
Those who in July do wed,
Must labour for their daily bread.
Whoever wed in August be,
Many a change is sure to see.
Marry in September's shine,
Your living will be rich and fine.
If in October you do marry,
Love will come, but riches tarry.
If you wed in bleak November,
Only joys will come, remember,
When December's snows fall fast,
Marry and true love will last.
Married in January's roar and rime,
Widowed you'll be before your prime.
Married in February's sleepy weather,
Life you'll tread in time together.
Married when March winds shrill and roar,
Your home will lie on a distant shore.
Married 'neath April's changeful skies,
A checkered path before you lies.
Married when bees o'er May blossoms flit,
Strangers around your board will sit.
Married in month of roses June,
Life will be one long honeymoon.
Married in July with flowers ablaze,
Bitter-sweet memories in after days.
Married in August's heat and drowse,
Lover and friend in your chosen spouse.
Married in September's golden glow,
Smooth and serene your life will go.
Married when leaves in October thin,
Toil and hardships for you begin.
Married in veils of November mist,
Fortune your wedding ring has kissed.
Married in days of December's cheer,
Love's star shines brighter from year to year
”
”
New Zealand Proverb
“
They all watched as Genya checked his pulse, his breathing. She shook her head.
“Zoya,” said Sturmhond. His voice had the ring of command.
Zoya sighed and pushed up her sleeves. “Unbutton his shirt.”
“What are you doing?” Kaz asked as Genya undid Kuwei’s remaining buttons. His chest was narrow, his ribs visible, all of it spattered with the pig’s blood they’d encased in the wax bladder.
“I’m either going to wake up his heart or cook him from the inside out,” said Zoya. “Stand back.”
They did their best to obey in the cramped space. “What exactly does she mean by that?” Kaz asked Nina.
“I’m not sure,” Nina admitted. Zoya had her hands out and her eyes closed. The air felt suddenly cool and moist.
Inej inhaled deeply. “It smells like a storm.”
Zoya opened her eyes and brought her hands together as if in prayer, rubbing her palms against each other briskly.
Nina felt the pressure drop, tasted metal on her tongue. “I think … I think she’s summoning lightning.”
“Is that safe?” asked Inej.
“Not remotely,” said Sturmhond.
“Has she at least done it before?” said Kaz.
“For this purpose?” asked Sturmhond. “I’ve seen her do it twice. It worked splendidly. Once.” His voice was oddly familiar, and Nina had the sense they’d met before.
“Ready?” Zoya asked.
Genya shoved a thickly folded piece of fabric between Kuwei’s teeth and stepped back. With a shudder, Nina realized it was to keep him from biting his tongue.
“I really hope she gets this right,” murmured Nina.
“Not as much as Kuwei does,” said Kaz.
“It’s tricky,” said Sturmhond. “Lightning doesn’t like a master. Zoya’s putting her own life at risk too.”
“She didn’t strike me as the type,” Kaz said.
“You’d be surprised,” Nina and Sturmhond replied in unison. Again, Nina had the eerie sensation that she knew him.
She saw that Rotty had squeezed his eyes shut, unable to watch. Inej’s lips were moving in what Nina knew must be a prayer.
A faint blue glow crackled between Zoya’s palms. She took a deep breath and slapped them down on Kuwei’s chest.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me.
My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand.
If I pushed her down across my knees, I could spank her ass.
She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?”
“Did you send me a potato?”
Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?”
“Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?”
Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?”
“Yeeeess. The note says to call you before I open it. Why am I afraid?”
Kristen giggled. “Open it now. Is Brandon with you?”
“Yes, he’s with me. He’s shaking his head.”
I could picture his face, that easy smile on his lips.
“Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!”
Kristen rolled forward, putting her forehead to my shoulder in laughter.
“I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!”
Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though.
“Wait, who’s with you?” Sloan asked.
Kristen wiped at her eyes. “Josh is here.”
“Didn’t he have a date tonight? Brandon told me he had a date.”
“He did, but he came back over after.”
“He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting.
Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering.
“And what did you two talk about?” I asked, arching an eyebrow.
I liked that she’d talked about me. Liked it a lot.
“Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.”
A hot fireman like you.I did my best to hide my smirk.
“So do you do this to Sloan a lot?” I asked.
“All the time. I love messing with her. She’s so easily worked up.” She reached for her beer.
I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?”
She took a swig of her beer. “With the fan on medium.”
My laugh came so hard Stuntman Mike looked up and cocked his head at me.
She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?”
“Those candles are a huge fire hazard.” I tipped my beer toward the screen.
“Right? And try getting wax out of the carpet. Good luck with that.”
I looked at the side of her face. “So what do you think is romantic?”
“Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
”
”
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
“
Hungry?” he asks.
“The wager?” I remind him.
“I’m getting there—it’s related to my question.” He lifts his chin to the meat locker. “They have good steaks here.”
And just like that, I’m interested in whatever he’s suggesting. “They do. What’re you thinking?”
“They have a porterhouse for two, three, or four.”
I haven’t eaten in nearly twenty-four hours, and the idea of a big juicy steak has me salivating. “Yeah?”
“So, I say we split the one for three, and whoever eats more wins.”
“I’m going to guess their porterhouse for three could feed us both for a week.”
“I’m betting you’re right.” His adorable grin should be accompanied by the sound of a silvery ding. “And your dinner is on me.”
For not the first time, it occurs to me to ask him how he makes ends meet, but I can’t—not here, and maybe not when we’re alone, either. “You don’t have to do that.”
“I think I can handle treating my wife to dinner on our wedding night.”
Our wedding night. My heart thuds heavily. “That’s a lot of meat. No pun intended.”
He grins enthusiastically. “I’d sure like to see how you handle it.”
“You’re betting Holland can’t finish a steak?” Lulu chimes in from behind me. “Oh, you sweet summer child.”
***
As we get up, I groan, clutching my stomach. “Is this what pregnancy feels like? Not interested.”
“I could carry you,” Calvin offers sweetly, helping me with my coat.
Lulu pushes between us, giddy from wine as she throws her arms around our shoulders. “You’re supposed to carry the bride across the threshold to be romantic, not because she’s broken from eating her weight in beef.”
I stifle a belch. “The way to impress a man is to show him how much meat you can handle, don’t you know this, Lu?”
Calvin laughs. “It was a close battle.”
“Not that close,” Mark says, beside him.
We went so far as to have the waiter split the cooked steak into two equal portions, much to the amused fascination of our tablemates. I ate roughly three-quarters of mine. Calvin was two ounces short.
“Calvin Bakker has a pretty solid ring to it,” I say.
He laugh-groans. “What did I get myself into?”
“A marriage to a farm girl,” I say. “It’s best you learn on day one that I take my eating very seriously.
”
”
Christina Lauren (Roomies)
“
When I took it off, I glanced in the mirror behind the dresser, and I nearly screamed when I saw the reflection. Finn was sitting behind me on the bed. His eyes, dark as night, met mine in the mirror, and I could hardly breathe.
"Finn!" I gasped and whirled around to look at him. "What are you doing here?"
"I missed your birthday," he said, as if that answered my question. He lowered his eyes, looking at a small box he had in his hands. "I got you something."
"You got me something?" I leaned back on the dresser behind me, gripping it.
"Yeah." He nodded, still staring down at the box. "I picked it up outside of Portland two weeks ago. I meant to get back in time to give it to you on your birthday." He chewed the inside of his cheek. "But now that I'm here, I'm not sure I should give it to you at all."
"What are you talking about?" I asked.
"It doesn't feel right." Finn rubbed his face. "I don't even know what I'm doing here."
"Neither do I," I said. "Don't get me wrong. I'm happy to see you. I just...I don't understand."
"I know." He sighed. "It's a ring. What I got you." His gaze moved from me to the engagement ring sitting on the dresser beside me. "And you already have one."
"Why did you get me a ring?" I asked tentatively, and my heart beat erratically in my chest. I didn't know what Finn was saying or doing.
"I'm not proposing to you, if that's what you're asking." He shook his head. "I saw it and thought of you. But now it seems like poor taste. And here I am, the night before your wedding sneaking in to give you a ring."
"Why did you sneak in?" I asked.
"I don't know." He looked away and laughed darkly. "That's a lie. I know exactly what I'm doing, but I have no idea why I'm doing it."
"What are you doing?" I asked quietly.
"I..." Finn stared off for a moment, then turned back to me and stood up.
"Finn, I-" I began, but he held up his hand, stopping me.
"No, I know you're marrying Tove," he said. "You need to do this. We both know that. It's what's best for you, and it's what I want for you." He paused. "But I want you for myself too."
All I'd ever wanted from Finn was for him to admit how he felt about me, and he'd waited until the day before my wedding. It was too late to change anything, to take anything back. Not that I could have, even if I wanted to.
"Why are you telling me this?" I asked with tears swimming in my eyes.
"Because." Finn stepped toward me, stopping right in front of me.
He looked down at me, his eyes mesmerizing me the way they always did. He reached up, brushing back a tear from my cheek.
"Why?" I asked, my voice trembling.
"I needed you to know," he said, as if he didn't truly understand it himself.
He set the box on the dresser beside me, and his hand went to my waist, pulling me to him. I let go of the dresser and let him. My breath came out shallow as I stared up at him.
"Tomorrow you will belong to someone else," Finn said. "But tonight, you're with me.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Part of what kept him standing in the restive group of men awaiting authorization to enter the airport was a kind of paralysis that resulted from Sylvanshine’s reflecting on the logistics of getting to the Peoria 047 REC—the issue of whether the REC sent a van for transfers or whether Sylvanshine would have to take a cab from the little airport had not been conclusively resolved—and then how to arrive and check in and where to store his three bags while he checked in and filled out his arrival and Post-code payroll and withholding forms and orientational materials then somehow get directions and proceed to the apartment that Systems had rented for him at government rates and get there in time to find someplace to eat that was either in walking distance or would require getting another cab—except the telephone in the alleged apartment wasn’t connected yet and he considered the prospects of being able to hail a cab from outside an apartment complex were at best iffy, and if he told the original cab he’d taken to the apartment to wait for him, there would be difficulties because how exactly would he reassure the cabbie that he really was coming right back out after dropping his bags and doing a quick spot check of the apartment’s condition and suitability instead of it being a ruse designed to defraud the driver of his fare, Sylvanshine ducking out the back of the Angler’s Cove apartment complex or even conceivably barricading himself in the apartment and not responding to the driver’s knock, or his ring if the apartment had a doorbell, which his and Reynolds’s current apartment in Martinsburg most assuredly did not, or the driver’s queries/threats through the apartment door, a scam that resided in Claude Sylvanshine’s awareness only because a number of independent Philadelphia commercial carriage operators had proposed heavy Schedule C losses under the proviso ‘Losses Through Theft of Service’ and detailed this type of scam as prevalent on the poorly typed or sometimes even handwritten attachments required to explain unusual or specific C-deductions like this, whereas were Sylvanshine to pay the fare and the tip and perhaps even a certain amount in advance on account so as to help assure the driver of his honorable intentions re the second leg of the sojourn there was no tangible guarantee that the average taxi driver—a cynical and ethically marginal species, hustlers, as even their smudged returns’ very low tip-income-vs.-number-of-fares-in-an-average-shift ratios in Philly had indicated—wouldn’t simply speed away with Sylvanshine’s money, creating enormous hassles in terms of filling out the internal forms for getting a percentage of his travel per diem reimbursed and also leaving Sylvanshine alone, famished (he was unable to eat before travel), phoneless, devoid of Reynolds’s counsel and logistical savvy in the sterile new unfurnished apartment, his stomach roiling in on itself in such a way that it would be all Sylvanshine could do to unpack in any kind of half-organized fashion and get to sleep on the nylon travel pallet on the unfinished floor in the possible presence of exotic Midwest bugs, to say nothing of putting in the hour of CPA exam review he’d promised himself this morning when he’d overslept slightly and then encountered last-minute packing problems that had canceled out the firmly scheduled hour of morning CPA review before one of the unmarked Systems vans arrived to take him and his bags out through Harpers Ferry and Ball’s Bluff to the airport, to say even less about any kind of systematic organization and mastery of the voluminous Post, Duty, Personnel, and Systems Protocols materials he should be receiving promptly after check-in and forms processing at the Post, which any reasonable Personnel Director would expect a new examiner to have thoroughly internalized before reporting for the first actual day interacting with REC examiners, and which there was no way in any real world that Sylvanshine could expect
”
”
David Foster Wallace (The Pale King)