β
Only the nonreader fears books.
β
β
Richard Peck
β
I read.. because one life is not enough
β
β
Richard Peck
β
I read because one life isn't enough, and in the page of a book I can be anybody;
I read because the words that build the story become mine, to build my life;
I read not for happy endings but for new beginnings; I'm just beginning myself, and I wouldn't mind a map;
I read because I have friends who don't, and young though they are, they're beginning to run out of material;
I read because every journey begins at the library, and it's time for me to start packing;
I read because one of these days I'm going to get out of this town, and I'm going to go everywhere and meet everybody, and I want to be ready.
β
β
Richard Peck (Anonymously Yours)
β
Anyone who thinks small towns are friendlier than big cities lives in a big city.
β
β
Richard Peck (A Year Down Yonder (A Long Way from Chicago, #2))
β
We write by the light of every story we have ever read.
β
β
Richard Peck
β
[A young adult novel] ends not with happily ever after, but at a new beginning, with the sense of a lot of life yet to be lived.
β
β
Richard Peck
β
The years went by, and Mary Alice and I grew up, Slower than we wanted to, faster than we realized.
β
β
Richard Peck (A Long Way from Chicago (A Long Way from Chicago, #1))
β
The only way you can write is by the light of the bridges burning behind you.
β
β
Richard Peck
β
Never trust an ugly woman. She's got a grudge against the world,' said Grandma who was no oil painting herself.
β
β
Richard Peck (A Long Way from Chicago (A Long Way from Chicago, #1))
β
Grandma, how old is she?"
"Oh I don't know." Grandma said. "You'd have to cut off her head and count the rings in her neck.
β
β
Richard Peck (A Year Down Yonder (A Long Way from Chicago, #2))
β
But put two librarians' heads together, and mountains move.
β
β
Richard Peck (Here Lies the Librarian)
β
This is how you hold onto your family. You hold them with open hands so they are free to find futures of their own. It's just that simple.
β
β
Richard Peck (Secrets at Sea)
β
Because nobody but a reader ever became a writer.
β
β
Richard Peck
β
I read because one life isnβt enough, and in the page of a book I can be anybody.
β
β
Richard Peck
β
If you're going to read minds, start with a simple one.
β
β
Richard Peck (A Year Down Yonder (A Long Way from Chicago, #2))
β
If you cannot find yourself on the page very early in life, you will go looking for yourself in all the wrong places.
β
β
Richard Peck
β
That meant I could come back whenever I could manage it. And she was telling me to go. She knew the decision was too big a load for me to carry by myself. She knew me through and through. She had eyes in the back of her heart.
β
β
Richard Peck (A Year Down Yonder (A Long Way from Chicago, #2))
β
Read to your children
Twenty minutes a day;
You have the time,
And so do they.
Read while the laundry is in the machine;
Read while the dinner cooks;
Tuck a child in the crook of your arm
And reach for the library books.
Hide the remote,
Let the computer games cool,
For one day your children will be off to school;
Remedial? Gifted? You have the choice;
Let them hear their first tales
In the sound of your voice.
Read in the morning;
Read over noon;
Read by the light of
Goodnight Moon.
Turn the pages together,
Sitting close as you'll fit,
Till a small voice beside you says,
"Hey, don't quit.
β
β
Richard Peck
β
Humor is anger that was sent to finishing school.
β
β
Richard Peck
β
Stay away from people who don't know who they are but want you to be just like them. People who'll want to label you. People who'll try to write their fears on your face.
β
β
Richard Peck (The Best Man)
β
I caught a glimpse of happiness, and saw it was a bird on a branch, fixing to take wing.
β
β
Richard Peck (The River Between Us)
β
...they'd just tell you to turn the other cheek, wouldn't they?...Trouble is, Mrs. Dowdel observed, after you've turned the other cheek four times, you run out of cheeks.
β
β
Richard Peck (A Season of Gifts (A Long Way from Chicago, #3))
β
I read because one of these days I'm going to get out of this town, and I'm going to go everywhere and meet everybody, and I want to be ready
β
β
Richard Peck
β
Nobody but a reader becomes a writer.
β
β
Richard Peck (A Long Way from Chicago (A Long Way from Chicago, #1))
β
I read because one life isn't enough.
β
β
Richard Peck
β
September 11
We thought we'd outdistanced history
Told our children it was nowhere near;
Even when history struck Columbine,
It didn't happen here.
We took down the maps in the classroom,
And when they were safely furled,
We told the young what they wanted to hear,
That they were immune from a menacing world.
But history isn't a folded-up map,
Or an unread textbook tome;
Now we know history's a fireman's child
Waiting at home alone.
β
β
Richard Peck (Invitations to the World: Teaching and Writing for the Young)
β
She had eyes in the back of her heart.
β
β
Richard Peck (A Year Down Yonder (A Long Way from Chicago, #2))
β
I read because one life isn't enough and in the pages of a book, I can be anybody.
β
β
Richard Peck
β
Fiction isn't what 'was'. It's 'what if'?
β
β
Richard Peck (A Season of Gifts (A Long Way from Chicago, #3))
β
Anybody who thinks small towns are friendlier than big cities lives in a big city.
β
β
Richard Peck (A Year Down Yonder (A Long Way from Chicago, #2))
β
At last she said, "Them Burdicks isn't worth the powder and shot to blow them up. They're like a pack of hound dogs. They'll chase livestock, suck eggs, and lick the skillet. And steal? They'd steal a hot stove and come back for the smoke.
β
β
Richard Peck (A Year Down Yonder (A Long Way from Chicago, #2))
β
I donβt think grandmaβs a very good influence on us.
β
β
Richard Peck (A Long Way from Chicago (A Long Way from Chicago, #1))
β
Besdies, to turn me ladylike might have rendered me useless and possibly ornamental.
β
β
Richard Peck (Ghosts I Have Been (Blossom Culp, #2))
β
This was something Grandma Tilly couldn't understand---how war promises a boy it can make a man out of him.
β
β
Richard Peck (The River Between Us)
β
She said that time was like the Mississippi River. It only flows in one direction. She meant you could never go back. But of course we had. She'd taken me back.
β
β
Richard Peck (The River Between Us)
β
Conformity is the enemy of friendship
β
β
Richard Peck
β
Why she hankered to be a teacher, I couldn't tell you. But she had chalk dust in her veins, and she deserved to get that certificate. It was only fair.
β
β
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
β
We'd gotten him wrong. He wasn't a dunce. He was an artist. According to these pages, he'd seen us all a good deal clearer than we'd ever seen him.
β
β
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
β
A solider must leave someone behind,' she said. 'What men do best is walk away from women. Wars are handy for that.
β
β
Richard Peck (The River Between Us)
β
Then let me tell you something instead. When they make an Envoy, do you want to know what they do? They burn out every evolved violence limitation instinct in the human psyche. Submission signal recognition, pecking-order dynamics, pack loyalties. It all goes, tuned out a neuron at a time; and they replace it with a conscious will to harm.β He stared back at me in silence. βDo you understand me? It would have been easier to kill you just then. It would have been easier. I had to stop myself. Thatβs what an Envoy is, Curtis. A reassembled human. An artifice.
β
β
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
β
I read because one life isn't enough, and in the pages of a book I can be anybody
β
β
Richard Peck
β
Fame is a funny thing, like a secret, both are hard to keep.
β
β
Richard Peck (Secrets at Sea)
β
And I'll tell you something else for free. If you set a foot over that doorsill, I'll wring your red neck.
β
β
Richard Peck (A Long Way from Chicago (A Long Way from Chicago, #1))
β
Never worry about a book corrupting a child. Worry if your children are not getting ideas from books.
β
β
Richard Peck
β
As I pen these words to leave a lasting record, I wonder myself where it all began.
β
β
Richard Peck (Ghosts I Have Been (Blossom Culp, #2))
β
Blue lightning flashed in the kitchen, and for a split second you could see every calendar on the wall in there. Than an almighty explosion like the crack of doom. She'd rolled a cherry bomb across the floor, and it went off right under the eight feet of the Cowgill brothers, the three big bruisers and Ernie.
β
β
Richard Peck (A Long Way from Chicago (A Long Way from Chicago, #1))
β
Thérèse (of Lisieux) told her sister, Celine, who was upset with her own faults, "If you are willing to bear serenely the trial of being displeasing to yourself, then you will be a pleasant place of shelter for Jesus." If you observe yourself, you will see how hard it is to be "displeasing" to yourself, and that this is the initial emotional snag that sends you into terribly bad moods without even realizing the origins of these moods. So to resolve this common problem, both Francis and Thérèse teach you to let go of the very need to "think well of yourself" to begin with! That is your ego talking, not God, they would say. Only those who have surrendered their foundational egocentricity can do this, of course. Psychiatrist and writer Scott Peck once told me that Thérèse's quote was "sheer religious genius" because it made the usual posturing of religion well-nigh impossible.
β
β
Richard Rohr (Eager to Love: The Alternative Way of Francis of Assisi)
β
And donβt look for anything out of the law around here,β she said. βThe Cowgills and the Leapers is kin to the sheriff. No justice in these parts. Itβs every man for hisself.β
βBut as the saying goes, if you canβt get justice,β Mrs. Dowdel remarked, βget even.
β
β
Richard Peck (A Season of Gifts (A Long Way from Chicago, #3))
β
We thought he was weird. He thought we were weird. It was great. It was what multiculturalism ought to be" -Archer
β
β
Richard Peck (The Best Man)
β
The only way you can write is by the light of the bridges burning behind you
β
β
Richard Peck
β
So there is some justice in this world, though not a lot.
β
β
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
β
The sobs came then, faster than she could swallow. A teacher dares not cry, not a real teacher.
β
β
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
β
He pulls the tape off Allegra's mouth. Grabs her BY THE HAIR and gives her a peck on the lips.
β
β
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
β
The trenches are all filled in, but the boys are still dying.'
Then I could read her thoughts and I knew what this day meant. Mrs. Abernathy's son could have been my dad.
β
β
Richard Peck (A Year Down Yonder (A Long Way from Chicago, #2))
β
But it was a rich, picture-perfect, it-can't-happen-here kind of suburb where people had gone, not to deal with life's problems, but to avoid them.
β
β
Richard Peck
β
A Seth Thomas steeple clock stood on a high shelf. When it struck ten, Grandma jerked awake. She looked around the room astonished. It was her belief that she never slept, not even in bed.
β
β
Richard Peck (A Year Down Yonder (A Long Way from Chicago, #2))
β
I seen but little of this world,
Except my corner of it;
The city never drew me,
For I knew I could not love it.
What I loved best was watching
The garden getting ripe
And a pouch of sweet tobacco
And my old cob pipe.
What I loved best was a harvest moon
Before a frosty morn
And lamplight in the barn lot
And them long, straight rows of corn.
I was plain and country;
That's where it starts and ends,
But nobody loved her family more,
Or treasured more her friends.
I loved the changing seasons,
And looking for life's reasons,
And honey in the comb,
and home.
β
β
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
β
Always devise your rules as if you didnβt know whether you were going be at the top or the bottom of the pecking order.
β
β
Richard Dawkins (The God Delusion)
β
Grandma saved herself a lot of bother by not being the kind of person you question.
β
β
Richard Peck (A Long Way from Chicago (A Long Way from Chicago, #1))
β
Hayseeds we might be, but we meant to be informed hayseeds.
β
β
Richard Peck (Past Perfect, Present Tense)
β
But later when I was a teacher, an English teacher naturally, my students preferred fiction to reality. They were in junior high, and so they preferred ANYTHING to reality.
β
β
Richard Peck (Past Perfect, Present Tense)
β
I read because one life isn't enough, and in the page of a book I can be anybody
β
β
Richard Peck
β
We write by the light of every book we've read.
β
β
Richard Peck
β
Aunt Agnes said, βIt's hard to make a good Christian out of a cat.
β
β
Richard Peck
β
I read because one life isn't enough, and in the page of a book I can be anybody.
β
β
Richard Peck
β
Yes, I think you'll find that all the best teachers are old bats.
β
β
Richard Peck (The Mouse with the Question Mark Tail)
β
I am here to help her learn," Tansy said, "not to keep her from it.
β
β
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
β
It was always August.
β
β
Richard Peck (A Long Way from Chicago (A Long Way from Chicago, #1))
β
Are all my memories true? Every word, and growing truer with the years.
β
β
Richard Peck (A Long Way from Chicago (A Long Way from Chicago, #1))
β
[T]he name that matters is the name you make for yourself in a life of struggle and success!
β
β
Richard Peck (The Mouse with the Question Mark Tail)
β
Even from a distance, he looked like somebody you didn't want to know better.
β
β
Richard Peck (A Long Way from Chicago (A Long Way from Chicago, #1))
β
What little we knew about grownups didn't seem to cover Grandma.
β
β
Richard Peck (A Long Way from Chicago (A Long Way from Chicago, #1))
β
At school we practiced for the Christmas program all month long. Miss Butler couldn't sing either, but she was a feisty director. . . . She took the Christmas program personally, as teachers do.
β
β
Richard Peck (A Year Down Yonder (A Long Way from Chicago, #2))
β
Then a lady flounced up and perched on the seat opposite. She had a full bird on the wing sewn to the crown of her hat, and she was painted up like a circus pony, so we took her to be from Chicago.
β
β
Richard Peck (Past Perfect, Present Tense)
β
Mother told her she looked just like the duchess of York, but younger. Lucille returned the compliment by remarking that Mother looked just like Queen Alexandra, but younger. And Dad wondered aloud what was wrong with good American people:
βYou look right miserable, Dad,β I told him.
βSo do you, Alexander, but younger,β he replied.
β
β
Richard Peck (The Ghost Belonged to Me (Blossom Culp, #1))
β
We had to scramble for seats in the day coach, lugging one straw valise between us and a gallon jug of lemonade. And a thermos bottle of the kind the Spanish-American War soldiers carried, with our own well water for brushing our teeth. We'd heard that St. Louis water comes straight out of the Mississippi River, and there's enough silt in it to settle at the bottom of the glass. We'd go to their fair, but we weren't going to drink their water.
β
β
Richard Peck (Past Perfect, Present Tense)
β
Every time a human walks out of a room, something with more feet walks in.
For every job a human holds, there is a mouse with the same job and doing it better.
You don't see a cat that shocked every day of the week. Even her whiskers looked scandalized.
Time you saw a bit of the world, if you're to find your place in it, the horse said. Nobody ever learned who he was by staying in the stable.
He was the picture of skepticism. Also pomposity.
He was so noble a figure that I could scarcely look at him full on. Every bit of his bearing was living proof of the grandeur mice can rise to. British mice.
Of course they would be foreign, being bats. Romanian, Transylvanian, Something.
The Belgians followed in a great mob. And hard on their heels the Spanish, their claws clicking like castanets across the marble. Then the Russians in all their barbaric splendor. Romanov rodents in caterpillar-fur caps. Even one of the Gorgonzola princes from Italy, looking very blue-veined.
β
β
Richard Peck (The Mouse with the Question Mark Tail)
β
The Bad Dad thing usually works. Hellions are big on pecking orders and I have to remind them regularly whoβs at the top. Now they need a pat on the head from Good Dad before things go all Hansel and Gretel and I end up in the oven.
β
β
Richard Kadrey (The Kill Society (Sandman Slim, #9))
β
The Shambaughs came, bringing Letty. She simpered up to me. Her eyes summed up the lace tippets on my Princess dress and the wide taffeta sash that was cutting me in half.
"Well, Blossom, just look at you!" she said in her mother's own grown-up voice. "I have always said a good dress will cover up any flaw."
"Then you had better get one like it," I replied.
β
β
Richard Peck (Ghosts I Have Been (Blossom Culp, #2))
β
Nobody a writer ever loved is dead.
β
β
Richard Peck
β
That's the way people is who ain't goin' anyplace in life theirselves. They don't want you goin' anyplace either.
β
β
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
β
A few weeks ago,β Degeneret said with a snort of contempt, βa no-brains tourist drove into the farm too quickly and killed the mother of those six ducklings. Usually thatβs the end for the little ones. The others peck them to death. But that old bird took care of the motherless chicks. Let them join her broodβ. βOh, I see.β βNon, non, madame. That duck will live a full life. I will not kill her. For what? A liver? I wouldnβt be able to sleep at night. Imagine. A duck showing more kindness than a human being. I canβt have that.
β
β
Richard C. Morais (The Hundred-Foot Journey)
β
Royal[s] can't manage on their own.
β
β
Richard Peck (The Mouse with the Question Mark Tail)
β
Princes have far more toys than they need.
β
β
Richard Peck (The Mouse with the Question Mark Tail)
β
The ceremony took place at 11 A.M. Mr. L. Weister, a civil servant would perform the ceremony. He was a tall robust man with a big, healthy red face and thick gray hair. Doreen was very nervous. Richard wanted to get the whole thing over with and get back to his cell. An author and one of Richardβs attorneys joined the wedding party. In front of an Alpine mural one of the inmates had painted, the ceremony took place. It was short and sweetβthey did not say βuntil death do us part.β They exchanged vows, wedding rings, and it was over in two minutes. Richard gave Doreen a peck on the lips.
β
β
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
β
But just for a moment they were caught in the grip of this place. They felt the weight of its history, and mystery. So did I. The paper was loose and peeling on the walls. I wondered how many layers you'd have to scrape away until you came to the time when these old people were young. If they ever were. I wondered how quiet you'd have to be to hear the voices of those times.
β
β
Richard Peck (The River Between Us)
β
His gaze shifted away, and in his first breathless moment, his eyes fixed as if they saw only a vast blank canvas waiting to be filled.
β
β
Richard Peck (Unfinished Portrait of Jessica)
β
His gaze shifted away, and in his first breathless moment, his eyes fixed as if they saw only a vast blank canvas waiting to be filled. - Jessica
β
β
Richard Peck (Unfinished Portrait of Jessica)
β
But witnesses will say a good deal to make a long story out of a short happening.
β
β
Richard Peck, The Ghost Belonged to Me
β
But witnesses will say a good deal to make a long story out of a short happening.
β
β
Richard Peck (The Ghost Belonged to Me)
β
Notice how Bernardβs words to his monastic brothers echo those of Jesus: βLearn the lesson that, if you are to do the work of a prophet, what you need is not a scepter but a hoe.β8 Richard J. Foster comments, β[Jesus] totally and completely rejected the pecking-order systems of his day.Β .Β .Β . Therefore the spiritual authority of Jesus is an authority not found in a position or a title, but in a towel.
β
β
Christopher A. Hall (A Different Way: Recentering the Christian Life Around Following Jesus)
β
I was too young to know how much a dangerous man interests a good woman.
β
β
Richard Peck (A Year Down Yonder (A Long Way from Chicago, #2))
β
He spent so many years in first grade, they named the desk for him.
I felt the town tighten around my throat. "But as the saying goes, if you can't get justice, Mrs. Dowdel remarked, get even."
Asked for a final word on the subject, Mrs. Dowdel said: "Keep off my property. You know who you are. The next ghost you see could be you."
I haven't missed a funeral since the great flu epidemic. A good funeral makes the whole week go better. ( said by old lady in 1958 )
Fiction isn't what "was". It's "what if". And a novelist is one who believes that real life can always be improved upon.
β
β
Richard Peck (A Season of Gifts (A Long Way from Chicago, #3))
β
But on that day she was somewhat bent, as teachers get toward the end of a school year.
As high school teachers go, he was about average, but he struck so many vain poses that I personally thought he would have done better on the stage.
Mama is a fortune-teller by trade, but in the fall we add to our income by nut gathering. We also do a certain amount of gardening, often in other people's gardens.
Curiosity killed the cat. But satisfaction brought that cat back.
What is history but mankind's record where we look for guidance?
β
β
Richard Peck (The Dreadful Future of Blossom Culp (Blossom Culp, #3))
β
In her country drives she had killed more chickens than a hotel kitchen.
I had never been in a crowd this big. I felt like a grain of wheat in a box of rat droppings.
βTo my thinking, a great librarian must have a clear head, a strong hand and, above all, a great heart. And when I look into the future, I am inclined to think that most of the men who will achieve this greatness will be women.β
About the best we could do was keep our heads down and our hopes small.
I saw that it took a lady to show a boy how to be a gentleman.
There wasn't a cloud in the summer sky and the corn was knee-high by the Fourth of July. It was like first morning of Creation.
Pride strengthens a woman, but weakens a man.
β
β
Richard Peck (Here Lies the Librarian)
β
You were not cut out for a quiet life because you are honest to a fault.
A man can want something to the point of indecency, he said, and when he attains his goal, it is ashes in his mouth and a bad conscience.
The twentieth century did not look to be an age with any patience for the past.
β
β
Richard Peck (The Ghost Belonged to Me (Blossom Culp, #1))
β
Besides, I've noticed that only a thin line divides the insane from the rest of the population.
I was reminded of how a cat will freeze on a fence with one paw drawn up, to see if you are friend or foe.
To turn me ladylike might have rendered me useless and possibly ornamental. Then I would not be able to fend for myself.
The public does not mind being cheated, but they like it to be convincing.
The truth is too much for some people and too little for others.
In this life you take what people are willing to give. No more. No less.
New York is a place where everybody has their hands out for your money.
In a savage world we have to cling to whatever small pleasures and niceties we can devise.
I could have done better and I might have done worse. But that's true of life in general.
It's a strange thing about the public. They'll believe anything written on a sign. And they'll see exactly what they expect to see. No more. No less.
β
β
Richard Peck (Ghosts I Have Been (Blossom Culp, #2))
β
The fading relevance of the natureβnurture argument has recently been revived by the rise of evolutionary psychology. A more sophisticated understanding of Darwinian evolution (survival of the ο¬ttest) has led to theories about the possible evolutionary value of some psychiatric disorders. A simplistic view would predict that all mental illnesses with a genetic component should lower survival and ought to die out. βInclusive ο¬tnessβ, however, assesses the evolutionary value of a characteristic not simply on whether it helps that individual to survive but whether it makes it more likely that their offspring will survive. Richard Dawkinsβs 1976 book The Selο¬sh Gene gives convincing explanations of the evolutionary advantages of group support and altruism when individuals sacriο¬ce themselves for others.
A range of speculative hypotheses have since been proposed for the evolutionary advantage of various behaviour differences and mental illnesses. Many of these draw on ethological games-theory (i.e. the beneο¬ts of any behaviour can only be understood in the context of the behaviour of other members of the group). So depression might be seen as a safe response to βdefeatβ in a hierarchical group because it makes the individual withdraw from conο¬ict while they recover. Mania, conversely, with its expansiveness and increased sexual activity, is proposed as a response to success in a hierarchical tussle promoting the propagation of that individualβs genes. Changes in behaviour that look like depression and hypomania can be clearly seen in primates as they move up and down the pecking order that dominates their lives.
The habitual isolation and limited need for social contact of individuals with schizophrenia has been rather imaginatively proposed as adaptive to remote habitats with low food supplies (and also a protection against the risk of infectious diseases and epidemics). Evolutionary psychology will undoubtedly increasingly inο¬uence psychiatric thinking β many of our disorders ο¬t poorly into a classical βmedical modelβ. Already it has helped establish a less eitherβor approach to the discussion. It is, however, a highly controversial area β not so much around mental disorders but in relation to social behaviour and particularly to gender speciο¬c behaviour. Here it is often interpreted as excusing a very male-orientated, exploitative worldview. Luckily that is someone elseβs battle.
β
β
Tom Burns (Psychiatry: A Very Short Introduction)
β
I was getting long in the leg but still short on experience.
β
β
Richard Peck (The Ghost Belonged to Me (Blossom Culp, #1))
β
She commenced to nibble around one of the sugar roses and before I could back out of the bushes darted her face forward and gave me a thank-you kiss on the mouth. It took me by surprise and had a strawberry flavor.
My luck being what it is, Lucille was mounting the porch steps just then and had a clear view of this business behind the bushes. Looking down, she said very haughty, βAlexander! How disgusting and at my party too!β
So I told her that what I was doing under the porch was not a patch on what she did on the porch with Tom Hackett.
β
β
Richard Peck (The Ghost Belonged to Me (Blossom Culp, #1))