Ribs Song Quotes

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In fact her maturity and blood kinship converted her passion to fever, so it was more affliction than affection. It literally knocked her down at night, and raised her up in the morning, for when she dragged herself off to bed, having spent another day without his presence, her heart beat like a gloved fist against her ribs. And in the morning, long before she was fully awake, she felt a longing so bitter and tight it yanked her out of a sleep swept clean of dreams.
Toni Morrison (Song of Solomon)
So Jason, in England, do you eat these ‘Farmer burgers?’” Wong Tong asked. “Farmer burgers? I don’t know what they are?” “Maybe I have the name wrong. I remember the name from the song,” Wong Tong explained. “What song?” Jason asked. “You know the ‘E, I, E, I, O’ song.” ‘E, I, E, I, O’ song? Jason started to roar with laughter. He tried to speak but was laughing, much to the annoyance of Wong Tong. He held his chest, laughing still hurt his ribs. “You mean the ‘Old Macdonald had a farm’ song. You mean Macdonald’s burgers,” he said, laughing. “Yes, I have had them. They’re good.
Mark A. Cooper (Revenge (Jason Steed, #2))
There are times, late at night, when your son would wake believing a bullet is lodged inside him. He’d feel it floating on the right side of his chest, just between the ribs. The bullet was always here, the boy thinks, older even than himself—and his bones, tendons, and veins had merely wrapped around the metal shard, sealing it inside him. It wasn’t me, the boy thinks, who was inside my mother’s womb, but this bullet, this seed I bloomed around. Even now, as the cold creeps in around him, he feels it poking out from his chest, slightly tenting his sweater. He feels for the protrusion but, as usual, finds nothing. It’s receded, he thinks. It wants to stay inside me. It is nothing without me. Because a bullet without a body is a song without ears.
Ocean Vuong (On Earth We're Briefly Gorgeous)
My god, I hope you find love. And I don’t just mean that in regards to someone you wrap your tired bones around at night. I mean that I hope you find love in every aspect of your life. I hope you find it tucked into early morning sunrises and the smell of your favorite places. I hope you find it strung between the laughter you share with friends I hope it bounces off of you when you hug the people you care for I hope it swells within your rib cage whenever you hear your favorite song or discover something that moves you. I hope you fall in love with growth, and change, and the messiness, and the beauty of fucking up, and making mistakes, and becoming exactly who you want to be. I hope you find love in places that were once devoid of it, in places within yourself that you could have been softer to, kinder to, in the past. Because if there is one thing I have learned, it is that love is so much more than a boy or a girl who holds your heart. Love is everything around you. It is everything.
Bianca Sparacino (The Strength In Our Scars)
Ashes have no fear to burn in hell In your heart's paradise angels dwell Rib cage fastens all sins of the wrong Your bones will sing you mortality’s song
Munia Khan
Once to swim I sought the sea-side, There to sport among the billows; With the stone of many colors Sank poor Aino to the bottom Of the deep and boundless blue-sea, Like a pretty son-bird, perished. Never come a-fishing, father, To the borders of these waters, Never during all thy life-time, As thou lovest daughter Aino. Mother dear, I sought the sea-side, There to sport among the billows; With the stone of many colors, Sank poor Aino to the bottom Of the deep and boundless blue-sea, Like a pretty song-bird perished. Never mix thy bread, dear mother, With the blue-sea's foam and waters, Never during all thy life-time, As thou lovest daughter Aino. Brother dear, I sought the sea-side, There to sport among the billows; With the stone of many colors Sank poor Aino to the bottom Of the deep and boundless blue-sea, Like a pretty song-bird perished. Never bring thy prancing war-horse, Never bring thy royal racer, Never bring thy steeds to water, To the borders of the blue-sea, Never during all thy life-time, As thou lovest sister Aino. Sister dear, I sought the sea-side, There to sport among the billows; With the stone of many colors Sank poor Aino to the bottom Of the deep and boundless blue-sea, Like a pretty song-bird perished. Never come to lave thine eyelids In this rolling wave and sea-foam, Never during all thy life-time, As thou lovest sister Aino. All the waters in the blue-sea Shall be blood of Aino's body; All the fish that swim these waters Shall be Aino's flesh forever; All the willows on the sea-side Shall be Aino's ribs hereafter; All the sea-grass on the margin Will have grown from Aino's tresses.
Elias Lönnrot (The Kalevala)
I allow myself, for the gash of a moment, to remember what I once possessed: the abyssal ocean, the song in those depths like swimming down the black throat of a god; the searing colors moting my sisters' coils, sapphire and quartz crushed into constellations and prisms of incandescence spiraling through the dark, our tails in endless, restless motion; our mother's eyes colossal, phosphorescent; our father's ribs, still studded with our egg sacs, his heartbeat in our veins. I'd been happy there.
Cassandra Khaw (The Salt Grows Heavy)
I still remember the winter sky that evening. Whenever I worked in my sea garden and I saw a sunset like that, I'd think back to Bantham Beach. It was as if the sun had been torn open. Everything was scarlet. The clouds were flames, so wild and vibrant that blue didn't look like a color anymore. The sea and land served as a mirror. The ribbed sand was on fire. So were the stones and maroon rock pools. The pink crests of the waves. The burning hump of Burgh Island.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
I suppose that it’s all quite beautiful, what I am looking at, but I can’t feel it being beautiful. I can’t properly feel any good things anymore: like the taste of food, or the sun on my face or a song I like on the radio. Looking out at the sea all I feel is a dull pain, somewhere under my ribs, like an old injury.
Lucy Foley (The Guest List)
Coriolanus moved back to his seat - she knew where to find him now - to listen and to savor their actual reunion, which was only a song away. His eyes teared up when she began the song from the zoo. "Down in the valley, valley so low, Late in the evening, hear the train blow. The train, love, hear the train blow. Late in the evening, hear the train blow." Coriolanus felt an elbow nudge his ribs and looked over to see Sejanus beaming at him. It was nice, after all, to have someone else who knew the significance of the song. Someone who knew what they'd been through. "Go build me a mansion, build it so high, So I can see my true love go by. See him go by, love, see him go by. So I can see my true love go by." That's me, Coriolanus wanted to tell people around him. I'm her true love. And I saved her life. "Go write me a letter, send it by mail. Bake it and stamp it to the Capitol jail. Capitol jail, love, to the Capitol jail. Bake it and stamp it to the Capitol jail." Should he say hello first? Or just kiss her? "Roses are red, love; violets are blue. Birds in the heavens know I love you." Kiss her. Definitely, just kiss her. "Know I love you, oh, know I love you, Birds in the heavens know I love you. "Good night, everybody. Hope we see you next week, and until then, keep singing your song," said Lucy Gray, and the whole Covey took one final blow.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Marry me!” The words quaked from deep within the sepulchre of his rib cage. He could hear sweet songs shoot and soar from his soul. The angels sighed and rejoiced.
Poem Schway (Speaking Up for Each Other: A Collection of Short Stories for Tweens and Middle Grade Readers)
Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.
Susan Dennard (Truthwitch (The Witchlands, #1))
As regularly as the new moon searched for the tide, Hagar looked for a weapon and then slipped out of her house and went to find the man for whom she believed she had been born into the world. Being five years older than he was and his cousin as well did nothing to dim her passion. In fact her maturity and blood kinship converted her passion to fever, so it was more affliction than affection. It literally knocked her down at night, and raised her up in the morning, for when she dragged herself off to bed, having spent another day without his presence, her heart beat like a gloved fist against her ribs. And in the morning, long before she was fully awake, she felt a longing so bitter and tight it yanked her out of a sleep swept clean of dreams.
Toni Morrison (Song of Solomon)
He closes his eyes and feels its point push through his skin, parting thick muscles, worming its way past the interlacing fingers of his ribs. There, at last, is his heart. Blood spills between shoulder blades, dark ad slick as oil. Achilles smiles as his face strikes the earth.
The Song of Achilles by Madeline Miller
Book, when I close you life itself opens. I hear broken screams in the harbor. The copper slugs cross the sandy areas, descending to Tocopilla. It is night. Between the islands our ocean palpitates with fish. It touches the feet, the thighs, the chalky ribs of my homeland. Night touches the shoreline and rises while singing at daybreak like a guitar awakening. I feel the irresistible force of the ocean's call. I am called by the wind, and called by Rodriguez, José Antonio, I received a telegram from the "Mina" worker's union and the one I love (I won't tell you her name) waits for me in Bucalemu. Book, you haven't been able to enwrap me, you haven't covered me with typography, with celestial impressions, you haven't been able to trap my eyes between covers, I leave you so I can populate groves with the hoarse family of my song, to work burning metals or to eat grilled meat at the fireside in the mountains. I love books that are explorers, books with forest and snow, depth and sky, but I despise the book of spiders that employs thought to weave its venomous wires to trap the young and unsuspecting fly. Book, free me. I don't want to be entombed like a volume, I don't come from a tome, my poems don't eat poems, they devour passionate events, they're nurtured by the open air and fed by the earth and by men. Book, let me wander the road with dust in my low shoes and without mythology: go back to the library while I go into the streets. I've learned to take life from life, to love after a single kiss, and I didn't teach anything to anyone except what I myself lived, what I shared with other men, what I fought along with them: what I expressed from all of us in my song.
Pablo Neruda (All the Odes)
The spear that I do not see comes from behind. It pierces the skin of my back, breaks again to air beneath my ribs. I stumble, driven forward by the blow's force, by the shock of tearing pain and the burning numbness in my belly. I feel a tug, and the spear-point is gone. The blood gushes hot on my chilled skin. I think I scream.
Madeline Miller (The Song of Achilles)
Do not harden yourself to what has affected you so deeply in life. This is the important part. Be thankful for it. Be thankful for the songs you hear that make your soul bubble over with nostalgia. Be thankful for the morning light and how it hits that one spot on your bed that holds the ghosted memory of someone who was once your favorite thing. Be thankful for your heart and how at one point, you could feel it beating against your rib cage for ten days straight because your bones were blushing at the thought of someone’s hand within yours. Let these moments seek refuge in your soul. Let them wash over you. Let them remind you that at one point, you embraced what it meant to love without abandon. Let them remind you that at one point, you tried for something.
Bianca Sparacino (The Strength In Our Scars)
Achilles hears the faint hum of its passage a second before it strikes. He turns his head a little, as if to watch it come. He closes his eyes and feels its point push through his skin, parting thick muscle, worming its way past the interlacing fingers of his ribs. There, at last, is his heart. Blood spills between shoulder blades, dark and slick as oil. Achilles smiles as his face strikes the earth.
Madeline Miller (The Song of Achilles)
You'll have that handsome rogue you married at your knees, my dear." Franny giggled. "You really think so, senora?" "I certainly do, my dear." Willow nudged the girl in the ribs. "Take it from me, Miriam knows what she's talking about!" "Good grief, Willow!" Miriam protested. "You make me sound like I'm an expert on seducing men! I find that not the least bit flattering." Willow winked at Franny, and Miriam rolled her eyes skyward.
Charlotte McPherren (Song of the Willow)
Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.
Derek Walcott (Selected Poems)
—What are you doing now?— —I’m under my covers— —Alone?— —y— —A crime— I smiled, and the feeling of levity cracked the brittle shell of sorrow, if only for a second, and tears streamed down my face. —Don’t make me laugh, fuckhead— —May I join you under those lucky covers?— When I read the message, I didn’t feel his request in my loins, but on my skin. I wanted him to touch me. Kiss me. Breathe on me. Talk to me. Hold me for hours. The desire wasn’t just between my legs, but in my rib cage, my marrow, my fingertips. Could I give up the consuming protection of loneliness and indulge in a few hours with Jonathan? Was I worthy of a little comfort? Probably not. And I hadn’t forgotten the submissive thing. No. He was going to drag me into a pit of defilement and humiliation. Seeing him would only draw him closer to me than he should be, ever. I texted: —I need you— I hit send. I shouldn’t have.
C.D. Reiss (Submit (Songs of Submission, #3))
You wanna be illegally married to Cay and live in dirty fucking sin with him? You want to be his good girl and ride his weird, ribbed cock for the rest of your life?” I snort. It’s quite a set of vows. The kind you most definitely immortalize in song form so that your children and their children can never escape it. I’ll put daddy to work on it as a birthday present for Cay. “Yes,” I say, my gaze locked on Cay’s gorgeous, dark eyes. “I marry you, Caleb. You’re mine.
Emily Rath (Pucking Around (Jacksonville Rays, #1))
In a cage of wire-ribs The size of a man’s head, the macaw bristles in a staring Combustion, suffers the stoking devils of his eyes. In the old lady’s parlour, where an aspidistra succumbs To the musk of faded velvet, he hangs in clear flames, Like a torturer’s iron instrument preparing With dense slow shudderings of greens, yellows, blues, Crimsoning into the barbs: Or like the smouldering head that hung In Killdevil’s brass kitchen, in irons, who had been Volcano swearing to vomit the world away in black ash, And would, one day; or a fugitive aristocrat From some thunderous mythological hierarchy, caught By a little boy with a crust and a bent pin, Or snare of horsehair set for a song-thrush, And put in a cage to sing. The old lady who feeds him seeds Has a grand-daughter. The girl calls him ‘Poor Polly’, pokes fun. ’Jolly Mop.’ But lies under every full moon, The spun glass of her body bared and so gleam-still Her brimming eyes do not tremble or spill The dream where the warrior comes, lightning and iron, Smashing and burning and rending towards her loin: Deep into her pillow her silence pleads. All day he stares at his furnace With eyes red-raw, but when she comes they close. ’Polly. Pretty Poll’, she cajoles, and rocks him gently. She caresses, whispers kisses. The blue lids stay shut. She strikes the cage in a tantrum and swirls out: Instantly beak, wings, talons crash The bars in conflagration and frenzy, And his shriek shakes the house.
Ted Hughes
I allow myself, for the gash of a moment, to remember what I once possessed: the abyssal ocean, the song in those depths like swimming down the black throat of a god; the searing colors moting my sisters' coils, sapphire and quartz crushed into constellations, patterns and prisms of incandescence spiraling through the dark, our tails in endless, restless motion; our mother's eyes colossal, phosphorescent; our father's ribs, still studded with our egg sacs, his heartbeat in our veins. I'd been happy there. I could have been happy there forever.
Cassandra Khaw (The Salt Grows Heavy)
Hell and damnation! Is that your destiny?" Willow's eyes flew open as she shot out of the church pew. Her voluminous hymnal crashed to the floor like the slam of a door on an empty tomb. Silence. Oh,hell, she silently groaned. Trying her best to disappear, she hunkered down between her two companions. Her expression sheepish, she leaned toward Miriam and whispered, "I wasn't expecting the reverend to yell like that." "You weren't expecting anything," Miriam whispered back accusingly. "You were sleeping!" Soft tittering buzzed throughout the congregation, coloring Willow's cheeks a bright pink. Even Sinclair's shoulders shook will ill-repressed mirth. "Quit it," Willow hissed, elbowing his ribs. His muffled grunt earned them both Miriam's castigating frown. "Shushhhh!" This came from a hawk-nosed old lady in the pew behind them. Willow flashed the woman a withering glance and straightened to face the front of the church. Her eyes immediately collided with Reverend Peabody's visage and to her surprise, his face was contorted in a comic attempt not to laugh. Willow ducked her head, grinning to herself. Well, she thought, at least the preacher has a sense of humor. With that in mind, she endeavored to remain attentive throughout the sermon, not an easy task considering the church felt like an airless box.
Charlotte McPherren (Song of the Willow)
As Miriam took her seat, Willow suddenly became conscious of the impropriety of her intimate position under Rider's arm. She straightened and would have slid to the opposite side of the swing, but he stubbornly tightened his arm around her. She tried her best to elbow his ribs, but her arm was trapped between their bodies. "Do sit still, Willow." Miriam sighed. "It's not ladylike to squirm so. I'm not going to reprimand you for Mr. Sinclair's public mauling." Rider tossed the dragon lady a disgruntled scowl but nonetheless allowed Willow to sit up straight and put a few inches between them. Not to be totally thwarted, however, he grapped her hand and held it in his lap.
Charlotte McPherren (Song of the Willow)
He paused a little; then kneeling in the pulpit’s bows, folded his large brown hands across his chest, uplifted his closed eyes, and offered a prayer so deeply devout that he seemed kneeling and praying at the bottom of the sea. This ended, in prolonged solemn tones, like the continual tolling of a bell in a ship that is foundering at sea in a fog — in such tones he commenced reading the following hymn; but changing his manner towards the concluding stanzas, burst forth with a pealing exultation and joy — The ribs and terrors in the whale, Arched over me a dismal gloom, While all God’s sun-lit waves rolled by, And lift me deepening down to doom. I saw the opening maw of hell, With endless pains and sorrows there; Which none but they that feel can tell- Oh, I was plunging to despair. In black distress, I called my God, When I could scarce believe him mine, He bowed his ear to my complaints- No more the whale did me confine. With speed he flew to my relief, As on a radiant dolphin borne; Awful, yet bright, as lightning shone The face of my Deliverer God. My song for ever shall record That terrible, that joyful hour; I give the glory to my God, His all the mercy and the power.
Herman Melville (Moby Dick)
Willow leaned forward and laid her head next to his on the pillow. "Is it too late to say I'm sorry, and that I love you more than anything else in this world?" "Oh God,no,love." With his good arm, he reached for the back of her head and brought her lips to his. They kissed as if they'd never get enough of each other, because they knew they never would. When Rider finally released her mouth, he smiled rakishly and pulled her hand under the covers. Willow smiled when he laid her hand over his throbbing desire. "Hmmm, you are feeling better." "Almost well enough to start Mr. Happy on his baby-making lessons again," he said in a deep sexy baritone. "Ah,Rider?" "Yes,love?" He was pulling her down for another stirring kiss. "About those lessons?" "Hmmm, I'm anxious to start practicing again, too,love. But at the moment Mr. Happy is a lot stronger than the rest of me." "Oh,I know,but...Rider, Mr. Happy must have learned his lessons real fast." Rider stilled. "What do you mean?" "I mean that I think Mr. Happy cooked something up in the kitchen." Forgetting his shoulder, Willow's husband sat straight up in bed. He winced, then asked, "You mean you're...going to have a baby?" "Of course I'm going to have a baby, you beefwit. Did you think I was baking another damn pie?" "Yahoooo!" he yelled at the top of his lungs, and hugged her with his good arm. Six men, Juan included, plus two women came pouring into the room. "What in the hell is going on in here?" Owen grumbled in mock irritation. Grinning like a Cheshire cat, Rider announced, "Owen, your daughter is about to make me a father and give you a second grandchild." "Oh,hell, I knew that." Nine people echoed, "You did?" "Hell, yes, all you gotta do is look at 'er face." Rider cocked his head and studied his wife's face. "She does have an extra glow about her, doesn't she?" "She sure does." Owen chuckled. "Her mama got the same glow with all five of her babies." "If I'm glowing, it's because all of you are staring at me like I just grew horns," Willow said, covering her flushed cheeks with her hands. "Dammit, I just thought of something," Owen said. "I s'pose this means I'll have to add another room to the house for when you come visiting." "Owen Vaughn," Miriam reprimanded, "stop that cursing. I swear every other word out of your mouth is a curse! I'm going to break you of that before your grandbabies get old enough to repeat that filth." "Break me of it?" Owen laughed and poked Nick in the ribs with his elbow. "Only one way for a woman to break a stallion, that's to ride 'im hard!" The man all guffawed loudly. Miriam's face turned ten shades of red. "Well,I never!" She turned on her heel and made an indignant exit.
Charlotte McPherren (Song of the Willow)
I’ll never forget this one night when Daddy had taken us way out to a little church up on a high ridge. There was no kind of instrumentation, and the hymns were all sung a cappella. During the preaching, there was a little more shouting from the congregation than usual. When it came time for us to sing, we were introduced by the preacher, a wiry little man with kind of a fiery look in his eyes. We stepped to the front and took our places on the old wood-plank platform to one side of the pulpit. Softly, I sung a note to get us started because it was decided I could come closest to hitting a key that we could all sing in. We began our songs, just as we had planned. I was aware that the pastor was on the stage behind us, but I didn’t think anything of it. After a while, I could feel Stella nudging me in the ribs, trying not to be noticed. I looked at her, and she motioned with her head slightly back toward where the preacher was standing. He seemed to be totally wrapped up in the spirit, nearly in a trance. I didn’t think too much of it, until I spotted a familiar sight—the back markings of a snake, a cottonmouth moccasin. I had seen them in the woods, usually scurrying across the path toward cover. They were afraid of me, and I was afraid of them. And up to now, we had always managed to keep our distance from each other. Here, apparently, they were a part of the worship service. I could see now, out of my peripheral vision, that the preacher had a full grown cottonmouth by the back of the head and it was twisting and coiling all around his forearm. Some members of the congregation were reaching out as if they wanted to touch it. The preacher was getting more and more worked up, and he reached into a wooden crate by the pulpit and took out two more snakes. This time he seemed to be holding them much more carelessly. He lifted them near his face as if daring them to strike. We sisters just kept on singing, unconsciously moving away from the snakes until we were very near the front of the platform. Just then, I noticed something that struck a note of fear in my heart much greater than that inspired by the snakes. My father had stepped into the back of the church to hear his little girls sing. Whatever he had been drinking didn’t impair his ability to see exactly what the preacher had in his hands. Just at that moment, the man and his snakes took a step toward the congregation, thus toward us. Daddy had seen enough. He charged down the aisle like a wild boar through a thicket. “You get them Goddamn snakes away from my kids!” Daddy bellowed with a force in his voice I had never heard before. It was amazing how quickly that preacher broke his trance and paid heed. He had heard the voice of a higher power, in this case a really pissed-off redneck. Daddy swooped us up and out the front door before we had time to think about what was happening. We didn’t even stop singing until we were almost down the steps into the churchyard. We were glad to be out of there, and I at least was proud that Daddy had come to our rescue. But Daddy obviously felt terrible about it. On the way home in the car, he got to feeling especially bad. “Goddamn! I can’t believe I said Goddamn in church!” he muttered to himself. He finally got so upset he had to stop the car and get out in the woods and, in his way, ask God’s forgiveness. I couldn’t help thinking how badly Mama had always wanted Daddy to walk down the church aisle and declare himself. Now he had certainly done that, although not I’m sure the way Mama had in mind.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
I don’t want to hurt you,” he said softly, “but I can’t seem to stop myself from wanting you.” Her ribs cinched tight, stealing her air for a second. “Finn…” He looked up, pushing her hair away from her face, apologies in his eyes. “It’s selfish. I feel like a vampire, taking all I can from you, sucking up the light before I have to go back into the cave. I’m trained to evaluate worst-case scenarios. This scenario is only going to get worse the longer I stick around, but I can’t stop, even when I know I should walk away now. I can’t quit you. Tell me to leave you alone, Liv. Tell me you don’t want me here.” The words wound through Liv like a song, a melancholy one that simultaneously made her want to smile and cry. She stared at him, at the earnest green eyes, the stubbled cheeks, the beautiful sweet boy who’d turned into a beautiful caring man. One who thought he was breaking his personal code by being here with her, putting her heart at risk. She slid her hands onto his shoulders. “I’m not going to lie to you. And what’s the worst-case scenario? I fall in love?” He winced and glanced away. “Right.” She leaned forward and brushed her lips over his cheek, bravery swelling in her. “I have good news then.” He met her gaze. “You’re already too late. Worst-case scenario achieved. So you might as well ride it out to the end now and make it worth it.” He inhaled a sharp breath, his expression going slightly panicked. “Liv.” She pressed her fingers over his mouth, her heart beating wildly but her voice staying steady. “Don’t freak out about what’s already done. When you leave, no matter what, you can know that you gave me a gift. You reminded me that I’m capable of feeling this.” She looped her arms around his neck. “Now let me feel it, Finn. Don’t take that away by trying to protect me. I don’t need your protection. I just need you to be yourself with me. I love you. And you will leave. And I will be okay.” She said the words almost more to herself than to him. She had to believe that. Had to hold on to that. Because there was no putting the feelings back in a box. They were there. Maybe had always been there on some level, waiting to bloom again. They would come along with a broken heart, but for the first time in longer than she could remember, she felt fully present. Alive. Real. For that, she would pay the price.
Roni Loren (The Ones Who Got Away (The Ones Who Got Away, #1))
The crowd were cheering and Geraldine led the Ass squad in that annoying as fuck song about princesses as they all celebrated her win, but I ignore them as I moved forward to offer Roxy a hand up. “I’ll toss Mildred back in her room, heal her and cast a sleeping spell on her so that she can properly recover,” Cal announced as he moved around us and I couldn’t help but smile at him. It might have annoyed the fuck out of me that he’d been with my girl, but he really was a good friend. A true brother. He threw Mildred over his shoulder like a sack of potatoes and shot out of the room as Seth howled in excitement. “Come on,” I said to Roxy. “I’ll clean you up and heal those wounds.” “Okay.” Roxy followed me back to the couch and I sat her down in my spot before throwing a ring of fire and a silencing bubble up around us to give us some pretence of privacy. “Doesn’t this count as us being alone?” Roxy asked as I dropped to my knees in front of her and she pulled her busted bottom lip between her teeth. That shouldn’t have been hot, but it really fucking was. “I’m going with no,” I replied, but as the ground trembled beneath my knees I had to admit it did. “Maybe you should just-” “I’m going to look after you,” I growled, leaving no room for negotiation. “So just let me.” Her lips parted, eyes flared, fingers gripped the edge of the couch and I was sure she was about to tell me no, but instead she just nodded. I reached out and curled my fingers wound around her waist as I pressed healing magic from my skin into hers, closing my eyes so that I could concentrate. She had cracked ribs and healing bones was more difficult than damaged tissue. (Darius POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
The crowd were cheering and Geraldine led the Ass squad in that annoying as fuck song about princesses as they all celebrated her win, but I ignore them as I moved forward to offer Roxy a hand up. “I’ll toss Mildred back in her room, heal her and cast a sleeping spell on her so that she can properly recover,” Cal announced as he moved around us and I couldn’t help but smile at him. It might have annoyed the fuck out of me that he’d been with my girl, but he really was a good friend. A true brother. He threw Mildred over his shoulder like a sack of potatoes and shot out of the room as Seth howled in excitement. “Come on,” I said to Roxy. “I’ll clean you up and heal those wounds.” “Okay.” Roxy followed me back to the couch and I sat her down in my spot before throwing a ring of fire and a silencing bubble up around us to give us some pretence of privacy. “Doesn’t this count as us being alone?” Roxy asked as I dropped to my knees in front of her and she pulled her busted bottom lip between her teeth. That shouldn’t have been hot, but it really fucking was. “I’m going with no,” I replied, but as the ground trembled beneath my knees I had to admit it did. “Maybe you should just-” “I’m going to look after you,” I growled, leaving no room for negotiation. “So just let me.” Her lips parted, eyes flared, fingers gripped the edge of the couch and I was sure she was about to tell me no, but instead she just nodded. I reached out and curled my fingers wound around her waist as I pressed healing magic from my skin into hers, closing my eyes so that I could concentrate. She had cracked ribs and healing bones was more difficult than damaged tissue. She fell still as I shifted my hands over her flesh and I tried to ignore the way the floor quaked beneath me. We couldn’t stay in this bubble for long, but I wished that we could. I wished we could just build a bubble where the stars couldn’t see us and stay in it forever. Although I guessed if I offered her that she’d just say no again. I sighed as my magic depleted, using the last drops of it to heal her and clean the blood from her skin after burning through so much in the game. A soft touch against my hair made me open my eyes and I looked up at her as she pushed the crown onto my head. “Mildred knocked me off of the couch first,” she explained in answer to the question in my eyes. “So you win. Besides, you need a big head like yours to pull off a crown like this.” I snorted a laugh as the ground trembled so violently that I was almost knocked back onto my ass. Roxy quickly pulled the rings and bracelets from her hands and offered them to me too and I pushed them into my pockets wordlessly. But as she reached up to unclasp the blood ruby pendant from around her neck I caught her wrist to stop her. “Keep it,” I said, my gaze slipping to the priceless heart where it lay against her flesh. Dragons didn’t give treasure away. Ever. It was inherited through the family or we bought more of it, but we never gifted it to anyone. It went against everything we stood for and the fierce possessiveness of our natures. But for some reason that I couldn’t fully comprehend, I wanted her to keep that necklace. “It looks better on you anyway.” Her eyes widened but before she could reply, I dropped the wall of fire and stepped away from her. Darcy hurried forward with wild eyes, looking between me and her sister for a long moment like she’d expected us to be arguing or something. But the last thing I was going to do was call Roxy out for beating Mildred’s ass for me. She’d absolutely been working in my interests and I wasn’t even going to pretend to be pissed about it. “Darius fixed me up like new. Did you see the bit when I kneed her in the vag?” Roxy asked as she grinned and Darcy started laughing. “It was classic, you’ve gotta come see Tyler’s slow motion footage of you punching her in the throat too!” (Darius POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
My unshaded skin. Snarled and marked of a scoundrel. Scorned and conned. Birds sing in a fair sun, whistles of seas that used to be foreign. My unshaven skin, whispers of owls at night still sing old rivers. Ribs rubbed and punched still sores. Mistakes of songs and words that still linger over me. Marred and murdered death still murmurs.
Tapiwanaishe Pamacheche
She watched his gills flare wide, all of them. His neck, his ribs, until she could see the delicate pink membranes deep inside his body. “You smell so good,” he growled, his voice so low that it vibrated between her legs. “Whatever that scent is, I want to coat myself in it.” “You can smell me?” That didn’t sound good. But considering the way he inhaled and arched back, she had a feeling it was a very good thing.
Emma Hamm (Song of the Abyss (Deep Waters, #2))
What if I had been the one to hear the song? Iris thought, her heart so heavy it felt bruised against her ribs. If I had encountered the goddess and not him … would he let me go like this?
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
What my country does for me is enter me like a room, becomes the furniture, the wall, the painting on the wall, the white spot where painting used to sing. Singing enters me, becomes the window. Baby think of my skin as the best part of the song. Take me by the ribs and lay me at the bottom of a dirty creek where I can get a good view.
Morgan Parker
Okay, okay, I’ll tell you…” They both wait expectantly as I try to make myself look meek and broken, even letting tears fill my eyes, real ones from the hurt. Sucking in another painful breath, my ribs protesting, I belt out, “And I will always love you…” Andrew flinches from how loud I sing. He backhands me again, cutting me off mid-song, so I spit the blood out and spin back to him. “No? Not feeling it? What about some Metallica? No, what about Tay-Tay? You look like a secret Swifty fan!
K.A. Knight (Den of Vipers)
This is my soul. It is a good soul. It tells me, “Come here, forgetful one.” And we sit together. We cook a little something to eat, then a sip of something sweet, for memory, for memory. This is my song. It is a good song. It walked forever the border of fire and water, climbed ribs of desire to sing to you. Its new wings quiver with vulnerability. Come lie next to me. Put your head here. My heart is close enough to sing.
Joy Harjo (Crazy Brave: A Memoir)
I was not created from the rib of a man but from songs of trees and tales of distant seas
Sarah Thompson (Murmurations)
I’ve just penned a song about a tortilla.  Actually it’s more of a wrap.
Graham Cann (1001 One-Liners and Short Jokes: The Ultimate Collection of the Funniest, Laugh-Out-Loud Rib-Ticklers (1001 Jokes and Puns))
First, then, the Lord began His final work by casting Adam into a deep sleep. And so did the second Adam lie three days in the sleep of death before the creation of His bride could be commenced. While the first Adam slept, God opened his side and took out the rib wherewith He made the woman. So while the second Adam slept in death upon the cross, a soldier pierced His side, so that there came forth blood and water; and by means of that blood, without the shedding of which there could never have been remission of sins, the Church is now in process of formation. Thou “didst purchase unto God by Thy blood men of every tribe, and tongue, and people, and nation,”[158] is the cry of the elders when the time has at length come to sing the new song.
G.H. Pember (Earth's Earliest Ages and Their Connection with Modern Spiritualism and Theosophy)
Hunter?” She grasped his shoulders for support, digging her nails into his flesh. “Hunter?” “I am here. Be easy.” He slid a hand to the nape of her neck and turned her face back to him. “Be easy.” Loretta’s legs felt like wet clay. As his mouth again claimed hers, a hundred possibilities ran through her mind, all frightening. Then sensation wiped out everything. There was only Hunter, solid and warm and gentle, holding her in rock-hard arms, his body bracing hers. Even in her inexperience, she sensed that kissing was new to him, that he was doing it only to please her. But after a few experimental nibbles, he mastered the art, claiming her mouth with a shattering thoroughness, his tongue thrusting deep, the sensuous rhythm he struck as old as time. Loretta leaned into him, sliding her hands into his hair, forgetting for a moment to be afraid. Looping an arm under her bottom, he lifted her against him. She could feel his heart slamming. Or was it hers? It didn’t matter. All that mattered were the feelings sweeping through her. When at last Hunter drew back for air, his dark eyes were cloudy with tenderness. He smiled a slow, thoughtful smile and, sliding her down his thighs, let her feet touch the floor. With infinite slowness he grasped the tails of her overblouse and skimmed the leather lightly up her ribs, grazing her sensitized breasts. Loretta glued her gaze to his, bracing herself. “I’m frightened,” she said shakily. “I am frightened beside you,” he murmured. “You? But why are you--” “Because you are sunshine. Because you make a glad song inside me. I have great fear that you will go away from me.” He drew the blouse over her head and tossed it aside. Smiling, he smoothed her hair, then lifted its heavy length to resettle it around her white shoulders so it covered her breasts. Skimming his palms down her slender arms, he found the drawstring that held up her skirt and made fast work of untying the knot. “Nei com-mar-pe ein.” She clutched her skirt. “What does that mean?” “I love you.” “Oh, Hunter.
Catherine Anderson (Comanche Moon (Comanche, #1))
When at last Hunter drew back for air, his dark eyes were cloudy with tenderness. He smiled a slow, thoughtful smile and, sliding her down his thighs, let her feet touch the floor. With infinite slowness he grasped the tails of her overblouse and skimmed the leather lightly up her ribs, grazing her sensitized breasts. Loretta glued her gaze to his, bracing herself. “I’m frightened,” she said shakily. “I am frightened beside you,” he murmured. “You? But why are you--” “Because you are sunshine. Because you make a glad song inside me. I have great fear that you will go away from me.” He drew the blouse over her head and tossed it aside. Smiling, he smoothed her hair, then lifted its heavy length to resettle it around her white shoulders so it covered her breasts. Skimming his palms down her slender arms, he found the drawstring that held up her skirt and made fast work of untying the knot. “Nei com-mar-pe ein.” She clutched her skirt. “What does that mean?” “I love you.
Catherine Anderson (Comanche Moon (Comanche, #1))
I forgive you,” she whispered. “But I’m never staying home again. That was the single most agonizing experience of my life.” “I told you I would win. And then I’d come here. And here I am,” I said, nuzzling her hair. “Will you marry us, Tag?” Henry asked intently, inserting himself back in the conversation. “What?” I wasn’t sure I had heard him right. “Will you marry Millie and be my brother?” he repeated, his expression completely serious. He wasn’t messing around. “We want to be part of Tag Team...” I guess I’d always thought I would marry someday. When I was eighty. Yet Henry was proposing, and it didn’t alarm me in the slightest. In fact, the thought of marrying Millie made my pulse quicken. It made my palms tingle. It made my heart smile so big I could feel the edges of the grin poking me in the ribs. That, or I was starting to feel the hurt from the Santos fight. “Because they both lost so many players to WWII military service, the Pittsburgh Steelers and Philadelphia Eagles combined to become the Steagles during the 1943 season,” Henry recited. “What? The Steagles?” My eyes were on Henry, but I needed to chase Millie down. Henry nodded, straight-faced. “We could do that. We could combine. We could be the Taggersons.” “That’s a very interesting idea, Henry.” I nodded, biting my lip so I wouldn’t laugh. “But I need to convince Millie. I’m not sure she wants to be a Taggerson just yet.” “Andert?” Henry offered another combination, wrinkling his nose, and then shaking his head, as if it didn’t have the same ring. “Give me a minute to see what Millie thinks. Okay?” Henry gave me a solemn thumbs up and sat down on the bottom stair to wait for the verdict
Amy Harmon (The Song of David (The Law of Moses, #2))
David?” she whispered. “Yeah?” “Sing me a song.” “What kind of song, baby?” “A love song.” “Millie, Millie, You’re so silly. I’m so glad your name’s not Willy,” I sang in my best country twang. “Willy?” “Let me rephrase.” I cleared my throat and began again. “Millie, Millie, you’re so silly, I’m sure glad you don’t have a willy.” “That’s not a love song,” she giggled. “Okay. How about this? I love your legs. I love your chest, but this spot here, I love the best.” I tickled her smooth stomach and she squirmed against me. “Keep singing!” she demanded, swatting my hand away. “I love your chin and your funny grin, I love your hair and that spot there.” I tickled her beneath her right rib and she grabbed my fingers, laughing. “I love it! Second verse, please.” “I love the way you shake your booty, I love the way you smell so fruity! I love the way you call me David, and . . . . la la la nothing rhymes with David.” “That was beautiful,” she giggled. “What’s it called?” “It’s called ‘Nothing Rhymes with David.’” “Nothing rhymes with David?” Her voice was disbelieving, and she was quiet for several seconds, as if trying to find a word that rhymed to prove me wrong
Amy Harmon (The Song of David (The Law of Moses, #2))
Perks of being a blind girl,” I said, and she laughed. “I say that a lot, don’t I?” “You do. And it’s damn cool that you do.” “Well, I could list the sucks of being a blind girl, but that would take all day.” “The sucks?” “Yep. All the many things that suck about not being able to see,” she said matter-of-factly. “Tell me one. The first thing that comes into your head,” I insisted. She started to speak and then shook her head, biting her lip. “Nah.” I bumped her with my shoulder, making her head bob a little. “Come on. Whine, baby. Whine.” Her cheeks grew rosy. “No.” “You were going to say something and you changed your mind. I saw that!” “All right. That. That sucks.” “What?” “I can’t see what YOU are thinking. I can’t look at your face and get some kind of clue as to what’s going on in your head. It’s so unfair. I would really love to see your face. Just once.” We were both silent for half a second before I broke the tension. “Damn. That really does suck. I do have a beautiful face,” I teased, but my chest felt tight and my throat ached a little. I gasped and laughed as she dug her sharp little elbow into my ribs. “You know what else sucks?” she shot back, emboldened by my apparent lack of empathy. “I told you you could only name one. We don’t want to open the floodgates, Millie.
Amy Harmon (The Song of David (The Law of Moses, #2))
Ribs closing on his heart, Will battled internal sirens whose song he couldn’t yet decipher. During his childhood, ‘sin’ had been such an abstract word. It denoted getting your Sunday best dirty and torn, or lying to have your brother punished for things you’d done yourself. But now, on the cusp of adulthood, the word seemed to grow and change, to acquire terrifying shades of darkness. He was beginning to understand that there was more to it. That there were things the human body longed for that were infinitely worse than playing in mud and telling fibs.
Ingela Bohm (Rebel Hand)
Whereas, The Underworld all turned around and stared at Miko, wondering what the fuck just happened. Never had the organization been mentioned on live television, or on a song at all for that matter. This
Nako (From His Rib (The Underworld, #3))
She broke Ser Humfrey’s collarbone, two ribs, and their betrothal.
George R.R. Martin (A Feast For Crows (A Song of Ice and Fire, #4))
Pale lights illuminate The Seven’s inner chamber. Once bright, the lamps are overgrown, dimmed by a sheet of stone. The room is octagonal, one side for the supplicant, unadorned. Six others each house a figure, statue-like, covered from head to toe in a thick layer of rock. All appear human shaped, with discernible wings, their postures neutral, dead. The seventh alcove lies empty. The Vagrant holds the sword up, letting it hum, calling, calling. As if returning from a dream, The Seven respond, slowly, sonorously. Splitting the shells that cover them, yawning into life. One by one, they catch the call and return it, till the harmony swells, reverberating from the walls and leaping up, vanishing into the fathomless, ceilingless dark above. Beautiful sounds mature, becoming words, musical, passed from one to the other, filling the chamber and the Vagrant’s ears. ‘Mourning has become morning, and we rejoice …’ ‘We rejoice in the proximity of your flame once more …’ ‘Once more we are Seven …’ ‘Are Seven together, come …’ ‘Come and join with us …’ ‘Join with us your light, diminished but still bright.’ Six arms drift out, gesturing to the last alcove, inviting. Neither Vagrant nor sword move. An eye studies the chamber, pausing at each alcove, noting the blades housed there, buried beneath layers of stone, useless. Rage simmers between sword and Vagrant. He takes a lock of hair from an inner pocket, throws it down on the floor between them. The sword lowers to point at it, then sweeps across the figures, then makes a hard stab towards the doors. Six faces freeze as the joyous echoes of song die out. The Vagrant swallows in a throat suddenly dry. Vesper dares a quick peek from behind the Vagrant’s coat. Alpha, of The Seven, sings out. The note begins wondrous but imperfect, the others soon match him. ‘We see now your pain, most furious …’ ‘Most furious you are and desperate to fight …’ ‘To fight once more, your desire …’ ‘Your desire we grant, go forth, take a second flame to our enemies …’ Voices come together, their force rocking the Vagrant backwards until he is pinned to the wall. Vesper holds his hand tightly, little feet rising from the floor. ‘Do not stop …’ ‘Stop when the cancer …’ ‘Cancer is cut …’ ‘Cut from the bones …’ ‘Bones and flesh …’ ‘Flesh of the land …’ ‘Land is clean!’ The Vagrant closes his eyes, squeezes them tight. He braces himself against the sound, pulling Vesper behind him raising the sword in front. Silvered wings unfurl protectively, shielding his face. An eye widens, blazing with indignation. ‘Then …’ ‘Then, then and only then …’ ‘Only then will you be free …’ ‘Be free to return to us …’ ‘Return to us and rejoice …’ ‘Rejoice for true, complete again. Immaculate.’ Six go quiet, demands echoing after. Vesper’s feet touch floor again and she wraps herself around a comforting leg. In the Vagrant’s hand, the sword trembles, humming dangerously. He takes a deep breath. From the depths of his stomach something is forged, travelling inevitably, gaining force as it goes, following tubes behind ribs, up through the chest, into the throat, teeth parting, allowing it outside. The Vagrant opens his eyes, they are full of weariness, disgust, conviction. ‘No.
Peter Newman
She ached for a glimpse of the coast, a blue slice of sea, even though they had to be miles and miles away, still. It was as if someone had cast an invisible wire across the land, had caught her between the ribs and pulled. The sea was in her veins, calling loud as a song.
Emilia Hart (The Sirens)
Even though her stomach already ached from the hearty supper, she consumed every bite of the pie and even tamped up the leftover pastry crumbs with the back of the fork’s tines. Licking the fork clean, she glanced at Thad and caught his amused grin. Mortified, she lowered the fork and ducked her head. Hadn’t Mama taught her better manners? What must Thad think, witnessing her childish display? He reached across the table and cupped her hand. Her face flaming, she peeked at him through her lashes. “Don’t hide from me, Sadie Wagner.” His deep voice, kind yet resolute, sent her heart to thudding against her rib cage. His hand tightened on hers. “Look at me.” Slowly, she raised her head, but her cheeks blazed so hot it took all of her effort to meet his gaze rather than looking past his shoulder to the flowered wallpaper behind him. His eyes smiled even while he maintained a serious expression. “You never have to be ashamed around me. You enjoyed the pie—what’s wrong with that?” He gave her hand a little tug, his brows briefly coming together. “Too many people hunker behind a shield of indifference instead of letting folks know what they really think. I call that putting on airs, and it isn’t honest.” His face relaxed, his smile enfolding her in a blanketing contentment unlike anything she’d experienced before in a man’s company. “So you just be yourself. Always be honest with me, Sadie, no matter what. All right?
Kim Vogel Sawyer (Song of My Heart)
Most surf spots are best at low tide when the ocean’s ribs are exposed and vulnerable. People are like this too. When we’re hurting, when we feel rejected or unloved, our usual complacent approaches and all our hard-shelled survival mechanisms no longer seem to work. But lotuses grow from mud - and from brokenness, in my experience, beautiful things emerge. We are forced, out of necessity to write a poem or song in tears. We’re forced to go on retreat, into silence, into the realization that this feeble body and brain can’t do it all.
Jaimal Yogis (Saltwater Buddha: A Surfer's Quest to Find Zen on the Sea)
I write your name in the dust of my soul, But the wind always comes to steal it away. You are everywhere, yet nowhere. In the spaces between my words, in the hollows between my ribs. In the dust of the streets, in the breath of a dying evening, In the song of the birds, in the scent of rain on thirsty earth. You exist, but not for me.
Zaishah (Heart Beating Among The Thorns: Courage To Begin Again)