Rifle In Hand Quotes

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But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony--Forgive me, comrade; how could you be my enemy?
Erich Maria Remarque (All Quiet on the Western Front)
Born with a silver spoon in his mouth, he was going out with a rifle in his hand.
Kelly Moran (Return to Me (Covington Cove, #1))
Neat rooms were easy to rifle through and search undetected because it was simple to put carefully placed things exactly where they'd been. But messes, on the other hand, were difficult to recreate.
Stephanie Garber (Legendary (Caraval, #2))
What would my first sergeant do if he came across me and another girl getting it on? He'd want pictures. He'd want to join in. He'd want me and this other girl to double-team him right then and there. On the other hand, since most heterosexual men are homophobic and sexist, most straight guys figure gay men will treat them the way they themselves treat women- that is, like sex objects. And this freaks them the fuck out.
Kayla Williams (Love My Rifle More than You: Young and Female in the U.S. Army)
Soldier! Let me cradle your head and caress your face, let me kiss your dear sweet lips and cry across the seas and whisper through the icy Russian grass how I feel for you . . . Luga, Ladoga, Leningrad, Lazarevo . . . Alexander, once you carried me, and now I carry you. Into my eternity, now I carry you. Through Finland, through Sweden, to America, hand outstretched, I stand and limp forward, the galloping steed black and riderless in my wake. Your heart, your rifle, they will comfort me, they’ll be my cradle and my grave. Lazarevo drips you into my soul, dawn drop by moonlight drop from the river Kama. When you look for me, look for me there, because that’s where I will be all the days of my life. (Tatiana)
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Comrade, I did not want to kill you. . . . But you were only an idea to me before, an abstraction that lived in my mind and called forth its appropriate response. . . . I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony—Forgive me, comrade; how could you be my enemy?
Erich Maria Remarque (All Quiet on the Western Front)
She covered his hand with hers over her abdomen. His was so much bigger than hers and had probably fired guns, rifles, and god knew what else, but right here, right now, his tenderness broke down her will as sure as any grenade.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
Ash opened the door, stopping the males before they could go in, “Learn some manners.” Letty gave them a salute before walking in, rifle in hand. “That’s rather chauvinistic,” one of the males huffed. Ash let out an amused laugh. “I didn’t let her in first because she’s female, you jackass. I let her in first because she likes to shoot things, and I’m very considerate that way.
Charlie Cochet (Hell & High Water (THIRDS, #1))
I've nothing against people as a general rule, but people don't tend to have the sort of answers I'm looking for." The fence post just above Jackaby's head exploded in a spray of splinters with a resonating BLAM! A woman stood in the open doorway across from him, a plain white apron tied around her waist and a fat-barreled rifle in her hands. "Of course, people do have a way of surprising you from time to time," my employer added.
William Ritter (Beastly Bones (Jackaby, #2))
What passing bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifle's rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers, nor bells, Nor any voice of mourning save the choirs, The shrill demented choirs of wailing shells, And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys, but in their eyes, Shall shine the holy glimmers of goodbyes. The pallor of girls' brows shall be their pall, Their flowers the tenderness of patient minds, And each, slow dusk a drawing down of blinds.
Wilfred Owen (The War Poems)
Sicarius, are you ready for a hike?” She faced him only to find he had armed himself—more so than usual. In addition to his daggers and throwing knives, he held two rifles, two pistols, two cargo belts laden with ammo pouches, and a bag of his smoke grenades. “Or a single-handed all-out assault on the forest?
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
Free, I think. They're free. (is this why she joined them?) I feel so- So relieved. I pick up the pace as I near the opening, my hands gripping my rifle but I have a feeling I ain't gonna need it. (ah, Viola, I knew I could count-) Then I reach the opening and stop. Everything stops. My stomach falls right thru my feet. "They're all gone?" Davy says, coming up beside me. Then he see what I see. "What the-?" Davy says. The Spackle ain't all gone. They're still here. Every single one. All 1150 of them. Dead.
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
They say the road to Hell is paved with good intentions. In the case of William Jessup Brady, it’s been hand carved with a lever-action Henry rifle over his shoulder and a Smith & Wesson six-gun strapped to his hip.’ – Solace Walters
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
So I'm guessing you're Seven and Ten; What can you do?" I say as I find our rifles in the sand and hand each of them a gun. "You can call me Marina," the girl with the brown hair says. "And I can breathe under water and see in the dark and heal the sick and wounded. And I have telekinesis." Call me Ella, I hear ten say in my head. Aside from my telepathy, I can change ages. "Awesome. I'm four, that nut job with the long black hair is nine and the beast is my chimaera, Bernie Kosar.
Pittacus Lore
The tank, the submarine, the torpedo, the machine-gun, even the rifle and the hand grenade are still in use.
George Orwell (1984)
Sir? What are you doing?” I asked. “Investigating,” Jackaby replied flatly. “Well, you can’t just walk into someone’s yard unannounced. Besides, doesn’t investigating usually involve questioning people?” “I’ve nothing against people as a general rule, but people don’t tend to have the sort of answers I’m looking for.” The fence post just above Jackaby’s head exploded in a spray of splinters with a resonating BLAM! A woman stood in the open doorway across from him, a plain white apron tied around her waist and a fat-barreled rifle in her hands. “Of course, people do have a way of surprising you from time to time,” my employer added. The
William Ritter (Beastly Bones (Jackaby, #2))
Marya put down her fork. “Why are you doing this, Koschei? I have had lovers before. You have, too. Remember Marina? The rusalka? She and I swam together every morning. We raced the salmon. You called us your little sharks.” The Tsar of Life held his knife so tightly Marya could see his knucklebones bulging. “Were any of them called Ivan? Were any of them human boys all sticky with their own innocence? I know you. I know you because you are like me, as much like me as two spoons nested in each other.” Her husband leaned close to her, the candlelight sparking in his dark, shaggy hair. “When you steal them, they mean so much more, Marousha. Trust me. I know. What did I do wrong? Was I boring? Did I ignore you? Did I not give you enough pretty dresses? Enough emeralds? I’m sure I have more, somewhere.” Marya lifted her hand and laid it on her husband’s cheek. With a blinking quickness, she drove her nails deep into his face. “Don’t you dare speak to me like that. I have worn nothing but blood and death for years. I have fought all your battles for you, just as you asked me. I have learned all the tricks you said I must learn. I have learned not to cry when I strangle a man. I have learned to lay my finger aside my nose and disappear. I have learned to watch everything die. I am not a little girl anymore, dazzled by your magic. It is my magic, now, too. And if I have watched all my soldiers die in front of me, if I have only been saved by my rifle and my own hands, if I have drunk more blood than water for weeks, then I take the human boy who stumbled into my tent and hold him between my legs until I stop screaming, you will not punish me for it. Are we not chyerti? Are we not devils? I will not even hear your punishment, old man.
Catherynne M. Valente (Deathless)
Is this a habit of yours?” he asks. “What?” “Dropping stuff whenever you first see me? It's kind of cute. Flattering,” he adds, straightening while easily holding all of my stuff in his giant arms. I've recovered enough to roll my eyes. “Maybe the habit is connected to your urge to rifle through my private things every time you see me?” “It's possible. Your stuff is so randomly interesting.” He eyes my science kit and then scans through the pile of papers in his hands. “You got any other lists that need checking off? College tuition aside, I'm also trying to save for a new car.” He laughs.
Anne Eliot (Almost)
I felt like an Israeli girl soldier, in shorts and the hot wind, sighting down the barrel of the rifle, holding the .38 with both hands. It was a strange feeling, him looking at me as I aimed. I found I couldn't quite lose myself in the target. His eyes split my attention between the C in Coke and my awareness of him watching me. And I thought, this was what it was like to be beautiful.
Janet Fitch (White Oleander)
The truth is that when you kill a man it doesn't matter if he's your enemy and if he's trying to kill you. That moment of his death will eat at you for the rest of your life. It'll dig into bone so deep inside you that not even the hand of God is going to be able to pull it out, I don't care how much you pray. And you multiply that feeling by several years and too many doomed engagements and more horror, Frankie, than you can possibly imagine. And the utter senselessness and the total hopelessness become your enemy as much as any man pointing a rifle at you.
William Kent Krueger (Ordinary Grace)
He takes her hand to help her over the piles. No shells fall and no rifles crack and the light is soft and shot through with ash. Jutta, he thinks, I finally listened.
Anthony Doerr (All the Light We Cannot See)
But you were only an idea to me before, an abstraction that lived in my mind and called forth its appropriate response. It was that abstraction I stabbed. But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony - Forgive me, comrade; how could you be my enemy? If we threw away these rifles and this uniform you could be my brother just like Kat and Albert. Take twenty years of my life, comrade, and stand up - take more, for I do not know what I can even attempt to do with it now.
Erich Maria Remarque (All Quiet on the Western Front)
A rifle is elegant. It’s an extension of your will. Take aim, squeeze the trigger, make things happen. In the hands of an expert with stillness inside of him, there’s nothing more deadly than a good rifle.
Brandon Sanderson (Steelheart (The Reckoners, #1))
His hand was a claw, sharp enough to open her. She would be like all the others—Ruta Badowski, in her broken dancing shoes. Tommy Duffy, still with the dirt of his last baseball game under his nails. Gabriel Johnson, taken on the best day of his life. Or even Mary White, holding out for a future that never arrived. She’d be like all those beautiful, shining boys marching off to war, rifles at their hips and promises on their lips to their best girls that they’d be home in time for Christmas, the excitement of the game showing in their bright faces. They’d come home men, heroes with adventures to tell about, how they’d walloped the enemy and put the world right side up again, funneled it into neat lines of yes and no. Black and white. Right and wrong. Here and there. Us and them. Instead, they had died tangled in barbed wire in Flanders, hollowed by influenza along the Western Front, blown apart in no-man’s-land, writhing in trenches with those smiles still in place, courtesy of the phosgene, chlorine, or mustard gas. Some had come home shell-shocked and blinking, hands shaking, mumbling to themselves, following orders in some private war still taking place in their minds. Or, like James, they’d simply vanished, relegated to history books no one bothered to read, medals put in cupboards kept closed. Just a bunch of chess pieces moved about by unseen hands in a universe bored with itself.
Libba Bray (The Diviners (The Diviners, #1))
…The silence spreads. I talk and must talk. So I speak to him and say to him: "Comrade, I did not want to kill you. If you jumped in here again, I would not do it, if you would be sensible too. But you are only an idea to me before, an abstraction that lived in my mind and called forth it appropriate response. It was that abstraction I stabbed. But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me comrade. We always see it too late. Why do they never tell us that you are just poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying, and the same agony — Forgive me, comrade; how could you be my enemy? If we threw away these rifles and this uniform you could be my brother just like Kat and Albert. Take twenty years of my life, comrade, and stand up — take more, for I do not know what I can even attempt to do with it now.
Erich Maria Remarque (All Quiet on the Western Front)
With that, Quincy brought the bowie knife down on Moon's cuffed hand and chopped off four fingers which flew up before my eyes like chips from a log. Moon screamed and a rifle ball shattered the lantern in front of me and struck Quincy in the neck, causing hot blood to spurt on my face. My thought was: I am better out of this.
Charles Portis (True Grit)
The woman was plodding laboriously forward, bent beneath the weight of an enormous sack of chestnuts, while her husband sauntered along with only a rifle in his hand, and another slung over his shoulder; for it is unbecoming for a man to carry any burden but his weapons.
Prosper Mérimée (Carmen and Other Stories)
Tatiana fretted over him before he left as if he were a five-year-old on his first day of school. Shura, don't forget to wear your helmet wherever you go, even if it's just down the trail to the river. Don't forget to bring extra magazines. Look at this combat vest. You can fit more than five hundred rounds. It's unbelievable. Load yourself up with ammo. Bring a few extra cartridges. You don't want to run out. Don't forget to clean your M-16 every day. You don't want your rifle to jam." Tatia, this is the third generation of the M-16. It doesn't jam anymore. The gunpowder doesn't burn as much. The rifle is self-cleaning." When you attach the rocket bandolier, don't tighten it too close to your belt, the friction from bending will chafe you, and then irritation follows, and then infection... ...Bring at least two warning flares for the helicopters. Maybe a smoke bomb, too?" Gee, I hadn't thought of that." Bring your Colt - that's your lucky weapon - bring it, as well as the standard -issue Ruger. Oh, and I have personally organized your medical supplies: lots of bandages, four complete emergency kits, two QuickClots - no I decided three. They're light. I got Helena at PMH to write a prescription for morphine, for penicillin, for -" Alexander put his hand over her mouth. "Tania," he said, "do you want to just go yourself?" When he took the hand away, she said, "Yes." He kissed her. She said, "Spam. Three cans. And keep your canteen always filled with water, in case you can't get to the plasma. It'll help." Yes, Tania" And this cross, right around your neck. Do you remember the prayer of the heart?" Lord Jesus Christ, Son of God, have mercy on me, a sinner." Good. And the wedding band. Right around your finger. Do you remember the wedding prayer?" Gloria in Excelsis, please just a little more." Very good. Never take off the steel helmet, ever. Promise?" You said that already. But yes, Tania." Do you remember what the most important thing is?" To always wear a condom." She smacked his chest. To stop the bleeding," he said, hugging her. Yes. To stop the bleeding. Everything else they can fix." Yes, Tania.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
They were all running on adrenaline, which cannot just be turned off. So even when they had silent hours and felt reasonably safe with their backs against a wall, most could not fully sleep. They would nod off with their head between their knees, a rifle in one hand and a grenade in the other. It was more like being temporarily not awake than sleep.
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
I had the whole road to myself, for no one was yet stirring, and I walked on, with a slouching, dogged gait. The gray shooting-jacket was on my back, and from the end of my brother’s rifle hung a small bundle of my clothes. My fingers worked moodily at the stock and trigger, and I thought that this indeed was the way to begin life, with a gun in your hand!
Herman Melville (Redburn)
He was listed as right-handed. The army needed to know that because bolt-action sniper rifles are made for right-handers. Left-handed soldiers don’t usually get assigned as snipers. Pigeonholing starts on day one in the military.
Lee Child (The Enemy (Jack Reacher, #8))
Onward, Valkyrie!” I scream as wind pulls my lips back from my teeth. My gravBoots accelerate with a twist of my toes, and I dive toward the vanguard, streaking past Sefi and Valdir, filled with righteous glory as I tear toward the burning mouth of an open mine, unscathed through tongues of fire, and pierce the crust of the world to land amongst towering behemoths of metal. They turn their glowing evil red eyes toward me, and I laugh when they do not fire, for I am a spirit warrior and I point my rifle at them, pull the trigger, and shit down my leg, because I am alone amongst a pack of hunterkiller robots and it is no rifle in my hand, it is only a mop. Then Sefi and Valdir land, and the world goes mad.
Pierce Brown (Dark Age (Red Rising Saga #5))
... As for me, I taught the lad the real character of a rifle; and well has he paid me for it. I have fought at his side in many a bloody scrimmage; and so long as I could hear the crack of his piece in one ear, and that of the Sagamore in the other, I knew no enemy was on my back. Winters and summers, nights and days, have we roved the wilderness in company, eating of the same dish, one sleeping while the other watched; and afore it shall be said that Uncas was taken to the torment, and I at hand - There is but a single ruler of us all, whatever maybe the color of the skin, and him I call to witness - that before the Mohican boy shall perish for the want of a friend, good faith shall depart the 'arth and 'Kill-deer' become as harmless as the tooting we'pon of the singer!
James Fenimore Cooper (The Last of the Mohicans (The Leatherstocking Tales, #2))
when Ove heard their creaking steps in the snow he would not immediately think to himself, Guests, how nice! but rather, Well, I’ll be damned! And they’d probably also know that Ove, wearing nothing but socks and underpants, with a three-quarter-century-old hunting rifle in his hands, would kick the door open like an aging, half-naked, suburban Rambo.
Fredrik Backman (A Man Called Ove)
Even after the horror of Newtown, Congress appeared determined to block any measure that could help keep guns out of the wrong hands, with legislators more interested in collecting campaign donations from the National Rifle Association than they were in protecting kids.
Michelle Obama (Becoming)
Then I see them: Tack and Hunter jogging toward us, rifles in hand, thin and pale and haggard and alive.
Lauren Oliver (Pandemonium (Delirium, #2))
Her hands were large and knuckley and calloused, made to hold a rifle, not a needle.
Hilary Mantel
It is time my brothers."Tolkaze handed the AK-47 rifle and ammo belt to his taller friend.
Tom Clancy (Red Storm Rising)
It is a terrible mistake to put the rifles of tomorrow into the hands of the ignorance of yesterday.
Barbara Hambly (Traveling with the Dead (James Asher, #2))
The muse of invention handed me a rifle and I shot a white bear who sat down and said: Ah.
Vladimir Nabokov
Two years of rifle fire and hand grenades - you can't just take it all off like a pair of socks afterwards -
Erich Maria Remarque (All Quiet on the Western Front)
She longed for the shape of the rifle in her hand. How easily the gun made the world change the way she wanted.
Cebo Campbell (Sky Full of Elephants)
Somebody comin'," he said softly. "Five or six, maybe." His words were spoken over an empty fire, for each of us vanished ghostlike into the surrounding darkness. I, fortunately, had the presence of mind to retain my coffee. With the Ferguson rifle in my right hand, I drank coffee from the cup in my left.
Louis L'Amour (The Ferguson Rifle)
He could not sit still, but got up, clutching the rifle in his sweaty hands. The good Lord God in heaven could damn his soul to hell if he didn't make an end of that red-tailed bastard tonight; and he, Nunnely Ballew, could be a man again, working his land and raising his family, instead of a piece of pore white trash getting drunk under the stars, and cursing the coming of daylight because every bone in his body ached for sleep. To hell with his loud brags and all the fine things he had said back yonder five years ago when Zing first got scent of King Devil. He'd thought then it was a red fox he had to catch, not a red devil.
Harriette Simpson Arnow (Hunter's Horn)
All armies have expendable items. That is, a part or unit, the destruction of which will not be fatal to the whole. In some ordeals, a man might consider his finger expendable, but not his hand; or, in extremity, his arm but not his heart. There are expendable items which may be lost or destroyed in the field, either in peace or in war, without their owner being required to replace them. A rifle is so expendable or a cartridge belt. So are men. Men are the most expendable of all.
Robert Leckie
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
In such a wild, uncharted place the book of God was vital, for it nourished their spirit and laid boundaries for their conduct. Other subjects simply had no relevance. Trigonometry and calculus would not help them find their way among the mountain trails. Adam Smith's economics were of no consequence in the matter of planting corn and breeding cattle. Nor did they need the essays of Plato or the plays of Shakespeare to teach them how to shoot a rifle, or to make clothes from animal skins, or to clear away the wilderness with their own bare hands.
James Webb (Born Fighting: How the Scots-Irish Shaped America)
L'Avventura,' Dad said, 'has the sort of ellipsis ending most American audiences would rather undergo a root canal than be left with, not only because they loathe anything left to the imagination-we're talking about the country that invented spandex-but also because they are a confident, self-assured nation. They know Family. They know Right from Wrong. They know God-many of them attest to daily chats with the man. And the idea that none of us can truly know anything at all-not the lives of our friends or family, not even ourselves-is a thought they'd rather be shot in the arm with their own semi-automatic rifle than face head-on. Personally, I think there's something terrific about not knowing, relinquishing man's feeble attempt to control. When you throw up your hands, say, "Who knows?" you can get on with the sheer gift of being alive.
Marisha Pessl (Special Topics in Calamity Physics)
But I also kept thinking of every man I had ever known. The ones from high school who were now in jail or had DUIs or posted pictures on social media of their assault rifles. The men I would see at campus parties where at least two women would discreetly point to them and say, “Watch your drink when he’s around.” The men who would walk too close behind me when I was going home alone at night, who made me grip my keys in my hand, made me reach in my purse and pretend I had a canister of pepper spray in my palm. None of them had to sacrifice their privacy like this. I
Megan Giddings (The Women Could Fly)
I love you,” he says, and my heart races even faster. “With blood running down your lips and a man crying at your feet. In a yellow dress and clumsy dance steps. With your skirt pulled up to your thigh and a rifle in your hands. With four paws and a cute little face. I love you, Daphne Heartcleaver.
Tessonja Odette (My Feral Romance (Fae Flings and Corset Strings, #2))
Kolya rose to a crouch and crept to the front door, keeping his head below the window line. I followed. We kneeled with our backs against the door. Kolya checked his pistol one last time. I pulled the German knife from my ankle sheath. I knew I looked silly holding it, the way a young boy looks holding his father’s shaving razor. Kolya grinned at me as though he was about to start laughing. This is all very strange, I thought. I am in the middle of a battle and I am aware of my own thoughts, I am worried about how stupid I look with a knife in my hand while everyone else came to fight with rifles and machine guns. I am aware that I am aware. Even now, with bullets buzzing through the air like angry hornets, I cannot escape the chatter of my brain.
David Benioff (City of Thieves)
I remember back a number of years, talkin about fairs, they had a old boy come through would shoot live pigeons with ye. Him with a rifle and you with a shotgun. Or anything else. He must of had a truckload of pigeons. Had a boy out in the middle of a field with a crateful and he’d holler and the boy’d let one slip and he’d raise his rifle and blam, he’d dust it. Misters, he could strictly make the feathers fly. We’d never seen the like of shootin. They was a bunch of us pretty hotshot birdhunters lost our money out there fore we got it figured out. What he was doin, this boy was loadin the old pigeons up the ass with them little firecrackers. They’d take off like they was home free and get up about so high and blam, it’d blow their asses out. He’d just shoot directly he seen the feathers fly. You couldn’t tell it. Or I take that back, somebody did finally. I don’t remember who it was. Reached and grabbed the rifle out of the old boy’s hand fore he could shoot and the old pigeon just went blam anyways. They like to tarred and feathered him over it.
Cormac McCarthy (Child of God)
At that distance, peacefully eating, the elephant looked no more dangerous than a cow. I thought then and I think now that his attack of “must” was already passing off; in which case he would merely wander harmlessly about until the mahout came back and caught him. Moreover, I did not in the least want to shoot him. I decided that I would watch him for a little while to make sure that he did not turn savage again, and then go home. But at that moment I glanced round at the crowd that had followed me. It was an immense crowd, two thousand at the least and growing every minute. It blocked the road for a long distance on either side. I looked at the sea of yellow faces above the garish clothes-faces all happy and excited over this bit of fun, all certain that the elephant was going to be shot. They were watching me as they would watch a conjurer about to perform a trick. They did not like me, but with the magical rifle in my hands I was momentarily worth watching. And suddenly I realized that I should have to shoot the elephant after all. The people expected it of me and I had got to do it; I could feel their two thousand wills pressing me forward, irresistibly. And it was at this moment, as I stood there with the rifle in my hands, that I first grasped the hollowness, the futility of the white man’s dominion in the East. Here was I, the white man with his gun, standing in front of the unarmed native crowd — seemingly the leading actor of the piece; but in reality I was only an absurd puppet pushed to and fro by the will of those yellow faces behind. I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys. He becomes a sort of hollow, posing dummy, the conventionalized figure of a sahib. For it is the condition of his rule that he shall spend his life in trying to impress the “natives,” and so in every crisis he has got to do what the “natives” expect of him. He wears a mask, and his face grows to fit it. I had got to shoot the elephant. I had committed myself to doing it when I sent for the rifle. A sahib has got to act like a sahib; he has got to appear resolute, to know his own mind and do definite things. To come all that way, rifle in hand, with two thousand people marching at my heels, and then to trail feebly away, having done nothing — no, that was impossible. The crowd would laugh at me. And my whole life, every white man’s life in the East, was one long struggle not to be laughed at.
George Orwell (Shooting an Elephant)
If intellectual capacity is a sniper’s foremost qualification, the number two trait is patience. We will take out any enemy we have to when the situation calls for it, whether that means using a rifle, a handgun, a knife, or our bare hands. Yet the sniper’s fundamental craft is not killing a person, but being able to get close enough to do so. Osman and I were on a classic sniper stalking mission: track, sneak up, observe, and disappear again, leaving no trace behind.
Brandon Webb (The Red Circle: My Life in the Navy SEAL Sniper Corps and How I Trained America's Deadliest Marksmen)
My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw. There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since. My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes. Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses. My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs. Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom. My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over. Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone. My vagina. A live wet water village. My vagina my hometown. Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish. My vagina a live wet water village. They invaded it. Butchered it and burned it down. I do not touch now. Do not visit. I live someplace else now. I don't know where that is.
V (formerly Eve Ensler) (The Vagina Monologues)
The woman raised her voice. "I said, what are you doing?" Tommy kept typing and looked up. "Pardon me, I was ignoring you. What did you say?" "What are you doing?" She repeated. "It's a note. Let me read it for you. 'Couldn't anyone else see that they were all slaves of Satan? I had to cleanse the world of their evil. I am the hand of God. Why else would security have let me into the building with an assault rifle in my suitcase? I am a divine instrument.' " Tommy paused and looked up. "That's all I have so far, but I'll guess I end it with an apology to my mom. What do you think?" She smiled as if hiding gas pains and handed him an envelope.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
He was completely detached from every thing except the story he was writing and he was living in it as he built it. The difficult parts he had dreaded he now faced one after another and as he did the people, the country, the days and the nights, and the weather were all there as he wrote. He went on working and he felt as tired as if he had spent the night crossing the broken volcanic desert and the sun had caught him and the others with the dry gray lakes still ahead. He could feel the weight of the heavy double-barreled rifle carried over his shoulder, his hand on the muzzle, and he tasted the pebble in his mouth. Across the shimmer of the dry lakes he could see the distant blue of the escarpment. Ahead of him there was no one, and behind was the long line of porters who knew that they had reached this point three hours too late. It was not him, of course, who had stood there that morning, nor had he even worn the patched corduroy jacket faded almost white now, the armpits rotted through by sweat, that he took off then and handed to his Kamba servant and brother who shared with him the guilt and knowledge of the delay, watching him smell the sour, vinegary smell and shake his head in disgust and then grin as he swung the jacket over his black shoulder holding it by the sleeves as they started off across the dry-baked gray, the gun muzzles in their right hands, the barrels balanced on their shoulders, the heavy stocks pointing back toward the line of porters. It was not him, but as he wrote it was and when someone read it, finally, it would be whoever read it and what they found when they should reach the escarpment, if they reached it, and he would make them reach its base by noon of that day; then whoever read it would find what there was there and have it always.
Ernest Hemingway (The Garden of Eden)
GRAY-EYED COLE SAT in his bedroom window, looking out over the road, a scoped Ruger 10/22 in his hands. Squirrel rifle. Below him, a quilt hung on the wire clothesline, airing out. Before the end of the day, the quilt would smell like early-summer fields, with a little gravel dust mixed in. A wonderful smell, a smell like home.
John Sandford (Extreme Prey (Lucas Davenport, #26))
Twelve years ago, when I was 10, I played at being a soldier. I walked up the brook behind our house in Bronxville to a junglelike, overgrown field and dug trenches down to water level with my friends. Then, pretending that we were doughboys in France, we assaulted one another with clods of clay and long, dry reeds. We went to the village hall and studied the rust rifles and machine guns that the Legion post had brought home from the First World War and imagined ourselves using them to fight Germans. But we never seriously thought that we would ever have to do it. The stories we heard later; the Depression veterans with their apple stands on sleety New York street corners; the horrible photographs of dead bodies and mutilated survivors; “Johnny Got His Gun” and the shrill college cries of the Veterans of Future Wars drove the small-boy craving for war so far from our minds that when it finally happened, it seemed absolutely unbelievable. If someone had told a small boy hurling mud balls that he would be throwing hand grenades twelve years later, he would probably have been laughed at. I have always been glad that I could not look into the future.
David Kenyon Webster (Parachute Infantry: An American Paratrooper's Memoir of D-Day and the Fall of the Third Reich)
A normal human would be dead of alcohol poisoning by now. He wanted to drive. “Give me the keys.” He considered it and dangled the keys before me. “What do I get if I let you drive?” I felt the weight of someone’s gaze, as if a sniper had sighted my back through a rifle scope. I turned. The building loomed about thirty yards away. The double glass doors leading to the balcony swung open, and Curran walked out. “What do I get if I let you drive, Kate?” I grabbed the keys from his hand. “To live!
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Sicarius stood behind them, not bothering to hide his face as the breeze rifled through his short blond hair. He hadn’t drawn a weapon yet, and Amaranthe hurried to catch up, to keep him from doing so. First one security man glanced over his shoulder and jumped, then the second emulated the move. Sespian lifted a hand. “Don’t hurt—”One of the men pointed to the side of Sicarius, cried, “Look, enforcers!” and hurled himself past Sespian and into the river. The second man squeaked, scuttled backward until his shoulders rammed against the railing, then grabbed it and also propelled himself into the water. His lantern caught and dropped to the deck instead of falling overboard. It clanked and highlighted a dubious puddle before tipping over and winking out. Amaranthe had forgotten how much Sicarius’s reputation affected the average person.
Lindsay Buroker (Beneath the Surface (The Emperor's Edge, #5.5))
If the ghost that haunts the towns of Ypres and Arras and Albert is the staturory British Tommy, slogging with rifle and pack through its ruined streets to this well-documented destiny ‘up the line’, then the ghost of Boulogne and Etaples and Rouen ought to be a girl. She’s called Elsie or Gladys or Dorothy, her ankles are swollen, her feet are aching, her hands reddened and rough. She has little money, no vote, and has almost forgotten what it feels like to be really warm. She sleeps in a tent. Unless she has told a diplomatic lie about her age, she is twenty-three. She is the daughter of a clergyman, a lawyer or a prosperous businessman, and has been privately educated and groomed to be a ‘lady’. She wears the unbecoming outdoor uniform of a VAD or an army nurse. She is on active service, and as much a part of the war as Tommy Atkins.
Lyn Macdonald (The Roses of No Man's Land)
his job clearly had something to do with guns, because he held an HK416 rifle in his hand now, leveled at Court’s chest. He stood alone in the small doorway, but now the main hangar door slid open, ten feet off Court’s right, and an entire Special Activities Division Ground Branch field team walked out, each man carrying an automatic weapon.
Mark Greaney (Gunmetal Gray (Gray Man, #6))
was a female Palestinian suicide bomber clutching a rifle in one hand and her little son in the other. This, it seemed, was the state’s only vision of gender equality. Ahmadinejad instituted separate elevators for men and women in government buildings, and he fired swaths of municipal workers who were not religious or devoted enough to his ideology. Tehran
Shirin Ebadi (Until We Are Free: My Fight for Human Rights in Iran)
A quotation in a speech, article, or book is like a rifle in the hands of an infantryman. It speaks with authority.
Honoré de Balzac
If you want an even playing field maybe you should leave those rifles behind and try to kill a wolf with your bare hands,
Charlotte McConaghy (Once There Were Wolves)
The circle of life isn’t a circle at all. It’s a straight line with hunters on one end, and prey on the other. With my father’s rifle in my hands, there’s no question where i fall.
Victoria Scott (Hear the Wolves)
Take him, Mr. Finch.” Mr. Tate handed the rifle to Atticus; Jem and I nearly fainted. “Don’t waste time, Heck,” said Atticus.
Harper Lee (To Kill a Mockingbird)
When the time comes and the need is there, every hand holds a rifle.
J.Z. Foster (Call of the Void (Reality Bleed, #2))
Lev loosened his grip on me to raise Mal’s rifle, but I whirled on him, bringing the mirror up, blinding him. “What the—” he grunted, squinting. Before he could recover, I slammed a knee into his groin. As he bent double, I put my hands on the back of his head and brought my knee up hard. There was a disgusting crunch, and I stepped backward as he fell to the ground clutching his nose, blood spurting between his fingers. “I did it!” I exclaimed. Oh, if only Botkin could see me now. “Come on!” Mal said, distracting me from my jubilation.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
you’re a good shot, it doesn’t matter how much stopping power a gun has.” “If you’re a good shot,” I said solemnly, raising a hand to my breast, “you’re probably already using a rifle.
Brandon Sanderson (Steelheart (The Reckoners, #1))
The Northwestern Carpathians, in which I was raised, were a hard place, as unforgiving as the people who lived there, but the Alpine landscape into which Zlee and I were sent that early winter seemed a glimpse of what the surface of the earth looked and felt and acted like when there were no maps or borders, no rifles or artillery, no men or wars to claim possession of land, and snow and rock alone parried in a match of millennial slowness so that time meant nothing, and death meant nothing, for what life there was gave in to the forces of nature surrounding and accepted its fate to play what role was handed down in the sidereal march of seasons capable of crushing in an instant what armies might--millennia later--be foolish enough to assemble on it heights. And yet there we were, ordered to march ourselves, for God, not nature, was with us now, and God would deliver us, in this world and next, when the time came for that.
Andrew Krivak (The Sojourn)
Evan stares at me. I try to hug him. He takes a step back. I pause, my heart in my throat. I’ve got to reach out to him, let myself be vulnerable. I find the courage, but he backs up again. “You can’t go to Iraq anymore.” “I know.” He looks up at Deanna, then back to me. “Did you fight bad guys? You told me you weren’t.” His voice is suspicious, full of accusation. He doesn’t trust me, and I don’t blame him for that. “No, Evan. I didn’t fight bad guys.” I can’t bring myself to tell him the complete truth. I want so desperately to go back into this fight. I miss it every day. I always felt I could change the world with a rifle in my hands and our flag on my shoulder. “Did you get shot?” he looks me over, apparently searching for bullet wounds. I grin a little. “No, Bud, I didn’t get shot.” “People get shot in Iraq.” “Yes, they do.” It strikes me then that Evan for the first time has a grasp on the dangers that are faced over there. He’s six now, and the world is coming into focus for him. “People get shot, Daddy. They die. Bad guys kill them.” I think of Edward Iwan and Sean Sims. “Yeah, I know they do, Evan.
David Bellavia (House to House: An Epic Memoir of War)
He stalked into the room, leaned his long rifle against the mantelpiece and spread out his hands to the fire. He was clad from head to foot in fringed and beaded buckskin, which showed evidence of a long and arduous tramp. It was torn and wet and covered with mud. He was a magnificently made man, six feet in height, and stood straight as an arrow. His wide shoulders, and his muscular, though not heavy, limbs denoted wonderful strength and activity. His long hair, black as a raven's wing, hung far down his shoulders. Presently he turned and the light shone on a remarkable face. So calm and cold and stern it was that it seemed chiselled out of marble. The most striking features were its unusual pallor, and the eyes, which were coal black, and piercing as the dagger's point.
Zane Grey (Maude and Miriam: Or, the Fair Crusader)
In his hand he held a longbarreled sixshot Colt’s patent revolver. It was a huge sidearm meant for dragoons and it carried in its long cylinders a rifle’s charge and weighed close to five pounds loaded.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
The silence spreads. I talk and must talk. So I speak to him and to say to him: “Comrade, I did not want to kill you. If you jumped in here again, I would not do it, if you would be sensible too. But you were only an idea to me before, an abstraction that lived in my mind and called forth its appropriate response. It was that abstraction I stabbed. But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony—Forgive me, comrade; how could you be my enemy? If we threw away these rifles and this uniform you could be my brother just like Kat and Albert. Take twenty years of my life, comrade, and stand up—take more, for I do not know what I can even attempt to do with it now.
Erich Maria Remarque (All Quiet on the Western Front)
When the NSSF fights against legislation designed to prevent mass shootings because it “won’t work and is a violation of rights,” we understand that many people agree with that argument. But that’s not, at all, even a little bit why the organization lobbies so hard. It works hand in hand with the NRA and certain senators, and spends millions of dollars per year for one reason and one reason only: to make more money. And every time a shooting happens, it makes even more money. Yes. For real. When a mass shooting makes national headlines, the gun lobby purposefully stokes up fear and paranoia over proposed new gun laws so that scared citizens get out their checkbooks and buy a new AR-15 (or sporting rifle). So why would the NSSF have any interest in stopping mass shootings? Why would it engage politically and invest in compromise, a reform plan that attempts to make all Americans safer, or any sort of reckoning of the role guns play in gun violence? It won’t. However you feel about guns and their place in America—whether we’re talking about rifles for hunting or assault rifles, or anything in between—it’s undeniable that the gun lobby has refused to acknowledge or entertain any sort of regulation or reform aimed at making us a safer and saner nation. The reason why: because that does not make it more money. A customer base kept terrified at all times that this will be “the last chance before the government bans” whatever gun manufacturers are peddling is much more valuable. A customer base absolutely convinced that the just-about-anyone-can-buy culture we have is politically necessary without seeing that it serves those companies is what they’re after. They have achieved it.
Trae Crowder (The Liberal Redneck Manifesto: Draggin' Dixie Outta the Dark)
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
My love, my dear, dear Shura, Don’t talk about my cross—first heave your own off your shoulders. How did I live last winter? I don’t know, but I think almost longingly of it now. Because I moved. There was movement inside me. I had energy to lie, to pretend to Dasha, to keep her alive. I walked, I was with Mama, I was too busy to die myself. Too busy hiding my love for you. But now I wake up and think, how am I going to go through the rest of my day until sleep? To ease myself back into life, I’ve surrounded myself with the villagers. You think it was bad before. I’m from morning till night helping Irina Persikova, who had to have her leg cut off in Molotov, infection or something. I think I like her because she carries my mother’s name. I think of Dasha. I grieve for my sister. But her face is not the last face I see before I sleep. Yours is. You are my hand grenade, my artillery fire. You have replaced my heart with yourself. Are you thinking of me with your rifle in your hands? What do we do? How do we keep you from dying? These thoughts consume my waking minutes. What can I do from here to keep you alive? Dead or wounded, those Soviets will leave you in the field. Who is going to heal you if you fall? Who is going to bury you if you die? Bury you like you deserve—with kings and heroes. Yours, Tatiana
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
How solemn and beautiful is the thought, that the earliest pioneer of civilization, the van-leader of civilization, is never the steamboat, never the railroad, never the newspaper, never the Sabbath-school, never the missionary—but always whiskey! Such is the case. Look history over; you will see. The missionary comes after the whiskey—I mean he arrives after the whiskey has arrived; next comes the poor immigrant, with ax and hoe and rifle; next, the trader; next, the miscellaneous rush; next, the gambler, the desperado, the highwayman, and all their kindred in sin of both sexes; and next, the smart chap who has bought up an old grant that covers all the land; this brings the lawyer tribe; the vigilance committee brings the undertaker. All these interests bring the newspaper; the newspaper starts up politics and a railroad; all hands turn to and build a church and a jail—and
Mark Twain (Life on the Mississippi)
I stood there with the rifle in my hands, that I first grasped the hallowness, the futility of the white man with his gun, standing in front of the unarmed native crowd --- seemingly the leading actor of the piece ; but in reality I was only an absurd puppet pushed to and fro by the will of those yellow faces behind. I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys. He becomes a sort of hollow, posing dummy, the conventionalized figure of sahib. For it is the condition of his rule that he shall spend his life in trying to impress the "natives", and so in every crises he has got to do what the "natives" expect of him.
George Orwell (A Collection of Essays)
Images barraged him. Connections darted electric. Veins. Roots. Forked lightning. Tributaries. Branches. Vines snaked around trees, herds of animals, drops of water running together. I don’t understand. Fingers twined together. Shoulder leaned on shoulder. Fist bumping fist. Hand dragging Adam up from the dirt. Cabeswater rifled madly through Adam’s own memories and flashed them through his mind. It hurled images of Gansey, Ronan, Noah, and Blue so fast that Adam couldn’t keep up with all of them. Then the grid of lightning blasted across the world, an illuminated grid of energy. Adam still did not understand, and then he did. There was more than one Cabeswater. Or more of whatever it was.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
...(T)he last rebels of the Tuareg uprising that had devastated the north for half a decade agreed to lay down their weapons, and the nomadic warriors surrendered thousands of Kalashnikov rifles to the government. The weapons were buried tin the concrete pedestal f a "monument of Peace" that sits on a rise on Timbuktu's outskirts- an assemblage of interlocking archways surrounded by colorful murals of Malian government soldiers and Tuareg rebels shaking hands and burning their weapons.
Joshua Hammer (The Bad-Ass Librarians of Timbuktu and Their Race to Save the World’s Most Precious Manuscripts)
...Not yet dry behind the ears, not old enough to buy a beer, but old enough to die for his country. He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively if he must. He digs foxholes and latrines and can apply first aid like a professional. He can march until he is told to stop, or stop until he is told to march. He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient. ...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cook his own meals, mend his own clothes, and fix his own hurts. If you're thirsty, he'll share his water with you; if you are hungry, food. He'll even split his ammunition with you in the midst of battle when you run low. He has learned to use his hands like weapons and weapons like they were his hands. He can save your life-or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed. He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking. ...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years. He has asked nothing in return, except our friendship and understanding. Remember him, always, for he has earned our respect and admiration with his blood. And now we have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so. As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
It was Colonel Parkman who upped stakes, crossed the border, and named our town, thus perversely commemorating a battle in which he'd lost. (Though perhaps that's not so unusual: many people take a curatorial interest in their own scars.) He's shown astride his horse, waving a sword and about to gallop into the nearby petunia bed: a craggy man with seasoned eyes and pointed beard, every sculptor's idea of every cavalry leader. No one knows what Colonel Parkman really looked like, since he left no pictorial evidence of himself and the statue wasn't erected until 1885, but he looks like this now. Such is the tyranny of Art. On the left-hand side of the lawn, also with a petunia bed, is an equally mythic figure: the Weary Soldier, his three top shirt buttons undone, his neck bowed as if for the headman's axe, his uniform rumpled, his helmet askew, leaning on his malfunctioning Ross rifle. Forever young, forever exhausted, he tops the War Memorial, his skin burning green in the sun, pigeon droppings running down his face like tears.
Margaret Atwood (The Blind Assassin)
Please hand over the criminal and their restricted equipment,” Julia said, shooting a glance at the two rifles on the demon’s back. “What equipment?” Ogras said with a blank face as he slowly put the rifles in a Cosmos Sack one by one, drawing a glare from Julia.
TheFirstDefier (Defiance of the Fall 2 (Defiance of the Fall, #2))
Now we hunt with high-powered sniper rifles, seeking trophies and the thrill of the kill. We're a box of matches in a child's hand. As a species, are we even capable on the whole of realizing the necessary balance in Mother Nature's web-of-life? Time will surely tell.
L. G. Cullens, Togwotee Passage
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
I DIDN’T FORGET the assault rifle the third time around. I shoved the Luger into my belt, but I couldn’t very well expect to fire an assault rifle with a teddy bear in one hand, so I had to leave him on the trail. “It’s okay. I won’t forget you,” I whispered to Sammy’s bear.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
If our time is up, at least we’ll be dying in fresh air,” I say. “With rifles in our hands and a hearty ‘fuck you’ on our lips.” “There are worse ways to go,” Sergeant Fallon agrees. “’Course, I want to explore every other option before we get to the ‘dying in fresh air’ part.
Marko Kloos (Lines of Departure (Frontlines, #2))
Bond slowly, wearily bent his head and looked at the ground between his spread hands. It was the girl, Tilly. She was watching the buildings below. She had a rifle – a rifle that must have been among the innocent golf clubs – ready to fire on them. Damn and blast the silly bitch!
Ian Fleming (Goldfinger (James Bond, #7))
I've been ordered to take you men with me. I've been told that if you don't come I can shoot you. Well, you know I won't do that. Not Maine men. I won't shoot any man who doesn't want this fight. Maybe someone else will, but I won't. So that's that." He paused again. There was nothing on their faces to lead him. "Here's the situation. I've been ordered to take you along, and that's what I'm going to do. Under guard if necessary. But you can have your rifles if you want them. The whole Reb army is up the road a ways waiting for us and this is no time for an argument like this. I tell you this: we sure can use you. We're down below half strength and we need you, no doubt of that. But whether you fight or not is up to you. Whether you come along, well, you're coming." Tom had come up with Chamberlain's horse. Over the heads of the prisoners Chamberlain could see the regiment falling into line out in the flaming road. He took a deep breath. "Well, I don't want to preach to you. You know who we are and what we're doing here. But if you're going to fight alongside us there's a few things I want you to know." He bowed his head, not looking at eyes. He folded his hands together. "This regiment was formed last fall, back in Maine. There were a thousand of us then. There's not three hundred of us now." He glanced up briefly. "But what is left is choice." He was embarrassed. He spoke very slowly, staring at the ground. "Some of us volunteered to fight for Union. Some came in mainly because we were bored at home and this looked like it might be fun. Some came because we were ashamed not to. Many of us came...because it was the right thing to do. All of us have seen men die. Most of us never saw a black man back home. We think on that, too. Freedom...is not just a word." He looked into the sky, over silent faces. "This is a different kind of army. If you look at history you'll see men fight for pay, or women, or some other kind of loot. They fight for land, or because a king makes them, or just because they like killing. But we're here for something new. I don't...this hasn't happened much in the history of the world. We're an army going out to set other men free." He bent down, scratched the black dirt into his fingers. He was beginning to warm to it; the words were beginning to flow. No one in front of him was moving. He said, "This is free ground. All the way to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by what your father was. Here you can be something. Here's a place to build a home. It isn't the land- there's always more land. It's the idea that we all have value, you and me, we're worth something more than the dirt. I never saw dirt I'd die for, but I'm not asking you to come join us and fight for dirt. What we're all fighting for, in the end, is each other.
Michael Shaara (The Killer Angels: A Novel of the Civil War)
though I have no doubt exceptions can be brought forward, I think the following rule would be found generally true: that ages in which the dominant weapon is expensive or difficult to make will tend to be ages of despotism, whereas when the dominant weapon is cheap and simple, the common people have a chance. Thus, for example, tanks, battleships and bombing planes are inherently tyrannical weapons, while rifles, muskets, long-bows and hand-grenades are inherently democratic weapons. A complex weapon makes the strong stronger, while a simple weapon — so long as there is no answer to it — gives claws to the weak.
George Orwell
The nightmare takes various forms, comes in sleep, or in wakefulness, and can be pictured most simply like this: There is a blindfolded man standing with his back to the brick wall. He has been tortured nearly to death. Opposite him are six men with their rifles raised ready to shoot, commanded by a seventh, who has his hand raised, When he drops his hand, the shots will ring out, and the prisoner will fall dead. But suddenly there is something unexpected—yet not altogether unexpected, for the seventh has been listening all this while in case it happens. There is an outburst of shouting and fighting in the street outside. The six men look in query at their officer, the seventh. The officer stands waiting to see how the fighting outside will resolve itself. There is a shout: ‘We have won!’ At which the officer crosses the space to the wall, unties the bound man, and stands in his place. The man, hitherto bound, now binds the other. There is a moment, and this is the moment of horror in the nightmare, when they smile at each other: It is a brief, bitter, accepting smile. They are brothers in that smile. The smile holds a terrible truth that I want to evade. Because it cancels all creative emotion. The offer, the seventh, now stands blindfolded and waiting with his back to the wall. The former prisoner walks to the firing squad who are still standing with their weapons ready. He lifts his hand, then drops it. The shots ring out, and the body by the wall falls twitching. The six soldiers are shaken and sick; now they will go and drink to drown the memory of their murder. But the man who was bound, is now free, smiles as they stumble away, cursing and hating him, just as they would have cursed and hated the other, now dead. And in this man’s smile at the six innocent soldiers there is a terrible understanding irony. This is the nightmare.
Doris Lessing (The Golden Notebook)
He was struck by how lives diverge and by how powerless each of us is up against the force of circumstance. And where does God figure in this? Why does He set one person down in Nazi-occupied Europe with a rifle in his hands and the other in the Indian Hill dining lodge in front of a plate of macaroni and cheese? Why does He place one Weequahic child in polio-ridden Newark for the summer and another in the splendid sanctuary of the Poconos? For someone who had previously found in diligence and hard work the solution to all his problems, there was now much that was inexplicable to him about why what happens, happens as it does.
Philip Roth (Nemesis)
Prevost was an imaginative gladiator of the air. He persuaded Vann to give him a pair of the new lightweight Armalite rifles, officially designated the AR-15 and later to be designated the M-16 when the Armalite was adopted as the standard U.S. infantry rifle. The Army was experimenting with the weapon and had issued Armalites to a company of 7th Division troops to see how the soldiers liked it and how well it worked on guerrillas. (The Armalite had a selector button for full or semiautomatic fire and shot a much smaller bullet at a much higher velocity than the older .30 caliber M-1 rifle. The high velocity caused the small bullet to inflict ugly wounds when it did not kill.) Prevost strapped the pair of Armalites to the support struts under the wings of the L-19 and invented a contrivance of wire that enabled him to pull the triggers from the cockpit to strafe guerrillas he sighted. He bombed the Viet Cong by tossing hand grenades out the windows.
Neil Sheehan (A Bright Shining Lie: John Paul Vann and America in Vietnam (Pulitzer Prize Winner))
Tired of a bureaucracy that tied their hands with absurd rules of engagement and a system that, as Lieutenant Colonel Paul Yingling famously noted, imposed harsher punishments on privates who lost rifles than on generals who lost wars, Raife didn’t look back. He left the SEAL side of his life behind and dropped off the radar.
Jack Carr (True Believer (Terminal List, #2))
But now, under the pitying eyes of these Americans, we perceive how much in vain it has all been. The sight of their interminable, well-equipped columns reveals to us against what hopeless odds in man power and material we made our stand. We bite our lips and look at each other. Bethke withdraws his shoulder from under the American’s hand; Kosole stares ahead into vacancy; Ludwig Breyer draws himself up—we grip our rifles more firmly; we brace our knees, our eyes become harder and our gaze does not falter. We look back once more over the country whence we have come; our faces become tight with suppressed emotion and once again the searing memory passes through us: all we have done, all we have suffered, and all that we have left behind. We do not know what is the matter with us; but if a bitter word were now loosed against us, it would sting us to fury, and whether we wanted to or not we would burst forward, wild and breathless, mad and lost, to fight—in spite of everything, to fight again.
Erich Maria Remarque (The Road Back)
Rather, liberalism succeeded because there was abundant political, economic and military sense in ascribing value to every human being. On the mass battlefields of modern industrial wars and in the mass production lines of modern industrial economies, every human counted. There was value to every pair of hands that could hold a rifle or pull a lever.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
We’re keeping the pregnancy quiet for now, Lou,” Knox told him. “We need you to do the same.” Lou lifted his hand, as if to pledge an oath. “You can be sure that I will do nothing to threaten the upcoming birth of our little Luc —” “We are not calling the baby Lucifer,” growled Harper, fists clenched. Lou leaned toward Knox and said quietly, “Notice the mood swing? The stats don’t lie.” Harper let out a long breath. “Why are you even here?” Lou lifted a brow. “Expecting someone else?” “Preferably someone who doesn’t come uninvited, rifle through our kitchen, and help themselves to stuff. It’s like having a stray dog turn up all the time.” Lou sniffed at her. “That’s unfair. I don’t shit on your floor.
Suzanne Wright (Ashes (Dark in You, #3))
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
The Army and Navy Journal labeled the latest raids simply “one more chapter in the old volume,” the result of alternately feeding and fighting the tribes. “We go to them Janus-faced. One of our hands holds the rifle and the other the peace-pipe, and we blaze away with both instruments at the same time. The chief consequence is a great smoke—and there it ends.
Peter Cozzens (The Earth Is Weeping: The Epic Story of the Indian Wars for the American West)
Next to her a man appeared, head to toe in brown camouflage, his own binoculars in his hands. Zoya knew Ruslan had a suppressed sniper rifle, a VSS Vintorez, on a bipod somewhere back there in the brush. Through the high-powered optic on the rail of the weapon, and not through the binos in his hands, he’d been watching Zoya throughout her visit here to the island
Mark Greaney (Gunmetal Gray (Gray Man, #6))
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
Comrade, I did not want to kill you. . . . But you were only an idea to me before, an abstraction that lived in my mind and called forth its appropriate response. It was that abstraction I stabbed. But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony—Forgive me, comrade; how could you be my enemy? . . . Take twenty years of my life, comrade . . . for I do not know what I can even attempt to do with it now.
Erich Maria Remarque (All Quiet on the Western Front)
She looked from Wade to the rifle and back again. "Not as long as you know how to use that thing." When he cocked a brow Nikki couldn't resist the urge to add, "Just 'cause you've got the tool, doesn't mean you know how to use it." "Don't worry, sweetheart," he replied with a dangerous look. "I know good and well how to use all my tools. But if you need convincing, I'm happy to demonstrate.
Victoria Vane (Slow Hand (Hot Cowboy Nights, #1))
My grandmother, perhaps the biggest Elvis fan on earth, loved going to Memphis and visiting Graceland with her sister, daughter, and nieces. She had photo albums full of their trips; they’d go and she would take photos of the exact same things trip after trip. It was her mecca. She had a photo of Elvis’s headstone in various seasons, and you could watch her daughter and nieces grow up in a series of photos in front the mansion’s driveway gate. It was routine. I’ve come to regard Dianne Feinstein’s “assault weapons” press conferences in the same way. Every few years or so, Senator Feinstein calls a press conference, the D.C. version of theater, and plays Vanna White with guns strapped to whiteboards. You can watch her age through the years at these pressers via Google Images. She begins with a youthful plump to her cheeks, standing tall, holding up a rifle to her chest and as the years go by she takes on the posture of a cocktail shrimp and simply motions to the boards. I give her credit for her dedication to never learning a single thing about the firearms she proposes to ban. It takes devotion to remain ignorant about a topic when you spend decades discussing it.
Dana Loesch (Hands Off My Gun: Defeating the Plot to Disarm America)
Once again, it's a beautiful day to be a pirate," Auburn Sally said to her crew. "Ladies, lower the sales!" The twins looked up, expecting the sails above them to comedown and fill with the ocean air. Instead, Siren Sue peeked out of the crow's nest with a treasure chest full of scarves, jewelry, hooks, and weapons. The other pirates gathered below her with hands full of gold coins. "You heard the captain - time to lower the sales!" Siren Sue announced. "For a limited time, everything is half off!" Scarves are two coins, earring are four coins, necklaces are six coins, and the rifles are eight coins! Get your accessories while the sales are low!" Siren Sue sold off the items to the pirates below until there was nothing left in her chest. The women ogled their new purchases and showed them off to one another. It absolutely baffled Alex, and when she glanced at Conner, he looked just as confused as she did. "I don't understand what's happening," he said. "I never wrote that." "Did you mean to write lower the sails?" Like the normal sails on a ship?" Alex said. "Oops," Conner said. "I must have spelled it wrong." To his relief, once the sales were over, the pirates lowered the sails, too.
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
I’m starting to spin out. I stare down and rifle through my oversized purse to find his painkillers, feeling a full-on freak-out like I’ve never had coming on. My hand wraps around something long and slender and I pull out . . . a carrot? My eyes water and panic rises, and I just toss it in the back seat. “Was that a carrot?” is the first thing Cade says to me since I told him I was pregnant with his baby.
Elsie Silver (Heartless (Chestnut Springs, #2))
People buy products that say something about themselves. Paying twice the price for Bulletproof Coffee versus the competitors says that the person is a high performer. On the other hand, drinking Black Rifle Coffee, which we mentioned earlier, says you shoot guns, or that you don’t care about the opinions of other people. The product (coffee) is almost exactly the same, but the person is completely different.
Ryan Daniel Moran (12 Months to $1 Million: How to Pick a Winning Product, Build a Real Business, and Become a Seven-Figure Entrepreneur)
Let us have it plain: my society is comprised of metal-worshipers. They pray to metal, are owned by metal, and metal uses them; it shoots them, it stabs them. I witness its sycophants, grave zombies, moved about humorlessly as its agents. My minions are spiritually rapt as the ages climaxes in gunpowder. One notes that, upon first being handed a rifle -- by Burton or Speke? -- a chieftain blithely shot one of his own lackeys, expressing radiant joy as the man tumbled dead. Do not stop there, happy Klansman, but watch with me early in the morning as I come in from work: across the street here in the clean "burbs" your white policeman goes reverently to his car with a deer rifle coddled in his right arm like a precocious, beautiful child. This man lives with a pistol on his hip all week, but that is not enough, no, he is devout and it is the Christmas season. His own cowardice, affirmed by the use of guns, would not occur to him any more than the cowardice of God. The gun lobby, oh my peaceful friends, you may hate, but first you had better understand that it is a religion, only secondarily connected to the Bill of Rights. The thick-headed, sometimes even close to tearful, gaze you get when chatting with one of its partisans emanates from the view that they're holding a piece of God. There is no persuading them otherwise, even by a genus, because a life without guns implies the end of the known world to them. Any connection they make to our " pioneer past" is also a fraud, a wistful apology. Folks love a gun for what it can do. A murderer always thinks it was an accident, he says, as if a religious episode had passed over him.
Barry Hannah (Bats Out of Hell)
I always imagined rape as this violent scene of a woman walking alone down a dark alley and getting mugged and beaten by some masked criminal. Rape was an angry man forcing himself inside a damsel in distress. I would not carry the trauma of a cliché rape victim. I would not shriek in the midst of my slumber with night terrors. I would not tremble at the sight of every dark haired man or the mention of Number 1’s name. I would not even harbor ill will towards him. My damage was like a cigarette addiction- subtle, seemingly innocent, but everlasting and inevitably detrimental. Number 1 never opened his screen door to furious crowds waving torches and baseball bats. Nobody punched him out in my honor. The Nightfall crowd never socially ostracized him. Even the ex-boyfriend who’d second handedly fused the entire fiasco continued to mingle with him in drug circles. Everybody continued with business as usual. And when I told my parents I lost my virginity against my will, unconscious on a bathroom floor, Carl did not erupt in fury and demand I give him all I knew about his whereabouts so he could greet him with a rifle. Mom blankly shrugged and mumbled, “Oh, that’s too bad,” and drifted into the kitchen as if I’d received a stubbed toe rather than a shredded hymen. Everyone in my life took my rape as lightly as a brief thunderstorm that might have been frightening when it happened, but was easy to forget about. I adopted that mentality as the foundation of my sex life. I would, time and time again, treat sex as flimsily as it started. I would give it away as if it was cheap, second hand junk, rather than a prize that deserved to be earned.
Maggie Georgiana Young (Just Another Number)
Morning comes. I go to my class. There sit the little ones with folded arms. In their eyes is still all the shy astonishment of the childish years. They look up at me so trustingly, so believingly - and suddenly I get a spasm over the heart. Here I stand before you, one of the hundreds of thousands of bankrupt men in whom the war destroyed every belief and almost every strength. Here I stand before you, and see how much more alive, how much more rooted in life you are than I. Here I stand and must now be your teacher and guide. What should I teach you? Should I tell you that in twenty years you will be dried-up and crippled, maimed in your freest impulses, all pressed mercilessly into the selfsame mold? Should I tell you that all the learning, all culture, all science is nothing but hideous mockery, so long as mankind makes war in the name of God and humanity with gas, iron, explosive and fire? What should I teach you then, you little creatures who alone have remained unspotted by the terrible years? What am I able to teach you then? Should I tell you how to pull the string of a hand grenade, how best to throw it at a human being? Should I show you how to stab a man with a bayonet, how to fell him with a club, how to slaughter him with a spade? Should I demonstrate how best to aim a rifle at such an incomprehensible miracle as a breathing breast, a living heart? Should I explain to you what tetanus is, what a broken spine is, and what a shattered skull? Should I describe to you what brains look like when they scatter about? What crushed bones are like - and intestines when they pour out? Should I mimic how a man with a stomach wound will groan, how one with a lung wound gurgles and one with a head wound whistles? More I do not know. More I have not learned. Should I take you the brown-and-green map there, move my finger across it and tell you that here love was murdered? Should I explain to you that the books you hold in your hands are but nets with which men design to snare your simple souls, to entangle you in the undergrowth of find phrases, and in the barbed wire of falsified ideas? I stand here before you, a polluted, a guilty man and can only implore you ever to remain as you are, never to suffer the bright light of your childhood to be misused as a blow flame of hate. About your brows still blows the breath of innocence. How then should I presume to teach you? Behind me, still pursuing, are the bloody years. - How then can I venture among you? Must I not first become a man again myself?
Erich Maria Remarque (The Road Back)
He held them in his hand and looked at them as a man who was panning for gold, expecting only flakes, would look at four nuggets in his pan. The four bullets had black noses. Now the meat was out of them, the short twist rifling showed clearly. They were 9mm standard issue for the Schmeisser machine pistol. They made the man very happy. They picked up all the hulls, he thought. But they left these as plain as calling cards.
Ernest Hemingway (Islands in the Stream)
Lines that seemed unconnected gradually becomes part of a confession that had at its center rooms in the burning heat of August, where something has taken place, clearly sexual, but it is also the vacant streets of rural Texas, roads, forgotten friends, the slap of hands of rifle slings and forked pennants limp at parades. There are condoms, sun-faded cars, soiled menus with misspellings, a kind of pyre on which he had laid his life. That was why he seemed so pure – he had given all. Everyone lies about their lives, but he had not lied about his. He had made of it a noble lament, through it always running this thing you have had, that you will always have, but can never have. (There stood Erechteus, polished limbs and greaves....come to me, Hellas, I love for your touch.) I had met him at a party and only managed to say, – I read your beautiful poem.
James Salter (Last Night)
Well, what you ding this kind of work for--against your own people?" "Three dollars a day. I got damn sick of creeping for my dinner--and not getting it. I got a wife and kids. We got to eat. Three dollars a day and it comes every day." "But for your three dollars a day fifteen or twenty families can't eat at all. Nearly a hundred people have to go and wander on the roads for your three dollars a day. Is that right?" "Can't think of that. Got to think of my own kids." *** "Nearly a hundred people on the road for your three dollars. Where will we go?" "And that reminds me, you better get out soon. I'm going through the dooryard after dinner...I got orders wherever there's a family not moved out--if I have an accident--you know, get too close and cave in the house a little--well, I might get a couple of dollars. And my youngest kid never had no shoes yet." "I built this with my hands...It's mine. I built it. You bump it down--I'll be in the window with a rifle..." "It's not me. There's nothing I can do. I'll lose my job if I don't do it. And look--suppose you kill me? They'll just hang you, but not long before you're hung there'll be another guy on the tractor, and he'll bump the house down. You're not killing the right guy." *** Across the dooryard the tractor cut, and the hard, foot-beaten ground was seeded field, and the tractor cut through again; the uncut space was ten feet wide. And back he came. The iron guard bit into the house-corner, crumbled the wall and wrenched the house from its foundation so that it fell sideways,crushed like a bug...The tenant man stared after [the tractor], his rifle in his hand. His wife beside him, and the quiet children behind. And all of them stared after the tractor.
John Steinbeck (The Grapes of Wrath)
Mammon led them on, Mammon, the least erected Spirit that fell From heav’n, for ev’n in heav’n his looks and thoughts Were always downward bent, admiring more The riches of Heav’ns pavement, trod’n Gold, Then aught divine or holy else enjoy’d In vision beatific; by him first Men also, and by his suggestion taught, Ransack’d the Center, and with impious hands Rifl’d the bowels of thir mother Earth For Treasures better hid. —MILTON, Paradise Lost
Neal Stephenson (The Baroque Cycle: The Complete New York Times Bestselling Trilogy of Historical Intrigue and Adventure)
But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony — forgive me, comrade; how could you be my enemy?
Erich Maria Remarque (All Quiet on the Western Front)
You hwill follow me!” You did not disobey someone who added h’s to their w’s. Clara and Nutcracker hurried after Mother Svetlana, who could glide down the hall with extreme grace for someone her size. Nuns rushed past them in frocks of beige, their starched wimples brushing Clara. Mother Svetlana parted them like the Red Sea. Something flashed in one of their hands—a butcher knife? “How dare these ungodly creatures assault a house of the Lord!” Mother Svetlana’s voice filled to the arches. “Hwe are hwomen of peace!” “Yes…” Nutcracker eyed a short nun who scampered past with an ax. She looked positively gleeful. “Hwe hwill hold the rats off, with God’s help,” Mother Svetlana continued. Down the hall, gunshots sounded, echoing through the gardens. A nun rushed past, carrying an eye-stinging bucket of lye. Another feeble old woman scuttled past with a huge rifle, gleefully squeaking: Lawks, lawks, I’m just a little old nun!
Heather Dixon Wallwork (The Enchanted Sonata)
But every single day after work Tatiana brushed her hair and ran outside, thinking, please be there, and every single day after work Alexander was. Though he never asked her to go to the Summer Garden anymore or to sit on the bench under the trees with him, his hat was always in his hands. Exhausted and slow, they meandered from tram to canal to tram, reluctantly parting at Grechesky Prospekt, three blocks away from her apartment building. During their walks sometimes they talked about Alexander’s America or his life in Moscow, and sometimes they talked about Tatiana’s Lake Ilmen and her summers in Luga, and sometimes they chatted about the war, though less and less because of the anxiety over Pasha, and sometimes Alexander taught Tatiana a little English. Sometimes they told jokes, and sometimes they barely spoke at all. A few times Alexander let Tatiana carry his rifle as a balancing stick while she walked a high ledge on the side of Obvodnoy Canal. “Don’t fall into the water, Tania,” he once said, “because I can’t swim.” “Is that true?” she asked incredulously, nearly toppling over. Grabbing the end of his rifle to steady her, Alexander said with a grin, “Let’s not find out, shall we? I don’t want to lose my weapon.” “That’s all right,” Tatiana said, precariously teetering on the ledge and laughing. “I can swim perfectly well. I’ll save your weapon for you. Want to see?” “No, thank you.” And sometimes, when Alexander talked, Tatiana found her lower jaw drifting down and was suddenly and awkwardly aware that she had been staring at him so long that her mouth had dropped open. She didn’t know what to look at when he talked—his caramel eyes that blinked and smiled and shined and were grim or his vibrant mouth that moved and opened and breathed and spoke. Her eyes darted from his eyes to his lips and circled from his hair to his jaw as if they were afraid she would miss something if she didn’t stare at everything all at once. There were some pieces of his fascinating life that Alexander did not wish to talk about—and didn’t. Not about the last time he saw his father, not about how he became Alexander Belov, not about how he received his medal of valor. Tatiana didn’t care and never did more than gently press him. She would take from him what he needed to give her and wait impatiently for the rest.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
havng an affair with a man was a plunge into change, shocking irreversible change, like an amputation It was not a dip in a pool, after which one came out and dried the same body with the same hands. And as for the much touted memroes, far from treasuring them, she found them a continuing torment, which she would willingly have burned from her brain cells...Yet for this sex, good or mot so good, she had paid a steep price. Marjorie felt rifled of her own identity.
Herman Wouk
He had many formal qualifications. He was rated expert on all small arms. He had won an inter-service thousand-yard rifle competition with a record score. Anecdotally his fitness reports rated him well above average in the classroom, excellent in the field, fluently bilingual in English and French, passable in Spanish, outstanding on all man-portable weaponry, and beyond outstanding at hand-to-hand combat. Susan knew what that last rating meant. Like having a running chain saw thrown at you.
Lee Child (61 Hours (Jack Reacher, #14))
Whatever made you hate me so much?” He stilled. “I don’t hate you. Why would you say such a thing?” “Ever since I shot your rifle at that picnic, you only look at me out of the corner of your eye, as if sizing me up. You talk to me only when you have to. So if you want me to be like every other woman on the planet, maybe you should treat me like every other woman on the planet. At church, I’ve seen you shake hands with, smile at, and greet other women willingly. So why not me?” “But that’s not because I hate you,” he said slowly. Sure
Melissa Jagears (Engaging the Competition (Teaville Moral Society, #0.5))
He's an old hand at the game. But I—I am lost in remoteness, in weakness, and in a passion to which I yield myself trustingly. My desires are strangely compounded of yearning and misery. I feel giddy, there is nothing here that a man can hold on to. We have left our boots at the door, they have given us slippers instead, and now nothing remains to recall for me the reassurance and self-confidence of the soldier; no rifle, no belt, no tunic, no cap. I let myself drop into the unknown, come what may—yet, in spite of all, I feel somewhat afraid.
Erich Maria Remarque (All Quiet on the Western Front)
Look! when I am in a drawing room, a church, a station; on the terrasse of a cafe, at the theatre or wherever crowds pass or loiter, I enjoy considering faces from a strictly homicidal point of view. For you may see by the glance, by the back of the neck, the shape of the skull, the jaw bone and zygoma of the cheeks, or by some part of their persons that they bear the stigmata of that psychological calamity known as murder. It is scarcely an aberration of my mind, but I can go nowhere without seeing it flickering beneath eyelids, or without feeling its mysterious contact in the touch of every hand held out to me. Last Sunday I went to a town on the festival day of its patron saint. In the public square, which was decorated with foliage, floral arches, and poles draped with flags, was grouped every kind of amusement common to that sort of public celebration—And beneath the paternal eye of the authorities, a swarm of good people were enjoying themselves. The wooden horses, the roller-coaster and the swings drew a very meagre crowd. The organs wheezed their gayest tunes and most bewitching overtures in vain. Other pleasures absorbed this festive throng. Some shot with rifles, pistols, or the good old crossbow at targets painted like human faces; others hurled balls, knocking over marionettes ranged pathetically on wooden bars. Still others, mallet in hand, pounded upon a spring which animated a French sailor who patriotically transfixed with his bayonet a poor hova or a mocking Dahomean. Everywhere, under tents or in the little lighted booths, I saw counterfeits of death, parodies of massacre, portrayals of hecatombs. And how happy these good people were!
Octave Mirbeau (Le Jardin des supplices)
It’s wonderful,” he choked out. “Absolutely wonderful.” He smoothed his hand over her belly. “I can’t imagine anything better than having a child with you, my love. But are you sure?” She relaxed. “As sure as anyone can be at this point. Your aunt and I think I may be nearly three months along, so…” When she trailed off with a blush, he added up numbers in his head, then let out a laugh. “It probably happened that night in the cottage.” “Or the night in my bedchamber.” “Then it’s a good thing I came to my senses and gave you that ‘proper proposal’ you demanded. Or I’d be staring down the barrel of your percussion rifle just about now.” “I doubt that. I would just have married the duke,” she teased. He scowled. “Over my dead body.” She laughed. “You know perfectly well you would have proposed long before I knew I was with child.” “Ah, but would you have said yes? I thought you once told me that a lady never surrenders.” “She doesn’t.” Eyes sparkling, she buried her fingers in his hair and drew his head down to hers. “Except where love is concerned. I’ve come to realize that in matters of love, a clever lady always surrenders.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Call it the “Tobacco Strategy.” Its target was science, and so it relied heavily on scientists—with guidance from industry lawyers and public relations experts—willing to hold the rifle and pull the trigger. Among the multitude of documents we found in writing this book were Bad Science: A Resource Book—a how-to handbook for fact fighters, providing example after example of successful strategies for undermining science, and a list of experts with scientific credentials available to comment on any issue about which a think tank or corporation needed a negative sound bite.14
Naomi Oreskes (Merchants of Doubt: How a Handful of Scientists Obscured the Truth on Issues from Tobacco Smoke to Global Warming)
A fireplace which was just for show where a birch log sat eternally on a hearth of red brick which was eternally immaculate and untouched by even a speck of soot. Frannie guessed that by now that log was so dry that it would burn like newspaper if lit. Above the log was a pot almost big enough for a child to bathe in. It had been handed down from Frannie’s great-grandmother, and it hung eternally suspended over the eternal log. Above the mantel, finishing that part of the picture, was The Eternal Flintlock Rifle. Segments of time in a dry age. One of her earliest memories was
Stephen King (The Stand)
In 1840 Britain duly declared war on China in the name of ‘free trade’. It was a walkover. The overconfident Chinese were no match for Britain’s new wonder weapons – steamboats, heavy artillery, rockets and rapid-fire rifles. Under the subsequent peace treaty, China agreed not to constrain the activities of British drug merchants and to compensate them for damages inflicted by the Chinese police. Furthermore, the British demanded and received control of Hong Kong, which they proceeded to use as a secure base for drug trafficking (Hong Kong remained in British hands until 1997).
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
In theory, if some holy book misrepresented reality, its disciples would sooner or later discover this, and the text’s authority would be undermined. Abraham Lincoln said you cannot deceive everybody all the time. Well, that’s wishful thinking. In practice, the power of human cooperation networks depends on a delicate balance between truth and fiction. If you distort reality too much, it will weaken you, and you will not be able to compete against more clear-sighted rivals. On the other hand, you cannot organise masses of people effectively without relying on some fictional myths. So if you stick to unalloyed reality, without mixing any fiction with it, few people will follow you. If you used a time machine to send a modern scientist to ancient Egypt, she would not be able to seize power by exposing the fictions of the local priests and lecturing the peasants on evolution, relativity and quantum physics. Of course, if our scientist could use her knowledge in order to produce a few rifles and artillery pieces, she could gain a huge advantage over pharaoh and the crocodile god Sobek. Yet in order to mine iron ore, build blast furnaces and manufacture gunpowder the scientist would need a lot of hard-working peasants. Do you really think she could inspire them by explaining that energy divided by mass equals the speed of light squared? If you happen to think so, you are welcome to travel to present-day Afghanistan or Syria and try your luck. Really powerful human organisations – such as pharaonic Egypt, the European empires and the modern school system – are not necessarily clear-sighted. Much of their power rests on their ability to force their fictional beliefs on a submissive reality. That’s the whole idea of money, for example. The government makes worthless pieces of paper, declares them to be valuable and then uses them to compute the value of everything else. The government has the power to force citizens to pay taxes using these pieces of paper, so the citizens have no choice but to get their hands on at least some of them. Consequently, these bills really do become valuable, the government officials are vindicated in their beliefs, and since the government controls the issuing of paper money, its power grows. If somebody protests that ‘These are just worthless pieces of paper!’ and behaves as if they are only pieces of paper, he won’t get very far in life.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
All armies have expendable items. That is, a part or unit, the destruction of which will not be fatal to the whole. In some ordeals, a man might consider his finger expendable, but not his hand; or, in extremity, his arm but not his heart. There are expendable items which may be lost or destroyed in the field, either in peace or in war, without their owner being required to replace them. A rifle is so expendable or a cartridge belt. So are men. Men are the most expendable of all. Hunger, the jungle, the Japanese, not one nor all of these could be quite as corrosive as the feeling of expendability.
Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
Since they were made by hand, no two long rifles were exactly alike. Granted, the majority might appear very similar to anyone except their rightful owner. But look closer, and each weapon's uniqueness became obvious. Small variations in the wood furniture or the fittings were of course to be expected. Much larger innovations were also common—Sergeant Murphy, for instance, was believed to have had a double-barreled rifle. It was an over-under design, with one barrel above the other. The arrangement would have made it quicker for him to get off a second shot, a key asset in battle as well as hunting.
Chris Kyle (American Gun: A History of the U.S. in Ten Firearms)
Ashamed, shrugging a little, and then shivering, he took his bags and went out. The cold of the air seemed to lift him bodily. The moon was in the sky. On the slope he began to run, he could not help it. Just as he reached the road, where his car seemed to sit in the moonlight like a boat, his heart began to give off tremendous explosions like a rifle, bang bang bang. He sank in fright onto the road, his bags falling about him. He felt as if all this had happened before. He covered his heart with both hands to keep anyone from hearing the noise it made. But nobody heard it. ("Death of a Traveling Salesman
Eudora Welty (The Collected Stories)
The train company does not have that much to carry, but the rest of us are loaded down like pack animals—we carry the full kit with blanket and ground sheet, steel helmet and heavy winter coat thrown over it. We have a full ammunition pouch on the belt, on our backs the kitbag with the field canteen, and on the other side the folded entrenching tool. A gas mask is slung around our necks, resting on the chest, and the heavy rifle swings back and forth from its strap round the neck. Lastly, a ditty bag is carried in one hand, filled with clean socks, underwear and similar items. The whole lot weighs about 40lb.
Gunther K. Koschorrek (Blood Red Snow: The Memoirs of a German Soldier on the Eastern Front)
Here am I, a little animal called a man--a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,--all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move--for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness. Fallible and frail, a bit of pulsating, jelly-like life--it is all I am. About me are the great natural forces--colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death--and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.
Jack London (The Cruise of the Snark)
In the moments before my eyes shut, hearing Frick snore and the clock tick toward 4:00 AM, I felt like I knew Robbie, felt like I had memories of him where he took me fishing or hunting, and when I couldn’t take the fish off the hook or when I couldn’t kill the white rabbit, he told me that was fine, and he unhooked the fish—it’s jaw popping, gills throbbing—and plopped it into the river, or he took the rifle from my hands, and after all that we walked away through mud or snow until I stopped walking but he kept on going and going and going out there in quiet strides through a dark-pined forest until he was gone.
Morgan Talty (Night of the Living Rez)
? We’ll bounce back. We always bounce back. I believed that.” The watchman is nodding, staring at the night sky, at the cold, blazing stars. Eyes high, voice low. “Then people got sick. Antibiotics. Quarantines. Disinfectants. We put on masks and washed our hands until our skin peeled off. Most of us died anyway.” And the man with the rifle watches the stars as if waiting for them to shake loose from the black and tumble to the Earth. Why shouldn’t they? “My neighbors. My friends. My wife and kids. I knew that all of them wouldn’t die. How could all of them die? Some people will get sick, but most people won’t, and the rest will
Rick Yancey (The Last Star (The 5th Wave, #3))
Not everyone in the village was happy with the idea of having an Untouchable man's statue put up at the entrance. Particularly not an Untouchable who carried a weapon. They felt it would give out the wrong message, give people ideas. Three weeks after the statue went up, the rifle on its soldier went missing. Sepoy S. Murugesan's family tried to file a complaint, but the police refused to register a case, saying that the rifle must have fallen off or simply disintegrated due to the use of substandard cement- a fairly common malpractice- and that nobody could be blamed. A month later the statue's hands were cut off. Once again the police refused to register a case, although this time they sniggered knowingly and did not even bother to offer a reason. Two weeks after the amputation of its hands, the statue of Sepoy S. Murugesan was beheaded. There were a few days of tension. People from nearby villages who belonged to the same caste as S. Murugesan organized a protest. They began a relay hunger strike at the base of the statue. A local court said it would constitute a magisterial committee to look into the matter. In the meanwhile it ordered a status quo. The hunger strike was discontinued. The magisterial committee was never constituted. In some countries, some soldiers die twice.
Arundhati Roy (The Ministry of Utmost Happiness)
IT is not impossible that among the English readers of this book there may be one who in 1915 and 1916 was in one of those trenches that were woven like a web among the ruins of Monchy-au-Bois. In that case he had opposite him at that time the 73rd Hanoverian Fusiliers, who wear as their distinctive badge a brassard with ' Gibraltar ' inscribed on it in gold, in memory of the defence of that fortress under General Elliot; for this, besides Waterloo, has its place in the regiment's history. At the time I refer to I was a nineteen-year-old lieutenant in command of a platoon, and my part of the line was easily recognizable from the English side by a row of tall shell-stripped trees that rose from the ruins of Monchy. My left flank was bounded by the sunken road leading to Berles-au-Bois, which was in the hands of the English ; my right was marked by a sap running out from our lines, one that helped us many a time to make our presence felt by means of bombs and rifle-grenades. I daresay this reader remembers, too, the white tom-cat, lamed in one foot by a stray bullet, who had his headquarters in No-man's-land. He used often to pay me a visit at night in my dugout. This creature, the sole living being that was on visiting terms with both sides, always made on me an impression of extreme mystery. This charm of mystery which lay over all that belonged to the other side, to that danger zone full of unseen figures, is one of the strongest impressions that the war has left with me. At that time, before the battle of the Somme, which opened a new chapter in the history of the war, the struggle had not taken on that grim and mathematical aspect which cast over its landscapes a deeper and deeper gloom. There was more rest for the soldier than in the later years when he was thrown into one murderous battle after another ; and so it is that many of those days come back to my memory now with a light on them that is almost peaceful.
Ernst Jünger (Storm of Steel)
A dark man with a burning torch ran down the street on a dull night in late fall. The little girl saw him from the window of her house, having awoken from a dull dream. Then she heard a sharp rifle shot and a pitiful despondent scream — they must have killed the man running with the torch. Soon she was hearing other shots, many and distant, and the clamor of people in a nearby prison… The girl fell asleep and forgot everything that she would see later, on subsequent days: she was too young, and the memory and reason of early childhood were overgrown forever by her future life. But well into her old age the nameless man rose up sadly and unexpectedly and ran within her — in the dim light of her memory — and died once more in the darkness of the past, in the heart of the grown up child. Amidst hunger and sleep, in a moment of love or of some youthful joy — suddenly in the distance, in the depth of her body there rose again the despondent scream of the dead man, and the young woman instantly altered her life — stopped her dance, if she was dancing, grew more focused, more reliable in her work, if she was laboring, hid her face in her hands, if she was alone. That stormy night of late fall saw the start of the October revolution — in that town where Moskva Ivanovna Chestnova had lived at that time.
Andrei Platonov (Happy Moscow)
The sun glanced off a long, wicked looking knife in the Comanche's grip. At least Cash wouldn't have long to mourn. The other Indians held similar weapons, but they hung back as their leader knelt next to Sullivan. He muttered something, low and guttural, a single syllable that sounded like an insult, then picked up a lock of Sullivan's hair. The knife descended toward his scalp. "No!" Reese shouted. "Me." The Comanche paused and stared at him with a spark of interest, almost admiration. But that couldn't be since the Indian had no idea what Reese was saying. He continued to try anyway. "Me first." He struggled, wishing he could use his hands to point at himself. "Shut the hell up, Reese," Sullivan said. "What possible difference does it make who they kill first?" "Who knows what might happen. While they're working on me, anyone could show up and save the rest of you." "In that case, me first," Cash drawled. "Me." "No. Yo primero!" "Kid, I'm the only one without a wife and far too many children. No one would miss me." "I would." The words were punctuated by the distinct sound of a rifle being cocked. All eyes turned toward the man who had appeared at the edge of the clearing. Cash's sigh of relief was in direct contrast to the sneer in his voice. "About damn time, Rev. We've been waitin' on you.
Lori Handeland (Nate (Rock Creek Six, #5))
This was a war of attrition...A mug's game! A mug's game as far as killing men was concerned, but not an uninteresting occupation if you considered it as a struggle of various minds spread all over the broad landscape in the sunlight. They did not kill many men and they expended an infinite number of missiles and a vast amount of thought. If you took six million men armed with loaded canes and stockings containing bricks or knives and set them against another six million men similarly armed, at the end of three hours four million on the one side and the entire six million on the other would be dead. So, as far as killing went, it really was a mug's game. That was what happened if you let yourself get into the hands of the applied scientist. For all these things were the products not of the soldier but of hirsute bespectacled creatures who peer through magnifying glasses. Or of course, on our side, they would be shaven-cheeked and less abstracted. They were efficient as slaughterers in that they enabled the millions of men to be moved. When you had only knives you could not move very fast. On the other hand, your knife killed at every stroke: you would set a million men firing at each other with rifles from eighteen hundred yards. But few rifles ever registered a hit. So the invention was relatively inefficient. And it dragged things out! And suddenly it had become boring.
Ford Madox Ford (Parade's End)
In 1840 Britain duly declared war on China in the name of ‘free trade’. It was a walkover. The overconfident Chinese were no match for Britain’s new wonder weapons – steamboats, heavy artillery, rockets and rapid-fire rifles. Under the subsequent peace treaty, China agreed not to constrain the activities of British drug merchants and to compensate them for damages inflicted by the Chinese police. Furthermore, the British demanded and received control of Hong Kong, which they proceeded to use as a secure base for drug trafficking (Hong Kong remained in British hands until 1997). In the late nineteenth century, about 40 million Chinese, a tenth of the country’s population, were opium addicts.3
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I peered cautiously through a loophole, trying to find the Fascist trench. ‘Where are the enemy?’ Benjamin waved his hand expansively. ‘Over zere.’ (Benjamin spoke English—terrible English.) ‘But where?’ According to my ideas of trench warfare the Fascists would be fifty or a hundred yards away. I could see nothing—seemingly their trenches were very well concealed. Then with a shock of dismay I saw where Benjamin was pointing; on the opposite hill-top, beyond the ravine, seven hundred metres away at the very least, the tiny outline of a parapet and a red-and-yellow flag—the Fascist position. I was indescribably disappointed. We were nowhere near them! At that range our rifles were completely useless.
George Orwell (Homage to Catalonia)
And sleep training? Guess who proposed that unique technique? Why, a surgeon-turned-sportswriter, of course, who wrote under the pseudonym Stonehenge. If babies “are left to go to sleep in their cots, and allowed to find out that they do not get their way by crying, they at once become reconciled, and after a short time will go to bed even more readily in the cot than on the lap,” Dr. John Henry Walsh wrote in his Manual of Domestic Economy in 1857. Besides doling out advice on infant sleep, John Henry also authored several books about guns, including The Shot-Gun and Sporting Rifle and The Modern Sportsman’s Gun and Rifle. (And he lost a big chunk of his left hand one day when a gun exploded in his grasp.)
Michaeleen Doucleff (Hunt, Gather, Parent: What Ancient Cultures Can Teach Us About the Lost Art of Raising Happy, Helpful Little Humans)
I was raised on the struggle of elders - iron collars, severed feet, the rifle of dirty Harriet, and down through the years, the Muslims and regal Malcolm. But mostly what I saw around me was rank dishonor: cable and Atari plugged into every room, juvenile parenting, niggers sporting kicks with price tags that looked like mortgage bills. The Conscious among us knew the whole race was going down, that we'd freed ourselves from slavery and Jim Crow but not the great shackling of minds. The hoppers had no picture of the larger world. We thought all our battles were homegrown and personal, but, like an evil breeze at our back, we felt invisible hands at work, like someone else was still tugging at levers and pulling strings.
Ta-Nehisi Coates (The Beautiful Struggle: A Father, Two Sons and an Unlikely Road to Manhood)
A Märklin rifle,’ Harry said, ‘is a German semiautomatic hunting rifle which uses 16 mm bullets, bigger than those of any other rifle. It is intended for use on big game hunts, such as for water buffalo or elephants. The first rifle was made in 1970, but only three hundred were made before the German authorities banned the sale of the weapon in 1973. The reason was that the rifle is, with a couple of simple adjustments and Märklin telescopic sights, the ultimate professional murder weapon, and it had already become the world’s most sought after assassination weapon by 1973. Of the three hundred rifles at least one hundred fell into the hands of contract killers and terrorist organisations like Baader Meinhof and the Red Brigade.
Jo Nesbø (The Redbreast (Oslo Sequence 1))
One further notable feature of the campaign was the weapon commonly found in the hands of the rebels. The Russian-made Kalashnikov AK-47 was fast on its way to becoming the most ubiquitous weapon of revolutionaries across the globe. From its genesis, the cheap, competent Kalashnikov came to symbolize guerrilla struggle in the latter half of the twentieth century and beyond. It even appears on the flag of Mozambique. It is estimated that no fewer than 75 million AK-47s have been produced, with a further 25 million other types from the Kalashnikov family of weapons.109 Akehurst recalled that those tribesmen who defected tended to prefer to keep their AKs rather than switch to British semi-automatics or American Armalite M-16 rifles.
David H. Petraeus (Conflict: The Evolution of Warfare from 1945 to Ukraine)
Here, let me help.” Nick stepped behind her, reached around her body, and placed his hands over hers, steadying the rifle against her shoulder. At his touch, unusual tingling sensations coursed through her. “Look down the sights to the target,” he murmured in her ear. His finger pressed over hers, guiding her movement. Her whole body warmed at his closeness. Too aware of him, she couldn’t concentrate. She just closed her eyes and squeezed the trigger. The noise of the shot reverberated in her ears. The recoil of the gun sent her staggering back into Nick. His arms tightened around her. She lowered the rifle. “You missed,” Nick’s voice teased in her ear. Elizabeth’s heart raced. She relaxed against his chest, loving the feel of his strong arms around her.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
THE NORTHWESTERN CARPATHIANS, IN WHICH I WAS RAISED, were a hard place, as unforgiving as the people who lived there, but the Alpine landscape into which Zlee and I were sent that early winter seemed a glimpse of what the surface of the earth looked and felt and acted like when there were no maps or borders, no rifles or artillery, no men or wars to claim possession of land, and snow and rock alone parried in a match of millennial slowness so that time meant nothing, and death meant nothing, for what life there was gave in to the forces of nature surrounding and accepted its fate to play what role was handed down in the sidereal march of seasons capable of crushing in an instant what armies might—millennia later—be foolish enough to assemble on it heights.
Andrew Krivak (The Sojourn)
She had left an annotation beneath my last entry, using the same black ink from the same pen. In an unsteady hand, she had written: With your inky pen to make you hate me. I didn’t accuse her of rifling my desk, reading my notebook, writing in it. I could imagine her saying, in a tone of polite protest, “No, I don’t think so.” I was weary of constant confrontation. But then, I was equally weary of a constant pretence that all was well, a constant evasion of the truth. I also realised that it would be impossible for me to write anything down in the future without picturing her at my desk studying my latest denunciations. This would be intolerable for both of us: the annotation of pain on my part, the dim yet irate acknowledgement of pain caused on her part. So I threw away the notebook.
Julian Barnes (The Only Story)
Well, she would marry a man who didn't need or want her fortune. Mr. Pinter didn't fall into that category. And given how blank his expression became as his gaze met hers, she'd been right to be skeptical. he would never be interested in her in that way. He confirmed it by saying, with his usual formality, "I doubt any man would consider your ladyship unacceptable as a wife." Oh, when he turned all hoity-toity, she could just murder him. "Then we agree that the gentlemen in question would find me satisfactory," she said, matching his cold tone. "So I don't see why you assume they'd be unfaithful." "Some men are unfaithful no matter how beautiful their wives are," Mr. Pinter growled. He thought her beautiful? There she went again, reading too much into his words. He was only making a point. "But you have no reason to believe that these gentleman would be. Unless there's some dark secret you already know about them that I do not?" Glancing away, he muttered a curse under his breath. "No." "Then here's your chance to find out the truth about their characters. Because I prefer facts to opinions. And I was under the impression that you do, too." Take that, Mr. Pinter! Hoist by your own petard. The man always insisted on sticking to the facts. And he was well aware that she'd caught him out, for he scowled, then crossed his arms over his chest. His rather impressive chest, from what she could tell beneath his black coat and plain buff waistcoat. "I can't believe I'm the only person who would object to these gentlemen," he said. "What about your grandmother? Have you consulted her?" She lifted her eyes heavenward. He was being surprisingly resistant to her plans. "I don't need to. Every time one of them asks to dance with me, she beams. She's forever urging me to smile at them or attempt flirtation. And if they so much as press my hand or take my for a stroll, she quizzes me with great glee on what was said and done." "She's been letting you go out on private strolls with these scoundrels?" Mr. Pinter said in sheer outrage. "They aren't scoundrels." "I swear to God, you're a lamb among the wolves," he muttered. That image of her, so unlike how she saw herself, made her laugh. "I've spent half my life in the company of my brothers. Every time Gabe went to shoot, I went with him. At every house party that involved his friends, I was urged to show off my abilities with a rifle. I think I know how to handle a man, Mr. Pinter." His glittering gaze bored into her. "There's a vast difference between gamboling about in your brother's company with a group of his friends and letting a rakehell like Devonmont or a devilish foreigner like Basto stroll alone with you down some dark garden path." A blush heated her cheeks. "I didn't mean strolls of that sort, sir. I meant daytime walks about our gardens and such, with servants in plain view. All perfectly innocent." He snorted. "I doubt it will stay that way." "Oh, for heaven's sake, why are you being so stubborn? You know I must marry. Why do you even care whom I choose?" "I don't care," he protested. "I'm merely thinking of how much of my time will be wasted investigating suitors I already know are unacceptable." She let out an exasperated breath. Of course. With him, it was always about money. Heaven forbid he should waste his time helping her.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
I brought you some pictures of my work,” he said proudly. His name was William Weinstein, which may have explained why he left Jews off his hate list. He had been born in Brooklyn, and moved to Santa Fe ten years before. He took an envelope out of his pocket, rifled through some pictures, and handed them to Paris. They were ten-foot phallic symbols made of clay. The man had penises on the brain. “It’s very interesting work,” Paris said, pretending to be impressed. “Do you use live models?” she asked more in jest, and he nodded. “Actually, I use my own.” He thought that hysterically funny and laughed so hard he almost coughed himself to death. Along with the clay under his nails, enough of it to create another sculpture, his fingers were stained with nicotine. “Do you like to ride?” “Yes, but I haven’t in a long time. Do you?
Danielle Steel (Dating Game)
If I could have chosen a flag back then, it would have been embroidered with a portrait of Malcolm X, dressed in a business suit, his tie dangling, one hand parting a window shade, the other holding a rifle. The portrait communicated everything I wanted to be—controlled, intelligent, and beyond the fear. I would buy tapes of Malcolm’s speeches—“Message to the Grassroots,” “The Ballot or the Bullet”—down at Everyone’s Place, a black bookstore on North Avenue, and play them on my Walkman. Here was all the angst I felt before the heroes of February, distilled and quotable. “Don’t give up your life, preserve your life,” he would say. “And if you got to give it up, make it even-steven.” This was not boasting—it was a declaration of equality rooted not in better angels or the intangible spirit but in the sanctity of the black body.
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
Then, Zil and a half dozen of his crew swaggered into the plaza from the far side. Astrid clenched her jaw. Would the crowd turn on them? She almost hoped so. People thought because she wouldn’t let Sam go after Zil she must not really despise the Human Crew’s Leader. That was wrong. She hated Zil. Hated everything he had done and everything he had tried to do. Edilio moved quickly between Zil and a few of the boys who had started toward him, sticks and knives at the ready. Zil’s kids were armed with knives and bats, and so were those who wanted to take them on. Edilio was armed with an assault rifle. Astrid hated that this was what life so often came down to: my weapon is bigger than your weapon. If Sam were here it would be about his hands. Everyone had either seen what Sam could do, or heard the stories retold in vivid detail. No one challenged Sam.
Michael Grant (Lies (Gone, #3))
Even after years of war, some men retained scruples about licensed homicide. [...] Lieutenant Peter Downward commanded the sniper platoon of 13 Para. He had never himself killed a man with a rifle, but one day he found himself peering at a German helmet just visible at the corner of an air-raid shelter--an enemy sniper. "I had his head spot in the middle of my telescopic sight, my safety catch was off, but I simply couldn't press the trigger. I suddenly realised that I had a young man's life in my hands, and for the cost of one round, about twopence, I could wipe out eighteen or nineteen years of human life. My dithering deliberations were brought back to earth with a bump as Kirkbride suddenly shouted: 'Go on, sir. Shoot the bastard! He's going to fire again.' I pulled the trigger and saw the helmet jerk back. I had obviously got him, and felt completely drained...What had I done?
Max Hastings
The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER
Herman Melville (Moby Dick: or, the White Whale)
Here am I, a little animal called a man—a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,—all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move—for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness.
Jack London (The Cruise of the Snark)
Comrade, I did not want to kill you. If you jumped in here again, I would not do it, if you would be sensible too. But you were only an idea to me before, an abstraction that lived in my mind and called forth its appropriate response. It was that abstraction I stabbed. But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony—Forgive me, comrade; how could you be my enemy? If we threw away these rifles and this uniform you could be my brother just like Kat and Albert. Take twenty years of my life, comrade, and stand up—take more, for I do not know what I can even attempt to do with it now.
Erich Maria Remarque (All Quiet on the Western Front)
There was a scavenging peasant moving about, whistling as he worked, with an outsize gunny sack on his back. The whitened knuckles of the hand which gripped the sack revealed his determined frame of mind; the whistling, which was piercing but tuneful, showed that he was keeping his spirits up. The whistle echoed around the field, bouncing off fallen helmets, resounding hollowly from the barrels of mud-blocked rifles, sinking without trace into the fallen boots of the strange, strange crops, whose smell, like the smell of unfairness, was capable of bringing tears to the buddha's eyes. The crops were dead, having been hit by some unknown blight... and most of them, but not all, wore the uniforms of the West Pakistani Army. Apart from the whistling, the only noises to be heard were the sounds of objects dropping into the peasant's treasure-sack: leather belts, watches, gold tooth-fillings, spectacle frames, tiffin-carriers, water flasks, boots.
Salman Rushdie (Midnight’s Children)
The silence spreads. I talk and must talk. So I speak to him and to say to him: "Comrade, I did not want to kill you. If you jumped in here again, I would not do it, if you would be sensible too. But you were only an idea to me before, an abstraction that lives in my mind and called forth its appropriate response. It was that abstraction I stabbed. But now, for the first time, I see you are a man like me. I thought of you hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours , and that we have the same fear of death, and the same dying and the same agony --- Forgive me, comrade; how could you be my enemy? If we threw away these rifles and this uniform you could be my brother just ike Kat and Albert. Take twenty years of my life, comrade, and stand up --- take more, for I do not know what I can even attempt to do with it now.
Erich Maria Remarque (All Quiet on the Western Front)
The silence spreads. I talk and must talk. So I speak to him and to say to him: "Comrade, I did not want to kill you. If you jumped in here again, I would not do it, if you would be sensible too. But you were only an idea to me before, an abstraction that lives in my mind and called forth its appropriate response. It was that abstraction I stabbed. But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony --- Forgive me, comrade; how could you be my enemy? If we threw away these rifles and this uniform you could be my brother just ike Kat and Albert. Take twenty years of my life, comrade, and stand up --- take more, for I do not know what I can even attempt to do with it now.
Erich Maria Remarque (All Quiet on the Western Front)
When the card came back you couldn't have found any red on it with a microscope. The pitchman handed down a ponderous mohair Teddybear and Ballard slapped down three dimes again. When he had won two bears and a tiger and a small audience the pitchman took the rifle away from him. That's it for you, buddy, he hissed. You never said nothin about how many times you could win. Step right up, sang the barker. Who's next now. Three big grand prizes per person is the house limit. Who's our next big winner. Ballard loaded up his bears and the tiger and started off through the crowd. They lord look at what all he's won, said a woman. Ballard smiled tightly. Young girls' faces floated past, bland and smooth as cream. Some eyed his toys. The crowd was moving toward the edge of a field and assembling there, Ballard among them, a sea of country people watching into the dark for some midnight contest to begin. A light sputtered off in the field and a blue tailed rocket went skittering toward Canis Major. High above their upturned faces it burst, sprays of lit glycerine flaring across the night, trailing down the sky in loosely falling ribbons of hot spectra soon. burnt to naught. Another went up, a long whishing sound, fishtailing aloft. In the bloom of its opening you could see like its shadow the image of the rocket gone before, the puff of black smoke and ashen trails arcing out and down like a huge and dark medusa squatting in the sky. In the bloom of light too you could see two men out in the field crouched over their crate of fireworks like assassins or bridge blowers. And you could see among the faces a young girl with candy apple on her lips and her eyes wide. Her pale hair smelled of soap, woman child from beyond the years, rapt below the sulphur glow and pitch light of some medieval fun fair. A lean sky long candle skewered the black pools in her eyes. Her fingers clutched. In the flood of this breaking brimstone galaxy she saw the man with the bears watching her and she edged closer to the girl by her side and brushed her hair with two fingers quickly.
Cormac McCarthy (Child of God (Vintage International))
White was an old-style lawman. He had served in the Texas Rangers near the turn of the century, and he had spent much of his life roaming on horseback across the southwestern frontier, a Winchester rifle or a pearl-handled six-shooter in hand, tracking fugitives and murderers and stickup men. He was six feet four and had the sinewy limbs and the eerie composure of a gunslinger. Even when dressed in a stiff suit, like a door-to-door salesman, he seemed to have sprung from a mythic age. Years later, a bureau agent who had worked for White wrote that he was “as God-fearing as the mighty defenders of the Alamo,” adding, “He was an impressive sight in his large, suede Stetson, and a plumb-line running from head to heel would touch every part of the rear of his body. He had a majestic tread, as soft and silent as a cat. He talked like he looked and shot—right on target. He commanded the utmost in respect and scared the daylights out of young Easterners like me who looked upon him with a mixed feeling of reverence and fear, albeit if one looked intently enough into his steel-gray eyes he could see a kindly and understanding gleam.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
I got you these.” I flipped open the satchel again, offering him the book on gemstones first and Orion’s jaw went slack as he took the book from my hand, turning it over gently like it was the most precious thing in the world. “Oh my stars,” he gasped, grabbing the bag from me and rifling through the books with a youthful smile on his face. I snorted a laugh as Darius gave me a pointed look, realising I’d just lost myself fifty auras, but the look on Orion’s face was definitely worth it. “I’m afraid Highspell had some of your other ones burned,” I said with a frown and I immediately regretted saying that as Orion looked like I’d just told him I’d murdered his puppy. “Burned them?” he rasped and I nodded, offering him an apologetic look as he hugged the bag of books to his chest like he didn’t want them to hear what had happened to their friends. “Sorry, man.” Darius rested a hand to Orion’s shoulder and he growled. “I’ll murder that fake-faced witch,” he snarled, his fangs on show as he held onto his books even tighter and I was pretty sure he was making that promise to them. Dude would definitely kill in revenge for those books.
Caroline Peckham (Heartless Sky)
The rustling noise was coming from the living room. The sound of drawers opening and closing. Hugging the wall, he inched steadily toward the sound of the intruder. He held his rifle in a firing position. Bolt back, safety off, ready to fire. A careful glance around the corner showed a shadowy figure dressed in black, holding a flashlight, snooping in drawers, violating his home. Quinton raised his rifle and carefully aimed. “What the hell are you doing in my house?” he demanded. He got off one shot as the invader ducked. Then, crawling, stumbling, and diving toward the open window the thief plunged outside head first, landing with a thud six feet down. Quinton was at the window now. A second shot winged the villain in the shoulder as he tried to rise. A third shot and he was down. Flat on his face, a bullet through his head. Dead. It is said those with the most money get the most justice. And that appeared to be true in Quinton’s case. It seems the fourteen-year-old intruder came from a family with some wealth, while Quinton did not. In fact, his lawyer wasn’t up to much and the end result was a hanging judge handed down a sentence of ten years. Tried and convicted of manslaughter. Sent to Kingston Penitentiary. Locked away.
Rayven T. Hill (Blood and Justice (Jake and Annie Lincoln, #1))
He's got a cat tied to the seat of the toilet and a bubble bath all set for someone to jump in. I excused myself for a second and went over to the kitchenette and popped a couple of Valiums. I was already loaded on junk but I could see this was going to be strictly from fruit. When I got back in the john he was already naked and in the tub frosted in bubbles . . . the poor cat was still chained to the john seat, yelping away. The guy laid his plan on me. He wants me to whip the cat dead after I first piss on him in his bubble bath, then when the cat has had it I'm to jerk off into his mouth while he's still in the tub. Out from under the bubbles he hands me a whip, a tiny cat size whip with leather fringes laced with broken ends of razors. ... I untied the cat, he tried to get up and stop me, I punched his chump face, he landed back on his ass in the tub and I gave him the whip across the chest . . . a nasty wound. . . . I grabbed his hair, opened his mouth and pissed in it . . . he spit it out, the piss mixing with the blood oozing from his lip from the punch and he let out a slow motion yell at the sting of urine dripping into the cuts on his chest. He sank under water to cool the burn, I rifled his wallet for sixty bucks, picked up the kitty and split.
Jim Carroll (The Basketball Diaries)
Leaving the paintings for a moment, he turned to a large bench-size object covered with another cloth; upon whipping off the cloth, he found himself staring into the snarling face and exceptionally long, talon-like teeth of a tiger. He fell back onto the ornately woven red rug beneath them and lay on his back, stunned, as a shower of fine dust fell over him. “You get that out of your system?” Etta asked, stepping around his prone form. His hand lashed out, closing around her ankle like an iron. The woman was mad if she thought he’d let her take another step forward— “It’s dead,” she said, looking down at him with an amused smile. “As gross as it is, it’s been preserved and stuffed to be displayed. Look.” He inhaled sharply through his nose as she reached out a hand to stroke its head. As promised, it did not move. It did not blink. The tiger was dead. “What are the chances your mother killed and stuffed it herself?” “Pretty good, I think.” Etta held up a framed photograph of an older man in the garb of an early twentieth-century explorer, who was holding a rifle. The tiger lay dead at the toes of his boots, and beside it was a grinning, tiny, blond girl—a younger version of the woman in the other photograph he’d seen. Rose. And he’d wondered from whom Etta had inherited her casual disregard for danger.
Alexandra Bracken (Passenger (Passenger, #1))
The rifle started to move lazily in a low arc. The man's left hand was at the trigger, his right just in front of the triggerguard, pivoting the gun. They stood still. The man sat lazily looking down at the breech, his chair still tilted against the small door with the yellow Yale lock. The gun slowly traversed Leiter's stomach, then Bond's. The two men stood like statues, not risking a move of the hand. The gun stopped pivoting. It was pointing down the wharf. The Robber looked briefly up, narrowed his eyes and pulled the trigger. The pelican gave a faint squawk and they heard its heavy body crash into the water. The echo of the shot boomed across the harbor. "What the hell d'you do that for?" asked Bond furiously. "Practice," said the man, pumping another bullet into the breech. "Guess there's a branch of the ASPCA in this town," said Leiter. "Let's get along there and report this guy." "Want to be prosecuted for trespass?" asked The Robber, getting slowly up and shifting the gun under his arm. "This is private property. Now," he spat the words out, "git the hell out of here." He turned and yanked the chair away from the door, opened the door with a key and turned with one foot on the threshold. "You both got guns," he said. "I kin smell 'em. You come aroun' here again and you follow the boid 'n I plead self-defense. I've had a bellyfull of you lousy dicks aroun' here lately breathin' down my neck. Sybil my ass!" He turned contemptuously through the door and slammed it so that the frame rattled.
Ian Fleming (Live and Let Die)
NOVA SLUNG THE BAG over her shoulder and reached for one of the weighted ropes she’d set up in the alley the night before. She wrapped her arm around the rope and untied the sailor’s knot from the weights holding it to the ground. The weights attached to the opposite end dropped, dragging it through the pulley on the rooftop above. Nova jerked upward, holding tight as the rope whistled past the building’s concrete wall. The second set of weights crashed into the ground below. She stopped with a shudder, her hand only a few inches shy of the pulley, her body swinging six stories in the air. Nova threw her bag onto the rooftop, then grabbed the ledge and hauled herself over. She dropped down into a crouch and riffled through the bag, pulling out the uniform she had designed with Queen Bee’s help. She slung the weaponry belt across her hips, where it hung comfortably, outfitted with specially crafted pockets and hooks for all of her favorite inventions. Next, the snug black hooded jacket: waterproof and flame-retardant, yet lightweight enough to keep from inhibiting her movements. She zipped it up to her neck and tugged the sleeves past her knuckles before pulling up the hood, where a couple of small weights stitched into the hem held it in place over her brow. The mask came last. A hard metallic shell perfectly molded to the bridge of her nose that disappeared into the high collar of the jacket, disguising the lower half of her face. Transformation complete, she stooped and pulled the rifle and a single poisoned dart from the bag.
Marissa Meyer (Renegades (Renegades, #1))
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
...the attitude of Gorky and his paper. He had returned to Russia early in 1914, taken a pacifist line on the the outbreak of war, but had pursued it with a restraint which protected him from most of the obloquy poured on others of similar views After the February Revolution of 1917 he had regarded the Bolsheviks as merely one among a number of progressive parties, and it was not unexpected that in October he should warn about the future. Now, he not only printed the Zinoviev-Kamenev statement but also a leading article in which he said: 'Ever more persistent rumors are spreading to the effect that on 2 November a Bolshevik rising will take place; in other words, that the hideous scenes of 16 to 18 July may be repeated. That means that once more there will appear motor lorries overfilled with men with rifles and revolvers in their trembling hands, and these rifles will shoot at shop windows, at people, at random. They will shoot only because the men armed with them will try to kill their fear. All dark instincts of the crowd irritated by disorder, by the falsehood and filth of politics, will flare up and ooze forth poisonous malice, hatred, vengeance. People will be killing one another, in their inability to destroy their own bestial stupidity. The unorganized crowd will creep out into the streets, hardly understanding what it wants, while under its cover, adventurers, thieves, [and] professional assassins will set out to "create the history of the Russian revolution". In brief, there will be repeated that bloody, senseless slaughter, which we have already witnessed, and which has undermined through our whole land the moral importance of the revolution, and has shaken its cultural meaning.
Ronald William Clark (Lenin)
follow you. If you used a time machine to send a modern scientist to ancient Egypt, she would not be able to seize power by exposing the fictions of the local priests and lecturing the peasants on evolution, relativity and quantum physics. Of course, if our scientist could use her knowledge in order to produce a few rifles and artillery pieces, she could gain a huge advantage over pharaoh and the crocodile god Sobek. Yet in order to mine iron ore, build blast furnaces and manufacture gunpowder the scientist would need a lot of hard-working peasants. Do you really think she could inspire them by explaining that energy divided by mass equals the speed of light squared? If you happen to think so, you are welcome to travel to present-day Afghanistan or Syria and try your luck. Really powerful human organisations – such as pharaonic Egypt, the European empires and the modern school system – are not necessarily clear-sighted. Much of their power rests on their ability to force their fictional beliefs on a submissive reality. That’s the whole idea of money, for example. The government makes worthless pieces of paper, declares them to be valuable and then uses them to compute the value of everything else. The government has the power to force citizens to pay taxes using these pieces of paper, so the citizens have no choice but to get their hands on at least some of them. Consequently, these bills really do become valuable, the government officials are vindicated in their beliefs, and since the government controls the issuing of paper money, its power grows. If somebody protests that ‘These are just worthless pieces of paper!’ and behaves as if they are only pieces of paper, he won’t get very far in life.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
The blacksmith's boy went out with a rifle and a black dog running behind. Cobwebs snatched at his feet, rivers hindered him, thorn branches caught at his eyes to make him blind and the sky turned into an unlucky opal, but he didn't mind. I can break branches, I can swim rivers, I can stare out any spider I meet, said he to his dog and his rifle. The blacksmith's boy went over the paddocks with his old black hat on his head. Mountains jumped in his way, rocks rolled down on him, and the old crow cried, You'll soon be dead. And the rain came down like mattocks. But he only said, I can climb mountains, I can dodge rocks, I can shoot an old crow any day, and he went on over the paddocks. When he came to the end of the day, the sun began falling, Up came the night ready to swallow him, like the barrel of a gun, like an old black hat, like a black dog hungry to follow him. Then the pigeon, the magpie and the dove began wailing and the grass lay down to pillow him. His rifle broke, his hat blew away and his dog was gone and the sun was falling. But in front of the night, the rainbow stood on the mountain, just as his heart foretold. He ran like a hare, he climbed like a fox; he caught it in his hands, the colours and the cold - like a bar of ice, like the column of a fountain, like a ring of gold. The pigeon, the magpie and the dove flew up to stare, and the grass stood up again on the mountain. The blacksmith's boy hung the rainbow on his shoulder instead of his broken gun. Lizards ran out to see, snakes made way for him, and the rainbow shone as brightly as the sun. All the world said, Nobody is braver, nobody is bolder, nobody else has done anything equal to it. He went home as easy as could be with the swinging rainbow on his shoulder.
Judith A. Wright
She planted her hands on her hips. “And what if I bag the most birds?” “Then you get to shoot whomever you wish,” Mr. Pinter drawled. As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.” “Oho, man, you’ve really got her dander up this time,” Gabe exclaimed. “What on earth did you do?” Mr. Pinter’s gaze met hers, glinting with unholy amusement. “I confiscated her pistol.” A Gabe gasped, Oliver shook his head. “You’ll learn soon enough-never take away one of Celia’s guns. Not if you want to live.” “I’m not that bad,” Celia grumbled as the duke and the viscount eyed her with a twinge of alarm, though Lord Devonmont’s grin broadened. “I’ve never shot a person in my life.” “There’s always a first time,” Gabe teased. “Oh, for pity’s sake.” She regarded them all stoutly. “I promise not to shoot any of you. How about this? If I win, you gentlemen owe me a rifle. Between the five of you, I’m sure you can afford a decent one.” “Five?” Mr. Pinter said. “Don’t I get a part in this little game?” She stared him down. “I thought you had certain duties to attend to.” He should be investigating her suitors. “Whatever duties he has for me will keep, Celia,” Oliver said. “Do come with us, Pinter. I want to see how well you handle a fowling piece.” Mr. Pinter smiled at her. “I’d be honored, my lord. As long as her ladyship doesn’t mind.” Of course she minded. But if she tried to cut him out, they’d say she was afraid he would beat her. “Not in the least,” she said. “Just be prepared to contribute your part of my rifle.” But as she headed for the door, it wasn’t the rifle she was worried about. It was that blasted kiss. Because if he won… Well, she’d just have to make sure he didn’t.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Our faith in victory had been unquestioning, its opposite, defeat, had no currency among us. Victory was possible, that was all. It would be easy or difficult, quick or prolonged, but it would be victory. So here came the disturbing Hoosier, displaying the other side of the coin, showing us defeat. It shook us. And it was from this moment that we dated the feeling of what is called expendability. All armies have expendable items, that is, a part or unit the destruction of which will not be fatal to the whole. In some ordeals, a man might consider his finger expendable, but not his hand, or in extremity his arm but not his heart. There are expendable items which may be lost or destroyed in the field either in peace or in war without their owner being required to replace them. A rifle is so expendable or a cartridge belt. So are men. Men are the most expendable of all. Hunger, the jungle, the Japanese, not one nor all of these could be quite as corrosive as the feeling of expendability. This was no feeling of dedication because it was absolutely involuntary. I do not doubt, that if the Marines had asked for volunteers for an impossible campaign such as Guadalcanal, almost everyone now fighting would have stepped forward. But that is sacrifice, that is voluntary. Being expended robs you of the exultation, the self-abnegation, the absolute freedom of self-sacrifice. Being expended puts one in the roll of victim rather than sacrificer, and there is always something begrudging in this. I doubt if Isaac would have accepted the knife of his father, Abraham, entirely without reproach yet, for the same master he would have gone gladly to his death a thousand times. The world is full of the sacrifices of heroes and martyrs, but there was only one victim. If we were to be victims, we were as firmly secured to our role as Isaac bound to the faggots. No day passed without extenuating it.
Robert Leckie (Helmet for My Pillow)
She was a new world - a place of endless mysteries and unexpected delights, an enchanting mixture of woman and child. She supervised the domestic routine with deceptive lack of fuss. With her there, suddenly his clothes were clean and had their full complement of buttons; the stew of boots and books and unwashed socks in his wagon vanished. There were fresh bread and fruit preserves on the table; Kandhla's eternal grilled steaks gave way to a variety of dishes. Each day she showed a new accomplishment. She could ride astride, though Sean had to turn his back when she mounted and dismounted. She cut Sean's hair and made as good a job of it as his barber in Johannesburg. She had a medicine chest in her wagon from which she produced remedies for every ailing man or beast in the company. She handled a rifle like a man and could strip and clean Sean's Mannlicher. She helped him load cartridges, measuring the charges with a practised eye. She could discuss birth and procreation with a clinical objectivity and a minute later blush when she looked at him that way. She was as stubborn as a mule, haughty when it suited her, serene and inscrutable at times and at others a little girl. She would push a handful of grass down the back of his shirt and run for him to chase her, giggle for minutes at a secret thought, play long imaginative games in which the dogs were her children and she talked to them and answered for them. Sometimes she was so naive that Sean thought she was joking until he remembered how young she was. She could drive him from happiness to spitting anger and back again within the space of an hour. But, once he had won her confidence and she knew that he would play to the rules, she responded to his caresses with a violence that startled them both. Sean was completely absorbed in her. She was the most wonderful thing he had ever found and, best of all, he could talk to her.
Wilbur Smith (When the Lion Feeds (Courtney, #1))
...He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively is he must. He digs foxholes and latrines and can apply first aid like a professional. He can march until he is told to stop, or stop until he is told to march. He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient. ...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cool his own meals, mend his own clothes, and fix his own hurts. ...He'll even split his ammunition with you in the midst of battle when you run low. He has learned to use his hands like weapons and weapons like they were his hands. He can save your life- or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed. He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking. ...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years. He has asked nothing in return, except our friendship and understanding. Remember him, always, for he has earned our respect and admiration with his blood. And now we even have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so. As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
I'll bet My. Pinter knows his way around a rifle. She scowled. He probably thought he was a grand shot, anyway. For a man whose lineage was reputedly unsavory, Mr. Pinter was so high in the instep that she privately called him Proud Pinter or Proper Pinter. He'd told Gabe last week that most lords were good for only two things-redistributing funds from their estates into the gaming hells and brothels in London, and ignoring their duty to God and country. She knew he was working for Oliver only because he wanted the money and prestige. Secretly, he held them all in contempt. Which was probably why he was being so snide about her marrying. "Be that as it may," she said, "I'm interested in marriage now." She strode over to the fireplace to warm her hands. "That's why I want you to investigate my potential suitors." "Why me?" She shot him a sideways glance. "Have you forgotten that Oliver hired you initially for that very purpose?" His stiffening posture told her that he had. With a frown, he drew out the notebook and pencil he always seemed to keep in his pocket. "Very well. Exactly what do you want me to find out?" Breathing easier, she left the fire. "The same thing you found out for my siblings-the truth about my potential suitors' finances, their eligibility for marriage, and...well..." He paused in scratching his notes to arch an eyebrow at her. "Yes?" She fiddled nervously with the gold bracelet she wore. This part, he might balk at. "And their secrets. Things I can use in my...er...campaign. Their likes, their weaknesses, whatever isn't obvious to the world." His expression chilled her even with the fire at her back. "I'm not sure I understand." "Suppose you learn that one of them prefers women in red. That could be useful to me. I would wear red as much as possible." Amusement flashed in his eyes. "And what will you do if they all prefer different colors?" "It's just an example," she said irritably.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Curtis Bane screamed and though I came around fast and fired in the same motion, he’d already pulled a heater and begun pumping metal at me. We both missed and I was empty, that drum clicking uselessly. I went straight at him. Happily, he too was out of bullets and I closed the gap and slammed the butt of the rifle into his chest. Should’ve knocked him down, but no. The bastard was squat and powerful as a wild animal, thanks to being a coke fiend, no doubt. He ripped the rifle from my grasp and flung it aside. He locked his fists and swung them up into my chin, and it was like getting clobbered with a hammer, and I sprawled into a row of trash cans. Stars zipped through my vision. A leather cosh dropped from his sleeve into his hand and he knew what to do with it all right. He swung it in a short chopping blow at my face and I got my left hand up and the blow snapped my two smallest fingers, and he swung again and I turned my head just enough that it only squashed my ear and you better believe that hurt, but now I’d drawn the sawback bayonet I kept strapped to my hip, a fourteen-inch grooved steel blade with notched and pitted edges—Jesus-fuck who knew how many Yankee boys the Kraut who’d owned it gashed before I did for him—and stabbed it to the guard into Bane’s groin. Took a couple of seconds for Bane to register it was curtains. His face whitened and his mouth slackened, breath steaming in the chill, his evil soul coming untethered. He had lots of gold fillings. He lurched away and I clutched his sleeve awkwardly with my broken hand and rose, twisting the handle of the blade side to side, turning it like a car crank into his guts and bladder, putting my shoulder and hip into it for leverage. He moaned in panic and dropped the cosh and pried at my wrist, but the strength was draining from him and I slammed him against the wall and worked the handle with murderous joy. The cords of his neck went taut and he looked away, as if embarrassed, eyes milky, a doomed petitioner gaping at Hell in all its fiery majesty. I freed the blade with a cork-like pop and blood spurted down his leg in a nice thick stream and he collapsed, folding into himself like a bug does when it dies.
Laird Barron (The Beautiful Thing That Awaits Us All)
Our regiment was all women…We flew to the front in May 1942… The planes they gave us were Po-2s. Small, slow. They flew only at a low level. Hedge-hopping. Just over the ground! Before the war young people in flying clubs learned to fly in them, but no one could have imagined they would have any military use. The plane was constructed entirely of plywood, covered with aircraft fabric. In fact, with cheesecloth. One direct hit and it caught fire and burned up completely in the air, before reaching the ground. Like a match. The only solid metal part was the M-11 motor. Later on, toward the end of the war, we were issued parachutes, and a machine gun was installed in the pilot’s cabin, but before there had been no weapon, except for four bomb racks under the wings—that’s all. Nowadays they’d call us kamikazes, and maybe we were kamikazes. Yes! We were! But victory was valued more than our lives. “Before I retired, I became ill from the very thought of how I could possibly not work. Why then had I completed a second degree in my fifties? I became a historian. I had been a geologist all my life. But a good geologist is always in the field, and I no longer had the strength for it. A doctor came, took a cardiogram, and asked, “When did you have a heart attack?” “What heart attack?” “Your heart is scarred all over.” I must have acquired those scars during the war. You approach a target, and you’re shaking all over. Your whole body is shaking, because below it’s all gunfire: fighter planes are shooting, antiaircraft guns are shooting…Several girls had to leave the regiment; they couldn’t stand it. We flew mostly during the night. For a while they tried sending us on day missions, but gave it up at once. A rifle shot could bring down a Po-2… We did up to twelve flights a night. (...) You come back and you can’t even get out of the cabin; they used to pull us out. We couldn’t carry the chart case; we dragged it on the ground. And the work our girl armorers did! They had to attach four bombs to the aircraft by hand—that meant eight hundred pounds. They did it all night: one plane takes off, another lands. The body reorganized itself so much during the war that we weren’t women…We didn’t have those women’s things…Periods…You know…And after the war not all of us could have children.
Svetlana Alexievich (War's Unwomanly Face)
Cochise Jones always liked to play against your expectations of a song, to light the gloomy heart of a ballad with a Latin tempo and a sheen of vibrato, root out the hidden mournfulness, the ache of longing, in an up-tempo pop tune. Cochise’s six-minute outing on the opening track of Redbonin’ was a classic exercise in B-3 revisionism, turning a song inside out. It opened with big Gary King playing a fat, choogling bass line, sounding like the funky intro to some ghetto-themed sitcom of the seventies, and then Cochise Jones came in, the first four drawbars pulled all the way out, giving the Lloyd Webber melody a treatment that was not cheery so much as jittery, playing up the anxiety inherent in the song’s title, there being so many thousand possible ways to Love Him, so little time to choose among them. Cochise’s fingers skipped and darted as if the keys of the organ were the wicks of candles and he was trying to light all of them with a single match. Then, as Idris Muhammad settled into a rolling burlesque-hall bump and grind, and King fell into step beside him, Cochise began his vandalism in earnest, snapping off bright bunches of the melody and scattering it in handfuls, packing it with extra notes in giddy runs. He was ruining the song, rifling it, mocking it with an antic edge of joy. You might have thought, some critics felt, that the meaning or spirit of the original song meant no more to Cochise Jones than a poem means to a shark that is eating the poet. But somewhere around the three-minute mark, Cochise began to build, in ragged layers, out of a few repeated notes on top of a left-hand walking blues, a solo at once dense and rudimentary, hammering at it, the organ taking on a raw, vox humana hoarseness, the tune getting bluer and harder and nastier. Inside the perfectly miked Leslie amplifier, the treble horn whirled, and the drivers fired, and you heard the song as the admission of failure it truly was, a confession of ignorance and helplessness. And then in the last measures of the song, without warning, the patented Creed Taylor strings came in, mannered and restrained but not quite tasteful. A hint of syrup, a throb of the pathetic, in the face of which the drums and bass fell silent, so that in the end it was Cochise Jones and some rented violins, half a dozen mournful studio Jews, and then the strings fell silent, too, and it was just Mr. Jones, fading away, ending the track with the startling revelation that the song was an apology, an expression, such as only the blues could ever tender, of limitless regret.
Michael Chabon (Telegraph Avenue)
You never asked. How would I like you to kill it? You are a captain in the Red Army, for goodness’ sake. What do they teach you there?” “How to kill human beings. Not mice.” She barely touched her food. “Well, throw a grenade at it. Use your rifle. I don’t know. But do something.” Alexander shook his head. “You went out into the streets of Leningrad while the Germans were throwing five-hundred-kilo bombs that blew arms and legs off the women standing ahead of you in line, you stood fearless in front of cannibals, you jumped off a moving train to go and find your brother, but you are afraid of mice?” “Now you got it,” Tatiana said defiantly. “It doesn’t make sense,” Alexander said. “If a person is fearless in the big things—” “You’re wrong. Again. Are you done with your questions? Anything else you want to ask? Or add?” “Just one thing.” Alexander kept his face serious. “It looks like,” he said slowly, his voice calm, “we’ve found three uses for that too-high potato countertop I built yesterday.” And he burst out laughing. “Go ahead, laugh,” Tatiana said. “Go ahead. I’m here for your amusement.” Her eyes twinkled. Putting his own plate on the bench, Alexander took the plate out of her hands and brought her to him to stand between his legs. Reluctantly she came. “Tania, do you have any idea how funny you are?” He kissed her chest, looking up at her. “I adore you.” “If you really adored me,” she said, trying to twist herself out of his arms, unsuccessfully, “you wouldn’t be sitting here idly flirting when you could be militarizing that cabin.” Alexander stood up. “Just to point out,” he said, “it’s not called flirting once you’ve made love to the girl.” After Alexander went inside, a smiling Tatiana sat on the bench and finished her food. In a few minutes he emerged from the cabin holding his rifle in one hand, his pistol in the other, and a bayonet attachment between his teeth. The dead mouse was swinging at the end of the bayonet. He spoke out of the corner of his mouth. “How did I do?” Tatiana failed to keep a straight face. “All right, all right,” she said, chortling. “You didn’t have to bring out the spoils of war.” “Ah, but I know you wouldn’t believe in a dead mouse unless you saw it with your own eyes.” “Will you stop quoting me back to me? Shura, you tell me, I will believe it,” said Tatiana. “Now, go on, get out of here with that thing.” “One last question.” “Oh, no,” said Tatiana, covering her face, trying not to laugh. “Do you think this dead mouse is worth the price of a…killed mouse?” “Will you just go?” Tatiana heard his boisterous laughter all the way to the woods and back.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
He finds a basket and lays fish inside it. Charcoal is in a wooden bucket. Enrique lifts it, basket in his other hand, and moves through shadow toward daylight. A presence makes him turn his head. He sees no one, yet someone is there. He sets down fish and charcoal. Straightening up, Enrique slips his Bowie knife clear of its sheath. He listens, tries to sense the man’s place. This intruder lies low. Is concealed. Behind those barrels? In that corner, crouched down? Enrique shuts his eyes, holds his breath a moment and exhales, his breath’s movement the only sound, trying to feel on his skin some heat from another body. Where? Enrique sends his mind among barrels and sacks, under shelves, behind posts and dangling utensils. It finds no one. He is hiding. Wants not to be found. Is afraid. If he lies under a tarpaulin, he cannot see. To shoot blind would be foolish: likely to miss, certain to alert the others. Enrique steps around barrels, his boots silent on packed sand. Tarps lie parallel in ten-foot lengths, their wheaten hue making them visible in the shadowed space. They are dry and hold dust. All but one lies flat. There. Enrique imagines how it will be. To strike through the tarp risks confusion. Its heavy canvas can deflect his blade. But his opponent will have difficulty using his weapon. He might fire point-blank into Enrique’s weight above him, bearing down. To pull the tarpaulin clear is to lose his advantage; he will see the intruder who will see him. An El Norte mercenary with automatic rifle or handheld laser can cut a man in half. Knife in his teeth, its ivory handle smooth against lips and tongue, Enrique crouches low. Pushing hard with his legs, he dives onto the hidden shape. The man spins free as Enrique grasps, boots slipping on waxed canvas. His opponent feels slight, yet wiry strength defeats Enrique’s hold. He takes his knife in hand and rips a slit long enough to plunge an arm into his adversary’s shrouded panic. Enrique thrusts the blade’s point where he believes a throat must be. Two strong hands clamp his arm and twist against each other rapidly and hard. Pain flares across his skin. Enrique wrests his arm free and his knife flies from his grasp and disappears behind him. He clenches-up and, pivoting on his other hand, turns hard into a blind punch that smashes the hidden face. The dust of their struggle rasps in Enrique’s throat. His intended killer sucks in a hard breath and Enrique hits him again, then again, each time turning his shoulder into the blow. The man coughs out, “Do not kill me.” Enrique knows this voice. It is Omar the Turk. [pp. 60-61]
John Lauricella (2094)
I turned and entered the airport with my escort. Suddenly, I had a horrible realization: in order to return to the flight line I needed to move through a modern international airport complete with metal detectors and X-ray machines and I had a loaded pistol in my fanny pack. And, because of the ongoing civil war, security was beefed up and the guards were extra wary. Before we reached the first checkpoint, I pretended that I needed to use the restroom and told my escort to go on ahead. I needed to think. One option was to drop my pistol in a trash can and exit the airport, later claiming I lost the gun somehow. The lost-gun option had serious flaws. I couldn’t ditch my pistol because I had signed it out by serial number. Police could easily trace the gun back to me. My personal interpretation of the, “no weapons” order would probably not be an effective defense at my court marshal. My other option was to try and sneak through the airport onto the flight line, somehow avoiding a gauntlet of security checkpoints. This was the ninja option. This daunting course of action was fraught with serious danger. If guards confronted me and caught me with a loaded pistol I knew I would not have a pleasant day. There was no telling where that situation would lead; there was a real possibility I could spend time in a Yemeni prison. Despite the risks I decided on the ninja option. I figured I might have one slim advantage. Maybe the guards would remember me coming through the airport from the flight-line side with the embassy official and not pay me much attention. I was sweating bullets as I approached the first checkpoint. I tried to act casual and confident, not furtive and suspicious like a criminal. I waited until the guard looked away, his attention elsewhere and boldly walked behind him past the checkpoint. When I approached the X-ray and metal detectors I strode right past the line of people, bypassing the machines. I had to play it that way. I could not hang out near the detectors waiting for guards to look the other way and then sneak past; there were just too many. As I brazenly strode around each checkpoint I feared to hear a sudden barked command, rushing feet behind me, and hands spinning me around to face angry guards with drawn weapons. The last part of my mission to get on the airfield was tricky and nerveracking. Imagine being at an American airport in the gate area where people board the airplanes. Then imagine trying to sneak out a Jetway or access door without being stopped. I remembered the door I had used to enter the terminal and luckily it was unlocked. I picked my moment and quickly slipped out the door onto the airfield. I boldly strode across the airfield, never looking behind me until I reached my plane. Finally, I turned and looked back the way I came and saw … nothing. No one was pursuing me. I was in the midst of an ongoing civil war, surrounded by fresh bomb craters and soldiers carrying soviet rifles, but as scary situations go, so far Tiger Rescue was a relaxing walk in the park compared to Operation Ninja Escape.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Charles Bean, the official historian of Australia’s part in World War I, was unusual in dealing closely with the deeds of the soldiers on the front line, and not just the plans and orders of their leaders. At the end of his account of the Gallipoli landing in the Official History, he asked what made the soldiers fight on. What motive sustained them? At the end of the second or third day of the Landing, when they had fought without sleep until the whole world seemed a dream, and they scarcely knew whether it was a world of reality or of delirium – and often, no doubt, it held something of both; when half of each battalion had been annihilated, and there seemed no prospect before any man except that of wounds or death in the most vile surroundings; when the dead lay three deep in the rifle-pits under the blue sky and the place was filled with stench and sickness, and reason had almost vanished – what was it then that carried each man on? It was not love of a fight. The Australian loved fighting better than most, but it is an occupation from which the glamour quickly wears. It was not hatred of the Turk. It is true that the men at this time hated their enemy for his supposed ill-treatment of the wounded – and the fact that, of the hundreds who lay out, only one wounded man survived in Turkish hands has justified their suspicions. But hatred was not the motive which inspired them. Nor was it purely patriotism, as it would have been had they fought on Australian soil. The love of country in Australians and New Zealanders was intense – how strong, they did not realise until they were far away from their home. Nor, in most cases was the motive their loyalty to the tie between Australia and Great Britain. Although, singly or combined, all these were powerful influences, they were not the chief. Nor was it the desire for fame that made them steer their course so straight in the hour of crucial trial. They knew too well the chance that their families, possibly even the men beside them, would never know how they died. Doubtless the weaker were swept on by the stronger. In every army which enters into battle there is a part which is dependent for its resolution upon the nearest strong man. If he endures, those around him will endure; if he turns, they turn; if he falls, they may become confused. But the Australian force contained more than its share of men who were masters of their own minds and decisions. What was the dominant motive that impelled them? It lay in the mettle of the men themselves. To be the sort of man who would give way when his mates were trusting to his firmness; to be the sort of man who would fail when the line, the whole force, and the allied cause required his endurance; to have made it necessary for another unit to do his own unit’s work; to live the rest of his life haunted by the knowledge that he had set his hand to a soldier’s task and had lacked the grit to carry it through – that was the prospect which these men could not face. Life was very dear, but life was not worth living unless they could be true to their idea of Australian manhood.
John Hirst (The Australians: Insiders and Outsiders on the National Character since 1770)
When Oliver called time a few moments later, she’d beaten them all. But she’d beaten Mr. Pinter by only one bird. “It appears, Lady Celia, that you’ve won a new rifle,” the duke said graciously. “No,” she answered. They all stared at her. “It doesn’t seem sporting to win a challenge only because one of my opponents had a faulty firearm. Which we provided to him, by the way.” “Don’t worry,” Mr. Pinter drawled. “I won’t hold the fault firearm against you and your brothers.” “That’s not the point. This should be fair, and it isn’t.” “Then we’ll move forward,” Oliver said, “and let the servants flush the grouse again. Pinter can take one more shot. That’s probably all that the misfire delayed him by. If he misses, then you’ve won squarely. If he hits his target then it’s a tie, and we’ll decide a tie breaker.” “That seems fair.” She glanced over at Mr. Pinter. “What do you say, sir?” “Whatever my lady wishes.” His eyes met hers in a heated glance. She had the unsettling feeling that he referred to more than just the shooting. “Well, then,” she said lightly. “Let’s get on with it.” The beaters headed forward to flush the grouse, but either because of where the grouse had last settled or because of the beaters’ position, the birds rose farther away than was practical. “Damn it all,” Gabe uttered. “He won’t make a shot from here.” “You can ignore this one, and we’ll have them flushed again,” Celia said. But Mr. Pinter raised his gun to follow their flight. With a flash and the repugnant smell of black powder igniting, the gun fired and white smoke filled the air. She saw a bird fall. No, not one bird. He’d hit two birds with an impossible shot. Her breath lodged in her throat. She’d hit two with one shot a few times, due to how they clustered and how well the birdshot scattered, but to do it at such a distance… She glanced at him, astonished. No one had ever beaten her-and certainly not with such an amazing shot. Mr. Pinter gazed at her steadily as he handed off the gun to a servant. “It appears that I’ve won, my lady.” Her mouth went dry. “It does indeed.” Gabe hooted pleased at having escaped buying her a rifle. The duke and the viscount scowled, while Devonmont just looked amused as usual. All of that fell away as Mr. Pinter’s gaze dropped to her mouth. “Well done, Pinter,” Oliver said, clapping him on the shoulder. “You obviously more than earned a kiss.” For a moment, raw hunger flickered in his eyes. Then it was as if a veil descended over his face, for his features turned blank. He walked up to her, bent his head… And kissed her on the forehead. Hot color flooded her cheeks. How dared he kiss her last night as if she were a woman, and then treat her like a child in front of her suitors! Or worse, a woman beneath his notice! “Thank heavens that’s done,” she said loftily, trying to retain some dignity. The men all laughed-except Mr. Pinter, who watched her with a shuttered expression. As the other gentleman crowded round to congratulate him on his fine shot, she plotted. She would make him answer for every remark, every embarrassment of this day, as soon as she had the chance to get him alone. Because no man made a fool of her and got away with it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Jackson gaped at her, wondering how this had all turned so terrible wrong. But he knew how. The woman was clearly daft. Bedlam-witted. And trying to drive him in the same direction. "You can't be serious. Since when do you know anything about investigating people?" She planted her hands on her hips. "You won't do it, so I must." God save him, she was the most infuriating, maddening-"How do you propose to manage that?" She shrugged. "Ask them questions, I suppose. The house party for Oliver's birthday is next week. Lord Devonmont is already coming, and it will be easy to convince Gran to invite my other two. Once they're here, I could try sneaking into their rooms and listening in on their conversations or perhaps bribing their servants-" "You've lost your bloody mind," he hissed. Only after she lifted an eyebrow did he realize he'd cursed so foully in front of her. But the woman would turn a sane man into a blithering idiot! The thought of her wandering in and out of men's bedchambers, risking her virtue and her reputation, made his blood run cold. "You don't seem to understand," she said in a clipped tone, as if speaking to a child. "I have to catch a husband somehow. I need help, and I've nowhere else to turn. Minerva is rarely here, and Gran's matchmaking efforts are as subtle as a sledgehammer. And even if my brothers and their wives could do that sort of work, they're preoccupied with their own affairs. That leaves you, who seem to think that suitors drop from the skies at my whim. If I can't even entice you to help me for money, then I'll have to manage on my own." Turning on her heel, she headed for the door. Hell and blazes, she was liable to attempt such an idiotic thing, too. She had some fool notion she was invincible. That's why she spent her time shooting at targets with her brother's friends, blithely unconcerned that her rifle might misfire or a stray bullet hit her by mistake. The wench did as she pleased, and the men in her family let her. Someone had to curb her insanity, and it looked as if it would have to be him. "All right!" he called out. "I'll do it." She halted but didn't turn around. "You'll find out what I need in order to snag one of my choices as a husband?" "Yes." "Even if it means being a trifle underhanded?" He gritted his teeth. This would be pure torture. The underhandedness didn't bother him; he'd be as underhanded as necessary to get rid of those damned suitors. But he'd have to be around the too-tempting wench a great deal, if only to make sure the bastards didn't compromise her. Well, he'd just have to find something to send her running the other way. She wanted facts? By thunder, he'd give her enough damning facts to blacken her suitors thoroughly. Then what? If you know of some eligible gentleman you can strong-arm into courting me, then by all means, tell me. I'm open to suggestions. All right, so he had no one to suggest. But he couldn't let her marry any of her ridiculous choices. They would make her miserable-he was sure of it. He must make her see that she was courting disaster. Then he'd find someone more eligible for her. Somehow. She faced him. "Well?" "Yes," he said, suppressing a curse. "I'll do whatever you want." A disbelieving laugh escaped her. "That I'd like to see." When he scowled, she added hastily, "But thank you. Truly. And I'm happy to pay you extra for your efforts, as I said." He stiffened. "No need." "Nonsense," she said firmly. "It will be worth it to have your discretion." His scowl deepened. "My clients always have my discretion.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Maybe tangled will be a spectacular rump. maybe i will adore it: it could happen. But one thing is for sure: tangled will not be rapunzel. And thats too bad , because rapunzel is an specially layered and relevant fairytale, less about the love between a man and a woman than the misguided attempts of a mother trying to protect her daughter from (what she perceives ) as the worlds evils. The tale, you may recall, begins with a mother-to-bes yearning for the taste of rapunzel, a salad green she spies growing in the garden of the sorceress who happens to live next door. The womans craving becomes so intense , she tells her husband that if he doesn't fetch her some, she and their unborn baby will die. So he steals into the baby's yard, wraps his hands around a plant, and, just as he pulls... she appears in a fury. The two eventually strike a bargain: the mans wife can have as much of the plant as she wants- if she turns over her baby to the witch upon its birth. `i will take care for it like a mother,` the sorceress croons (as if that makes it all right). Then again , who would you rather have as a mom: the woman who would do anything for you or the one who would swap you in a New York minute for a bowl of lettuce? Rapunzel grows up, her hair grows down, and when she is twelve-note that age-Old Mother Gothel , as she calls the witch. leads her into the woods, locking her in a high tower which offers no escape and no entry except by scaling the girls flowing tresses. One day, a prince passes by and , on overhearing Rapunzel singing, falls immediately in love (that makes Rapunzel the inverse of Ariel- she is loved sight unseen because of her voice) . He shinnies up her hair to say hello and , depending on the version you read, they have a chaste little chat or get busy conceiving twins. Either way, when their tryst is discovered, Old Mother Gothel cries, `you wicked child! i thought i had separated you from the world, and yet you deceived me!` There you have it : the Grimm`s warning to parents , centuries before psychologists would come along with their studies and measurements, against undue restriction . Interestingly the prince cant save Rapuzel from her foster mothers wrath. When he sees the witch at the top of the now-severed braids, he jumps back in surprise and is blinded by the bramble that breaks his fall. He wanders the countryside for an unspecified time, living on roots and berries, until he accidentally stumbles upon his love. She weeps into his sightless eyes, restoring his vision , and - voila!- they rescue each other . `Rapunzel` then, wins the prize for the most egalitarian romance, but that its not its only distinction: it is the only well-known tale in which the villain is neither maimed nor killed. No red-hot shoes are welded to the witch`s feet . Her eyes are not pecked out. Her limbs are not lashed to four horses who speed off in different directions. She is not burned at the stake. Why such leniency? perhaps because she is not, in the end, really evil- she simply loves too much. What mother has not, from time to time, felt the urge to protect her daughter by locking her in a tower? Who among us doesn't have a tiny bit of trouble letting our children go? if the hazel branch is the mother i aspire to be, then Old Mother Gothel is my cautionary tale: she reminds us that our role is not to keep the world at bay but to prepare our daughters so they can thrive within it. That involves staying close but not crowding them, standing firm in one`s values while remaining flexible. The path to womanhood is strewn with enchantment , but it also rifle with thickets and thorns and a big bad culture that threatens to consume them even as they consume it. The good news is the choices we make for our toodles can influence how they navigate it as teens. I`m not saying that we can, or will, do everything `right,` only that there is power-magic-in awareness.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
They turn their glowing evil red eyes toward me, and I laugh when they do not fire, for I am a spirit warrior and I point my rifle at them, pull the trigger, and shit down my leg, because I am alone amongst a pack of hunterkiller robots and it is no rifle in my hand, it is only a mop.
Pierce Brown (Dark Age (Red Rising Saga #5))
My magic sparked to pull the dwarven sword from the sidecar, and when I flipped around, I found Onym with his hands held up. He glared down the barrel of the rifle for a long moment before his eerie black eyes flashed to mine. “I mean you no harm,” he said. His tone suggested the opposite, and I wondered if he was even capable of not sounding like a snake as I stepped to Cayla’s side. Then I raised the hefty blade to the level of the elf’s neck with a grin. Onym’s lips twitched in anger. It looked like it took all of his effort, but he eventually spoke with a forced civility. “House Natyr wishes to extend their council to you,” he said in a low voice. “You need our help.” “Do I, though?” I asked. It was almost hilarious to watch the deadly man wrestle with his rage, but he somehow managed it.
Eric Vall (Metal Mage 5 (Metal Mage, #5))
Oh, you know, it’s the usual elven bullshit,” I told her. “I had my meeting with Aeris last night while you ladies were at the feast, and he didn’t seem very surprised to hear the head of House Syru had runes engraved on him. Now that I think about it, he seemed to care the least about that part, in fact.” “So … ” Cayla led, “how does that put you in the doghouse?” “Welp,” I belched. “Now, I get to hand over a hundred and fifty rifles, and if I’m a good boy he’ll talk to me about rune magic when I’m done.” I sent a pointed look in their general direction, but I was too drunk to tell if I’d gotten it right. “So obviously … I’m drinking and fucking around instead.
Eric Vall (Metal Mage 6 (Metal Mage, #6))
One day, years later, the soldiers wheeled around to find themselves in a city of glass. Their rifles turned to carnival glass; bullets dissolved, glittering, in their hands. From the poet’s zoo they heard monkeys cry; from the poet’s observatory they heard poem after poem like a call to prayer.
Martín Espada (The Republic of Poetry: Poems)
Since one of the daughters and her family now occupied the home place, Uncle Ab carried with him all his worldly possessions, the terms of his independence and self-respect: the rifle with which he provided a little meat for the table and with which he could defend himself if attacked, the corn knife in case he needed it, the lantern and chamber pot to preserve his dignity when he had to get up at night, the cowbell to ring if he fell down and couldn’t get up, and his own hands with which he worked at whatever small tasks he was still able to do. He was something of the old life of the place. I observed him carefully and have remembered him always.
Wendell Berry (Jayber Crow)
Both he and Mária Szapáry found some gratification in the half hour or forty minutes they spent sitting together in the noisy corridor; being close in a time of trouble and in the most profound feeling of being in the same situation because they loved the same being. For without hesitation they would, for Elisa, have strangled or murdered with a pistol, hunting rifle, anything, a knife or their bare hands. And their peculiar solidarity was enriched by their being a man and a woman, proportionately entwined with Elisa’s life.
Péter Nádas (Parallel Stories: A Novel)
The AR-57, also known as the AR Five Seven, is available as either an upper receiver for the AR-15/M16 rifle or a complete rifle, firing 5.7×28mm rounds from standard FN P90 magazines. It was designed by AR57 LLC and[3] was produced by AR57 of Kent, Washington, United States. The AR-57 PDW upper is a new design on AR-15/M16 rifles, blending the AR-15/M16 lower with a lightweight, monolithic upper receiver system chambered in FN 5.7×28mm. This model is also sold as a complete rifle, supplied with two 50-round P90 magazines.[1] The magazines mount horizontally on top of the front handguard, with brass ejecting through the magazine well. Hollow AR-15 magazines can be used to catch spent casings. Unlike the standard AR-15 configuration which uses a gas-tube system , the AR-57 cycles via straight blowback.[6] A fully automatic version exists and was marketed as a competitor to the P90 and other personal defense weapons.[7] Manufactured by the eponymous AR57 LLC, and chambered in 5.7x28mm, this upper is less powerful than the standard 5.56mm version, but it has certain tangible advantages, including reduced muzzle blast, a high practical rate of fire, nonexistent recoil, and the ability to use folding stocks. Since the buffer is located within the receiver, folding stocks may also be used for compact storage or carry. To load, place the base plate of a standard FN P90 magazine into the recess on the front of the upper, then press the feed lip side down on the catch located above and slightly back of the bolt. To charge, pull on the right-side nonreciprocating handle and release. The right-side charging hand placement makes it accessible for operation by the strong hand. Since it only has to be operated once every 50 shots, the time penalty for moving the hand off the pistol grip isn’t too great. Empties will eject downward through the nominal magazine well. Some people use a 20-round magazine body with the feed lips, spring and follower removed to act as a brass catcher. The magazine has no provision for activating the bolt lock when empty, but the bolt can be locked open using the catch on the lower. The upper runs very cleanly and reliably, requiring no maintenance after the first 500 shots. The AR57 comes with a medium fluted barrel, reasonable for a varmint rifle but excessive for a defensive carbine. Burning around six grains per shot, 5.7x28mm runs much cooler than 5.56mm, which burns four or more times as much. That yields much reduced muzzle blast and far greater heat endurance, of course at the cost of a roughly 40 percent slower bullet.
ssecurearmsllc
Whitey passed me the gun I’d made for him during the afternoon and followed it. It was a good gun, but not handy for housebreaking. I’d gone into a second-hand shop and picked up one of the best guns the Winchester people ever made – an 1897 model twelve-gauge shotgun. That’s the one with the hammer. The new hammerless pumps are quieter and maybe they work a little smoother. But those old hammer guns never hung up and there was never a question about ’em being ready for action. All you have to do is pull the hammer back and pull the trigger. I’d taken a hacksaw and cut the barrel off just in front of the pump grip. There were five shells in the barrel and another in the chamber, and all loaded with number one buck shot. That’s the size that loads sixteen in a shell, and for close-range work that’s just dandy. They’re big enough to blow a man to hell and back, and there’s enough of them to spread out and take in a lot of territory. It was the logical weapon for Whitey, because he didn’t know any more about a pistol than a cat knows about heaven. And he’d shot a rifle and shotgun a few times. And he was out for blood. It wasn’t that he’d been roughed up in my room at the time I killed Maury Cullen – because that didn’t bother him. That was just a piece of hard luck to him. When I’d been knocked out and my gun taken from me no doubt the barman had rolled me and found my address and had remembered it. Whitey had just happened to be calling when they came after me. It wasn’t that. It was the girl being killed that was getting him crazy. And he was getting crazy, no mistake. He was a little punchy anyway, from a few too many fights, and when he got excited it hit him. I whispered: “Now remember! I make the play, if there’s one made. Wait for me and back me up.
Maxim Jakubowski (The New Mammoth Book Of Pulp Fiction (Mammoth Books))
For the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony - Forgive me, comrade; how could you be my enemy? If we threw away these rifles and this uniform you could be my brother.
Enrich Maria Remarque
Technology is not new. If you were to go back, before or around the life of Christ, you would see wars fought with energy weapons and colossal machines. You would see angels in a military fashion with rifles and hand cannons.
Mike Ma (Gothic Violence)