Rifle Head Quotes

We've searched our database for all the quotes and captions related to Rifle Head. Here they are! All 40 of them:

Soldier! Let me cradle your head and caress your face, let me kiss your dear sweet lips and cry across the seas and whisper through the icy Russian grass how I feel for you . . . Luga, Ladoga, Leningrad, Lazarevo . . . Alexander, once you carried me, and now I carry you. Into my eternity, now I carry you. Through Finland, through Sweden, to America, hand outstretched, I stand and limp forward, the galloping steed black and riderless in my wake. Your heart, your rifle, they will comfort me, they’ll be my cradle and my grave. Lazarevo drips you into my soul, dawn drop by moonlight drop from the river Kama. When you look for me, look for me there, because that’s where I will be all the days of my life. (Tatiana)
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
In my world, you don’t get to call yourself “pro-life” and be against common-sense gun control — like banning public access to the kind of semiautomatic assault rifle, designed for warfare, that was used recently in a Colorado theater. You don’t get to call yourself “pro-life” and want to shut down the Environmental Protection Agency, which ensures clean air and clean water, prevents childhood asthma, preserves biodiversity and combats climate change that could disrupt every life on the planet. You don’t get to call yourself “pro-life” and oppose programs like Head Start that provide basic education, health and nutrition for the most disadvantaged children...The term “pro-life” should be a shorthand for respect for the sanctity of life. But I will not let that label apply to people for whom sanctity for life begins at conception and ends at birth. What about the rest of life? Respect for the sanctity of life, if you believe that it begins at conception, cannot end at birth.
Thomas L. Friedman
When I were first learning to shoot a rifle, Pa told me that nearly every battle people face is in their heads.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
My dad is here," She hissed, hoping to give Gabriel enough of a head start so he could make it to the elevators before Tom took out one of his hunting rifles and shot him. "I know, I called him." She turned to Gabriel in wide-eyed disbelief. "Why would you do that? He wants to kill you." The Professor pulled himself up to his full height. "I want to marry you. That means that I need to make amends with your father. I want to be able to be in the same room without him attempting to shoot me. Or castrate me.
Sylvain Reynard (Gabriel's Rapture (Gabriel's Inferno, #2))
The fact is that the government, like a highwayman, says to a man: Your money, or your life...The government does not, indeed, waylay a man in a lonely place, spring upon him from the road side and, holding a pistol to his head, proceed to rifle his pockets. But the robbery is none the less a robbery on that account; and it is far more dastardly and shameful. The highwayman takes solely upon himself the responsibility, danger, and crime of his own act. He does not pretend that he has any rightful claim to your money, or that he intends to use it for your own benefit. He does not pretend to be anything but a robber...Furthermore, having taken your money, he leaves you as you wish him to do. He does not persist in following you on the road, against your will; assuming to be your rightful 'sovereign,' on account of the 'protection' he affords you.
Lysander Spooner
Stand down,” he shouts, his voice booming. “Stop the vehicle immediately.” James pops his bloodied head out the open door. “What’d you say?” “I said stop-” James leans farther out the door, revealing a sophisticated automatic rifle. “I was just kidding, dumbass,” he calls back. “I heard what you said.” James opens fire.
Tahereh Mafi (Watch Me (Shatter Me: The New Republic, #1))
So I'm guessing you're Seven and Ten; What can you do?" I say as I find our rifles in the sand and hand each of them a gun. "You can call me Marina," the girl with the brown hair says. "And I can breathe under water and see in the dark and heal the sick and wounded. And I have telekinesis." Call me Ella, I hear ten say in my head. Aside from my telepathy, I can change ages. "Awesome. I'm four, that nut job with the long black hair is nine and the beast is my chimaera, Bernie Kosar.
Pittacus Lore
When I were first learning to shoot a rifle, Pa told me that nearly every battle people face is in their heads. If you think you can't do something, you won't. If you believe you can, it's only a matter of time before you will.
Erin Bowman (Vengeance Road (Vengeance Road, #1))
Haroun shook his head. “This is not a thing for rifles. If they are seen there will be questions. For tonight we have daggers only.
Nigel Seed (No Road to Khartoum (Michael McGuire Trilogy 1))
The sight of so many guns, mostly deer rifles and duck guns but with a smattering of black rifles and riot shotguns, made him glad that this was going down in a rural area where people still had their heads screwed on right about personal defense.
Larry Correia (The Monster Hunters (Monster Hunters International combo volumes Book 1))
I wonder,” Steve said wildly, “why somebody hasn’t taken a rifle and blown your head off.” "Even the most primitive societies have an innate respect for the insane," the Motorcycle Boy answered.
S.E. Hinton (Rumble Fish)
I've nothing against people as a general rule, but people don't tend to have the sort of answers I'm looking for." The fence post just above Jackaby's head exploded in a spray of splinters with a resonating BLAM! A woman stood in the open doorway across from him, a plain white apron tied around her waist and a fat-barreled rifle in her hands. "Of course, people do have a way of surprising you from time to time," my employer added.
William Ritter (Beastly Bones (Jackaby, #2))
Good God!" she cried. She rolled off him, tugging down her clothing. "Are you mad?" He blinked and dragged in air. "Well, yes," He said thickly. "Lust does that to a man." "You thought we would--you would-- do...that in public?" "I wasn't thinking about where we were." He said. Her eyes widened. "I'm a man," he said with what he was sure must be, in the circumstances, saintly patience. "I can do one or the other. Lovemaking or thinking. But not both at the same time." She stared at him for a moment. Then she drew up her knees and folded her arms upon them and buried her face in her folded arms. She did not pick up the rifle and knock him on the head with it. Perhaps all was not lost. "Somewhere else then?" He said hopefully.
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
He pierced her with a look. “I thought we had an agreement. I keep my men away from your ladies, and you keep your distance from me. You’re not holding your end of the bargain.” “It’s but a momentary interruption. Just this once.” “Just this once?” He made a dismissive noise, rifling through papers. “What about just now in the church?” “Very well, twice.” “Try again.” He stacked his papers and looked up, devouring her with his intent green gaze. “You invaded my dreams at least a half-dozen times last night. When I’m awake, you keep traipsing through my thoughts. Sometimes you’re barely clothed. What excuse can you make for that?” She stammered to form a response, her tongue tripping against her teeth. “I . . . I would never traipse.” Idiotic reply. “Hm.” He tilted his head and regarded her thoughtfully. “Would you saunter?
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje
William had played [rugby] at Eton when it first became popular, and now he only spoke of it in a reverent tone he normally saved only for women and rifles. . . . . [in contrast] Cricket had rules: one was not allowed to stamp on the head of another player and pass it off as enthusiasm.
Natasha Pulley (The Watchmaker of Filigree Street (The Watchmaker of Filigree Street, #1))
In the preface of "The Rifles" "Another rule we followed was never kill an animal that we were not going to use for food or clothing." Barnabas Piryuaq "Well, in those high latitudes we found such quantities of seals and walruses that we simply did not know what to do with them.There were thousands and thousands lying there; we walked among them and hit them on the head, and laughed heartily in the abundance which God had created." Jan Welzi 1933.
William T. Vollmann (The Rifles (Seven Dreams, #6))
I was finally beginning to perceive that no matter how many dead people I might see, or people at the instant of their death, I would never manage to grasp death, that very moment, precisely in itself. It was one thing or the other: either you are dead, and then in any case there's nothing else to understand, or else you are not yet dead, and in that case, even with the rifle at the back of your head or the rope around your neck, death remains incomprehensible, a pure abstraction, this absurd idea that I, the only living person in the world, could disappear. Dying, we may already be dead, but we never die, that moment never comes, or rather it never stops coming, there it is, it's coming, and then it's still coming, and then it's already over, without ever having come.
Jonathan Littell (The Kindly Ones)
Sir? What are you doing?” I asked. “Investigating,” Jackaby replied flatly. “Well, you can’t just walk into someone’s yard unannounced. Besides, doesn’t investigating usually involve questioning people?” “I’ve nothing against people as a general rule, but people don’t tend to have the sort of answers I’m looking for.” The fence post just above Jackaby’s head exploded in a spray of splinters with a resonating BLAM! A woman stood in the open doorway across from him, a plain white apron tied around her waist and a fat-barreled rifle in her hands. “Of course, people do have a way of surprising you from time to time,” my employer added. The
William Ritter (Beastly Bones (Jackaby, #2))
I unzipped my duffel bag and started to rifle through it. “What the hell is all that?” Jesse asked. “A diamond core drill,” I replied. “It can go through cobalt and it lets me use this.” I pulled out a tiny scope camera that had a monitor attached to it. “This lets me see where the grooves are in the lock. Each groove corresponds to a number on the combination and I just have to line them up.” Jesse and Roux looked at me like I was speaking Martian. “Where do you even get this stuff?” “Sweet Sixteen present from my parents.” Roux shook her head. “I got a Fabergé egg. What a ripoff.
Robin Benway (Also Known As (Also Known As, #1))
No" she jerked back, stared up at him. Her eyes were like thunderclouds. He'd never seen them like that. Shock and fear filled them. Her face was paper white. Her body shuddering. "Don't you leave me!" She gripped his shirt and tried to shake him, tears falling from her eyes. "Don't you leave Noah." His head lowered. He touched her lips with his and knew this woman held the best part of him. The memories of the husband he had been, the man he had been. He couldn't destroy that. He refuse to. He pushed her to Jordan slowly, loath to let her go. To release her. Knowing that releasing her was the only way to save the memories she held. "Don't you leave!" She screamed the order, eyes blazing, her lips trembling as tears fell and hysteria threatened to overwhelm her. "If you leave me, Noah Blake, if you don't come back when this is over, don't bother coming back at all. He touched her cheek. Ran his thumb over her lips. "You are the best part of me," he whispered. "Always remember that, Sabella. The best part of me." Before she could grab him, hold him to her, he pulled away, grabbed one of the rifles Mike had set on the table across the room. And left.
Lora Leigh (Wild Card (Elite Ops, #1))
They were all running on adrenaline, which cannot just be turned off. So even when they had silent hours and felt reasonably safe with their backs against a wall, most could not fully sleep. They would nod off with their head between their knees, a rifle in one hand and a grenade in the other. It was more like being temporarily not awake than sleep.
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
all i know about the bible is that wherever it goes there's trouble. the only time i ever heard of it being useful was when a stretcher bearer i was with at the battle of dundee told me that he'd once gotten hit by a mauser bullet in the heart, only he was carrying a bible in his tunic pocket and the bible saved his life. he told me that ever since he'd always carried a bible into battle with him and he fled perfectly safe because god was in his breast pocket. we were out looking for a sergeant of the worcesters and three troopers who were wounded while out on a reconnaissance and were said to be holed up in a dry donga. in truth, i think my partner felt perfectly safe because the boer mausers were estimated by the british artillery to be accurate to eight hundred yards and we were at least twelve hundred yards from enemy lines. alas, nobody bothered to tell the boers about the shortcomings of their brand-new german rifle and the mauser bullet hit him straight between the eyes...which goes to prove, you can always depend on british army information not to be accurate, the boers to be deadly accurate, and the bible to be good for matters of the heart but hopeless for those of the head, and finally, that god is in nobody's pocket.
Bryce Courtenay (The Power of One (The Power of One, #1))
They nodded their heads with quick flicky motions, like birds, and nursed their rifles, keeping them out of the dirt. I had gotten to know them all in a month and a few of them were even from the same end of the county I was, but now it was like I was seeing them for the first time, different. All the put-on had gone out of their faces—they were left with what God gave them at the beginning.
Shelby Foote (Shiloh)
Nineteen members of an Army detachment were arrested on pot charges at a Nike Hercules base on Mount Gleason, overlooking Los Angeles. One of them had been caught drying a large amount of marijuana on land belonging to the U.S. Forest Service. Three enlisted men at a Nike Hercules base in San Rafael, California, were removed from guard duty for psychiatric reasons. One of them had been charged with pointing a loaded rifle at the head of a sergeant. Although illegal drugs were not involved in the case, the three men were allowed to guard the missiles, despite a history of psychiatric problems. The squadron was understaffed, and its commander feared that hippies—“people from the Haight-Ashbury”—were trying to steal nuclear weapons.
Eric Schlosser (Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety)
L'Avventura,' Dad said, 'has the sort of ellipsis ending most American audiences would rather undergo a root canal than be left with, not only because they loathe anything left to the imagination-we're talking about the country that invented spandex-but also because they are a confident, self-assured nation. They know Family. They know Right from Wrong. They know God-many of them attest to daily chats with the man. And the idea that none of us can truly know anything at all-not the lives of our friends or family, not even ourselves-is a thought they'd rather be shot in the arm with their own semi-automatic rifle than face head-on. Personally, I think there's something terrific about not knowing, relinquishing man's feeble attempt to control. When you throw up your hands, say, "Who knows?" you can get on with the sheer gift of being alive.
Marisha Pessl (Special Topics in Calamity Physics)
Kolya rose to a crouch and crept to the front door, keeping his head below the window line. I followed. We kneeled with our backs against the door. Kolya checked his pistol one last time. I pulled the German knife from my ankle sheath. I knew I looked silly holding it, the way a young boy looks holding his father’s shaving razor. Kolya grinned at me as though he was about to start laughing. This is all very strange, I thought. I am in the middle of a battle and I am aware of my own thoughts, I am worried about how stupid I look with a knife in my hand while everyone else came to fight with rifles and machine guns. I am aware that I am aware. Even now, with bullets buzzing through the air like angry hornets, I cannot escape the chatter of my brain.
David Benioff (City of Thieves)
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
He was completely detached from every thing except the story he was writing and he was living in it as he built it. The difficult parts he had dreaded he now faced one after another and as he did the people, the country, the days and the nights, and the weather were all there as he wrote. He went on working and he felt as tired as if he had spent the night crossing the broken volcanic desert and the sun had caught him and the others with the dry gray lakes still ahead. He could feel the weight of the heavy double-barreled rifle carried over his shoulder, his hand on the muzzle, and he tasted the pebble in his mouth. Across the shimmer of the dry lakes he could see the distant blue of the escarpment. Ahead of him there was no one, and behind was the long line of porters who knew that they had reached this point three hours too late. It was not him, of course, who had stood there that morning, nor had he even worn the patched corduroy jacket faded almost white now, the armpits rotted through by sweat, that he took off then and handed to his Kamba servant and brother who shared with him the guilt and knowledge of the delay, watching him smell the sour, vinegary smell and shake his head in disgust and then grin as he swung the jacket over his black shoulder holding it by the sleeves as they started off across the dry-baked gray, the gun muzzles in their right hands, the barrels balanced on their shoulders, the heavy stocks pointing back toward the line of porters. It was not him, but as he wrote it was and when someone read it, finally, it would be whoever read it and what they found when they should reach the escarpment, if they reached it, and he would make them reach its base by noon of that day; then whoever read it would find what there was there and have it always.
Ernest Hemingway (The Garden of Eden)
No" she jerked back, stared up at him. Her eyes were like thunderclouds. He'd never seen them like that. Shock and fear filled them. Her face was paper white. Her body shuddering. "Don't you leave me!" She gripped his shirt and tried to shake him, tears falling from her eyes. "Don't you leave Noah." His head lowered. He touched her lips with his and knew this woman held the best part of him. The memories of the husband he had been, the man he had been. He couldn't destroy that. He refuse to. He pushed her to Jordan slowly, loath to let her go. To release her. Knowing that releasing her was the only way to save the memories she held. "Don't you leave me!" She screamed the order, eyes blazing, her lips trembling as tears fell and hysteria threatened to overwhelm her. "If you leave me, Noah Blake, if you don't come back when this is over, don't bother coming back at all. He touched her cheek. Ran his thumb over her lips. "You are the best part of me," he whispered. "Always remember that, Sabella. The very best part of me." Before she could grab him, hold him to her, he pulled away, grabbed one of the rifles Mike had set on the table across the room. And left.” ― Lora Leigh, Wild Card
Lora Leigh (Wild Card (Elite Ops, #1))
The Pilgrim Queen (A Song) There sat a Lady all on the ground, Rays of the morning circled her round, Save thee, and hail to thee, Gracious and Fair, In the chill twilight what wouldst thou there? 'Here I sit desolate,' sweetly said she, 'Though I'm a queen, and my name is Marie: Robbers have rifled my garden and store, Foes they have stolen my heir from my bower. 'They said they could keep Him far better than I, In a palace all His, planted deep and raised high. 'Twas a palace of ice, hard and cold as were they, And when summer came, it all melted away. 'Next would they barter Him, Him the Supreme, For the spice of the desert, and gold of the stream; And me they bid wander in weeds and alone, In this green merry land which once was my own.' I look'd on that Lady, and out from her eyes Came the deep glowing blue of Italy's skies; And she raised up her head and she smiled, as a Queen On the day of her crowning, so bland and serene. 'A moment,' she said, 'and the dead shall revive; The giants are failing, the Saints are alive; I am coming to rescue my home and my reign, And Peter and Philip are close in my train.
John Henry Newman
Kylo had rummaged through these hopes and fears, things he had no right to. But as he searched, something had changed. Even as he callously rifled through her mind, he had somehow revealed his own. Rey found herself in his mind even as he invaded hers. She felt his rage, like a ruinous storm that filled his head, and his hatred, and his lust to dominate and humiliate those who wronged him. But she also felt his hurt, and his loneliness. And his fear -- that he would never prove as strong as Darth Vader, the ghost who haunted his dreams. Kylo had retreated at finding Rey in his head -- had practically fled from her. But that had not been the end of that strange, sudden connection. She had seen more -- far more. Somehow, almost instinctually, she knew how he accessed some of the powers at his command -- even though she didn't understand them. It was as if his training had become hers, unlocking and flinging open door after door in her mind. But now Rey couldn't shut those doors -- and she feared what had been set loose. Kylo had urged her to let him be her teacher -- had pleaded with her, almost.
Jason Fry (The Last Jedi: Expanded Edition (Exclusive Edition) (Star Wars))
His cellphone alarm beeped. Now. Who would he nail? A single target tonight. So, a single bullet in the gun. David put the crosshairs on one of the guys walking out of the Quick Trip. Tall man, longish hair, scruffy beard. The guy pulled keys from his pocket and the crosshairs settled on his face. What was next? David pulled the trigger. The back of the guy’s head exploded. A massive wound. The guy’s friend looked around. The pregnant woman screamed. The black guy ran. The girls hugged each other. David pulled the trunk lid back down. Clicked and locked. A gentle walkway wound around the mall. Sol slowly drove away. David’s breaths came fast, almost pants. He then took his black pants off and removed his soiled underwear. He reached in the plastic bag for the fresh pair. Changing in the trunk of a dark and hot and moving car was difficult. Just part of the job now. When he pulled the trigger, he orgasmed. Always did. David slowed his breathing. Taylor series for ex = 1 + x + X2 / 2! + X3 / 3! etc. Yes, that was better. He closed his eyes and let go of the rope and let the rifle roll to one side. That guy’s head exploded. They drove away, below the speed limit. Didn’t want to attract attention. No need to, in no hurry.
Michael Grigsby
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
I've been ordered to take you men with me. I've been told that if you don't come I can shoot you. Well, you know I won't do that. Not Maine men. I won't shoot any man who doesn't want this fight. Maybe someone else will, but I won't. So that's that." He paused again. There was nothing on their faces to lead him. "Here's the situation. I've been ordered to take you along, and that's what I'm going to do. Under guard if necessary. But you can have your rifles if you want them. The whole Reb army is up the road a ways waiting for us and this is no time for an argument like this. I tell you this: we sure can use you. We're down below half strength and we need you, no doubt of that. But whether you fight or not is up to you. Whether you come along, well, you're coming." Tom had come up with Chamberlain's horse. Over the heads of the prisoners Chamberlain could see the regiment falling into line out in the flaming road. He took a deep breath. "Well, I don't want to preach to you. You know who we are and what we're doing here. But if you're going to fight alongside us there's a few things I want you to know." He bowed his head, not looking at eyes. He folded his hands together. "This regiment was formed last fall, back in Maine. There were a thousand of us then. There's not three hundred of us now." He glanced up briefly. "But what is left is choice." He was embarrassed. He spoke very slowly, staring at the ground. "Some of us volunteered to fight for Union. Some came in mainly because we were bored at home and this looked like it might be fun. Some came because we were ashamed not to. Many of us came...because it was the right thing to do. All of us have seen men die. Most of us never saw a black man back home. We think on that, too. Freedom...is not just a word." He looked into the sky, over silent faces. "This is a different kind of army. If you look at history you'll see men fight for pay, or women, or some other kind of loot. They fight for land, or because a king makes them, or just because they like killing. But we're here for something new. I don't...this hasn't happened much in the history of the world. We're an army going out to set other men free." He bent down, scratched the black dirt into his fingers. He was beginning to warm to it; the words were beginning to flow. No one in front of him was moving. He said, "This is free ground. All the way to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by what your father was. Here you can be something. Here's a place to build a home. It isn't the land- there's always more land. It's the idea that we all have value, you and me, we're worth something more than the dirt. I never saw dirt I'd die for, but I'm not asking you to come join us and fight for dirt. What we're all fighting for, in the end, is each other.
Michael Shaara (The Killer Angels: A Novel of the Civil War)
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
Returning from a hunting trip, Orde-Lees, traveling on skis across the rotting surface of the ice, had just about reached camp when an evil, knoblike head burst out of the water just in front of him. He turned and fled, pushing as hard as he could with his ski poles and shouting for Wild to bring his rifle. The animal—a sea leopard—sprang out of the water and came after him, bounding across the ice with the peculiar rocking-horse gait of a seal on land. The beast looked like a small dinosaur, with a long, serpentine neck. After a half-dozen leaps, the sea leopard had almost caught up with Orde-Lees when it unaccountably wheeled and plunged again into the water. By then, Orde-Lees had nearly reached the opposite side of the floe; he was about to cross to safe ice when the sea leopard’s head exploded out of the water directly ahead of him. The animal had tracked his shadow across the ice. It made a savage lunge for Orde-Lees with its mouth open, revealing an enormous array of sawlike teeth. Orde-Lees’ shouts for help rose to screams and he turned and raced away from his attacker. The animal leaped out of the water again in pursuit just as Wild arrived with his rifle. The sea leopard spotted Wild, and turned to attack him. Wild dropped to one knee and fired again and again at the onrushing beast. It was less than 30 feet away when it finally dropped. Two dog teams were required to bring the carcass into camp. It measured 12 feet long, and they estimated its weight at about 1,100 pounds. It was a predatory species of seal, and resembled a leopard only in its spotted coat—and its disposition. When it was butchered, balls of hair 2 and 3 inches in diameter were found in its stomach—the remains of crabeater seals it had eaten. The sea leopard’s jawbone, which measured nearly 9 inches across, was given to Orde-Lees as a souvenir of his encounter. In his diary that night, Worsley observed: “A man on foot in soft, deep snow and unarmed would not have a chance against such an animal as they almost bound along with a rearing, undulating motion at least five miles an hour. They attack without provocation, looking on man as a penguin or seal.
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
They was a brave on a ridge, against the sun. Knowed he stood out. Spread his arms an' stood. Naked as morning, an' against the sun. Maybe he was crazy. I don' know. Stood there, arms spread out; like a cross he looked. Four hunderd yards. An' the men - well, they raised their sights an' they felt the wind with their fingers; an' then they just lay there an' couldn' shoot. Maybe that Injun knowed somepin. Knowed we couldn' shoot. Jes' laid there with the rifles cocked, an' didn' even put 'em to our shoulders. Lookin' at him. Head-band, one feather. Could see it, an' naked as the sun. Long time we laid there an' looked, an' he never moved. An' then the captain got mad. "Shoot, you crazy bastards, shoot!" he yells. An' we jus' laid there. "I'll give you to a five-count, an' then mark you down," the captain says. Well, sir - we put up our rifles slow, an' ever' man hoped somebody'd shoot first. I ain't never been so sad in my life. An' I laid my sights on his belly, 'cause you can't stop a Injun no other place - an' - then. Well, he jest plunked down an' rolled. An' we went up. An' he wasn' big - he'd looked so grand - up there. All tore to pieces an' little. Ever see a cock pheasant, stiff and beautiful, ever' feather drawed an' painted, an' even his eyes drawed in pretty? An' bang! You pick him up - bloody an' twisted, an' you spoiled somepin better'n you; an' eating him don't never make it up to you, 'cause you spoiled somepin in yaself, an' you can never fix it up.
John Steinbeck (The Grapes of Wrath)
Morning comes. I go to my class. There sit the little ones with folded arms. In their eyes is still all the shy astonishment of the childish years. They look up at me so trustingly, so believingly - and suddenly I get a spasm over the heart. Here I stand before you, one of the hundreds of thousands of bankrupt men in whom the war destroyed every belief and almost every strength. Here I stand before you, and see how much more alive, how much more rooted in life you are than I. Here I stand and must now be your teacher and guide. What should I teach you? Should I tell you that in twenty years you will be dried-up and crippled, maimed in your freest impulses, all pressed mercilessly into the selfsame mold? Should I tell you that all the learning, all culture, all science is nothing but hideous mockery, so long as mankind makes war in the name of God and humanity with gas, iron, explosive and fire? What should I teach you then, you little creatures who alone have remained unspotted by the terrible years? What am I able to teach you then? Should I tell you how to pull the string of a hand grenade, how best to throw it at a human being? Should I show you how to stab a man with a bayonet, how to fell him with a club, how to slaughter him with a spade? Should I demonstrate how best to aim a rifle at such an incomprehensible miracle as a breathing breast, a living heart? Should I explain to you what tetanus is, what a broken spine is, and what a shattered skull? Should I describe to you what brains look like when they scatter about? What crushed bones are like - and intestines when they pour out? Should I mimic how a man with a stomach wound will groan, how one with a lung wound gurgles and one with a head wound whistles? More I do not know. More I have not learned. Should I take you the brown-and-green map there, move my finger across it and tell you that here love was murdered? Should I explain to you that the books you hold in your hands are but nets with which men design to snare your simple souls, to entangle you in the undergrowth of find phrases, and in the barbed wire of falsified ideas? I stand here before you, a polluted, a guilty man and can only implore you ever to remain as you are, never to suffer the bright light of your childhood to be misused as a blow flame of hate. About your brows still blows the breath of innocence. How then should I presume to teach you? Behind me, still pursuing, are the bloody years. - How then can I venture among you? Must I not first become a man again myself?
Erich Maria Remarque (The Road Back)
New Rule: Conservatives have to stop rolling their eyes every time they hear the word "France." Like just calling something French is the ultimate argument winner. As if to say, "What can you say about a country that was too stupid to get on board with our wonderfully conceived and brilliantly executed war in Iraq?" And yet an American politician could not survive if he uttered the simple, true statement: "France has a better health-care system than we do, and we should steal it." Because here, simply dismissing an idea as French passes for an argument. John Kerry? Couldn't vote for him--he looked French. Yeah, as a opposed to the other guy, who just looked stupid. Last week, France had an election, and people over there approach an election differently. They vote. Eighty-five percent turned out. You couldn't get eighty-five percent of Americans to get off the couch if there was an election between tits and bigger tits and they were giving out free samples. Maybe the high turnout has something to do with the fact that the French candidates are never asked where they stand on evolution, prayer in school, abortion, stem cell research, or gay marriage. And if the candidate knows about a character in a book other than Jesus, it's not a drawback. The electorate doesn't vote for the guy they want to have a croissant with. Nor do they care about private lives. In the current race, Madame Royal has four kids, but she never got married. And she's a socialist. In America, if a Democrat even thinks you're calling him "liberal," he grabs an orange vest and a rifle and heads into the woods to kill something. Royal's opponent is married, but they live apart and lead separate lives. And the people are okay with that, for the same reason they're okay with nude beaches: because they're not a nation of six-year-olds who scream and giggle if they see pee-pee parts. They have weird ideas about privacy. They think it should be private. In France, even mistresses have mistresses. To not have a lady on the side says to the voters, "I'm no good at multitasking." Like any country, France has its faults, like all that ridiculous accordion music--but their health care is the best in the industrialized world, as is their poverty rate. And they're completely independent of Mid-East oil. And they're the greenest country. And they're not fat. They have public intellectuals in France. We have Dr. Phil. They invented sex during the day, lingerie, and the tongue. Can't we admit we could learn something from them?
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)