Rider Boy Quotes

We've searched our database for all the quotes and captions related to Rider Boy. Here they are! All 70 of them:

The Rider A boy told me if he roller-skated fast enough his loneliness couldn't catch up to him, the best reason I ever heard for trying to be a champion. What I wonder tonight pedaling hard down King William Street is if it translates to bicycles. A victory! To leave your loneliness panting behind you on some street corner while you float free into a cloud of sudden azaleas, pink petals that have never felt loneliness, no matter how slowly they fell.
Naomi Shihab Nye (Fuel: Poems (American Poets Continuum Series))
Okay, boys.” Pestilence's grating voice rang out. “Kill the human and the mutt, and let's get this Apocalypse started!
Larissa Ione (Eternal Rider (Lords of Deliverance, #1; Demonica, #6))
Whatever you say, old boy. Just look after yourself. And whatever you do, don't swallow the gum!
Anthony Horowitz (Skeleton Key (Alex Rider, #3))
My heart shattered. 'The boy that you keep painting - the one at the warehouse and at the art gallery? That boy is you, isn't it?' Rider didn't say anything. 'It's not you from the past,' I whispered. His handsome face blurred. 'That's still who you are.' He closed his eyes.
Jennifer L. Armentrout (The Problem with Forever)
Young girls chased after bad boys for the same reason that riders broke wild horses; they wanted the rush of taming something, of bringing that raw energy to heel.
Nenia Campbell (Escape (Horrorscape, #4))
He was just a sixteen-year old boy who had been killed, a kid whose photo had been in the paper, a kid who would mostly be forgotten by the time the newspaper went into the garbage-yet he was the universe, all the dying, all the crying. He was everyone who had ever died young.
Nancy Springer (Sky Rider)
Naughty little boys who don't eat their vegetables get their bottoms smacked and go to bed without pudding,
Richard Rider (Stockholm Syndrome (Stockholm Syndrome, #1))
Everyone always knows what they're doing," he says abruptly, still not looking up from his hands, the little plastic pot and the old tattoo and the new white dressing on his left wrist. "You know what you're doing, you got your work and your friends and everything and miserable headfucky little teenage girly boys think you're amazing and, I don't know, you might've saved my life, who knows? I might be dead if it weren't for you and Olly but people can't keep looking after me all the time cos that ain't healthy neither, that's just as bad as people not giving a fuck at all. And, like... I'm trying to sort my head out and be a proper grown-up and get my degree and go to work and look after them kids and make sure my dad ain't kicking my sister round the house like a football but it's just so hard all the time, and I know I ain't got no right to complain cos that's just life, ain't it? Everyone's the same, least I ain't got money worries or nothing. I just don't know what I'm doing, everything's too hard. I can try and try forever but I can't be good enough for no one so what the fuck's the point?
Richard Rider (17 Black and 29 Red (Stockholm Syndrome, #2))
Just as a skilled rider is said to become part of his horse, the skilled oarsman must become part of his boat. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
-Kit-He said my name again and again.Just...Kit.We held each other tight,rocking,trying to milk the last drops of sensation.Wring the last flashes of lightening.Riders on the storm.
Josh Lanyon (The Boy with the Painful Tattoo (Holmes & Moriarity, #3))
There are worse things than being robbed..." I could smell the sick old-meat stench on his breath, like he really had eaten my grandmother. "...worse things than dyin' even. You be a good boy, Little Red, and maybe you'll get to live awhile. Maybe you'll get to die in your own natural time.
Neal Shusterman (Red Rider's Hood (Dark Fusion, #2))
Good job remaining professional, Aetos.' Xaden scratches the relic on his neck I'm all but certain doesn't actually itch. 'Really shows those leadership qualities to their best advantage.' One of the riders down the table whistles. 'Do you boys just want to whip it out and measure? It would be faster.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
On the flat expanse of pancake ice, War stood by the Pale Rider’s side. Though their forms did not touch, their shadows intertwined, black on black, in a smoky caress. “Knew you’d come,” Death said cheerfully. She smiled, and that slow motion of her lips hinted at many things. “The White Rider divided, and the world on the brink of destruction. How could I stay away?” “I could set my watch by you.” “You don’t have a watch.” Her smile broadened into a grin. “An hourglass, maybe . . .” “Please, not another joke about a scythe . . .” She mimed zipping her mouth shut. A pause, as they listened to the sounds of the boy healing and the man summoning doom. “I like him,” War said. Even though she hadn’t specified whether she meant the boy or the man, Death smiled and nodded. “Me too.” “You like everyone.” “Well, yes.” The two shared a quiet laugh, their voices mingling in perfect harmony. A longer pause, and then War asked, “What of Famine?” “What of her? She’s not mine. Not yet, anyway. She will be soon enough.” The Red Rider slid him a look. “That’s cold, even for you.” “Eh, just practical.” A shrug. “Everyone comes to me eventually. It’s the journey that makes it interesting.” “Such a people person!” He flashed her a grin. “My best quality.” “Oh,” said War, sliding her gloved hand into his pale one, “I can think of others that are better.
Jackie Morse Kessler (Loss (Riders of the Apocalypse, #3))
Was... That a "you've been a clever boy" kiss? Or... Uh...
Alex Scarrow (The Mayan Prophecy (TimeRiders, #8))
Well, ma'am, as I said, I found Willow lying ill down on the riverbank." "What was she doing there?" Rider swallowed. "Ah,well, she, ah, was kind of taking a bath." "A bath!" The landlady looked like she was going to be sick. They now had Bartel's full attention. A grin wrinkled the corner of this mouth. "Oh,she was all done,of course," Rider rushed to explain. "Dressed,too," he lied. "Poor girl said she had a severe headache." Rider was sweating bullets. He'd rather face the whole Clanton gang than his formidable landlady. She had the uncanny ability to make him feel like a ten-year-old boy caught with his hand in the cookie jar. And it didn't take much to figure out what her reaction would be to his "headache treatment." Since there were definitely no benefits to be won for total honesty, he reasoned that what she didn't know woulnd't hurt him.
Charlotte McPherren (Song of the Willow)
cramped compartment for the overhead lockers. As Alex reached up for his own travel bag, the Game Boy almost fell out of his grip. Troy’s head snapped around. Alex saw a flash of alarm in her eyes. “Be careful with that!” she
Anthony Horowitz (Skeleton Key (Alex Rider, #3))
He stood hat in hand over the unmarked earth. This woman who had worked for his family fifty years. She had cared for his mother as a baby and she had worked for his family long before his mother was born and she had known and cared for the wild Grady boys who were his mother's uncles and who had all died so long ago and he stood holding his hat and he called her his abuela and he said goodbye to her in Spanish and then turned and put on his hat and turned his wet face to the wind and for a moment he held out his hands as if to steady himself or as if to bless the ground there or perhaps as if to slow the world that was rushing away and seemed to care nothing for the old or the young or rich or poor or dark or pale or he or she. Nothing for their struggles, nothing for their names. Nothing for the living or the dead. In four days' riding he crossed the Pecos at Iraan Texas and rode up out of the river breaks where the pumpjacks in the Yates Field ranged against the skyline rose and dipped like mechanical birds. Like great primitive birds welded up out of iron by hearsay in a land perhaps where such birds once had been…..The desert he rode was red and red the dust he raised, the small dust that powdered the legs of the horse he rode, the horse he led. In the evening a wind came up and reddened all the sky before him. There were few cattle in that country because it was barren country indeed yet he came at evening upon a solitary bull rolling in the dust against the bloodred sunset like an animal in sacrificial torment. The bloodred dust blew down out of the sun. He touched the horse with his heels and rode on. He rode with the sun coppering his face and the red wind blowing out of the west across the evening land and the small desert birds flew chittering among the dry bracken and horse and rider and horse passed on and their long shadows passed in tandem like the shadow of a single being. Passed and paled into the darkening land, the world to come.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
It is a curious thing that at my age — fifty-five last birthday — I should find myself taking up a pen to try to write a history. I wonder what sort of a history it will be when I have finished it, if ever I come to the end of the trip! I have done a good many things in my life, which seems a long one to me, owing to my having begun work so young, perhaps. At an age when other boys are at school I was earning my living as a trader in the old Colony. I have been trading, hunting, fighting, or mining ever since. And yet it is only eight months ago that I made my pile. It is a big pile now that I have got it — I don't yet know how big — but I do not think I would go through the last fifteen or sixteen months again for it; no, not if I knew that I should come out safe at the end, pile and all. But then I am a timid man, and dislike violence; moreover, I am almost sick of adventure. I wonder why I am going to write this book: it is not in my line. I am not a literary man, though very devoted to the Old Testament and also to the "Ingoldsby Legends." Let me try to set down my reasons, just to see if I have any.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
I...I haven’t done a lot of this.” His cheeks flushed pink and my eyes widened. “I mean, I’ve done some stuff, but not a lot. I haven’t...had sex.” For the longest moment I couldn’t respond. All I could do was stare at him. “You’re a virgin?” One side of his lips kicked up. “Yeah. You sound surprised.” “I am. I thought... I don’t know. You were with...Paige. I just assumed you had sex before.” “That would be a negative,” he replied, picking up my hand. “You’re looking at me like you don’t understand how it’s possible.” He could really read minds. “It’s gotten close, but I just never— I haven’t wanted to go that far.” He shrugged a bare shoulder. “I haven’t done it, either,” I blurted out. “I mean, that’s super obvious since...you’re the first boy I’ve kissed, but yeah, I don’t even know...what I’m saying and I’m just going to shut up.” Rider chuckled. “Don’t. I love it when you ramble.” “Only you would enjoy that.” I curled my fingers through his. “Do you want to...go that far with me?” His lashes swept up and his eyes, with their greenish flecks, met mine. “Yeah. Yeah, I do. Someday.” Warmth swept across my cheeks as I whispered, “I...I want that, too. Someday.” The dimple in his right cheek appeared. “Then we’re on the same page.
Jennifer L. Armentrout (The Problem with Forever)
The drawings make you smile,” he replied with a grin. “Working on the speech doesn’t do anything.” That...that was so sweet, I wanted to hug him tight, kiss him, too. “Working on your speech will make me smile, too.” His brows lifted and then he flipped his notebook closed. “I know what else will make you smile.” “What? You actually doing some homework?” “Nope.” He glanced at the door again and then rose. “I think me sitting closer to you will make you smile.” The boy knew me well. He took a step closer. “I think holding your hand will make you smile.” I straightened as I watched him. “And I think...” He sat on the edge of the bed and twisted his body toward mine. “I think kissing you will make you smile, too.
Jennifer L. Armentrout (The Problem with Forever)
Our sister needs a man, Sinclair." Rider's head shot up at that. Nick gave his brother a dirty look. "What Gavin means to say, is that Willow needs someone young and strong to handle the ranch when we're not here." "I meant exactly what I said." Gavin scowled at his older brother. "The girl needs a husband and Sinclair, here, is obviously sweet on 'er and I think if she'd admit it, she's sweet on him, too." "Whoa, hold on there, boys!" Rider chuckled. "I think highly of your sister, but getting married isn't my style. And if you'd take the time to ask, I think you'd find that Willow isn't exactly in love with the idea either." "Lay off 'im, Gavin," Nick growled. "We agreed to ask Sinclair to foreman the ranch, not marry our sister.
Charlotte McPherren (Song of the Willow)
quite the right way to begin a book. And, besides, am I a gentleman? What is a gentleman? I don't quite know, and yet I have had to do with niggers—no, I will scratch out that word "niggers," for I do not like it. I've known natives who are, and so you will say, Harry, my boy, before you have done with this tale, and I have known mean whites with lots of money and fresh out from home, too, who are not.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
Man tends to regard the order he lives in as natural. The houses he passes on his way to work seem more like rocks rising out of the earth than like products of human hands. He considers the work he does in his office or factory as essential to the har­monious functioning of the world. The clothes he wears are exactly what they should be, and he laughs at the idea that he might equally well be wearing a Roman toga or medieval armor. He respects and envies a minister of state or a bank director, and regards the possession of a considerable amount of money the main guarantee of peace and security. He cannot believe that one day a rider may appear on a street he knows well, where cats sleep and chil­dren play, and start catching passers-by with his lasso. He is accustomed to satisfying those of his physio­logical needs which are considered private as dis­creetly as possible, without realizing that such a pattern of behavior is not common to all human so­cieties. In a word, he behaves a little like Charlie Chaplin in The Gold Rush, bustling about in a shack poised precariously on the edge of a cliff. His first stroll along a street littered with glass from bomb-shattered windows shakes his faith in the "naturalness" of his world. The wind scatters papers from hastily evacuated offices, papers labeled "Con­fidential" or "Top Secret" that evoke visions of safes, keys, conferences, couriers, and secretaries. Now the wind blows them through the street for anyone to read; yet no one does, for each man is more urgently concerned with finding a loaf of bread. Strangely enough, the world goes on even though the offices and secret files have lost all meaning. Farther down the street, he stops before a house split in half by a bomb, the privacy of people's homes-the family smells, the warmth of the beehive life, the furniture preserving the memory of loves and hatreds-cut open to public view. The house itself, no longer a rock, but a scaffolding of plaster, concrete, and brick; and on the third floor, a solitary white bath­ tub, rain-rinsed of all recollection of those who once bathed in it. Its formerly influential and respected owners, now destitute, walk the fields in search of stray potatoes. Thus overnight money loses its value and becomes a meaningless mass of printed paper. His walk takes him past a little boy poking a stick into a heap of smoking ruins and whistling a song about the great leader who will preserve the nation against all enemies. The song remains, but the leader of yesterday is already part of an extinct past.
Czesław Miłosz (The Captive Mind)
«Mi aspetterai? Ti chiamerò.» Dusk non batté ciglio. «Aspetterò.» «Ti amo, Dusk!» urlò qualcuno del pubblico. Mage scoppiò a ridere, e la sua calda voce baritonale avvolse gli spettatori. «Mi dispiace tesoro, a quanto pare è già impegnato.» «Ti amo Dusk,» sussurrò Abe, guardandolo diritto negli occhi, nonostante il tumulto nel suo petto. Quelle parole furono appena un sussurro e solo Dusk riuscì a sentirle. Erano solo per lui. Dusk si piegò per un altro bacio, ma non appena le sue labbra sfiorarono quelle di Abe, quest’ultimo indietreggiò. Aveva un aereo che lo aspettava. Poteva realizzare i suoi sogni e avere Dusk nella sua vita. Usò il petto di Dusk per darsi lo slancio e pattinare via e, nonostante il senso di nostalgia lo stesse già trafiggendo, adesso sapeva che l’uomo che amava era più lontano, e per questo non riusciva a smettere di sorridere. Per la prima volta nella sua vita, si sentì in pace con se stesso
K.A. Merikan (Manic Pixie Dream Boy (The Underdogs, #1))
Rider was still cursing the incident back at the ranch, when riding north, he spied an outlandish sight. As he drew closer, he realized his eyes weren't playing a joke on him. Coming toward him was Hick's gunslinger, stark naked but for his hat and boots. "Well, I'll be damned," he whispered to himself. "Even his shooting iron is burnt!" The moment Scofield heard Rider's horse, he jerked his hat off his head and covered his privates. "What happened, man?" Rider asked. "Where's your clothes, your horse?" Scofield lifted rage-filled eyes to the foreman. "The Vaughn slut, she did this to me. When I get my hands on her, me and the boys are gonna have a party and she's gonna be the entertainment. After I'm done with 'er-" "Hold on there, Scofield," Rider interrupted. "Are you talking about Willow Vaughn? Why would she do a thing like this?" "How should I know! She just lost her temper sudden-like. Then she pulled that gun of hers and ordered me off my horse and made me strip down.
Charlotte McPherren (Song of the Willow)
«Lolly non comprende il potere che il suo fascino ha sugli altri. Quando l’ho visto per la prima volta, ho avuto quasi la sensazione di essere travolto dagli arcobaleni di uno degli orsetti del cuore.» «Potresti ripeterlo?» chiese una giovane donna molto bella, prendendo il cellulare per fare un video. Dusk scoppiò a ridere e aprì la bocca quando Lolly lo imboccò con un cucchiaio di gelato. Sentire il suo peso sul grembo gli ricordò quando adorasse il contrasto tra il suo stile così adorabilmente colorato e i suoi lineamenti del tutto maschili. «Cosa?» chiese Dusk dopo aver mandato giù il gelato. «Che il carisma di Lolly mi ha sopraffatto? Che è l’unicorno che mi ha toccato con il suo corno, sebbene non fossi vergine?» Ridacchiò e stuzzicò Lolly con un pizzicotto. Lolly rise e spinse un altro cucchiaio di gelato contro il naso di Dusk. Era così freddo che fece una smorfia, ma poi Lolly si abbassò e lo leccò con la sua lingua calda. I fan si godettero tutta la dolcezza di quel momento
K.A. Merikan (Manic Pixie Dream Boy (The Underdogs, #1))
Pa, you don't have to give up your room," Willow protested. "I know, I know, but there ain't nuff space in your room for the two of you together. 'Sides, my bed is bigger and . . . Well, you know." Willow silently nodded her head, and Rider shook his father-in-law's hand. "Thanks, Mr. Vaughn. It won't be for long. We hope to be in our place before winter sets in." "Gee, Pa, what we gonna do without Willie here to do for us?" Andy asked. "Don't rightly know, son, but I reckon we'll get along somehow." A mischievous glow came to Willow's eyes. "One of you could always get married," she suggested innocently. A collective round of groans and protests circled the table. Rider draped his arm around her shoulders, a prideful, male grin on his face. "Being married isn't so bad, boys," he said. "It's kind of convenient having your woman handy, whenever you get ra--" Willow slugged his arm. The brothers broke into wild laughter. Owen guffawed at his son-in-law. "You just might fit into this here family after all, son!
Charlotte McPherren (Song of the Willow)
Enough of this ruminatory bullshit,” Sargent said. “You’d think I had a crystal ball, knew the future. You’d think thee roads couldn’t still fork this way and that, sitting there, waiting for you and your fellow travelers, the good, the bad and the scuzzy, to make your choices and move on down the blacktop. Palaver with you two is through for now. All shall be revealed in time - which is, as I’ve said before, a fluid thing. No more spiritual fuckery. We ride where there are roads. Time to get on with it. Into the mist boys.
David Bain (Riders Where There Are No Roads (Riders of the Weird West, #1))
«Mi hai preso le patatine fritte?» Abe protestò dentro di sé. Quando usciva da solo, era così perso nei suoi pensieri che dimenticava metà delle faccende che doveva sbrigare. Era colpa sua, così decise di soffrire in silenzio e cedere a Sid le sue.«Sì. Sto cercando di diminuire i carboidrati, ma il piatto completo era più conveniente, quindi sono nel mio contenitore,» mentì e versò le patatine su un piatto rimasto dal loro ultimo pasto. Sid scoppiò a ridere e si lanciò sulle patatine. «Tu? Stai diminuendo i carboidrati? Mangi almeno dieci lecca-lecca al giorno.» Abe si lamentò, succhiando la caramella che gli spuntava dalla bocca come prova di un crimine che voleva nascondere. «Esatto. Devo cercare di non abusarne proprio nei cibi di cui posso fare a meno,» disse e si sedette a gambe incrociate sul letto per mangiare il piatto con carne e insalata. Avrebbe tanto voluto anche le patatine. Sid tornò a sedersi sul letto e appoggiò i piedi sullo sgabello. Anche se non faceva altro che ingozzarsi di patatine, da quando Abe lo aveva conosciuto, sembrava dimagrito. Con i suoi tatuaggi e la cresta, sembrava fuori posto seduto sulla coperta decorata con dei fiori sgargianti. «Lo sperma non contiene carboidrati.» Per un attimo, Abe pensò di aver sentito male. «Eh?» «Non devi limitarti su quello,» proseguì Sid, come se fosse la cosa più normale da dire mentre immergeva una patatina nel ketchup
K.A. Merikan (Manic Pixie Dream Boy (The Underdogs, #1))
Willow turned her gaze from him as he sat down on the bed and smoothed her tangled hair off her face. "I'm sorry I wasn't here for you, sweetheart. Are you all right now?" Willow couldn't help flinching from his touch. "Of course I'm all right," she snapped. Rider jerked his hand back as if bitten. "Freckles, honey, is something wrong, something you're not telling me?" The angry redhead shrugged. "What could possibly be wrong?" "I don't know. You just seem a little....out of sorts." Bastard, she silently cursed. But aloud she said, "I'm fine. Just tired, I guess." "Do you want me to bring your supper to you in here? I'd be happy to keep you company." "I would like to have my supper in here but don't bother yourself on my account. I'm sure you have things to discuss with Pa and the boys." Rider stood abruptly, obviously at a loss over her attitude. "Fine,Willow, if that's what you want." "It is." He opened the door to leave but halted when she called, "Rider." "Yes?" "You better move your things in with one of the boys. Miriam is sharing my bed tonight." "Tonight? But I'm leaving tomorrow and won't be back until-" "Really,Rider, it's only for one night and I ain't,er, am not in any shape for fooling around!" "I know that," he bit out, his ire piqued now. "I just thought it might be nice to hold you." With that, he slammed out the door and Willow broke into tears. Before they stopped, her head was pounding all over again.
Charlotte McPherren (Song of the Willow)
Rider's head snapped up at the sound of gravel crunching under Willow's boots. The sight of the girl in boy's garb birthed an oath. Beneath her cotton shirt, her breasts bounced freely with each step. And within the tight mannish pants, her hips swung in an unconscious rhythm, clearly proclaiming her all woman. Hell, she might as well be naked! His body's reaction was immediate. Cursing his lack of control, he turned sideways, facing her horse, and pretended to adjust the saddle straps. Willow took Sugar's reins and waited for Rider to move aside. He didn't budge an inch. Instead, he tipped his hat back on his head, revealing undisguised disapproval. "Is that the way you always dress?" he bit out. Willow stiffened, immediately defensive. Criticizing herself was one thing; putting up with Sinclair's disdain was another! "If you were expecting a dress, you're crazy!" she snapped. "It would be suicide in this country." "Haven't you ever heard of riding skirts?" "Yes. I'm not as dumb as you seem to think. But fancy riding skirts cost money I don't have. 'Sides, pants are a hell of a lot more useful on the ranch than some damn riding skirt! Now, if you're done jawing about my clothes, I'd like to get a move on before dark." "Somebody ought to wash that barnyard mouth of yours,woman." Willow rested her hand on her gun. "You can try, if you dare." As if I'd draw on a woman, Rider cursed silently, stepping out of her way. As she hoisted herself into the saddle, he was perversely captivated by the way the faded demin stretched over her round bottom. He imagined her long slender legs wrapped around him and how her perfect heart-shaped buttocks would fill his hands and...Oh,hell, what was he doing standing here, gaping like some callow youth? Maybe the girl was right.Maybe he was crazy. One moment he was giving the little witch hell for wearing men's pants; the next he was ogling her in them. He started to turn away, then reached out and gave her booted ankle an angry jerk. "Now what?" Icy turquoise eyes met his, dark and searing. "Do you have any idea what you look like in that get-up? No self-respecting lady would dress like that. It's an open invitation to a man. And if you think that gun you're wearing is going to protect you, you're badly mistaken." Willow gritted her teeth in mounting ire. "So what's it to you, Sinclair? You ain't my pa and you ain't my brother. Hell,my clothes cover me just as good as yours cover you!" She slapped his hand from her ankle, jerked Sugar around, and spurred the mare into a brisk gallop. Before the fine red dust settled, Rider was on his horse, racing after her. Dammit, she's right.Why should I care how she dresses? Heaven knows it certainly has no bearing on my mission. No, agreed a little voice in his head, but it sure is distacting as hell! He'd always prided himself on his cool control; it had saved his backside more than once. But staying in any kind of control around Willow Vaughn was like trying to tame a whimsical March wind-impossible!
Charlotte McPherren (Song of the Willow)
Of course, women are capable of all sorts of major unpleasantness, and there are violent crimes by women, but the so-called war of the sexes is extraordinarily lopsided when it comes to actual violence. Unlike the last (male) head of the International Monetary Fund, the current (female) head is not going to assault an employee at a luxury hotel; top-ranking female officers in the US military, unlike their male counterparts, are not accused of any sexual assaults; and young female athletes, unlike those male football players in Steubenville, aren’t likely to urinate on unconscious boys, let alone violate them and boast about it in YouTube videos and Twitter feeds.   No female bus riders in India have ganged up to sexually assault a man so badly he dies of his injuries, nor are marauding packs of women terrorizing men in Cairo’s Tahrir Square, and there’s just no maternal equivalent to the 11 percent of rapes that are by fathers or stepfathers.
Rebecca Solnit (Men Explain Things to Me)
Willow chuckled as all up and down Allen Street lights began to glow through every window. Someone in a room down the hall lifted their window threw a chamber pot at the crooners, and followed it with a foul epithet. Undaunted, the men broke into a chorus of Aura Lea. “They sure have lousy timing,” Rider commented wryly. “Just how long does this little serenade last?” Seeing a tall figure in a long frock coat coming up the street, Willow replied, “I think it’s about to end very soon now.” Virgil Earp’s face shone in the gaslight in front of the Grand. “All right, boys,” the couple heard him say, “the party’s over.” He looked up at Rider and Willow with a wide, winsome grin and waved. With that, he ushered the drunken serenaders down the street and into the saloon. Rider turned from the window, shaking his head. “Now where were we? Ah, yes!” He swooped Willow off her feet and tossed her onto the huge bed. “That’s not where we were.” She laughed. “It’s where we were headed, lady, and that’s good enough for me.” Pulling her up, he pulled the rumbled robe off her shoulders to reveal a floaty silk nightdress of aqua. Though it was entirely modest in design, the soft material hugged her curves enticingly. “Lord, woman, there ought to be a law against sheer nothings like this.” Willow smiled seductively. “Do you like it?” “So much that I’m going to strip it off you right now!” Willow giggled and tried to escape, scrambling across the bed. She was quickly foiled by yards of silk tangling about her legs. Rider wasn’t one to waste opportunities and dived onto the bed on top of her. “Ah-hah. I have you in my power now, my pretty!” he said, catching her hands above her head. Chuckling, Willow wiggled and squirmed beneath him in a halfhearted effort to free herself. She watched fascinated as his eyes flamed with desire. Her voice was breathy and provocative. “Who’s got who, villain? I think I’ve got you.
Charlotte McPherren (Song of the Willow)
I just wish I knew what he was thinking, you know?” Her eyebrows knotted as she searched his face for who knew what. “You’re a guy. Can you shed any light on what the hell goes through a teenage boy’s head?” Troy was pretty sure she did not want to know the kind of things that occupied the brain of a fifteen-year-old male. There was some stuff mothers just shouldn’t know. “Well that would be breaking the guy code,” he teased. “Suffice to say that most of it involves chicks and heavy levels of nudity.” “Oh God…” She groaned. “Don’t. I’m not ready for that. I don’t even want to think about it.” She chewed on her bottom lip and Troy lost his place in the conversation. He wanted to step right up into her space, slide his hand onto her waist and soothe that bottom lip with his tongue. His dick got hard at the thought but he was pretty sure she’d knee him in the balls if he even attempted such a move. Unfortunately, not even the prospect of that killed his erection.
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
Bang! Clang! Bang! Clangity bang, rat-a-tat! "Reuben, I have been thinking, what a good world this might be, if the men were all transported far beyond the Northern Sea." "Oh,no!" Willow rose off Rider's lap so fast her forhead bumped his chin. "What is that racket?" he asked, standing and following her to the window overlooking the street. One corner of her mouth quirked in mock disgust. "Take a look for yourself." Clangity bang! Rat-a-tat! The men below beat their pots and pans with wooden spoons and, in a couple cases, gun butts. "Rachel, I have long been thinking, what a fine world this might be, if we had some more young ladies on the side of the Northern Sea. Too ral loo ral. Too ral lee." "Looks like your brothers and the whole Niners team!" Rider laughed. "What are they doing?" "Haven't you ever heard of being shivareed, husband?" Outside the boisterous, drunken voices broke into another chorus of Reuben and Rachel. "Rachel, I will not trasport you,but will take you for a wife. We will live on milk and honey, better or worse we're in for life." Willow chuckled as all up and down Allen Street lights began to glow through every window. Someone in a room down the hall lifted their window, threw a chamber pot at the crooners, and followed it with a foul epithet. Undaunted, the man broke into a chorus of Aura Lea. "They sure have lousy timing," Rider commented wryly. "Just how long does this little serenade last?" Seeing a tall figure in a long frock coat coming up the street, Willow replied, "I think it's about to end very soon now." Virgil Earp's face shone in the gaslight in front of the Grand. "All right, boys," the couple heard him say, "the party's over." He looked up at Rider and Willow with a wide, winsome grin and waved. With that, he ushered the drunken serenaders down the street and into a saloon. Rider turned from the window, shaking his head. "Now where were we? Ah,yes!" he swooped Willow off her feet and tossed her onto the huge bed. "That's not where we were." She laughed. "It's where we were headed, lady, and that's good enough for me.
Charlotte McPherren (Song of the Willow)
Just then he heard the sweet tinkle of bells followed by the sound of four camels plodding towards him from the main roadway. Two were snowy in complexion and all four were straddled by men also dressed in white. They approached the inn and the riders drew their mounts to a halt. Guo Jing noticed the finely embroidered cushions padding the saddles. Guo Jing was a child of the steppes deserts, but white camels were rare, and he had never seen such fine animals. He could not take his eyes off them. The riders were only a few years older than him, in their early twenties he guessed, each one as delicately handsome as the last. They leaped from the camels and made for the inn. Guo Jing was enraptured by their expensive robes, fringed at the neck by the finest fox fur. One of the young men glanced toward Guo Jing, blushed and lowered his head. Another glared at him and growled, “What are you staring at, little boy?” Flustered, Guo Jing looked away. He heard them laugh. “Congratulations,” one of them mocked in a girlish voice. “He likes you.
Jin Yong (A Hero Born (Legends of the Condor Heroes, #1))
He had no desire to eke out a living from the land as his family had during his childhood. He and Saphira were a Rider and dragon; their doom and their destiny was to fly at the forefront of history, not to sit before a fire and grow fat and lazy. And then there was Arya. If he and Saphira lived in Palancar Valley, he would see her rarely, if at all. “No,” said Eragon, and the word was like a hammerblow in the silence. “I don’t want to go back.” A cold tingle crawled down his spine. He had known he had changed since he, Brom, and Saphira had set out to track down the Ra’zac, but he had clung to the belief that, at his core, he was still the same person. Now he understood that this was no longer true. The boy he had been when he first set foot outside of Palancar Valley had ceased to exist; Eragon did not look like him, he did not act like him, and he no longer wanted the same things from life. He took a deep breath and then released it in a long, shuddering sigh as the truth sank into him. “I am not who I was.” Saying it aloud seemed to give the thought weight. Then, as the first rays of dawn brightened the eastern sky over the ancient island of Vroengard, where the Riders and dragons had once lived, he thought of a name--a name such as he had not thought of before--and as he did, a sense of certainty came over him. He said the name, whispered it to himself in the deepest recesses of his mind, and all his body seemed to vibrate at once, as if Saphira had struck the pillar beneath him. And then he gasped, and he found himself both laughing and crying--laughing that he had succeeded and for the sheer joy of comprehension; crying because all his failings, all the mistakes he had made, were now obvious to him, and he no longer had any delusions to comfort himself with. “I am not who I was,” he whispered, gripping the edges of the column, “but I know who I am.” The name, his true name, was weaker and more flawed than he would have liked, and he hated himself for that, but there was also much to admire within it, and the more he thought about it, the more he was able to accept the true nature of his self. He was not the best person in the world, but neither was he the worst.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
If you aren't in love, Willow Vaughn, then my name isn't Miriam Brigham." Willow started out of her daydreaming and glanced up from the laundry tub. Miriam stood before her with her fists planted on her hips. "Now, Miriam, I-" "No sense denying it, young lady. You've got that dreamy dazed glow about you. Rider Sinclair isn't much better, the way he hangs around you,like a bee drawn to honey. He's always holding your hand or throwing his arm around you when he thinks I'm not looking." "Well,even if I were in love, it wouldn't change anything. I still don't want another man to look after, and I don't need one looking out for me either. I can take care of myself!" "Course, you can!" Miriam agreed, picking the last sheet out of the rinse water and wringing it out. "Most women can. Look at me, I run a boarding house and support myself just fine. But let me tell you something. That lonely bed of mine is mighty cold on winter nights, even here in the territory." Willow blushed and concentrated on her hands where they rested on the edge of the tub. "Willow," Miriam continued, "you've been managing your pa just fine since he got home. A husband isn't any more difficult to manage than a father, unless, of course, you're married to a no-good lout." Willow dried her hands on the wide white apron around her middle. "But, Miriam, if I don't marry, then I don't have to bother finagling a man to my way of doing things. Staying single makes a hell of a lot more sense!" "Watch the cursing, young lady." Miriam slung the sheet over the line and returned to help Willow with the wash tub. They each grapped a handle and carried it a few feet before setting it down to rest their arms a moment. "Willow, use your noggin, will you? Part of the fun of being a woman is wrapping some big, handsome hunk of a man around your little finger. You do have to use your good sense, though, and realize when you're wrong and he's right. Of course"-Miriam chuckled-"that won't be too often. "And you have to be careful not to hurt a man's feelings overly much. Men are funny creatures. They seldom let their emotions show because they think it isn't manly. But you can tell when they're upset.They start pouting like a little boy.I've always thought that was rather curious.
Charlotte McPherren (Song of the Willow)
Arrange for supplies to be delivered every day. You’ll have to write up a schedule for the men. Have Cookie plan a menu this afternoon.” Frank’s eyes widened. He looked as if someone had just run over his favorite dog. “Boss, you’re not taking Cookie with you.” It was more of a plea than a question. “No one else can cook for shit. What am I supposed to feed them?” “But without Cookie, one of the boys will have to cook for those of us left behind.” “There’s enough stuff frozen to get everyone through a week.” “Ah, jeez.” Frank’s shoulders slumped. “Why’d you have to take Cookie with you?” Zane ignored the question. Frank knew he was stuck on the ranch. With Zane gone, Frank would be in charge. “I’ll have the two-way radios with me. With the new tower in place, you’ll be able to reach me any time.” Frank was still grumbling about losing the ranch cook for a week. “Want to trade?” Zane asked flatly. His foreman pressed his lips together. They both knew taking ten novice riders out on a fake cattle drive through wilderness was nothing short of five kinds of hell. June weather was usually good, but there was always the possibility of a freak snowstorm, a sizable flash flood, spooked cattle, bears, runaway horses, snakebite and saddle sores. Frank slapped him on the back. “You have a fine time out there, boss. The boys and I will keep things running back here.” “Somehow I knew you were going to say that.
Susan Mallery (Kiss Me (Fool's Gold, #17))
In the evening he saddled his horse and rode out west from the house. The wind was much abated and it was very cold and the sun sat blood red and elliptic under the reefs of bloodred cloud before him. He rode where he would always choose to ride, out where the western fork of the old Comanche road coming down out of the Kiowa country to the north passed through the westernmost section of the ranch and you could see the faint trace of it bearing south over the low prairie that lay between the north and middle forks of the Concho River. At the hour he'd always choose when the shadows were long and the ancient road was shaped before him in the rose and canted light like a dream of the past where the painted ponies and the riders of that lost nation came down out of the north with their faces chalked and their long hair plaited and each armed for war which was their life and the women and children and women with children at their breasts all of them pledged in blood and redeemable in blood only. When the wind was in the north you could hear them, the horses and the breath of the horses and the horses' hooves that were shod in rawhide and the rattle of lances and the constant drag of the travois poles in the sand like the passing of some enormous serpent and the young boys naked on wild horses jaunty as circus riders and hazing wild horses before them and the dogs trotting with their tongues aloll and footslaves following half naked and sorely burdened an above all the low chant of their traveling song which the riders sang as they rode, nation and ghost of nation passing in a soft chorale across that mineral waste to darkness bearing lost to all history and all remembrance like a grail the sum of their secular and transitory and violent lives.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
My laird, two riders are at the front gates and insist to speak with only ye. They also have a woman traveling with them.
Victoria Roberts (Temptation in a Kilt (Bad Boys of the Highlands, #1))
CONTENTS CHAPTERS     I. Excitement on the West Fork
Frank Gee Patchin (The Pony Rider Boys with the Texas Rangers Or, On the Trail of the Border Bandits)
we knew the Witch Doctor was busy in the village. I’ve got the spot marked to a certainty in my mind, and all of you notice that there’s the finest cedar growing directly above him on the top of the wall,
Frank Fowler (The Broncho Rider Boys Along the Border The Hidden Treasure of the Zuni Medicine Man)
Orphan Train Rider: One Boy’s True Story by Andrea Warren; Children of the Orphan Trains, 1854–1929 by Holly Littlefield; and Rachel Calof’s Story: Jewish Homesteader on the Northern Plains edited by J. Sanford Rikoon (which
Christina Baker Kline (Orphan Train)
I leaned down in front of the shotgun seat and opened a fuse box. Plugged in a data cable, from the truck's computer across to one of Doll Box's modules. Straightened up, and in the mirror saw the gangbanger open the door of his low rider. Whoo boy!
Paul Carlson (Analog Science Fiction and Fact, June 2012)
over and with his right hand, he patted the big stallion's neck and said, "Let's go, big boy." As he did, he felt the whip hit his head once more, but he also felt the big stallion dig into the turf and give everything he had. Thankful the other rider was hitting him and not the stallion, Nash heard the screaming, not knowing if Illinois or Ohio troopers were making all the noise. He only knew that the big stallion was galloping faster
R.O. Lane (Nash Cline)
down from the pump. By now the water splashing on the ground was beginning to form little rivulets. "Well, little brother, that champagne wasn't half as good-tasting as this." "Yahoo!" Gid said. "Here, you pump! Let me have a drink!" Will took over the pump while first Gid and then Frank drank their fill. Next they filled their canteens. Then they found a bucket and took water to the watering trough for their horses. Finally, they dragged another trough over to the pump so they could pump water directly into it. When it was full, they stepped back to look at what they had done. Ten thousand points of light danced on the undulating surface. "There you go, big brother. It's ready for your bath." "No," Will said. "It was your idea, and you’re the one who fixed the pump. You go first." Gid smiled broadly, then began stripping out of his clothes. Gid had finished his bath, and Will, with his cigar tilted at a jaunty angle, was sitting in the tub toward the end of his own bath, when the three riders arrived. "Here they come," Frank said, shielding his eyes. "The fella on the right is Tim. Don't know the other two." Gid came around to stand with Frank as they waited for the riders. Will didn't get out of the water. "Wasn't sure you would be here," Tim said to Frank. "Word I got was that you got yourself throwed in jail and was goin' to get hung." "I was in jail," Frank replied. He smiled. "But my two pards here busted me out." "These the boys you was talkin' about? The Crocketts?" Tim dismounted and walked over to the water trough, then splashed some water on his face. “Damn, where’d this water come from?” “Gid fixed the pump,” Frank said. “This is Gid.” Frank indicated the man standing beside
Robert Vaughan (The Crockett's: Western Saga 1)
We were entering New York City now, via some highway that cut across the Bronx. Unfamiliar territory for me. I am a Manhattan boy; I know only the subways. Can’t even drive a car. Highways, autos, gas stations, tollbooths—artifacts out of a civilization with which I’ve had only the most peripheral contact. In high school, watching the kids from the suburbs pouring into the city on weekend dates, all of them driving, with golden-haired shikses next to them on the seat: not my world, not my world at all. Yet they were only sixteen, seventeen years old, the same as I. They seemed like demigods to me. They cruised the Strip from nine o’clock to half past one, then drove back to Larchmont, to Lawrence, to Upper Montclair, parking on some tranquil leafy street, scrambling with their dates into the back seat, white thighs flashing in the moonlight, the panties coming down, the zipper opening, the quick thrust, the grunts and groans. Whereas I was riding the subways, West Side I.R.T. That makes a difference in your sexual development. You can’t ball a girl in the subway. What about doing it standing up in an elevator, rising to the fifteenth floor on Riverside Drive? What about making it on the tarry roof of an apartment house, 250 feet above West End Avenue, bulling your way to climax while pigeons strut around you, criticizing your technique and clucking about the pimple on your ass? It’s another kind of life, growing up in Manhattan. Full of shortcomings and inconve-niences that wreck your adolescence. Whereas the lanky lads with the cars can frolic in four-wheeled motels. Of course, we who put up with the urban drawbacks develop compensating complexities. We have richer, more interesting souls, force-fed by adversity. I always separate the drivers from the nondrivers in drawing up my categories of people. The Olivers and the Timothys on the one hand, the Elis on the other. By rights Ned belongs with me, among the nondrivers, the thinkers, the bookish introverted tormented deprived subway riders. But he has a driver’s license. Yet one more example of his perverted nature.
Robert Silverberg (The Book of Skulls)
The Dragon-fire!" cried Twigleg, "I read about it in that book. The book the professor gave you. It can--" "It can turn enchanted creatures back into their real shapes," said Barnabas Greenbloom, looking thoughtfully up at the sky, "Yes, so they say. But what makes you think those are enchanted ravens, my dear Twigleg?" "I...I..." Twigleg sensed Sorrel looking at him distrustfully. He made haste to climb back on Ben's shoulder. But the boy, too, was looking at him curiously. "Yes, what makes you think so, Twigleg?" he asked. "Is it just their red eyes.” "Exactly!" cried the homunculus, in relief. "Their red eyes. Precisely. Everyone knows that enchanted creatures have red eyes." "Really?" Vita Greenbloom looked at her husband. "Have you ever heard such a thing, Barnabas?" The professor shook his head. "You have red eyes yourself," growled Sorrel, looking at the manikin. "Of course I do!" Twigleg snapped back at her. "A homunculus is an enchanted creature, right?
Cornelia Funke (Dragon Rider (Dragon Rider, #1))
A line of cavalry approaches. The nearest horse rears above a huddled group. The boy has never as yet seen from the ground a horse used as a weapon. Like his uncle he has always been a rider. The under-side of a rearing horse seen from below is awful in a very particular way. The body is large and heavy with four metal-shod hooves on legs whose pounding power is utterly evident. But the physical threat is compounded with something else. The horse too is made of sinews, bones, flesh and blood. It is breathing hard and is frightened. The rider’s violence has already distorted its nature. The horse shares your defencelessness as it is about to crush you. It is as though your fear has uncontrollably entered the horse which threatens you.
John Berger (G.)
Give me proof of your hair's power before the sun goes down or both he and Magda will be drained of their blood. Not for my bath, of course-- he's a boy and a filthy one at that...." Flynn gave her a devilish grin. "Disgusting," she muttered, and turned to go.
Liz Braswell (What Once Was Mine)
The black-and-silver motorcycles backfired like pistol shots, then roared from the drive and down High Street. The riders headed out Shore Road, past the private docks. The fog of the night before had given way to a bright-blue summer morning. As the boys sped along in a cool, salty breeze they watched the white sand of the beach on their right. There was no sign of the Sleuth. Finally they reached the head of the bay and turned sharply, following the seacoast northward. For a while Frank and Joe saw only the big green rollers of the Atlantic as they broke into foaming white along the sand and rocks.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
You must remember that your enemy still has power over creation. And your enemy wants little boys to die before becoming all that God intends for them. Your enemy wants mothers to doubt God’s goodness. Your enemy wants to rob families of their joy and hope.
Jeffrey McClain Jones (Keep on Asking (The Prayer Rider #1))
Si guardarono, Maan un po' sbilanciato dalla sua franchezza. Gli sembrava che lei tentasse addirittura di trattenersi dallo scoppiare a ridere. "Forse dovrei raffreddarla con un ghazal malinconico" continuò Saeeda Bai. "Sì, perché non prova?" ribatté Maan, rammentando quello che lei aveva detto una volta sui ghazal. "Vediamo che effetto avrà su di me." "Mi lasci chiamare i musicisti" disse Saeeda Bai. "No" rispose Maan, posando la mano sulla sua. "Soltanto lei e l'armonium, basterà." "Neanche il suonatore di tabla?" "Segnerò il tempo col mio cuore" rispose Maan.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
You like me needing you, girl? You like knowing you’re the only woman in the whole fucking world I can imagine ever touching again?
Kati Wilde (Losing It All (Hellfire Riders MC, #11))
After stowing their costumes in the carrier behind Frank’s motorcycle, the two boys set off for the center of Bayport. White wisps of fog swirled in the glare of their headlights and almost blotted out traffic. Both riders slowed to a cautious pace. At last the boys maneuvered to a stop in Milton Place just off Main Street. Through the fog and gathering dusk, vague lights could be seen in the big brick building on the opposite corner. “They’re working overtime at the bank,” Joe pointed out and grinned. “Counting the extra money they took in during evening hours.” The brothers walked around the corner onto Main Street and entered a soda shop. Minutes later they emerged, each carrying a two-gallon drum of ice cream packed in dry ice. “Wow! This is cold!” said Joe, as they turned into the alley. Frank and Joe placed the cylinders in Joe’s carrier. “Now for the party!” Frank grinned.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
Neil. The club is who you are. It’s—” “No! Who I am is a biker. A rider. Riding’s my fucking freedom, babe. Ain’t never gonna stop. But club member? Nah, not no more. Right now, Thorns is clipping my wings. Whole reason I joined, whole reason all the boys joined, was to live on our own terms outside of society’s rules and the fucking shackles they slap on your wrists, you know? But the club ain’t that way no more. Trig’s screwed it up. And I ain’t gonna let no one control me. Right now, I gotta play the game, yeah? But freedom’s coming, babe. And you’re a big part of that. I love you. I fucking want you and I’m gonna have you. Don’t give a fuck what no one says, who or what gets in my face, cuz I’ll pound it all into the ground. Pay the price to make damn sure I can always live free—WE can always live free. You feel me?
Franca Storm (Reckless (Black Thorns, #1))
Day an' night they set in a room with a checker-board on th' end iv a flour bar'l, an' study problems iv th' navy. At night Mack dhrops in. 'Well, boys,' says he, 'how goes th' battle?' he says. 'Gloryous,' says th' Sthrateejy Board. 'Two more moves, an' we'll be in th' king row.' 'Ah,' says Mack, 'this is too good to be thrue,' he says. 'In but a few brief minyits th' dhrinks'll be on Spain,' he says. 'Have ye anny plans f'r Sampson's fleet?' he says. 'Where is it?' says th' Sthrateejy Board. 'I dinnaw,' says Mack. 'Good,' says th' Sthrateejy Board. 'Where's th' Spanish fleet?' says they. 'Bombardin' Boston, at Cadiz, in San June de Matzoon, sighted near th' gas-house be our special correspondint, copyright, 1898, be Mike O'Toole.' 'A sthrong position,' says th' Sthrateejy Board. 'Undoubtedly, th' fleet is headed south to attack and seize Armour's glue facthory. Ordher Sampson to sail north as fast as he can, an' lay in a supply iv ice. Th' summer's comin' on. Insthruct Schley to put on all steam, an' thin put it off again, an' call us up be telephone. R-rush eighty-three millyon throops an' four mules to Tampa, to Mobile, to Chickenmaha, to Coney Island, to Ireland, to th' divvle, an' r-rush thim back again. Don't r-rush thim. Ordher Sampson to pick up th' cable at Lincoln Par-rk, an' run into th' bar-rn. Is th' balloon corpse r-ready? It is? Thin don't sind it up. Sind it up. Have th' Mulligan Gyards co-op'rate with Gomez, an' tell him to cut away his whiskers. They've got tangled in th' riggin'. We need yellow-fever throops. Have ye anny yellow fever in th' house? Give it to twinty thousand three hundherd men, an' sind thim afther Gov'nor Tanner. Teddy Rosenfelt's r-rough r-riders ar-re downstairs, havin' their uniforms pressed. Ordher thim to th' goluf links at wanst. They must be no indecision. Where's Richard Harding Davis? On th' bridge iv the New York? Tur-rn th' bridge. Seize Gin'ral Miles' uniform. We must strengthen th' gold resarve. Where's th' Gussie? Runnin' off to Cuba with wan hundherd men an' ar-rms, iv coorse. Oh, war is a dhreadful thing. It's ye'er move, Claude,' says th' Sthrateejy Board. "An
Finley Peter Dunne (Mr. Dooley in Peace and in War)
Rachel and Rider were soulmates. Not just two people who fell in love and knew they were meant to be together — their souls had cohabited in Rachel’s body for 16 years, from before birth until a near-death experience ripped Rider’s soul from Rachel’s body. Miraculously, Rachel’s broken body was revived and Rider’s soul took residence in another form, as Cameron Wilson, a teenage boy whose lifeless body had become an empty shell, kept alive only by machines, since his soul had already passed on.
Kellie McAllen (Soulsearch (Soulmate #2))
The roar of the motorcycle stopped, and the rider whipped off his sunglasses. “Are you trying to get your door taken off?” My heart had stopped the minute I’d looked into his piercing gray eyes, but anger quickly took over everything. “Do you always swing into parking spaces when someone is opening their door?” I rubbed my leg once more and stumbled awkwardly out of my car. I realized he hadn’t answered me, and after shutting my door and locking the car, I turned to face him, a frown tugging at my lips when I saw him smirking. “I’m fine, if you’re wondering.” He sat up straight on his Harley and took a deep breath in. “I’m sorry I made you hurt yourself. I’m Kash, by the way.” “Cash . . . like money? Or Johnny?” “Um, I guess we can go with Johnny, but with a K.” “Kash with a K. Got it. That’s a, uh . . . very interesting name. Fits the image, I guess.” His head jerked back. “I’m sorry, what?” I took a few steps toward the apartments before turning to look at him, my hand waving over his frame, which was now hunched back over his bike. I wondered who he was here to see. “You know, the whole ‘bad boy’ thing you’ve got going on there. Tattoos, lip ring, Harley. Makes sense you’d have a nickname and try to make it, I don’t know, awesome or something by having it start with a K. Have a nice day; try not to almost take any more car doors off, Kash with a K.” Kash
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
Technically, Sheena predates even Superman, having first appeared in the primordial dawn of comic books in 1937. But her true origins are older than that. Sheena is often described as the female version of Edgar Rice Burroughs’ 1912 creation, Tarzan. The majority of Burroughs’ popular works revolves around a tension between the savage and the civilized, also seen in Sheena’s adventures. Burroughs’ work, like that of fellow adventure writer H. Rider Haggard, came out of the colonial era, and was written for men and boys who yearned for an escape from stifling modern life, through tales of dangerous worlds and exotic women. The common theme of these stories is that a man from the civilized world finds his way to a fantastic, often barbaric, world of adventure, where he falls in love with an intoxicating savage princess. While most of Burroughs’ heroines, like Dejah Thoris or Dian the Beautiful, were in need of rescuing, Haggard’s 1886 novel She introduced a stronger heroine. The novel’s English protagonist encounters the beautiful queen Ayesha, the ruler of a lost city in Africa. Ayesha is referred to as “she who must be obeyed,” and is a creature that provokes both fear and lust. Ayesha was the ultimate fantasy of civilized man: the beautiful, savage white queen, ruling a kingdom unhindered by the laws of modern morality. This brand of men’s fiction produced the swirling foam of exotic and erotic fantasy from which rose the jungle Venus known as Sheena. (...) Now that we have some historical context on these female monarchs, let’s talk about their specific origins. In the 1930s, there were several studios that produced art and stories for the various publishers who were getting into the new field of comic books. One of the most successful and prolific was the Universal Phoenix Studio, operated by two young artists named Will Eisner and Jerry Iger. In 1937, they created a female Tarzan-type character named Sheena for the British tabloid Wags. The strip was credited to the pseudonym W. Morgan Thomas, and the heroine’s name was meant to remind readers of H. Rider Haggard’s She. Demand for new comic book material was growing in the United States, and American pulp magazine publisher Fiction House was looking for material for a new comic book. Sheena made her American debut in 1938’s Jumbo Comics #1, just three months after Superman’s now legendary first appearance. She was the first female adventure character in comic books. This would be just one of her claims to fame.
Mike Madrid (The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines)
Avevano già provato i passi, il testo e l’arrangiamento più e più volte, tutto per merito suo. Quando DK aveva cominciato a piangere, dopo aver sbagliato un verso, Angel lo aveva consolato e gli aveva dato lo schiaffo mentale necessario per tornare concentrato. Quando Toby era inciampato ed era caduto di faccia durante una complicata piroetta finale, e per tutta risposta aveva tirato un pugno al muro, era stato Angel a far smettere tutti di ridere e a massaggiare le nocche dolenti di Toby. Poi gli aveva fatto i complimenti per il suo entusiasmo, assicurandogli che era lui l’unico di tutto il gruppo a provarci davvero. E diavolo se, dopo tutta quella scena, gli altri non avevano cominciato a impegnarsi altrettanto! Quando Scott si era buttato a terra, lamentandosi di quanto fosse esausto, era stato Angel a sedersi su di lui e a fargli il solletico fino a fargli passare la fiacca. E per quanto riguardava Corey? Angel era il centro della sua attenzione, la sua luce, l’unica cosa che aveva perfettamente senso. Ecco perché, in quel momento, tutti lo consideravano una guida. C’era solo una cosa che preoccupava Corey: cosa sarebbe successo se fosse stato Angel, ad avere bisogno di aiuto? A chi si sarebbe rivolto?
R.J. Scott (Boy Banned)
stalwart
Zane Grey (60 WESTERNS: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaws, Gold Rush Adventures: Riders of the Purple Sage, The Night Horseman, The Last ... of the West, A Texas Cow-Boy, The Prairie…)
when he returned he told
Zane Grey (60 WESTERNS: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaws, Gold Rush Adventures: Riders of the Purple Sage, The Night Horseman, The Last ... of the West, A Texas Cow-Boy, The Prairie…)
Lowering the book to my lap, I smoothed my palm over the hard, glossy surface as I thought about the Skin Horse's words. They could be interpreted in so many ways. To me, they were all about letting go of the fear of being imperfect. Accepting that it was okay to be wanted and needed and loved, to be heard and seen. Rider and I were a lot like the little boy and the rabbit who wanted to be real. Both of us spent so long relying on only each other. We'd been tossed aside, unwanted. And we wanted nothing more than to be cherished, treasured and loved. We wanted to feel real. Both of us were afraid of the opposite. To some the opposite was death but to me–to us–it was being stuck forever. Never changing. Never seeing ourselves or others around us differently.
Jennifer L. Armentrout (The Problem with Forever)
But Soli. Poor Soli. Soli met and loved and lost her man in a matter of seven days, and before she could learn that he had a villainous mother or waxy ears or an insurmountable fear of bees, he was gone. She fell in love with the pure essence of Checo the train rider, Checo the pioneer. And before she could settle into the normalcy of their attachment, he had vanished among dust clouds and a spray of bullets. Whether he'd made it to safety or fallen there on the valley floor, Soli could not know.
Shanthi Sekaran (Lucky Boy)
You thought about something? Happy Jack Traven had a place down thisaway.” “When he was out of jail.” “I think maybe we could use him. He had friends among all them Neuces outlaws, too. Remember? He was always takin' up for them, feedin' 'em, hidin' 'em from time to time? We could use some help.” A pebble rattled among the rocks, and Dal rolled over behind a fallen tree. Mac's Spencer slid forward. “Nice of you boys to remember me, an' that coffee sure smells good!” Happy Jack Traven wore a battered black hat and a smile on a face seamed by sun, wind, and years. “Mac? Put down that gun. You wouldn't be shootin' an old man, would you?” “Come in an' set. You'll never get old, Jack. You're too mean. Where'd you steal that horse?” “Now, Mac, that's unkind. You know I never stole no horse unless I needed him. This here's one your pappy give me.
Louis L'Amour (The shadow riders)
One of the riders down the table whistles low. “Do you boys just want to whip it out and measure? It would be faster.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
B!tches rule. Boys drool. From fat to slim, from bad hair days and bad tats, we swear to never steal each other's boyfriends or never talk about each other behind our back.
Jamie Begley (Train's Clash (The Last Riders, #9))
Good job remaining professional, Aetos." Xaden scratches the relic on his neck I'm all certain doesn't actually itch. "Really shows those leadership qualities to their best advantage." One of the riders down the table whistles low. "Do you boys just want to whip it out and measure? It would be faster.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))