Rider Travel Quotes

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When religion and politics travel in the same cart, the riders believe nothing can stand in their way. Their movements become headlong - faster and faster and faster. They put aside all thoughts of obstacles and forget the precipice does not show itself to the man in a blind rush until it's too late.
Frank Herbert (Dune (Dune, #1))
They call me the Morning Star. That star by which griffin-riders and travelers navigate the wastes in the dark months of winter. The last star that disappears when daylight returns in the spring.
Pierce Brown (Morning Star (Red Rising Saga, #3))
You have not traveled enough," she said. "Or you'd know that every journey makes its own map across your heart.
Sharon Shinn (Mystic and Rider (Twelve Houses, #1))
The proper function of man is to live, not to exist. I shall not waste my days in trying to prolong them. I shall use my time.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Without knowing it, I had identified a subtle but important part of the healing process. There would be no peace for me, no life for me, until I learned to forgive life for what it had done to me, forgive others for still being alive, and eventually, forgive myself for being alive.
Neil Peart (Ghost Rider: Travels on the Healing Road)
your soul is stained with the blood of the innocent, feel their pain
Neil Peart (Ghost Rider: Travels on the Healing Road)
Time travel is a terrifying weapon, far more powerful than anything ever before conceived,' he said grimly.'Mankind just isn't ready for that kind of knowledge. We're like children casually playing with an atom bomb.
Alex Scarrow (TimeRiders (TimeRiders, #1))
Listen! What is life? It is a feather, it is the seed of the grass, blown hither and thither, sometimes multiplying itself and dying in the act, sometimes carried away into the heavens. But if that seed be good and heavy it may perchance travel a little way on the road it wills. It is well to try and journey one's road and to fight with the air. Man must die. At the worst he can but die a little sooner.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
Already, Cullum felt a stirring of interest. The name Horace and the mention of an oakleaf symbol struck a chord in his memory. Sir Horace, the Oakleaf Knight, was a legendary figure in Araluen, even in a place as remote as Norgate. Of course, the more remote the location, the more garbled and fantastic the legends became. As Cullum had hear tell, Sir Horace had been a youth of sixteen when he defeated the tyrant Morgarath in single combat, slicing the head off the evil lord's shoulders with one might strocke of a massive broadsword. Then, in the company of the equally legendary Ranger Halt, Sir Horace had traveled across the Stormwhite Sea to defeat the Riders from the East and rescue Princess Cassandra and her companion, the apprentice Ranger known as Will. Will! The significance of the name suddenly registered with the innkeeper. The jongleur's name was Will. Now here he was, in a cowled cloak, festooned with recurve bow and a quiver of arrows. He looked more closely and saw the hilt of a heavy saxe knife just visible at his waist. No doubt about it, Cullum thought, these cheerful young men were two of Araluen's greatest heroes!
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
Dedicated to the future, with honor to the past.
Neil Peart (Ghost Rider: Travels on the Healing Road)
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje
Thoreau, “At death, our friends and relatives either draw nearer to us, and are found out, or depart farther from us, and are forgotten.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Success is not the result of spontaneous combustion; you must set yourself on fire.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Perils of solitude #1: People talk to you. I’d rather listen.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Just follow your front wheel.
Neil Peart (Ghost Rider: Travels on the Healing Road)
I shall not waste my days in trying to prolong them.
Neil Peart (Ghost Rider: Travels on the Healing Road)
I had come to appreciate the long open stretches of two-lane highway across the sagey sea and mountain-studded plateau of the Great Basin, but the towns and cities were another thing. I liked the natural face of Nevada, but was not as impressed by the human face.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Everything that we were, everything we based our lives upon, everything that we believed is gone. In my journal one time, I expressed the feeling of hurt that I carry around, so similar to the feeling of being betrayed, and I concluded that I had been betrayed, by Life itself, and that’s pretty deep. So, the betrayed ones, like you and me, have to start all over again, from Absolute Zero, and construct some new version of “Life,” one that we can “live with.” No way we can hold onto what we used to believe, and no way we can forget what has actually happened in our lives, and in our worlds. We will never trust Life again.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Dreams and coffee and sunrises make up the rhythms of the road. Music is a part of it, too: the popular music on the jukeboxes and radio stations. You hear it constantly, in diners and on car radios. The music has a rhythm that fits the steady drumming of tires over pavement. It seeps into your bloodstream. After a while it ceases to make any difference whether or not you like the stuff. When you’re traveling alone, a nameless rider with a succession of strangers, it can give you a comforting sense of the familiar to hear the same music over and over. At any given time, a few current hits will be overplayed to exhaustion by the rock & roll stations. In hitching across the continent, you might hear the same song fifty or sixty times. Certain songs become connected in your mind with certain trips.
Kenn Kaufman (Kingbird Highway: The Biggest Year in the Life of an Extreme Birder)
I watched a storm pass to the north, trailing veils of dark rain.
Neil Peart (Ghost Rider: Travels on the Healing Road)
The only reason I am alive is because I could not die.
Neil Peart (Ghost Rider: Travels on the Healing Road)
I saw that it was plain wrong to evaluate people according to race, for it was clear that culture was the real divider among peoples.
Neil Peart (Ghost Rider: Travels on the Healing Road)
What a fool I used to be (The truest words I ever wrote, and they get truer every day. )
Neil Peart (Ghost Rider: Travels on the Healing Road)
Big ring around moon, three or four days from full. Rain coming? Big wave every 10 seconds, sometimes like distant explosion, booming sub-bass.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Because around a crisis point, even the tiniest action can assume importance all out of proportion to its size. Consequences multiply and cascade, and anything—a missed telephone call, a match struck during a blackout, a dropped piece of paper, a single moment—can have empire-tottering effects. The Archduke Ferdinand’s chauffeur makes a wrong turn onto Franz-Josef Street and starts a world war. Abraham Lincoln’s bodyguard steps outside for a smoke and destroys a peace. Hitler leaves orders not to be disturbed because he has a migraine and finds out about the D-Day invasion eighteen hours too late. A lieutenant fails to mark a telegram “urgent” and Admiral Kimmel isn’t warned of the impending Japanese attack. “For want of a nail, the shoe was lost. For want of a shoe, the horse was lost. For want of a horse, the rider was lost.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
There have been those who have actually said they envy me, though mostly strangers, and I doubt you’d be that short-sighted or self-absorbed. This is way more freedom than anyone should ever desire, and carries way more baggage than “freedom” can ever sustain. This is more like “desperate flight,” and another name I have for myself is “The Ghost Rider.” I’m a ghost, I carry a few ghosts with me, and I’m riding through a world that isn’t quite real. But I’m okay as long as I keep moving . . .
Neil Peart (Ghost Rider: Travels on the Healing Road)
Grim faced and forbidding Their faces closed tight An angular mass of New Yorkers Pacing in rhythm Race the oncoming night They chase through the streets of Manhattan Head first humanity Pause at a light Then flow through the streets of the city They seem oblivious To a soft spring rain Like an English rain So light, yet endless From a leaden sky
Neil Peart (Ghost Rider: Travels on the Healing Road)
Getting through Lake Tahoe was already like L.A., with construction all over the place,
Neil Peart (Ghost Rider: Travels on the Healing Road)
fell into their open arms.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Solo Travel?? Even if you taking yourself along, you are traveling with a huge crowd
Ansh - The Mystic Rider
It is said that pearls, being organic, become imbued with the essence of their wearer, and thus are the most personal of jewels,
Neil Peart (Ghost Rider: Travels on the Healing Road)
You know, I used to think, ‘Life is great, but people suck,’ but now I’ve had to learn the opposite, ‘Life sucks, but people are great.
Neil Peart (Ghost Rider: Travels on the Healing Road)
That’s not hunting,” I wrote, “that’s just shooting.
Neil Peart (Ghost Rider: Travels on the Healing Road)
...I decided I didn't want to give offense to any believers by trumpeting my "non-belief", even though they might not show me the same courtesy.
Neil Peart (Ghost Rider: Travels on the Healing Road)
setting off,” when the world both contracts and expands at the same time.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Man, you have to admit, your future’s so bright, we don’t have to wear shades. Just rainsuits . . .
Neil Peart (Ghost Rider: Travels on the Healing Road)
On the road, where change is continuous and visible, time is not; rather it is something the rider only infers. Time is not the traveler's fourth dimension - change is.
William Least Heat-Moon (Blue Highways)
And me, I’ve got to start all over. Not only build a new life, but construct a new person. I call my old self “that other guy,” for I share nothing but his memories, and everything he ever liked I’ve had to discover all over again, one by one, so that I’ve held on to, for example, reading, motorcycling, and birdwatching, but I’m not yet sure about art or music (I can look at it or listen to it, but not with the same “engagement” I used to), and I have no interest in work, charity, world events, or anybody I don’t know. In my present gypsy life, I encounter a lot of people every day, and some of them I instinctively like and respond to in a brief encounter at a gas station or small-town diner, but for the most part I look around at ugly and mean-spirited people and think, “Why are you alive?
Neil Peart (Ghost Rider: Travels on the Healing Road)
cramped compartment for the overhead lockers. As Alex reached up for his own travel bag, the Game Boy almost fell out of his grip. Troy’s head snapped around. Alex saw a flash of alarm in her eyes. “Be careful with that!” she
Anthony Horowitz (Skeleton Key (Alex Rider, #3))
I die, and yet not dies in me The ardour of my love for Thee, Nor hath Thy Love, my only goal, Assuaged the fever of my soul. To Thee alone my spirit cries; In Thee my whole ambition lies, And still Thy Wealth is far above The poverty of my small love. I turn to Thee in my request, And seek in Thee my final rest; To Thee my loud lament is brought, Thou dwellest in my secret thought. However long my sickness be, This wearisome infirmity, Never to men will I declare The burden Thou has made me bear. To Thee alone is manifest The heavy labour of my breast, Else never kin nor neighbors know The brimming measure of my woe. A fever burns below my heart And ravages my every part; It hath destroyed my strength and stay, And smouldered all my soul away. Guidest Thou not upon the road The rider wearied by his load, Delivering from the steeps of death The traveller as he wandereth? Didst Thou not light a beacon too For them that found the Guidance true But carried not within their hand The faintest glimmer of its brand? O then to me Thy Favour give That, so attended, I may live, And overwhelm with ease from Thee The rigor of my poverty.
ذو النون المصري (Sufism: An Account of the Mystics of Islam)
I remember thinking, “How does anyone survive something like this? And if they do, what kind of person comes out the other end?” I didn’t know, but throughout that dark time of grief, sorrow, desolation, and complete despair, something in me seemed determined to carry on. Something would come up.
Neil Peart (Ghost Rider: Travels on the Healing Road)
reasons of his own. After Eragon agrees, Brom gives him the sword Zar’roc, which was once a Rider’s blade, though he refuses to say how he acquired it. Eragon learns much from Brom during their travels, including how to fight with swords and use magic. Eventually, they lose the Ra’zac’s trail and visit the city of Teirm, where Brom believes
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
She had quoted a Bene Gesserit proverb to him: “When religion and politics travel in the same cart, the riders believe nothing can stand in their way. Their movement becomes headlong—faster and faster and faster. They put aside all thought of obstacles and forget that a precipice does not show itself to the man in a blind rush until it’s too late.” Paul
Frank Herbert (Dune)
Enough of this ruminatory bullshit,” Sargent said. “You’d think I had a crystal ball, knew the future. You’d think thee roads couldn’t still fork this way and that, sitting there, waiting for you and your fellow travelers, the good, the bad and the scuzzy, to make your choices and move on down the blacktop. Palaver with you two is through for now. All shall be revealed in time - which is, as I’ve said before, a fluid thing. No more spiritual fuckery. We ride where there are roads. Time to get on with it. Into the mist boys.
David Bain (Riders Where There Are No Roads (Riders of the Weird West, #1))
How heavy do I journey on the way,   When what I seek, my weary travel's end,   Doth teach that ease and that repose to say,   'Thus far the miles are measured from thy friend!'   The beast that bears me, tired with my woe,   Plods dully on, to bear that weight in me,   As if by some instinct the wretch did know   His rider lov'd not speed, being made from thee:   The bloody spur cannot provoke him on,   That sometimes anger thrusts into his hide,   Which heavily he answers with a groan,   More sharp to me than spurring to his side;     For that same groan doth put this in my mind,     My grief lies onward, and my joy behind.
William Shakespeare (Shakespeare's Sonnets)
If there's anything that teaching teaches teachers, it's recognition of one's limits in reaching others. Call it the reach of the teach. For every writer, most of the world is deaf. Lucy once said, "Face it -it's a busy world out there." The bus travelers made clear the reader I hoped for was not just anyone but rather someone I'd like to travel with: tolerant, curious, sense of humored, lover of language, generous of spirit; in short, somebody I could learn from. In the Ghost, maybe that someone was the blue-roads rider -or was it a writer? Whoever it was, I had to address the reader as if a rider, for in the end, the final power in any story lies not in the mind of the teller but in the imagination of the listener.
William Least Heat-Moon (Writing BLUE HIGHWAYS: The Story of How a Book Happened)
At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.
Johannes V. Jensen (Kongens fald)
gratified her; it was only right that her food should fear her. If ever she should fear it, she would know it was her time to die. A league farther upstream, the Varden were packed against the Jiet River like a herd of red deer against the edge of a cliff. The Varden had arrived at the crossing yesterday, and since then, perhaps a third of the men-who-were-friends and the Urgals-who-were-friends and the horses-she-must-not-eat had forded the river. The army moved so slowly, she sometimes wondered how humans ever had time to do anything other than travel, considering how short their lives were. It would be much more convenient if they could fly, she thought, and wondered why they did not choose to. Flying was so easy, it never ceased to puzzle her why any creature would remain earthbound. Even Eragon retained his attachment to the soft-hard-ground, when she knew he could join her in the sky at any time merely by uttering a few words in the ancient language. But then, she did not always understand the actions of those who tottered about on two legs, whether they had round ears, pointed ears, or horns or were so short she could squash them under her feet. A flicker of movement to the northeast caught her attention, and she angled toward it, curious. She saw a line of five-and-forty weary horses trudging toward the Varden. Most of the horses were rider-less; therefore, it did not occur to her until another half hour had elapsed and she could make out the faces of the men in the saddles that the group might be Roran’s returning from their raid. She wondered what had happened to so
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
And sometimes it is possible to rouse them from a seemingly meaningless life with a really good story,' Jane said, 'one that will reach their hearts and wake them up.' 'Can you give me an example?' 'One of my very favorites is fictitious but seems so appropriate now. It is Lord of the Rings.' 'What makes it such an appropriate story for the hopeless?' I asked. 'Because the might the heroes were up against seemed utterly invincible-the might of Mordor, the orcs, and the Black Riders on horses and then on those huge flying beasts. And Samwise and Frodo, two little hobbits, traveling into the heart of danger on their own..... I think it provides us with a blueprint of how we survive and turn around climate change and loos of biodiversity, poverty, racism, discrimination, greed, and corruption. The Dark Lord of Mordor and the Black Riders symbolize all the wickedness we have to fight. The fellowship of the Ring includes all those who are fighting the good fight-we have to work so hard to grow the fellowship around the world.' Jane pointed out that the land of Middle-earth was polluted by the destructive industry of that world in the same way that our environment is devastated today. And she reminded me that Lady Galadriel had given Sam a little box of earth from her orchard. 'Do you remember how he used that gift when he surveyed the devastated landscape after the Dark Lord was finally defeated? He started sprinkling little pinches of the earth all around the country-and everywhere nature sprang back to life. Well, that earth represents all the projects people are doing to restore habitats on planet Earth.
Jane Goodall (The Book of Hope: A Survival Guide for Trying Times)
He had been a timid child in New York City, cut off from schoolboy society by illness, wealth, and private tutors. Inspired by a leonine father, he had labored with weights to build up his strength. Simultaneously, he had built up his courage “by sheer dint of practicing fearlessness.” With every ounce of new muscle, with every point scored over pugilistic, romantic, and political rivals, his personal impetus (likened by many observers to that of a steam train) had accelerated. Experiences had flashed by him in such number that he was obviously destined to travel a larger landscape of life than were his fellows. He had been a published author at eighteen, a husband at twenty-two, an acclaimed historian and New York State Assemblyman at twenty-three, a father and a widower at twenty-five, a ranchman at twenty-six, a candidate for Mayor of New York at twenty-seven, a husband again at twenty-eight, a Civil Service Commissioner of the United States at thirty. By then he was producing book after book, and child after child, and cultivating every scientist, politician, artist, and intellectual of repute in Washington. His career had gathered further speed: Police Commissioner of New York City at thirty-six, Assistant Secretary of the Navy at thirty-eight, Colonel of the First U.S. Volunteer Cavalry, the “Rough Riders,” at thirty-nine. At last, in Cuba, had come the consummating “crowded hour.” A rush, a roar, the sting of his own blood, a surge toward the sky, a smoking pistol in his hand, a soldier in light blue doubling up “neatly as a jackrabbit” … When the smoke cleared, he had found himself atop Kettle Hill on the Heights of San Juan, with a vanquished empire at his feet.
Edmund Morris (Theodore Rex)
In the evening he saddled his horse and rode out west from the house. The wind was much abated and it was very cold and the sun sat blood red and elliptic under the reefs of bloodred cloud before him. He rode where he would always choose to ride, out where the western fork of the old Comanche road coming down out of the Kiowa country to the north passed through the westernmost section of the ranch and you could see the faint trace of it bearing south over the low prairie that lay between the north and middle forks of the Concho River. At the hour he'd always choose when the shadows were long and the ancient road was shaped before him in the rose and canted light like a dream of the past where the painted ponies and the riders of that lost nation came down out of the north with their faces chalked and their long hair plaited and each armed for war which was their life and the women and children and women with children at their breasts all of them pledged in blood and redeemable in blood only. When the wind was in the north you could hear them, the horses and the breath of the horses and the horses' hooves that were shod in rawhide and the rattle of lances and the constant drag of the travois poles in the sand like the passing of some enormous serpent and the young boys naked on wild horses jaunty as circus riders and hazing wild horses before them and the dogs trotting with their tongues aloll and footslaves following half naked and sorely burdened an above all the low chant of their traveling song which the riders sang as they rode, nation and ghost of nation passing in a soft chorale across that mineral waste to darkness bearing lost to all history and all remembrance like a grail the sum of their secular and transitory and violent lives.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
Watching, the ancient bull whale was swept up in memories of his own birthing. His mother had been savaged by sharks three months later; crying over her in the shallows of Hawaiki, he had been succoured by the golden human who became his master. The human had heard the young whale’s distress and had come into the sea, playing a flute. The sound was plangent and sad as he tried to communicate his oneness with the young whale’s mourning. Quite without the musician knowing it, the melodic patterns of the flute’s phrases imitated the whalesong of comfort. The young whale drew nearer to the human, who cradled him and pressed noses with the orphan in greeting. When the herd travelled onward, the young whale remained and grew under the tutelage of his master. The bull whale had become handsome and virile, and he had loved his master. In the early days his master would play the flute and the whale would come to the call. Even in his lumbering years of age the whale would remember his adolescence and his master; at such moments he would send long, undulating songs of mourning through the lambent water. The elderly females would swim to him hastily, for they loved him, and gently in the dappled warmth they would minister to him. In a welter of sonics, the ancient bull whale would communicate his nostalgia. And then, in the echoing water, he would hear his master’s flute. Straight away the whale would cease his feeding and try to leap out of the sea, as he used to when he was younger and able to speed toward his master. As the years had burgeoned the happiness of those days was like a siren call to the ancient bull whale. But his elderly females were fearful; for them, that rhapsody of adolescence, that song of the flute, seemed only to signify that their leader was turning his thoughts to the dangerous islands to the south-west.
Witi Ihimaera (The Whale Rider)
2/ KICK YOUR OWN ASS, GENTLY. I’ve been trying to set a few modest goals, both daily and weekly. In the course of a day, it’s good to get some stupid things accomplished, and off your “list.” I guess because it leaves you feeling that you and the “rest of the world” still have something to do with each other! Like today, for example, I can think back on sending a fax to my brother on his birthday, leaving a phone message for Brutus at his “hotel” on his birthday, phoning my Dad on his birthday (yep, all on the same day), then driving to Morin Heights to the ATM machine, to St. Sauveur for grocery shopping, and planning all that so I’d still have enough daylight left to go snowshoeing in the woods. And then I could drink. Not a high-pressure day, and hardly earth-shaking activities, but I laid them out for myself and did them (even though tempted to “not bother” with each of them at one point or another). I gave myself a gentle kick in the ass when necessary, or cursed myself out for a lazy fool, and because of all that, I consider today a satisfactory day. Everything that needed to be done got done. And by “needs” I certainly include taking my little baby soul out for a ride. And drinking. And there are little side benefits from such activities, like when the cashier in the grocery store wished me a genuinely-pleasant “Bonjour,” and I forced myself to look at her and return the greeting. The world still seems unreal to me, but I try not to purposely avoid contact with pleasant strangers. It wouldn’t be polite! Another “little goal” for me right now is spending an hour or two at the desk every morning, writing a letter or a fax to someone like you, or Brutus, or Danny, who I want to reach out to, or conversely, to someone I’ve been out of touch with for a long while, maybe for a year-and-a-half or two years. These are friends that I’ve decided I still value, and that I want as part of my “new life,” whatever it may be. It doesn’t really matter what, but just so you can say that you changed something in the course of your day: a neglected friend is no longer neglected; an errand that ought to be dealt with has been dealt with.
Neil Peart (Ghost Rider: Travels on the Healing Road)
In all your travels around Alagaësia, with Angela and without, you’ve never found anything that might explain this mystery? Or even just something that might be of use against Galbatorix.” I found you, didn’t I? “That’s not funny,” growled Eragon. “Blast it, you have to know something more.” I do not. “Think, then! If I can’t find some sort of help against Galbatorix, we’ll lose, Solembum. We’ll lose, and most of the Varden, including the werecats, will die.” Solembum hissed again. What do you expect of me, Eragon? I cannot invent help where none exists. Read the book. “We’ll be at Urû’baen before I can finish it. The book might as well not exist.” Solembum’s ears flattened again. That is not my fault. “I don’t care if it is. I just want a way to keep us from ending up dead or enslaved. Think! You have to know something else!” Solembum uttered a low, warbling growl. I do not. And-- “You have to, or we’re doomed!” Even as Eragon uttered the words, he saw a change come over the werecat. Solembum’s ears swiveled until they were upright, his whiskers relaxed, and his gaze softened, losing its hard-edged brilliance. At the same time, the werecat’s mind grew unusually empty, as if his consciousness had been stilled or removed. Eragon froze, uncertain. Then he felt Solembum say, with thoughts that were as flat and colorless as a pool of water beneath a wintry, cloud-ridden sky: Chapter forty-seven. Page three. Start with the second passage thereon. Solembum’s gaze sharpened, and his ears returned to their previous position. What? he said with obvious irritation. Why are you gaping at me like that? “What did you just say?” I said that I do not know anything else. And that-- “No, no, the other thing, about the chapter and page.” Do not toy with me. I said no such thing. “You did.” Solembum studied him for several seconds. Then, with thoughts that were overly calm, he said, Tell me exactly what you heard, Dragon Rider. So, Eragon repeated the words as closely as he could. When he finished, the werecat was silent for a while. I have no memory of that, he said. “What do you think it means?” It means that we should look and see what’s on page three of chapter forty-seven.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
But peace, too, is a living thing and like all life it must wax and wane, accommodate, withstand trials, and undergo changes. Such was the case with the peace Josephus Famulus enjoyed. It was unstable, visible one moment, gone the next, sometimes near as a candle carried in the hand, sometimes as remote as a star in the wintry sky. And in time a new and special kind of sin and temptation more and more often made life difficult for him. It was not a strong, passionate emotion such as indignation or a sudden rush of instinctual urges. Rather, it seemed to be the opposite. It was a feeling very easy to bear in its initial stages, for it was scarcely perceptible; a condition without any real pain or deprivation, a slack, luke-warm, tedious state of the soul which could only be described in negative terms as a vanishing, a waning, and finally a complete absence of joy. There are days when the sun does not shine and the rain does not pour, but the sky sinks quietly into itself, wraps itself up, is gray but not black, sultry, but not with the tension of an imminent thunderstorm. Gradually, Joseph's days became like this as he approached old age. Less and less could he distinguish the mornings from the evenings, feast days from ordinary days, hours of rapture from hours of dejection. Everything ran sluggishly long in limp tedium and joylessness. This is old age, he thought sadly. He was sad because he had expected aging and the gradual extinction of his passions to bring a brightening and easing of his life, to take him a step nearer to harmony and mature peace of soul, and now age seemed to be disappointing and cheating him by offering nothing but this weary, gray, joyless emptiness, this feeling of chronic satiation. Above all he felt sated: by sheer existence, by breathing, by sleep at night, by life in his cave on the edge of the little oasis, by the eternal round of evenings and mornings, by the passing of travelers and pilgrims, camel riders and donkey riders, and most of all by the people who came to visit him, by those foolish, anxious, and childishly credulous people who had this craving to tell him about their lives, their sins and their fears, their temptations and self-accusations. Sometimes it all seemed to him like the small spring of water that collected in its stone basin in the oasis, flowed through grass for a while, forming a small brook, and then flowed on out into the desert sands, where after a brief course it dried up and vanished. Similarly, all these confessions, these inventories of sins, these lives, these torments of conscience, big and small, serious and vain, all of them came pouring into his ear, by the dozens, by the hundreds, more and more of them. But his ear was not dead like the desert sands. His ear was alive and could not drink, swallow, and absorb forever. It felt fatigued, abused, glutted. It longed for the flow and splashing of words, confessions, anxieties, charges, self-condemnations to cease; it longed for peace, death, and stillness to take the place of this endless flow.
Hermann Hesse (The Glass Bead Game)
For abolitionists, who advocated the immediate emancipation of all slaves, and free-soilers, who simply opposed the spread of slavery into the western territories, the existence of such a group proved the destructive effect of slavery on social morals and human industry and the inordinate economic power of the planter elite. It also served as an implicit warning of the disastrous consequences of the spread of slavery into nonslaveholding regions and its debilitating effect on the work ethic of otherwise stalwart white farmers. For slave-holders, particularly those at the apex of southern society, the idleness of rural working-class whites justified the “peculiar institution” and made clear the need for a planter-led economic and social hierarchy. Planter D. R. Hundley wrote, for example, that “poor whites” were “the laziest two-legged animals that walk erect on the face of the earth . . . [and exhibited] a natural stupidity or dullness of intellect that almost surpasses belief.” To abolitionists and proslavery ideologues alike, therefore, southern poor whites utterly lacked industry, intelligence, social propriety, and honor, the essential ingredients for political and social equality and thus should not be trusted with political decision-making.7 Northern and southern middle- to upper-class commentators perceived this class of people as so utterly degraded that they challenged their assertion of “whiteness,” the one claim southern working-class whites had to political equality, “normative” status, and social superiority to free and enslaved blacks. Like Byrd and the author of “The Carolina Sand-Hillers,” journalists and travel writers repeatedly compared “poor whites” unfavorably to other supposedly inferior people of color, be they enslaved blacks, Indians, or even Mexican peasants. Through a variety of arguments, including genetic inferiority, excessive interbreeding with “nonwhites,” and environmental factors, such as the destructive influences of the southern climate, rampant disease, and a woefully inadequate diet, these writers asserted that “poor whites” were neither truly “white” nor clearly “nonwhite” but instead, a separate “‘Cracker’ race” in all ways so debased that they had no capacity for social advancement. This attitude is clear in an 1866 article from the Boston Daily Advertiser that proclaimed that this social class had reached depths of “[s]uch filthy poverty, such foul ignorance, such idiotic imbecility” that they could never be truly civilized. “[T]ime and effort will lead the negro up to intelligent manhood,” the author concluded, “but I almost doubt if it will be possible to ever lift this ‘white trash’ into respectability.”8 Contempt for working-class whites was almost as strong among African Americans as among middle-class and elite whites. Enslaved African Americans invented derogatory terms containing explicit versions of “whiteness” such as “(poor) white trash” and “poor buckra” (a derivative form of the West African word for “white man”). Although relations between slaves and non-elite southern whites were complex, many slaves deeply resented the role of poor whites as overseers and patrol riders and adopted their owners’ view that elite southern planters were socially and morally superior. Many also believed that blacks, enslaved and free, formed a middle layer of social respectability between the planter aristocracy at the top of the social system and the “poor whites” at the bottom. The construction of a “poor white” and “white trash” social and cultural category thus allowed black slaves to carve out a space of social superiority, as well as permitted the white planter elite to justify enormous economic and social inequality among whites in a supposedly democratic society.9
Anthony Harkins (Hillbilly: A Cultural History of an American Icon)
Night is my time...am not a vampire but i am a Night Rider....!
Nadeem v Abdu
My laird, two riders are at the front gates and insist to speak with only ye. They also have a woman traveling with them.
Victoria Roberts (Temptation in a Kilt (Bad Boys of the Highlands, #1))
New Jersey
Neil Peart (Ghost Rider: Travels on the Healing Road)
Nor was this the last time the two riders were seen. Travelers on the road between Salisbury and Charlotte often saw the riders. Sometimes they were traveling away from their destination. One stagecoach driver said he had “given them directions so many times that he was beginning to resent the delays every time he met them.” Particularly wherever the road forked, the forms of the two couriers were often seen huddled together looking at their map to decide which fork to take. And anyone who chanced by was always hailed and asked the way to Charlottesburg. “We must be there by morning,” one of the men would invariably say. Drivers of the stagecoaches found that their horses became fidgety and nervous when approaching the riders, as if they sensed the two shadowy figures no longer belonged to the natural world. —The King’s Messengers
Nancy Roberts (This Haunted Land)
hay farms, scrub forest, and some bald-looking areas of
Neil Peart (Ghost Rider: Travels on the Healing Road)
That one,” Ferox said, pointing at Johann with a claw. “I can see he’s communicated like that before and I think I can speak to his mind. Let me see.” “After a moment, Johann broke from the line and approached the dragon. “You did ask me to come closer, didn’t you?” he asked. “Yes, I can speak to this one. He can be my rider.
Tom Larcombe (Merlin's Travels (An Untimely Error, #2))
That one,” Ferox said, pointing at Johann with a claw. “I can see he’s communicated like that before and I think I can speak to his mind. Let me see.” After a moment, Johann broke from the line and approached the dragon. “You did ask me to come closer, didn’t you?” he asked. “Yes, I can speak to this one. He can be my rider.
Tom Larcombe (Merlin's Travels (An Untimely Error, #2))
Bizarre and Surprising Insights—Consumer Behavior Insight Organization Suggested Explanation7 Guys literally drool over sports cars. Male college student subjects produce measurably more saliva when presented with images of sports cars or money. Northwestern University Kellogg School of Management Consumer impulses are physiological cousins of hunger. If you buy diapers, you are more likely to also buy beer. A pharmacy chain found this across 90 days of evening shopping across dozens of outlets (urban myth to some, but based on reported results). Osco Drug Daddy needs a beer. Dolls and candy bars. Sixty percent of customers who buy a Barbie doll buy one of three types of candy bars. Walmart Kids come along for errands. Pop-Tarts before a hurricane. Prehurricane, Strawberry Pop-Tart sales increased about sevenfold. Walmart In preparation before an act of nature, people stock up on comfort or nonperishable foods. Staplers reveal hires. The purchase of a stapler often accompanies the purchase of paper, waste baskets, scissors, paper clips, folders, and so on. A large retailer Stapler purchases are often a part of a complete office kit for a new employee. Higher crime, more Uber rides. In San Francisco, the areas with the most prostitution, alcohol, theft, and burglary are most positively correlated with Uber trips. Uber “We hypothesized that crime should be a proxy for nonresidential population.…Uber riders are not causing more crime. Right, guys?” Mac users book more expensive hotels. Orbitz users on an Apple Mac spend up to 30 percent more than Windows users when booking a hotel reservation. Orbitz applies this insight, altering displayed options according to your operating system. Orbitz Macs are often more expensive than Windows computers, so Mac users may on average have greater financial resources. Your inclination to buy varies by time of day. For retail websites, the peak is 8:00 PM; for dating, late at night; for finance, around 1:00 PM; for travel, just after 10:00 AM. This is not the amount of website traffic, but the propensity to buy of those who are already on the website. Survey of websites The impetus to complete certain kinds of transactions is higher during certain times of day. Your e-mail address reveals your level of commitment. Customers who register for a free account with an Earthlink.com e-mail address are almost five times more likely to convert to a paid, premium-level membership than those with a Hotmail.com e-mail address. An online dating website Disclosing permanent or primary e-mail accounts reveals a longer-term intention. Banner ads affect you more than you think. Although you may feel you've learned to ignore them, people who see a merchant's banner ad are 61 percent more likely to subsequently perform a related search, and this drives a 249 percent increase in clicks on the merchant's paid textual ads in the search results. Yahoo! Advertising exerts a subconscious effect. Companies win by not prompting customers to think. Contacting actively engaged customers can backfire—direct mailing financial service customers who have already opened several accounts decreases the chances they will open more accounts (more details in Chapter 7).
Eric Siegel (Predictive Analytics: The Power to Predict Who Will Click, Buy, Lie, or Die)
When religion and politics travel in the same cart, the riders believe nothing can stand in their way. Their movement becomes headlong—faster and faster and faster. They put aside all thought of obstacles and forget that a precipice does not show itself to the man in a blind rush until it’s too late.
Frank Herbert (Dune (Dune, #1))
authority required three things: the ability to identify cases in a timely fashion, and so determine the infection’s direction of travel; an understanding of how the disease spread (by water? air?
Laura Spinney (Pale Rider: The Spanish Flu of 1918 and How It Changed the World)
I was born a gentleman, though I have been nothing but a poor travelling trader and hunter all my life. Whether I have remained so I known not, you must judge of that. Heaven knows I've tried.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
Travel is my world Sex is nature Love is life
Murfi (MyMan)
If travelling was free, you won't see me again
Murfi (MyMan)
The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe. After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist. “Ai-ee,” he whispered. “You learn quick.” Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.” In that moment, what she felt for him went beyond hate, a black, churning ugliness that made her want to seize the lance he brandished and skewer him with it. I claim her. He planned to take her, then? Her gaze traveled from his woven wool belt of army blue to the muscular tracks that rippled in his belly. The hilt of his knife protruded from a leather scabbard on his hip. How many soldiers had he killed? One, a hundred, perhaps a thousand? Her hair hung from his belt, trailing in a spray of gold down the dark leather on his pants. She felt certain she had never seen him before. Yet he had her hair. The Indian down by the river must have given it to him, and he had come from God only knew where to get her. With a start, she noticed the warrior had stretched out a hand to her. A wide leather band encircled his wrist to protect him from his bowstring. Staring at his dark palm and strong fingers, she shook her head in denial. “Hi, tai,” he said in a low voice. Guiding his stallion closer, he bent to touch her chin. Her eyelid quivered when he brushed at a tear on her cheek. “Ka taikay, ka taikay, Tohobt Nabituh,” he whispered. The words made no sense. Puzzled, she met his gaze. “Tosa ehr-mahr.” Raising his hand, he showed her the glistening wetness on his fingertips. “Silver rain, tosa ehr-mahr.” He compared her tears to silver rain? She searched his eyes for some trace of humanity and found none. After a moment he straightened, raising his lance in what looked like a salute. “Suvate!” he yelled, his glittering eyes sweeping the line of encircling riders. A low rumble of answering voices replied, “Suvate!
Catherine Anderson (Comanche Moon (Comanche, #1))
He could handle his former lover under his roof for a couple of days. No sweat, right? But when Trevor’s eyes caught Edgard’s, the punch of lust whomped him as sharply as a hoof to the belly, making him just as breathless. Dammit, don’t look at me that way, Ed. Please. Edgard banked the hunger in those topaz-colored eyes and Trevor silently breathed a sigh of relief. The blank stare was a reaction they’d both mastered during the years they’d spent together on the road. If sponsors, promoters or fans caught wind of his and Edgard’s nocturnal proclivities they would’ve been blackballed. Or would’ve been beat to shit on a regular basis if the other rodeo cowboys suspected he and Edgard weren’t merely traveling partners. There’d been no choice but to become discreet. Nothing discreet about the way Edgard had eyeballed him. “Trev, hon, you comin’?” “Go on. I’ll be right in after I take care of this motor.” He retreated to the barn, needing to find his balance after being knocked sideways. Edgard was here. Trevor’s gut clenched remembering the last time he’d seen the man. Remembering the misery on Edgard’s face, knowing his face reflected the same desolation when they’d said goodbye three and a half years ago. Crippled by pain, fear, and loss, Trevor hadn’t had the balls to wrap Edgard in his arms one last time. He’d snapped off some dumbass comment and done nothing but sit on his ass in the horse trailer like a lump of moldy shit and watched him go. No. Let him go. He’d gotten drunk that night. And every night after for damn near six months. He’d f**ked every woman who’d crossed his path. Sex and booze did nothing to chase away the sense he’d made a huge mistake. Or on the really bad nights, his all-too smug relief that he’d never really felt “that way” about Edgard and he was glad the too-tempting bastard was gone for good.
Lorelei James (Rough, Raw and Ready (Rough Riders, #5))
Eventually, Edgard said, “She doesn’t know anything about me. Not even that we were roping partners. Not that we were…” He looked at Trevor expectantly. “No.” Trevor quickly glanced at the living room where Chassie was chattering away. “You surprised?” “Maybe that she isn’t aware of our official association as roping partners. There was no shame in that. We were damn good together, Trev.” The word shame echoed like a slap. As good as they were together, it’d never been enough, in an official capacity or behind closed doors. “What are you really doin’ here?” Edgard didn’t answer right away. “I don’t know. Feeling restless. Had the urge to travel.” “Wyoming ain’t exactly an exotic port of call.” “You think I don’t realize that? You think I wouldn’t rather be someplace else? But something…” Edgard lowered his voice. “Ah, f**k it.” “What?” “Want the truth? Or would you rather I lie?” “The truth.” “Truth between us? That’s refreshing.” Edgard’s gaze trapped his. “I’m here because of you.” Trevor’s heart alternately stopped and soared, even when his answer was an indiscernible growl. “For Christsake, Ed. What the hell am I supposed to say to that? With my wife in the next room?” “You’re making a big deal out of this. She thinks we’re friends, which ain’t a lie. We were partners before we were…” Edgard gestured distractedly. “If she gets the wrong idea, it won’t be from me.” “Maybe I’m gettin’ the wrong idea. The last thing you said to me when you f**kin’ left me was that you weren’t ever comin’ back. And you made it goddamn clear you didn’t want to be my friend. So why are you here?” Pause. He traced the rim of his coffee cup with a shaking fingertip. “I heard about you gettin’ married.” “That happened over a year ago and you came all the way from Brazil to congratulate me in person? Now?” “No.” Edgard didn’t seem to know what to do with his hands. He raked his fingers through his hair. His voice was barely audible. “Will it piss you off if I admit I was curious about whether you’re really happy, meu amore?” My love. My ass. Trevor snapped, “Yes.” “Yes, you’re pissed off? Or yes, you’re happy?” “Both.” “Then this is gonna piss you off even more.” “What?” “Years and miles haven’t changed anything between us and you goddamn well know it.” Trevor looked up; Edgard’s golden eyes were laser beams slicing him open. “It don’t matter. If you can’t be my friend while you’re in my house, walk out the f**kin’ door. I will not allow either one of us to hurt my wife. Got it?” “Yeah.” “Good. And I’m done talkin’ about this shit so don’t bring it up again. Ever.
Lorelei James (Rough, Raw and Ready (Rough Riders, #5))
Bloody evening sky A lonely boat travelled on the ocean of huge waves Headed in search of new land A child was born incognito People threw up everywhere No land was visible No No Conflict of free will and pre-destination; what choices could this child exercise that he was born on a boat full of riders destined to go God knows where ...?.
Mehreen Ahmed (Moirae)
When religion and politics travel in the same cart, the riders believe nothing can stand in their way. Their movement becomes headlong—faster and faster and faster. They put aside all thoughts of obstacles and forget that a precipice does not show itself to the man in a blind rush until it’s too late.
Frank Herbert (Dune (Dune Chronicles, #1))
When religion and politics travel in the same cart, the riders believe nothing can stand in their way.
Frank Herbert (Dune (Dune, #1))
She had quoted a Bene Gesserit proverb to him: “When religion and politics travel in the same cart, the riders believe nothing can stand in their way. Their movement becomes headlong—faster and faster and faster. They put aside all thought of obstacles and forget that a precipice does not show itself to the man in a blind rush until it’s too late.
Frank Herbert (Frank Herbert's Dune Saga Collection: Books 1 - 6)
If you want to make people behave more ethically, there are two ways you can go. You can change the elephant, which takes a long time and is hard to do. Or, to borrow an idea from the book Switch, by Chip Heath and Dan Heath,54 you can change the path that the elephant and rider find themselves traveling on. You can make minor and inexpensive tweaks to the environment, which can produce big increases in ethical behavior.
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
She had quoted a Bene Gesserit proverb to him: “When religion and politics travel in the same cart, the riders believe nothing can stand in their way. Their movement becomes headlong—faster and faster and faster. They put aside all thoughts of obstacles and forget that a precipice does not show itself to the man in a blind rush until it’s too late.
Frank Herbert (The Great Dune Trilogy)
Their destiny – hers, his, that of every descendant from the Cave – would be the same as the thistle the image of which obsessed Tolstoy, the same stubborn thistle he sought out in the Caucasian mountains. He was travelling in a scrap metal car along the muddy track to Shatoi and caught a glimpse, beneath them, of tanks and vehicles incinerated in an ambush similar to the one set for the Tsar’s soldiers a century and a half earlier. He witnessed once more history’s stupid repetitions, its obtuse cruelty.
Juan Goytisolo (Blind Rider)
the morning of April 1, 1882, our Circle Dot herd started on its long tramp to the Blackfoot Agency in Montana. With six men on each side, and the herd strung out for three quarters of a mile, it could only be compared to some mythical serpent or Chinese dragon, as it moved forward on its sinuous, snail-like course. Two riders, known as point men, rode out and well back from the lead cattle, and by riding forward and closing in as occasion required, directed the course of the herd. The main body of the herd trailed along behind the leaders like an army in loose marching order, guarded by outriders, known as swing men, who rode well out from the advancing column, warding off range cattle and seeing that none of the herd wandered away or dropped out. There was no driving to do; the cattle moved of their own free will as in ordinary travel.
Andy Adams (10 Masterpieces of Western Stories)
Time traveller He calls himself a time traveller, He travels anywhere and anytime, He is a very adept traveller, Who knows how to bypass time, We once met suddenly, When the traveller was travelling the highway of life, He was pacing very efficiently, And that day I happened to be on the same highway of life, As I was about to cross a junction, He stopped there too, And enquired if I knew how this highway of life did function? “I may not know that better than you,” Was my polite and slow answer, “Ah haa, you appear to be a stranger on this highway, Come let me introduce you to few tricks old and quite a few newer, So, come let us go this way.” Said the traveller as we both stepped on the highway, And paced towards a destination of his choosing, It was a beautiful experience anyway, Though his few ways were very amusing, Then we stopped at a far away corner, And he pulled something from his bag, He was smart but this thing seemed smarter, He opened it and removed the safety tag, Now he turned to me and said, “Look at the sky, what do you see?” And I without being reticent said, “The sky, the Sun, that is all I see,” Looking at me he replied, “I thought so, and here is the fact, You see the sky and just the Sun, But you miss the real act, Time invested cannot be undone, You see I am a time traveller and I travel with it, Today on this highway, tomorrow on another, But I never miss the destination even by a bit, And as we were walking together, I asked you what you see when you look at the sky, You should have said, nothing, I have no time for it, Because the Sun will be there, so will be the sky, Being the time travellers we are not allowed to sit, We have to keep on moving and always seeking, Until we reach our destiny, Now this for you is my lesson worth heeding, If you are to find your final destiny, So let the Sun be, let the stars shine, and let the sky spread its magical blue, You keep travelling, moving, from one destination to another, Then you shall be a time traveller too, Like none other, like none other, So we switched lanes on the highway, He rode in a direction new, And now I was a lone rider on my life’s highway, Having realised what is known to just a few, That to be the time traveller, We should not wander but travel with a fixed aim, Because a true traveller is like a true lover, Who knows love and destiny are not a game, So for the real time traveller, it is always one destiny and one love, Though crossing many destinations is a part of it all, But the passion for love and to love, Supercedes the lure of destinations all! Now I often see the time traveller on the highways that I cross, We just bow our heads and move ahead, Because we have a destination to cross, To reach the final destiny of love, and in this pursuit we shall always stay ahead!
Javid Ahmad Tak (They Loved in 2075!)
The Nix were shape-shifters. Sometimes they appear as beautiful women, sitting combing their long blue hair, their voices luring sailors to death on the jagged rocks. Sometimes the Nix is a man playing a violin, a wild tune that the traveller must follow at his peril. The Nix can even appear as a horse, a brook horse it’s called in Scandinavian legend, a beautiful animal, snow white or coal black, that appears in the water by a ravine or a waterfall. If you climb on its back you can never dismount and the horse will gallop away to the ends of the earth. On dark nights you can hear the horse’s hoofbeats, steady and relentless, carrying its rider to hell.
Elly Griffiths (The Stone Circle (Ruth Galloway, #11))
The Crowned Snail by Stewart Stafford The vortex-shelled snail, Hermit rider of the dome, Silver trails cross the garden, This green, perennial home. Playing Russian Roulette, With giant feet or wheels, Survivor of stone attacks, Battering rams birds wield. A journey with no beginning, Nor a destination to travel to, Snug in his fortress castle, A crowned king, incognito. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
Perhaps then, the most important tools for achieving our goals, ('singing our song' as the poet might say), may be a wall calendar and a permanent marker. Just circle a date and decide to go. The decision to act becomes more important than all subsequent decisions because it is the one that made all the other decisions possible." (Molded on a Motorcycle, page 17)
Wes Stephenson (Molded on a Motorcycle: A Rider's Journey)
How heavy do I journey on the way, When what I seek, my weary travel’s end, Doth teach that ease and that repose to say, “Thus far the miles are measur’d from thy friend!” The beast that bears me, tired with my woe, Plods dully on, to bear that weight in me, As if by some instinct the wretch did know His rider lov’d not speed, being made from thee: The bloody spur cannot provoke him on That sometimes anger thrusts into his hide; Which heavily he answers with a groan, More sharp to me than spurring to his side; For that same groan doth put this in my mind; My grief lies onward, and my joy behind —William Shakespeare[
William Shakespeare
his coach would travel faster than an express rider
C.P. Odom (Determination)
चलते चलते सिर्फ दो टाइप के लोग मिलेंगे , कुछ आप की रास्ता आसान करदेंगे या फिर कुछ आप की रस्ते में मुश्किल पैदा करदेंगे | रोकने वाला ? कोई पैदा ही नई हुआ
Ansh - The Mystic Rider
A postal rider travelled only about three miles in an hour, and even the usual express rider could only manage to increase that to four miles.
C.P. Odom (Determination)
was the deep, cold distinction between fantasy and reality: No consequences.
Neil Peart (Ghost Rider: Travels on the Healing Road)
During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of evening drew on, within view of the melancholy House of Usher. This one sentence could well serve as a crash course in how to create atmosphere. First the bare wires of where and when are suggested (a country road; an autumn day in a time period when men still road on horseback to reach their destinations). Then lights and sound are added: the scene is dark and shadowy; a palpable silence reigns. It’s not a peaceful quiet, the kind that might soothe a tired traveler. Rather, it’s a disturbing silence described only in terms of what it lacks : “soundless.” Other details add to the foreboding: clouds hanging low; a lone rider. And beneath it all a subliminal music plays. I imagine an oboe or a cello, its tones mournfully forlorn. Soon it’s joined by a chorus of deep vowels whose tones are split by harsh consonants and stopped rhythms striking like gongs foretelling doom: dull, dark, soundless, day. Each phrase of the description, like each step of the rider’s horse, draws us deeper toward the gloom that awaits us. Nothing
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
Do you know who that is?” Ainsley asked. Swallowing as I placed the glass down, I nodded. “His name is...Hector. He’s Rider’s friend.” A slow smile curled her lips. “He’s yummy.” Just at that moment Hector laughed at something Rider must’ve said. The sound was deep and it traveled, turning several heads in the café. Hector was yummy. No doubt about that, but my gaze strayed to Rider. He smiled slightly, the dimple in his right cheek playing peekaboo. His lips moved and Hector glanced over at our table. Surprise flickered over his face and then his full lips kicked up when his gaze settled on Ainsley and stayed. “Me likie,” she whispered. “Does he have a girlfriend?” I shrugged, wondering if she still had a boyfriend.
Jennifer L. Armentrout (The Problem with Forever)
The nation was tightly webbed in a net of interlocking data-channels, and a time-traveler from a century ago would have been horrified by the degree to which confidential information had been rendered accessible to total strangers capable of adding two plus two.
John Brunner (The Shockwave Rider)
For want of a nail, the shoe was lost. For want of a shoe, the horse was lost. For want of a horse, the rider was lost.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
BONUS #3 - Top 100 Common Italian Verbs To make things easier, I’ve collated the top 100 Italian verbs that you will use more than any other verbs, especially in your early development. Essere - to be Avere - to have Fare - to make, do Andare - to go Potere - to be able to Dare - to give Volere - to want Venire - to come Dovere - to have to Stare - to be, stay Dire - to say Sapere - to know (how) Vedere - to see Mangiare - to eat Parlare - to talk Uscire - to go out, exit Prendere - to take Piacere - to like Leggere - to read Amare - to love Bere - to drink Finire - to finish Capire - to understand Arrivare - to arrive Scrivere - to write Partire - to leave, depart Mettere - to put, place, set Rimanere -to remain Dormire - to sleep Vivere - to live Conoscere - to know Sentire - to feel, sense, hear Cucinare - to cook Studiare - to study Giocare - to play Chiedere - to ask, demand Trovare - to find Credere - to believe Aprire - to open Lavorare - to work Pensare - to think Correre - to run Tenere - to keep Guardare - to watch Chiamare - to call Tornare - to return Salire - to go up Preferire - to prefer Morire - to die Aspettare - to wait Comprare - to buy Nascere - to be born Cercare - to search Perdere - to lose Cantare - to sing Passare - to pass Cominciare - to start Ascoltare - to listen Riuscire - to succeed Decidere - to decide Abitare - to live Cadere - to fall Chiudere - to close Lasciare - to leave Scegliere - to choose Portare - to carry Ricevere - to receive Lavare - to wash Rispondere - to answer Sedere - to sit Vincere - to win Pagare - to pay Alzare - to raise, lift Ridere - to laugh Scendere - to go down Incontrare - to encounter Offrire - to offer Imparare - to learn Dimenticare - to forget Svegliare - to wake up Crescere - to grow Vendere - to sell Divertire - to have fun Diventare - to become Porre, mettere - to place, put Entrare - to enter Temere - to fear Pulire - to clean Vestire - to dress Seguire - to follow Restare - to stay, remain Cambiare - to change Viaggiare - to travel Spegnere - to turn off Ricordare - to remember Apparire - to appear Aiutare - to help Tacere - to be quiet Spedire - to send, ship 100. Preparare - to prepare
Michele Frolla (Learn Italian FAST in Just 8 Hours! (How to): No Memorisation. No Homework. No Exercises! (Fluent Before You Fly))
Water Sports Package in Goa: Though you can enjoy individual rides like Parasailing , jet-ski etc according to your liking it is always profitable to opt for a complete package. The Full complete watersports package in Goa can cost effective and enjoyable. The Watersports package we provide includes – Parasailing, Jet-ski Ride, Bumper Ride,Banana Boat Ride and a Speed Boat Prasailing Explore Parasailing in Goa, one of the most fabulous water activities in Goa. Parasailing or para-ascending is an entertaining water sport with two significant instruments- parachute and speedboat. The speedboats speed ahead while the parachute is tied up to the speedboat. The parasail harness is at one end while the speedboat zooms ahead. Eventually the parachute flies high as the speedboat moves ahead. Imagine enjoying the feeling of flying in the sky with wonderful view of the sea. Banana ride Banana Boat Ride is one of the most fun-filled water sport activities and very popular with youngsters. If you are the sporty kinds and looking for adventure and thrill than definitely, you should try Banana Ride in Goa. The banana boat which is a bright yellow Banana shaped swinging ship attached to another speedboat and is pulled inside the water, lashing against waves, and the rider tries to turn it upside down. Banana Boat Ride is a great fun sport that will test your team spirit and stamina. For safety reasons every person willing to go for banana boat ride are supposed to wear a life jacket. Jet Ski Jet skiing in Goa is one of the most exciting and thrilling water sports done in Goa. Jet skiing is one of the perfect vacation activity with the friends and family. The average power of the jet skis is 100-135 hp, It is very easy to operate a jet ski, though you are usually accompanied by an instructor. Jet skiing should surely thrill you in Goa. Bumper Boat Ride A Bumper Boat ride is a very popular water sport activity in Goa. Suitable for all age groups, it's an exhilarating addition to the world of water sports. We provide one round of 500 meter or 600 meter max. Bumper ride is fun and captivating ride, in which a round pipe boat is coupled with a rate boat. As the speed of the boat increases, the bumper pipe jumps on the surface of the standard water. This is a totally amazing bumpy ride but the passengers get to almost fly on the waves. The joy filled shrieks are part and parcel of the bumper ride fun in Goa. Speed Boat Ride Most popular speed boat rides in Goa. The speed and the wind blowing against one's face gives a spine chilling experience. Breaking through the waves in a speed boat and feeling the whistling wind on your face is an exceptional experience. Cruising at more than 50 mph is like tearing the waves of the sea away, Speed Boat rides are sure to increase your heart beat and people find this activity very exciting so most of the tourists in Goa are attracted to speed boat rides. Location - Calangute, Baga, Candolim, Anjuna Timing - 10am - 5 pm Price - 1799/- Per Person Goa Waters[prts Activities +91 8432325222 /6222 Timming:10:00 AM-5:00PM
goa travel
principle of serendipitous confluence.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Standing in the mouth of the tube, he needed a few seconds for his body to feel as if it had come back together. There was always the sick feeling that came with fast travel, with being pulled apart and put back together.
Christine Feehan (Shadow Warrior (Shadow Riders, #4))
Everyone going traveled on foot—the donkeys were too valuable as pack animals to take riders.
Amanda H. Podany (Weavers, Scribes, and Kings: A New History of the Ancient Near East)
If the rider has a problem with the line of travel, then the horse never, under the best of circumstances, can be balanced because the rules will changes constantly for him. So, you should ride lines and figures with neurotic accuracy.
Beth Baumert (When Two Spines Align: Dressage Dynamics: Attain Remarkable Riding Rapport with Your Horse)
8 THE JOURNEY TO Skoda took three days, for the company traveled warily. Acuas told Decado that following the slaying of the soldiers, the Delnoch fortress commander had sent patrols throughout Skultik and the surrounding countryside, while to the south legion riders scouted the lands for rebels. Tenaka took time to speak with the leaders of the Thirty, for despite the many legends, he knew little of their order. According to the stories, the Thirty were semigods with awesome powers who chose to die in wars against evil. The last time they had appeared had been at Dros Delnoch, when the albino Serbitar had stood beside the Earl of Bronze and defied the hordes of Ulric, the greatest Nadir warlord of all time. But though Tenaka questioned the leaders, he learned little. They were courteous and polite—even distantly friendly—but their answers floated above his head like clouds beyond the grasp of common men. Decado was no different; he would merely smile and change the subject. Tenaka was not a religious man, yet he felt ill at ease among these warrior-priests and his mind constantly returned to the words of the blind seeker. “Of gold and ice and shadow …” The man had predicted that the trio would come together. And they had. He had also foreseen the danger of the Templars. On the first night of their journey Tenaka approached the elderly Abaddon, and the two walked away from the fire together. “I saw you in Skultik,” said Tenaka. “You were being attacked by a Joining.” “Yes. I apologize for the deceit.” “What was the reason for it?” “It was a test, my son. But not merely of you—of ourselves.” “I do not understand,” said Tenaka. “It is not necessary that you should. Do not fear us, Tenaka. We are here to help you in whatever way we can.” “Why?” “Because it serves the Source.” “Can you not answer me without religious riddles? You are men. What do you gain from this war?” “Nothing in this world.” “You know why I came here?” “Yes, my son. To purge your mind of guilt and grief, to drown it in Ceska’s blood.” “And now?” “Now you are caught up in forces beyond your control. Your grief is assuaged by your love for Renya, but the guilt remains. You did not obey the call—you left your friends to be butchered by the Joinings of Ceska. You ask yourself if it would have been different had you come. Could you have defeated the Joinings? You torment yourself thus.” “Could I have defeated the Joinings?” “No,
David Gemmell (The King Beyond the Gate (The Drenai Saga #2))