Ribbon Dance Quotes

We've searched our database for all the quotes and captions related to Ribbon Dance. Here they are! All 88 of them:

I was sentimental about many things: a woman’s shoes under the bed; one hairpin left behind on the dresser; the way they said, 'I’m going to pee.' hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking; talking; the arguments; thinking of suicide; eating together and feeling good; the jokes; the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3am; being told you snore; hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce; but always carring on, always seeing it through; reading a newspaper alone in a sandwich joint and feeling nausea because she’s now married to a dentist with an I.Q. of 95; racetracks, parks, park picnics; even jails; her dull friends; your dull friends; your drinking, her dancing; your flirting, her flirting; her pills, your fucking on the side and her doing the same; sleeping together
Charles Bukowski (Women)
Can I see it?" She knew what he meant, and had held up her hands before her. Ribbons and plumes and flowers of red and gold fire danced through his room, bright and glorious and elegant. Chaol's eyes had been lined with silver when the flames winked out. "it's lovely," he said at last.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Ribbons! Long ones, short ones, ones for every mood." He does a little dance to the singsong rhythm. "Thin ones, thick ones, and ones to tie your shoes!
Nadine Brandes (A Time to Die (Out of Time, #1))
Marya Morevna! Don't you know anything? Girls must be very, very careful to care only for ribbons and magazines and wedding rings. They must sweep their hearts clean of anything but kisses and theater and dancing. They must never read Pushkin; they must never say clever things; they must never have sly eyes or wear their hair loose and wander around barefoot, or they will draw his attention!
Catherynne M. Valente (Deathless)
Mr Churchill caught the end of one of the long ribbons from her bonnet, which were flying madly in the strong breeze. He toyed with it for a long while, then looked up into her eyes. “Do you believe in love at first sight?” he asked. “No, I don’t suppose I do,” Jane answered. Her heart started beating harder. That was a lie. Maybe her breath was catching in her throat because she was lying: she fell in love with him the moment she saw him, rescuing the poor store clerk. Or maybe it was because he was standing so close to her, just on the other end of her bonnet ribbon. She felt her cheeks growing warm, and tried to talk herself out of blushing. He was not standing any closer to her than when they danced together, or sat on the same bench at the pianoforte. Why should it fluster her that he was wrapping the end of her bonnet ribbon around his fingers like that?
Jeanette Watts (My Dearest Miss Fairfax)
It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils. Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks.
Pat Conroy (The Prince of Tides)
I cut the ribbon in Paris, and everyone in Paris speaks French — maybe you knew that. But I'm from Tennessee, and Tennessee girls don't speak French. So suddenly I'm stuck onstage with Minnie and Mickey and everyone is yelling at me in French — I guess they're telling me to get off the stage, but I didn't know what they were saying at the time, so I start dancing with Minnie and Mickey like on the show and finally my aunt comes and gets me off.
Miley Cyrus
In our every cell, furled at the nucleus, there is a ribbon two yards long and just ten atoms wide. Over a hundred million miles of DNA in very human individual, enough to wrap five million times around our world and make the Midgard serpent blush for shame, make even the Ourobouros worm swallow hard in disbelief. This snake-god, nucleotide, twice twisted, scaled in adenine and cytosine, in thymine and in guanine, is a one-man show, will be the actors, props and setting, be the apple and the garden both. The player bides his time, awaits his entrance to a drum-roll of igniting binaries. This is the only dance in town, this anaconda tango, this slow spiral up through time from witless dirt to paramecium, from blind mechanic organism to awareness. There, below the birthing stars, Life sways and improvises. Every poignant gesture drips with slapstick; pathos; an unbearably affecting bravery. To dare this stage, this huge and overwhelming venue. Squinting through the stellar footlights, hoping there's an audience, that there's someone out there, but dancing anyway. But dancing anyway.
Alan Moore (Snakes and Ladders)
All over the city lights were coming on in the purple-blue dusk. The street lights looked delicate and frail, as though they might suddenly float away from their lampposts like balloons. Long twirling ribbons of light, red, green, violet, were festooned about the doorways of drugstores and restaurants--and the famous electric signs of Broadway had come to life with glittering fish, dancing figures, and leaping fountains, all flashing like fire. Everything was beautiful. Up in the deepening sky above the city the first stars appeared white and rare as diamonds.
Elizabeth Enright (The Saturdays (The Melendy Family, #1))
Pink Balloons My name is Olivia King I am five years old My mother bought me a balloon. I remember the day she walked through the front door with it. The curly hot pink ribbon trickling down her arm, wrapped around her wrist . She was smiling at me as she untied the ribbon and wrapped it around my hand. "Here Livie, I bought this for you." She called me Livie. I was so happy . I'd never had a balloon before. I mean, I always saw balloon wrapped around other kids wrist in the parking lot of Wal-Mart , but I never dreamed I would have my very own. My very own pink balloon. I was excited! So ecstatic! So thrilled! i couldn't believe my mother bought me something! She'd never bought me anything before! I played with it for hours . It was full of helium and it danced and swayed and floated as I drug it around from room to room with me, thinking of places to take it. Thinking of places the balloon had never been before. I took it in the bathroom , the closet , the laundry room , the kitchen , the living room . I wanted my new best friend to see everything I saw! I took it to my mother's bedroom! My mothers Bedroom? Where I wasn't supposed to be? With my pink balloon... I covered my ears as she screamed at me, wiping the evidence off her nose! She slapped me across the face as she told me how bad I was! How much I misbehaved! How I never listened! She shoved me into the hallways and slammed the door, locking my pink balloon inside with her. I wanted him back! He was my best friend! Not her! The pink ribbon was still tied around my wrist so I pulled and pulled , trying to get my new best friend away from her. And it popped. My name is Eddie. I'm seventeen years old. My birthday is next week. I'll be big One-Eight. My foster dad is buying me these boots I've been wanting. I'm sure my friends will take me out to eat. My boyfriend will buy me a gift, maybe even take me to a movie. I'll even get a nice little card from my foster care worker, wishing me a happy eighteenth birthday, informing me I've aged out of the system. I'll have a good time. I know I will. But there's one thing I know for sure I better not get any shitty ass pink balloons!
Colleen Hoover (Slammed (Slammed, #1))
Every night before bed, her mother had told her a story that should have been frightening: Scary Evil Queen. Huntsman ordered to cut out her heart. Lost in dark woods with grabby trees. Dwarves, dwarves, more dwarves. Old peddler lady giving her a strangling ribbon. Old peddler lady giving her a poisoned comb. Old peddler lady giving her a poisoned apple. Crunch. Gasp. Faint (beautifully). Dead sleep. Cold glass coffin. Empty dreams. Then… kiss. Wake. Prince! Cheering dwarves. Huge choreographed dance number. Happily Ever After.
Shannon Hale (The Storybook of Legends (Ever After High, #1))
The streets bustled with revelers bundled in coats and scarves, and a light coating of snow dusted everything—the shops, the stalls, the carriages, the street. Wreaths with red bows hung from nearly every door. The wind caught at the ribbons and made the tails dance.
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
Over and over again I sail towards joy, which is never in the room with me, but always near me, across the way, like those rooms full of gayety one sees from the street, or the gayety in the street one sees from a window. Will I ever reach joy? It hides behind the turning merry-go-round of the traveling circus. As soon as I approach it, it is no longer joy. Joy is a foam, an illumination. I am poorer and hungrier for the want of it. When I am in the dance, joy is outside in the elusive garden. When I am in the garden, I hear it exploding from the house. When I am traveling, joy settles like an aurora borealis over the land I leave. When I stand on the shore I see it bloom on the flag of a departing ship. What joy? Have I not possessed it? I want the joy of simple colours, street organs, ribbons, flags, not a joy that takes my breath away and throws me into space alone where no one else can breathe with me, not the joy that comes from a lonely drunkenness. There are so many joys, but I have only known the ones that come like a miracle, touching everything with light.
Anaïs Nin (Mirages: The Unexpurgated Diary of Anais Nin (1939-1947))
Today was the dance contest, the one where Squidward takes over Spongebob's body...During the competition, Squidward gets a cramp and Spongebob's body ends up writhing on the floor in agony. The audience thinks this is pretty cool and gives him First Prize. Quite a metaphor. The person in the most pain wins. Does that mean I get a Blue Ribbon?
Tom Perrotta (The Leftovers)
There are many artists who’ve not yet gotten a good foothold or who are old war-horses at developing their creative lives, and yet and still, every time they reach for the pen, the brush, the ribbons, the script, they hear, “You’re nothing but trouble, your work is marginal or completely unacceptable—because you yourself are marginal and unacceptable.” So what is the solution? Do as the duckling does. Go ahead, struggle through it. Pick up the pen already and put it to the page and stop whining. Write. Pick up the brush and be mean to yourself for a change, paint. Dancers, put on the loose chemise, tie the ribbons in your hair, at your waist, or on your ankles and tell the body to take it from there. Dance. Actress, playwright, poet, musician, or any other. Generally, just stop talking. Don’t say one more word unless you’re a singer. Shut yourself in a room with a ceiling or in a clearing under the sky. Do your art. Generally, a thing cannot freeze if it is moving. So move. Keep moving.
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
The Mozart sonata Dad picked out begins to play. When we hear the first note, we open the sacks and the ladybugs escape through the opening, taking flight. It's as if someone has dumped rubies from heaven. Soon they will land on the plants in search of bollworm eggs. But right now they are magic-red ribbons flying over our heads, weaving against the pink sky, dancing up there with Mozart.
Kimberly Willis Holt (When Zachary Beaver Came to Town)
A few wisps of smoke still rose from the blackened stones of Hazdar, twisted like ribbons by the wind.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
I’ve been told since that there’s a name for something like it—a murmuration—a rare bird gathering that looks like a dancing cloud. Nobody ever explained the forever-flowing ribbon quite to fit my memory, though. Against the unforgiving land of my hardscrabble childhood, where the term natural wonder had no meaning, the sight filled me with a sense of exactly
Lynda Rutledge (West With Giraffes)
Looking up, she watched the balloons dance at the tops of their strings. Hanging by a ribbon at the end was a little white card. She wouldn't even open it, she told herself.She knew who they were from anyway. Who else? No,she wasn't going to open it.In fact,she was going to find a pin and pop every last balloon. What were they but a bunch of hot air? It was ridiculous.To prove a point, Shelby let the strings go so the balloons drifted up to the ceiling. If he thought he was going to win her over with silly presents and clever little notes...he was absolutely right, dammit. Shelby jumped up, swearing when she missed the strings by inches.Hauling over a chair,she climbed into it and grabbed the card. The yellow's for sunshine, the pink's for spring.Share them with me. Alan. "You drive me crazy," she muttered, standing in the chair with the balloons in one hand and the card in the other. How did he know,how could he know just the sort of thing that would get to her? Strawberries and pigs and balloons-it was hopeless. Shelby stared up at them, wishing she didn't need to smile.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Uh-oh," Will muttered. "This is going to be ... interesting." It turned out the creative genius behind the movie was Will's dad - the god Apollo, which meant this was not going to be a typical orientation flick. No, as we soon found out, Apollo had written, directed, produced, hosted and starred in ... a variety show. For those of you who don't know what a variety show is, imagine a talent show on steroids, complete with canned laughter, pre-recorded applause, and an extra-large helping of hokeyness. For the next hour, we cringe-watched as Apollo and our demigod predecessors performed in song-and-dance numbers, recited poetry, acted in comedy sketches and harmonized in a musical group called the Lyre Choir. Naturally, Apollo featured prominently in most of the acts. The one of him hula-hooping shirtless while satyrs capered around with long rainbow ribbons on sticks ... you can't unsee that kind of thing.
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
Gems and jewels and sparkly things. Perfumes and powders and rouges and ribbons. Waltzes, polkas and polonaises. And princes for partners, And most of all, they liked satin dancing shoes.
Hilary McKay (Hilary McKay's Fairy Tales)
My Floating Sea" "Pastel colors reflect in my opening eyes and draw my gaze to a horizon where the waters both begin and end. This early in the day I can easily stare without blinking. The pale sea appears calm, but it is stormy just as often. I awe at the grandeur, how it expands beyond my sight to immeasurable depths. In every direction that I twist my neck, a beauteous blue is there to console me. Flowing, floating ribbons of mist form on these pale waters. In harmony they pirouette, creating a stretch of attractive, soft swirls. Swoosh! The wind, its strength in eddies and twisters, smears the art of dancing clouds, and the white disperses like startled fairies fleeing into the forest. Suddenly all is brilliant blue. The waters calm and clear. It warms me. Pleases me. Forces my eyes to close at such vast radiance. My day is spent surrounded by this ethereal sea, but soon enough the light in its belly subsides. Rich colors draw my gaze to the opposite horizon where the waters both begin and end. I watch the colors bleed and deepen. They fade into black. Yawning, I cast my eyes at tiny gleams of life that drift within the darkened waters. I extend my reach as if I could will my arm to stretch the expanse between me and eons. How I would love to brush a finger over a ray of living light, but I know I cannot. Distance deceives me. These little breathing lights floating in blackness would truly reduce me to the tiniest size, like a mountain stands majestic over a single wild flower. I am overwhelmed by it all and stare up, in love with the floating sea above my head.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Off in the distance, ribbons of color seemed to dance and weave as if to some unheard song. If it wasn’t for the fact that it was precursor to something so destructive it would have been breathtakingly beautiful.
Jax Farr (Fire Storm (Bullet Burn, #1))
Amadora was never far from her understanding of women, glamour, or the fine line between elegant and camp, vulgar and vibrant, life and dreams. ... Color, she believed, was feminine. She said that women were masters of color, evidenced in changing their hair color, using eye shadow, mascara, powder, rouge, lipstick. You could see it in their jewelry- silvers and golds, gems, stones, pearls of every hue. It was in their clothing, from what they slept in to what they danced in. Their shoes. Their purses. Ribbons, barrettes, clips, and tiaras. Veils. All this color to enhance their sex appeal, while men, she felt, were ill-equipped to handle color with the same ease.
Whitney Otto (Eight Girls Taking Pictures)
I see them in the primitive silkscreen the brain is able to produce, maybe eight inches in front of my closed eyes, miniaturised by time and distance, riddled by visual static, each figure a dancing red ribbon. These are among the people I've tried to know twice, the second time in memory and language. Through them, myself. They are what I've become, in ways I don't understand but which I believe will accrue to a rounded truth, a second life for me as well as for them.
Don DeLillo (The Names)
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
They were turning now, panning past the Sandias, the black-green crags and rocky faces, the ribbon of road leading to the white crest. Amina looked down on Albuquerque, the light bouncing off the sprawling tile of houses and pools, the cars running along the highways like busy insects. She imagined all of it gone, undone, erased back to 1968, when the city was nothing but eighty miles of hope huddling in a desert storm. She imagined Kamala on the tarmac, walking toward a life in the desert, her body pulled forward by faith and dirty wind.
Mira Jacob (The Sleepwalker's Guide to Dancing)
dont get me wrong oblivion I never loved you kiddo you that was always sticking around spoiling me for everyone else telling me how it would make you nutty if I didnt let you go the distance and I gave you my breasts to feel didnt I and my mouth to kiss O I was too good to you oblivion old kid thats all and when I might have told you to go ahead and croak yourselflike you was always threatning you are are going to do I didnt I said go on you inter- est me I let you hang around and whimper and Ive been getting mine Listen theres a fellow I love like I never love anyone else thats six foot two tall with a face like any girl would die to kiss and a skin like a little kittens thats asked me to go to Murrays tonight with him and see the cab- aret and dance you know well if he asks me to take another Im going to and if he asks me to take another after that Im going to do that and if he puts me into a taxi and tells the driver to take her easy and steer for the morning Im going to let him and if he starts in right away putting it to me in the cab Im not going to whisper Oblivion do you get me not that Im tired of automats and Childss and handling out ribbon to old ladies that aint got three teeth and being followed home by pimps and stewed guys and sleeping lonely in a whitewashed room three thou- sand below Zero oh no I could stand that but its that Im O Gawd how tired of seeing the white face of you and feeling the old hands of you and being teased and jollied about you and being prayed and implored and bribed and threatened to give you my beautiful white body kiddo thats why
E.E. Cummings
I take the comb from a pocket of my new dress and then hesitate. If I begin to untangle my nimbus of snarls, he will see how badly my hair is matted and be reminded of where he found me. He stands. Good. He will leave, and then I will be able to wrangle my hair alone. But instead he steps behind me and takes the comb from my hands. 'Let me do that,' he says, taking strands of my hair in his fingers. 'It's the colour of primroses.' My shoulders tense. I am unused to people touching me. 'You don't need to-' I start. 'It's no trouble,' he says. 'I had three older sisters brushing and braiding mine, no matter how I howled. I had to learn to do theirs, in self-defence. And my mother...' His fingers are clever. He holds each lock at the base, slowly teasing out the knots at the very end and then working backward to the scalp. Under his hands, it becomes smooth ribbons. If I had done this, I would have yanked half of it out in frustration. 'Your mother...,' I echo, prompting him to continue in a voice that shakes only a little. He begins to braid, sweeping my hair up so that thick plaits become something like his circlet, wrapping around my head. 'When we were in the mortal world, away from her servants, she needed help arranging it.' His voice is soft. This, along with the slightly painful pull against my scalp, the brush of his fingertips against my neck as he separates a section, the slight frown of concentration on his face, is overwhelming. I am not accustomed to someone being this close. When I look up, his smile is all invitation. We are no longer children, playing games and hiding beneath his bed, but I feel as though this is a different kind of game, one where I do not understand the rules. With a shiver, I take up the mirror from the dresser. In this hair, and with this dress, I look pretty. The kind of pretty that allows monsters to deceive people into forests, into dances where they will find their doom.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Consider the exquisite torture of all those little girls never allowed to eat dancing as costumed Sugar Plums, as fat Bonbons gushing cherry slicks. Tutus like ribbon candy, boys spinning great hoops of peppermint, and everywhere black slathers of licorice and marzipan glistening like snow.
Megan Abbott (The Turnout)
paint the pony I will ride soft hues that gather childhood and thrust forward, to nowhere back again, we turn to plunking calliope tune loud, round notes, we lift higher hollowed ponies with painted ribbons between our thighs, laughter in her eyes -- from 'Paint the Dancing Pony' (a poem)
Christina M. Ward (organic)
The land of Maren, my island, calls to me in my fretful sleep. Like dancing ribbons of light, it winds its memories around my starved, yearning torso, tearing at my aching heart. “I am twirling now, unravelling a ribbon memory of light, warm sand and cresting waves around me. “To feel at breath with my unique, native land and to retrace my footprints across its terrains would be ... heavenly.
Susan L. Marshall (All the Hope We Carry (Theatre Playscapes))
Mum bought me �kite for my sixth birthday. It was beautiful. Snowy white with � long tail of ribbons. She held the string, and I� ran and ran as fast as I �could, but it kept dropping to� clumsy heap on the ground. When� I got tired Mum took over, holding it high above her head and running and running until, all at once, �sudden wonderful gust of wind took the kite soaring high, high into the sky, so� I had to squint to see it. “Hold on, Rosie!” Mum had called. “Hold tight!” And �I did, gripping the string with all my might as the kite danced high up above, gleaming bright white against the blue sky, its ribbons sparkling in the sunlight as it flew, soaring and dipping like �bird, forever pulling at the string in my hand —higher, higher — tugging to get free. Then� I let go.The string snapped from my grip and was gone. Mum raced after it,but it was too fast,soaring up,up and away, higher than the trees. She scooped me up in �hug and told me it was all right, she'd buy me another one. But� I didn't want another one. That was my kite,and it was free. I’d let it go.It’d wanted so much to be free that I just couldn't hold on, couldn’t hold it down.� I smiled as I� watched it whirl away — above the trees, above the birds, above the clouds, sparkling into the heavens, dancing free. It was the most beautiful thing I �have ever seen.
Katie Dale (Someone Else's Life)
The Jealous Sun The sunlight whispers in my ear, his breath a warm, sultry tease. I shrink and duck beneath a tree. My eyes squint to scan the horizon for a glimpse of the wind, but there are no ashen ribbons or golden waves in sight. He is missing. Trickling, tinkling notes reflect loudly off a chandelier of glimmering droplets. The rain sings to me, and I shield my eyes, admiring the song. Far off in my western view I expect to see snow, but the sun grows hot with jealousy, knowing this. He refuses my snowman a place to set. My sight drops to search for the man in the moon. Normally he rises dripping wet from out of the lake, often pale and naked, supple and soft to my caressing gaze. On rare occasions he dons a pumpkin robe as luminous as fire. Today he is draped in silks of the saddest blue. My heart weeps as he steals up and away. An army of stars in shining armor come to my aid, and they force the sun into the ground—a temporary grave. I am fed with a billion bubbles of laughter until I feel I will burst. But the stars will not stop giving, and I will not stop taking. A kiss brands my cheek, and I turn abruptly to find my snowman. He landed safely in the dark. We hide from the man in the moon behind a curtain of flurries to dance on polished rainbows and feast on stars until I hear a fire-red growl. The sun claws its way out of the soil, and everyone scatters.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Over and over again I sail towards joy, which is never in the room with me, but always near me, across the way, like those rooms full of gayety one sees from the street, or the gayety in the street one sees from a window. Will I ever reach joy? It hides behind the turning merry-go-round of the traveling circus. As soon as I approach it, it is no longer joy. Joy is a foam, an illumination. I am poorer and hungrier for the want of it. When I am in the dance, joy is outside in the elusive garden. When I am in the garden, I hear it exploding from the house. When I am traveling, joy settles like an aurora borealis over the land I leave. When I stand on the shore I see it bloom on the flag of a departing ship. What joy? Have I not possessed it? I want the joy of simple colors, street organs, ribbons, flags, not a joy that takes my breath away and throws me into space alone where no one else can breathe with me, not the joy that comes from a lonely drunkenness. There are so many joys, but I have only known the ones that come like a miracle, touching everything with light.
Anaïs Nin
But now the mescal struck a discord, then a succession of plaintive discords to which the drifting mists all seemed to be dancing, through the elusive subtleties of ribboned light, among the detached shreds of rainbows floating. It was a phantom dance of souls, baffled by these deceptive blends, yet still seeking permanence in the midst of what was only perpetually evanescent, or eternally lost. Or it was a dance of the seeker and his goal, here pursuing still the gay colours he did not know he had assumed, there striving to identify the finer scene of which he might never realise he was already a part...
Malcolm Lowry
And off she went with a crock of marmalade and a bottle of red currant wine tied up in colored tissue paper. She reached the Blairs' as the last shard of blue daylight turned plummy. What had been the storefront window was now lit with candles. A woolly fir tree stood tall in the middle, its needled boughs drooping ever so slightly under the weight of twinkling glass ornaments, candy canes, and small pears balanced on top of them. An army of guests' presents, in every color of paper and ribbon, had been stacked beneath. one of the little Pye boys stole a peppermint off the tree and raced to the corner to devour it. A fiddle and a fife trilled out carols, and from the sway of the crowd inside, Marilla knew they were already dancing. She took in the night: home and friends and all that she cherished.
Sarah McCoy (Marilla of Green Gables)
Magnus’s head was tipped back, his shimmering white suit rumpled like bedsheets in the morning, his white cloak swaying after him like a moonbeam. His mirrorlike mask was askew, his black hair wild, his slim body arching with the dance, and wrapped around his fingers like ten shimmering rings was the light of his magic, casting a spotlight on one dancer, then another. The faerie Hyacinth caught one radiant stream of magic and whirled, holding on to it as if the light were a ribbon on a maypole. The vampire woman in the violet cheongsam, Lily, was dancing with another vampire who Alec presumed was Elliott, given the blue and green stains around his mouth and all down his shirtfront. Malcolm Fade joined in the dance with Hyacinth, though he appeared to be doing a jig and she seemed very puzzled. The blue warlock who Magnus had called Catarina was waltzing with a tall horned faerie.The dark-skinned faerie whom Magnus had addressed as a prince was surrounded by others whom Alec presumed were courtiers, dancing in a circle around him. Magnus laughed as he saw Hyacinth using his magic like a ribbon, and sent shimmering streamers of blue light in several directions. Catarina batted away Magnus’s magic, her own hand glowing faintly white. The two vampires Lily and Elliott both let a magic ribbon wrap around one of their wrists. They did not seem like trusting types, but they instantly leaned into Magnus with perfect faith, Lily pretending to be a captive and Elliott shimmying enthusiastically as Magnus laughed and pulled them toward him in the dance. Music and starshine filled the room, and Magnus shone brightest in all that bright company. As Alec made for the stairs, he brushed past Raphael Santiago, who was leaning against the balcony rail and looking down at the dancing crowd, his dark eyes lingering on Lily and Elliott and Magnus. There was a tiny smile on the vampire’s face. When Raphael noticed Alec, the scowl snapped immediately back on. “I find such wanton expressions of joy disgusting,” he declaimed. “If you say so,” said Alec. “I like it myself.” He reached the foot of the stairs and was crossing the gleaming ballroom floor when a voice boomed out from above. “This is DJ Bat, greatest werewolf DJ in the world, or at least in the top five, coming to you live from Venice because warlocks make irresponsible financial decisions, and this one is for the lovers! Or people with friends who will dance with them. Some of us are lonely jerks, and we’ll be doing shots at the bar.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Gossip about us will abound tomorrow,” he said quietly. “I suspect it will abound tonight.” “And you don’t care.” “Not one whit. I have wanted to dance with you since the first ball I ever saw you attend.” “You looked so young and innocent that night, dressed in white. Who would have thought you were such a hellion?” She wasn’t certain whether he was striving to compliment or insult her, but it didn’t matter. What mattered was that he appeared to recall as many details about that night as she did. “You remember what I was wearing?” “I remember everything about you that night. You wore pink ribbons in your hair and pearls against your throat.” “The pearls were my mother’s.” “You were standing amongst a gaggle of girls, and you stood out not because of your beauty—which far exceeded theirs—but because of your refusal to be cowed. No one has ever challenged me as you do, Catherine.” “No one has ever intrigued me as you do, my lord.
Lorraine Heath (In Bed with the Devil (Scoundrels of St. James, #1))
The princess found herself being gently prodded and pushed and combed and magicked, and her hair felt weird. When she was spun around to face the mirror again, she was in a yellow dress, waves of sunshine spilling down from her bodice to her toes. Her shoulders were bare, which was a little strange, but they were pale and perfect and delicate. 'Swanlike,' she could hear the minstrel saying. Her hair was loosely braided over one shoulder, a yellow ribbon tying it off. The fairies gasped. "You are 'sooooo' beautiful!" Even 'more' beautiful!" "Can it be possible?" "Look at 'this'," a fairy commanded. With a serious look and a wave of her wand, she transformed the princess again. This time her hair was piled high on her head in an elegant chignon, a simple ribbon holding it back. A light blue dress puffed out around her softly, like a cloud. The finest gloves she had ever worn covered her bare arms up to her shoulders. Funny little tinkling shoes felt chilly on her feet. She put her hands on the skirt and twisted this way and that; what a dress to dance in! She would look like a fairy herself. Or a bride.
Liz Braswell (Once Upon a Dream)
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
As Merripen gave the ribbons to a stableman at the mews, Amelia glanced toward the end of the alley. A pair of street youths crouched near a tiny fire, roasting something on sticks. Amelia did not want to speculate on the nature of the objects being heated. Her attention moved to a group—three men and a woman—illuminated in the uncertain blaze. It appeared two of the men were engaged in fisticuffs. However, they were so inebriated that their contest looked like a performance of dancing bears. The woman’s gown was made of gaudily colored fabric, the bodice gaping to reveal the plump hills of her breasts. She seemed amused by the spectacle of two men battling over her, while a third attempted to break up the fracas. “’Ere now, my fine jacks,” the woman called out in a Cockney accent, “I said I’d take ye both on—no need for a cockfight!” “Stay back,” Merripen murmured. Pretending not to hear, Amelia drew closer for a better view. It wasn’t the sight of the brawl that was so interesting—even their village, peaceful little Primrose Place, had its share of fistfights. All men, no matter what their situation, occasionally succumbed to their lower natures. What attracted Amelia’s notice was the third man, the would-be peacemaker, as he darted between the drunken fools and attempted to reason with them. He was every bit as well dressed as the gentlemen on either side … but it was obvious this man was no gentleman. He was black-haired and swarthy and exotic. And he moved with the swift grace of a cat, easily avoiding the swipes and lunges of his opponents. “My lords,” he was saying in a reasonable tone, sounding relaxed even as he blocked a heavy fist with his forearm. “I’m afraid you’ll both have to stop this now, or I’ll be forced to—” He broke off and dodged to the side just as the man behind him leaped. The prostitute cackled at the sight. “They got you on the ’op tonight, Rohan,” she exclaimed. Dodging back into the fray, Rohan attempted to break it up once more. “My lords, surely you must know”—he ducked beneath the swift arc of a fist—“that violence”—he blocked a right hook—“never solves anything.” “Bugger you!” one of the men said, and butted forward like a deranged goat. Rohan stepped aside and allowed him to charge straight into the side of the building. The attacker collapsed with a groan and lay gasping on the ground. His opponent’s reaction was singularly ungrateful. Instead of thanking the dark-haired man for putting a stop to the fight, he growled, “Curse you for interfering, Rohan! I would’ve knocked the stuffing from him!” He charged forth with his fists churning like windmill blades. Rohan evaded a left cross and deftly flipped him to the ground. He stood over the prone figure, blotting his forehead with his sleeve. “Had enough?” he asked pleasantly. “Yes? Good. Please allow me to help you to your feet, my lord.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Miss Bronson,” Jason said to Elizabeth with extreme casualness, “are you enjoying the evening so far?” Elizabeth fiddled with the silver dance card and made a show of adjusting the ribbon around her wrist. “Very much, Mr. Somers.” Staring at Elizabeth's down-bent head, with all the silky dark curls confined with pins, Jason spoke a bit gruffly. “I thought I should approach you before every place on your dance card was filled—or is it already too late?” “Hmmm… let me see…” Elizabeth flipped back the silver lid and consulted the tiny pages, deliberately drawing out the moment. Holly bit back a smile, knowing that Elizabeth had followed her advice and saved a few spaces for just an occasion such as this. “I suppose I could squeeze you in somewhere,” Elizabeth said, pursing her lips thoughtfully. “The second waltz, perhaps?” “The second waltz it is,” he said. “I'll be interested to discover if your dancing skills are more advanced than your architectural taste.” Elizabeth responded to the little jab by turning to Holly and adopting a look of round-eyed puzzlement. “Is that an example of witty repartee, my lady?” she asked, “or is he by chance saving that for later?” “I believe,” Holly said with a soft laugh, “that Mr. Somers is attempting to provoke you.” “Really.” Elizabeth turned back to Jason. “Does that technique usually attract many girls, Mr. Somers?” “I'm not trying to attract all that many,” he said with a sudden grin. “Only one, in fact.
Lisa Kleypas (Where Dreams Begin)
She started to head out, but she passed her room. It was the same as she'd left it: a pile of cushions by her bed for Little Brother to sleep on, a stack of poetry and famous literature on her desk that she was supposed to study to become a "model bride," and the lavender shawl and silk robes she'd worn the day before she left home. The jade comb Mulan had left in exchange for the conscription notice caught her eye; it now rested in front of her mirror. Mulan's gaze lingered on the comb, on its green teeth and the pearl-colored flower nestled on its shoulder. She wanted to hold it, to put it in her hair and show her family- to show everyone- she was worthy. After all, her surname, Fa, meant flower. She needed to show them that she had bloomed to be worthy of her family name. But no one was here, and she didn't want to face her reflection. Who knew what it would show, especially in Diyu? She isn't a boy, her mother had told her father once. She shouldn't be riding horses and letting her hair loose. The neighbors will talk. She won't find a good husband- Let her, Fa Zhou had consoled his wife. When she leaves this household as a bride, she'll no longer be able to do these things. Mulan hadn't understood what he meant then. She hadn't understood the significance of what it meant for her to be the only girl in the village who skipped learning ribbon dances to ride Khan through the village rice fields, who chased after chickens and helped herd the cows instead of learning the zither or practicing her painting, who was allowed to have opinions- at all. She'd taken the freedom of her childhood for granted. When she turned fourteen, everything changed. I know this will be a hard change to make, Fa Li had told her, but it's for your own good. Men want a girl who is quiet and demure, polite and poised- not someone who speaks out of turn and runs wild about the garden. A girl who can't make a good match won't bring honor to the family. And worse yet, she'll have nothing: not respect, or money of her own, or a home. She'd touched Mulan's cheek with a resigned sigh. I don't want that fate for you, Mulan. Every morning for a year, her mother tied a rod of bamboo to Mulan's spine to remind her to stand straight, stuffed her mouth with persimmon seeds to remind her to speak softly, and helped Mulan practice wearing heeled shoes by tying ribbons to her feet and guiding her along the garden. Oh, how she'd wanted to please her mother, and especially her father. She hadn't wanted to let them down. But maybe she hadn't tried enough. For despite Fa Li's careful preparation, she had failed the Matchmaker's exam. The look of hopefulness on her father's face that day- the thought that she'd disappointed him still haunted her. Then fate had taken its turn, and Mulan had thrown everything away to become a soldier. To learn how to punch and kick and hold a sword and shield, to shoot arrows and run and yell. To save her country, and bring honor home to her family. How much she had wanted them to be proud of her.
Elizabeth Lim (Reflection)
Fanning my arms to the side, I draw my pointe shoe forward. As I make my way towards the sea, more twinkles of music unfurl with each step, adding to the present melody. I take a breath, mustering the courage to walk on water. An aquamarine ripple flecked with golden stardust flickers to life beneath me, glowing brightly. I drag my other foot forward. The ocean sparkles, as if accepting the magic I offer. When I find comfort on the water, I relevé--- bringing myself onto pointe. My arms extend in a port de bras, and I begin a series of quick bourrée steps. A ribbon of stardust unravels from my feet, kissing the ocean with that glittering aqua glow. I embrace the beauty I've created, tilting into an arabesque. When I send my arm into the sky, the night illuminates. Stars explode like a shimmering tapestry woven from my body. I smile--- proudly owning the stage--- or in this case, the sea. I ignite the ocean with a piqué manège before leaping into a grand jeté, sending shooting stars as I fly. When I land, I fall into a series of chaîné turns before transitioning into more bourrée steps. Every move leads me closer and closer to Damien. The emptiness between us disappears as I leap into his arms. He lifts me towards the sky, moonlight showering us, before I fall into a fish dive--- my face towards the sea and my legs swept into the air. I glide my fingertips through the water, painting even more color into the night. The ocean radiates with undernotes of jade and lavender, shimmers of bright cyan and pearl. He gently places me down, guiding me into a pirouette. I tether my vision to his as the symphony of the sea blooms into a crescendo. Together, we burst into an allegro--- our own medley of fast, brisk movement. I surrender to his familiar hands around my waist, feeling weightless as he lifts me, as if I'm becoming an angel myself. Damien gives me wings, and I fly across the ocean. The once-black waves have transformed entirely. Plumes of stardust swirl like milk in water, feathering out into a soft iridescence.
Kiana Krystle (Dance of the Starlit Sea)
But it was too late as Eve had an armful of chubby baby in foaming, lacy pink. Blonde curls in pink ribbons danced as Bella bounced. She said, “Gah,” and grinned. “Okay. God. Okay. Why are you always smiling?” Eve demanded. “What do you know?
J.D. Robb (Strangers in Death / Salvation in Death / Promises in Death / Kindred in Death (In Death #26-29))
…on the large white canvas…was refracted the life-size apparition of a very pretty and quite young red-haired woman. The vision, transparent flesh, miraculously photochrome, was dancing.…The movements had the quality of flow of Life itself, thanks to the process of serial photography which, on a six-yard- long ribbon, can capture ten minutes of the motions of a being on microscopic glass-slides, later reflected back through a powerful lamposcope.…Suddenly a flat and heavy voice, silly and harsh resounded.…The gestures, gazes, lip movements…were reproduced.
Auguste de Villiers de l'Isle-Adam (Tomorrow's Eve)
Eggbeater Fun—Give your child an eggbeater to whip up soapsuds or mix up a bowl of birdseed, or of uncooked beans and rice. Marble Painting—Line a tray or cookie sheet with paper. Put a few dabs of finger paint in the center of the paper. Provide a marble to roll through the paint to make a design. Great wrapping paper! Ribbon Dancing—Attach ribbons, streamers, or scarves to the ends of a dowel. Holding the dowel with both hands, the child swirls the ribbons overhead, from side to side, and up and down. (No dowel? Give him a ribbon for each hand.) This activity also improves visual-motor coordination. Two-Sided Activities—Encourage the child to jump rope, swim, bike, hike, row, paddle, and do morning calisthenics.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
He reached over and with one deft gesture stripped the black ribbon from her hair, freeing it around her shoulders. "Will you dance or will you play?" She rose abruptly, angry, though she wasn't quite sure why. He was so determined to prove himself a villain- she could hardly have expected him to admit to honorable impulses. Still, she'd half hoped for a gentle word. Silly, of course. "Neither, my lord," she said, pushing away from the clavichord and starting past him, carefully out of reach. She should have known better. He barely seemed to move, but her hand was caught in his. "Dancing it is," he murmured. She had learned long ago that there was no escape from a man like Killoran. The hand holding hers was neither tight nor painful, but it was a prison as he led her through the same, intricate moves that Nathaniel had. There was no music, no off-tune humming, no sound at all but the rhythmic swish of her black skirts against the floor. The gathering darkness, broken only by the candlelight, threw eerie shadows that danced with them, ghosts of a darker time, hovering, watching them, mimicking their footsteps, embracing them with the chill of night. Emma sank into a deep curtsy as Killoran bowed, all mocking flourish. She stayed down. Her heart was racing, her pulses pounding, her face flushed. Without music the silent dance had been strangely, frighteningly intimate.
Anne Stuart (To Love a Dark Lord)
The sound of trumpets rang out, signaling the arrival of the first course. A parade of glittering slaves trotted forward, some carrying decorations of the sea, statues made of shells, ribbons of blue and silver, or wearing costumes turning them into fish or mermaids. These slaves wandered among the diners as they ate, entertaining them with music or dances reminiscent of the sea. In the midst of these spectacles were the slaves carrying the food on massive trays covered in snow from the mountains, topped with stuffed mussels, lobster mince wrapped in grape leaves, and sea urchins boiled, honeyed, and served open in their own spiny husks.
Crystal King (Feast of Sorrow)
You made a good choice for your Naga,” she assured me. “Danica is more graceful on a dais than half the serpents I know.” “Provided she isn’t blushing too brightly to see,” another quipped. “The first time I saw our queen perform, I thought she was a lost cause--far too uptight, like most avians--but I’m glad to be proved wrong.” I knew I was grinning. I had never doubted that Danica could learn the serpent art. Much of her loved my world; a part of her craved dance as surely as anyone else in this nest did. Perhaps that thirst came from her time dancing with the currents of air far above where we earthbound creatures roamed, or perhaps it came from the expressive nature her own world forced her to hide. Similar conversation flowed among us until A’isha’s musical voice commanded me, “Zane, admire your queen.” The words brought our attention to the back of the room, where Danica had emerged, looking so beautiful that she took my breath away. In response to her teacher’s words, Danica smiled and shook her head, causing her golden hair to ripple about her face. It made my heart speed and my breath still, as if I was afraid the next movement would shatter the world. She was a spark of fire in sha’Mehay. The serpiente dress rippled around the hawk’s long legs, the fabric so light it moved with the slightest shift of air. The bodice was burgundy silk; it laced up the front with a black ribbon, and though it was more modest than many dancers’ costumes, it still revealed enough cream-and-roses skin to tantalize the imagination. On Danica’s right temple, A’isha had painted a symbol for courage; beneath her left collarbone lay the symbols for san’Anhamirak, abandon and freedom. “You dance every day with the wind. This is not so different,” A’isha said encouragingly to Danica. “Now, look at the man you love and dance for him.” The nest hushed, faces turning to their Naga. Her cheeks held more color than usual, which A’isha addressed with a common dancers’ proverb. “There is no place for shame, Danica. If Anhamirak had not wanted beauty admired, she would not have made our eyes desire it. You are art.” Danica stepped out of A’isha’s grip. “If my mother could see me now,” she murmured, but she smiled as she said it.
Amelia Atwater-Rhodes (Snakecharm (The Kiesha'ra, #2))
kinds of disguises and dance to all sorts of tunes to make myself Harry’s addiction. If he had not been fatally flawed, early corrupted by the brutality of his school, I should never have been able to keep him from Celia. I knew I was a hundred times more beautiful than she, a hundred times stronger. But I could not always remember that, when I saw the quiet strength she drew on when she believed she was morally right. And I could not be certain that every man would prefer me, when I remembered how Harry had looked at her with such love when we came back from France. I would never forgive Celia for that summer. Even though it was the summer when I cared nothing for Harry but rode and danced day and night with John, I would not forget that Celia had taken my lover from me without even making an effort at conquest. And now my husband bent to kiss her hand as if she were a queen in a romance and he some plighted knight. I might give a little puff of irritation at this scene played out before my very window. Or I might measure the weakness in John and think how I could use it. But use it I would. Even if I had felt nothing else for John I should have punished him for turning his eyes to Celia. Whether I wanted him or not was irrelevant. I did not want my husband loving anyone else. For dinner that afternoon I dressed with extra care. I had remodelled the black velvet gown that I had worn for the winter after Papa’s death. The Chichester modiste knew her job and the deep plush folds fitted around my breasts and waist like a tight sheath, flaring out in lovely rumpled folds over the panniers at my hips. The underskirt was of black silk and whispered against the thick velvet as I walked. I made sure Lucy powdered my hair well, and set in it some black ribbon. Finally, I took off my pearl necklace and tied a black ribbon around my throat. With the coming of winter, my golden skin colour was fading to cream, and against the black of the gown I looked pale and lovely. But my eyes glowed green, dark-lashed and heavy-lidded, and I nipped my lips to make them red as I opened the parlour door. Harry and John were standing by the fireplace. John was as far away from Harry as he could be and still feel the fire. Harry was warming his plump buttocks with his jacket caught up, and drinking sherry. John, I saw in my first sharp glance, was sipping at lemonade. I had been right. Celia was trying to save my husband. And he was hoping to get his unsteady feet back on the road to health. Harry gaped openly when he saw me, and John put a hand on the mantelpiece as if one smile from me might destroy him. ‘My word, Beatrice, you’re looking very lovely tonight,’ said Harry, coming forward
Philippa Gregory (Wideacre)
A Sad Child You're sad because you're sad. It's psychic. It's the age. It's chemical. Go see a shrink or take a pill, or hug your sadness like an eyeless doll you need to sleep. Well, all children are sad but some get over it. Count your blessings. Better than that, buy a hat. Buy a coat or pet. Take up dancing to forget. Forget what? Your sadness, your shadow, whatever it was that was done to you the day of the lawn party when you came inside flushed with the sun, your mouth sulky with sugar, in your new dress with the ribbon and the ice-cream smear, and said to yourself in the bathroom, I am not the favorite child. My darling, when it comes right down to it and the light fails and the fog rolls in and you're trapped in your overturned body under a blanket or burning car, and the red flame is seeping out of you and igniting the tarmac beside your head or else the floor, or else the pillow, none of us is; or else we all are.
Margaret Atwood (Eating Fire : Selected Poetry, 1965-95)
The sun’s a ball of fire sitting on the edge of the world, ready to slip into the night. Though its brightness can never really be contained, only hidden from view, the last rays of the day reflect off the water in shades of orange, purple and pink. Sparks of yellow skip along the wave’s crests like dancing fireflies. And in the deeper waters, fiery red-orange veins the dark, rolling waves in thick ribbons of molten lava.
P.T. Michelle (Scarlett Red (In the Shadows, #2))
I let my ribbons dance with me, and even though I can't move them, they move with me. They spin through the air and drag across the ground, and for a moment, I can pretend that they're back to the way they were. I wish for Slade, the Wrath, Digby and Rissa, Nenet and Estelia and Thursil, Sail and my parents...wish that they were all here. With me. But maybe there's a reason I'm alone. And maybe...I'm not really alone after all.
Raven Kennedy (Gold (The Plated Prisoner, #5))
A bell chimes as I open the door. It's even more magical inside than out. Spools of ribbon hang from the walls like the atelier of a fairy queen. Tiny jasmine buds lace through the curls of a crystal chandelier. Dresses fill the curves of antique wardrobes, as if this were a princess's closet and not a store. A group of girls squeal as they browse the gowns. They've dressed almost otherworldly, so unlike the yoga pants and sweatshirts I'm used to in San Francisco. Instead, they're ornamented in seafoam trousers made of silk, lace corsets with ruffles across the bustier, satin slips with rose embroidery. They wear seashells in their hair and around their necks--- an iridescent mollusk held together by a string of pearls, an abalone claw clip that flashes different colors beneath the light, pukas threaded between pastel sea glass.
Kiana Krystle (Dance of the Starlit Sea)
My eyes bloom as I meet a silk as smooth as water. It shines like a pool of opals. The connection is tender and romantic, like how the feeling of summer swelled up within Romeo when he first laid eyes on Juliet. She was beautiful, as fair as their beloved Verona. And here, this dress reminds me of all the loveliness of Luna Island. It's hand dyed soft colors--- blush and blue, lilac and lemon--- like a sunset sky above island waters. A blue sash cinches the waist, and the bow in the back fans out into multiple ribbons, each one a color featured on the dress. Labyrinthine embroidery coils into rose-like shapes, and ruffled sleeves remind me of cream puff shells.
Kiana Krystle (Dance of the Starlit Sea)
This is the only story of mine whose moral I know. I don't think it's a marvelous moral, I simply happen to know what it is: We are what we pretend to be, so we must be careful about what we pretend to be. My personal experience with Nazi monkey business was limited. There were some vile and lively native American Fascists in my home town of Indianapolis during the thirties, and somebody slipped me a copy of The Protocols of the Elders of Zion, I remember, which was supposed to be the Jews' secret plan for taking over the world. And I remember some laughs about my aunt, too, who married a German German, and who had to write to Indianapolis for proofs that she had no Jewish blood. The Indianapolis mayor knew her from high school and dancing school, so he had fun putting ribbons and official seals all over the documents the Germans required, which made them look like eighteenth-century peace treaties. After a while the war came, and I was in it, and I was captured, so I got to see a little of Germany from the inside while the war was still going on. I was a private, a battalion scout, and, under the terms of the Geneva Convention, I had to work for my keep, which was good, not bad. I didn't have to stay in prison all the time, somewhere out in the countryside. I got to go to a city, which was Dresden, and to see the people and the things they did. There were about a hundred of us in our particular work group, and we were put out as contract labor to a factory that was making a vitamin-enriched malt syrup for pregnant women. It tasted like thin honey laced with hickory smoke. It was good. I wish I had some right now. And the city was lovely, highly ornamented, like Paris, and untouched by war. It was supposedly an 'open' city, not to be attacked since there were no troop concentrations or war industries there. But high explosives were dropped on Dresden by American and British planes on the night of February 13, 1945, just about twenty-one years ago, as I now write. There were no particular targets for the bombs. The hope was that they would create a lot of kindling and drive firemen underground. And then hundreds of thousands of tiny incendiaries were scattered over the kindling, like seeds on freshly turned loam. More bombs were dropped to keep firemen in their holes, and all the little fires grew, joined one another, and became one apocalyptic flame. Hey presto: fire storm. It was the largest massacre in European history, by the way. And so what? We didn't get to see the fire storm. We were in a cool meat-locker under a slaughterhouse with our six guards and ranks and ranks of dressed cadavers of cattle, pigs, horses, and sheep. We heard the bombs walking around up there. Now and then there would be a gentle shower of calcimine. If we had gone above to take a look, we would have been turned into artefacts characteristic of fire storms: seeming pieces of charred firewood two or three feet long - ridiculously small human beings, or jumbo fried grasshoppers, if you will. The malt syrup factory was gone. Everything was gone but the cellars where 135,000 Hansels and Gretels had been baked like gingerbread men. So we were put to work as corpse miners, breaking into shelters, bringing bodies out. And I got to see many German types of all ages as death had found them, usually with valuables in their laps. Sometimes relatives would come to watch us dig. They were interesting, too. So much for Nazis and me. If I'd been born in Germany, I suppose I would have been a Nazi, bopping Jews and gypsies and Poles around, leaving boots sticking out of snowbanks, warming myself with my secretly virtuous insides. So it goes. There's another clear moral to this tale, now that I think about it: When you're dead you're dead. And yet another moral occurs to me now: Make love when you can. It's good for you.
Kurt Vonnegut Jr. (Mother Night)
Every one wanted to be her, to be ex-maybe-boyfriend's amazing championship mother, so they dispensed with the father, either pairing off themselves as two supremely costumed waltzing women, or else just pretending to have a male prop dancing partner, "for that way," explained wee sisters, "you get to dress up and be her every time." This explained the colour - for there had been an explosion of colour - plus fabric, accessories, make-up, feathers, plumes, tiaras, beads, sparkles, tassels, lace, ribbons, ruffles, layered petticoats, lipsticks, eyeshadows, even fur - I had glimpsed fringed fur - high heels too, which belonged to the little girls' big sisters and which didn't fit which was why periodically the little girls fell over, sustaining injuries. "But the thing is," reiterated wee sisters, "and you don't seem to be overjoyed by this, middle sister, you get to be her every time!
Anna Burns (Milkman)
He leaned over and pulled from the bunch a bright red ribbon that had a key attached to it. "This one in particular said that I was to make sure you received her gift or else she would poison me while I eat. So in lieu of hiring a taster for my meals, I wanted to make sure it reached you." Stryder rolled his eyes as Kit took it and broke the seal on the note that was also attached to the ribbon. His brother read aloud. "Milord, 'tis with great honor I give you the key to my chastity belt. Meet me tonight in the rose courtyard. Ever your lady, Charity of York" "A key to a chastity belt?" Christian asked in an amused tone. "Aye," Stryder said, his voice thick with ill humor. "And an invitation to a forced wedding if ever I saw one." Christian laughed again at that. "And you wonder why I prefer to wear the garb of a monk. It's the best shield I have found against conniving would-be brides, and even it isn't foolproof, as you have seen." Stryder handed the key back to Kit. "Tell the lady I am previously engaged." Kit arched a brow at that, then headed for one of Stryder's plate codpieces. He frowned as he watched his brother place the codpiece inside his hose. "What is it you do?" "The last time I told one of your would-be paramours nay on your behalf, she damn near unmanned me. This time I wish protection when I deliver the news." Stryder joined Christian's laughter. "'Tis not amusing," Kit said, his tone offended. "You think what you do is dangerous? I defy you to be in my boots for one moment when I face the great Ovarian Horde in your stead." "And that is why I send you, my brother. I haven't the courage to face them." "What?" Christian said in feigned shock. "Stryder of Blackmoor afraid? I never thought I would live to see the day a mere maid could send you craven." "The day you doff your cleric's robes and don your crown, Your Highness, you may taunt me on that front. Until then, I know you for the coward you are as well." Christian's eyes danced with mischief. "Women do make cowards of us all." Kit opened his mouth to say something, then must have rethought it. Grabbing a shield, he headed for the door. "If I don't return by night's fall, please make sure I am buried on home soil." -Kit, Christian, & Stryder
Kinley MacGregor (A Dark Champion (Brotherhood of the Sword, #5))
It is a pleasure to meet you, Miss Sheffield,” he said politely. “I do hope you will favor me with one of your dances this evening.” “I— Of course.” She cleared her throat. “I would be honored.” “Kate,” Mary said, nudging her softly, “show him your dance card.” “Oh! Yes, of course.” Kate fumbled for her dance card, which was tied prettily to her wrist with a green ribbon. That she had to fumble for anything actually tied to her body was a bit alarming, but Kate decided to blame her lack of composure on the sudden and unexpected appearance of a heretofore unknown Bridgerton brother. That, and the unfortunate fact that even under the best of circumstances she was never the most graceful girl in the room. Colin filled his name in for one of the dances later that evening, then asked if she might like to walk with him to the lemonade table. “Go, go,” Mary said, before Kate could reply. “Don’t worry about me. I’ll be just fine without you.” “I can bring you back a glass,” Kate offered, trying to figure out if it was possible to glare at her stepmother without Mr. Bridgerton noticing. “Not necessary. I really should get back to my position with all the other chaperones and mamas.” Mary whipped her head around frantically until she spied a familiar face. “Oh, look, there is Mrs. Featherington. I must be off. Portia! Portia!” Kate watched her stepmother’s rapidly retreating form for a moment before turning back to Mr. Bridgerton. “I think,” she said dryly, “that she doesn’t want any lemonade.” A sparkle of humor glinted in his emerald green eyes. “Either that or she’s planning to run all the way to Spain to pick the lemons herself.” -Colin, Kate, & Mary
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Violet unwrapped everything old as if it were a ribboned gift given to her by the Gods.
Suzka (Wonders in Dementialand: An Artist's Intimate and Whimsical Account of Dementia, Memory Loss, Caregiving and Dancing Gypsies)
Strap on, a ribbon of smile in your sorrow and let it dance in the wind of a new day... © G. K
Georgia Kakalopooulou
flame danced in flickering waves that grew taller as
Heather Burch (One Lavender Ribbon)
I think Miss Delia is dancing in heaven knowing that her beloved cat is here with you, although she might think that green ribbon with yellow polka dots is too bold a color scheme for her sweet Bow.” The
Terrie Farley Moran (Well Read, Then Dead (Read Em and Eat Mystery, #1))
The other change was the stick in the ground with ribbon dancing around it. He supposed it had something to do with the ritual. Either that or Beauvoir had very quickly become very weird without his supervision.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
Wyatt!” She ran to meet him. “Wyatt! Please wait!” A sudden gust of wind dislodged her hat and sent it tumbling down the platform. The long pink ribbons lifted, dancing wildly in the warm wind. The movement caught his eye. He saw her then, and he stopped dead still, an incredulous smile spreading over his face. She waited, not daring to breathe, until Wyatt dropped everything and ran toward her, arms outstretched. The wind caught his hat too and sent it rolling along the platform until it came to rest beside hers. He lifted her into his arms and spun her around. She laughed out loud, her face tipped to the bright summer sky. Wyatt set her on her feet and kissed her thoroughly, oblivious to the handful of passengers still milling about the platform. She wrapped her arms around him and kissed him back for all she was worth, pouring into it all of her love and gratitude and hope. He smiled down at her. “You’re really here!” “Yes.” “No more doubts?” “None.” She hooked her arm through his and smiled up at him through a blur of happy tears. “Buy me a ticket?” “Just like that?” “Mariah will send my things.” She grinned, imagining her friend’s shock at such impulsiveness. But she didn’t want to wait another second to start her future with Wyatt. “It’s fine with me, darlin’, but our friends would never forgive us if we deprived them of a wedding . . . and the chance to say ‘I told you so.’ ” She heaved a mock sigh. “I suppose you’re right. There’s no hope for it, then. I reckon we’ll have to hold a wedding.” He wrapped one arm tightly around her waist. “You’re ready to be a rancher’s wife?” “Just try to stop me.” He grinned. “No thank you. I’ve seen what happens when you make up your mind to do something.
Dorothy Love (Beyond All Measure (Hickory Ridge, #1))
Can I see it?” She knew what he meant, and had held up her hand before her. Ribbons and plumes and flowers of red and gold fire danced through his room, bright and glorious and elegant. Chaol’s eyes had been lined with silver when the flames winked out. “It’s lovely,” he said at last.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Color bloomed high on those beautiful cheekbones, and it was an effort not to stroke a finger across them, then his mouth. To taste her skin. But he’d take his time. Enjoy every moment, as he had told her to do. Because this would be his last hunt. He had no intention of wasting each glorious moment in one go. Of wasting any of the moments that fate had granted him, and all he wanted to show her. Every stream and forest and sea in Terrasen. To see Lysandra laugh her way through the autumnal circle dances; to weave ribbons around the maypoles in the spring; and listen, wide-eyed, to ancient tales of war and ghosts before the roaring winter fires in the mountain halls. All of it. He’d show her all of it. And walk onto those battlefields again and again to ensure he could. So Aedion smiled at Lysandra and brushed her hand with his own. “I’m glad we’re in agreement, for once.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
The entire town comes together in comradery for the Blood Moon, with most shops giving away free gifts to everyone who passes by. Clair De Lune Bakery passes out lychee mooncakes, reminding me of my childhood celebrating the Lunar New Year. Petals Tea Shop hands out sachets of white peony tea and jasmine blossoms. Luna's Love Shack tosses free ribbons out at the front of the store, embroidered with metallic stars and moonflowers. A French restaurant, La Vie en Rose, offers moon water in polished wine glasses to anyone who stops to look at their menu. Some flower stands even hand out moonflowers for free instead of selling them.
Kiana Krystle (Dance of the Starlit Sea)
In youth, we live as if we were immortal, knowledge of mortality dances around us like a brittle paper ribbon, that barely touches our skin. When in life does that change? when does the ribbon tighten until finally, it strangles us?
Pascal Mercier (Night Train to Lisbon)
After perfuming my neck with lychee and fig oil, I touch up my barrel curls and apply a fresh coat of lip gloss. As I stare at my reflection, I almost believe I'm the angel I masquerade as. My skin shines like opals, the iridescence catching the fullness of my lips and the high points of my cheeks. Coalescing down to my waist are ribbons of black hair, perhaps my favorite feature about myself. Though my mother has always loved my eyes the most--- upturned and narrow, blooming with feathered lashes. I, for one, have always been frightened by them. Some would mistake their red-honey color for brown. But in the light, they glint with a tint of ruby. Like devil eyes. I shut them. No more ocean of a girl. At least not tonight.
Kiana Krystle (Dance of the Starlit Sea)
He soon laid eyes on the enemy again – warriors of Lorgar’s Legion, advancing through the unnatural dusk with raw confidence, surrounded by the spectral flicker of half-instantiated daemonkind. Their armour was carved with words of power, decorated with the bones and the flesh of those they had slain, their helms deformed into outstretched maws, or serpent’s mouths, or the leer of some Neverborn warp prince. Their cantrips stank and pulsed around them, making the natural air recoil and mist shred itself into appalled ribbons. They were engorged with their veil-drawn power, sick on it, their blades running with new-cut fat and their belts hung with severed scalps. For all that, they were still warriors, and they detected Valdor’s presence soon enough. Nine curved blades flickered into guard, nine genhanced bodies made ready to take him down. He raced straight into the heart of them, lashing out with his spear, slicing clean through corrupted ceramite. The combined blades danced, snickering in and out of one another’s path as if in some rehearsed ritual of dance-murder, all with the dull gold of the lone Custodian at its centre. A poisoned gladius nearly caught his neck. A fanged axe-edge nearly plunged into his chest. Long talons nearly pulled him down, ripe to be trodden into the mire under the choreo graphed stamp of bronze-chased boots. But not quite. They were always just a semi-second too slow, a fraction too predictable. The gap between the fighters was small, but it remained unbridgeable. His spear slammed and cut, parried and blocked, an eye-blink ahead of the lesser blades, a sliver firmer and more lethal in its trajectory, until black blood was thrown up around it in thick flurries and the lens-fire in the Word Bearers’ helms died out, one by one. Afterwards, Valdor withdrew, breathing heavily, taking a moment to absorb the visions he had been gifted with each kill. Lorgar’s scions were little different to the true daemons in what they gave him – brief visions of eternal torment, wrapped up in archaic religious ciphers and a kind of perpetually forced ecstasy. They were steeped in some of the purest, deepest strands of Chaos, wilfully dredging up the essence of its mutating, despoiling genius and turning it, through elaborate tortures, into a way of war. To fight them was to be reminded, more acutely than with most others, of the consequences of defeat.
Chris Wraight (Warhawk (The Siege of Terra #6))
He seemed unable to enjoy the stark beauty of it all, the wild terror of the mountains, the towering glaciers, the little ribbons of time that clung to the rock in the form of frozen cataracts. The aurora danced above us both nights, green and blue and white undulating together, a cold ocean up there in the sky, and even that he barely glanced at. On the second night, he used his magic to summon a thick green hedge of prickly holly and a trio of willow saplings that enfolded our tent in drapery like bed curtains to keep out the chill wind. "Will you look at that!" I couldn't help but exclaiming as I sat by the fire, gazing up at the riot of light. I will admit, I wished for him to share the sight with me and was disappointed when he only sighed. "Give me hills round as apples and forests of such green you could bathe in it," he said. "None of these hyperborean baubles." "Baubles!" I exclaimed, and would have snapped at him, but his face as he gazed into the fire was open and forlorn, and I realized that he wasn't trying to be irksome---he missed his home. He had been longing for it all along, and this place, so alien and unfriendly, had sharpened the longing into a blade.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
We both fell silent, mesmerized by the rippling birds, so much so that I forgot about everything else. For two full hours, my sideview mirror was brimming with both birds and giraffes, framing it all like a picture, the giraffes’ long necks swaying along with the billowing birds, and each glance surprised me with what I can only describe as a jolt of joy. On and on it went. The sky kept drizzling, the giraffes kept bobbing, and the birds kept flying, giving the Old Man and me plenty of time to muse. I’ve been told since that there’s a name for something like it—a murmuration—a rare bird gathering that looks like a dancing cloud. Nobody ever explained the forever-flowing ribbon quite to fit my memory, though. Against the unforgiving land of my hardscrabble childhood, where the term natural wonder had no meaning, the sight filled me with a sense of exactly that—wonder.
Lynda Rutledge (West With Giraffes)
I look at the pool of glittering starlight and let out a heavy breath. I needed to change the subject. 'What would happen if I were to drink the water?' Tamlin straightened a bit- then relaxed, as if glad to release that old sadness. 'Legend claims you'd be happy until your last breath.' He added, 'Perhaps we both need a glass.' 'I don't think that entire pool would be enough for me,' I said, and he laughed. 'Two jokes in one day- a miracle sent from the Cauldron,' he said. I cracked a smile. He came a step closer, as if forcibly leaving behind the dark, sad stain of what had happened to Lucien, and the starlight danced in his eyes as he said. 'What would be enough to make you happy?' I blushed from my neck to the top of my head. 'I- I don't know.' It was true- I'd never given that sort of thing any thought beyond getting my sisters safely married off and having enough food for me and my father, and time to learn to paint. 'Hmm,' he said, not stepping away. 'What about the ringing of bluebells? Or a ribbon of sunshine? Or a garland of moonlight?' He grinned wickedly. High Lord of Prythian indeed. High Lord of Foolery was more like it.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
My name is Olivia King I am five years old. My mother bought me a balloon. I remember the day she walked through the front door with it. The curly hot-pink ribbon trickling down her arm, wrapped around her wrist. She was smiling at me as she untied the ribbon and wrapped it around my hand. “Here, Livie, I bought this for you.” She called me Livie. I was so happy. I’d never had a balloon before. I mean, I always saw balloons wrapped around other kids’ wrists in the parking lot of Walmart, but I never dreamed I would have my very own. My very own pink balloon. I was so excited! So ecstatic! So thrilled! I couldn’t believe my mother bought me something! She’d never bought me anything before! I played with it for hours. It was full of helium, and it danced and swayed and floated as I pulled it around from room to room with me, thinking of places to take it. Thinking of places the balloon had never been before. I took it into the bathroom, the closet, the laundry room, the kitchen, the living room. I wanted my new best friend to see everything I saw! I took it to my mother’s bedroom! My mother’s Bedroom? Where I wasn’t supposed to be? With my pink balloon… I covered my ears as she screamed at me, wiping the evidence off of her nose. She slapped me across the face and reminded me of how bad I was! How much I misbehaved! How I never listened! She shoved me into the hallway and slammed the door, locking my pink balloon inside with her. I wanted him back! He was my best friend! Not hers! The pink ribbon was still tied around my wrist so I pulled and pulled, trying to get my new best friend away from her. And it popped. My name is Eddie. I’m seventeen years old. My birthday is next week. I’ll be the big One-Eight. My foster dad is buying me these boots I’ve been wanting. I’m sure my friends will take me out to eat. My boyfriend will buy me a gift, maybe even take me to a movie. I’ll even get a nice little card from my foster-care worker, wishing me a happy eighteenth birthday, informing me I’ve aged out of the system. I’ll have a good time. I know I will. But there’s one thing I know for sure. I better not get any shitty-ass pink balloons!
Colleen Hoover (Slammed (Slammed, #1))
To this day I can’t change the ribbon. My wife does it for me, but for years when I was single I had an acquaintance whom I invited over for dinner anytime my ribbon needed changing. After dinner I’d casually bring up the subject of typewriters and how exciting they are and suggest how much fun it might be to change the ribbon on mine. We’d retire to the study and I’d put on some music. I remember his favorite for changing was the Khachatiurian Sabre Dance. The intensity of the piece excited him as I’d slip him a fresh ribbon and say, Let’s see if you still have your old touch. Taking the challenge, he’d change my ribbon in a mad fury, finishing with a flourish and a grand bow while I feigned amazement at his manual dexterity. After that, he was all perspiration and heavy breathing, but at least I could go on pounding out my sublime monkeyshines till the letters on the page would once again grow faint and I’d have to have him back for meatloaf.
Woody Allen (Apropos of Nothing)
It is the time of dark and of cold,” she said, “when the fields are unyielding with frost and life sleeps in the earth. During this time, the world dreams, and in her dreams, she relieves the past. Images of the dead appear to those who are aware enough to perceive them.” “I know of this festival,” Shan said. “In our village, we would put out saucers of blood and milk for the spirits. Girls would wear red ribbons in their hair and the lads red garters on their knees. On the night of the Grave, we’d build a bonfire on the green, and dance in a circle to keep the spirits at bay.” “These are old customs,” said Sinaclara, “memories of old practices. In ancient times, the Night of the Grave was called Aya’even, which in the old tongue meant the forest of the dead. It is but one point on the great wheel of life, death, and rebirth. Because of its associations with darkness and the dead, it has within it inherent hope, for without death, there can not be life. This is why it is celebrated by those who no longer remember its true meaning. The memory of that hope lives on.
Storm Constantine (The Crown of Silence (The Chronicles of Magravandias, #2))
I have dreamed of ways to kill her repeatedly. Like this one, I would like to see her be impaled on a sharp wooden stick, starting through her butt hole, and then slowly have gravity have it go up into her delicious miniature body until it hits her brain, and she screams out my girl’s names, as we get what we need. I would love to see a Nevaeh- kabob! I would love to see her stoned out in the open with rocks! I would love to see my girls bite their nipples off with their teeth! I want to see my girl claw her up to head to toe. I hunger to see them scratch her sweet blue eyes that are so heavenly right out of her face! I want to see her gush that cobalt blood like a waterfall from her naked sliced-up body. Yes, I want us to torture her any way we can until she says yes to us. We are going to get at anything of hers we can until she comes with us! As we would, all dance around her, as we would light her up, cheerfully for the last time. How I would love to bleach and fry that perfect hair with chemicals. I and we all in our family want to fuck her up and down anyways we can! Mwah Ha, ha! Yes, Beforehand, we all would kiss, touch, lick, and stick her, and do what we want to get the life from her by sucking away. We would eat her soul away as it would come down from the heavens then through her body, and into ours, as we would drink it out, the way we do. Yes, yes, hell- yes, I can see it now! Yes, I want her soul! Besides, anything or everything I can get out of her to add to my shrine. We even have a voodoo doll of her with pins in it. I have a few things of hers like her hymen-damaged red blood tarnished pink polka-dotted gym underwear, and her indigo pantiliner she had on. That my girl ripped off of her in school, the more things we have the more we can control her mind, but I want more! We want more! We want and need it all! Just like the one girl Lily; I have her one hair ribbon; from Nevaeh, I have something far more personal than her underwear, and it is on display too, and that was her virginity! Who knows that she was a little cock sucker too? How do I have it, you ask? Tee- hee- Will I tell you- how! Now come to think of it, back then my idea was to drive her insane so that she will do it to herself… like she did; by not having anyone to confide in, I wanted that to kill her slowly, that was the plan. Just like I was the arranger of her first sexual partner. I told him to pound the shit out of her, and pop her cherry so hard and fast, that the next day she could not even walk; plus, bleed for many days; which is how I got what is on display… I did this so that it would take everything away from her. If my girls do not have it, then neither does she. I made the schooling system think that she has major problems, from kindergarten up through high school. I will do whatever it takes to have her fall! For the reason that I have to be triumphant! It was a promise that I made to her mother. If I cannot have her mind, body, and soul, no one can. Yeah, now I did not mind putting a bullet in her father's head, so I would have loved to put one on hers also. Yes, I should have gotten to her way back then, when she was just sitting in her playpens so defenseless. Then again, I thought what the hell… it would be better to torture her, and make everything in her life a living hell for her! Why should I play god, when I can send the devil to her bed every night! Let’s not forget to mention everybody showed up at her father's house right after the murder that took place. So, I did not have enough time to complete the job. Oh yes, her mother is a very good friend of mine, and I wanted to make sure that Nevaeh would have nothing. Nothing but pain, misery, and torture from me and my girls. Yes, without her ever knowing, that I was the one causing all the trouble in her life.
marcelduriez
I have dreamed of ways to kill her repeatedly. Like this one, I would like to see her be impaled on a sharp wooden stick, starting through her butt hole, and then slowly have gravity have it go up into her delicious miniature body until it hits her brain, and she screams out my girl’s names, as we get what we need. I would love to see a Nevaeh- kabob! I would love to see her stoned out in the open with rocks! I would love to see my girls bite their nipples off with their teeth! I want to see my girl claw her up to head to toe. I hunger to see them scratch her sweet blue eyes that are so heavenly right out of her face! I want to see her gush that cobalt blood like a waterfall from her naked sliced-up body. Yes, I want us to torture her any way we can until she says yes to us. We are going to get at anything of hers we can until she comes with us! As we would, all dance around her, as we would light her up, cheerfully for the last time. How I would love to bleach and fry that perfect hair with chemicals. I and we all in our family want to fuck her up and down anyways we can! Mwah Ha, ha! Yes, Beforehand, we all would kiss, touch, lick, and stick her, and do what we want to get the life from her by sucking away. We would eat her soul away as it would come down from the heavens then through her body, and into ours, as we would drink it out, the way we do. Yes, yes, hell- yes, I can see it now! Yes, I want her soul! Besides, anything or everything I can get out of her to add to my shrine. We even have a voodoo doll of her with pins in it. I have a few things of hers like her hymen-damaged red blood tarnished pink polka-dotted gym underwear, and her indigo pantiliner she had on. That my girl ripped off of her in school, the more things we have the more we can control her mind, but I want more! We want more! We want and need it all! Just like the one girl Lily; I have her one hair ribbon; from Nevaeh, I have something far more personal than her underwear, and it is on display too, and that was her virginity! Who knows that she was a little cock sucker too? How do I have it, you ask? Tee- hee- Will I tell you- how! Now come to think of it, back then my idea was to drive her insane so that she will do it to herself… like she did; by not having anyone to confide in, I wanted that to kill her slowly, that was the plan. Just like I was the arranger of her first sexual partner. I told him to pound the shit out of her, and pop her cherry so hard and fast, that the next day she could not even walk; plus, bleed for many days; which is how I got what is on display… I did this so that it would take everything away from her. If my girls do not have it, then neither does she. I made the schooling system think that she has major problems, from kindergarten up through high school. I will do whatever it takes to have her fall! For the reason that I have to be triumphant! It was a promise that I made to her mother. If I cannot have her mind, body, and soul, no one can. Yeah, now I did not mind putting a bullet in her father's head, so I would have loved to put one on hers also. Yes, I should have gotten to her way back then, when she was just sitting in her playpens so defenseless. Then again, I thought what the hell… it would be better to torture her, and make everything in her life a living hell for her! Why should I play god, when I can send the devil to her bed every night! Let’s not forget to mention everybody showed up at her father's house right after the murder that took place. So, I did not have enough time to complete the job. Oh yes, her mother is a very good friend of mine, and I wanted to make sure that Nevaeh would have nothing. Nothing but pain, misery, and torture from me and my girls. Yes, without her ever knowing, that I was the one causing all the trouble in her life.
Marcel Ray Duriez (Nevaeh The Miracle)
filling her inch by inch, she forgot that she was queen and that she had a separate body and a kingdom and a world to look after. When Rowan was seated deep in her, trembling with restraint as he let her adjust, she lifted her burning hands to his face, wind and ice tumbling and roaring around them, dancing across the waves with ribbons of flame. There were no words in his eyes; none in hers, either. Words did not do it justice. Not in any language, in any world. He leaned in, claiming her mouth as he began to move, and they let go entirely. She might have been crying, or it might have been his tears on her face, turning to steam amid her flames. She dragged her hands down his powerful, muscled back, over scars from battles and terrors
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Her chances of a decent marriage were about to be dashed—and all because of a ferret. Unfortunately Poppy Hathaway had pursued Dodger halfway through the Rutledge Hotel before she recalled an important fact: to a ferret, a straight line included six zigs and seven zags. “Dodger,” Poppy said desperately. “Come back. I’ll give you a biscuit, any of my hair ribbons, anything! Oh, I’m going to make a scarf out of you . . .” As soon as she caught her sister’s pet, Poppy swore she was going to alert the management of the Rutledge that Beatrix was harboring wild creatures in their family suite, which was definitely against hotel policy. Of course, that might cause the entire Hathaway clan to be forcibly removed from the premises. At the moment, Poppy didn’t care. Dodger had stolen a love letter that had been sent to her from Michael Bayning, and nothing in the world mattered except retrieving it. All the situation needed was for Dodger to hide the blasted thing in some public place where it would be discovered.  ... The ferret paused at a corner, checked to make certain he was still being chased, and in his happy excitement, he did a little war dance, a series of sideways hops that expressed pure delight. Even now, when Poppy wanted to murder him, she couldn’t help but acknowledge that he was adorable. “You’re still going to die,” she told him, approaching him in as unthreatening a manner as possible. “Give me the letter, Dodger.” The ferret streaked past a colonnaded lightwell that admitted sunshine from overhead and sent it down three floors to the mezzanine level. Grimly, Poppy wondered how far she was going to have to chase him. He could cover quite a lot of territory, and the Rutledge was massive, occupying five full blocks in the theater district. “This,” she muttered beneath her breath, “is what happens when you’re a Hathaway. Misadventures . . . wild animals . . . house fires . . . curses . . . scandals . . .
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Mr. Keir MacRae Lady Merritt Sterling The names had been typed... but why?... what for?... Bits and pieces of memory whirled in his head... thoughts wheeling just beyond reach. As he struggled blindly to catch hold of something, make sense of the tumult, he heard Merritt's voice... stay for one night just one... and there was the smell of rain and the cool darkness of night, and the warmth of a bed... the tender plump curves of a woman's breasts, and the hot clasp of her body pulling at him, squeezing in voluptuous pulsation, and the sweet, wracking culmination as she cried out his name. And there was the sight of her in candlelight, flames dancing in guttering pools of wax, catching glimmers from her eyes, hair, skin... and the glorious freedom of yielding everything, telling her everything, while inexhaustible delight welled around them. And the despair of leaving, the physical pain of putting distance between them, the sensation of being pulled below the surface of the sea, looking up from airless depths to an unreachable sky. Lady Merritt's fingertips pressing a typewriter key. Tap. Tap. Tiny metal rods flicked at a spool of inked ribbon, and letters emerged. Keir was panting now, clutching the slip of paper, while his brain sorted and spun, and pin tumblers aligned, a key turned, and something unlocked. "Merry," he said aloud, his voice unsteady. "My God... Merry.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
In the doorway of Fortnum & Mason a young couple were kissing, oblivious to the world. The neon signs mounted on the buildings cast a glossy veneer over the streetscape, glowing through the smog. Around the statue of Eros there were crowds of youngers. The girls were a mass of bobby pins and ribbons, hardly dressed for the cold weather. The boys wore suits with thin ties. They were bantering on their way from the cinemas and theatres to the bars, dance halls and music clubs further along. “I fancy you, Kitty Dawson,” a lone boy shouted.
Sara Sheridan (London Calling (Mirabelle Bevan Mystery #2))
You are a strong seed, you are. I will remind you all the time so that you never forget it," my mother told her, ribbon and hair snaking their way through her fingers. "Seeds are planted, and with love and with just the right amount of attention, they grow and become strong. A seed once established will spread its roots to hold them steady. We are your roots, don't forget that. When you feel sad or alone or frightened, remember you are as strong as your roots, and we are the strongest. We still roam these lands and dance these dances and speak our own words. Those, my girl, are strong roots that will make a strong seed that will, in time, sprout a beautiful woman. You are a strong seed, you are.
Amanda Peters
You’re right about something, Louis. You don’t understand how hard I’ve worked to get here, because you don’t care about anything. I’m done throwing my future away for someone who thinks this is just a game.” Louis swallows. For a moment, I’m certain that he’s about to yell at me just like I did at him. Instead, he just looks on bitterly, shakes his head, and walks away. A moment later he straddles his Vespa, snaps his helmet shut, and drives off without looking back. That night, to keep my mind busy, I decide to break in yet another new pair of pointe shoes. It feels good to bend the wooden shank relentlessly. I bang the toe box against the floor repeatedly, probably harder than I need to. After I burn the ends of the ribbon and sew on the elastic just the way I like, I put them in my dance
Anne-Sophie Jouhanneau (Kisses and Croissants)
You’re right about something, Louis. You don’t understand how hard I’ve worked to get here, because you don’t care about anything. I’m done throwing my future away for someone who thinks this is just a game.” Louis swallows. For a moment, I’m certain that he’s about to yell at me just like I did at him. Instead, he just looks on bitterly, shakes his head, and walks away. A moment later he straddles his Vespa, snaps his helmet shut, and drives off without looking back. That night, to keep my mind busy, I decide to break in yet another new pair of pointe shoes. It feels good to bend the wooden shank relentlessly. I bang the toe box against the floor repeatedly, probably harder than I need to. After I burn the ends of the ribbon and sew on the elastic just the way I like, I put them in my dance bag, satisfied. Now I’m ready for my next rehearsals. There, at the bottom of my bag, are the pictures of Élise Mercier, my ancestor. I sit on my bed, and, as I stare at them, it dawns on me that Louis isn’t the only mistake I’ve made since I arrived in Paris. Something else knocked me off my path: I let this family legend get to me. I somehow believed that my future was out of my hands, that it had been decided for me centuries ago. But Mom was right: it doesn’t matter if it’s true or not. Whether Élise Mercier was painted by Degas, or whether she was even an important ballet dancer in her time, my past does not define me. Only I can shape who I’m going to become, by doing exactly what I had been doing until now: working hard, keeping my focus solely on what I really want, and then working harder. I place the pictures at the bottom of the drawer in my nightstand and turn off the light. From now on, and until the moment I’m on a plane heading back home, I will think of nothing else but ballet.
Anne-Sophie Jouhanneau (Kisses and Croissants)