Richard Bland Quotes

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The Revolutionary Hill Estates had not been designed to accommodate a tragedy. Even at night, as if on purpose, the development held no looming shadows and no gaunt silhouettes. It was invincibly cheerful, a toyland of white and pastel houses whose bright, uncurtained windows winked blandly through a dappling of green and yellow leaves … A man running down these streets in desperate grief was indecently out of place.
Richard Yates (Revolutionary Road)
To those who suspect that intellect is a subversive force in society, it will not do to reply that intellect is really a safe, bland, and emollient thing. In a certain sense, the suspicious Tories and militant philistines are right: intellect is dangerous. Left free, there is nothing it will not reconsider, analyze, throw into question. "Let us admit the case of the conservative," John Dewey once wrote. "If we once start thinking no one can guarantee what will be the outcome, except that many objects, ends and institutions will be surely doomed. Every thinker puts some portion of an apparently stable world in peril, and no one can wholly predict what will emerge in its place." Further, there is no way of guaranteeing that an intellectual class will be discreet and restrained in the use of its influence; the only assurance that can be given to any community is that it will be far worse off if it denies the free uses of the power of intellect than if it permits them. To be sure, intellectuals, contrary to the fantasies of cultural vigilantes, are hardly ever subversive of a society as a whole. But intellect is always on the move against something: some oppression, fraud, illusion, dogma, or interest is constantly falling under the scrutiny of the intellectual class and becoming the object of exposure, indignation, or ridicule.
Richard Hofstadter (Anti-Intellectualism in American Life)
Without the consciousness of guilt, existence had become so bland in Paradise that Eve welcomed the pungency of Original Sin.
Richard Condon (The Manchurian Candidate)
She wanted to do damage, gashed red, bleeding, and screaming damage to all and any of the bland facets of social restraint that meshed her about like spiderweb.
Richard K. Morgan (Thirteen)
Richards remembered the day - that glorious and terrible day - watching the planes slam into the towers, the image repeated in endless loops. The fireballs, the bodies falling, the liquefaction of a billion tons of steel and concrete, the pillowing clouds of dust. The money shot of the new millennium, the ultimate reality show broadcast 24-7. Richards had been in Jakarta when it happened, he couldn't even remember why. He'd thought it right then; no, he'd felt it, right down to his bones. A pure, unflinching rightness. You had to give the military something to do of course, or they'd all just fucking shoot each other. But from that day forward, the old way of doing things was over. The war - the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more - the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are - would be fought by men like Richards: men with faces you didn't notice and couldn't remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees - the subjects hadn't changed, they never would, all coming down, after you'd boiled away the bullshit, to somebody's quarterly earnings report and who got to sit where - but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
Justin Cronin (The Passage (The Passage, #1))
I placed some of the DNA on the ends of my fingers and rubbed them together. The stuff was sticky. It began to dissolve on my skin. 'It's melting -- like cotton candy.' 'Sure. That's the sugar in the DNA,' Smith said. 'Would it taste sweet?' 'No. DNA is an acid, and it's got salts in it. Actually, I've never tasted it.' Later, I got some dried calf DNA. I placed a bit of the fluff on my tongue. It melted into a gluey ooze that stuck to the roof of my mouth in a blob. The blob felt slippery on my tongue, and the taste of pure DNA appeared. It had a soft taste, unsweet, rather bland, with a touch of acid and a hint of salt. Perhaps like the earth's primordial sea. It faded away. Page 67, in Richard Preston's biographical essay on Craig Venter, "The Genome Warrior" (originally published in The New Yorker in 2000).
Timothy Ferris (The Best American Science Writing 2001)
He felt the withering of something, the way risk was increasingly eliminated, replaced with a bland new world where the viewing of food preparation would be felt to be more than the reading of poetry; where excitement would come from paying for a soup made out of foraged grass. He had eaten soup made out of foraged grass in the camps; he preferred food.
Richard Flanagan (The Narrow Road to the Deep North)
The war—the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more—the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are—would be fought by men like Richards: men with faces you didn’t notice and couldn’t remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees—the subjects hadn’t changed, they never would, all coming down, after you’d boiled away the bullshit, to somebody’s quarterly earnings report and who got to sit where—but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
Justin Cronin (The Passage (The Passage, #1))
Keith Richards on change—"It's gotta go up and down. Otherwise, you won't know the difference. It would be just a bland, straight line, like lookin' at a heart machine. And when that straight line happens, baby, you're dead.
Jessica Pallington West (What Would Keith Richards Do?: Daily Affirmations from a Rock and Roll Survivor)
In fact the "mask" theme has come up several times in my background reading. Richard Sennett, for example, in "The Corrosion of Character: The Personal Consequences of Work in the New Capitalism", and Robert Jackall, in "Moral Mazes: The World of Corporate managers", refer repeatedly to the "masks" that corporate functionaries are required to wear, like actors in an ancient Greek drama. According to Jackall, corporate managers stress the need to exercise iron self-control and to mask all emotion and intention behind bland, smiling, and agreeable public faces. Kimberly seems to have perfected the requisite phoniness and even as I dislike her, my whole aim is to be welcomed into the same corporate culture that she seems to have mastered, meaning that I need to "get in the face" of my revulsion and overcome it. But until I reach that transcendent point, I seem to be stuck in an emotional space left over from my midteen years: I hate you; please love me.
Barbara Ehrenreich (Bait and Switch: The (Futile) Pursuit of the American Dream)
It did not fit with the new age of conformity that was coming in all things, even emotions, and it baffled him how people now touched each other excessively and talked about their problems as though naming life in some way described its mystery or denied its chaos. He felt the withering of something, the way risk was increasingly evaluated and, as much as possible, eliminated, replaced with a bland new world where the viewing of food preparation would be felt to be more moving than the reading of poetry; where excitement would come from paying for a soup made out of foraged grass.
Richard Flanagan (The Narrow Road to the Deep North)
Josephine!" A stentorian bellow shook the candles in their sconces. Unconsciously, Amy grabbed Richard’s arm, looking about anxiously for the source of the roar. About the room, people went on chatting as before. "Steady there." Richard patted the delicate hand clutching the material of his coat. "It’s just the First Consul." Snatching her hand away as though his coat were made of live coals, Amy snapped, "You would know." "Josephine!" The dreadful noise repeated itself, cutting off any further remarks. Out of an adjoining room charged a blur of red velvet, closely followed by the scurrying form of a young man. Amy sidestepped just in time, swaying on her slippers to avoid toppling into Lord Richard. The red velvet came to an abrupt stop beside Mme Bonaparte’s chair. "Oh. Visitors." Once still, the red velvet resolved into a man of slightly less than medium height, clad in a long red velvet coat with breeches that must once have been white, but which now bore assorted stains that proclaimed as clearly as a menu what the wearer had eaten for supper. "I do wish you wouldn’t shout so, Bonaparte." Mme Bonaparte lifted one white hand and touched him gently on the cheek. Bonaparte grabbed her hand and planted a resounding kiss on the palm. "How else am I to make myself heard?" Affectionately tweaking one of her curls, he demanded, "Well? Who is it tonight?" "We have some visitors from England, sir,"his stepdaughter responded. "I should like to present…" Hortense began listing their names. Bonaparte stood, legs slightly apart, eyes hooded with apparent boredom, and one arm thrust into the opposite side of his jacket, as though in a sling. Bonaparte inclined his head, looked down at his wife, and demanded, "Are we done yet?" Thwap! Everyone within earshot jumped at the sound of Miss Gwen’s reticule connecting with Bonaparte’s arm. "Sir! Take that hand out of your jacket! It is rude and it ruins your posture. A man of your diminutive stature needs to stand up straight." Something suspiciously like a chuckle emerged from Lord Richard’s lips, but when Amy glanced sharply up at him, his expression was studiedly bland. A dangerous hush fell over the room. Flirtations in the far corners of the room were abandoned. Business deals were dropped. The non-English speakers among the assemblage tugged at the sleeves of those who had the language, and instant translations began to be whispered about the room – suitably embellished, of course. "It’s an assassination attempt!" a woman next to Amy cried dramatically, swooning back into the arms of an officer who looked as though he didn’t quite know what to do with her, but would really be happiest just dropping her. "No, it’s not, it’s just Miss Gwen," Amy tried to explain. Meanwhile, Miss Gwen was advancing on Bonaparte, backing him up so that he was nearly sitting on Josephine’s lap. "While we are speaking, sir, this habit you have of barging into other people’s countries without invitation – it is most rude. I will not have it! You should apologise to the Italians and the Dutch at the first opportunity!" "Mais zee Italians, zey invited me!" Bonaparte exclaimed indignantly. Miss Gwen cast Bonaparte the severe look of a governess listening to substandard excuses from a wayward child. "That may well be," she pronounced in a tone that implied she thought it highly unlikely. "But your behaviour upon entering their country was inexcusable! If you were to be invited to someone’s home for a weekend, sirrah, would you reorganise their domestic arrangements and seize the artwork from their walls? Would you countenance any guest who behaved so? I thought not." Amy wondered if Bonaparte could declare war on Miss Gwen alone without breaking his peace with England. "So much for the Peace of Amiens!" she started to whisper to Jane, but Jane was no longer beside her.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
sighed, smirking and rolling her eyes in friendly, amused exasperation. Grabbing his shirt, she pulled him up to her. His hands caught her shoulders, pulling her even closer. They kissed. It was definitely not one-sided, or platonic. Wow. Um. When they let go, Will gave me a playful nod. “I've got a job to do.” He ran off so fast that he almost disappeared. All he left was the little white fortune card, fluttering to the floor. Cassie crouched down to pick it up. With that same bland, cynical smirk she looked at it, then flipped it around in her fingers for me to read: 'In six minutes, you will kiss the girl standing next to you.
Richard Roberts (Please Don't Tell My Parents I've Got Henchmen)
Not that living with her was any walk in the park. Her mood swings were fierce, and she was prone to savage dreams, often waking him up with her sleep talk, semicoherent tear-choked pleas to be left alone. And what he at first thought was a temporary desire for a protector in her life had over the years morphed into a river of visceral, mostly inarticulate need for him, a neediness her never quite understood but responded to with everything he had. She could never wear him out with her demands, there was something about her that made him want to be the best possible version of himself. He loved her, loved to come through for her, loved that what he had always thought of with embarrassment as his flatline personality, his bland stolidness, could become the rock in the raging sea of another soul's life. Still, there was something inside her he could never quite get at. Sometimes he felt like a knight assigned to protect a maiden from a dragon that only she could see, and so he paid attention to the words she cried out in her sleep, when her half-panicked rants became less coherent and maybe closer to the bone, but he was not a particularly analytical individual, so all his secret studying came to nothing. And given that he had been raised in a home in which he'd been taught to take people as they were, no questions asked, a home in which the character trait prized above all else was an Apache level of forbearance, he would die before straight up asking his wife of tweleve years, the mother of his two sons, Who Are You.
Richard Price
All Yang’s men were in by midday and our party straggled in later completely done in. Chuen came in first. He was wearing a dark green commando’s beret, long green canvas boots with rubber soles – American jungle boots – and green battle-dress with lovely blue parachute wings over his left pocket. He is a little cheerful man and speaks fair English. Then came Humpleman, very young, blue-eyed, with a bland and serious manner; then Jim Hannah, lean, dark, hook-nosed, moustached, and over forty. At one time he was a journalist and in the rubber slump in Malaya he worked in Australia. Then came Harrison, short, with red face and sandy hair – a very silent Scot, also a planter. John and Richard brought up the rear, absolutely exhausted but very contented. After a meal they had got out on to the field and had everything ready an hour before midnight. Then they waited and waited and, as nothing happened, they got more and more worried and despondent. One hour late, then two hours. It was bitterly cold, and at last they were just talking of returning home when a faint drone was heard from the west. They were so excited that their hearts almost choked them! At last the Lib came over. Apparently she followed up the Perak river, then came across on a bearing. The moon was shining brilliantly and the sky was covered with high, white, fleecy clouds. The fires, freshly stoked with dry atap, burned up brightly, and Quayle with his torch flashed the recognition letter faster and faster with growing excitement as the great Lib, after flying round in a wide circle, swooped overhead, vast and glistening in the moonlight. Suddenly four little white balls seemed to appear in the plane’s wake, and four tiny black forms were seen swinging from side to side below them. John, Richard, and Frank all agreed it was the most exciting moment of their lives. While they were still lost in wonder, things started happening. Hannah and Harrison landed beautifully and were immediately fielded, but Humpleman fell in the stream and was retrieved soaking wet. The containers and packages, which had been released immediately after the bodies, now came down and all landed
F. Spencer Chapman (The Jungle is Neutral: The Epic True Story of One Man’s War Behind Enemy Lines)
If you don’t have the highest ambitions, you will never achieve anything great. If you’re “realistic” rather than “idealistic”, you will inevitably accept failure because failure is always the realistic outcome of any undertaking. Samuel Beckett said, “Ever tried. Ever failed. No matter. Try Again. Fail again. Fail better.” That’s idealistic, not realistic. The realist would just give up. Illuminism is about aiming for the highest heights. If you prefer the plains, the lows, the average, the ordinary, the banal, the bland, the uncommitted, the neutral, the self-interested, the “realistic”, Illuminism is not for you.
Mike Hockney (Richard Dawkins: The Pope of Unreason (The God Series Book 16))
Smart Cs are never too senior or too important to act as Lodestones to their As. The Lodestone takes jobs off the A’s plate, frees them from the bland fodder of management and releases them from whatever ties them to the table of everyday leadership. When we think of the great organisational freedom fighters we think of our assistants–personal, executive and managerial.
Richard Hytner (Consiglieri - Leading from the Shadows: Why Coming Top Is Sometimes Second Best)