Rihanna Song Quotes

Miley Cyrus made some chinky eyes Standing behind an Asian guy I don’t know if this should fly As if there wasn’t enough to despise I wasn’t necessarily a fan of Her, her dad, or Hannah Montana I tend to prefer the songs of Rihanna Racism against Asians is simply bananas! Oh Miley! Chinky eyes make you look wily prejudice isn’t thought of so highly it doesn’t make us all smiley Why is there nothing that Asians can do? To make fun of other races as easily as you Why isn’t racism against Asians taboo? Why are we always so racially screwed! All you have to do is pull at your face To make your eyelids resemble our race This kind of joke has no proper place Miley Cyrus is a disgrace!

DJing for people is fun until someone comes up with a phone screen that has 'PLAY SOME RIHANNA' written on it. I prefer to play older songs because they're the ones I personally enjoy dancing and singing along to and modern dance music bores my brains out.

is Whitney? Is that your dealer?” “Whitney Houston,” Mom said. “You know, dear. She was that singer who sang that song you like that Helena performed.” “‘Hit Me Baby, One More Time?” “That’s Britney, dear.” “‘Dirty?” “That was Christina.” “Umbrella?” “And that was Rihanna. Larry, you’re embarrassing yourself. You have a gay son, for God’s sake. How can you not know your divas?” Mom sounded affronted. “Paul? Paul! If you can hear me, don’t listen to your father! He obviously doesn’t know his ass from his elbow!” “Language,” Dad scolded. “And I know my divas. I know them very well. What about that Woman Goo-Goo that Helena performs like?

I Won’t Write Your Obituary You asked if you could call to say goodbye if you were ever really gonna kill yourself. Sure, but I won’t write your obituary. I’ll commission it from some dead-end journalist who will say things like: “At peace… Better place… Fought the good fight…” Maybe reference the loving embrace of Capital-G-God at least 4 times. Maybe quote Charles fucking Bukowski. And I won’t stop them because I won’t write your obituary. But if you call me, I will write you a new sky, one you can taste. I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them. I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs. I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer. I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink. I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together. And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you. I won’t say “goodbye” or “I love you” one last time. You won’t leave on good terms with me, Because I will not forgive you. I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead. I will not hold your hand steady around a gun. And after, I won’t come by to pick up the package of body parts you will have left specifically for me. I’ll get a call like “Ma’am, what would you have us do with them?” And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.” I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one. I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore. I don’t want a jar of your teeth as a memento. I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here. You won’t be there. There’s no blood there, there’s no life there, there’s no you there. I want you. And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here. So the answer to your question is “yes”. If you’re ever really gonna kill yourself, yes, please, call me.

Beyoncé and Rihanna were pop stars. Pop stars were musical performers whose celebrity had exploded to the point where they could be identified by single words. You could say BEYONCÉ or RIHANNA to almost anyone anywhere in the industrialized world and it would conjure a vague neurological image of either Beyoncé or Rihanna. Their songs were about the same six subjects of all songs by all pop stars: love, celebrity, fucking, heartbreak, money and buying ugly shit. It was the Twenty-First Century. It was the Internet. Fame was everything. Traditional money had been debased by mass production. Traditional money had ceased to be about an exchange of humiliation for food and shelter. Traditional money had become the equivalent of a fantasy world in which different hunks of vampiric plastic made emphatic arguments about why they should cross the threshold of your home. There was nothing left to buy. Fame was everything because traditional money had failed. Fame was everything because fame was the world’s last valid currency. Beyoncé and Rihanna were part of a popular entertainment industry which deluged people with images of grotesque success. The unspoken ideology of popular entertainment was that its customers could end up as famous as the performers. They only needed to try hard enough and believe in their dreams. Like all pop stars, Beyoncé and Rihanna existed off the illusion that their fame was a shared experience with their fans. Their fans weren’t consumers. Their fans were fellow travelers on a journey through life. In 2013, this connection between the famous and their fans was fostered on Twitter. Beyoncé and Rihanna were tweeting. Their millions of fans were tweeting back. They too could achieve their dreams. Of course, neither Beyoncé nor Rihanna used Twitter. They had assistants and handlers who packaged their tweets for maximum profit and exposure. Fame could purchase the illusion of being an Internet user without the purchaser ever touching a mobile phone or a computer. That was a difference between the rich and the poor. The poor were doomed to the Internet, which was a wonderful resource for watching shitty television, experiencing angst about other people’s salaries, and casting doubt on key tenets of Mormonism and Scientology. If Beyoncé or Rihanna were asked about how to be like them and gave an honest answer, it would have sounded like this: “You can’t. You won’t. You are nothing like me. I am a powerful mixture of untamed ambition, early childhood trauma and genetic mystery. I am a portal in the vacuum of space. The formula for my creation is impossible to replicate. The One True God made me and will never make the like again. You are nothing like me.

join the rest of the party.” They walked to the backyard where couples danced cheek-to-cheek, and small groups huddled in conversation. The largest crowds gathered around the dance floor as the singer announced that it was time change things up, and began to belt out the lyrics to a Rihanna song, backed up by the band.

Songs that felt like Wyatt: “Iris” by Goo Goo Dolls “A Murder of One” by Counting Crows “Take It Easy on Me” by Little River Band “Hold You in My Arms” by Ray LaMontagne “Wild Horses” by The Rolling Stones “Thinking Out Loud” by Ed Sheeran “Yellow” by Coldplay Songs that took me to the beach: “Watermelon Sugar” by Harry Styles “Sunshine on My Shoulders” by John Denver “Wouldn’t It Be Nice” by The Beach Boys Songs to make Sam cry: “Who Knew” by Pink “Wrecking Ball” by Miley Cyrus “1 Step Forward, 3 Steps Back” by Olivia Rodrigo “So Far Away” by Carole King “Romeo and Juliet” by Dire Straits “Stay” by Rihanna “Sam, I Am” by Missy McGee

Theme Song: Your Man – Down With Webster Bling Bling – ALTÉGO Let It All Go – Birdy & RHODES I Think You’re the Devil – Ellee Duke Legendary – Welshly Arms Wonderland – Taylor Swift Skin – Rihanna MIDDLE OF THE NIGHT – Elley Duhé Blue – Madison Beer Devil I Know – Allie X MONEY ON THE DASH – Elley Duhé & Whethan Way Down We Go – KALEO How Do I Say Goodbye – Dean Lewis Do Me – Kim Petras Crying On The Dancefloor – Sam Feldt, Jonas Blue, Endless Summer & Violet Days Wicked – GRANT Love and War – Fleurie Silence – Marshmello (feat. Khalid) Fire on Fire – Sam Smith

If Rihanna never records another song, I’m fine as long as Fenty keeps on giving. It’s a fair trade.