Rifle Head Quotes

We've searched our database for all the quotes and captions related to Rifle Head. Here they are! All 100 of them:

Soldier! Let me cradle your head and caress your face, let me kiss your dear sweet lips and cry across the seas and whisper through the icy Russian grass how I feel for you . . . Luga, Ladoga, Leningrad, Lazarevo . . . Alexander, once you carried me, and now I carry you. Into my eternity, now I carry you. Through Finland, through Sweden, to America, hand outstretched, I stand and limp forward, the galloping steed black and riderless in my wake. Your heart, your rifle, they will comfort me, they’ll be my cradle and my grave. Lazarevo drips you into my soul, dawn drop by moonlight drop from the river Kama. When you look for me, look for me there, because that’s where I will be all the days of my life. (Tatiana)
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
In my world, you don’t get to call yourself “pro-life” and be against common-sense gun control — like banning public access to the kind of semiautomatic assault rifle, designed for warfare, that was used recently in a Colorado theater. You don’t get to call yourself “pro-life” and want to shut down the Environmental Protection Agency, which ensures clean air and clean water, prevents childhood asthma, preserves biodiversity and combats climate change that could disrupt every life on the planet. You don’t get to call yourself “pro-life” and oppose programs like Head Start that provide basic education, health and nutrition for the most disadvantaged children...The term “pro-life” should be a shorthand for respect for the sanctity of life. But I will not let that label apply to people for whom sanctity for life begins at conception and ends at birth. What about the rest of life? Respect for the sanctity of life, if you believe that it begins at conception, cannot end at birth.
Thomas L. Friedman
When I were first learning to shoot a rifle, Pa told me that nearly every battle people face is in their heads.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
My dad is here," She hissed, hoping to give Gabriel enough of a head start so he could make it to the elevators before Tom took out one of his hunting rifles and shot him. "I know, I called him." She turned to Gabriel in wide-eyed disbelief. "Why would you do that? He wants to kill you." The Professor pulled himself up to his full height. "I want to marry you. That means that I need to make amends with your father. I want to be able to be in the same room without him attempting to shoot me. Or castrate me.
Sylvain Reynard (Gabriel's Rapture (Gabriel's Inferno, #2))
The fact is that the government, like a highwayman, says to a man: Your money, or your life...The government does not, indeed, waylay a man in a lonely place, spring upon him from the road side and, holding a pistol to his head, proceed to rifle his pockets. But the robbery is none the less a robbery on that account; and it is far more dastardly and shameful. The highwayman takes solely upon himself the responsibility, danger, and crime of his own act. He does not pretend that he has any rightful claim to your money, or that he intends to use it for your own benefit. He does not pretend to be anything but a robber...Furthermore, having taken your money, he leaves you as you wish him to do. He does not persist in following you on the road, against your will; assuming to be your rightful 'sovereign,' on account of the 'protection' he affords you.
Lysander Spooner
When I were first learning to shoot a rifle, Pa told me that nearly every battle people face is in their heads. If you think you can't do something, you won't. If you believe you can, it's only a matter of time before you will.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
Haroun shook his head. “This is not a thing for rifles. If they are seen there will be questions. For tonight we have daggers only.
Nigel Seed (No Road to Khartoum (Michael McGuire Trilogy 1))
So I'm guessing you're Seven and Ten; What can you do?" I say as I find our rifles in the sand and hand each of them a gun. "You can call me Marina," the girl with the brown hair says. "And I can breathe under water and see in the dark and heal the sick and wounded. And I have telekinesis." Call me Ella, I hear ten say in my head. Aside from my telepathy, I can change ages. "Awesome. I'm four, that nut job with the long black hair is nine and the beast is my chimaera, Bernie Kosar.
Pittacus Lore
The sight of so many guns, mostly deer rifles and duck guns but with a smattering of black rifles and riot shotguns, made him glad that this was going down in a rural area where people still had their heads screwed on right about personal defense.
Larry Correia (The Monster Hunters (Monster Hunters International combo volumes Book 1))
I've nothing against people as a general rule, but people don't tend to have the sort of answers I'm looking for." The fence post just above Jackaby's head exploded in a spray of splinters with a resonating BLAM! A woman stood in the open doorway across from him, a plain white apron tied around her waist and a fat-barreled rifle in her hands. "Of course, people do have a way of surprising you from time to time," my employer added.
William Ritter (Beastly Bones (Jackaby, #2))
Good God!" she cried. She rolled off him, tugging down her clothing. "Are you mad?" He blinked and dragged in air. "Well, yes," He said thickly. "Lust does that to a man." "You thought we would--you would-- do...that in public?" "I wasn't thinking about where we were." He said. Her eyes widened. "I'm a man," he said with what he was sure must be, in the circumstances, saintly patience. "I can do one or the other. Lovemaking or thinking. But not both at the same time." She stared at him for a moment. Then she drew up her knees and folded her arms upon them and buried her face in her folded arms. She did not pick up the rifle and knock him on the head with it. Perhaps all was not lost. "Somewhere else then?" He said hopefully.
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
He pierced her with a look. “I thought we had an agreement. I keep my men away from your ladies, and you keep your distance from me. You’re not holding your end of the bargain.” “It’s but a momentary interruption. Just this once.” “Just this once?” He made a dismissive noise, rifling through papers. “What about just now in the church?” “Very well, twice.” “Try again.” He stacked his papers and looked up, devouring her with his intent green gaze. “You invaded my dreams at least a half-dozen times last night. When I’m awake, you keep traipsing through my thoughts. Sometimes you’re barely clothed. What excuse can you make for that?” She stammered to form a response, her tongue tripping against her teeth. “I . . . I would never traipse.” Idiotic reply. “Hm.” He tilted his head and regarded her thoughtfully. “Would you saunter?
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
William had played [rugby] at Eton when it first became popular, and now he only spoke of it in a reverent tone he normally saved only for women and rifles. . . . . [in contrast] Cricket had rules: one was not allowed to stamp on the head of another player and pass it off as enthusiasm.
Natasha Pulley (The Watchmaker of Filigree Street (The Watchmaker of Filigree Street, #1))
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje
In the preface of "The Rifles" "Another rule we followed was never kill an animal that we were not going to use for food or clothing." Barnabas Piryuaq "Well, in those high latitudes we found such quantities of seals and walruses that we simply did not know what to do with them.There were thousands and thousands lying there; we walked among them and hit them on the head, and laughed heartily in the abundance which God had created." Jan Welzi 1933.
William T. Vollmann (The Rifles (Seven Dreams #6))
Sir? What are you doing?” I asked. “Investigating,” Jackaby replied flatly. “Well, you can’t just walk into someone’s yard unannounced. Besides, doesn’t investigating usually involve questioning people?” “I’ve nothing against people as a general rule, but people don’t tend to have the sort of answers I’m looking for.” The fence post just above Jackaby’s head exploded in a spray of splinters with a resonating BLAM! A woman stood in the open doorway across from him, a plain white apron tied around her waist and a fat-barreled rifle in her hands. “Of course, people do have a way of surprising you from time to time,” my employer added. The
William Ritter (Beastly Bones (Jackaby, #2))
I was finally beginning to perceive that no matter how many dead people I might see, or people at the instant of their death, I would never manage to grasp death, that very moment, precisely in itself. It was one thing or the other: either you are dead, and then in any case there's nothing else to understand, or else you are not yet dead, and in that case, even with the rifle at the back of your head or the rope around your neck, death remains incomprehensible, a pure abstraction, this absurd idea that I, the only living person in the world, could disappear. Dying, we may already be dead, but we never die, that moment never comes, or rather it never stops coming, there it is, it's coming, and then it's still coming, and then it's already over, without ever having come.
Jonathan Littell (The Kindly Ones)
No" she jerked back, stared up at him. Her eyes were like thunderclouds. He'd never seen them like that. Shock and fear filled them. Her face was paper white. Her body shuddering. "Don't you leave me!" She gripped his shirt and tried to shake him, tears falling from her eyes. "Don't you leave Noah." His head lowered. He touched her lips with his and knew this woman held the best part of him. The memories of the husband he had been, the man he had been. He couldn't destroy that. He refuse to. He pushed her to Jordan slowly, loath to let her go. To release her. Knowing that releasing her was the only way to save the memories she held. "Don't you leave!" She screamed the order, eyes blazing, her lips trembling as tears fell and hysteria threatened to overwhelm her. "If you leave me, Noah Blake, if you don't come back when this is over, don't bother coming back at all. He touched her cheek. Ran his thumb over her lips. "You are the best part of me," he whispered. "Always remember that, Sabella. The best part of me." Before she could grab him, hold him to her, he pulled away, grabbed one of the rifles Mike had set on the table across the room. And left.
Lora Leigh (Wild Card (Elite Ops, #1))
I unzipped my duffel bag and started to rifle through it. “What the hell is all that?” Jesse asked. “A diamond core drill,” I replied. “It can go through cobalt and it lets me use this.” I pulled out a tiny scope camera that had a monitor attached to it. “This lets me see where the grooves are in the lock. Each groove corresponds to a number on the combination and I just have to line them up.” Jesse and Roux looked at me like I was speaking Martian. “Where do you even get this stuff?” “Sweet Sixteen present from my parents.” Roux shook her head. “I got a Fabergé egg. What a ripoff.
Robin Benway (Also Known As (Also Known As, #1))
all i know about the bible is that wherever it goes there's trouble. the only time i ever heard of it being useful was when a stretcher bearer i was with at the battle of dundee told me that he'd once gotten hit by a mauser bullet in the heart, only he was carrying a bible in his tunic pocket and the bible saved his life. he told me that ever since he'd always carried a bible into battle with him and he fled perfectly safe because god was in his breast pocket. we were out looking for a sergeant of the worcesters and three troopers who were wounded while out on a reconnaissance and were said to be holed up in a dry donga. in truth, i think my partner felt perfectly safe because the boer mausers were estimated by the british artillery to be accurate to eight hundred yards and we were at least twelve hundred yards from enemy lines. alas, nobody bothered to tell the boers about the shortcomings of their brand-new german rifle and the mauser bullet hit him straight between the eyes...which goes to prove, you can always depend on british army information not to be accurate, the boers to be deadly accurate, and the bible to be good for matters of the heart but hopeless for those of the head, and finally, that god is in nobody's pocket.
Bryce Courtenay (The Power of One (The Power of One, #1))
Outside the windows, the land was as flat, as interesting, as the head of an anvil, and the shadows of the corn advanced like the rifle barrels of an approaching army.
Stephen Wright (M31: A Family Romance)
We bumped into other silent lines of kids going in the same direction. We looked like we were much younger and our lines were headed to the cafeteria or recess or the carpool line. Or it could’ve been a fire drill. Except for the stone-faced police officers weaving between us with rifles.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
They nodded their heads with quick flicky motions, like birds, and nursed their rifles, keeping them out of the dirt. I had gotten to know them all in a month and a few of them were even from the same end of the county I was, but now it was like I was seeing them for the first time, different. All the put-on had gone out of their faces—they were left with what God gave them at the beginning.
Shelby Foote (Shiloh)
had thought earlier in the night that you can’t run when you are sodden from head to foot and weighted down with a rifle and cartridges; I learned now you can always run when you think you have fifty or a hundred armed men after you.
George Orwell (Homage to Catalonia)
They were all running on adrenaline, which cannot just be turned off. So even when they had silent hours and felt reasonably safe with their backs against a wall, most could not fully sleep. They would nod off with their head between their knees, a rifle in one hand and a grenade in the other. It was more like being temporarily not awake than sleep.
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
back as I paced blindly, seething with rage. Nothing could excuse my disgusting lack of foresight. My head still throbbed where the Matrian warden had knocked me out with the butt of her rifle as I’d resisted arrest—I hadn’t foreseen even as simple an act of brutality as that.
Bella Forrest (The Gender War (The Gender Game, #4))
Last winter, she’d walked this path with Min, heading for the Christmas Fair--there’d been a ferris wheel and skating, mulled wine, minced pies. At an air-rifle booth, Min had missed the target five times in a row. “Cover”, he’d said. “Don’t want everyone knowing I’m a trained sharpshooter.
Mick Herron (Dead Lions (Slough House, #2))
I stalked around the edge of the wood, crouching low, holding my breath. My attention was microscopically fierce. I'd become a thing of eyes and will alone. Mabel held her wings out from her sides, her head snaking, reptilian, eyes glowing. It felt like I was holding the bastard offspring of a flaming torch and an assault rifle.
Helen Macdonald (H is for Hawk)
L'Avventura,' Dad said, 'has the sort of ellipsis ending most American audiences would rather undergo a root canal than be left with, not only because they loathe anything left to the imagination-we're talking about the country that invented spandex-but also because they are a confident, self-assured nation. They know Family. They know Right from Wrong. They know God-many of them attest to daily chats with the man. And the idea that none of us can truly know anything at all-not the lives of our friends or family, not even ourselves-is a thought they'd rather be shot in the arm with their own semi-automatic rifle than face head-on. Personally, I think there's something terrific about not knowing, relinquishing man's feeble attempt to control. When you throw up your hands, say, "Who knows?" you can get on with the sheer gift of being alive.
Marisha Pessl (Special Topics in Calamity Physics)
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
His cellphone alarm beeped. Now. Who would he nail? A single target tonight. So, a single bullet in the gun. David put the crosshairs on one of the guys walking out of the Quick Trip. Tall man, longish hair, scruffy beard. The guy pulled keys from his pocket and the crosshairs settled on his face. What was next? David pulled the trigger. The back of the guy’s head exploded. A massive wound. The guy’s friend looked around. The pregnant woman screamed. The black guy ran. The girls hugged each other. David pulled the trunk lid back down. Clicked and locked. A gentle walkway wound around the mall. Sol slowly drove away. David’s breaths came fast, almost pants. He then took his black pants off and removed his soiled underwear. He reached in the plastic bag for the fresh pair. Changing in the trunk of a dark and hot and moving car was difficult. Just part of the job now. When he pulled the trigger, he orgasmed. Always did. David slowed his breathing. Taylor series for ex = 1 + x + X2 / 2! + X3 / 3! etc. Yes, that was better. He closed his eyes and let go of the rope and let the rifle roll to one side. That guy’s head exploded. They drove away, below the speed limit. Didn’t want to attract attention. No need to, in no hurry.
Michael Grigsby
He was completely detached from every thing except the story he was writing and he was living in it as he built it. The difficult parts he had dreaded he now faced one after another and as he did the people, the country, the days and the nights, and the weather were all there as he wrote. He went on working and he felt as tired as if he had spent the night crossing the broken volcanic desert and the sun had caught him and the others with the dry gray lakes still ahead. He could feel the weight of the heavy double-barreled rifle carried over his shoulder, his hand on the muzzle, and he tasted the pebble in his mouth. Across the shimmer of the dry lakes he could see the distant blue of the escarpment. Ahead of him there was no one, and behind was the long line of porters who knew that they had reached this point three hours too late. It was not him, of course, who had stood there that morning, nor had he even worn the patched corduroy jacket faded almost white now, the armpits rotted through by sweat, that he took off then and handed to his Kamba servant and brother who shared with him the guilt and knowledge of the delay, watching him smell the sour, vinegary smell and shake his head in disgust and then grin as he swung the jacket over his black shoulder holding it by the sleeves as they started off across the dry-baked gray, the gun muzzles in their right hands, the barrels balanced on their shoulders, the heavy stocks pointing back toward the line of porters. It was not him, but as he wrote it was and when someone read it, finally, it would be whoever read it and what they found when they should reach the escarpment, if they reached it, and he would make them reach its base by noon of that day; then whoever read it would find what there was there and have it always.
Ernest Hemingway (The Garden of Eden)
I knew I had to kill him," Dom said. "I used my dad's hunting rifle and boom -- in the head -- right over there by that tree.
Billy O'Connor
Lev loosened his grip on me to raise Mal’s rifle, but I whirled on him, bringing the mirror up, blinding him. “What the—” he grunted, squinting. Before he could recover, I slammed a knee into his groin. As he bent double, I put my hands on the back of his head and brought my knee up hard. There was a disgusting crunch, and I stepped backward as he fell to the ground clutching his nose, blood spurting between his fingers. “I did it!” I exclaimed. Oh, if only Botkin could see me now. “Come on!” Mal said, distracting me from my jubilation.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
It was one thing or the other: either you are dead, and then in any case there’s nothing else to understand, or else you are not yet dead, and in that case, even with the rifle at the back of your head or the rope around your neck, death remains incomprehensible, a pure abstraction, this absurd idea that I, the only living person in the world, could disappear.
Jonathan Littell (The Kindly Ones)
Does anybody really think a guy riding a bike toward a firefight wearing a black scarf around his head and carrying a rifle slung on his back is looking for a barbershop quartet rehearsal?
Marcus Luttrell (Service: A Navy SEAL at War)
Kolya rose to a crouch and crept to the front door, keeping his head below the window line. I followed. We kneeled with our backs against the door. Kolya checked his pistol one last time. I pulled the German knife from my ankle sheath. I knew I looked silly holding it, the way a young boy looks holding his father’s shaving razor. Kolya grinned at me as though he was about to start laughing. This is all very strange, I thought. I am in the middle of a battle and I am aware of my own thoughts, I am worried about how stupid I look with a knife in my hand while everyone else came to fight with rifles and machine guns. I am aware that I am aware. Even now, with bullets buzzing through the air like angry hornets, I cannot escape the chatter of my brain.
David Benioff (City of Thieves)
Someone once told me his idea for surviving a crash of civilization was to be a lone wolf, heading for the hills, with his rifle and knife, living off the land. "Nowadays, I'm more interested in staying behind and helping others," he said, "like after Hurricane Katrina. Coming together and rebuilding something that can last." "How about BEFORE a disaster?" I asked. "Even better.
Michael Carter (Kingfisher's Song: Memories Against Civilization)
The Pilgrim Queen (A Song) There sat a Lady all on the ground, Rays of the morning circled her round, Save thee, and hail to thee, Gracious and Fair, In the chill twilight what wouldst thou there? 'Here I sit desolate,' sweetly said she, 'Though I'm a queen, and my name is Marie: Robbers have rifled my garden and store, Foes they have stolen my heir from my bower. 'They said they could keep Him far better than I, In a palace all His, planted deep and raised high. 'Twas a palace of ice, hard and cold as were they, And when summer came, it all melted away. 'Next would they barter Him, Him the Supreme, For the spice of the desert, and gold of the stream; And me they bid wander in weeds and alone, In this green merry land which once was my own.' I look'd on that Lady, and out from her eyes Came the deep glowing blue of Italy's skies; And she raised up her head and she smiled, as a Queen On the day of her crowning, so bland and serene. 'A moment,' she said, 'and the dead shall revive; The giants are failing, the Saints are alive; I am coming to rescue my home and my reign, And Peter and Philip are close in my train.
John Henry Newman
I wonder,” Steve said wildly, “why somebody hasn’t taken a rifle and blown your head off.” "Even the most primitive societies have an innate respect for the insane," the Motorcycle Boy answered.
S.E. Hinton (Rumble Fish)
No" she jerked back, stared up at him. Her eyes were like thunderclouds. He'd never seen them like that. Shock and fear filled them. Her face was paper white. Her body shuddering. "Don't you leave me!" She gripped his shirt and tried to shake him, tears falling from her eyes. "Don't you leave Noah." His head lowered. He touched her lips with his and knew this woman held the best part of him. The memories of the husband he had been, the man he had been. He couldn't destroy that. He refuse to. He pushed her to Jordan slowly, loath to let her go. To release her. Knowing that releasing her was the only way to save the memories she held. "Don't you leave me!" She screamed the order, eyes blazing, her lips trembling as tears fell and hysteria threatened to overwhelm her. "If you leave me, Noah Blake, if you don't come back when this is over, don't bother coming back at all. He touched her cheek. Ran his thumb over her lips. "You are the best part of me," he whispered. "Always remember that, Sabella. The very best part of me." Before she could grab him, hold him to her, he pulled away, grabbed one of the rifles Mike had set on the table across the room. And left.” ― Lora Leigh, Wild Card
Lora Leigh (Wild Card (Elite Ops, #1))
You see, in the Marine Corps, they teach you that if you’re going to carry or use something, you need to do so responsibly. So, if you’re going to deploy tear gas, you have to spend some time in a gas chamber finding out just how bad it sucks. Same thing with tasers, and hell, if it didn’t cost so much to train new Marines, they’d probably test rifles out on you, as well. My beloved Corps can be a bit thick headed about things like that.
Stan R. Mitchell (Mexican Heat (Nick Woods, #2))
Kylo had rummaged through these hopes and fears, things he had no right to. But as he searched, something had changed. Even as he callously rifled through her mind, he had somehow revealed his own. Rey found herself in his mind even as he invaded hers. She felt his rage, like a ruinous storm that filled his head, and his hatred, and his lust to dominate and humiliate those who wronged him. But she also felt his hurt, and his loneliness. And his fear -- that he would never prove as strong as Darth Vader, the ghost who haunted his dreams. Kylo had retreated at finding Rey in his head -- had practically fled from her. But that had not been the end of that strange, sudden connection. She had seen more -- far more. Somehow, almost instinctually, she knew how he accessed some of the powers at his command -- even though she didn't understand them. It was as if his training had become hers, unlocking and flinging open door after door in her mind. But now Rey couldn't shut those doors -- and she feared what had been set loose. Kylo had urged her to let him be her teacher -- had pleaded with her, almost.
Jason Fry (The Last Jedi: Expanded Edition (Exclusive Edition) (Star Wars))
He stalked into the room, leaned his long rifle against the mantelpiece and spread out his hands to the fire. He was clad from head to foot in fringed and beaded buckskin, which showed evidence of a long and arduous tramp. It was torn and wet and covered with mud. He was a magnificently made man, six feet in height, and stood straight as an arrow. His wide shoulders, and his muscular, though not heavy, limbs denoted wonderful strength and activity. His long hair, black as a raven's wing, hung far down his shoulders. Presently he turned and the light shone on a remarkable face. So calm and cold and stern it was that it seemed chiselled out of marble. The most striking features were its unusual pallor, and the eyes, which were coal black, and piercing as the dagger's point.
Zane Grey (Maude and Miriam: Or, the Fair Crusader)
It is night at the front, a shadow, a shot. The Jew who has just fired hears a moan... "And then, mother, the hair stands up on his head, for only a few feet from him in the darkness the enemy voice is reciting in Hebrew the prayer of the dying. Ai, God, the soldier has cut down a Jewish brother! Ai, misery! He drops his rifle and runs into no man's land, insane with shame and grief. Insane, you understand? The enemy fires at him, his comrades shout at him to come back. But he refuses; he stays in no man's land and dies. Ai, misery, ai...!
André Schwarz-Bart (The Last of the Just)
Bond slowly, wearily bent his head and looked at the ground between his spread hands. It was the girl, Tilly. She was watching the buildings below. She had a rifle – a rifle that must have been among the innocent golf clubs – ready to fire on them. Damn and blast the silly bitch!
Ian Fleming (Goldfinger (James Bond, #7))
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
He settled for writing a letter, in a quiet corner, while Temeraire dictated his own: "Gentlemen, I am very happy to accept your commission, and we should like to be the eighty-first regiment, if that number is not presently taken. We do not need any rifles, and we have got plenty of powder and shot for our cannons,” Laurence wrote with a vivid awareness of the reactions this should produce, “but we are always in need of more cows and pigs and sheep, and goats would also do, if a good deal easier to come by. Lloyd and our herdsmen have done very well, and I should to commend them to your attention, but there are a lot of us, and some more herdsmen would be very useful.” “Pepper, put in pepper,” another dragon said, craning her head over; she was a middle-weight, yellowish striped with gray, some kind of cross-breed. “And canvas, we must have a lot of canvas—“ “Oh, very well, pepper,” Temeraire said, and continuing his list of requests added, “I should very much like Keynes to come here, and also Gong Su, and Emily Roland, who has my talon-sheaths, and the rest of my crew; and also we need some surgeons for the wounded me. Dorset had better come, too, and some of the other dragon-surgeons. You had all better not stay where you are at present—“ “Temeraire, you cannot write so to your superior officers,” Laurence said, breaking off.
Naomi Novik (Victory of Eagles (Temeraire, #5))
Mist and the smoke of guns lie breast-high over the fields. The moon is shining. Along the road troops file. Their helmets gleam softly in the moonlight. The heads and the rifles stand out above the white mist, nodding heads, rocking barrels. Farther on the mist ends. Here the heads become figures; coats, trousers, and boots appear out of the mist as from a milky pool. They become a column. The column marches on, straight ahead, the figures resolve themselves into a block, individuals are no longer recognizable, the dark wedge presses onward, fantastically topped by the heads and the weapons floating on the milky pool. A column—not men at all. Guns and munition wagons are moving along a cross-road. The backs of the horses shine in the moonlight, their movements are beautiful, they toss their heads, and their eyes gleam. The guns and the wagons float past the dim background of the moonlit landscape, the riders in their steel helmets resemble knights of a forgotten time; it is strangely beautiful and arresting.
Erich Maria Remarque (All Quiet on the Western Front)
The whole experience of being hit by a bullet is very interesting and I think is worth describing in detail. Roughly speaking it was the sensation of being at the centre of an explosion. There seemed to be a loud bang and a blinding flash of light all round me, and I felt a tremendous shock---no pain, only a violent shock, such as you get from an electric terminal; with it a sense of utter weakness, a feeling of being stricken and shrivelled up to nothing. The sand-bags in front of me receded into immense distance. I fancy you would feel much the same if you were struck by lightning. I knew immediately that I was hit, but because of the seeming bang and flash I thought it was a rifle nearby that had gone off accidentally and shot me. All this happened in a space of time much less than a second. The next moment my knees crumpled up and I was falling, my head hitting the ground with a violent bang which, to my relief did not hurt. I had a numb, dazed feeling, a consciousness of being very badly hurt, but no pain in the ordinary sense.
George Orwell (Homage to Catalonia)
Returning from a hunting trip, Orde-Lees, traveling on skis across the rotting surface of the ice, had just about reached camp when an evil, knoblike head burst out of the water just in front of him. He turned and fled, pushing as hard as he could with his ski poles and shouting for Wild to bring his rifle. The animal—a sea leopard—sprang out of the water and came after him, bounding across the ice with the peculiar rocking-horse gait of a seal on land. The beast looked like a small dinosaur, with a long, serpentine neck. After a half-dozen leaps, the sea leopard had almost caught up with Orde-Lees when it unaccountably wheeled and plunged again into the water. By then, Orde-Lees had nearly reached the opposite side of the floe; he was about to cross to safe ice when the sea leopard’s head exploded out of the water directly ahead of him. The animal had tracked his shadow across the ice. It made a savage lunge for Orde-Lees with its mouth open, revealing an enormous array of sawlike teeth. Orde-Lees’ shouts for help rose to screams and he turned and raced away from his attacker. The animal leaped out of the water again in pursuit just as Wild arrived with his rifle. The sea leopard spotted Wild, and turned to attack him. Wild dropped to one knee and fired again and again at the onrushing beast. It was less than 30 feet away when it finally dropped. Two dog teams were required to bring the carcass into camp. It measured 12 feet long, and they estimated its weight at about 1,100 pounds. It was a predatory species of seal, and resembled a leopard only in its spotted coat—and its disposition. When it was butchered, balls of hair 2 and 3 inches in diameter were found in its stomach—the remains of crabeater seals it had eaten. The sea leopard’s jawbone, which measured nearly 9 inches across, was given to Orde-Lees as a souvenir of his encounter. In his diary that night, Worsley observed: “A man on foot in soft, deep snow and unarmed would not have a chance against such an animal as they almost bound along with a rearing, undulating motion at least five miles an hour. They attack without provocation, looking on man as a penguin or seal.
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
Hey!" Eddie said. The baby [T-Rex] lunged forward, and clamped its jaws around the ankle of his boot. He pulled his foot away, dragging the baby, which held its grip tightly. "Hey! Let go!" Eddie lifted his leg up, shook it back and forth, but the baby refused to let go. He pulled for a moment longer, then stopped. Now the baby just lay there on the ground, breathing shallowly, jaws still locked around Eddie's boot. "Jeez," Eddie said. Eddie looked down at the tiny, razor-sharp jaws. They hadn't penetrated the leather. The baby held on firmly. With the butt of his rifle, he poked the infant's head a couple times. It had no effect at all. The baby lay on the ground, breathing shallowly. Its big eyes blinked slowly as they stared up at Eddie, but it did not release its grip.
Michael Crichton (The Lost World (Jurassic Park, #2))
Let us have it plain: my society is comprised of metal-worshipers. They pray to metal, are owned by metal, and metal uses them; it shoots them, it stabs them. I witness its sycophants, grave zombies, moved about humorlessly as its agents. My minions are spiritually rapt as the ages climaxes in gunpowder. One notes that, upon first being handed a rifle -- by Burton or Speke? -- a chieftain blithely shot one of his own lackeys, expressing radiant joy as the man tumbled dead. Do not stop there, happy Klansman, but watch with me early in the morning as I come in from work: across the street here in the clean "burbs" your white policeman goes reverently to his car with a deer rifle coddled in his right arm like a precocious, beautiful child. This man lives with a pistol on his hip all week, but that is not enough, no, he is devout and it is the Christmas season. His own cowardice, affirmed by the use of guns, would not occur to him any more than the cowardice of God. The gun lobby, oh my peaceful friends, you may hate, but first you had better understand that it is a religion, only secondarily connected to the Bill of Rights. The thick-headed, sometimes even close to tearful, gaze you get when chatting with one of its partisans emanates from the view that they're holding a piece of God. There is no persuading them otherwise, even by a genus, because a life without guns implies the end of the known world to them. Any connection they make to our " pioneer past" is also a fraud, a wistful apology. Folks love a gun for what it can do. A murderer always thinks it was an accident, he says, as if a religious episode had passed over him.
Barry Hannah (Bats Out of Hell)
To Evelyn our relationship is yellow and blue, but to me it’s a gray place, most of it blacked out, bombed, footage from the film in my head is endless shots of stone and any language heard is utterly foreign, the sound flickering away over new images: blood pouring from automated tellers, women giving birth through their assholes, embryos frozen or scrambled (which is it?), nuclear warheads, billions of dollars, the total destruction of the world, someone gets beaten up, someone else dies, sometimes bloodlessly, more often mostly by rifle shot, assassinations, comas, life played out as a sitcom, a blank canvas that reconfigures itself into a soap opera. It’s an isolation ward that serves only to expose my own severely impaired capacity to feel. I am at its center, out of season, and no one ever asks me for any identification.
Bret Easton Ellis (American Psycho)
Time seemed frozen, the applause went on and on even though heads were turning, necks were craning; someone had screamed because there was a man in the gallery and the man was holding a rifle and this was something they had all seen on TV, it was a situation with classic elements that they all recognized. In it's own way, it was as American as The Wonderful World of Disney. The politician and the man in a high place with the gun.
Stephen King (The Dead Zone)
he guessed this was a Welsh regiment. The flare died. Walter leaped to his feet and ran, heading for the German side. The sentry would be unable to see for a few seconds, his vision spoiled by the flare. Walter ran faster than he ever had, expecting the rifle to fire again at any moment. In half a minute he came to the British wire and dropped gratefully to his knees. He crawled rapidly forward through a gap. Another flare went up.
Ken Follett (Fall of Giants (The Century Trilogy #1))
IT BEGAN WITH A GUN. On September 1, 1939, the German army invaded Poland. Two days later, Britain and France declared war on Germany. In the October 1939 issue of Detective Comics, Batman killed a vampire by shooting silver bullets into his heart. In the next issue, Batman fired a gun at two evil henchmen. When Whitney Ellsworth, DC’s editorial director, got a first look at a draft of the next installment, Batman was shooting again. Ellsworth shook his head and said, Take the gun out.1 Batman had debuted in Detective Com-ics in May 1939, the same month that the U.S. Supreme Court issued a ruling in United States v. Miller, a landmark gun-control case. It concerned the constitutionality of the 1934 National Firearms Act and the 1938 Federal Firearms Act, which effectively banned machine guns through prohibitive taxation, and regulated handgun ownership by introducing licensing, waiting period, and permit requirements. The National Rifle Association supported the legislation (at the time, the NRA was a sportsman’s organization). But gun manufacturers challenged it on the grounds that federal control of gun ownership violated the Second Amendment. FDR’s solicitor general said the Second Amendment had nothing to do with an individual right to own a gun; it had to do with the common defense. The court agreed, unanimously.2
Jill Lepore (The Secret History of Wonder Woman)
dashed across streets without looking, they got horsing around in the lake and suddenly realized they had floated far past their depth on their rubber rafts and had to paddle back, they fell off monkey-bars on their asses and out of trees on their heads. Now, standing here in the fading drizzle in front of a Trustworthy Hardware Store that had been a pawnshop in 1958 (Frati Brothers, Ben recalled, the double windows always full of pistols and rifles and straight-razors and guitars hung up by their necks like exotic animals), it occurred to him that kids were better at almost dying, and they were also better at incorporating the inexplicable into their lives. They believed implicitly in the invisible world. Miracles both bright and dark were to be taken into consideration, oh yes, most certainly, but they by no means stopped the world. A sudden upheaval of beauty or terror at ten did not preclude an extra cheesedog or two for lunch at noon.
Stephen King (It)
New Rule: Conservatives have to stop rolling their eyes every time they hear the word "France." Like just calling something French is the ultimate argument winner. As if to say, "What can you say about a country that was too stupid to get on board with our wonderfully conceived and brilliantly executed war in Iraq?" And yet an American politician could not survive if he uttered the simple, true statement: "France has a better health-care system than we do, and we should steal it." Because here, simply dismissing an idea as French passes for an argument. John Kerry? Couldn't vote for him--he looked French. Yeah, as a opposed to the other guy, who just looked stupid. Last week, France had an election, and people over there approach an election differently. They vote. Eighty-five percent turned out. You couldn't get eighty-five percent of Americans to get off the couch if there was an election between tits and bigger tits and they were giving out free samples. Maybe the high turnout has something to do with the fact that the French candidates are never asked where they stand on evolution, prayer in school, abortion, stem cell research, or gay marriage. And if the candidate knows about a character in a book other than Jesus, it's not a drawback. The electorate doesn't vote for the guy they want to have a croissant with. Nor do they care about private lives. In the current race, Madame Royal has four kids, but she never got married. And she's a socialist. In America, if a Democrat even thinks you're calling him "liberal," he grabs an orange vest and a rifle and heads into the woods to kill something. Royal's opponent is married, but they live apart and lead separate lives. And the people are okay with that, for the same reason they're okay with nude beaches: because they're not a nation of six-year-olds who scream and giggle if they see pee-pee parts. They have weird ideas about privacy. They think it should be private. In France, even mistresses have mistresses. To not have a lady on the side says to the voters, "I'm no good at multitasking." Like any country, France has its faults, like all that ridiculous accordion music--but their health care is the best in the industrialized world, as is their poverty rate. And they're completely independent of Mid-East oil. And they're the greenest country. And they're not fat. They have public intellectuals in France. We have Dr. Phil. They invented sex during the day, lingerie, and the tongue. Can't we admit we could learn something from them?
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Morning comes. I go to my class. There sit the little ones with folded arms. In their eyes is still all the shy astonishment of the childish years. They look up at me so trustingly, so believingly - and suddenly I get a spasm over the heart. Here I stand before you, one of the hundreds of thousands of bankrupt men in whom the war destroyed every belief and almost every strength. Here I stand before you, and see how much more alive, how much more rooted in life you are than I. Here I stand and must now be your teacher and guide. What should I teach you? Should I tell you that in twenty years you will be dried-up and crippled, maimed in your freest impulses, all pressed mercilessly into the selfsame mold? Should I tell you that all the learning, all culture, all science is nothing but hideous mockery, so long as mankind makes war in the name of God and humanity with gas, iron, explosive and fire? What should I teach you then, you little creatures who alone have remained unspotted by the terrible years? What am I able to teach you then? Should I tell you how to pull the string of a hand grenade, how best to throw it at a human being? Should I show you how to stab a man with a bayonet, how to fell him with a club, how to slaughter him with a spade? Should I demonstrate how best to aim a rifle at such an incomprehensible miracle as a breathing breast, a living heart? Should I explain to you what tetanus is, what a broken spine is, and what a shattered skull? Should I describe to you what brains look like when they scatter about? What crushed bones are like - and intestines when they pour out? Should I mimic how a man with a stomach wound will groan, how one with a lung wound gurgles and one with a head wound whistles? More I do not know. More I have not learned. Should I take you the brown-and-green map there, move my finger across it and tell you that here love was murdered? Should I explain to you that the books you hold in your hands are but nets with which men design to snare your simple souls, to entangle you in the undergrowth of find phrases, and in the barbed wire of falsified ideas? I stand here before you, a polluted, a guilty man and can only implore you ever to remain as you are, never to suffer the bright light of your childhood to be misused as a blow flame of hate. About your brows still blows the breath of innocence. How then should I presume to teach you? Behind me, still pursuing, are the bloody years. - How then can I venture among you? Must I not first become a man again myself?
Erich Maria Remarque (The Road Back)
8:30 P.M.: Personal time. Free of Reznik at last. We wash our jumpsuits, shine our boots, scrub the barracks floor and the latrine, clean our rifles, pass around dirty magazines, and swap other contraband like candy and chewing gum. We play cards and bust each other’s nuts and complain about Reznik. We share the day’s rumors and tell bad jokes and push back against the silence inside our own heads, the place where the never-ending voiceless scream rises like the superheated air above a lava flow. Inevitably
Rick Yancey (The 5th Wave (The 5th Wave, #1))
screamed all around him. Luke tossed his empty rifle away and pulled his handgun. He fired down the trench on his own position—it was overrun with enemies. A line of them were running this way. More came sliding, falling, jumping over the wall. Where were his guys? Was anyone still alive? He killed the closest man with a shot to the face. The head exploded like a cherry tomato. He grabbed the man by his tunic and held him up as a shield. The headless man was light, and Luke was raging with adrenaline—it was if the corpse
Jack Mars (Oppose Any Foe (Luke Stone #4))
Of all the birds, they are the ones who mind their being armless most: witness how, when they walk, their heads jerk back and forth like rifle bolts. How they heave their shoulders into each stride as if they hoped that by some chance new bones there would come popping out with a boxing glove on the end of each. Little Elvises, the hairdo slicked with too much grease, they convene on my lawn to strategize for their class-action suit. Flight they would trade in a New York minute for a black muscle car and a fist on the shift at any stale green light. But here in my yard by the Jack-in-the-Box Dumpster they can only fossick in the grass for remnants of the world’s stale buns. And this despite all the crow poems that have been written because men like to see themselves as crows (the head-jerk performed in the rearview mirror, the dark brow commanding the rainy weather). So I think I know how they must feel: ripped off, shook down, taken to the cleaners. What they’d like to do now is smash a phone against a wall. But they can’t, so each one flies to a bare branch and screams.
Lucia Perillo
It’s wonderful,” he choked out. “Absolutely wonderful.” He smoothed his hand over her belly. “I can’t imagine anything better than having a child with you, my love. But are you sure?” She relaxed. “As sure as anyone can be at this point. Your aunt and I think I may be nearly three months along, so…” When she trailed off with a blush, he added up numbers in his head, then let out a laugh. “It probably happened that night in the cottage.” “Or the night in my bedchamber.” “Then it’s a good thing I came to my senses and gave you that ‘proper proposal’ you demanded. Or I’d be staring down the barrel of your percussion rifle just about now.” “I doubt that. I would just have married the duke,” she teased. He scowled. “Over my dead body.” She laughed. “You know perfectly well you would have proposed long before I knew I was with child.” “Ah, but would you have said yes? I thought you once told me that a lady never surrenders.” “She doesn’t.” Eyes sparkling, she buried her fingers in his hair and drew his head down to hers. “Except where love is concerned. I’ve come to realize that in matters of love, a clever lady always surrenders.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
When he returned to the bed, she drew his mouth to her breast, holding him to her as he electrified every inch of her skin with gentle nips and deep sucking pressure. Her body melted into the bed, as he kissed her all the way down, parting her legs with his broad shoulders to bare her to the magic of his tongue. He knew just where to touch, where to lick, and what she needed to send her over the edge, shattering her world into heat and light and wrenching pleasure. "I want to be inside you." His low, gravelly whisper sent erotic tingles over her skin. Languid with release, yet desperate for more, she answered him with a kiss. He rifled in his pocket for a condom and deftly rolled it on. "Are you hot for me?" He pushed a thick finger inside her and the delicious sensation made her arch off the bed. "Yes." Her words came in a breathless rush. "Now. I want you now." "Say the magic words." Her desire raged, fuzzed her brain with lust. "Please?" "No." Daisy groaned. "No games." "Say my name." This time there were no secrets between them. This time she wanted him for who he was. "Liam," she murmured. "My Liam." His heated gaze never left her as he drew up her legs and thrust deep. Molten heat streamed through her veins, threatening to incinerate her. She cupped his neck, pulling him forward. "Don't stop." "Never." With long, powerful strokes he drove into her, stoking her passion. When her legs began to shake, he took her mouth in a hot, wet kiss, and then he hammered into her, arms corded, hips rocking, sweat beading on his brow. She grabbed his shoulders, caught his rhythm, tension spiraling inside her until she was swept away in a tidal wave of sensation, her insides clenching in a deep, pulsing rush of pleasure. Liam threw his head back, his body going rock hard as he joined her in release.
Sara Desai (The Dating Plan (Marriage Game, #2))
Here am I, a little animal called a man--a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,--all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move--for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness. Fallible and frail, a bit of pulsating, jelly-like life--it is all I am. About me are the great natural forces--colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death--and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.
Jack London (The Cruise of the Snark)
On Easter Sunday, Nash led a mob of several hundred whites, armed with rifles and a small cannon, who opened fire on the courthouse, setting it ablaze. Even though its black defenders ran up a white flag of surrender, begging for mercy, the mob butchered dozens of them. Black families were afraid to claim the many corpses that thickly littered the ground. When Longstreet sent Colonel T. W. DeKlyne to Colfax, the latter found heaps of dead black bodies being scavenged by dogs and buzzards. “We were unable to find the body of a single white man,” he reported. Many blacks “were shot in the back at the head and neck . . . almost all had from three to a dozen wounds.
Ron Chernow (Grant)
I've been ordered to take you men with me. I've been told that if you don't come I can shoot you. Well, you know I won't do that. Not Maine men. I won't shoot any man who doesn't want this fight. Maybe someone else will, but I won't. So that's that." He paused again. There was nothing on their faces to lead him. "Here's the situation. I've been ordered to take you along, and that's what I'm going to do. Under guard if necessary. But you can have your rifles if you want them. The whole Reb army is up the road a ways waiting for us and this is no time for an argument like this. I tell you this: we sure can use you. We're down below half strength and we need you, no doubt of that. But whether you fight or not is up to you. Whether you come along, well, you're coming." Tom had come up with Chamberlain's horse. Over the heads of the prisoners Chamberlain could see the regiment falling into line out in the flaming road. He took a deep breath. "Well, I don't want to preach to you. You know who we are and what we're doing here. But if you're going to fight alongside us there's a few things I want you to know." He bowed his head, not looking at eyes. He folded his hands together. "This regiment was formed last fall, back in Maine. There were a thousand of us then. There's not three hundred of us now." He glanced up briefly. "But what is left is choice." He was embarrassed. He spoke very slowly, staring at the ground. "Some of us volunteered to fight for Union. Some came in mainly because we were bored at home and this looked like it might be fun. Some came because we were ashamed not to. Many of us came...because it was the right thing to do. All of us have seen men die. Most of us never saw a black man back home. We think on that, too. Freedom...is not just a word." He looked into the sky, over silent faces. "This is a different kind of army. If you look at history you'll see men fight for pay, or women, or some other kind of loot. They fight for land, or because a king makes them, or just because they like killing. But we're here for something new. I don't...this hasn't happened much in the history of the world. We're an army going out to set other men free." He bent down, scratched the black dirt into his fingers. He was beginning to warm to it; the words were beginning to flow. No one in front of him was moving. He said, "This is free ground. All the way to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by what your father was. Here you can be something. Here's a place to build a home. It isn't the land- there's always more land. It's the idea that we all have value, you and me, we're worth something more than the dirt. I never saw dirt I'd die for, but I'm not asking you to come join us and fight for dirt. What we're all fighting for, in the end, is each other.
Michael Shaara (The Killer Angels: A Novel of the Civil War)
Some of them are mech,” said Zita, nimbly picking her high heels through the steaming pools of red goo and severed, wriggling limbs. She was splattered with blood and grinning as she came to them, but she frowned to see the utter bafflement on Rose’s face. “Hey, snap out of it. Haven’t you seen mech before?” She kicked a man’s severed head, and Rose gasped when his face slid off, revealing a skull of gleaming silver metal. Rose shook her head. “Mech are illegal. The government s-said they feared a robot war!” she insisted, turning to follow as Zita limped past her. Zita laughed dryly, folding up her rifle and tucking it under her skirt. “Is it so hard to imagine your government lied? Governments tend to do that.
Ash Gray (Project Mothership (The Prince of Qorlec #1))
Travis raised his head from sighting down the rifle as shock radiated through him. Those eyes. Such a vivid blue. It was as if he’d seen them before. But that was impossible. Females didn’t exactly pay them calls on a regular basis. Clearing his throat, he readjusted his rifle. “We don’t cotton to trespassers around here, lady. You best skedaddle back the way you came.” “I will. But not until I say my piece.” She pivoted to face him fully, her lashes lowering for just a moment before she aimed her gaze directly at him again. Even knowing what was coming didn’t stop the jolt from ricocheting through his chest when those piercing eyes latched onto him. “I came to warn you, Travis.” Travis? She knew who he was? Most folks meeting the Archers all at once had no way of knowing him from Crockett or Jim. Yet she said his name with the confidence of recognition. He squinted at her. “Look, lady. I don’t know what kind of game you’re playing, but I want no part of it.” “This is no game. Please, Travis. Just listen.” “You know this gal, Trav?” Out of the corner of his eye, he saw his youngest brother start to lower his rifle. “Hush up, Neill, and hold your line.” The kid obeyed without question, firming up his grip. “The man who wants to buy your land is sending men out here tonight to persuade you to change your mind. They plan to set fire to the place while you sleep and force you to accept the next offer in order to recoup your losses.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
Nineteen members of an Army detachment were arrested on pot charges at a Nike Hercules base on Mount Gleason, overlooking Los Angeles. One of them had been caught drying a large amount of marijuana on land belonging to the U.S. Forest Service. Three enlisted men at a Nike Hercules base in San Rafael, California, were removed from guard duty for psychiatric reasons. One of them had been charged with pointing a loaded rifle at the head of a sergeant. Although illegal drugs were not involved in the case, the three men were allowed to guard the missiles, despite a history of psychiatric problems. The squadron was understaffed, and its commander feared that hippies—“people from the Haight-Ashbury”—were trying to steal nuclear weapons.
Eric Schlosser (Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety)
They was a brave on a ridge, against the sun. Knowed he stood out. Spread his arms an' stood. Naked as morning, an' against the sun. Maybe he was crazy. I don' know. Stood there, arms spread out; like a cross he looked. Four hunderd yards. An' the men - well, they raised their sights an' they felt the wind with their fingers; an' then they just lay there an' couldn' shoot. Maybe that Injun knowed somepin. Knowed we couldn' shoot. Jes' laid there with the rifles cocked, an' didn' even put 'em to our shoulders. Lookin' at him. Head-band, one feather. Could see it, an' naked as the sun. Long time we laid there an' looked, an' he never moved. An' then the captain got mad. "Shoot, you crazy bastards, shoot!" he yells. An' we jus' laid there. "I'll give you to a five-count, an' then mark you down," the captain says. Well, sir - we put up our rifles slow, an' ever' man hoped somebody'd shoot first. I ain't never been so sad in my life. An' I laid my sights on his belly, 'cause you can't stop a Injun no other place - an' - then. Well, he jest plunked down an' rolled. An' we went up. An' he wasn' big - he'd looked so grand - up there. All tore to pieces an' little. Ever see a cock pheasant, stiff and beautiful, ever' feather drawed an' painted, an' even his eyes drawed in pretty? An' bang! You pick him up - bloody an' twisted, an' you spoiled somepin better'n you; an' eating him don't never make it up to you, 'cause you spoiled somepin in yaself, an' you can never fix it up.
John Steinbeck (The Grapes of Wrath)
screen T.V. A comfortable and well-stocked family room, including a wet bar with a locked liquor cabinet and a closet with door standing open, shelves packed with tennis rackets and snowshoes and ice skates. All the accoutrements of a well-off, athletic family in a room now tainted with the overwhelming presence of death. The father was slumped in a club chair in front of the television with a rifle at his feet and a bloody cavern where his head had been. Blood and brains sprayed the carpet beneath him. At first glimpse just about anyone would see it as a suicide. “Basement is concrete block,” Epps said. “Family probably never heard the shot.” “The gun his?” Roarke asked, and heard the edge in his voice. “From the cabinet upstairs. Guy is a sportsman,” Aceves answered.
Alexandra Sokoloff (Blood Moon (The Huntress/FBI Thrillers, #2))
Then he happened to glance at the viscount, and his blood stilled. The viscount’s eyes followed Celia’s every move, and his finger kept stroking his goblet as if he wanted to stroke some part of her. Jackson gritted his teeth. No way in hell was he letting that bloody foreigner-or Devonmont, or even the duke-stroke anything of hers. “Are we going to stand around all day discussing which guns are more effective at killing,” he snapped, “or are we actually going to kill something?” Gabe exchanged a glance with his sister. “You’re right. ‘Prickly’ is the word.” “Mr. Pinter is probably just eager to earn his kiss,” Stoneville put in. “And given how the numbers stand right now, he may very well do so.” They all pivoted to look at his lordship. Stoneville chuckled. “Devonmont has killed a pathetic eight brace of birds, Gabe a respectable fifteen, Basto an impressive seventeen and a half, Lyons an even more impressive nineteen, and Pinter an astonishing twenty brace. My sister is tied with him at twenty brace.” “Good show, Pinter!” Gabe said amiably. “You must beat her so none of us have to pay for a blasted rifle.” “Here now, Gabe,” the duke cut in irritably, “I have as much chance of beating her as Pinter does. I’m only behind by one brace.” “I don’t’ care who beats her,” Gabe said. “Just make sure one of you does, in case I can’t catch up. She’ll pick the most expensive gun in Manton’s shop.” “You’re such a pinchpenny, Gabe,” Celia teased as they tramped back over the field, headed toward the east end of the estate. “That’s because need every guinea I have, in case you don’t marry.” The lord might have meant the comment as a joke, but clearly Celia didn’t take it that way. When the blood drained from her face, Jackson felt a stab of sympathy. He could understand why she wanted to show her family that she could find a decent husband. But decent was the operative word. “Oh, I daresay Lady Celia will be married sooner than you think,” the duke remarked. When he slid a knowing glance at Celia and she smiled faintly, Jackson felt his heart drop. The duke seriously had his eye on her. And apparently she knew it. Confound it all. As they stopped, Jackson began loading his gun with quick, efficient movements. That blasted duke could look all he wanted, but he was not marrying Celia. Nor even getting another chance to kiss her. Not if Jackson had anything to say about it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Even after years of war, some men retained scruples about licensed homicide. [...] Lieutenant Peter Downward commanded the sniper platoon of 13 Para. He had never himself killed a man with a rifle, but one day he found himself peering at a German helmet just visible at the corner of an air-raid shelter--an enemy sniper. "I had his head spot in the middle of my telescopic sight, my safety catch was off, but I simply couldn't press the trigger. I suddenly realised that I had a young man's life in my hands, and for the cost of one round, about twopence, I could wipe out eighteen or nineteen years of human life. My dithering deliberations were brought back to earth with a bump as Kirkbride suddenly shouted: 'Go on, sir. Shoot the bastard! He's going to fire again.' I pulled the trigger and saw the helmet jerk back. I had obviously got him, and felt completely drained...What had I done?
Max Hastings
CUTTING THROUGH by Kendra Kopelke It takes five seconds to cut across someone’s property. I did it a lot. I led my dog onto the grass between two houses, checked first to see if anyone appeared to be home. We wanted to catch a break from monotony. Like thieves we wanted what we wanted. We wanted to thread through the dull canvas that was our neighborhood, to make up for the people who let us down. We loved empty backyards, dead, twisted gardens, the rush and fear of being exposed and unseen in broad daylight. We were foxes, deer. We were out there, where nowhere is. Maybe the neighbors would look out their windows and see us for what we were. We walked quickly heads down, imagined rifles pointed at our backs, fists shaking behind glass, voices putting us in our place. We told ourselves each time this is the last time.
Kendra Kopelke
One Saturday in the month of August, you leave your home wearing your tennis gear, accompanied by your wife. In the middle of the garden you point out to her that you’ve forgotten your racket in the house. You go back to look for it, but instead of making your way toward the cupboard in the entryway where you normally keep it, you head down into the basement. Your wife doesn’t notice this. She stays outside. The weather is fine. She’s making the most of the sun. A few moments later she hears a gunshot. She rushes into the house, cries out your name, notices that the door to the stairway leading to the basement is open, goes down, and finds you there. You’ve put a bullet in your head with the rifle you had carefully prepared. On the table, you left a comic book open to a double-page spread. In the heat of the moment, your wife leans on the table; the book falls closed before she understands that this was your final message.
Édouard Levé (Suicide)
You have got to be—” Her sentence is cut short when the elevator makes an abrupt stop, jostling both of us into the walls of the small carrier. “Huh, would you look at that?” I glance around the small room, wondering what’s wrong. “No, no, no,” Dottie says over and over again, as she rushes to the panel and presses the emergency button. When nothing happens, she presses all the other buttons. “That’s intelligent,” I say, arms crossed and observing her from behind. “Confuse the damn thing so it has no idea what to do.” She doesn’t answer, but instead pulls her phone out from her purse and starts holding it up in the air, searching for a signal. “It’s cute that you think raising the phone higher will grant you service. We’re in a metal box surrounded by concrete, sweetheart. I never get reception in here.” “Damn it,” she mutters, stuffing her phone back in her purse. “Looks like you’re stuck here with me until someone figures out the elevator broke, so it’s best you get comfortable.” I sit on the floor and then pat my lap. “You can sit right here.” “I’d rather lick the elevator floor.” “There’s a disgusting visual. Suit yourself.” I get comfortable and start rifling through my bag of food. Thank God I grabbed dinner before this, because I’m starving, and if I was stuck in this elevator with no food, I’d be a raging bastard, bashing his head against the metal door from pure hunger. Low blood sugar does crazy things to me. I bring the term hangry to a new level. There’s only— “Why are you smiling like that?” I look up at her. “Smiling like what? I’m just being normal.” “No, you’re smiling like you’re having a conversation inside your head and you think you’re funny.” How would she know that? “Well, I am funny.” I pop open my to-go box filled to the brim with a Philly cheesesteak sandwich and tons of fries. Staring at it, I say, “Oh yes, come to papa.
Meghan Quinn (The Lineup)
Wait,” said one of the guards. “Did you hear something?” Don’t look up. Oh, Saints, don’t look up. The guards moved in a slow circle, rifles raised. One of them craned his head back, scanning the roof. He began to turn. A strange, sweet sound pierced the air. “Skerden Fjerda, kende hjertzeeeeeng, lendten isen en de waaaanden.” Fjerdan words Jesper didn’t understand crested over the courtyard in a shimmering, perfect tenor that seemed to catch upon the black stone battlements. Wylan. The guards whirled, rifles pointed at the walkway that led to the courtyard, seeking the source of the sound. “Olander?” one called. “Nilson?” said another. Their guns were raised, but their voices were more bemused and curious than aggressive. What the hell is he doing? A silhouette appeared in the walkway arch, lurching left and right. “Skerden Fjerda, kende hjertzeeeeeng,” Wylan sang, doing a surprisingly convincing impression of a drunk but very talented Fjerdan. The guards burst out laughing, joining in on the song. “Lendten isen…
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Shortly after we returned from the Platte River in Nebraska, I scouted a few of our duck holes on my dad’s property. I wanted to see what kind of ducks had gathered on our land while we were gone. On this particular day, it was cool and crisp as it got close to sunset. As I sat in a deer stand waiting for nightfall, I was counting mallard ducks that flew over my head. Meanwhile, there were fox squirrels scurrying in the trees around me looking for acorns, while groups of wood ducks waited in the water for the squirrels to drop acorns. A few minutes later, fifteen wild turkeys walked in front of me. I thought to myself, Man, this is paradise. As I soaked in my surroundings, I heard the sounds of footsteps in shallow water. A majestic eight-point buck walked right in front of me. I raised my rifle and fired. The buck hit the ground. My dad was in the woods with me and heard me shoot. As we loaded up the deer, I shared the details of what I had seen with my dad. We both agreed that there is nothing better than the beauty of the outdoors. It was about as perfect a day as I’ve ever had in the woods.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
White was an old-style lawman. He had served in the Texas Rangers near the turn of the century, and he had spent much of his life roaming on horseback across the southwestern frontier, a Winchester rifle or a pearl-handled six-shooter in hand, tracking fugitives and murderers and stickup men. He was six feet four and had the sinewy limbs and the eerie composure of a gunslinger. Even when dressed in a stiff suit, like a door-to-door salesman, he seemed to have sprung from a mythic age. Years later, a bureau agent who had worked for White wrote that he was “as God-fearing as the mighty defenders of the Alamo,” adding, “He was an impressive sight in his large, suede Stetson, and a plumb-line running from head to heel would touch every part of the rear of his body. He had a majestic tread, as soft and silent as a cat. He talked like he looked and shot—right on target. He commanded the utmost in respect and scared the daylights out of young Easterners like me who looked upon him with a mixed feeling of reverence and fear, albeit if one looked intently enough into his steel-gray eyes he could see a kindly and understanding gleam.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
Nick leaped off the horse. Still pointing the rifle at the bear, he nudged the carcass with his foot, then lowered the rifle and turned to Elizabeth. She threw herself against him. His arm tightened around her. Setting the rifle on the ground, he pulled her close. Elizabeth clung to him, still too shaken to even burst into tears. Nick had saved her. She glanced back at the carcass, still hardly believing what had just happened, then shuddered and buried her face in his shoulder. “Elizabeth, are you all right?” She nodded, but didn’t lift her face. Her body trembled. A few relieved tears squeezed through her tightly shut eyelids. Nick reached up and stroked her hair, placing several comforting kisses on her head. “I was so frightened,” she murmured into his shoulder. “Thank goodness you came.” He pressed another kiss to her head. Elizabeth sighed in relief, her body shaky. Everything had happened so fast. But she was safe in Nick’s embrace, and she didn’t want to leave anytime soon. Nick scooped Elizabeth into his arms. She gasped, flung her arms around his neck, and clung to him. “Nick, I’m too heavy,” she protested. “Lighter than those hay bales,” he teased. “You make a better fit too.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
The rustling noise was coming from the living room. The sound of drawers opening and closing. Hugging the wall, he inched steadily toward the sound of the intruder. He held his rifle in a firing position. Bolt back, safety off, ready to fire. A careful glance around the corner showed a shadowy figure dressed in black, holding a flashlight, snooping in drawers, violating his home. Quinton raised his rifle and carefully aimed. “What the hell are you doing in my house?” he demanded. He got off one shot as the invader ducked. Then, crawling, stumbling, and diving toward the open window the thief plunged outside head first, landing with a thud six feet down. Quinton was at the window now. A second shot winged the villain in the shoulder as he tried to rise. A third shot and he was down. Flat on his face, a bullet through his head. Dead. It is said those with the most money get the most justice. And that appeared to be true in Quinton’s case. It seems the fourteen-year-old intruder came from a family with some wealth, while Quinton did not. In fact, his lawyer wasn’t up to much and the end result was a hanging judge handed down a sentence of ten years. Tried and convicted of manslaughter. Sent to Kingston Penitentiary. Locked away.
Rayven T. Hill (Blood and Justice (Jake and Annie Lincoln, #1))
All I know about the Bible is that wherever it goes there’s trouble. The only time I ever heard of it being useful was when a stretcher bearer I was with at the battle of Dundee told me that he’d once gotten hit by a Mauser bullet in the heart, only he was carrying a Bible in his tunic pocket and the Bible saved his life. He told me that ever since he’d always carried a Bible into battle with him and he felt perfectly safe because God was in his breast pocket. We were out looking for a sergeant of the Worcesters and three troopers who were wounded while out on a reconnaissance and were said to be holed up in a dry donga. In truth I think my partner felt perfectly safe because the Boer Mausers were estimated by the British artillery to be accurate to 800 yards and we were at least 1,200 yards from enemy lines. Alas, nobody bothered to tell the Boers about the shortcomings of their brand new German rifle and a Mauser bullet hit him straight between the eyes.’ He puffed at his pipe. ‘Which goes to prove, you can always depend on British army information not to be accurate, the Boers to be deadly accurate, the Bible to be good for matters of the heart but hopeless for those of the head and, finally, that God is in nobody’s pocket.
Bryce Courtenay (The Power of One)
They call me Mac. The name's unimportant. You can best identify me by the six chevrons, three up and three down, and by that row of hashmarks. Thirty years in the United States Marine Corps. I've sailed the Cape and the Horn aboard a battlewagon with a sea so choppy the bow was awash half the time under thirty-foot waves. I've stood Legation guard in Paris and London and Prague. I know every damned port of call and call house in the Mediterranean and the world that shines beneath the Southern Cross like the nomenclature of a rifle. I've sat behind a machine gun poked through the barbed wire that encircled the International Settlement when the world was supposed to have been at peace, and I've called Jap bluffs on the Yangtze Patrol a decade before Pearl Harbor. I know the beauty of the Northern Lights that cast their eerie glow on Iceland and I know the rivers and the jungles of Central America. There are few skylines that would fool me: Sugar Loaf, Diamond Head, the Tinokiri Hills or the palms of a Caribbean hellhole. Yes, I knew the slick brown hills of Korea just as the Marines knew them in 1871. Fighting in Korea is an old story for the Corps. Nothing sounds worse than an old salt blowing his bugle. Anyhow, that isn't my story.
Leon Uris (Battle Cry)
Maggie swung her head from side to side, checking the high scents first, then dipped her head to taste the smells close to the ground. The humans behind her might be able to identify five or six distinct smells if they concentrated, but Maggie’s long shepherd’s nose gave her an olfactory picture of the world no human could comprehend: She smelled the dust beneath her feet and the goats that had been herded along the road a few hours earlier and the two young male goatherds who led them. Maggie smelled the infection that one of the goats carried, and knew that two of the female goats were in heat. She smelled Pete’s fresh new sweat and the older sweat dried into his gear, his breath, the perfumed letter he kept in his trousers, and the green ball hidden beneath his flak. She smelled the CLP he used to clean his rifle, and the residual gunpowder that clung to his weapon like a fine dust of death. She smelled the small grove of palms not far from the road, and the trace scents of the wild dogs that had slept beneath the palms during the night and defecated and urinated before moving on. Maggie hated the wild dogs. She spent a moment testing the air to see if they were still in the area, decided they were gone, then ignored their scent and concentrated on searching for the scents Pete wanted her to find. Smells
Robert Crais (Suspect (Scott James & Maggie, #1))
Everything was silent except for his heavy breathing. Steele tugged the helmet off and heard frantic voices coming closer. He hit the riser release, stripped the 1911 from his chest, and held the pistol at the ready. Outside the voices were getting closer. “He is in here!” someone yelled in Arabic. “Kill him, kill him!” The door flew open, revealing a man with an AK-47 who stood there scanning the interior. Steele waited for him to step inside, then dropped him with a shot to the skull. He scrambled to his feet. There was no time to grab his rifle from his pack—the only thing he could do was press the attack. Moving to the door, he saw three more men running toward him, their chests heaving and fingers on the triggers. The closest man saw him step out. He wasn’t expecting one man to attack and his eyes widened in surprise. “Not today, boys.” Steele fired the first round too fast and it hit his target in the hip. The round spun him like a top, but Steele frowned, knowing he had rushed the shot. He settled automatically into a shooter’s stance and reengaged the first target before shifting fire to the other two. Thwap, thwap, thwap. The suppressed 9mm bounced from chest to chest, sending a hollow point mushrooming into each. All three men were down before the first casing tumbled to the ground. Steele stepped out and finished them off with a single shot to the head.
Sean Parnell (Man of War (Eric Steele #1))
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The blacksmith's boy went out with a rifle and a black dog running behind. Cobwebs snatched at his feet, rivers hindered him, thorn branches caught at his eyes to make him blind and the sky turned into an unlucky opal, but he didn't mind. I can break branches, I can swim rivers, I can stare out any spider I meet, said he to his dog and his rifle. The blacksmith's boy went over the paddocks with his old black hat on his head. Mountains jumped in his way, rocks rolled down on him, and the old crow cried, You'll soon be dead. And the rain came down like mattocks. But he only said, I can climb mountains, I can dodge rocks, I can shoot an old crow any day, and he went on over the paddocks. When he came to the end of the day, the sun began falling, Up came the night ready to swallow him, like the barrel of a gun, like an old black hat, like a black dog hungry to follow him. Then the pigeon, the magpie and the dove began wailing and the grass lay down to pillow him. His rifle broke, his hat blew away and his dog was gone and the sun was falling. But in front of the night, the rainbow stood on the mountain, just as his heart foretold. He ran like a hare, he climbed like a fox; he caught it in his hands, the colours and the cold - like a bar of ice, like the column of a fountain, like a ring of gold. The pigeon, the magpie and the dove flew up to stare, and the grass stood up again on the mountain. The blacksmith's boy hung the rainbow on his shoulder instead of his broken gun. Lizards ran out to see, snakes made way for him, and the rainbow shone as brightly as the sun. All the world said, Nobody is braver, nobody is bolder, nobody else has done anything equal to it. He went home as easy as could be with the swinging rainbow on his shoulder.
Judith A. Wright
She planted her hands on her hips. “And what if I bag the most birds?” “Then you get to shoot whomever you wish,” Mr. Pinter drawled. As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.” “Oho, man, you’ve really got her dander up this time,” Gabe exclaimed. “What on earth did you do?” Mr. Pinter’s gaze met hers, glinting with unholy amusement. “I confiscated her pistol.” A Gabe gasped, Oliver shook his head. “You’ll learn soon enough-never take away one of Celia’s guns. Not if you want to live.” “I’m not that bad,” Celia grumbled as the duke and the viscount eyed her with a twinge of alarm, though Lord Devonmont’s grin broadened. “I’ve never shot a person in my life.” “There’s always a first time,” Gabe teased. “Oh, for pity’s sake.” She regarded them all stoutly. “I promise not to shoot any of you. How about this? If I win, you gentlemen owe me a rifle. Between the five of you, I’m sure you can afford a decent one.” “Five?” Mr. Pinter said. “Don’t I get a part in this little game?” She stared him down. “I thought you had certain duties to attend to.” He should be investigating her suitors. “Whatever duties he has for me will keep, Celia,” Oliver said. “Do come with us, Pinter. I want to see how well you handle a fowling piece.” Mr. Pinter smiled at her. “I’d be honored, my lord. As long as her ladyship doesn’t mind.” Of course she minded. But if she tried to cut him out, they’d say she was afraid he would beat her. “Not in the least,” she said. “Just be prepared to contribute your part of my rifle.” But as she headed for the door, it wasn’t the rifle she was worried about. It was that blasted kiss. Because if he won… Well, she’d just have to make sure he didn’t.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Perhaps you’re not aware of it, Mrs. Phelan, but according to Rifle Brigade wedding tradition, every man on the groom’s honor guard gets to kiss the bride on her wedding night.” “What rot,” Christopher retorted amiably. “The only Rifles wedding tradition I know of is to avoid getting married in the first place.” “Well, you bungled that one, old fellow.” The group chortled. “Can’t say as I blame him,” one of them added. “You are a vision, Mrs. Phelan.” “As fair as moonlight,” another said. “Thank you,” Christopher said. “Now stop wooing my wife, and take your leave.” “We started the job,” one of the officers said. “It’s left to you to finish it, Phelan.” And with cheerful catcalls and well wishes, the Rifles departed. “They’re taking the horse with them,” Christopher said, a smile in his voice. “You’re well and truly stranded with me now.” He turned toward Beatrix and slid his fingers beneath her chin, nudging her to look at him. “What’s this?” His voice gentled. “What’s the matter?” “Nothing,” Beatrix said, seeing him through a shimmer of tears. “Absolutely nothing. It’s just…I spent so many hours in this place, dreaming of being with you someday. But I never dared to believe it could really happen.” “You had to believe, just a little,” Christopher whispered. “Otherwise it wouldn’t have come true.” Pulling her between his spread thighs, he wrapped her in a comforting hug. After a long time, he spoke quietly into her hair. “Beatrix. One of the reasons I haven’t made love to you since that afternoon is that I didn’t want to take advantage of you again.” “You didn’t,” she protested. “I gave myself to you freely.” “Yes, I know.” Christopher kissed her head. “You were generous, and beautiful, and so passionate that you’ve ruined me for any other woman. But it wasn’t what I had intended for your first time. Tonight I’m going to make amends.” Beatrix shivered at the sensual promise of his tone. “There’s no need. But if you insist…” “I do insist.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The question revives Kropp, more particularly as he hears there’s no more beer in the canteen. “It’s not only Himmelstoss, there are lots of them. As sure as they get a stripe or a star they become different men, just as though they’d swallowed concrete.” “That’s the uniform,” I suggest. “Roughly speaking it is,” says Kat, and prepares for a long speech; “but the root of the matter lies somewhere. For instance, if you train a dog to eat potatoes and then afterwards put a piece of meat in front of him, he’ll snap at it, it’s his nature. And if you give a man a little bit of authority he behaves just the same way, he snaps at it too. The things are precisely the same. In himself man is essentially a beast, only he butters it over like a slice of bread with a little decorum. The army is based on that; one man must always have power over the other. The mischief is merely that each one has much too much power. A non-com. can torment a private, a lieutenant a non-com., a captain a lieutenant, until he goes mad. And because they know they can, they all soon acquire the habit more or less. Take a simple case: we are marching back from the parade-ground dog-tired. Then comes the order to sing. We sing spiritlessly, for it is all we can do to trudge along with our rifles. At once the company is turned about and has to do another hour’s drill as punishment. On the march back the order to sing is given again, and once more we start. Now what’s the use of all that? It’s simply that the company commander’s head has been turned by having so much power. And nobody blames him. On the contrary, he is praised for being strict. That, of course, is only a trifling instance, but it holds also in very different affairs. Now I ask you: Let a man be whatever you like in peacetime, what occupation is there in which he can behave like that without getting a crack on the nose? He can only do that in the army. It goes to the heads of them all, you see. And the more insignificant a man has been in civil life the worse it takes him.
Erich Maria Remarque (All Quiet on the Western Front)
Curtis Bane screamed and though I came around fast and fired in the same motion, he’d already pulled a heater and begun pumping metal at me. We both missed and I was empty, that drum clicking uselessly. I went straight at him. Happily, he too was out of bullets and I closed the gap and slammed the butt of the rifle into his chest. Should’ve knocked him down, but no. The bastard was squat and powerful as a wild animal, thanks to being a coke fiend, no doubt. He ripped the rifle from my grasp and flung it aside. He locked his fists and swung them up into my chin, and it was like getting clobbered with a hammer, and I sprawled into a row of trash cans. Stars zipped through my vision. A leather cosh dropped from his sleeve into his hand and he knew what to do with it all right. He swung it in a short chopping blow at my face and I got my left hand up and the blow snapped my two smallest fingers, and he swung again and I turned my head just enough that it only squashed my ear and you better believe that hurt, but now I’d drawn the sawback bayonet I kept strapped to my hip, a fourteen-inch grooved steel blade with notched and pitted edges—Jesus-fuck who knew how many Yankee boys the Kraut who’d owned it gashed before I did for him—and stabbed it to the guard into Bane’s groin. Took a couple of seconds for Bane to register it was curtains. His face whitened and his mouth slackened, breath steaming in the chill, his evil soul coming untethered. He had lots of gold fillings. He lurched away and I clutched his sleeve awkwardly with my broken hand and rose, twisting the handle of the blade side to side, turning it like a car crank into his guts and bladder, putting my shoulder and hip into it for leverage. He moaned in panic and dropped the cosh and pried at my wrist, but the strength was draining from him and I slammed him against the wall and worked the handle with murderous joy. The cords of his neck went taut and he looked away, as if embarrassed, eyes milky, a doomed petitioner gaping at Hell in all its fiery majesty. I freed the blade with a cork-like pop and blood spurted down his leg in a nice thick stream and he collapsed, folding into himself like a bug does when it dies.
Laird Barron (The Beautiful Thing That Awaits Us All)
Colonel Fedmahn Kassad shouted a FORCE battle cry and charged through the dust storm to intercept the Shrike before it covered the final thirty meters to where Sol Weintraub crouched next to Brawne Lamia. The Shrike paused, its head swiveling frictionlessly, red eyes gleaming. Kassad armed his assault rifle and moved down the slope with reckless speed. The Shrike shifted. Kassad saw its movement through time as a slow blur, noting even as he watched the Shrike that movement in the valley had ceased, sand hung motionless in the air, and the light from the glowing Tombs had taken on a thick, amberish quality. Kassad’s skinsuit was somehow shifting with the Shrike, following it through its movements through time. The creature’s head snapped up, attentive now, and its four arms extended like blades from a knife, fingers snapping open in sharp greeting. Kassad skidded to a halt ten meters from the thing and activated the assault rifle, slagging the sand beneath the Shrike in a full-power wide-beam burst. The Shrike glowed as its carapace and steel-sculpture legs reflected the hellish light beneath and around it. Then the three meters of monster began to sink as the sand bubbled into a lake of molten glass beneath it. Kassad shouted in triumph as he stepped closer, playing the widebeam on the Shrike and ground the way he had sprayed his friends with stolen irrigation hoses in the Tharsis slums as a boy. The Shrike sank. Its arms splayed at the sand and rock, trying to find purchase. Sparks flew. It shifted, time running backward like a reversed holie, but Kassad shifted with it, realizing that Moneta was helping him, her suit slaved to his but guiding him through time, and then he was spraying the creature again with concentrated heat greater than the surface of a sun, melting sand beneath it, and watching the rocks around it burst into flame. Sinking in this cauldron of flame and molten rock, the Shrike threw back its head, opened its wide crevasse of a mouth, and bellowed. Kassad almost stopped firing in his shock at hearing noise from the thing. The Shrike’s scream resounded like a dragon’s roar mixed with the blast of a fusion rocket. The screech set Kassad’s teeth on edge, vibrated from the cliff walls, and tumbled suspended dust to the ground. Kassad switched to high-velocity solid shot and fired ten thousand microfléchettes at the creature’s face.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
You never asked. How would I like you to kill it? You are a captain in the Red Army, for goodness’ sake. What do they teach you there?” “How to kill human beings. Not mice.” She barely touched her food. “Well, throw a grenade at it. Use your rifle. I don’t know. But do something.” Alexander shook his head. “You went out into the streets of Leningrad while the Germans were throwing five-hundred-kilo bombs that blew arms and legs off the women standing ahead of you in line, you stood fearless in front of cannibals, you jumped off a moving train to go and find your brother, but you are afraid of mice?” “Now you got it,” Tatiana said defiantly. “It doesn’t make sense,” Alexander said. “If a person is fearless in the big things—” “You’re wrong. Again. Are you done with your questions? Anything else you want to ask? Or add?” “Just one thing.” Alexander kept his face serious. “It looks like,” he said slowly, his voice calm, “we’ve found three uses for that too-high potato countertop I built yesterday.” And he burst out laughing. “Go ahead, laugh,” Tatiana said. “Go ahead. I’m here for your amusement.” Her eyes twinkled. Putting his own plate on the bench, Alexander took the plate out of her hands and brought her to him to stand between his legs. Reluctantly she came. “Tania, do you have any idea how funny you are?” He kissed her chest, looking up at her. “I adore you.” “If you really adored me,” she said, trying to twist herself out of his arms, unsuccessfully, “you wouldn’t be sitting here idly flirting when you could be militarizing that cabin.” Alexander stood up. “Just to point out,” he said, “it’s not called flirting once you’ve made love to the girl.” After Alexander went inside, a smiling Tatiana sat on the bench and finished her food. In a few minutes he emerged from the cabin holding his rifle in one hand, his pistol in the other, and a bayonet attachment between his teeth. The dead mouse was swinging at the end of the bayonet. He spoke out of the corner of his mouth. “How did I do?” Tatiana failed to keep a straight face. “All right, all right,” she said, chortling. “You didn’t have to bring out the spoils of war.” “Ah, but I know you wouldn’t believe in a dead mouse unless you saw it with your own eyes.” “Will you stop quoting me back to me? Shura, you tell me, I will believe it,” said Tatiana. “Now, go on, get out of here with that thing.” “One last question.” “Oh, no,” said Tatiana, covering her face, trying not to laugh. “Do you think this dead mouse is worth the price of a…killed mouse?” “Will you just go?” Tatiana heard his boisterous laughter all the way to the woods and back.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
He finds a basket and lays fish inside it. Charcoal is in a wooden bucket. Enrique lifts it, basket in his other hand, and moves through shadow toward daylight. A presence makes him turn his head. He sees no one, yet someone is there. He sets down fish and charcoal. Straightening up, Enrique slips his Bowie knife clear of its sheath. He listens, tries to sense the man’s place. This intruder lies low. Is concealed. Behind those barrels? In that corner, crouched down? Enrique shuts his eyes, holds his breath a moment and exhales, his breath’s movement the only sound, trying to feel on his skin some heat from another body. Where? Enrique sends his mind among barrels and sacks, under shelves, behind posts and dangling utensils. It finds no one. He is hiding. Wants not to be found. Is afraid. If he lies under a tarpaulin, he cannot see. To shoot blind would be foolish: likely to miss, certain to alert the others. Enrique steps around barrels, his boots silent on packed sand. Tarps lie parallel in ten-foot lengths, their wheaten hue making them visible in the shadowed space. They are dry and hold dust. All but one lies flat. There. Enrique imagines how it will be. To strike through the tarp risks confusion. Its heavy canvas can deflect his blade. But his opponent will have difficulty using his weapon. He might fire point-blank into Enrique’s weight above him, bearing down. To pull the tarpaulin clear is to lose his advantage; he will see the intruder who will see him. An El Norte mercenary with automatic rifle or handheld laser can cut a man in half. Knife in his teeth, its ivory handle smooth against lips and tongue, Enrique crouches low. Pushing hard with his legs, he dives onto the hidden shape. The man spins free as Enrique grasps, boots slipping on waxed canvas. His opponent feels slight, yet wiry strength defeats Enrique’s hold. He takes his knife in hand and rips a slit long enough to plunge an arm into his adversary’s shrouded panic. Enrique thrusts the blade’s point where he believes a throat must be. Two strong hands clamp his arm and twist against each other rapidly and hard. Pain flares across his skin. Enrique wrests his arm free and his knife flies from his grasp and disappears behind him. He clenches-up and, pivoting on his other hand, turns hard into a blind punch that smashes the hidden face. The dust of their struggle rasps in Enrique’s throat. His intended killer sucks in a hard breath and Enrique hits him again, then again, each time turning his shoulder into the blow. The man coughs out, “Do not kill me.” Enrique knows this voice. It is Omar the Turk. [pp. 60-61]
John Lauricella (2094)
When Oliver called time a few moments later, she’d beaten them all. But she’d beaten Mr. Pinter by only one bird. “It appears, Lady Celia, that you’ve won a new rifle,” the duke said graciously. “No,” she answered. They all stared at her. “It doesn’t seem sporting to win a challenge only because one of my opponents had a faulty firearm. Which we provided to him, by the way.” “Don’t worry,” Mr. Pinter drawled. “I won’t hold the fault firearm against you and your brothers.” “That’s not the point. This should be fair, and it isn’t.” “Then we’ll move forward,” Oliver said, “and let the servants flush the grouse again. Pinter can take one more shot. That’s probably all that the misfire delayed him by. If he misses, then you’ve won squarely. If he hits his target then it’s a tie, and we’ll decide a tie breaker.” “That seems fair.” She glanced over at Mr. Pinter. “What do you say, sir?” “Whatever my lady wishes.” His eyes met hers in a heated glance. She had the unsettling feeling that he referred to more than just the shooting. “Well, then,” she said lightly. “Let’s get on with it.” The beaters headed forward to flush the grouse, but either because of where the grouse had last settled or because of the beaters’ position, the birds rose farther away than was practical. “Damn it all,” Gabe uttered. “He won’t make a shot from here.” “You can ignore this one, and we’ll have them flushed again,” Celia said. But Mr. Pinter raised his gun to follow their flight. With a flash and the repugnant smell of black powder igniting, the gun fired and white smoke filled the air. She saw a bird fall. No, not one bird. He’d hit two birds with an impossible shot. Her breath lodged in her throat. She’d hit two with one shot a few times, due to how they clustered and how well the birdshot scattered, but to do it at such a distance… She glanced at him, astonished. No one had ever beaten her-and certainly not with such an amazing shot. Mr. Pinter gazed at her steadily as he handed off the gun to a servant. “It appears that I’ve won, my lady.” Her mouth went dry. “It does indeed.” Gabe hooted pleased at having escaped buying her a rifle. The duke and the viscount scowled, while Devonmont just looked amused as usual. All of that fell away as Mr. Pinter’s gaze dropped to her mouth. “Well done, Pinter,” Oliver said, clapping him on the shoulder. “You obviously more than earned a kiss.” For a moment, raw hunger flickered in his eyes. Then it was as if a veil descended over his face, for his features turned blank. He walked up to her, bent his head… And kissed her on the forehead. Hot color flooded her cheeks. How dared he kiss her last night as if she were a woman, and then treat her like a child in front of her suitors! Or worse, a woman beneath his notice! “Thank heavens that’s done,” she said loftily, trying to retain some dignity. The men all laughed-except Mr. Pinter, who watched her with a shuttered expression. As the other gentleman crowded round to congratulate him on his fine shot, she plotted. She would make him answer for every remark, every embarrassment of this day, as soon as she had the chance to get him alone. Because no man made a fool of her and got away with it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Jackson gaped at her, wondering how this had all turned so terrible wrong. But he knew how. The woman was clearly daft. Bedlam-witted. And trying to drive him in the same direction. "You can't be serious. Since when do you know anything about investigating people?" She planted her hands on her hips. "You won't do it, so I must." God save him, she was the most infuriating, maddening-"How do you propose to manage that?" She shrugged. "Ask them questions, I suppose. The house party for Oliver's birthday is next week. Lord Devonmont is already coming, and it will be easy to convince Gran to invite my other two. Once they're here, I could try sneaking into their rooms and listening in on their conversations or perhaps bribing their servants-" "You've lost your bloody mind," he hissed. Only after she lifted an eyebrow did he realize he'd cursed so foully in front of her. But the woman would turn a sane man into a blithering idiot! The thought of her wandering in and out of men's bedchambers, risking her virtue and her reputation, made his blood run cold. "You don't seem to understand," she said in a clipped tone, as if speaking to a child. "I have to catch a husband somehow. I need help, and I've nowhere else to turn. Minerva is rarely here, and Gran's matchmaking efforts are as subtle as a sledgehammer. And even if my brothers and their wives could do that sort of work, they're preoccupied with their own affairs. That leaves you, who seem to think that suitors drop from the skies at my whim. If I can't even entice you to help me for money, then I'll have to manage on my own." Turning on her heel, she headed for the door. Hell and blazes, she was liable to attempt such an idiotic thing, too. She had some fool notion she was invincible. That's why she spent her time shooting at targets with her brother's friends, blithely unconcerned that her rifle might misfire or a stray bullet hit her by mistake. The wench did as she pleased, and the men in her family let her. Someone had to curb her insanity, and it looked as if it would have to be him. "All right!" he called out. "I'll do it." She halted but didn't turn around. "You'll find out what I need in order to snag one of my choices as a husband?" "Yes." "Even if it means being a trifle underhanded?" He gritted his teeth. This would be pure torture. The underhandedness didn't bother him; he'd be as underhanded as necessary to get rid of those damned suitors. But he'd have to be around the too-tempting wench a great deal, if only to make sure the bastards didn't compromise her. Well, he'd just have to find something to send her running the other way. She wanted facts? By thunder, he'd give her enough damning facts to blacken her suitors thoroughly. Then what? If you know of some eligible gentleman you can strong-arm into courting me, then by all means, tell me. I'm open to suggestions. All right, so he had no one to suggest. But he couldn't let her marry any of her ridiculous choices. They would make her miserable-he was sure of it. He must make her see that she was courting disaster. Then he'd find someone more eligible for her. Somehow. She faced him. "Well?" "Yes," he said, suppressing a curse. "I'll do whatever you want." A disbelieving laugh escaped her. "That I'd like to see." When he scowled, she added hastily, "But thank you. Truly. And I'm happy to pay you extra for your efforts, as I said." He stiffened. "No need." "Nonsense," she said firmly. "It will be worth it to have your discretion." His scowl deepened. "My clients always have my discretion.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))