Ride Or Die Friend Quotes

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Breeze strolled over to the table and chose a seat with his characteristic decorum. The portly man raised his dueling cane, pointing it at Ham. 'I see that my period of intellectual respite has come to an end.' Ham smiled. 'I thought up a couple beastly questions while I was gone, and I've been saving them just for you, Breeze.' 'I'm dying of anticipation,' Breeze said. He turned his cane toward Lestibournes. 'Spook, drink.' Spook rushed over and fetched Breeze a cup of wine. 'He's such a fine lad,' Breeze noted, accepting the drink. 'I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating.' Spook frowned. 'Niceing the not on the playing without.' 'I have no idea what you just said, child,' Breeze said. 'So I'm simply going to pretend it was coherent, then move on.' Kelsier rolled his eyes. 'Losing the stress on the nip,' he said. 'Notting without the needing of care.' 'Riding the rile of the rids to the right,' Spook said with a nod. 'What are you two babbling about?' Breeze said testily. 'Wasing the was of brightness,' Spook said. 'Nip the having of wishing of this.' 'Ever wasing the doing of this,' Kelsier agreed. 'Ever wasing the wish of having the have,' Ham added with a smile. 'Brighting the wish of wasing the not.' Breeze turned to Dockson with exasperation. 'I believe our companions have finally lost their minds, dear friend.' Dockson shrugged. Then, with a perfectly straight face, he said, 'Wasing not of wasing is.
Brandon Sanderson (The Final Empire (Mistborn, #1))
I hope you feel better about yourself. I hope you feel alive. I hope that good things happen to you, and I hope that when the inevitable bad things happen you can handle them and learn a lesson and move on. I hope you know you're not alone and I hope you spend plenty of time with your family and/or friends and I hope you write more and get a seven-figure book deal. I hope next year no more celebrities die and I hope you get an iPhone if you want one. Or maybe a pony. I hope someone writes a song for you on Valentines Day that's a bit like Hey There Delilah, and I hope they have a good singing voice, or at least one better than mine. I hope that you accept yourself the way you are, and figure out that losing 20 pounds isn't going to magically make you love yourself. I hope you read a lot. I hope you don't have to almost die to figure out how valuable life is. I hope you find the perfect nail polish/digital camera/home/life partner. I hope you stop being jealous of others. I hope you feel good, about yourself and the people around you and the world. I hope you eat heaps of salt and vinegar chips because they're the best kind. I hope you accomplish all your hopes & dreams & aspirations and are blissfully happy & get married to Edward Cullen/George Clooney/Megan Fox/Angelina Jolie (delete whichever are inappropriate) & ride a pretty white horse into the sunset & I hope it's all sweet and wonderful because you deserve it because you did well this year in the face of sparkly vampires/great evil/low self-esteem.
Steph Bowe
The Doors The End This is the end, beautiful friend This is the end, my only friend The end of our elaborate plans The end of ev'rything that stands The end No safety or surprise The end I'll never look into your eyes again Can you picture what will be So limitless and free Desperately in need of some strangers hand In a desperate land Lost in a Roman wilderness of pain And all the children are insane All the children are insane Waiting for the summer rain There's danger on the edge of town Ride the king's highway Weird scenes inside the goldmine Ride the highway West baby Ride the snake Ride the snake To the lake To the lake The ancient lake baby The snake is long Seven miles Ride the snake He's old And his skin is cold The west is the best The west is the best Get here and we'll do the rest The blue bus is calling us The blue bus is calling us Driver, where you taking us? The killer awoke before dawn He put his boots on He took a face from the ancient gallery And he walked on down the hall He went into the room where his sister lived And then he paid a visit to his brother And then he walked on down the hall And he came to a door And he looked inside Father? Yes son I want to kill you Mother, I want to............. Come on, baby, take a chance with us Come on, baby, take a chance with us Come on, baby, take a chance with us And meet me at the back of the blue bus This is the end, beautiful friend This is the end, my only friend The end It hurts to set you free But you'll never follow me The end of laughter and soft lies The end of nights we tried to die This is the end
Jim Morrison (The Doors: The Complete Lyrics)
She’s not a ride-or-die friend, nor is she a ride-or-die sister. That’s what I love the most about her, because I’m not ride-or-die, either. If you do something stupid, I’m going to be the friend who tells you you’re doing something stupid. I’m not going to join you in your stupidity.
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
One in three hitchhikers on the North American road died long before anyone offered them a ride, and for the most part, we’re pretty friendly.
Seanan McGuire (Sparrow Hill Road (Ghost Roads, #1))
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
Olivia Gatwood (New American Best Friend)
He rolled his eyes and took my hand. His hand was hard and calloused, tough with muscle and old scars. The night settled around us like a blanket. I could hear the water lapping against the dock. We were totally alone. “You’re . . . ,” he began, and I waited, heart throbbing in my throat. “Such a pain,” he concluded. “What?” I asked, just as his head swooped in and his mouth touched mine. I tried to speak, but one of Fang’s hands held the back of my head, and he kept his lips pressed against me, kissing me softly but with a Fanglike determination. Oh, jeez, I thought distractedly. Jeez, this is Fang, and me, and . . . Fang tilted his head to kiss me more deeply, and I felt totally lightheaded. Then I remembered to breathe through my nose, and the fog cleared a tiny bit. Somehow we were pressed together, Fang’s arms around me now, sliding under my wings, his hands flat against my back. It was incredible. I loved it. I loved him. It was a total disaster. Gasping, I pulled back. “I, uh—,” I began oh so coherently, and then I jumped up, almost knocking him over, and raced down the dock. I took off, flying fast, like a rocket.
James Patterson (The Final Warning (Maximum Ride, #4))
You aren't like your mom." "I am.But I don't want to be like that anymore,I want what I want." He turns to me again,his face anxious. "I told my father's friends that I'm studying at Berkeley next year.It worked.He's really,really angry with me,but it worked.You told me to go for his pride.You were right." "So." I'm cautious,hardly daring to believe. "You're moving to California?" "I have to." "Right." I swallow hard. "Because of your mom." "Because of you. I'll only be a twenty-minute train ride from your school,and I'll make the commute to see you every night.I'd take a commute ten times that just to be with you every night." His words are too perfect.It must be a misunderstanding,surely I'm misunderstanding- "You're the most incredible girl I've ever known.You're gorgeous and smart, and you make my laugh like no one else can.And I can talk to you. And I know after all this I don't deserve you,but what I'm trying to say is that I love you,Anna.Very much." I'm holding my breath.I can't talk,but my eyes are filling with tears. He takes it the wrong way. "Oh God.And I've mucked things up again,haven't I? I didn't mean to attack you like this.I mean I did but...all right." His voice cracks. "I'll leave.Or you can go down first,and then I'll come down,and I promise I'll never bother you again-" He starts to stand,but I grab his arm. "No!" His body freezes. "I'm so sorry," he says. "I never mean to hurt you." I trail my fingers across his cheek. He stays perfectly still for me. "Please stop apologizing,Etienne." "Say my name again," he whispers. I close my eyes and lean forward. "Etienne." He takes my hands into his.Those pefect hands,that fit mine just so. "Anna?" Our foreheads touch. "Yes?" "Will you please tell me you love me? I'm dying here." And then we're laughing.And them I'm in his arms,and we're kissing,at first quickly-to make up for lost time-and then slowly,because we have all the time in the world.And his lips are soft and honey sweet,and the careful, passionate way he moves them against my own says that he savors the way I taste,too. And in between kisses,I tell him I love him. Again and again and again.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
My friend Dick Bass (now in his 70s) has travelled far and wide and had many adventures. His achievements include being the first person to climb the highest peak on each of the seven continents, as well as being the oldest person (by five years) to climb Mount Everest (at the age of 55.) He once told me a story of a plane ride, on which he sat next to a nice man who listened to him go on about the treacherous peaks of Everest and McKinley, the time he almost died in the Himalayas, and his upcoming plan to reclimb Everest. Just before the plane landed, Bass turned to the man sitting next to him and said, ‘After all this, I don’t think I’ve introduced myself. My name is Dick Bass.’ The man shook his hand, and responded, ‘Hi, I’m Neil Armstrong.
Roger Horchow
A KING WHO PLACED MIRRORS IN HIS PALACE There lived a king; his comeliness was such The world could not acclaim his charm too much. The world's wealth seemed a portion of his grace; It was a miracle to view his face. If he had rivals,then I know of none; The earth resounded with this paragon. When riding through his streets he did not fail To hide his features with a scarlet veil. Whoever scanned the veil would lose his head; Whoever spoke his name was left for dead, The tongue ripped from his mouth; whoever thrilled With passion for this king was quickly killed. A thousand for his love expired each day, And those who saw his face, in blank dismay Would rave and grieve and mourn their lives away- To die for love of that bewitching sight Was worth a hundred lives without his light. None could survive his absence patiently, None could endure this king's proximity- How strange it was that man could neither brook The presence nor the absence of his look! Since few could bear his sight, they were content To hear the king in sober argument, But while they listened they endure such pain As made them long to see their king again. The king commanded mirrors to be placed About the palace walls, and when he faced Their polished surfaces his image shone With mitigated splendour to the throne. If you would glimpse the beauty we revere Look in your heart-its image will appear. Make of your heart a looking-glass and see Reflected there the Friend's nobility; Your sovereign's glory will illuminate The palace where he reigns in proper state. Search for this king within your heart; His soul Reveals itself in atoms of the Whole. The multitude of forms that masquerade Throughout the world spring from the Simorgh's shade. If you catch sight of His magnificence It is His shadow that beguiles your glance; The Simorgh's shadow and Himself are one; Seek them together, twinned in unison. But you are lost in vague uncertainty... Pass beyond shadows to Reality. How can you reach the Simorgh's splendid court? First find its gateway, and the sun, long-sought, Erupts through clouds; when victory is won, Your sight knows nothing but the blinding sun.
Attar of Nishapur
Mrs. Fixer We call her Mrs. Fixer because she fixes Everything for everybody. If you need a ride, you call her, Or a meal, or a telephone committee. She'll find you an apartment or a part-time job, Even a date if you're in the market. And all the time she only wants someone to love her But she's afraid to ask. So she fixes everything for everybody instead And you keep calling her when you need something And forget to tell her that you love her. So she'll probably die lonely And have a big funeral And everyone will tell about The way she fixed things all the time.
James Kavanaugh (Will You Be My Friend?)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
Life doesn’t work that way, Alina. Hatred spreads—it doesn’t burn out with time. Someone needs to stand up and stop it. You watch, sister—when they’re done with the Jews, it will be our turn again. Besides, even if we could ride out the war with our heads down, and we sat back while the Nazis worked all of our Jewish friends to death, what kind of Poland could be rebuilt once they were gone? Those people are as important to this country as we are. We’re better off dying with honor than sitting back to watch our countrymen suffer,” he said.
Kelly Rimmer (The Things We Cannot Say)
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me. Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship. Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell. “Coming!” I step back and see Aly stick her head out of her second-story window. “No problem,” I call back up. “Take your time.” More time to get my head on straight. Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not. I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves. I grab a second stick and shove it in, too. With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.
G.K. Chesterton
On our particular mission, senior marines met with local school officials while the rest of us provided security or hung out with the schoolkids, playing soccer and passing out candy and school supplies. One very shy boy approached me and held out his hand. When I gave him a small eraser, his face briefly lit up with joy before he ran away to his family, holding his two-cent prize aloft in triumph. I have never seen such excitement on a child’s face. I don’t believe in epiphanies. I don’t believe in transformative moments, as transformation is harder than a moment. I’ve seen far too many people awash in a genuine desire to change only to lose their mettle when they realized just how difficult change actually is. But that moment, with that boy, was pretty close for me. For my entire life, I’d harbored resentment at the world. I was mad at my mother and father, mad that I rode the bus to school while other kids caught rides with friends, mad that my clothes didn’t come from Abercrombie, mad that my grandfather died, mad that we lived in a small house. That resentment didn’t vanish in an instant, but as I stood and surveyed the mass of children of a war-torn nation, their school without running water, and the overjoyed boy, I began to appreciate how lucky I was: born in the greatest country on earth, every modern convenience at my fingertips, supported by two loving hillbillies, and part of a family that, for all its quirks, loved me unconditionally. At that moment, I resolved to be the type of man who would smile when someone gave him an eraser. I haven’t quite made it there, but without that day in Iraq, I wouldn’t be trying. The
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Wallingford vaulted up from his chair. “You’ve come here so that I can mollify you and share in your belittling of Anais? Well, you’ve knocked on the wrong bloody door, Raeburn, because I will not join you in disparaging Anais. I will not! Not when I know what sort of woman she is—she is better than either of us deserves. Damn you, I know what she means to you. I know how you’ve suffered. You want her and you’re going to let a mistake ruin what you told me only months ago you would die for. Ask yourself if it is worth it. Is your pride worth all the pain you will make your heart suffer through? Christ,” Wallingford growled, “if I had a woman who was willing to overlook everything I’d done in my life, every wrong deed I had done to her or others, I would be choking back my pride so damn fast I wouldn’t even taste it.” Lindsay glared at Wallingford, galled by the fact his friend— the one person on earth he believed would understand his feelings—kept chastising him for his anger, which, he believed, was natural and just. “If I had someone like Anais in my life,” Wallingford continued, blithely ignoring Lindsay’s glares, “I would ride back to Bewdley with my tail between my legs and I would do whatever I had to do in order to get her back.” “You’re a goddamned liar! You’ve never been anything but a selfish prick!” Lindsay thundered. “What woman would you deign to lower yourself in front of? What woman could you imagine doing anything more to than fucking?” Wallingford’s right eye twitched and Lindsay wondered if his friend would plant his large fist into his face. He was mad enough for it, Lindsay realized, but so, too, was he. He was mad, angry—all but consumed with rage, but the bluster went out of him when Wallingford spoke. “I’ve never bothered to get to know the women I’ve been with. Perhaps if I had, I would have found one I could have loved—one I could have allowed myself to be open with. But out of the scores of women I’ve pleasured, I’ve only ever been the notorious, unfeeling and callous libertine—that is my shame.Your shame is finding that woman who would love you no matter what and letting her slip through your fingers because she is not the woman your mind made her out to be. You have found something most men only dream of. Things that I have dreamed of and coveted for myself. The angel is dead. It is time to embrace the sinner, for if you do not, I shall expect to see you in hell with me. And let me inform you, it’s a burning, lonely place that once it has its hold on you, will never let you go. Think twice before you allow pride to rule your heart.” “What do you know about love and souls?” Lindsay growled as he stalked to the study door. “I know that a soul is something I don’t have, and love,” Wallingford said softly before he downed the contents of his brandy, “love is like ghosts, something that everyone talks of but few have seen. You are one of the few who have seen it and sometimes I hate you for it. If I were you, I’d think twice about throwing something like that away, but of course, I’m a selfish prick and do as I damn well please.” “You do indeed.” Wallingford’s only response was to raise his crystal glass in a mock salute.“To hell,” he muttered,“make certain you bring your pride. It is the only thing that makes the monotony bearable.
Charlotte Featherstone (Addicted (Addicted, #1))
Breeze raised his dueling cane, pointing it at Ham. "I see my period of intellectual respite has come to an end." Ham smiled. "I thought up a couple of beastly questions while I was gone, and I've been saving them just for you, Breeze." "I'm dying of anticipation," Breeze said. He turned his cane toward Lestibournes. "Spook, drink." Spook rushed over and fetched Breeze a cup of wine. "He's such a fine lad," Breeze noted, accepting the drink. "I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating." Spook frowned "Niceing the not on the playing without." "I have no idea what you just said, child," Breeze said. "So I'm simply going to pretend it was coherent, then move on." Kelsier rolled his eyes. "Losing the stress on the nip," he said. "Notting without the needing of care." "Riding the rile of the rids to the right," Spook said with a nod. "What are you two babbling about?" Breeze said testily. "Wasing the was of brightness," Spook said. "Nip the having of wishing of this." "Ever wasing the doing of this," Kelsier agreed. Breeze turned to Dockson with exasperation. "I believe our companions have finally lost their minds, dear friend." Dockson shrugged. Then, with a perfectly straight face, he said, "Wasing not of wasing is." Breeze sat, dumbfounded, and the room burst into laughter. Breeze rolled his eyes indignantly, shaking his head and muttering about the crew's gross childishness. Vin nearly choked on her wine as she laughed. "What did you even say?" she asked of Dockson as he sat down beside her. "I'm not sure," he confessed. "It just sounded right." "I don't think you said anything, Dox," Kelsier said.
Brandon Sanderson
Mr. Wesley was once asked by a lady, "Suppose that you knew you were to die at twelve o'clock tomorrow night, how would you spend the intervening time? "HOW, madam?" he replied; why, just as I intend to spend it now. I should preach this night at Gloucester, and again at five tomorrow morning; after that I should ride to Tewkesbury, preach in the afternoon, and meet the societies in the evening. I should then repair to friend Martin's house, who expects to entertain me, converse and pray with the family as usual, retire to my room at ten o'clock, commend myself to my heavenly Father, lie down to rest, and wake up in glory.
G. Campbell Morgan (The Works of G. Campbell Morgan (25-in-1). Discipleship, Hidden Years, Life Problems, Evangelism, Parables of the Kingdom, Crises of Christ and more!)
Part 3 Anna: St. Clair… Etienne: And that. Why don’t you call me Etienne any more? Anna: But … no one else calls you that. It was weird. Right? Etienne: No. It wasn’t And every time you say St. Clair, it’s like you’re rejecting me again. Anna: I have never rejected you. Etienne: But you have. And for Dave. Anna: And you rejected me for Ellie on my birhtday. I don’t understand. If you liked me so much, why didn’t you break up with her? Etienne: I’ve been confused. I’ve been so stupid. Anna: Yes. You have. Etienne: I deserve that. Anna: Yes. You do. But I’ve been stupid, too. You were right. About … the alone thing. Etienne: I’ve been thinking lately. About my mum and dad. How she gives in to him. How she won’t leave him. And as much as I love her, I hate her for it. I don’t understand why she won’t stand up for herself, why she won’t go for what she wants. But I’ve been doing t he same thing. I’m just like her. Anna: You aren’t like your mom. Etienne: I am. But I don’t want to be like that any more, I want what I want. I told my father’s friends that I’m studying at Berkeley next year. It worked. He’s really, really angry with me, but it worked. You told me to go for his pride. You were right. Anna: So.You’re moving to California? Etienne: I have to. Anna: Right. Because of your mom. Etienne: Because of you. I’ll only be a twenty-minute train ride from your school, and I’ll make the commute to see you every night. I’d take a commute ten times that just tob e with you every night. You’re the most incredible girl I’ve ever known. You’re gorgeous and smart, and you make me laugh lilke no one else can. And I can talk to you. And I know after all this I don’t deserve you, but what I’m trying to say ist hat I love you, Anna. Very much.Oh God, And I’ve mucked things up again, haven’t I? I didn’t mean to attack you like this. I mean I did but … all right. I’ll leave. Or you can go down first, and then I’l come down, and I promise I’ll never bother you again… Anna: No. Etienne: I’m so sorry. I never meant to hurt you. Anna: Please stopl apologizing, Etienne. Etienne: Say my name again Anna: Etienne. Etienne: Anna? Anna: Yes? Etienne: Will you please tell me you love me? I’m dying here.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
As a bonding exercise one weekend, Musk, Ambras, a few other employees and friends took off for a bike ride through the Saratoga Gap trail in the Santa Cruz Mountains. Most of the riders had been training and were accustomed to strenuous sessions and the summer’s heat. They set up the mountains at a furious pace. After an hour, Russ Rive, Musk’s cousin, reached the top and proceeded to vomit. Right behind him were the rest of the cyclists. Then, fifteen minutes later, Musk became visible to the group. His face had turned purple, and sweat poured out of him, and he made it to the top. “I always think back to that ride. He wasn’t close to being in the condition needed for it,” Ambras said. “Anyone else would have quit or walked up their bike. As I watched him climb that final hundred feet with suffering all over his face, I thought, That’s Elon. Do or die but don’t give up.
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
Once upon a time I'd left Los Angeles and been swallowed down the throat of a life in which my sole loyalty was to my tongue. My belly. Myself. My mother called me selfish and so selfish I became. From nineteen to twenty-five I was a mouth, sating. For myself I made three-day braises and chose the most marbled meats, I played loose with butter and cream. My arteries were young, my life pooling before me, and I lapped, luxurious, from it. I drank, smoked, flew cheap red-eyes around Europe, I lived in thrilling shitholes, I found pills that made nights pass in a blink or expanded time to a soap bubble, floating, luminous, warm. Time seemed infinite, then. I begged famous chefs for the chance to learn from them. I entered competitions and placed in a few. I volunteered to work brunch, turn artichokes, clean the grease trap. I flung my body at all of it: the smoke and singe of the grill station, a duck's breast split open like a geode, two hundred oysters shucked in the walk-in, sex in the walk-in, drunken rides around Paris on a rickety motorcycle and no helmet, a white truffle I stole and shaved in secret over a bowl of Kraft mac n' cheese for me, just me, as my body strummed the high taut selfish song of youth. On my twenty-fifth birthday I served black-market fugu to my guests, the neurotoxin stinging sweetly on my lips as I waited to see if I would, by eating, die. At that age I believed I knew what death was: a thrill, like brushing by a friend who might become a lover.
C Pam Zhang (Land of Milk and Honey)
A loud crash came from somewhere off screen. “Sorry, man. Hold on a second. I swear to me, don’t ever have children. They drive you up the wall.” God stood from his chair and stepped away off screen. “Jesus! Jesus Christ, you better not be making a mess in the kitchen. We just had it cleaned!” A surly response came crackling through the monitor. “I’m not! And don’t tell me what to do! You’re not even my real dad. Joseph is! When he and Mom get back from their vacation, I’m going to tell them you never let me do anything.” “You do that,” God said. “See how far it gets you. And you know I’m your real dad. Your mom was a virgin when I put my seed of light inside of—” “Gross! Stop it! And that’s not how pregnancy works. You made sure of that!” “Just…I’m making a very important call right now. Please keep it down. I promise when I finish, we’ll go ride unicorns or something. We’ll make a day of it.” “I hate unicorns!” “Jesus, I’m warning you. Lose the tone.” “Or what, you’ll send me to Earth and let me die for more sins again that aren’t even my own? Real original. Oh, hey, guys, of course you can nail me to a piece of wood. I’m here for you, after all!” “That’s it. You’re grounded!” “You can’t ground me! I’m calling Mom!” “Do it, then! And you tell her that you think she wasn’t a virgin. See how that goes.” “I’m going to hang out with my friends. At least beggars and whores understand me!” Somewhere deep inside the cloud castle God lived in, a door slammed. God sighed as he reappeared on screen, sitting back down in his chair. “Sorry about that, man. Sharing custody is hard. Joseph and Mary have been gone for a week. It feels like a year.
T.J. Klune (Blasphemy!)
St. Louis Blues (1929) I hate to see de evenin' sun go down, Hate to see de evenin' sun go down 'Cause ma baby, he done lef' dis town. Feelin' tomorrow like I feel today, Feel tomorrow like I feel today, I'll pack my trunk, make ma git away. Saint Louis woman wid her diamon' rings Pulls dat man 'roun' by her apron strings. 'Twant for powder an' for store-bought hair, De man ah love would not gone nowhere, nowhere. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. Been to de gypsy to get ma fortune tole, To de gypsy, done got ma fortune tole, Cause I'm most wile 'bout ma Jelly Roll. Gypsy done tole me, "Don't you wear no black." Yes, she done told me, "Don't you wear no black. Go to Saint Louis, you can win him back." Help me to Cairo, make Saint Louis by maself, Git to Cairo, find ma old friend Jeff, Gwine to pin maself close to his side; If ah flag his train, I sho' can ride. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Colonel loves his mint an' rye. I'll love ma baby till the day I die. You ought to see dat stovepipe brown of mine, Lak he owns de Dimon' Joseph line, He'd make a cross-eyed o'man go stone blin'. Blacker than midnight, teeth lak flags of truce, Blackest man in de whole of Saint Louis, Blacker de berry, sweeter am de juice. About a crap game, he knows a pow'ful lot, But when worktime comes, he's on de dot. Gwine to ask him for a cold ten-spot, What it takes to git it, he's cert'nly got. Got de Saint Louis Blues jes as blue as ah can be. Dat man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. A black-headed gal makes a freight train jump the track, said a black-headed Gal makes a freight train jump the track, But a long tall gal makes a preacher ball the jack. Lawd, a blonde-headed woman makes a good man leave the town, I said Blonde-headed woman makes a good man leave the town, But a red-headed woman makes a boy slap his papa down. Oh, ashes to ashes and dust to dust, I said ashes to ashes and dust to dust, If my blues don't get you, my jazzing must.
Bessie Smith
Two fifty-five. It’s go time.” Chris unlocks the doors and gets out and hides behind an oak tree in the yard. My adrenaline is pumping as I hop out of Chris’s car, grab Kitty’s bike out of her trunk, and push it a few houses. Then I set it on the ground and drape myself over it in a dramatic heap. Then I pull out the bottle of fake blood I bought for this very purpose and squirt some on my jeans--old jeans I’ve been planning on giving to Goodwill. As soon as I see Trevor’s car approaching, I start to pretend sob. From behind the tree Chris whispers, “Tone it down a little!” I immediately stop sobbing and start moaning. Trevor’s car pulls up beside me. He rolls down the window. “Lara Jean? Are you okay?” I whimper. “No…I think I might have sprained my ankle. It really hurts. Can you give me a ride home?” I’m willing myself to tear up, but it’s harder to cry on cue than I would have thought. I try to think about sad things--the Titanic, old people with Alzheimer’s, Jamie Fox-Pickle dying--but I can’t focus. Trevor regards me suspiciously. “Why are you riding your bike in this neighborhood?” Oh no, I’m losing him! I start talking fast but not too fast. “It’s not my bike; it’s my little sister’s. She’s friends with Sara Healey. You know, Dan Healey’s little sister? They live over there.” I point to their house. “I was bringing it to her--oh my God, Trevor. Do you not believe me? Are you seriously not going to give me a ride?” Trevor looks around. “Do you swear this isn’t a trick?” Gotcha! “Yes! I swear I don’t have your name, okay? Please just help me up. It really hurts.” “First show me your ankle.” “Trevor! You can’t see a sprained ankle!” I whimper and make a show of trying to stand up, and Trevor finally turns the car off and gets out. He stoops down and pulls me to my feet and I try to make my body heavy. “Be gentle,” I tell him. “See? I told you I didn’t have your name.” Trevor pulls me up by my armpits, and over his shoulder Chris creeps up behind him like a ninja. She dives forward, both hands out, and claps them on his back hard. “I got you!” she screams. Trevor shrieks and drops me, and I narrowly escape falling for real. “Damn it!” he yells. Gleefully Chris says, “You’re done, sucker!” She and I high-five and hug. “Can you guys not celebrate in front of me?” he mutters. Chris holds her hand out. “Now gimme gimme gimme.” Sighing, Trevor shakes his head and says, “I can’t believe I fell for that, Lara Jean.” I pat him on the back. “Sorry, Trevor.” “What if I had had your name?” he asks me. “What would you have done then?” Huh. I never thought of that. I shoot Chris an accusing glare. “Wait a minute! What if he had had my name?” “That was a chance we were willing to take,” she says smoothly.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
When you're dying, the unicorn up in heaven gets a note from an angel telling her there's a person who's going to need a ride up soon. The unicorn finds out what the person likes. Favorite foods and books, colors and activities, pets and games. She gets a room ready for him, or her, near people who she knows they'll enjoy being with, maybe other friends and family who have died before. When the unicorn is done, she jumps off of heaven's perch, flies through the blue sky, around the clouds, over any rainbows, and down to the person. She's invisible to everyone. She patiently waits. When the person dies, she gathers them up on her back, using her hooves and horn. All of a sudden, they sit up straight and smile, they laugh, because they're on top of a unicorn and alive again. They hold on tight to her golden reins and the unicorn takes them to their new home, where they're happy.
Cathy Lamb (My Very Best Friend)
While Diana and her mother started planning guest lists, wardrobe requirements and the other details for the wedding of the year, the media vainly attempted to discover her hiding-place. The one man who did know was the Prince of Wales. As the days passed, Diana pined for her Prince and yet he never telephoned. She excused his silence as due to the pressure of his royal duties. Finally she called him only to find that he was not in his apartment at Buckingham Palace. It was only after she called him that he telephoned her. Soothed by that solitary telephone call, Diana’s ruffled pride was momentarily mollified when she returned to Coleherne Court. There was a knock on the door and a member of the Prince’s staff appeared with a large bouquet of flowers. However there was no note from her future husband and she concluded sadly that it was simply a tactful gesture by his office. These concerns were forgotten a few days later when Diana rose at dawn and travelled to the Lambourn home of Nick Gaselee, Charles’s trainer, to watch him ride his horse, Allibar. As she and his detective observed the Prince put the horse through its paces on the gallops Diana was seized by another premonition of disaster. She said that Allibar was going to have a heart attack and die. Within seconds of her uttering those words, 11-year-old Allibar reared its head back and collapsed to the ground with a massive coronary. Diana leapt out of the Land Rover and raced to Charles’s side. There was nothing anyone could do. The couple stayed with the horse until a vet officially certified its death and then, to avoid waiting photographers, Diana left the Gaselees in the back of the Land Rover with a coat over her head. It was a miserable moment but there was little time to reflect on the tragedy. The inexorable demands of royal duty took Prince Charles on to wales, leaving Diana to sympathize with his loss by telephone. Soon they would be together forever, the subterfuge and deceit ended. It was nearly time to let the world into their secret. The night before the engagement announcement, which took place on February 24, 1981, she packed a bag, hugged her loyal friends and left Coleherne Court forever. She had an armed Scotland Yard bodyguard for company, Chief Inspector Paul Officer, a philosophical policeman who is fascinated by runes, mysticism and the after-world. As she prepared to say goodbye to her private life, he told her: “I just want you to know that this is the last night of freedom in your life so make the most of it.” Those words stopped her in her tracks. “They felt like a sword through my heart.
Andrew Morton (Diana: Her True Story in Her Own Words)
was a child. When someone needed a ride and didn’t have a boat available, they called Dick. He charged twenty bucks, a twelve-pack of beer, or a fifth of vodka. Cate paid cash. His thirty-year-old son, Adam, accompanied him these days and stared at Cate in a way that gave her the creeps. She stared back, and Adam finally had the grace to look away. Cate decided she’d never ride with Adam when he took over for his father in the future. “I brought over Dr. Powers,” answered Dick. “He’s the one who said to call the FBI. Kurt Olson from the sheriff’s office and a new deputy, Bruce Taylor, were already there.” Dick glanced over his shoulder at Cate. “You met Bruce or Dr. Powers yet?” “No.” She only knew Kurt. He’d been a deputy on Widow’s Island forever. “Bruce is young. Only been here a few months. From southern Oregon. Haven’t made up my mind about him yet,” Dick said, pulling at his beard. “Dr. Powers is a good guy. We’ve needed a doctor on the island since Dr. Hardy died three years ago. Tessa Black from the sheriff’s department shared his ride. Didn’t you two run around together when you were young? You know she’s a county deputy now, right?” “Yes.” Tessa had been like a sister to Cate while growing up. After nearly ten years of being a Seattle police officer and detective, Tessa had returned to Widow’s Island about a year and a half ago and joined the sheriff’s office. Cate had been back on the island for five days and still hadn’t contacted her good friend. Her grandmother had repeatedly pushed her to call Tessa, but Cate had dragged her feet, stating she needed more rest, and had firmly ordered her grandmother to keep this visit to the island under her hat. Cate wasn’t ready to face people. But tonight’s discovery gave her no choice. Trespassing teenage lovebirds had found the bones. The coroner—the new Dr. Powers—believed they belonged to a teenage female. Two years ago the FBI had conducted an investigation of a missing local girl, Becca Conan, with no results. Fourteen-year-old Becca was the daughter of Rex Conan, sole resident and current owner of Ruby’s Island. Now the FBI—meaning
Kendra Elliot (Close to the Bone (Widow's Island #1))
Things I'll Neva Forget I'll never Forget my mother The one who loves me most her pretty,priceless smile will forever be kept my life "so called" file her motherly touch had no comparison nor equal it could never be replaced,stopped or re-enacted into a sequel i felt as if her life was all but drawn up without perfection it was done wrong Now she's gone But I'll never Forget my MOTHER I'll never forget father The one who changed my life thanks to him I'll know how to treat my own wife the ultimate villein on my hoodlum chart he's at the top......Wonder Y?........ my daddy es a Flop thus he did lie,cheat & steal in my heart I denounce I'll never forget my FATHER I'll never forget my Family 'My People" The Mohasoa Pride & that 2% Bopape Tribe Our individual ups & downs made it one hell of a roller coaster ride jokes aside "we miss you" the one who died like my mom she was our escutcheon against the dark what a tragic lose of our artery of traffic see throw mi eyes "divided we'll fall....together we shall rise" I'll never forget my FAMILY I'll never forget You Guys "My Friends" Mmmm aaargh "writers block" over-loading there's just too many of y'all BUT I never forget " My Friends" I'll never forget......Who I Am Me the man of my dreams "Lebogang Bopape" The boy who never knew his abilities till he was 7 fucked up everything by the time he turned 11 my 1st day at school "quite funny" didn't talk to anyone for like a week or so till I fell cried so hard I accidentally ran into my very own Jezebel so wrong was I thinking she's the one my feelings weren't intact I had none Uncle said "you'll get them when you turn into a man SON" What happened next an emotional recession the leading cause factor 4 this deception............LIES! call them what y'all want black or white they'er still LIES! all you'll get trouble Shit I'm seeing double losing sight of what is right got my life blue,black,cherry.......Bleary Time will tell I am a bit blind but look behind you Deep in the back of your mind you are who you are I'll never forget ME! Lebogang Yep thats Me Baby!
Lebogang Lynx Bopape
Stop throwing the word friend, sister, brother, “ride-or-die” around arbitrarily. Everyone has not earned those titles. Know the difference between a true friend, acquaintance, co-worker. Be careful who you allow in your circle.
Liz Faublas
Wait a goddamn minute!” Rick snapped. “You have to tell me about the fucking spaceship!” “Will your ride be waiting?” Jerry asked. “He’ll wait!” “Well, okay then. I was camping with a couple of friends. We were in Arizona, way out in the middle of nowhere. We’d been in Sedona, but we moved out into the desert. When my friends woke up in the morning, I was gone. I woke up—I don’t know when—inside this spaceship. I had no memory of being snatched. It was like silver glass on the inside and the people—the aliens—had on suits that covered them from head to toe, breathing like Darth Vader, and I was stripped bare and lying out on a silver table. They were studying me and poking at me and talking in what sounded like high-pitched squeaks. Like dolphins. “My friends got a search party going back in Arizona, but after two weeks of not being able to find me, they all gave up the search. They assumed I’d wandered off and died in the desert. But at some point, again in a total blackout, I found myself back in the desert of Arizona—alone. A park ranger found me and picked me up. The story goes that I wandered off from our camp and hallucinated due to dehydration, but that isn’t what happened.” “Maybe it did,” Rick said. Jerry shook his head. “I wasn’t dehydrated. And after weeks of being missing in the desert, my clothes weren’t damaged. Not torn or dirty or anything.” He looked at his watch. “I’ve researched—mine is not the lone account of such a thing. I’ll be glad to give you what other details I can remember at the end of our next session, if you’re interested.” Rick sat back in his chair and just stared at the guy. “How often does this spaceship trick work for you?” Jerry grinned. “Every time.” *
Robyn Carr (Paradise Valley)
Do you deny that your song says your yellow-hair must come to you? You took me home and taught me how to walk back to you in your footsteps!” Her voice rose, turning shrill. “You gave me a fine horse to ride! Do you deny that?” Confusion welled inside him. “You are angry because I teach you and give you gifts?” At last she wrenched her head around, her tear-filled eyes sparkling with contempt. “Like your medallion? ‘Wear it for always,’ you said. But it wasn’t as a remembrance! It was to mark me, so your filthy friend Santos wouldn’t steal the wrong yellow-hair. You knew how much I love Amy. You struck where I was most vulnerable, knowing I’d do anything to save her. I trusted you. You spoke of songs in our hearts and remembering for always. And I--” Her voice broke and trailed off into a squeak. For a moment he thought she might strike him, so deep went her pain, but then her face crumpled and the fight drained from her. She looked so forsaken, so frightened, that all he wanted was to hold her and soothe away her hurts. “I believed you, Hunter. Do you know how difficult that was for me? After what Comanches did to my parents? I betrayed their memory, trusting you. I turned my back on everything.” Hunter’s heart caught at the bruised, aching intensity he heard in her voice. Two large tears slipped over her bottom lashes and washed onto her cheeks, trailing in silver ribbons to her chin. He ran his hand into her cloud of tangled hair and drew her toward him, ignoring her resistance, pressing her face into the curve of his neck. She lay rigid against him, shaking violently. He dipped his head, the last traces of his anger dying.
Catherine Anderson (Comanche Moon (Comanche, #1))
… The frayed and gritty edges of everyone’s world were being worried away by neighbors you’d never noticed until the air spilled over with the tragedy of their loss. The war had taken them or their children; killed them, lost them, torn off body parts, shipped them back brain-fried…. … Tales fell from hearts in heavy, wet tones of grief and confusion…. … Even when rare moments of relative calm and clarity crept briefly through our days, they crawled in with head hanging through that most familiar of all tunnels, our sense of loss. Each new friend seemed only to step in and announce himself with his last breath. Why hadn’t we loved him earlier when there had been more time? That overriding sense of loss was the dismal cloud through which you viewed the world. Dreading life’s relentless advance, but knowing your locks could never keep it out…. … As the late 60’s gave in and died, and I trudged through my first year as an art student in college, even the old folks were growing up. Their World War II glories clouded over. Someone had shot the president, his brother, and a great civil rights leader, dragging us all out of our warm, snuggly innocence. People seemed infested by life, burdened by the stifling weight of it, until we could only force shallow, labored breaths. Each new day was just an old one playing through again, a dust-laden August, a storm always riding right on top of you that never quite cut loose. It settled into your joints until they grew achy, too heavy to lift; tarring all hearts with a dark, heavy plaque. Days stuck together as walking and breathing grew tedious. Until even my bubbly sister couldn’t offer up a smile without a shadow lurking inside it. We trudged through life as our mighty nation killed our sons and broke our buddies, defending itself from skinny barefoot farmers with sticks, in rice swamps somewhere on the other side of existence, where you couldn’t tell the good guys from the bad. Some lost tiny nowhere that hadn’t even existed when you’d been a kid; when the world had been innocent and untainted. Back when Father Knew Best, Beaver’s mom fed his dad all the answers, and Annie Oakley never had to shoot to kill…. - From “Entertaining Naked People
Edward Fahey (Entertaining Naked People)
Love Hurts. I daresay there’s two or three poems, six novels and at least twelve songs on the subject. That’s how the Janus-faced beast of poetry gets written in the first place, in all its myriad of magical forms. So; why cover this hitherto uncharted and highly original territory? Why leap fearlessly into the unknown, nostrils flared, eyes flashing fire? Well, in the name of love, lust and limerence, why on earth not? Suffering is gratuitous and pointless, yet also vital, valuable and necessary. My last tête à tête gave me plenty, incorporating elements of the forbidden, of rebellion, pornography, pregnancy, parental approval – followed by fury – of infidelity, friend estrangement, life on one island that was heavenly and a second that veered between purgatorial and infernal, of violence, miscarriage, masturbating Indians, pepper spray, antipathy, disloyalty, evictions, a planned future, failed globetrotting and habitual lies, whilst being indicative of a wider, all-encompassing social corrosion, and while the story itself may remain merely hinted at or alluded to in the course of this generalised polemic, it’s as worthy or valid as any other such tale told round the campfire and whispered across the beaches of the world. All life’s a roll of the dice, tiger; ride into the bastard storm and if your wounds hurt, be grateful you survived to lick them, even in the darkest nights of the soul when the sun is a mattress fire the god of your love died in. Love Hurts, and in a stupendous and savage cosmos, it’s my right to sit at the keyboard and bleed. Besides, love, poverty and war are the necessary accoutrements to a fulfilled life; this is the all-encompassing theme of our human condition and the crooning, persuasive symphony of that philosophically unfathomable miracle of life itself… especially as love leads to poverty and war. Man is born unto trouble as the sparks fly upward, after all. I certainly am… we choose our own chains... ~excerpt, "Love Hurts
Daniel S. Fletcher
I point to the kitchen. “You remember my friend, Shelly?” He looks back over his shoulder. “What’s up, Shelly? Good to see you again.” Her face is bright red. I’ve never seen her embarrassed like this. She raises her hand and sheepishly waves. “Hey Gus. Good to see you again, too.” He’s fully turned in his seat to face her now. “I must say that I’ve never seen anyone toss a sidewalk pizza with such commitment and precision as you did the last time I saw you. I never got to commend you.” Her face is buried in her hands. “Of course you would remember that.” She’s still embarrassed about throwing up in front of everyone. Gus isn’t mean-spirited. He’s actually being complimentary. He grins. “No, I’m serious. You go for distance. It was impressive. Ride the lightning, my friend.” He reaches over and slaps Duncan on the back. “You’re a lucky dude.” Shelly mumbles, “Oh my God, I want to die.” I join her in the kitchen and put my arm around her waist. “He wouldn’t tease you if he didn’t like you. And as gross as it may sound, he was impressed. He’s a boy
Kim Holden (Bright Side (Bright Side, #1))
Fifteen years after leaving her husband, Frances—who never remarried—found herself in the headlines, accused of being a conniving homewrecker. In a lawsuit filed in March 1922, asking for $25,000 in damages, Mrs. Marion Mehren of 2971 Second Boulevard, Detroit, accused Frances of alienating the affections of her husband, Paul Mehren. According to Mrs. Mehren’s allegations, “the woman lawyer took her husband for automobile rides, permitted him to visit her at her apartment . . . and accepted gifts of groceries from him.” When Mrs. Mehren confronted her husband and “accused him of being too friendly with Mrs. Keusch,” he flew into a rage and “told her to ‘go ahead and get a divorce.’”9 For her part, Frances brushed off the accusations, “declaring that Mehren was nothing more than a chauffeur and a servant.” Six years earlier, while she was recovering from a knee injury, Mehren “scrubbed the floor of her apartment, washed dishes and performed other menial work.” Occasionally, she “employed him to take her for drives while she was convalescing.” She “paid him for everything he did for her,” as well as “for all the groceries.”10 The story took an even juicier turn during Mrs. Mehren’s court appearance that September, when she admitted to physically assaulting her alleged romantic rival. As she told the judge, she and her husband were out in their car when she spotted Mrs. Keusch, who called out “Hello, Paul” as they drove past. “Jumping from the car,” the enraged wife—who had known “her husband was going with another woman” ever since “he left home for three days in July, 1920”—had set upon Frances and badly “scratched her face.”11 Four years later, in August 1926, Frances Kehoe Keusch died of heart disease—chronic myocarditis.12 The scandal she had been involved in might have set tongues wagging at the time. Compared with the enormity perpetrated by another Kehoe sibling just one year later, however, it was a trivial matter indeed.
Harold Schechter (Maniac: The Bath School Disaster and the Birth of the Modern Mass Killer)
(Horses like boys…?) I had to remind myself that I gave up riding before I started eighth grade. I said that because I knew the same tired Jokes were going to roll in soon, about me riding horse-ie’s from the day I was like seven until then.’ ‘I don’t think I could ride now to save my life.’ Jenny said- ‘It’s just like riding a bike you never forget how too.’ ‘How would you know,’ I asked? Jenny said- ‘I still ride from time to time, I just got second place in a jumping competition two weeks ago.’ I whispered- ‘O-oh.’ (On the inside- I was crushed, thinking it okay for you to ride but I can’t. My horse died not long after, I stopped riding her, thinking I didn’t love her anymore. I didn’t want to stop.) I think if she starts making fun of me now, I would bust out crying. And if I cry then I’ll be a BABY! Yet it okay for her to cry to us over stupid boys or her time of the month drama. I could never clear the truth to her: that riding was my favorite thing in this whole wide world. It wasn’t about winning with me, no- it was about having my freedom, my happiness, and my relaxation. The way I could escape from all of them that put me down, back them. I loved it more than boys, more than friends, more than family even. I was the best I could be back then. I was strong then, now I am nothing but a week p*ssy that lets everyone crap on me. I can’t believe that I wanted this life. I loved to be alone in the barn, or out on the fields particularly in the late summer when everything is crunchy and golden, and the plants show off all their wonderful different colors, and it smells of hay, is what made my day complete, racing past all the trees, down the wooded trails, it was more than just jumping her at compassion. We had a bond- I loved brushing my horse down, braiding her main, and being her best friend, feeding her carrots sticks, I loved it all. I gave up my best friends for ones that I can’t always trust. Your horse’s always your trusting best friend. And if I am crying now, it’s not that I am sad, it’s that I am happy. I have to lie…! I am nothing- nothing, but a complete liar, a wide-ranging slut, and a total baby! #- hostage: (Galloping, Groping, Gulping)
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
He would be forty-five now, a grown man, if he had not died that fall. His final pneumonia took him quickly: a fever that rocketed skyward, the tiny, bottlelike lungs filling, coma, death within hours. After all he’d been through, it seemed a mercy, though of course that was an illusion, something to say to fill the silence of his missing life: the bicycle he would not ride, the books he would not read, the friends he would not have and the girl he would not kiss. The thousand pains and pleasures of his life, shelved in a tomb that the door of early death had sealed. No, there was no mercy in what happened to my boy at all. When he died, he weighed just eleven pounds. It’s said that many marriages do not survive the loss of a child, that such grief is a room parents enter together but depart alone. I have no cause to argue the point, having sat in just that room. From that day forward we loved each other, Meredith and I, but we loved with broken hearts. And when, on a morning not long after we had buried Sam, I came into the kitchen to find Meredith standing at the window, cupping the curve of her stomach in a secret way that I alone understood, I knew we would go on.
Justin Cronin (The Summer Guest)
This is my best friend right here. My ride or die.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
I’m not ride-or-die, either. If you do something stupid, I’m going to be the friend who tells you you’re doing something stupid. I’m not going to join you in your stupidity.
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
But I can’t just put Abby over my shoulder and ride off into the sunset, caveman style. Can I? Every fiber of my being screams to do just that, but the complications for both of us would be— Would be what? Overcome in time. Awkward at best but nobody would die. Life would go on. I pause that thought. Vowing to come back to it once I’ve helped Abby off my bike and out of her helmet.
Flora Ferrari (Inked By My Best Friend's Dad (Inked By Love #1))
She’s not a ride-or-die friend, nor is she a ride-or-die sister. That’s what I love the most about her, because I’m not ride-or-die, either. If you do something stupid, I’m going to be the friend who tells you you’re doing something stupid. I’m not going to join you in your stupidity. I want my friends to treat me the same way. I prefer honesty over loyalty any day, because with honesty comes loyalty.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
He laughs, and I love that Allysa is being nice to him. I know she has every right to give complete loyalty to her brother, but it’s not in her to be rude to people simply because other people don’t like them. She’s not a ride-or-die friend, nor is she a ride-or-die sister. That’s what I love the most about her, because I’m not ride-or-die, either. If you do something stupid, I’m going to be the friend who tells you you’re doing something stupid. I’m not going to join you in your stupidity. I want my friends to treat me the same way. I prefer honesty over loyalty any day, because with honesty comes loyalty.
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
She’s not a ride-or-die friend, nor is she a ride-or-die sister. That’s what I love the most about her, because I’m not ride-or-die, either. If you do something stupid, I’m going to be the friend who tells you you’re doing something stupid. I’m not going to join you in your stupidity. I
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
Amongst the booming bass and the singing girls and smell of alcohol, my heart felt full, like I’d found my place. The indescribable thrill, not of drinking and singing and dancing, but of being with people who understood you, even if they didn’t know you. The feeling of belonging.
Alexandra Larson (Ascend from the Shadows (Dark Perceptions #1))
Kate has been my ride-or-die in this for a long time now. The kind of friend everyone needs to have in their life. I hope you have that person. I just realized that I don’t know much about the people in your world these days, now that you live so far away. But I hope you have a Kate.
Kelley McNeil (Mayluna)
There is nothing more to tell of my tricks, of my danger deeds. All these are now behind me. It is not as a warrior that I now talk. I was riding alone, knowing what was ahead of me. Then the places through which I was riding came to my heart. It drew memories of old times, of my friends, when they were living on this river. My friends, my brothers, my sisters! All were gone! No tepees anywhere along the river. I was alone. No difference if I was hanged. I did not think I would die by the gun. The only way I could be killed was by hanging. That church Agent! That brave General Howard! They would see how I could die! I, a warrior, who knew the fighting! Keeping the religion of my ancestors, I knew not to fear.
Lucullus Virgil McWhorter (Yellow Wolf)
Quickly pushing and shoving to get out of the pool, was in a full-on panic. That is when Shy moved in for the kill- she was Jenny's best friend at the time. She grabbed Lizzy’s goodies, and bikini bottom and pulled the plug out by the sting, and the blood started to show in the water all pink. Shy dunked her and swam away, that is when Lizzy swam over to the diving board ass showing to get out, she claimed out and ran the length of the Olympic sized pool dripping and shaking to get around everyone, while the rest of us nearly died laughing at the sight of her new hair and a blood-covered vertical smile that was showing. That is how Shy became popular, she did Jenny’s dirty work for her. It reminded me of the time my parents took me to Kenny Wood when I was about in the fourth grade and made me get on one of the big coasters. My legs were not able to stop shaking and my feet got a tingling feeling on the bottom side of them like they were itching to get out of a pair of hot shoes: I couldn’t stop thinking about how easy it would be to fall out, how high up we were. After my mom got the picture, they took off on the ride, I started laughing and couldn’t stop at how scared yet thrilled I was. Standing on the high dive with Jenny got me exactly in the same way. It’s like I started craving more and more of that feeling too. It feels like that twenty-six seconds when you have a girly eruption and shaking because of it so good.
Marcel Ray Duriez (Nevaeh Falling too You)
The little traitor.  She went from being my pistol-packing ride or die through jungle animals and nefarious paranormal beings back to the ‘I’d sell my soul to own a horse’ girl she’d been since she was a toddler.  “Does your friend have a bear?” Hannah asked.  “I’ve always wanted to pet a bear.” “She’s a white girl, I can tell,” I heard a deep voice say.  “White women have never met an animal they don’t want to cuddle.
Cee Bowerman (Kitty (Timed Served #8))
I’m not ride-or-die, either. If you do something stupid, I’m going to be the friend who tells you you’re doing something stupid. I’m not going to join you in your stupidity. I want my friends to treat me the same way. I prefer honesty over loyalty any day, because with honesty comes loyalty.
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
The personal case histories were the most encouraging. A prominent Los Angeles public relations executive has been living with MM for fourteen years, rides horses, and has an altogether active life on drug maintenance. An Arizona man survived MM and with his wife set up a foundation and website for other families bewildered by the diagnosis. I learned, for the first time, that Frank McGee, host of the Today show from 1971 to 1974, suffered from MM and kept it from everyone despite his ever more gaunt appearance. When he died after putting in another full week on the air his producers and friends were stunned. Sam Walton, founder of Walmart, was another MM casualty, which led many to believe that he had established the high-profile multiple myeloma treatment center in Little Rock, Arkansas. This is a full-immersion process in which MM is the singular target under the commanding title of Myeloma Institute for Research and Therapy. There is a Walton auditorium on the institute’s University of Arkansas medical school campus, but the institute itself was founded by Bart Barlogie, a renowned MM specialist from the MD Anderson Cancer Center in Houston. The institute has an impressive record, running well ahead of the national average for survival for those who are dealing with MM. One number is especially notable. The institute has followed 1,070 patients for more than ten years, and 783 have never had a relapse of the disease. Sam Walton was treated by Dr. Barlogie at MD Anderson before the Little Rock institute was founded, but the connection ended there. Walton, who’d had an earlier struggle with leukemia, didn’t survive his encounter with multiple myeloma, dying in April 1992, a time when life expectancy for a man his age with this cancer was short. I was unaware of all of this when I was diagnosed. I took comfort in the repeated reassurances of specialists that great progress in treating MM with a new class of drugs, your own body’s reengineered immunology system, was rapidly improving chances of a longer survival than the published five to ten years. As I began to respond to treatment the favored and welcome line was, “You’re gonna die but from something else.
Tom Brokaw (A Lucky Life Interrupted: A Memoir of Hope)
If she dies…” “Um, hello? Grim reaper her. I’ll just refuse to collect her soul.” Lucifer snorted. “That’s a dumb answer even for you. Good thing we’re friends or I’d punish you for it. As for taking her back to your place, I’ll give you both a ride, but don’t say I didn’t warn you.” What was the worst this so-called father could do?
Eve Langlais (Welcome to Hell (Welcome to Hell, #1-2.5))
Well, there was a Chinese farmer whose stallion ran away one day across the border to where a group of nomads lived. When the people from the farmer’s village tell him that he must be cursed, he says, ‘Who’s to say it’s not a blessing?’ So then, about a month later the stallion returns with a mare beside it. All of his friends comment on his good fortune that he now has two horses rather than just one, but he says, ‘Who’s to say it’s not a curse?’ Well, his son goes riding all the time on that new mare, and one day he falls and breaks his leg so badly that he can’t walk anymore without a cane. Then when the people try to sympathize with the farmer, he says, ‘Who’s to say it’s not a blessing?’ So time goes by and war breaks out with the people from beyond the border, and all the men from the farmer’s village who’re able to fight go into battle, but since the boy has this disability he can’t go. Most of the men die in that war but the boy survives and is able to care for his father even into his old age. And so, curses and blessings—who’s to say which is which?
Steven James (Curse (Blur Trilogy #3))
God’s people need all of God’s people to understand the Bible and the nature of God. We need our African brothers to tell us that the prosperity gospel is demonic. We need our Chinese sisters to tell us that suffering is normal. We need our Latino friends to remind us to depend on the Holy Spirit. We need Americans to underline the value of consistent devotion to the Word. We need Europeans to show us how the gospel can ride on the
Dick Brogden (Live Dead Joy: 365 Days of Living and Dying with Jesus)
Two men have died trying to do this. Outside Magazine declared the Race Across America the toughest endurance event there is, bar none. Cyclists cover three thousand miles in less than twelve days, riding from San Diego to Atlantic City. Some might think Oh, that’s like the Tour de France. They would be wrong. The Tour has stages. Breaks. The Race Across America (RAAM) does not stop. Every minute riders take to sleep, to rest, to do anything other than pedal, is another minute their competitors can use to defeat them. Riders average three hours of sleep per night—reluctantly. Four days into the race and the top riders must debate when to rest. With the competition tightly clustered (within an hour of each other), it is a decision that weighs heavily on them, knowing they will be passed and need to regain their position. And as the race goes on they will grow weaker. There is no respite. The exhaustion, pain, and sleep deprivation only compound as they work their way across the entire United States. But in 2009 this does not affect the man in the number-one spot. He is literally half a day ahead of number two. Jure Robič seems unbeatable. He has won the RAAM five times, more than any other competitor ever, often crossing the finish line in under nine days. In 2004 he bested the number-two rider by eleven hours. Can you imagine watching an event during which after the winner claims victory you need to wait half a day in order to see the runner-up finish? It’s only natural to wonder what made Robič so dominant and successful in such a grueling event. Was he genetically gifted? No. When tested, he seemed physically typical for a top ultra-endurance athlete. Did he have the best trainer? Nope. His friend Uroč Velepec described Robič as “Completely uncoachable.” In a piece for the New York Times, Dan Coyle revealed the edge Robič had over his competition that rendered him the greatest rider ever in the Race Across America: His insanity.
Eric Barker (Barking Up the Wrong Tree: The Surprising Science Behind Why Everything You Know About Success Is (Mostly) Wrong)
question. “Because girls weren’t allowed to compete in bull riding. But I did goat tying, and I was a heeler and breakaway roper, too.” Mother grabbed my hand and squeezed it. “And she was a rodeo clown. You know, the ones who protect the riders from the bulls.” Gordon, one of the bull riders on the rodeo team at Tech—a guy who was a real mentor and friend to me—had been gored by a bull and died when I was a sophomore. It hit me harder than anything had in my life since my dad left. Gordon was the reason I had taken up
Pamela Fagan Hutchins (Heaven to Betsy (What Doesn't Kill You, #5))
The Temple of Artemis WHEN EOS ARRIVED AT HER usual spot in the sky Saturday morning, ready to bring forth the dawn, she looked up at Nyx and waved the notescroll her friend had given her. “Yes! I can come see your statue!” she shouted. Nyx flashed Eos a smile, already reeling in her cape. “Hooray!” she whooped. “I’m going home to sleep for a few hours and then Hades will give me a ride to the temple at Ephesus. He’s got four stallions to pull his chariot, which means his can go much faster than mine!” At the mention of Hades, Eos paled. A student at MOA, he was also godboy of the Underworld, where Nyx lived, and where mortals like Tithonus would go when they died. It was also where some unlucky immortals were imprisoned right now—those who had fought against Zeus in battle or defied him in some other way. As a matter of fact, her sad-mad-dad problem was all tied into the Underworld. Because one of those immortal prisoners was her dad, Hyperion, the god of light! “Hey! Eos! The dawn?” With a start, Eos realized Nyx had finished reeling in her entire cape and was ready to ride away.
Joan Holub (Eos the Lighthearted (Goddess Girls, #24))
In the spring of 1982, I was sad to leave my new friends, but happy enough to go back to school and have more time to ride my horse. Besides, every job I had ever had had come to an end. Why would this one be any different? But Mom reacted as if someone close to her had died.
Melissa Francis (Diary of a Stage Mother's Daughter: A Memoir)
We were not “ride or die” chicks. We were chicks who would ride away immediately and leave you to die. My friends and I were like roughneck alley cats all fighting over the same fish skeleton.
Laura Chinn (Acne)