Ribbon In The Sky Quotes

To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air.

A light which lives on what the flames devour, a grey landscape surrounding me with scorch, a crucifixion by a single wound, a sky and earth that darken by each hour, a sob of blood whose red ribbon adorns a lyre without a pulse, and oils the torch, a tide which stuns and strands me on the reef, a scorpion scrambling, stinging in my chest-- this is the wreath of love, this bed of thorns is where I dream of you stealing my rest, haunting these sunken ribs cargoed with grief. I sought the peak of prudence, but I found the hemlock-brimming valley of your heart, and my own thirst for bitter truth and art. - Stigmata of Love

To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air. Marie-Laure can sit in an attic high above the street and hear lilies rustling in marshes two miles away. She hears Americans scurry across farm fields, directing their huge cannons at the smoke of Saint-Malo; she hears families sniffling around hurricane lamps in cellars, crows hopping from pile to pile, flies landing on corpses in ditches; she hears the tamarinds shiver and the jays shriek and the dune grass burn; she feels the great granite fist, sunk deep into the earth’s crust, on which Saint-Malo sits, and the ocean teething at it from all four sides, and the outer islands holding steady against the swirling tides; she hears cows drink from stone troughs and dolphins rise through the green water of the Channel; she hears the bones of dead whales stir five leagues below, their marrow offering a century of food for cities of creatures who will live their whole lives and never once see a photon sent from the sun. She hears her snails in the grotto drag their bodies over the rocks.

My eyes are bright, my hair has come loose from its ribbon, and Stella's scarf is waving around my neck. But that's not what I see when I look at the picture. I see three unlikely friends holding hands. And Ryan, Kenny, and Melanie are standing behind us, rapt. And in the sky above us, I see a miracle.

Ren's scent was everywhere. The smoke of aged wood lingering beneath a chilled autumn sky, the smooth burn of well-worn leather, the seductive ribbon of sandalwood. I closed my eyes, letting his scent pour over me, filling me with memories.

...early on Monday evening, when the sky was the color of a velvet ribbon falling over the hills.

The sky was as blue and delicate as a porcelain teacup, and the hills rolled gently in all directions, intersected occasionally with the silver ribbon of a river.

Now at this hour, when the cirrus clouds stretched like crimson ribbons high across the southwest sky, in such a hush that not even a playful eddy dared stir moss or palm fronds, the day died in calm and in beauty.

Sunset encroached upon daylight like a powder burst from the mouth of a crimson cannon—orange and gold ribbons shot forth to wage a battle against the clouds. The western horizon was obscured by a glow like a living thing.

This is the one thing I hope: that she never stopped. I hope when her body couldn’t run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine. I hope every second she could have had came flooding through that cottage like speed wind: ribbons and sea spray, a wedding ring and Chad’s mother crying, sun-wrinkles and gallops through wild red brush, a baby’s first tooth and its shoulder blades like tiny wings in Amsterdam Toronto Dubai; hawthorn flowers spinning through summer air, Daniel’s hair turning gray under high ceilings and candle flames and the sweet cadences of Abby’s singing. Time works so hard for us, Daniel told me once. I hope those last few minutes worked like hell for her. I hope in that half hour she lived all her million lives.

All over the city lights were coming on in the purple-blue dusk. The street lights looked delicate and frail, as though they might suddenly float away from their lampposts like balloons. Long twirling ribbons of light, red, green, violet, were festooned about the doorways of drugstores and restaurants--and the famous electric signs of Broadway had come to life with glittering fish, dancing figures, and leaping fountains, all flashing like fire. Everything was beautiful. Up in the deepening sky above the city the first stars appeared white and rare as diamonds.

Such poisoning of waters set aside for conservation purposes could have consequences felt by every western duck hunter and by everyone to whom the sight and sound of drifting ribbons of waterfowl across an evening sky are precious. These

From the bed Beatrix looked at the sky and saw a thin cloud like a ribbon of spilled cream on blue satin.

The deadline is at midnight in America; dawn, 5 A.M., in England, and 8:00 A.M., early morning, in Iraq. The Americans tie yellow ribbons around oak trees, hoping for their sons' safe return home. The Iraqis tie green ribbons around the Shrine of the Imam al-Hussain, praying for God's protection. In the coldest month, the coldest war of the modern age is declared.

Ending I lied. I wanted you from that moment. I wanted you, wrapped in starlight and reflections, To be tied up with strings. And ropes. And chains. I wanted you hanging around my neck Like a charm I could press to my heart and Make three wishes on. But I trapped the want And the words inside my mouth. I buried those secret things under my tongue, Biting down until blood and bitterness Filled my mouth And poured down the back of my throat. In the beginning, you said, there was only water. But what about the end? I closed my eyes and lay flat With my back to the ocean And my face to the sky. I lifted my hands and caught ribbons of wind Underneath my fingernails. I rode the water for so long, I forgot what my skin felt like when it was dry.

She wanted to touch him, to throw her arms around him — but something held her back. Maybe it was the fear that her arms would pass right through him, that she would have come all this way only to find a ghost after all. As though he’d been able to read her thoughts, he slowly angled toward her. He raised his hands and held his palms out to her. Isobel lifted her own hands to mirror his. He pressed their palms together, his fingers folding down to lace through hers. She felt a rush of warmth course through her, a relief as pure and sweet as spring rain. He was real. This was real. She had found him. She could touch him. She could feel him. Finally they were together. Finally, finally, they could forget this wasted world and go home. "I knew it wasn’t true," she whispered. "I knew you wouldn’t stop believing." He drew her close. Leaning into him, she felt him press his lips to her forehead in a kiss. As he spoke, the cool metal of his lip ring grazed her skin, causing a shudder to ripple through her. "You..." His voice, low and breathy, reverberated through her, down to the thin soles of her slippers. "You think you’re different," he said. She felt his hands tighten around hers, gripping hard, too hard. A streak of violet lightning split the sky, striking close behind them. The house, Isobel thought. It had been struck. She could hear it cracking apart. She looked for only a brief moment, long enough to watch it split open. "But you’re not," Varen said, calling her attention back to him. Isobel winced, her own hands surrendering under the suddenly crushing pressure of his hold. A face she did not recognize stared down at her, one twisted with anger — with hate. "You," he scarcely more than breathed, "are just like every. Body. Else." He moved so fast. Before she could register his words or the fact that she had once spoken them to him herself, he jerked her to one side. Isobel felt her feet part from the rocks. Weightlessness took hold of her as she swung out and over the ledge of the cliff. As he let her go. The wind whistled its high and lonely song in her ears. She fell away into the oblivion of the storm until she could no longer see the cliff — could no longer see him. Only the slip of the pink ribbon as it unraveled from her wrist, floating up and away from her and out of sight forever.

It was as if the sun had been stolen. Only thin ribbons of light seeped down through the green and milky air, air syrupy with the scent of pine, huckleberry, and juniper. From the rolling, emerald-carpeted earth, fingers of lacy ferns curled up, above which the massive fir and pine trees stood, pillar-like, to support an invisible sky. Hovering over everything was a silence as deep as the trees were tall.

I closed my eyes and lay flat With my back to the ocean And my face to the sky. I lifted my hands and caught ribbons of wind

It was the day after Christmas and a gray sky bellied over us, fat with snow. I felt overstuffed and dull and disappointed, the way I always do the day after Christmas, as if whatever it was the pine boughs and the candles and the silver and gilt-ribboned presents and the birch-log fires and the Christmas turkey and the carols at the piano promised never came to pass.

Four times during the first six days they were assembled and briefed and then sent back. Once, they took off and were flying in formation when the control tower summoned them down. The more it rained, the worse they suffered. The worse they suffered, the more they prayed that it would continue raining. All through the night, men looked at the sky and were saddened by the stars. All through the day, they looked at the bomb line on the big, wobbling easel map of Italy that blew over in the wind and was dragged in under the awning of the intelligence tent every time the rain began. The bomb line was a scarlet band of narrow satin ribbon that delineated the forward most position of the Allied ground forces in every sector of the Italian mainland. For hours they stared relentlessly at the scarlet ribbon on the map and hated it because it would not move up high enough to encompass the city. When night fell, they congregated in the darkness with flashlights, continuing their macabre vigil at the bomb line in brooding entreaty as though hoping to move the ribbon up by the collective weight of their sullen prayers. "I really can't believe it," Clevinger exclaimed to Yossarian in a voice rising and falling in protest and wonder. "It's a complete reversion to primitive superstition. They're confusing cause and effect. It makes as much sense as knocking on wood or crossing your fingers. They really believe that we wouldn't have to fly that mission tomorrow if someone would only tiptoe up to the map in the middle of the night and move the bomb line over Bologna. Can you imagine? You and I must be the only rational ones left." In the middle of the night Yossarian knocked on wood, crossed his fingers, and tiptoed out of his tent to move the bomb line up over Bologna.

There are many artists who’ve not yet gotten a good foothold or who are old war-horses at developing their creative lives, and yet and still, every time they reach for the pen, the brush, the ribbons, the script, they hear, “You’re nothing but trouble, your work is marginal or completely unacceptable—because you yourself are marginal and unacceptable.” So what is the solution? Do as the duckling does. Go ahead, struggle through it. Pick up the pen already and put it to the page and stop whining. Write. Pick up the brush and be mean to yourself for a change, paint. Dancers, put on the loose chemise, tie the ribbons in your hair, at your waist, or on your ankles and tell the body to take it from there. Dance. Actress, playwright, poet, musician, or any other. Generally, just stop talking. Don’t say one more word unless you’re a singer. Shut yourself in a room with a ceiling or in a clearing under the sky. Do your art. Generally, a thing cannot freeze if it is moving. So move. Keep moving.

The Mozart sonata Dad picked out begins to play. When we hear the first note, we open the sacks and the ladybugs escape through the opening, taking flight. It's as if someone has dumped rubies from heaven. Soon they will land on the plants in search of bollworm eggs. But right now they are magic-red ribbons flying over our heads, weaving against the pink sky, dancing up there with Mozart.

It was a dark night, though the full moon rose as I left the enclosed lands, and passed out upon the marshes. Beyond their dark line there was a ribbon of clear sky, hardly broad enough to hold the red large moon. In a few minutes she had ascended out of that clear field, in among the piled mountains of cloud.

After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.” He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face. He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.” I tried to change the subject. “What does sundari mean?” “It means ‘most beautiful.’” I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments. We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his. I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.” “I don’t mind. I’m sure you found my room the least interesting.” “Actually, I was curious about the note I found. Did you write it?” “A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.” “Oh. I…also noticed a ribbon. Is it mine?” “Yes. If you’d like it back, you can take it.” “Why would you want it?” He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.” “A token? Like a fair maiden giving her handkerchief to a knight in shining armor?” He grinned. “Exactly.” I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.” He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.” “Why?” “A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.” I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces. Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.” Ren smiled understandingly. “Then it means even more to me.

The thing, whatever it was - and no one was ever sure afterwards whether it was a dream or a fit or what - happened at that peculiar hour before dawn when human vitality is at its lowest ebb. The Blue Hour they sometimes call it, l'heure bleue - the ribbon of darkness between the false dawn and the true, always blacker than all the rest of the night has been before it. Criminals break down and confess at that hour; suicides nerve themselves for their attempts; mists swirl in the sky; and - according to the old books of the monks and the hermits - strange, unholy shapes brood over the sleeping rooftops. At any rate, it was at this hour that her screams shattered the stillness of that top-floor apartment overlooking the Pare Monceau. Curdling, razor-edged screams that slashed through the thick bedroom door. ("I'm Dangerous Tonight")

I watch the sky progress through its morning paces, the light turning from rose to saffron as the sun ascends, its rays like ribbons tangling in the tops of trees.

Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air.

I sit down by the river. Its incessant flow has polished the rocks carried from the top of the mountain. The aqueous caress, that has unrolled for millions of years the liquid ribbon from the summits towards the plains, keeps the freshness of the youth. The July sun heats the trees on the shore, while the stream of water refreshes the air; Two breaths which mingle without opposing one another. The foliage softly sways under the summer breeze, tuning its movement to that of the fiery wave. Won by a palpable peace, thank you Mother Nature, I dive into my book. A time later, which seems infinite to me, the sky becomes darker, I raise my head. How many hours have passed during which, indifferent to the human time, the cascading water has descended from the mountain? How much water has passed in front of me? How many beings have quenched their thirst there, and get their lives out from it? How long after my small passage on Earth will have been forgotten, the river will continue to flow, to carry its rocks, to erode the mountain until it becomes a plain, to spread life like a vein of the Earth ?

At the water's edge, barrels of pitch blazed like huge bonfires. Their reflection, crimson as the rising moon, crept to meet us in long, wide stripes. The burning barrels threw light on their own smoke and on the long human shadows that flitted about the fire; but further to the sides and behind them, where the velvet ringing rushed from, was the same impenetrable darkness. Suddenly slashing it open, the golden ribbon of a rocket soared skywards; it described an arc and, as if shattering against the sky, burst and came sifting down in sparks. - Easter Night

The only thing here was a long gray ribbon of road, stretched like tape stuck by a toddler onto a rolling carpet of green hills under a huge arch of blue sky. This is Virginia. My Virginia, anyway.

My Floating Sea" "Pastel colors reflect in my opening eyes and draw my gaze to a horizon where the waters both begin and end. This early in the day I can easily stare without blinking. The pale sea appears calm, but it is stormy just as often. I awe at the grandeur, how it expands beyond my sight to immeasurable depths. In every direction that I twist my neck, a beauteous blue is there to console me. Flowing, floating ribbons of mist form on these pale waters. In harmony they pirouette, creating a stretch of attractive, soft swirls. Swoosh! The wind, its strength in eddies and twisters, smears the art of dancing clouds, and the white disperses like startled fairies fleeing into the forest. Suddenly all is brilliant blue. The waters calm and clear. It warms me. Pleases me. Forces my eyes to close at such vast radiance. My day is spent surrounded by this ethereal sea, but soon enough the light in its belly subsides. Rich colors draw my gaze to the opposite horizon where the waters both begin and end. I watch the colors bleed and deepen. They fade into black. Yawning, I cast my eyes at tiny gleams of life that drift within the darkened waters. I extend my reach as if I could will my arm to stretch the expanse between me and eons. How I would love to brush a finger over a ray of living light, but I know I cannot. Distance deceives me. These little breathing lights floating in blackness would truly reduce me to the tiniest size, like a mountain stands majestic over a single wild flower. I am overwhelmed by it all and stare up, in love with the floating sea above my head.

the sun seeming to hesitate in the process of setting, as if it couldn’t bear to end the day. It was teetering on the horizon, throwing ribbons of pink and mauve across the sky like life ropes, and the air was sweet with jasmine.

It wasn't gloom at all, really. There were lights and colors. If it hadn't been for the feel of the water gliding by against his skin he might have imagined himself up in the sky, with meteors and comets blazing past. But these were sea-things, shining in the dark, the luminous life that blazes beneath the southern sea. First he'd see a tiny twinkling speck, like a star, and it might have been next to his face or a mile away, in that immense, featureless void, with its faint hint of green. It would grow larger. It would turn into a radiant sun of purple or crimson or orange and come rushing at him, and swerve aside at the last moment. There were sinuous ribbons of fire that coiled into bright patterns, and there were schools of tiny fish that flashed by like sparks. Down below, in the deeper abyss, the colors were paler, and once an enormous shape blundered past down there, like the sea-bottom itself moving heavily. Pete watched awhile and then swam up. ("Before I Wake...")

The sky resembled shattered oyster shells ribboned with flame in the west, but at ground level, you could almost see (sometimes Mananne had stared out the window of her bedroom, observing) how shadows lifted from the snowy contours of the land, like living things.

As we walked outside together, into the Christmas crowds, I felt unsteady and sorrowful; and the ribbon-wrapped buildings, the glitter of windows only deepened the oppressive sadness: dark winter skies, gray canyon of jewels and furs and all the power and melancholy of wealth

Whenever I am back in the neighborhood, I sometimes pass my apartment from the street. I like to believe, stupidly, that if I were to open the front door again, in the back I would find my roses, huge from their seaweed tea and the many days of six hours' sunlight, perhaps growing legs, ready to push down the building and walk out to the street, striking cars out of the way and slicing the blacktop to ribbons. I want to think that they would miss me, their erstwhile tormentor, the one who pushed them so hard to grow, cutting and soaking them in the blazing sun from spring to winter. From the street, from across the river, where I live now without them, I can feel them still, the sap pulsing in their veins, pushing their way to the sky. But the creature that grew legs and walked away from the garden was me. I was not their gardener. They were mine.

For years Wren had believed that everyone saw the world the way she did. That other people could see magic’s shining colors twisting through the sky like ribbons, could recognize its pungent scent. Wren couldn’t imagine life without magic’s soft, soothing whisper, without being able to touch its pillowy lightness or taste its hint of sweetness, like a ripe berry ready to burst. It wasn’t until she was met with the blank stares of her playmates that Wren realized that there was something different about her. That no one else could see the swirling, colorful cloud of magic that always hung above her head.

Ieronym took hold of the cable with both hands, curved himself into a question mark, and grunted. The ferry creaked and lurched. The silhouette of the peasant in the tall hat slowly began to recede from me--which meant that the ferry was moving. Soon Ieronym straightened up and began working with one hand. We were silent and looked at the bank towards which we were now moving. There the "lumination" which the peasant had been waiting for was already beginning. At the water's edge, barrels of pitch blazed like huge bonfires. Their reflection, crimson as the rising moon, crept to meet us in long, wide stripes. The burning barrels threw light on their own smoke and on the long human shadows that flitted about the fire; but further to the sides and behind them, where the velvet ringing rushed from, was the same impenetrable darkness. Suddenly slashing it open, the golden ribbon of a rocket soared skywards; it described an arc and, as if shattering against the sky, burst and came sifting down in sparks. On the bank a noise was heard resembling a distant "hoorah." "How beautiful," I said. "It's even impossible to say how beautiful!" sighed Ieronym. "It's that kind of night, sir! At other times you don't pay attention to rockets, but now any vain thing makes you glad. Where are you from?

They smoked on the patio. The wind was warm. Snow had gone to slush in the street. Clouds shredded into flying ribbons. Off to the right, the mountain was alive and wild in flashing shadows. A piece of it wavered in sheets of rain with patches of blue sky behind it. But it wasn’t raining in town. Most of the sky was sunny. All the weather in the world had come to the valley.

What is this, behind this veil, is it ugly, is it beautiful? It is shimmering, has it breasts, has it edges? I am sure it is unique, I am sure it is what I want. When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules. Is this the one for the annunciation? My god, what a laugh!' But it shimmers, it does not stop, and I think it wants me. I would not mind if it were bones, or a pearl button. I do not want much of a present, anyway, this year. After all I am alive only by accident. I would have killed myself gladly that time any possible way. Now there are these veils, shimmering like curtains, The diaphanous satins of a January window White as babies' bedding and glittering with dead breath. O ivory! It must be a tusk there, a ghost column. Can you not see I do not mind what it is. Can you not give it to me? Do not be ashamed--I do not mind if it is small. Do not be mean, I am ready for enormity. Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it. Let us eat our last supper at it, like a hospital plate. I know why you will not give it to me, You are terrified The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren. Do not be afraid, it is not so. I will only take it and go aside quietly. You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end. I do not think you credit me with this discretion. If you only knew how the veils were killing my days. To you they are only transparencies, clear air. But my god, the clouds are like cotton. Armies of them. They are carbon monoxide. Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million Probable motes that tick the years off my life. You are silver-suited for the occasion. O adding machine----- Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me. It stands at my window, big as the sky. It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history. Let it not come by the mail, finger by finger. Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it. Only let down the veil, the veil, the veil. If it were death I would admire the deep gravity of it, its timeless eyes. I would know you were serious. There would be a nobility then, there would be a birthday. And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side.

It seemed to me a good day to be dead and by that I mean that if the dead cared no more about the worries they’d shouldered in life and could lie back and enjoy the best of what God had created it was a day for exactly such. The air was warm and still and the grass of the cemetery which Gus kept watered and clipped was soft green and the river that reflected the sky was a long ribbon of blue silk and I thought that when I died this was the place exactly I would want to lie and this was the scene that forever I would want to look upon. And I thought that it was strange that a resting place so kingly had been given to a man who had nothing and about whom we knew so little that even his name was a mystery. And though I didn’t know at all and still do not the truth of the arrangement, I suspected that it was somehow my father’s doing. My father and his great embracing heart.

Mum bought me �kite for my sixth birthday. It was beautiful. Snowy white with � long tail of ribbons. She held the string, and I� ran and ran as fast as I �could, but it kept dropping to� clumsy heap on the ground. When� I got tired Mum took over, holding it high above her head and running and running until, all at once, �sudden wonderful gust of wind took the kite soaring high, high into the sky, so� I had to squint to see it. “Hold on, Rosie!” Mum had called. “Hold tight!” And �I did, gripping the string with all my might as the kite danced high up above, gleaming bright white against the blue sky, its ribbons sparkling in the sunlight as it flew, soaring and dipping like �bird, forever pulling at the string in my hand —higher, higher — tugging to get free. Then� I let go.The string snapped from my grip and was gone. Mum raced after it,but it was too fast,soaring up,up and away, higher than the trees. She scooped me up in �hug and told me it was all right, she'd buy me another one. But� I didn't want another one. That was my kite,and it was free. I’d let it go.It’d wanted so much to be free that I just couldn't hold on, couldn’t hold it down.� I smiled as I� watched it whirl away — above the trees, above the birds, above the clouds, sparkling into the heavens, dancing free. It was the most beautiful thing I �have ever seen.

On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma

The garment he'd sent had straps made of flower petals, a bodice made of ribbons lined in gems as small as glitter and a full skirt formed of hundreds of silk butterflies, all in different shades of blue that together formed a magical hue she'd never seen. Some had sheer blue wings that were almost as pale as tears, others were soft sky blue, a few had hints of violet, while some had periwinkle veins. The butterflies weren't alive, but they were so delicate and ethereal, at a glance they looked real.

Love has many positionings. Cordelia makes good progress. She is sitting on my lap, her arm twines, soft and warm, round my neck; she leans upon my breast, light, without gravity; the soft contours scarcely touch me; like a flower her lovely figure twines about me, freely as a ribbon. Her eyes are hidden beneath her lashes, her bosom is dazzling white like snow, so smooth that my eye cannot rest, it would glance off if her bosom were not moving. What does this movement mean? Is it love? Perhaps. It is a presentiment of it, its dream. It still lacks energy. Her embrace is comprehensive, as the cloud enfolding the transfigured one, detached as a breeze, soft as the fondling of a flower; she kisses me unspecifically, as the sky kisses the sea, gently and quietly, as the dew kisses a flower, solemnly as the sea kisses the image of the moon. I would call her passion at this moment a naive passion. When the change has been made and I begin to draw back in earnest, she will call on everything she has to captivate me. She has no other means for this purpose than the erotic itself, except that this will now appear on a quite different scale. It then becomes a weapon in her hand which she wields against me. I then have the reflected passion. She fights for her own sake because she knows I possess the erotic; she fights for her own sake so as to overcome me. She herself is in need of a higher form of the erotic. What I taught her to suspect by arousing her, my coldness now teaches her to understand but in such a way that she thinks it is she herself who discovers it. So she wants to take me by surprise; she wants to believe that she has outstripped me in audacity, and that makes me her prisoner. Her passion then becomes specific, energetic, conclusive, dialectical; her kiss total, her embrace without hesitation.—In me she seeks her freedom and finds it the better the more firmly I encompass her. The engagement bursts. When that has happened she needs a little rest, so that nothing unseemly will emerge from this wild tumult. Her passion then composes itself once more and she is mine.” —from_Either/Or: A Fragment of Life_, (as written by his pseudonym Johannes the Seducer)

I cannot hope to make you understand how the world is truly made,' he told her. 'Metaphor, then: the world is a weave, like threads woven into cloth.' His hand came out of his sleeve with a strip of his red ribbon. 'If you say so.' 'Everything, stone, trees, beasts, the sky, the waters, all are a weave of fabric,' he said patiently. 'But when you think, it is different. Your thinking snarls the fabric, knots it. If you were a magician, you could use the knot of your mind to pull on other threads. That is magic, and now you see how every simple it is. I wonder everyone does not become an enchanter.

Voyages III Infinite consanguinity it bears This tendered theme of you that light Retrieves from sea plains where the sky Resigns a breast that every wave enthrones; While ribboned water lanes I wind Are laved and scattered with no stroke Wide from your side, whereto this hour The sea lifts, also, reliquary hands. And so, admitted through black swollen gates That must arrest all distance otherwise, Past whirling pillars and lithe pediments, Light wrestling there incessantly with light, Star kissing star through wave on wave unto Your body rocking! and where death, if shed, Presumes no carnage, but this single change,- Upon the steep floor flung from dawn to dawn The silken skilled transmemberment of song; Permit me voyage, love, into your hands . .

She stood on the willow bank. It was bright as mid-afternoon in the openness of the water, quiet and peaceful. She took off her clothes and let herself into the river. She saw her waist disappear into reflection less water; it was like walking into sky, some impurity of skies. All seemed one weight, one matter -- until she put down her head and closed her eyes and the light slipped under her lids, she felt this matter a translucent one, the river, herself, the sky all vessels which the sun filled. She began to swim in the river, forcing it gently, as she would wish for gentleness to her body. Her breasts around which she felt the water curving were as sensitive at that moment as the tips of wings must feel to birds, or antennae to insects. She felt the sand, grains intricate as little cogged wheels, minute shells of old seas, and the many dark ribbons of grass and mud touch her and leave her, like suggestions and withdrawals of some bondage that might have been dear, now dismembering and losing itself. She moved but like a cloud in skies, aware but only of the nebulous edges of her feeling and the vanishing opacity of her will, the carelessness for the water of the river through which her body had already passed as well as for what was ahead. The bank was all one, where out of the faded September world the little ripening plums started. Memory dappled her like no more than a paler light, which in slight agitations came through leaves, not darkening her for more than an instant. the iron taste of the old river was sweet to her, though. If she opened her eyes she looked at blue bottles, the skating waterbugs. If she trembled, it was at the smoothness of a fish or a snake that crossed her knees. In the middle of the river, whose downstream or upstream could not be told by a current, she lay on her stretched arm, not breathing, floating. Virgie had reached the point where in the next moment she might turn into something without feeling it shock her. She hung suspended in the Big Black River as she would know how to hang suspended in felicity. Far to the west, a cloud running fingerlike over the sun made her splash the water. She stood, walked along the soft mud of the bottom, and pulled herself out of the water by a willow branch, which like a warm rain brushed her back with its leaves. The moon, while she looked into the high sky, took its own light between one moment and the next. A wood thrush, which had begun to sing, hushed its long moment and began again. Virgie put her clothes back on. She would have given much for a cigarette, always wishing for a little more of what had just been. (from the short story The Wanderers)

You are in his car and your words taste like honey. The suns yolk is stretching over the road, with hues of pink and red ribbon pressed against the bruises of the sky. He is talking about mechanics or sugar factories, and you are touching the rings on your fingers. The windows are open and the wind is making a home in your bones. Your jeans are ripped, your perfume smells like lilacs, your nails painted the color of sea weed. You forget about noise. You forget about color. It’s your lungs - I think, it’s your lungs that are morphing into purple butter. You are in his car and you are Mozart composing art, Claude Monet painting Water Lilies, you are Aphrodite, you are Shakespeare. You are in his car and you can’t remember what salt feels like against your tongue. You are in his car and you are ocean, fire - lip, tongue, breath, sweat. You are in his car and you are telling him you love him. You are in his car and he is telling you he loves you back.

Alice told Shadow a magical tale of the green wreath and the red ribbon. In the story, Father Sky, who reigned over the spirit, came to Mother Earth, who bore the form of a woman of clay named Mary. Sky and Earth married, and together they conceived a beautiful star child made of both spirit and earth. The Star Child grew up and walked the world. The child of Father Sky and Mother Earth taught the world to live with the spirit in their clay hearts. Alice said the red of the holiday bow signified the Star Child’s sacrifice, and the green balsam of the wreath signified the everlasting life that was for all people born to the spirit of Father Sky. Shadow loved the story. It reminded him of his own sweet mother and the tales of Thunderbird who flew the skies in bird form in service to Gitche Manitou. Thunderbird was Shadow’s guardian, just like Shadow was the guardian for Theo. Shadow adored the season of light. He always felt warm and cozy when it came around.

When the card came back you couldn't have found any red on it with a microscope. The pitchman handed down a ponderous mohair Teddybear and Ballard slapped down three dimes again. When he had won two bears and a tiger and a small audience the pitchman took the rifle away from him. That's it for you, buddy, he hissed. You never said nothin about how many times you could win. Step right up, sang the barker. Who's next now. Three big grand prizes per person is the house limit. Who's our next big winner. Ballard loaded up his bears and the tiger and started off through the crowd. They lord look at what all he's won, said a woman. Ballard smiled tightly. Young girls' faces floated past, bland and smooth as cream. Some eyed his toys. The crowd was moving toward the edge of a field and assembling there, Ballard among them, a sea of country people watching into the dark for some midnight contest to begin. A light sputtered off in the field and a blue tailed rocket went skittering toward Canis Major. High above their upturned faces it burst, sprays of lit glycerine flaring across the night, trailing down the sky in loosely falling ribbons of hot spectra soon. burnt to naught. Another went up, a long whishing sound, fishtailing aloft. In the bloom of its opening you could see like its shadow the image of the rocket gone before, the puff of black smoke and ashen trails arcing out and down like a huge and dark medusa squatting in the sky. In the bloom of light too you could see two men out in the field crouched over their crate of fireworks like assassins or bridge blowers. And you could see among the faces a young girl with candy apple on her lips and her eyes wide. Her pale hair smelled of soap, woman child from beyond the years, rapt below the sulphur glow and pitch light of some medieval fun fair. A lean sky long candle skewered the black pools in her eyes. Her fingers clutched. In the flood of this breaking brimstone galaxy she saw the man with the bears watching her and she edged closer to the girl by her side and brushed her hair with two fingers quickly.

She stands at the hairpin turn on Night Road. On either side of her, giant evergreens grow clustered together, rising high into the blue summer sky. Even now, in midday, this stubbled, winding ribbon of asphalt holds the morning mist close. This road is like her life; knee deep in shadow. Once, it had been the quickest way home and she’d taken it easily, turning onto its potholed surface without a second thought, rarely noticing how the earth dropped away on either edge. Her mind had been on other things back then, on the miniutae of everyday life. Chores. Errands. Schedules. She hadn’t taken this route in years. Just the thought of it had been enough to make her turn the steering wheel too sharply; better to go off the road than to find herself here. Or so she’d thought until today. People on the island still talk about what happened in the summer of ’04. They sit on barstools and in porch swings and spout opinions, half truths, making judgments that aren’t theirs to make. They think a few columns in a newspaper give them the facts they need. But the facts are hardly what matter. If anyone sees her here, just standing on this lonely roadside in a gathering mist, it will all come up again. Like her, they’ll remember that night, so long ago, when the rain turned to ash….

Xerxes, I read, ‘halted his unwieldy army for days that he might contemplate to his satisfaction’ the beauty of a single sycamore. You are Xerxes in Persia. Your army spreads on a vast and arid peneplain…you call to you all your sad captains, and give the order to halt. You have seen the tree with the lights in it, haven’t you? You must have. Xerxes buffeted on a plain, ambition drained in a puff. Your men are bewildered…there is nothing to catch the eye in this flatness, nothing but a hollow, hammering sky, a waste of sedge in the lee of windblown rocks, a meager ribbon of scrub willow tracing a slumbering watercourse…and that sycamore. You saw it; you will stand rapt and mute, exalted, remembering or not remembering over a period of days to shade your head with your robe. “He had its form wrought upon a medal of gold to help him remember it the rest of his life.” We all ought to have a goldsmith following us around. But it goes without saying, doesn’t it, Xerxes, that no gold medal worn around your neck will bring back the glad hour, keep those lights kindled so long as you live, forever present? Pascal saw it; he grabbed pen and paper and scrawled the one word, and wore it sewn in his shirt the rest of his life. I don’t know what Pascal saw. I saw a cedar. Xerxes saw a sycamore.

Realizing that the footman was still glowering at him, Ian looked down at the short man and said, “Your mistress is expecting me. Tell her I’ve arrived.” “I’m here, Aaron,” Elizabeth’s voice said softly, and Ian turned. One look at her and Ian forgot the footman, the state of the house, and any knowledge of architecture he’d ever possessed. Garbed in a simple gown of sky-blue gauze, with her hair twisted into thick curls bound with narrow blue ribbons, Elizabeth was standing in the hall with the poise of a Grecian goddess and the smile of an angel. “What do you think?” she asked expectantly. “About what?” he asked huskily, walking forward, forcing his hands not to reach out for her. “About Havenhurst?” she asked with quiet pride. Ian thought it was rather small and in desperate need of repair, not to mention furnishings. In fact, he had an impulse to drag her into his arms and beg her forgiveness for all he’d cost her. Knowing such a thing would shame and hurt her, he smiled and said truthfully, “What I’ve seen is very picturesque.” “Would you like to see the rest?” “Very much,” he exaggerated, and it was worth it to see her face light up. “Where are the Townsendes?” he asked as they started up the staircase. “I didn’t see a carriage in the drive.” “They haven’t arrived yet.” Ian correctly supposed that was Jordan’s doing and made a mental note to thank his friend.

The Hunter: “Your future refuses to behave.” Coo-yôn yanked off the jacket he’d sourced for me. Up was down. Then he stepped back. And released me— I toppled over, falling out of my seat onto the ground. Was the sosie dumping me on the side of the road? ’Cause I was about to die? “Now, let’s just talk . . . ’bout this, coo-yôn.” He caught hold of my good ankle, then dragged me farther away from the truck. He’d hauled me into . . . a bank of snow. _______________ The Empress: I’d thought the sight of snow—and all the emotions it brought—would make me less likely to be with Aric. Just the opposite; because I could see my future so clearly. If he died before I did, some symbol—like snow—would mark the end of his existence. Later I would experience that waypoint (because everything was connected) and wish to God I’d taken a different path. I decided then that I would map my own journey and mark my own waypoints. The snow would symbolize both the end of one story and the beginning of another. A new slate. But not a blank one. The red ribbon would be a cherished remembrance, but I wouldn’t keep it with me at all times. I lay in the snow and lifted my hand to the sky. Flakes landed on my damp face. Each one was a cool kiss good-bye. _____________ The Hunter Lying in that bank of snow, I gazed up at the falling flakes. They drifted over my face. Soft, soft. Like Evie’s lips. With effort, I lifted my scarred hand to the sky. I closed my eyes and pretended my Evangeline was caring for me. J’ai savouré. I savored each cold kiss. . . .

SWEETEST IN THE GALE by Michelle Valois After Emily Dickinson You won’t lose your hair, I heard at the start of treatment, and though I didn’t, I lost a litany of other lesser and greater luxuries—saliva, stamina, taste buds, my voice—but my hair, during that chilly sojourn in the land of extremity to which I had sailed on a strange and stormy sea, my hair was not taken from me. Had it been, I would have perched one of those 18th century wigs on my head, such as those worn by the French aristocracy, measuring three, four, even five feet high and stuffed, as they were known to be, with all sorts of things: ribbons, pearls, jewels, flowers, tunes without words, reproductions of great sailing vessels, my soul inside a little bird cage—ornaments selected to satisfy a theme: the signs of the Zodiac (à la Zodiaque) or the discovery of a new vaccine (à l’inoculation) or, as was the case in June of 1782, the first successful hot air balloon flight by the brothers Michel and Etienne Montgolfier. Regarde, I exclaim to my ladies in waiting, pointing to the sky on that bright afternoon as the balloon, made of linen and paper, rises some 6,000 feet. Later, a duck, then a sheep, and finally a human is carried away. I watch, inspired, hopeful, whispering, lest my doctors overhear: when the storm turns sore, and that little bird escapes her little bird cage and is abashed without reckoning, I will sail away in my balloon, prepared, if it fails me, to pluck a few ostrich feathers from the high hair of the Queen of France herself; they and hope (which never asked for a crumb) will carry me beyond disease for as long as I have left to choose between futility and flight.

Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.

Fanning my arms to the side, I draw my pointe shoe forward. As I make my way towards the sea, more twinkles of music unfurl with each step, adding to the present melody. I take a breath, mustering the courage to walk on water. An aquamarine ripple flecked with golden stardust flickers to life beneath me, glowing brightly. I drag my other foot forward. The ocean sparkles, as if accepting the magic I offer. When I find comfort on the water, I relevé--- bringing myself onto pointe. My arms extend in a port de bras, and I begin a series of quick bourrée steps. A ribbon of stardust unravels from my feet, kissing the ocean with that glittering aqua glow. I embrace the beauty I've created, tilting into an arabesque. When I send my arm into the sky, the night illuminates. Stars explode like a shimmering tapestry woven from my body. I smile--- proudly owning the stage--- or in this case, the sea. I ignite the ocean with a piqué manège before leaping into a grand jeté, sending shooting stars as I fly. When I land, I fall into a series of chaîné turns before transitioning into more bourrée steps. Every move leads me closer and closer to Damien. The emptiness between us disappears as I leap into his arms. He lifts me towards the sky, moonlight showering us, before I fall into a fish dive--- my face towards the sea and my legs swept into the air. I glide my fingertips through the water, painting even more color into the night. The ocean radiates with undernotes of jade and lavender, shimmers of bright cyan and pearl. He gently places me down, guiding me into a pirouette. I tether my vision to his as the symphony of the sea blooms into a crescendo. Together, we burst into an allegro--- our own medley of fast, brisk movement. I surrender to his familiar hands around my waist, feeling weightless as he lifts me, as if I'm becoming an angel myself. Damien gives me wings, and I fly across the ocean. The once-black waves have transformed entirely. Plumes of stardust swirl like milk in water, feathering out into a soft iridescence.

It was a glorious evening, the sun seeming to hesitate in the process of setting, as if it couldn't bear to end the day. It was teetering on the horizon, throwing ribbons of pink and mauve across the sky like life ropes, and the air was sweet with jasmine. They'd brought the white cane chairs down from the house, and Anthony, having spent the afternoon entertaining the girls, had finally opened the newspaper he'd brought with him, only to fall into a doze behind it. Edwina, the new puppy, was leaping about at Eleanor's feet, pouncing on a ball the girls had found for her, and Eleanor was rolling it gently along the cooling lawn, laughing fondly as the puppy tripped over her ears to fetch it back. She was teasing the little dog, lifting the ball just out of reach for the pleasure of seeing her balance on her hind legs, cycle her little paws in the air, and then snap at it with her teeth. They were sharp teeth. The puppy had already managed to tear holes in most of Eleanor's stockings. Darling little menace, she had a sixth sense for rooting out the things she shouldn't have, but it was impossible to be cross with her. She only had to look up with those big brown eyes and cock her head just so and Eleanor melted. She'd wanted a dog when she was a girl, but her mother had declared them "filthy beasts" and that was that.

Alone onstage, I lifted my head up to the light and released my voice, not knowing what would come out. And what flowed out was a voice I'd never heard before: not the tilted croak of nervousness, nor the menagerie of beauty formed in Mr. Matthewman's music room. This was something altogether different: passionately raw, wrenchingly incandescent. As I sang, I traveled to places I never wanted to go. Where a heart broke with the grief of unrequited love. Where hollowed-out eyes turned upwards to empty skies above. To the widest, most open expanse of a land of utter emptiness and loneliness. My voice rose up to the upper banners and spread from row to row, passing from person to person like a pale chiffon ribbon billowing across every cheek. A subtle caress.

Beautiful in the frost and mist-covered hills above the Dnieper, the life of the City hummed and steamed like a many-layered honeycomb. All day long smoke spiralled in ribbons up to the sky from innumerable chimney-pots. A haze floated over the streets, the packed snow creaked underfoot, houses towered to five, six and even seven storeys. By day their windows were black, while at night they shone in rows against the deep, dark blue sky . . .

Ahead lay a chocolate-brown smudge of land, huddled in mist, with a frill of foam at its base. This was Corfu, and we strained our eyes to make out the exact shapes of the mountains, to discover valleys, peaks, ravines, and beaches, but it remained a silhouette. Then suddenly the sun lifted over the horizon, and the sky turned the smooth enamelled blue of a jay’s eye. The endless, meticulous curves of the sea flamed for an instant and then changed to a deep royal purple flecked with green. The mist lifted in quick, lithe ribbons, and before us lay the island, the mountains as though sleeping beneath a crumpled blanket of brown, the folds stained with the green of olive groves.

The table before the emperor was spread with an entire city of sugar, a city so resplendent it was as though a door had opened into heaven itself. Groves of trees dotted the the table's landscape with beautiful painted castles nestled among hills of pale green. Stars hung from the trees and graced the castle flags. From the ceiling, many dozens of gold and silver stars hung by ribbons over the table, creating a fantastical sky. Amid this wondrous landscape there were sculptures of ancient Roman gods in various scenes: Jupiter on a mountain, lightning bolt in hand; Venus born from a sea of blue; Bacchus in drunken debauchery in a grove of delicate green vines. Ever one to be in control, Michelangelo had insisted he not only develop the many dozen molds but that he also be the one to pour the sugar and finalize the details with sugar paste.

I have been waiting far too long for this moment." So had I. Desire rose within me and I stood, holding her, knocking the chair out of the way. I carried her to the bed and fell with her against it, our limbs wrapping around each other. Our caresses were fevered, a fire rising between us. It was everything I could do to keep from tearing her dress off her body. Together we unlaced her bodice, a deep kiss accompanying each ribbon undone. Once unclothed, our bodies moved together as one, our skin slipping on skin in the mid-May heat. "At night, when I go to sleep, I think of you," she breathed in my ear as I teased her nipple with my tongue. I lifted my head. "What do you think about, dolcezza mia?" "This. What it would feel like to be with you, to have you touching me." I ran my hand along her thigh and let my fingers explore her sex, rubbing the little spot before her opening. She moaned. "Does it feel like you imagined?" I asked. "Better than I- oh!" My fingers slid inside her folds, teasing with gentle movement. She pushed her body against me. I moved my mouth to cover hers. She tasted like cucumbers and salt. I wanted to devour her. I explored every part of her mouth, my teeth grazing her skin, the flavor of her exploding against my tongue. When I pushed myself inside her, I thought I would lose myself. She was hot and smooth, my knife to her butter. I wanted to feel this moment, to know this pleasure of the body forever. I moved inside her, the rhythm a stirring of our souls. When her soft exclamations of pleasure grew louder and louder and finally climaxed in one long sensuous moan, I could no longer contain my own enjoyment and I lost myself. For a moment, I thought the sky had opened up and all the stars fell down around me.

My siblings and I played in front of the bomb shelter entrance, waiting to be picked up by our grandfather,’ she recalls.38 Then, at 11:02am, the sky turned bright white. My siblings and I were knocked off our feet and violently slammed back into the bomb shelter. We had no idea what had happened. As we sat there shell-shocked and confused, heavily injured burn victims came stumbling into the bomb shelter en masse. Their skin had peeled off their bodies and faces and hung limply down on the ground, in ribbons. Their hair was burnt down to a few measly centimeters from the scalp. Many of the victims collapsed as soon as they reached the bomb shelter entrance, forming a massive pile of contorted bodies. The stench and heat were unbearable. My siblings and I were trapped in there for three days. Finally, my grandfather found us and we made our way back to our home. I will never forget the hellscape that awaited us. Half burnt bodies lay stiff on the ground, eye balls gleaming from their sockets. Cattle lay dead along the side of the road, their abdomens grotesquely large and swollen. Thousands of bodies bobbed up and down the river, bloated and purplish from soaking up the water. ‘Wait! Wait!’ I pleaded, as my grandfather treaded a couple paces ahead of me. I was terrified of being left behind.

Sometimes I almost believe her soul looks out of the photograph, almost clears the sill Of the eyes & comes near; though it does not ever Move, it holds me while I look at it. But even today, I can’t conceive of a soul Without seeing a woman’s body. Specifically, Yours, undoing the straps of an evening dress In a convertible, & then lying back, your breasts Holding that hint of dusk mixed with mint And the emptiness of dusk. Someone put it Crudely: to fuck is to know. If that is true, There’s a corollary: the soul is a canary sent Into the mines. The convertible is white, & parked Beneath the black trees shading the river, Mile after mile. Your dress is off by now, And when you come, both above & below me, When you vanish into that one cry which means Your body is no longer quite your own And when your face looks like a face stricken From this world, a saint’s face, your eyes closing On some final city made entirely Of light, & only to be unmade by light Again—at that moment I’m still watching You—half out of reverence & half because The scene is distant, like a landscape, & has Nothing to do with me. Beneath the quiet Of those trees, & that sky, I imagine I’m simply a miner in a cave; I imagine the soul Is something lighter than a girl’s ribbon I witnessed, one afternoon, as it fell—blue, Tossed, withered somehow, & singular, at A friend’s wedding—& then into the river And swirled away. Do I chip away with my hammer? Do I, sometimes, sing or recite? Even though I have to know, in such a darkness, all The words by heart, I sing. And when I come, My eyes are closed fast. I smile, under The earth. They loved fast horses. And someone else Will have to watch them, grazing on short tufts Of spring grass beside the riverbank, When we are gone, when we are light, & grass. . — Larry Levis, from “A Letter,” Winter Stars (University of Pittsburgh Press, 1985)

At this speed, the crumbling buildings, dead trees, and every other dilapidated detail were almost unrecognizable. Miserable concrete shapes became blurred ribbons of light and shadow. The city was melting. It never looked so stunning.

Her limbs function, and she finds this miraculous when she dwells on it. In fact, she finds plenty of things miraculous. Forcefully, she summons her best memories. That time on a red-eye bus when the driver used the intercom to contemplate, in campfire baritone, the wonder of his grandchildren, the way they validated his life as time well spent. As he lulled the passengers with stories, someone began to pass around a Tupperware of sliced watermelon, and a drunk man offered to share the miniature bottles of whiskey from his bag, and Joan felt such overwhelming affection for her species, she feared she would sacrifice herself to save it. A bad summer storm. Green sky, tornado warning, violent winds. Joan was downtown, leaving work early, briskly walking toward the parking garage where her station wagon waited. On the opposite end of the sidewalk, a large woman in her sixties collapsed. Immediately, two people rushed to the woman's side, gingerly tending to her, touching her shoulders and face, speaking to her as though she were their mother -- a cherished one -- and Joan understood that human tenderness was not to be mocked. It was the last real thing. Dining alone on a blustery Easter night at the only Chinese restaurant in town. When she asked for the check, the waiter said, "It just started to rain. You're welcome to stay a little longer, if you want." Miraculous. Joan recalls the existence of dogs, craft stores, painkillers, the public library. Cream ribboning through coffee. The scent of the lilacs near her childhood home. Brown sugar on a summer strawberry. Her father's recovery from the tyranny of multigenerational alcoholism. The imperfect but true repossession of his life. The euphoria of the first warmth after winter, the first easy breath after a cold, the return of one's appetite after an anxiety attack. Joan has much to be happy about. She thinks: I am happy, you are happy, we are happy. These thoughts -- how she can force herself to have them. Miraculous.

As they banked left, Frankie saw Vietnam through the open doorway: The flat green swath of jungle, a brown ribbon of water, dotted with boats. White sand beaches bordered the turquoise waters of the South China Sea. Verdant mountains in the distance reached up into the blue cloud-strewn sky.

My eyes bloom as I meet a silk as smooth as water. It shines like a pool of opals. The connection is tender and romantic, like how the feeling of summer swelled up within Romeo when he first laid eyes on Juliet. She was beautiful, as fair as their beloved Verona. And here, this dress reminds me of all the loveliness of Luna Island. It's hand dyed soft colors--- blush and blue, lilac and lemon--- like a sunset sky above island waters. A blue sash cinches the waist, and the bow in the back fans out into multiple ribbons, each one a color featured on the dress. Labyrinthine embroidery coils into rose-like shapes, and ruffled sleeves remind me of cream puff shells.

She was pleasantly surprised at how much remained. Her parents had abandoned a heap of old Caltreyan clothes. Selecting one of the island dresses, Kiela shook it out. Dust plumed in the air. The skirt was a quilt of blue--- sky blue, sapphire blue, sea blue--- all stitched together with silvery thread and hemmed with silver ribbon, and the bodice was a soft white blouse. Not at all a city style, but it was perfect for a picnic in a garden or a stroll on a shore. With a few repairs, she could wear a lot of her mother's abandoned clothes, and she could use her father's for... She wasn't sure what, but they were nice to have. She'd find a use for them. If nothing else, she could chop the fabric up into cleaning rags. Or perhaps learn to quilt? There was a moth-eaten blanket in one closet, in addition to the old quilts on the daybed and her parents' bed. Each quilt had its own pattern--- one was comprised of colors of the sunset and sewn in strips like rays of light, while another was the brown and pale green of a spring garden with pieces cut like petals and sewn like abstract flowers. We left so many beautiful things behind. She'd had no idea. She'd been too little to help much with the packing, though she remembered she'd tried. Carrying an armful of clothes into the kitchen, Kiela dumped them into the sink to soak in water. She planned to use the excess line from the boat to hang them out in the sun to dry. They'll be even more beautiful once they're clean. The kitchen cabinet produced more treasures: a few plates, bowls, and cups. Each bowl was painted with pictures of strawberries and raspberries, and the plates were painted with tomatoes and asparagus. The teacups bore delicate pictures of flowers.

The sky is blue with torn ribbons of cloud.

Why did the sun rise this morning It's not natural I don't want to see the light It's not time to close the casket Or say Kaddish for my son I've already buried two fathers With a mother to come Isn't that enough Lord who wants us To exalt and santify Him I don't want to wear the mourner's ribbon Or wake up crying every morning For God knows how long I don't want to tuck my son into the ground As if we were putting him to bed For the last time Close the prayer book I will not pretend That God brings peace upon us And upon all Israel I don't want to hear anyone Scolding me from her wheelchair Because I'm crying too hard I'm not worried about a heart attack Nothingness You've already broken my heart I will not forgive you Sun of emptiness Sky of blank clouds I will not forgive you Indifferent God Until you give back my son

As they kissed, the valley and the surrounding cliffs spun and toppled upside down. The saturated greens of the grasses, the stark white of the waterfall, and the warm grays of the cliffs merged and streamed past them in ethereal ribbons, like barely blended paint. Then the blinding blue sky bobbed back into place overhead, and the world was open and free, bursting with sublime majesty.

Ninth Floor she ran across the parquet slipped the flokati mat crashed the window no she stood at the window prism looked up at sky bruise night spread her no she tilted dived swanning spinning tip-toed ink air broke fingers first no she climbed the small gap the window gave hung her finger joints clotted the view with frightened breath fell ligament torn and sorry no she wandered to the glass hatch to watch tranquilised lights sputtering leaned too hard fell faster than a bottle of Jack no this is how it was: drunk screaming she crashed the parquet with grief roared the ungiving window frames which gave she spangled spaghetti-like ribbon-voiced street lights crashed on her no. She did nothing.

I lied. I wanted you from that moment. I wanted you, wrapped in starlight and reflections, To be tied up with strings. And ropes. And chains. I wanted you hanging around my neck Like a charm I could press to my heart and Make three wishes on.   But I trapped the want And the words inside my mouth. I buried those secret things under my tongue, Biting down until blood and bitterness Filled my mouth And poured down the back of my throat.   In the beginning, you said, there was only water. But what about the end?   I closed my eyes and lay flat With my back to the ocean And my face to the sky. I lifted my hands and caught ribbons of wind Underneath my fingernails. I rode the water for so long, I forgot what my skin felt like when it was dry.

Wyatt!” She ran to meet him. “Wyatt! Please wait!” A sudden gust of wind dislodged her hat and sent it tumbling down the platform. The long pink ribbons lifted, dancing wildly in the warm wind. The movement caught his eye. He saw her then, and he stopped dead still, an incredulous smile spreading over his face. She waited, not daring to breathe, until Wyatt dropped everything and ran toward her, arms outstretched. The wind caught his hat too and sent it rolling along the platform until it came to rest beside hers. He lifted her into his arms and spun her around. She laughed out loud, her face tipped to the bright summer sky. Wyatt set her on her feet and kissed her thoroughly, oblivious to the handful of passengers still milling about the platform. She wrapped her arms around him and kissed him back for all she was worth, pouring into it all of her love and gratitude and hope. He smiled down at her. “You’re really here!” “Yes.” “No more doubts?” “None.” She hooked her arm through his and smiled up at him through a blur of happy tears. “Buy me a ticket?” “Just like that?” “Mariah will send my things.” She grinned, imagining her friend’s shock at such impulsiveness. But she didn’t want to wait another second to start her future with Wyatt. “It’s fine with me, darlin’, but our friends would never forgive us if we deprived them of a wedding . . . and the chance to say ‘I told you so.’ ” She heaved a mock sigh. “I suppose you’re right. There’s no hope for it, then. I reckon we’ll have to hold a wedding.” He wrapped one arm tightly around her waist. “You’re ready to be a rancher’s wife?” “Just try to stop me.” He grinned. “No thank you. I’ve seen what happens when you make up your mind to do something.

THERE WAS A HOUSE in the great Metropolis which was older than the town.  Many said that it was older, even, than the cathedral, and, before the Archangel Michael raised his voice as advocate in the conflict for God, the house stood there in its evil gloom, defying the cathedral from out its dull eyes. It had lived through the time of smoke and soot.  Every year which passed over the city seemed to creep, when dying, into this house, so that, at last it was a cemetery—a coffin, filled with dead tens of years. Set into the black wood of the door stood, copper-red, mysterious, the seal of Solomon, the pentagram. It was said that a magician, who came from the East (and in the track of whom the plague wandered) had built the house in seven nights.  But the masons and carpenters of the town did not know who had mortared the bricks, nor who had erected the roof.  No foreman’s speech and no ribboned nosegay had hallowed the Builder’s Feast after the pious custom.  The chronicles of the town held no record of when the magician died nor of how he died.  One day it occurred to the citizens as odd that the red shoes of the magician had so long shunned the abominable plaster of the town.  Entrance was forced into the house and not a living soul was found inside.  But the rooms, which received, neither by day nor by night, a ray from the great lights of the sky, seemed to be waiting for their master, sunken in sleep.  Parchments and folios lay about, open, under a covering of dust, like silver-grey velvet.

One day, while running across the stars I gazed upwards and heard the song Of your eyes sticking to the skies, Yet I found the blood of light filling Your smile, and ribbons pulsating with the melody of time Loosening their knots Until all the naked curves were revealed And all that was left of you Were the eyes stitched to the skies,

Tom followed her gaze. Above them, the narrow ribbon of sky was starting to show the first signs of dawn. Out of the London smoke, it came-- blush pink, absinthe green, ice blue, lemon yellow--- 'That isn't the dawn,' said Tom. And now through the colors, Tom thought he could see figures and patterns against the sky: patterns like magic lantern shapes against a screen of vibrant silk. The Daylight Folk.

Tomorrow, we may fray like ribbon or scatter like stars, but we are capable of returning to the knot, to the sky, to each other. We are capable.

Damn you, she said to herself, shaking her head. Why couldn't you have arranged this trip earlier? In fact, why didn't you just tell us about the pictures while you were still here, you arrogant bastard? Then she paced up and down. It was getting late, the northern sky patterned with a fringe of pink and gold cast by the setting sun. You're not going to get away with this, she thought. I'm going to give Phoebe some ridiculous explanations just to get her off my back and then I'm going to Florence. I'm going to dig and dig, until I find out what you've been trying to tell us and the world all these years. You won't be able to hide yourself any more after that, will you?

What do women want at that time of the month?" He clapped his hands together. "We have the answer." "Oh yes, please," Daisy muttered. "Mansplain to us what we want at that time of the month." "We've done some preliminary market research," Brad said. "Women want to feel excited about pulling out a box of menstrual products each month, something to distract them from the unpleasant side effects." He clicked to a slide of a woman standing on a beach with a huge smile on her face and a box of pads in her hand. Unpleasant side effects. Daisy choked back a snort. "This is our vision." Brad's next slide featured a woman with long blond hair, dressed only in a piece of pink chiffon, straddling an unsaddled white horse with a pink horn attached to its head. Ribbons fluttering from its mane, the horse galloped through a field of flowers toward a rainbow in a purple sky. Is he serious? Mia mouthed.

The pair moving together like poetry, cutting the sky to ribbon and the Yomi birds to pieces.

Her face had gone pale. “What?” Nesta asked. Emerie’s brows bunched. “I … I must not have drunk enough water during training.” They’d tried out two new Valkyrie techniques that Gwyn had found the night before, and both had been particularly brutal, ordering them to use shields as springboards for launching a fellow Valkyrie into the skies, and to do their abdominal curls bearing the weights of those shields. No one had managed to cut the ribbon, though Emerie had nicked an edge two days ago. “What’s wrong?” Nesta pressed. Emerie’s eyes turned bleak. “It’s … I swear, I can hear my father yelling down here.” Her hands trembled as she lifted one to brush a strand of hair behind an ear. “I can hear him screaming at me, can hear the furniture breaking …” Nesta’s blood went cold. She whipped her head to the downward slope to their right. No darkness lurked there, but they were low enough … “This place is ancient and strange,” she said, even as she processed what Emerie had admitted. She had never spoken of her father beyond the wing clipping. But Nesta had gathered enough: the man had been a beast like Tomas Mandray’s father. “Let’s go up a level, where the darkness doesn’t whisper so loudly. I’m sure Gwyn will find us easily enough.” She linked her arm with Emerie’s, pressing her body close, letting some of her warmth leak into her friend. Emerie nodded, though she remained wan.

She didn’t really like classical music and there was no Vince to whisper in her ear and tell her what was beautiful about it. His descriptions were so clear. Handel was all scarlet ostrich feathers and silk ribbons fluttering in the wind, great silver trays blazing with candlelight. Wagner was trees creaking and silk ribbons fluttering in the wind, great silver trays blazing with candlelight. Wagner was trees creaking and snapping in the storm, foam running up the foot of a cliff, waves sweeping round rocks, black peaks reaching to the sky. Vince was no longer there, it was only music with no introduction and no commentary.

Infinite consanguinity it bears - This tendered theme of you that light Retrieves from sea plains where the sky Resigns a breast that every wave enthrones; While ribboned water lanes I wind Are laved and scattered with no stroke Wide from your side, whereto this hour The sea lifts, also, reliquary hands. And so, admitted through black swollen gates That must arrest all distance otherwise, - Past whirling pillars and lithe pediments, Light wrestling there incessantly with light, Star kissing star through wave on wave unto Your body rocking! and where death, if shed, Presumes no carnage, but this single change, - Upon the steep floor flung from dawn to dawn The silken skilled transmemberment of song; Permit me voyage, love, into your hands ...

He seemed unable to enjoy the stark beauty of it all, the wild terror of the mountains, the towering glaciers, the little ribbons of time that clung to the rock in the form of frozen cataracts. The aurora danced above us both nights, green and blue and white undulating together, a cold ocean up there in the sky, and even that he barely glanced at. On the second night, he used his magic to summon a thick green hedge of prickly holly and a trio of willow saplings that enfolded our tent in drapery like bed curtains to keep out the chill wind. "Will you look at that!" I couldn't help but exclaiming as I sat by the fire, gazing up at the riot of light. I will admit, I wished for him to share the sight with me and was disappointed when he only sighed. "Give me hills round as apples and forests of such green you could bathe in it," he said. "None of these hyperborean baubles." "Baubles!" I exclaimed, and would have snapped at him, but his face as he gazed into the fire was open and forlorn, and I realized that he wasn't trying to be irksome---he missed his home. He had been longing for it all along, and this place, so alien and unfriendly, had sharpened the longing into a blade.

Blue!" The boy shrieked. Yas followed the toddler's pointing finger. The ocean around them rippled with their movement. The water was not pink. Nor lavender. It did not glimmer. Pooling in swirls around her ankles were ribbons of aqua and teal. Threads of silver and gold. "Raf?" she whispered. "You see it, don't you?" "I... Y-yes, I do." From the shoreline, Ernie stared with his jaw parted at the ripples of color. Not bothering to roll up his pajama bottoms, he walked into the water, the sea sloshing around his feet. Spirals of daffodil yellow puddled around his ankles. "What... what is happening?" he whispered. Others stepped into the water. They winced at the shards pricking at their feet. The shards. Yas kneeled in the water. She pulled out a jagged, cracked shell fragment from the ocean floor and cradled it in her palm---the salt water dripping from it trailed rivulets of color down her hands, which glimmered beneath the still-dark sky. "It's the shells." Yas leaned down and scooped out more. She raised her hand and opened her palm---the crowd gasped as gold and red trailed down her arm. "The color is..." Oscar's voice trailed off. "It's leaking out of the broken shells?

We both fell silent, mesmerized by the rippling birds, so much so that I forgot about everything else. For two full hours, my sideview mirror was brimming with both birds and giraffes, framing it all like a picture, the giraffes’ long necks swaying along with the billowing birds, and each glance surprised me with what I can only describe as a jolt of joy. On and on it went. The sky kept drizzling, the giraffes kept bobbing, and the birds kept flying, giving the Old Man and me plenty of time to muse. I’ve been told since that there’s a name for something like it—a murmuration—a rare bird gathering that looks like a dancing cloud. Nobody ever explained the forever-flowing ribbon quite to fit my memory, though. Against the unforgiving land of my hardscrabble childhood, where the term natural wonder had no meaning, the sight filled me with a sense of exactly that—wonder.

Ahead, the dry hills of the opposite coast rise, arid and sculptural, as a ribbon along the horizon, all that separates vast prismatic sky from looking-glass sea.

Yet it had not always been like this, the ancient whale remembered. Once, he had a golden master who had wooed him with flute song. Then his master had used a conch shell to bray his commands to the whale over long distances. As their communication grew so did their understanding and love of each other. Although the young whale had then been almost twelve metres long, his golden master had begun to swim with him in the sea. Then, one day, his master impetuously mounted him and became the whale rider. In ecstasy the young male had sped out to deep water and, not hearing the cries of fear from his master, had suddenly sounded in a steep accelerated dive, his tail stroking the sky. In that first sounding he had almost killed the one other creature he loved. Reminiscing like this the ancient bull whale began to cry his grief in sound ribbons of overwhelming sorrow. Nothing that the elderly females could do would stop his sadness. When the younger males reported a man-sighting on the horizon it took all their strength of reasoning to prevent their leader from arrowing out towards the source of danger. Indeed, only after great coaxing were they able to persuade him to lead them to the underwater sanctuary. Even so, they knew with a sense of inevitability that the old one had already begun to sound to the source of his sadness and into the disturbing dreams of his youth.

I approached a small table at the far corner of the Sky Garden and saw Akemi sitting nearby, studying a math textbook. She wore a demure, long-sleeved, knee-length white lace dress, black patent leather Mary Jane shoes, and on the floor was her school backpack that said "ICS-Tokyo" and was adorned with pastel ribbons, bows, and lace.

[She remembered] how she had held his hand at his beside and how, afterwards, she had gone outside, dazed, wanting to wail, as would be proper, but silent in her grief; and how she had seen a Go-Away bird staring at her from the bough of a tree, and how it had fluttered up, on to a higher branch, and turned round to stare at her again, before flying off; and of a red car that at that moment had passed in the road, with two children in the back, dressed in white dresses, with ribbons in their hair, who had looked at her too, and had waved. And of how the sky looked – heavy with rain, purple clouds stacked high atop one another, and of lightning in the distance, over the Kalahari, linking sky to earth. And of a woman who, not knowing that the world had just ended for her, called out to her from the verandah of the hospital: Come inside, Mma. Do not stand there! There is going to be a storm. Come inside quickly!

...he must look away from it all and he stares up at the darkening sky, at the ribbons of fiery red dressing the mountains, at the white stars above starting to shine, at the blinking blue lights of a climbing plane. Palm Springs International Airport is nearby, but far enough away that the plane makes no sound at all, and Harry wonders where that soaring jet, that cylindrical tin balanced high up in the cold, dry stratosphere, is headed, who on board is happy, and who is not, who is heading toward something, and who is escaping, who, at the other end, will be greeted upon their arrival, and who will feel the solitariness of their lone and echoing footsteps.

America, burning. Cornfields on fire. Sickness in the streets. The people poisoned by their own food and by each other. Red parachutes in the sky: invasion. Dead people in the streets: plague. The stars-and-stripes cut to ribbons and burned for warmth as a long winter sinks its teeth in and never lets go.

Lines for My Daughter With reverence for the earth you venture into vague margins of advancing rain and behold crystals of the sailing sun. The clouds weave ribbons of shade and eclipse, rippling on the colors that compose you, sand, sienna, jade, the speckled turquoise of mountain skies. And in your supple mind there are shaped the legends of creation, and in them you appear as dawn appears, beautiful in the whispers of the wind, whole among the soft syllables of myth and the rhythms of serpentine rivers. Once more you venture. The long days darken In the wake of your going, and thunder Rolls, bearing you across a ridge of dreams. I follow on the drifts of sweetgrass and smoke, On a meadow path of pollen I walk, And hold fast the great gift of your being.

One of the things on the top of my to-do list since my arrival in Paris has been to visit the Palais Galliera, the city’s very own museum dedicated to fashion. I’ve seen pictures of it, but nothing has prepared me for the jaw-dropping beauty of the place. It’s a gem of a palace, a perfect wedding-cake building conjuring Italian style with its white stone columns and balustrades. I enter through the ornately carved gatehouse leading off a leafy street in one of Paris’s most elegant districts, and feel as if I’ve stepped out of the city and into a rural idyll. Trees fringe the neatly manicured parkland and, just beyond their autumnal branches, the Eiffel Tower points towards the blue of the sky. Statues dot the grounds, and the verdigris figure of a girl, the centrepiece of a fountain in front of the palace, is surrounded by ribbon-like beds of flowers, carefully planted in a mosaic of yellow and gold.

The cold and quiet months had arrived as the dark, cloud-heavy skies settled into place. Up a long boreen on the top of the hill at Tarabeg Farm they were ready for the short days and long nights, having worked throughout the summer to ensure there would be enough food and drink to see them through to the other end. ‘No child who lives on a hard-worked and well-managed farm should ever go hungry,’ said Seamus, in a part of Ireland where children often did just that

Mr. Keir MacRae Lady Merritt Sterling The names had been typed... but why?... what for?... Bits and pieces of memory whirled in his head... thoughts wheeling just beyond reach. As he struggled blindly to catch hold of something, make sense of the tumult, he heard Merritt's voice... stay for one night just one... and there was the smell of rain and the cool darkness of night, and the warmth of a bed... the tender plump curves of a woman's breasts, and the hot clasp of her body pulling at him, squeezing in voluptuous pulsation, and the sweet, wracking culmination as she cried out his name. And there was the sight of her in candlelight, flames dancing in guttering pools of wax, catching glimmers from her eyes, hair, skin... and the glorious freedom of yielding everything, telling her everything, while inexhaustible delight welled around them. And the despair of leaving, the physical pain of putting distance between them, the sensation of being pulled below the surface of the sea, looking up from airless depths to an unreachable sky. Lady Merritt's fingertips pressing a typewriter key. Tap. Tap. Tiny metal rods flicked at a spool of inked ribbon, and letters emerged. Keir was panting now, clutching the slip of paper, while his brain sorted and spun, and pin tumblers aligned, a key turned, and something unlocked. "Merry," he said aloud, his voice unsteady. "My God... Merry.