Richard Iii Quotes

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Dispute not with her: she is lunatic.
William Shakespeare (Richard III)
Richard Gansey III had forgotten how many times he had been told he was destined for greatness.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
So wise so young, they say, do never live long.
William Shakespeare (Richard III)
And thus I clothe my naked villainy With odd old ends stol'n out of holy writ; And seem a saint, when most I play the devil.
William Shakespeare (Richard III)
Out of my sight! Thou dost infect mine eyes.
William Shakespeare (Richard III)
Noah crouched over Gansey's body. He said, for the last time, 'You will live because of Glendower. Someone else on the ley line is dying when they should not, and so you will live when you should not.' Gansey died. 'Goodbye,' Noah said. 'Don't throw it away.' He quietly slid from time.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Wanting to live, but accepting death to save others: that was courage. That was to be Gansey's greatness.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
In the hall stood Richard Campbell Gansey III in his school uniform and overcoat and scarf and gloves, looking like someone from another world. Behind him was Ronan Lynch, his damn tie knotted right for once and his shirt tucked in. Humiliation and joy warred furiously inside Adam. Gansey strode between the pews as Adam's father stared at him. He went directly to the bench, straight up to the judge. Now that he stood directly beside Adam, not looking at him, Adam could see that he was a little out of breath. Ronan, behind him, was as well. they had run. For him.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
And therefore, — since I cannot prove a lover, To entertain these fair well-spoken days, — I am determined to prove a villain, And hate the idle pleasures of these days.
William Shakespeare (Richard III)
It'll be OK. I'm ready. Blue, kiss me.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Now is the winter of our discontent Made glorious summer by this sun of York; And all the clouds that lour'd upon our house In the deep bosom of the ocean buried.
William Shakespeare (Richard III)
Gansey stepped in then, putting his phone neatly into his pocket, fetching out his keys instead. There was still something stretched thin about his expression. He looked, in fact, like he had in the cave, his face streaked and unfamiliar. It was so strange to see him without his Richard Campbell Gansey III guise on in public that Blue couldn't stop staring at his face. No — it wasn't his face. It was the way he stood, his shoulder shrugged, chin ducked, gaze from below uncertain eyebrows. "SHE WAS ALL RIGHT," Jesse assured him. "My head knew that," Gansey said. "But the rest of me didn't.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
But what [Gansey] said was, "I'm going to need everyone to be straight with each other from now on. No more games. This isn't just for Blue, either. All of us." Ronan said, "I'm always straight." Adam replied, "Oh, man, that's the biggest lie you've ever told." Blue said, "Okay.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
It had been a long time ago, but also, it was no time at all. Sometimes, Gansey felt like his life was made up of a dozen hours that he could never forget.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
I have set my life upon a cast, And I will stand the hazard of the die.
William Shakespeare (Richard III)
If Glendower had not saved Gansey's life, he did not know who to thank, or who to be, or how to live.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Conscience is but a word that cowards use, Devis'd at first to keep the strong in awe: Our strong arms be our conscience, swords our law. March on, join bravely, let us to't pell-mell; If not to heaven, then hand in hand to hell.
William Shakespeare (Richard III)
In thy foul throat thou liest.
William Shakespeare (Richard III)
Time tugged at his soul.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Sin, death, and hell have set their marks on him, And all their ministers attend on him.
William Shakespeare (Richard III)
What do I fear? Myself? There’s none else by. Richard loves Richard; that is, I and I. Is there a murderer here? No. Yes, I am. Then fly! What, from myself? Great reason why: Lest I revenge. What, myself upon myself? Alack, I love myself. Wherefore? For any good That I myself have done unto myself? O, no! Alas, I rather hate myself For hateful deeds committed by myself. I am a villain. Yet I lie. I am not. Fool, of thyself speak well. Fool, do not flatter: My conscience hath a thousand several tongues, And every tongue brings in a several tale, And every tale condemns me for a villain. Perjury, perjury, in the highest degree; Murder, stern murder, in the direst degree; All several sins, all used in each degree, Throng to the bar, crying all, “Guilty! guilty!” I shall despair. There is no creature loves me, And if I die no soul will pity me. And wherefore should they, since that I myself Find in myself no pity to myself?
William Shakespeare (Richard III)
Bloody thou art, bloody will be thy end; Shame serves thy life and doth thy death attend.
William Shakespeare (Richard III)
A horse! a horse! my kingdom for a horse!
William Shakespeare (Richard III)
What a tribute this is to art; what a misfortune this is for history. (In reference to Shakespeare's 'Richard III')
Paul Murray Kendall (Richard the Third)
Despair and die. The ghosts
William Shakespeare (Richard III)
Jane. You’ve got to see this!” His voice was full of the honey-baked accent of old Virginia money. As Blue staggered up the hill, telescope on her shoulder, she mentally tested the danger level: Am I in love with him yet? Gansey galloped down the hill to snatch he telescope from her. “This isn’t that heavy,” he told her, and strode back the way he’d come. She did not think she was in love with him. She hadn’t been in love before, but she was still pretty sure she’d be able to tell. Earlier in the year, she had had a vision of kissing him, and she could still picture that quite easily. But the sensible part of Blue, which was usually the only part of her, thought that had more to do with Richard Campbell Gansey III having a nice mouth than with any blossoming romance. Anyway, if fate thought it would tell her who to fall for, fate had another thing coming. Gansey added, “I would’ve thought you had more muscles. Don’t feminists have big muscles?” Decidedly not in love with him. “Smiling when you say that doesn’t make it funny,” Blue said.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Richard knew, of course, that his was thought to be an unlucky title; only twice before had a Richard ruled England, and both met violent ends.
Sharon Kay Penman (The Sunne in Splendour)
Where the hell is Ronan?” Gansey asked, echoing the words that thousands of humans had uttered since mankind developed speech. As he stepped out of the science building, he tipped his head backwards, as if Ronan Lynch – dreamer of dreams, fighter of men, skipper of classes – might somehow be flying overhead.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Life repeats Shakespearian themes more often than we think. Did Lady Macbeth, Richard III, and King Claudius exist only in the Middle Ages? Shylock wanted to cut a pound of flesh from the body of the merchant of Venice. Is that a fairy tale?
Varlam Shalamov (Kolyma Tales)
Not all the water in the rough rude sea Can wash the balm from an anointed King;
William Shakespeare (Richard II)
I should like to freeze in time all those I do love, keep them somehow safe from the ravages of the passing years..."Rather like flowers pressed between the pages of a book!
Sharon Kay Penman (The Sunne in Splendour)
It was a powerful thing, that laugh. He only did it once, but his eyes remained shaped like it. Something inside her did a complicated tug. Oh no! she thought. But then she calmed herself. Richard C. Gansey III has a nice mouth. Now I know he has nice eyes when he
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Shine out fair sun, till I have bought a glass, That I may see my shadow as I pass.
William Shakespeare (Richard III)
But then I sigh, with a piece of Scripture Tell them that God bids us to do evil for good; And thus I clothe my naked villany With odd old ends stolen out of Holy Writ; And seem a saint, when most I play the devil.
William Shakespeare (Richard III)
It shouldn't have happened at all, but their friendship had been cemented in only the time it took to get to school that morning - Adam demonstrating how to fasten the Camaro's ground wire more securely, Gansey lifting Adam's bike halfway into the trunk so they could ride to school together, Adam confessing he worked at a mechanic's to put himself through Aglionby, and Gansey turning to the passenger seat and asking, "What do you know about Welsh kings?
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Gansey turned to Adam, finally. He was still wearing his glorious kingly face, Richard Campbell Gansey III, white knight, but his eyes were uncertain. Is this okay? Was it okay? Adam had turned down so many offers of help from Gansey. Money for school, money for food, money for rent. Pity and charity, Adam had thought. For so long, he’d wanted Gansey to see him as an equal, but it was possible that all this time, the only person who needed to see that was Adam. Now he could see that it wasn’t charity Gansey was offering. It was just truth. And something else: friendship of the unshakable kind. Friendship you could swear on. That could be busted nearly to breaking and come back stronger than before. Adam held out his right hand, and Gansey clasped it in a handshake, like they were men, because they were men.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Nowhere and oblivion were completely different things/places to Richard Stein. For him, oblivion is when something goes into nothing and nowhere is the place where something can come out of nothing.
Carlton Mellick III (Satan Burger)
Are you coming to me for wisdom? Gansey shook his head head. ‘Courage.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
We can pretend. Just once.” It was mint and memories and the past and the future and she felt as if she’d done this before and already she longed to do it again.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
He had had his own feelings hurt over and over by Adam, even when Adam had meant no harm. Some of the worst fractures had appeared because Adam hadn't realized the he was causing them.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
He was just alive," [Gansey] said helplessly. "He just taught us four irregular verbs last week. And you killed him.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
My conscience hath a thousand several tongues, And every tongue brings in a several tale, And every tale condemns me for a villain. Perjury, perjury, in the high'st degree; Murder, stern murder in the dir'st degree, Throng to the bar, crying all, 'Guilty!, guilty!
William Shakespeare (Richard III)
Gansey lifted her hand gently from his skin, holding it as formally as a dance. He put it against his mouth. Blue froze. Absolutely still. Her heart didn't beat. She didn't blink. She couldn't say don't kiss me. She couldn't even form don't. He just leaned his cheek and the edge of his mouth against her knuckles and then set her hand back.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
The world is grown so bad that wrens make pray where eagles dare not perch
William Shakespeare (Richard III)
Things sweet to taste prove in digestion sour.
William Shakespeare (Richard II)
Bad is the world, and all will come to naught when such ill-dealing must be seen in thought.
William Shakespeare (Richard III)
What do I fear? Myself? There’s none else by. Richard loves Richard; that is, I and I.
William Shakespeare (Richard III)
Richard Gansey III had forgotten how many times he had been told he was destined for greatness. He was bred for it; nobility and purpose coded in both sides of his pedigree. His mother’s father had been a diplomat, an architect of fortunes; his father’s father had been an architect, a diplomat of styles. His mother’s mother had tutored the children of European princesses. His father’s mother had built a girls’ school with her own inheritance. The Ganseys were courtiers and kings, and when there was no castle to invite them, they built one. He was a king.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Tis better, sir, to be brief than tedious.
William Shakespeare (Richard III)
Discharge my followers; let them hence away, From Richard's night to Bolingbrooke's fair day.
William Shakespeare (Richard II)
Tush! Fear not, my lord, we will not stand to prate; Talkers are no good doers: be assured We come to use our hands and not our tongues.
William Shakespeare (Richard III)
Ronan replied, ‘I’m waiting for you to tell me what to do, Gansey. Tell me where to go.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
For when I speak of the banality of evil, I do so only on the strictly factual level, pointing to a phenomenon which stared one in the face at the trial. Eichmann was not Iago and not Macbeth, and nothing would have been farther from his mind than to determine with Richard III 'to prove a villain.' Except for an extraordinary diligence in looking out for his personal advancement, he had no motives at all… He merely, to put the matter colloquially, never realized what he was doing… It was sheer thoughtlessness—something by no means identical with stupidity—that predisposed him to become one of the greatest criminals of that period. And if this is 'banal' and even funny, if with the best will in the world one cannot extract any diabolical or demonic profundity from Eichmann, this is still far from calling it commonplace… That such remoteness from reality and such thoughtlessness can wreak more havoc than all the evil instincts taken together which, perhaps, are inherent in man—that was, in fact, the lesson one could learn in Jerusalem.
Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
She felt bigger than her body. High as the stars. He leaned toward her — her heart spun again — and pressed his cheek against hers. His lips didn’t touch her skin, but she felt his breath, hot and uneven, on her face. His fingers splayed on either side of her spine. Her lips were so close to his jaw that she felt his hint of stubble at the end of them. It was mint and memories and the past and the future and she felt as if she’d done this before and already she longed to do it again. Oh, help, she thought. Help, help, help. He pulled away. He said, “And now we never speak of it again.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
What happened to your face?" Blue asked. Adam shrugged ruefully. Either he or Ronan smelled like a parking garage. His voice was self-deprecating. "Do you think it makes me look tougher?" What it did was make him look more fragile and dirty, somehow, like a teacup unearthed from the soil, but Blue didn't say that. Ronan said, "It makes you look like a loser." "Ronan," said Gansey. "I need everyone to sit down!" shouted Maura.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Somewhere along the way, during this hunt for Glendower, he'd forgotten to notice how much magic there was in the world. How much magic that wasn't just buried in a tomb. He was feeling it now.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
At this, Gansey rolled over onto his back and folded his hands on his chest. He wore a salmon polo shirt, which, in Blue’s opinion, was far more hellish than anything they’d discussed to this point.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
She called Gansey. "Blue?" he said. Just his voice. Her heart tethered itself. Not completely, but enough to stop quivering so much. She closed her eyes
Maggie Stiefvater
All springs reduce their currents to mine eyes, That I, being governed by the watery moon, May send forth plenteous tears to drown the world.
William Shakespeare (Richard III)
Teach not thy lip such scorn, for it was made For kissing, lady, not for such contempt.
William Shakespeare
Short summers lightly have a forward spring.
William Shakespeare (Richard III)
Gansey sighed, small and quiet and ragged, like he hadn't meant to let it escape. She shifted her gaze from the window to the side of his head, watching him watch instead. He pressed his thumb against his lower lip-this was Gansey, that gesture- and then he swallowed. It was, she thought, just as she felt when she looked at the stars, when she walked in Cabeswater.
Maggie Stiefvater
Wrong hath but wrong, and blame the due of blame.
William Shakespeare (Richard III)
Right,' he said. 'So it stands to reason there's something about the line that fortifies or protects a corpse. The soul. The ... animus. The quiddity of it.' 'Gansey, seriously,' Adam interrupted, to Blue's relief. 'Nobody knows what quiddity is.' 'The whatness, Adam. Whatever it is that makes a person who they are.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Henry shuffled the jewelled insect back out of his pocket. It amber heart warmed light through the pit again. “Back in the lab, of course, as father dear tries to copy it with nonmagical parts. My mother told me to keep this one to remind me of what I am.” “And what is that?” The bee illuminated both itself and Henry: its translucent wings, Henry’s wickedly cut eyebrows. “Something more.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Plain and not honest is too harsh a style.
William Shakespeare (Richard III)
Woe to that land that’s govern’d by a child!
William Shakespeare (Richard III)
Thus I clothe my naked villainy with old odd ends, stolen forth of holy writ, and seem a saint when most I play the devil.
William Shakespeare (Richard III)
I once came upon a definition of history as ‘the process by which complex truths are transformed into simplified falsehoods’. That is particularly true in the case of Richard III, where the normal medieval proclivity for moralizing and partisanship was further complicated by deliberate distortion to serve Tudor political needs.
Sharon Kay Penman (The Sunne In Splendour)
At the sight of Gansey's Aglionby sweater, Adam's father had charged out, firing on all cylinders. For weeks after that, Ronan had called Gansey "the S.R.F.," where the S stood for Soft, the R stood for Rich, and the F for something else.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
But shall we wear these glories for a day? Or shall they last, and we rejoice in them?
William Shakespeare
Not like this. At least you have a place to go. 'End of the world' ... What is your problem, Adam? I mean, is there something about my place that's too repugnant for you to imagine living there? Why is it that everything kind I do is pity to you? Everything is charity. Well, here it is: I'm sick of tiptoeing around your principles." "God, I'm sick of your condescension, Gansey," Adam said. "Don't try to make me feel stupid. Who whips out repugnant? Don't pretend you're not trying to make me feel stupid." "This is the way I talk. I'm sorry your father never taught you the meaning of repugnant. He was too busy smashing your head against the wall of your trailer while you apologized for being alive." Both of them stopped breathing. Gansey knew he'd gone too far. It was too far, too late, too much.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
I'll not meddle with it. It makes a man a coward: a man cannot steal but it accuseth him; a man cannot swear but it checks him; a man cannot lie with his neighbor's wife but it detects him. 'Tis a blushing, shamefaced spirit that mutinies in a man's bosom. It fills a man full of obstacles. It made me once restore a purse of gold that by chance I found. It beggars any man that keeps it. It is turned out of towns and cities for a dangerous thing, and every man that means to live well endeavors to trust to himself and live without it.
William Shakespeare (Richard III)
Every schoolboy turned over the final page of Richard III with relief, because now at last the Wars of the Roses were over and they could get on to the Tudors, who were dull but easy to follow.
Josephine Tey (The Daughter of Time (Inspector Alan Grant #5))
1. Bangladesh.... In 1971 ... Kissinger overrode all advice in order to support the Pakistani generals in both their civilian massacre policy in East Bengal and their armed attack on India from West Pakistan.... This led to a moral and political catastrophe the effects of which are still sorely felt. Kissinger’s undisclosed reason for the ‘tilt’ was the supposed but never materialised ‘brokerage’ offered by the dictator Yahya Khan in the course of secret diplomacy between Nixon and China.... Of the new state of Bangladesh, Kissinger remarked coldly that it was ‘a basket case’ before turning his unsolicited expertise elsewhere. 2. Chile.... Kissinger had direct personal knowledge of the CIA’s plan to kidnap and murder General René Schneider, the head of the Chilean Armed Forces ... who refused to countenance military intervention in politics. In his hatred for the Allende Government, Kissinger even outdid Richard Helms ... who warned him that a coup in such a stable democracy would be hard to procure. The murder of Schneider nonetheless went ahead, at Kissinger’s urging and with American financing, just between Allende’s election and his confirmation.... This was one of the relatively few times that Mr Kissinger (his success in getting people to call him ‘Doctor’ is greater than that of most PhDs) involved himself in the assassination of a single named individual rather than the slaughter of anonymous thousands. His jocular remark on this occasion—‘I don’t see why we have to let a country go Marxist just because its people are irresponsible’—suggests he may have been having the best of times.... 3. Cyprus.... Kissinger approved of the preparations by Greek Cypriot fascists for the murder of President Makarios, and sanctioned the coup which tried to extend the rule of the Athens junta (a favoured client of his) to the island. When despite great waste of life this coup failed in its objective, which was also Kissinger’s, of enforced partition, Kissinger promiscuously switched sides to support an even bloodier intervention by Turkey. Thomas Boyatt ... went to Kissinger in advance of the anti-Makarios putsch and warned him that it could lead to a civil war. ‘Spare me the civics lecture,’ replied Kissinger, who as you can readily see had an aphorism for all occasions. 4. Kurdistan. Having endorsed the covert policy of supporting a Kurdish revolt in northern Iraq between 1974 and 1975, with ‘deniable’ assistance also provided by Israel and the Shah of Iran, Kissinger made it plain to his subordinates that the Kurds were not to be allowed to win, but were to be employed for their nuisance value alone. They were not to be told that this was the case, but soon found out when the Shah and Saddam Hussein composed their differences, and American aid to Kurdistan was cut off. Hardened CIA hands went to Kissinger ... for an aid programme for the many thousands of Kurdish refugees who were thus abruptly created.... The apercu of the day was: ‘foreign policy should not he confused with missionary work.’ Saddam Hussein heartily concurred. 5. East Timor. The day after Kissinger left Djakarta in 1975, the Armed Forces of Indonesia employed American weapons to invade and subjugate the independent former Portuguese colony of East Timor. Isaacson gives a figure of 100,000 deaths resulting from the occupation, or one-seventh of the population, and there are good judges who put this estimate on the low side. Kissinger was furious when news of his own collusion was leaked, because as well as breaking international law the Indonesians were also violating an agreement with the United States.... Monroe Leigh ... pointed out this awkward latter fact. Kissinger snapped: ‘The Israelis when they go into Lebanon—when was the last time we protested that?’ A good question, even if it did not and does not lie especially well in his mouth. It goes on and on and on until one cannot eat enough to vomit enough.
Christopher Hitchens
Richard, might I ask you something? We've talked tonight of what you must do, of what you can do, of what you ought to do.But we've said nothing of what you want to do.Richard, do you want to be King?" At first, she thought he wasn't going to answer her. But as she studied his face, she saw he was turning her question over in his mind, seeking to answer it as honestly as he could. "Yes," he said at last. "Yes...I do.
Sharon Kay Penman (The Sunne in Splendour)
I turn around from the window and for the first time I see him... It is Richard, smiling at my surprise. I run to him, without thinking what I am doing. I run to the first friendly face that I have seen since Christmas, and in a moment I am in his arms and he is holding me tightly and kissing my face, my closed eyes, my smiling mouth, kissing me till I am breathless and have to pull away from him.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
And – I think you know, don’t you? – that I love you, Anne.’ I feel as if I have been living in a loveless world for too long. The last tender face I saw was my father’s when he sailed for England. ‘You do? Truly?’ ‘I do.’ He rises to his feet and pulls me up to stand beside him. My chin comes to his shoulder, we are both dainty, long-limbed, coltish: well-matched. I turn my face into his jacket. ‘Will you marry me?’ he whispers. ‘Yes,’ I say.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
I think the day might come, Bess, when all men will know of Dickon is what they were told by Tudor historians like Rous." "Jesú, no!" Bess sounded both appalled and emphatic. "You mustn't think that. Whatever the lies being told about Dickon now, surely the truth will eventually win out. Scriptures does say that 'Great is truth and it prevails,' and I believe that, Grace." Bess straightened up in the bed, shoved yet another pillow against her back. "I have to believe that," she said quietly. "Not just for Dickon's sake, but for us all. For when all is said and done, the truth be all we have.
Sharon Kay Penman (The Sunne in Splendour)
So they were at an impasse. "Gansey boy! DICK." Ronan whirled and walked backward to face the shouter. He spread his arms wide. "Not now, Cheng. The king's a little busy." "I wasn't talking to you, Lynch. I need someone with a soul." The light that glinted off Ronan's snarl caught Gansey's eye, bringing him back to the present.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Adam miserably wondered which of the neighbors were coming to his father’s defense. In an hour, this will be over. You will never have to do it again. All you have to do is survive. The door cracked open. Adam didn’t want to look, but he did anyway. In the hall stood Richard Campbell Gansey III in his school uniform and overcoat and scarf and gloves, looking like someone from another world. Behind him was Ronan Lynch, his damn tie knotted right for once and his shirt tucked in. Humiliation and joy warred furiously inside Adam.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
What, do you tremble? Are you all afraid? Alas, I blame you not, for you are mortal, And mortal eyes cannot endure the devil.—
William Shakespeare (Richard III)
I am determinèd to prove a villain,
William Shakespeare (King Richard III)
They had some things in common: Gansey had once been killed by hornets. Henry's family business was on the cutting edge of designing robotic drone bees. The two boys were friendly, but not friends. Henry ran with the Vancouver crowd, and Gansey ran with dead Welsh kings.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Francis stared down at the Duchess of York's letter. He swallowed, then read aloud in a husky voice, "It was showed by John Sponer that King Richard, late mercifully reigning upon us, was through great treason piteously slain and murdered, to the great heaviness of this City." As Margaret listened, the embittered grey eyes had softened, misted with sudden tears. "My brother may lie in an untended grave," she said, "but he does not lack for an epitaph.
Sharon Kay Penman (The Sunne in Splendour)
I couldn't sleep," Gansey said truthfully. Then, after a pause, "You're not going to try to kill Greenmantle, are you?" Ronan's chin lifted. His smile was sharp and humorless. "No. I've thought of a better option." "Do I want to know what it is is? Is it acceptance of the pointlessness of revenge?" The smile widened and sharpened yet more "It's not your problem, Gansey." He was so much more dangerous when he wasn't angry.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Villain, thou know'st nor law of God nor man: No beast so fierce but knows some touch of pity. RICHARD, DUKE OF GLOUCESTER: But I know none, and therefore am no beast. LADY ANNE: O wonderful, when devils tell the troth! RICHARD, DUKE OF GLOUCESTER: More wonderful, when angels are so angry.
William Shakespeare (Richard III)
Ronan, silent to this point, said, 'I'm going to kill him.' Gansey had a sudden, terrible vision of it: Ronan's hands painted with blood, his eyes blank and unknowable, a corpse at his feet. It was a savage an unshakable image, made worse because Gansey had seen enough of the pieces separately to know how accurate how they'd appear added together.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
For their love Llies in their purses, and whoso empties them By so much fills their hearts with deadly hate.
William Shakespeare (Richard III)
Gansey clucked at his bedraggled reflection in the dark-framed mirror hanging in the front hallway. Chainsaw eyed herself briefly before hiding on the other side of Ronan's neck; Adam did the same, but without the hiding-in-Ronan's-neck bit. Even Blue looked less fanciful that usual, the lighting rendering her lampshade dress and spiky hair as a melancholy Pierrot.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
I sit on the bed and kick off my shoes, and he kneels before me and takes the riding boots, holding one open for my bare foot. I hesitate; it is such an intimate gesture between a young woman and a man. His smiling upward glance tells me that he understands my hesitation but is ignoring it. I point my toe and he holds the boot, I slide my foot in and he pulls the boot over my calf. He takes the soft leather ties and fastens the boot, at my ankle, then at my calf, and then just below my knee. He looks up at me, his hand gently on my toe. I can feel the warmth of his hand through the soft leather. I imagine my toes curling in pleasure at his touch. ‘Anne, will you marry me?’ he asks simply, as he kneels before me.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
Say yes,’ he whispers. ‘Marry me.’ I hesitate. I open my eyes. ‘You will get my fortune,’ I remark. ‘When I marry you, everything I have becomes yours. Just as George has everything that belongs to Isabel.’ ‘That’s why you can trust me to win it for you,’ he says simply. ‘When your interests and mine are the same, you can be certain that I will care for you as for myself. You will be my own. You will find that I care for my own.’ ‘You will be true to me?’ ‘Loyalty is my motto. When I give my word, you can trust me.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
Here is the indictment of the good Lord Hastings; Which in a set hand fairly is engross'd That it may be to-day read o'er in Paul's. And mark how well the sequel hangs together: Eleven hours I have spent to write it over, For yesternight by Catesby was it sent me; The precedent was full as long a-doing; And yet within these five hours Hastings liv'd, Untainted, unexamin'd, free, at liberty. Here's a good world the while! Who is so gros That cannot see this palpable device? Yet who's so bold but says he sees it not? Bad is the world; and all will come to nought, When such ill dealing must be seen in thought.
William Shakespeare (Richard III)
Instead, though, as he drew nearer, his mind kept drifting back to Gansey's voice in the cave the day before. The tremulous note in it. The fear - a fear so profound that Gansey could not bring himself to climb out of the pit, though there was nothing physically preventing him. He had not known that Richard Gansey III had it in him to be a coward. Adam remembered crouching on the kitchen floor of his parents' double-wide, telling himself to take Gansey's oft-repeated advice to leave. "Just put what you need in the car, Adam." But he had stayed. Hung in the pit of his father's anger. A coward, too. Adam felt like he needed to reconfigure every conversation he'd ever had with Gansey in light of this new knowledge.
Maggie Stiefvater
The house of the Plantagenets, from Henry II to Richard III himself, was brimming with blood. In their lust for power the members of the family turned upon one another. King John murdered, or caused to be murdered, his nephew Arthur; Richard II despatched his uncle, Thomas of Gloucester; Richard II was in turn killed on the orders of his cousin, Henry Bolingbroke; Henry VI was killed in the Tower on the orders of his cousin, Edward IV; Edward IV murdered his brother, Clarence, just as his own two sons were murdered by their uncle. It is hard to imagine a family more steeped in slaughter and revenge, of which the Wars of the Roses were only one effusion. It might be thought that some curse had been laid upon the house of the Plantagenets, except of course that in the world of kings the palm of victory always goes to the most violent and the most ruthless. It could be said that the royal family was the begetter of organized crime.
Peter Ackroyd (Foundation: The History of England from Its Earliest Beginnings to the Tudors (History of England #1))
God knows that, as we are prone to sin, so, when conscience is thoroughly awaked, we are as prone to despair for sin; and therefore he would have us know, that he setteth himself in the covenant of grace to triumph in Christ over the greatest evils and enemies we fear, and that his thoughts are not as our thoughts are, Isa. v. 8; that he is God, and not man, Hos. xi. 9; that there are heights, and depths, and breadths of mercy in him above all the depths of our sin and misery, Eph. iii. 18; that we should never be in such a forlorn condition, wherein there should be ground of despair, considering our sins be the sins of men, his mercy the mercy of an infinite God.
Richard Sibbes (The Bruised Reed)
O thou well skill'd in curses, stay awhile And teach me how to curse mine enemies! QUEEN MARGARET. Forbear to sleep the nights, and fast the days; Compare dead happiness with living woe; Think that thy babes were sweeter than they were, And he that slew them fouler than he is. Bett'ring thy loss makes the bad-causer worse; Revolving this will teach thee how to curse. QUEEN ELIZABETH. My words are dull; O, quicken them with thine! QUEEN MARGARET. Thy woes will make them sharp and pierce like mine. DUCHESS. Why should calamity be fun of words? QUEEN ELIZABETH. Windy attorneys to their client woes, Airy succeeders of intestate joys, Poor breathing orators of miseries, Let them have scope; though what they will impart Help nothing else, yet do they case the heart. DUCHESS. If so, then be not tongue-tied. Go with me, And in the breath of bitter words let's smother My damned son that thy two sweet sons smother'd. The trumpet sounds; be copious in exclaims.
William Shakespeare (Richard III)
He could not remember the last time he had cried. It was not just Glendower he was mourning. It was all the versions of Gansey he had been in the last seven years. It was the Gansey who had pursued him with youthful optimism and purpose. And it was the Gansey who had pursued him with increasing worry. And it was this Gansey, who was going to have to die. Because it made a fatal sort of sense. They required a death to save Ronan and Adam. Blue's kiss was supposed to be deadly to her true love. Gansey's death had been foretold for this year. It was him. It was always going to be him. Glendower was dead. He'd always been dead. And Gansey kind of wanted to live.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Sir Thomas More, son of Sir John More, a justice of the King's Bench, was born in 1478, in Milk Street, in the city of London. After his earlier education at St. Anthony's School, in Threadneedle Street, he was placed, as a boy, in the household of Cardinal John Morton, Archbishop of Canterbury and Lord Chancellor. It was not unusual for persons of wealth or influence and sons of good families to be so established together in a relation of patron and client. The youth wore his patron's livery, and added to his state. The patron used, afterwards, his wealth or influence in helping his young client forward in the world. Cardinal Morton had been in earlier days that Bishop of Ely whom Richard III. sent to the Tower; was busy afterwards in hostility to Richard; and was a chief adviser of Henry VII., who in 1486 made him Archbishop of Canterbury, and nine months afterwards Lord Chancellor. Cardinal Morton—of talk at whose table there are recollections in "Utopia"—delighted in the quick wit of young Thomas More. He once said, "Whoever shall live to try it, shall see this child here waiting at table prove a notable and rare man.
Thomas More (Utopia (Norton Critical Editions))
The implication that the change in nomenclature from “Multiple Personality Disorder” to “Dissociative Identity Disorder” means the condition has been repudiated and “dropped” from the Diagnostic and Statistical Manual (DSM) of the American Psychiatric Association is false and misleading. Many if not most diagnostic entities have been renamed or have had their names modified as psychiatry changes in its conceptualizations and classifications of mental illnesses. When the DSM decided to go with “Dissociative Identity Disorder” it put “(formerly multiple personality disorder)” right after the new name to signify that it was the same condition. It’s right there on page 526 of DSM-IV-R. There have been four different names for this condition in the DSMs over the course of my career. I was part of the group that developed and wrote successive descriptions and diagnostic criteria for this condition for DSM-III-R, DSM–IV, and DSM-IV-TR. While some patients have been hurt by the impact of material that proves to be inaccurate, there is no evidence that scientifically demonstrates the prevalence of such events. Most material alleged to be false has been disputed by someone, but has not been proven false. Finally, however intriguing the idea of encouraging forgetting troubling material may seem, there is no evidence that it is either effective or safe as a general approach to treatment. There is considerable belief that when such material is put out of mind, it creates symptoms indirectly, from “behind the scenes.” Ironically, such efforts purport to cure some dissociative phenomena by encouraging others, such as Dissociative Amnesia.
Richard P. Kluft