Ribbon Cut Quotes

I have a different idea of elegance. I don't dress like a fop, it's true, but my moral grooming is impeccable. I never appear in public with a soiled conscience, a tarnished honor, threadbare scruples, or an insult that I haven't washed away. I'm always immaculately clean, adorned with independence and frankness. I may not cut a stylish figure, but I hold my soul erect. I wear my deeds as ribbons, my wit is sharper then the finest mustache, and when I walk among men I make truths ring like spurs.

It depends. If I don't let you in, will you huff and puff and blow my house down?" She had no idea. "I'm more of a kick the door open and cut everyone inside to ribbons kind of wolf.

Do you know how, when you are on the verge of a breakdown, the world pounds in your ears; a rush of blood, of consequence? Do you now how it feels when the truth cuts your tongue to ribbons, and still you have to speak it?

There was a brief moment of nothing, but when a ribbon of blood appeared, something I never expected happened. For the first time in five days, the constricting force around me lessened a bit. I took a deep breath. It wasn’t as bad as usual. It was like the awful pain inside of me was seeping out through that tiny cut.

Morning came in through the blinds cutting everything into ribbons.

I cut the ribbon in Paris, and everyone in Paris speaks French — maybe you knew that. But I'm from Tennessee, and Tennessee girls don't speak French. So suddenly I'm stuck onstage with Minnie and Mickey and everyone is yelling at me in French — I guess they're telling me to get off the stage, but I didn't know what they were saying at the time, so I start dancing with Minnie and Mickey like on the show and finally my aunt comes and gets me off.

dedication Sometimes I wish I were an architect, so that I could dedicate a building to a person; a superstructure that broke the clouds and continued up into the abyss. And if Bird Box were made of bricks instead of letters, I’d host a ceremony, invite every shadowy memory I have, and cut the ribbon with an axe, letting everyone see for the first time that building’s name. It’d be called the Debbie. Mom, Bird Box is for you.

Soda was glaring at him. “Leave my kid brother alone, you hear? It ain’t his fault he likes to go to the movies, and it ain’t his fault the Socs like to jump us, and if he had been carrying a blade it would have been a good excuse to cut him to ribbons.

• There was a brief moment of nothing, but when a ribbon of blood appeared, something I never expected happened. For the first time in five days, the constricting force around me lessened a bit. I took a deep breath. It wasn’t as bad as usual. It was like the awful pain inside of me was seeping out through that tiny cut.

Tell me I’m not seeing what I think I’m seeing,” he said, meager hope in his heart. “What do you think you’re seeing?” asked Tamar. “Mass destruction. Certain doom.” “Not entirely certain,” said Zoya. Nikolai cut her a glance. She’d tied back her black hair with a dark blue ribbon. It was eminently practical, but it had the unfortunate effect of making him want to untie it. “Do I detect optimism in my most pessimistic general?” “Likely doom,” Zoya corrected.

Will looked at his sister. “And you don’t care about being a Shadowhunter. How is this: I shall write a letter and give it to you if you promise to deliver it home yourself — and not to return.” Cecily recoiled; she had many memories of shouting matches with Will, of the china dolls she had owned that he had broken by dropping them out an attic window; but there was also kindness in her memories: the brother who had bandaged up a cut knee, or retied her hair ribbons when they came loose. That kindness was absent from the Will who stood before her now. Her mother had used to cry for the first year or two after Will went; she had said, in Welsh, holding Cecily to her, that they — the Shadowhunters — would “take all the love out of him.” A cold, unloving people, she had told Cecily, who had forbidden her marriage to her husband. What could he want with them, her Will, her little one? “I will not go,” Cecily said, staring her brother down. “And if you insist that I must, I will — I will —” The door of the attic slid open and Jem stood silhouetted in the doorway…

A dark and lonely plain lay before him, cut by a single strip of water that flowed slow-moving into the east: a ribbon of beaten silver bright beneath the glare of a full moon.… Floating on the nameless river, a ship, tall and proud, with pure white sails raised and ready.… Ranks of warriors holding lances, and two hooded figures walking among them, as if in a stately procession. The smell of willows and cottonwoods, and a sense of passing sorrow.…

When Your Life Looks Back, When your life looks back-- As it will, at itself, at you--what will it say? Inch of colored ribbon cut from the spool. Flame curl, blue-consuming the log it flares from. Bay leaf. Oak leaf. Cricket. One among many. Your life will carry you as it did always, With ten fingers and both palms, With horizontal ribs and upright spine, With its filling and emptying heart, That wanted only your own heart, emptying, filled, in return. You gave it. What else could do? Immersed in air or in water. Immersed in hunger or anger. Curious even when bored. Longing even when running away. "What will happen next?"-- the question hinged in your knees, your ankles, in the in-breaths even of weeping. Strongest of magnets, the future impartial drew you in. Whatever direction you turned toward was face to face. No back of the world existed, No unseen corner, no test. No other earth to prepare for. This, your life had said, its only pronoun. Here, your life had said, its only house. Let, your life had said, its only order. And did you have a choice in this? You did-- Sleeping and waking, the horses around you, the mountains around you, The buildings with their tall, hydraulic shafts. Those of your own kind around you-- A few times, you stood on your head. A few times, you chose not to be frightened. A few times, you held another beyond any measure. A few times, you found yourself held beyond any measure. Mortal, your life will say, As if tasting something delicious, as if in envy. Your immortal life will say this, as it is leaving.

I knew what mattered to me. I didn’t want to be some sort of well-dressed ornament who showed up at parties and ribbon cuttings. I wanted to do things that were purposeful and lasting.

For most digital-age writers, writing is rewriting. We grope, cut, block, paste, and twitch, panning for gold onscreen by deleting bucketloads of crap. Our analog ancestors had to polish every line mentally before hammering it out mechanically. Rewrites cost them months, meters of ink ribbon, and pints of Tippex. Poor sods.

Later that evening, back at the airship, I cut a hole in a ribbon Beryl had given me and attached the cuff link, before tying it around my neck. Symbols are powerful. When he saw this, my father finally decided to ask after the extent of my loss. "I feel," he said, glancing across the rain-speckled deck of the ship, "like I have lost a on." His hand was trembling, a it always had whenever he admitted to great emotion. "I take it that you'd grown fond of him as well? He was such a noble young man." "Something like that," I confessed brokenly/

His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood. I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.

Every night before bed, her mother had told her a story that should have been frightening: Scary Evil Queen. Huntsman ordered to cut out her heart. Lost in dark woods with grabby trees. Dwarves, dwarves, more dwarves. Old peddler lady giving her a strangling ribbon. Old peddler lady giving her a poisoned comb. Old peddler lady giving her a poisoned apple. Crunch. Gasp. Faint (beautifully). Dead sleep. Cold glass coffin. Empty dreams. Then… kiss. Wake. Prince! Cheering dwarves. Huge choreographed dance number. Happily Ever After.

Today Amanda was dressed in a gown of soft pink wool trimmed in corded silk ribbon of a deeper shade. She had worn a bonnet adorned with China roses, which now reposed on the side of his desk, a pair of velvet ribbons draping gently toward the floor. The pink shade of the gown brought out the color in Amanda's cheeks, while the simple cut displayed her generous figure to its best advantage. Aside from Jack's considerable regard for her intelligence, he couldn't help thinking of her as a tidy little bonbon.

Universal dilemma of the real dog person: You leave the dog home, you worry what will happen to him when you’re out. You take the dog with you, you worry that something will happen to him when he’s alone in the car….The solution, of course, is to keep the dog at your side twenty-four hours a day, every day, but then you worry that your constant presence is making the dog neurotically dependent, and besides, you can’t go anyplace that doesn’t allow dogs, so you can’t go to work or get your hair cut or go to the dentist. And then, of course, you feel guilty because, after all, doesn’t your wonderful dog deserve a better owner than this poverty-stricken, shaggy-headed slob with decayed teeth? Meanwhile, the dog doesn’t worry about anything. Why should he? That’s what he has you for, and for obvious reasons, he trusts you completely.

Senior faculty nowadays similarly squirm when former 'dunderheads' return to campus to lecture on their prizewinning screenplay or to cut the ribbon for a building funded by their entrepreneurial acumen. How did such dullards metamorphose into geniuses?

I've got my Motown girl-group music playing, and my supplies are laid out all around me in a semicircle. My heart hole punch, pages and pages of scrapbook paper, pictures I've cut out of magazines, glue gun, my tape dispenser with all my different colored washi tapes. Souvenirs like the playbill from when we saw Wicked in New York, receipts, pictures. Ribbon, buttons, stickers, charms. A good scrapbook has texture. It's thick and chunky and doesn't close all the way.

One of her earliest innovations involved cutting open the front of men’s sweaters and adding buttons or ribbon trim—thus giving rise to the precursor of the cardigan, which later became one of her staples. The origin of this idea had been simple: Coco disliked pulling men’s sweaters, with their tight neck openings, over her head and mussing her hair.

Trump and Zuckerberg, though they probably agree on nothing, are the two blades of a pair of scissors that is cutting the fabric of truth to ribbons.

He almost thought of being a boyfriend as like being a duke or an earl; it was as if he had land to oversee now, and ribbons to cut.

My obsession with Stella might be spiraling out of control, but at least I wasn’t attending ribbon-cutting ceremonies for a charity she liked and planting trees for an Earth Day photo op.

I got back from the University late in the afternoon, had a quick swim, ate my dinner, and bolted off to the Stanton house to see Adam. I saw him sitting out on the galley reading a book (Gibbon, I remember) in the long twilight. And I saw Anne. I was sitting in the swing with Adam, when she came out the door. I looked at her and knew that it had been a thousand years since I had last seen her back at Christmas when she had been back at the Landing on vacation from Miss Pound's School. She certainly was not now a little girl wearing round-toed, black patent-leather, flat-heeled slippers held on by a one-button strap and white socks held up by a dab of soap. She was wearing a white linen dress, cut very straight, and the straightness of the cut and the stiffness of the linen did nothing in the world but suggest by a kind of teasing paradox the curves and softnesses sheathed by the cloth. She had her hair in a knot on the nape of her neck, and a little white ribbon around her head, and she was smiling at me with a smile which I had known all my life but which was entirely new, and saying, 'Hello, Jack,' while I held her strong narrow hand in mine and knew that summer had come.

Coral slows us down. She has no visible injuries, now that she has bathed and had various cuts and scrapes bandaged, but she is obviously weak. She falls behind as soon as we begin to move, and Alex hangs back with her. In the early part of the day, even though I try to ignore it, I can hear the ribbon of their conversation weaving up and through the other voices. Once, I hear Alex burst out laughing. In

The God I serve is able to save us both. To give us the winning lottery ticket so all our money problems will go away. To mend our broken hearts. To bring us close to those we love. He is able. He is able. He is able. But even if He doesn’t, do not bow to bitterness. Do not fall down onto your broken pieces and let them cut you to ribbons. Even if He doesn’t do all that He is able to do, all that we wish He would do, He is good.

We are utterly, utterly lost!" Lady Eleanor Swift's words cut through the monotonous rhythm of the windscreen wipers. "If you say so my lady." Eleanor's piercing green eyes swivelled to her butler as he steadfastly stared forward, steering the Rolls Royce along the inky-black ribbon of water-filled potholes that passed for a road. "I do actually, Clifford. It's almost midnight, we've been driving for an eternity and, as I said, we find ourselves entirely lost.

September suddenly realized something. "But Ell, Orrery begins with O! How can you know so much about it?" The Wyverary soared high, his neck stretching into a long red ribbon, full of words and pies and relief and flying. "I'm growing up!" he cried.

Yet when the ribbon was cut and the band had played, serious questions still had to be addressed. Who was the library intended to serve? Should children be admitted? What of those who saw the library mainly as a warm place to shelter while leafing through a newspaper? The issue was complicated by the fact that neither Andrew Carnegie, whose fortune funded a swathe of civic libraries across America and the United Kingdom, nor the British Public Libraries Act made provision for the purchase of books. These decisions lay in the hands of the

sloped down to distant cliffs; farmland, ribboned with yellow gorse, broken by outcrops of granite, and patchworked into dozens of small fields. Like a quilt, thought Virginia, and saw the pasture fields as scraps of green velvet, the greenish gold of new-cut hay as shining satin, the

Whenever I am back in the neighborhood, I sometimes pass my apartment from the street. I like to believe, stupidly, that if I were to open the front door again, in the back I would find my roses, huge from their seaweed tea and the many days of six hours' sunlight, perhaps growing legs, ready to push down the building and walk out to the street, striking cars out of the way and slicing the blacktop to ribbons. I want to think that they would miss me, their erstwhile tormentor, the one who pushed them so hard to grow, cutting and soaking them in the blazing sun from spring to winter. From the street, from across the river, where I live now without them, I can feel them still, the sap pulsing in their veins, pushing their way to the sky. But the creature that grew legs and walked away from the garden was me. I was not their gardener. They were mine.

Unlike many of the children’s stories written around the same time, the Harry Potter books and films are being passed down from one generation to the next. They are one of the few cultural landmarks that link thirteen-year-olds and thirty-year-olds. It means that there has been a snowball effect as more and more people get drawn into the wizarding world. If I had been told while we were making the films that in the years to come there would be a Harry Potter theme park, and that I’d be cutting the red ribbon on our own section of Universal Studios, I’d have laughed in your face.

It's autumn," I said. "I can see the trees turning through the windows." He tucked a strand of hair behind my ear. "It's going to be the Day of the Dead soon," I said. "Sounds gruesome." "It's a festival." I looked at him over my shoulder. "The only one that gentry and peasants share. We celebrate Persephone going down to Hades for the winter, they remember Tom-a-Lone getting his head cut off by Nanny-Anna. Everybody makes grave offerings, then there's a great sacrifice to Hades and Persephone, and that night there's a bonfire and they burn a straw Tom-a-Lone dressed up in ribbons.

But as an angel, I doubt that he bothered to take much stock of the humans. When he looks at me, it’s the look of someone noticing a person for the first time, proving yet again that an angel’s arrogance knows no bounds. Which, now that I think about it, increases the likelihood that this is Raffe. He does a full evaluation of me, taking in the cut and curled hair accented with peacock feathers, the blue and silver makeup ribbons chasing around my eyes and cheekbones, the silky dress that clings to every part of my body. But it’s not until his eyes meet mine that a jolt of recognition passes between us. I have no doubt that it’s Raffe. But he fights his recognition of me. For a second, his defenses fall and I can see the turmoil behind his eyes. He saw me die. This must be a mistake. This glittery girl doesn’t look anything like the street waif he traveled with. Yet… His step falters and he pauses, staring at me.

Do not be afraid to seize whatever you have written and cut it to ribbons; it can always be restored to its original condition in the morning...remember, it is no sign of weakness or defeat that your manuscript ends up in need of major surgery. This is a common occurrence in all writing, and among the best writers.

That night marked an end for me and for my ribbons. Yet it was an ending I badly needed. I needed to be forced to stand on my own two feet, without anything to catch me. I only wish they could have been spared that same journey. But I needed to be cut down to finally rise up on my own like a phoenix from the ashes.

The sleeping draught was concentrated—a drop could take down a horse, two drops an elephant. A whole vial? The guvre wouldn’t be standing long. The risk was in the time it would take to work. He was going to be cut to ribbons, and he hadn’t even had his afternoon pastry. But he needed the male if he was going to catch his mate.

I will have you for husband tonight,” she said in fierce, low tones, “or I will not go until I do!” “If there was any way, I would,” he protested. “Daise Congar would crack my head if I wanted to go against custom. For the love of the Light, Faile, just carry the message, and I’ll wed you the very first day I can.” He would. If that day ever came. Suddenly she was very intent on his beard, smoothing it and not meeting his eyes. She started speaking slowly but picked up speed like a runaway horse. “I … just happened to mention … in passing … I just mentioned to Mistress al’Vere how we had been traveling together—I don’t know how it came up—and she said—and Mistress Congar agreed with her—not that I talked to everybody!—she said that we probably—certainly—could be considered betrothed already under your customs, and the year is just to make sure you really do get on well together—which we do, as anyone can see—and here I am being as forward as some Domani hussy or one of those Tairen galls—if you ever even think of Berelain—oh, Light, I’m babbling, and you won’t even—” He cut her off by kissing her as thoroughly as he knew how. “Will you marry me?” he said breathlessly when he was done. “Tonight?” He must have done ever better with the kiss than he thought; he had to repeat himself six times, with her giggling against his throat and demanding he say it again, before she seemed to understand. Which was how he found himself not half an hour later kneeling opposite her in the common room, in front of Daise Congar and Marin al’Vere, Alsbet Luhhan and Neysa Ayellin and all the Women’s Circle. Loial had been roused to stand for him with Aram, and Bain and Chiad stood for Faile. There were no flowers to put in her hair or his, but Bain, guided by Marin, tucked a long red wedding ribbon around his neck, and Loial threaded another through Faile’s dark hair, his thick fingers surprisingly deft and gentle. Perrin’s hands trembled as he cupped hers. “I, Perrin Aybara, do pledge you my love, Faile Bashere, for as long as I live.” For as long as I live and after. “What I possess in this world I give to you.” A horse, an axe, a bow. A hammer. Not much to gift a bride. I give you life, my love. It’s all I have. “I will keep and hold you, succor and tend you, protect and shelter you, for all the days of my life.” I can’t keep you; the only way I can protect you is to send you away. “I am yours, always and forever.” By the time he finished, his hands were shaking visibly. Faile moved her hands to hold his. “I, Zarine Bashere …” That was a surprise; she hated that name. “ … do pledge you my love, Perrin Aybara … .” Her hands never trembled at all.

There were glamorous young men with dyed hair who rustled like old cellophane. Older men had airs of sophistication and cold grace, giving the impression that if they were not so terribly tired they would go to places (known only to a select few) where the conversation was more scintillating and the congregation more interesting. There were young women who had the exotic sheen of recently fed forest animals. Although they moved their fine heads languorously this way and that, nothing in the room excited their appetites. Unfashionable red lips cut across their white faces, and the crimson fingernails, as pointed as surgical instruments, heightened the predatory effect. Older, sadder women were more interesting to me. Voluminous skirts and imported shawls did not hide their heavy bodies, nor was their unattractiveness shielded by the clanks of chains and ribbons of beads, or by pale pink lips and heavily drawn doe eyes. Their presence among the pretty people enchanted me. It was like seeing frogs buzzed by iridescent dragonflies.

Having never had dealings with Bow Street, Lady Fieldhurst was not quite certain what to expect: perhaps a stout fellow past his prime, befuddled with sleep or spirits, with a bulbous red nose—the same sort as might be found in any number of watchmen’s boxes across the metropolis. The individual who entered the room in [the footman's] wake, however, was very nearly her own age. To be sure, his nose was somewhat crooked, as if it had been broken at some point, but it was far from bulbous, and it was certainly not red. He was quite tall, almost gangly, with curling brown hair tied at the nape of his neck in an outmoded queue. He wore an unfashionably shallow-crowned hat and a black swallow-tailed coat of good cloth but indifferent cut; indeed, his only claim to fashion lay in the quizzing glass which hung round his neck from a black ribbon, and which he now raised, the resulting magnification revealing his eyes to be a warm brown. Julia might have been much reassured as to his competence, had it not been for the fact that his mouth hung open as from a rusty hinge.

...and you wanted to cut her to ribbons to avenge me?" From Nina that was practically a Valentine. "But I don't, I just disarm her. I think maybe you are right Luchik, justice over vengeance." "Bloody hell, woman, have I actually made a dent in you?" She jabbed him in the ribs. "I make a few in you, too." Yes, you have, Ian thought, and not just the fact that I'm addicted to your paperback regency tosh.

What is this, behind this veil, is it ugly, is it beautiful? It is shimmering, has it breasts, has it edges? I am sure it is unique, I am sure it is what I want. When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules. Is this the one for the annunciation? My god, what a laugh!' But it shimmers, it does not stop, and I think it wants me. I would not mind if it were bones, or a pearl button. I do not want much of a present, anyway, this year. After all I am alive only by accident. I would have killed myself gladly that time any possible way. Now there are these veils, shimmering like curtains, The diaphanous satins of a January window White as babies' bedding and glittering with dead breath. O ivory! It must be a tusk there, a ghost column. Can you not see I do not mind what it is. Can you not give it to me? Do not be ashamed--I do not mind if it is small. Do not be mean, I am ready for enormity. Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it. Let us eat our last supper at it, like a hospital plate. I know why you will not give it to me, You are terrified The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren. Do not be afraid, it is not so. I will only take it and go aside quietly. You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end. I do not think you credit me with this discretion. If you only knew how the veils were killing my days. To you they are only transparencies, clear air. But my god, the clouds are like cotton. Armies of them. They are carbon monoxide. Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million Probable motes that tick the years off my life. You are silver-suited for the occasion. O adding machine----- Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me. It stands at my window, big as the sky. It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history. Let it not come by the mail, finger by finger. Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it. Only let down the veil, the veil, the veil. If it were death I would admire the deep gravity of it, its timeless eyes. I would know you were serious. There would be a nobility then, there would be a birthday. And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side.

Maybe he’s still in the forces, his dark-blond curls now greying and cut military-grade short, his freckles perhaps fading with age. I picture him in his uniform, shiny medals with colourful ribbons attached to his jacket, rewards for successful tours of duty. But while I might no longer recognise him if he stood in front of me, I’d like to think that he is every inch the hero to others today as he was to me back then.

I got up and took the cake out from under its cake-shaped cover. I had made it at three o'clock in the morning in a desperate attempt to comfort myself. And it was an enormous comfort, standing alone in the kitchen in my nightgown, sifting fresh ground nutmeg with allspice and cloves by the little light over the sink. I peeled the apples with ridiculous care, taking the skins off in long, even ribbons that spiraled down to the floor without breaking. I didn't think of any of them while I peeled those apples. I didn't work anything out in my mind. I just relaxed into the creaming of butter and sugar, the sweet expansion of every egg. I had hoped the mixer wouldn't wake anyone up.The last thing I had wanted was company. I cut off big, hulking slices and slid them onto dessert plates. The apples were soft and golden, the cake was a rust color.

Neliss, why is this rug wet?” Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before. “We have a rug there?” “Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?” “Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.” “You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.” “Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?” “I swear, Magdelegna, I am never letting you visit that Druid ever again.” “Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.” “I would be a hell of a lot less moody if I could figure out what that damn noise is.” Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them. “What is that?” “Remember when you asked me why I cut my hair?” “Ah yes, the surprise. Took you long enough to get to it.” “If you do not stop, I am not going to give it to you.” “Okay. I am stopping. What is it?” She held out the box tied with a ribbon to him and he accepted it with a lopsided smile. “I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away. “Open it.” He reached for the ribbon and soon was pulling the top off the box. “What is this?” “Gideon, what does it look like?” He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom. “What does it say?” “It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.” “I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?” “Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.” “I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.” “See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him. “Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.

It’s amazing how some of these things can elude the writer while he or she is occupied with the daily work of composition. And listen—if you spot a few of these big holes, you are forbidden to feel depressed about them or to beat up on yourself. Screw-ups happen to the best of us. There’s a story that the architect of the Flatiron Building committed suicide when he realized, just before the ribbon-cutting ceremony, that he had neglected to put any men’s rooms in his prototypical skyscraper.

In early April, the Parks Department returned to replace ribbons around condemned trees, this time using not red but yellow ribbons printed with the words "This tree has been diagnosed with Dutch elm disease and will be removed in order to inhibit further spread. By order of Parks Dept." You had to circle a tree three times to read the whole sentence. The elm in the Lisbons' front yard (see Exhibit #1) was among the condemned, and with the weather still cool a truckful of men arrived to cut it down.

5-4-10 Tuesday 8:00 A.M. Made a large batch of chili and spaghetti to freeze yesterday. And some walnut fudge! Relieved the electricity is still on. It’s another beautiful sunny day with fluffy white clouds drifting by. The last cloud bank looked like a dog with nursing pups. I open the window and let in some fresh air filled with the scent of apple and plum blossoms and flowering lilacs. Feels like it’s close to 70 degrees. There’s a boy on a skate board being pulled along by his St. Bernard, who keeps turning around to see if his young friend is still on board. I’m thinking of a scene still vividly displayed in my memory. I was nine years old. I cut through the country club on my way home from school and followed a narrow stream, sucking on a jawbreaker from Ben Franklins, and I had some cherry and strawberry pixie straws, and banana and vanilla taffy inside my coat pocket. The temperature was in the fifties so it almost felt like spring. There were still large patches of snow on the fairways in the shadows and the ground was soggy from the melt off. Enthralled with the multi-layers of ice, thin sheets and tiny ice sickles gleaming under the afternoon sun, dripping, streaming into the pristine water below, running over the ribbons of green grass, forming miniature rapids and gently flowing rippling waves and all the reflections of a crystal cathedral, merging with the hidden world of a child. Seemingly endless natural sculptures. Then the hollow percussion sounds of the ice thudding, crackling under my feet, breaking off little ice flows carried away into a snow-covered cavern and out the other side of the tunnel. And I followed it all the way to bridge under Maple Road as if I didn't have a care in the world.

Stop staring at Kevin so much. You're making me fear for your life over here." "What do you mean?" "Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats." "Can you take the creepy down a level?" Aaron asked. "What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push." "I don't need a push," Neil said. "I'm fine on my own." "Seriously, how are you not bored of your hand by now?" "I'm done with this conversation," Neil said. "This and every future variation of it. [...]" The stadium door slammed open as Andrew showed up at last. He swept them with a wide-eyed look as if surprised to see them all there. "Kevin wants to know what's taking you so long. Did you get lost?" "Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...] "Wow, Nicky," Andrew said. "You start early." "Can you really blame me?" Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?" "You know I'd never hurt him. If he says yes-" "I said no." "Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-" He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. If Nicky so much as breathed wrong right now, Andrew would cut his lungs to ribbons, any and all consequences be damned. Neil wondered if Andrew's medicine would let him grieve, or if he'd laugh at Nicky's funeral too. Then he wondered if a sober Andrew would act any different. Was this Andrew psychosis or his medicine? Was he flying too high to understand what he was doing, or did his medicine only add a smile to Andrew's ingrained violence? [...] Andrew let go of Nicky and spun away. [...] Aaron squized Nicky's shoulder on his way out. Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all. "On second thought, you're not my type after all,” Nicky said [...]. "Don't let him get away with things like that." Nicky considered him for a moment, his smile fading into something small and tired. "Oh, Neil. You're going to make this so hard on yourself. Look, [...] Andrew is a little crazy. Your lines are not his lines, so you can get all huff and puff when he tramps across yours but you'll never make him understand what he did wrong. Moreover, you'll never make him care. So just stay out of his way." "He's like this because you let him get away with it," Neil said. [...] "That was my fault. [...] I said something I shouldn't have, and got what I deserved.

We kept our fingers crossed and eagerly scanned the newspapers and magazines for news of an engagement between Diana and Charles. Then, late in the morning of February 24, I answered the telephone in my bedroom and heard the voice of a friend in London… “Mary, it’s Dena. Your girl made it!” I knew she meant that Diana’s engagement to Prince Charles had just been announced. I gave a big shout and literally jumped for joy, banging my head on the low dormer ceiling. I couldn’t have been prouder of Diana if I’d been her mother. I was so happy for her I could have burst! I knew how desperately she had wished for this outcome. The past fall, she had told me that she would “simply die” if the romance didn’t work out. How wonderful that her dream had come true. Almost immediately, a mischievous picture popped into my mind of the future and royal Diana, scheduled for an official day of handshaking, ribbon cutting, or tree planting and wishing she could have a friend call to cancel those tedious engagements. As Princess of Wales, she would not be able to cancel on short notice, if at all, as she had when she was baby-sitting for me. I wondered how the lively, spontaneous, and very young Diana would adjust to her official duties. I felt a bit sorry for her as I dimly realized how rigid and structured her new life might be.

I caught a tremendous fish and held him beside the boat half out of water, with my hook fast in a corner of his mouth. He didn't fight. He hadn't fought at all. He hung a grunting weight, battered and venerable and homely. Here and there his brown skin hung in strips like ancient wallpaper, and its pattern of darker brown was like wallpaper: shapes like full-blown roses stained and lost through age. He was speckled with barnacles, fine rosettes of lime, and infested with tiny white sea-lice, and underneath two or three rags of green weed hung down. While his gills were breathing in the terrible oxygen —the frightening gills, fresh and crisp with blood, that can cut so badly— I thought of the coarse white flesh packed in like feathers, the big bones and the little bones, the dramatic reds and blacks of his shiny entrails, and the pink swim-bladder like a big peony. I looked into his eyes which were far larger than mine but shallower, and yellowed, the irises backed and packed with tarnished tinfoil seen through the lenses of old scratched isinglass. They shifted a little, but not to return my stare. —It was more like the tipping of an object toward the light. I admired his sullen face, the mechanism of his jaw, and then I saw that from his lower lip —if you could call it a lip— grim, wet, and weaponlike, hung five old pieces of fish-line, or four and a wire leader with the swivel still attached, with all their five big hooks grown firmly in his mouth. A green line, frayed at the end where he broke it, two heavier lines, and a fine black thread still crimped from the strain and snap when it broke and he got away. Like medals with their ribbons frayed and wavering, a five-haired beard of wisdom trailing from his aching jaw. I stared and stared and victory filled up the little rented boat, from the pool of bilge where oil had spread a rainbow around the rusted engine to the bailer rusted orange, the sun-cracked thwarts, the oarlocks on their strings, the gunnels—until everything was rainbow, rainbow, rainbow! And I let the fish go.

My beautiful wooden leader with your heartful of medals made of wood, fixing it each time so you almost win, you long to be bandaged before you have been cut. My love for you is the love of one statue for another: tensed and static. General, you enlist my body in your heroic struggle to become real: though you promise bronze rescues you hold me by the left ankle so that my head brushes the ground, my eyes are blinded, my hair fills with white ribbons. There are hordes of me now, alike and paralyzed, we follow you scattering floral tributes under your hooves. Magnificent on your wooden horse you point with your fringed hand; the sun sets, and the people all ride off in the other direction.

What about you, Mr. Shaw?" she asked. "Are your affections engaged by someone back home?" He shook his head at once. "I'm afraid that I share McKenna's rather skeptical view of the benefits of marriage." "I think you will fall in love someday." "Doubtful. I'm afraid that particular emotion is unknown to me..." Suddenly his voice faded into silence. He set his cup down as he stared off into the distance with sudden alertness. "Mr. Shaw?" As Aline followed his gaze, she realized what he had seen- Livia, wearing a pastel flower-printed walking dress as she headed to one of the forest trails leading away from the manor. A straw bonnet adorned with a sprig of fresh daisies swung from her fingers as she held it by the ribbons. Gideon Shaw stood so quickly that his chair threatened to topple backward. "Pardon," he said to Aline, tossing his napkin to the table. "The figment of my imagination has reappeared- and I'm going to catch her." "Of course," Aline said, struggling not to laugh. "Good luck, Mr. Shaw." "Thanks." He was gone in a flash, descending one side of the U-shaped stone staircase with the ease of a cat. Once he reached the terraced gardens, he cut across the lawn with long, ground-eating strides, just short of breaking into a run. Standing to better her view of his progress, Aline couldn't suppress a mocking grin. "Why, Mr. Shaw... I thought there was nothing in life you wanted badly enough to chase after it.

On November 3, 2015, the day after the Trump Organization transmitted the LOI, Sater emailed Cohen suggesting that the Trump Moscow project could be used to increase candidate Trump's chances at being elected, writing: Buddy our boy can become President of the USA and we can engineer it. I will get all of Putins team to buy in on this, I will manage this process. . . . Michael, Putin gets on stage with Donald for a ribbon cutting for Trump Moscow, and Donald owns the republican nomination. And possibly beats Hillary and our boy is in.... We will manage this process better than anyone. You and I will get Donald and Vladimir on a stage together very shortly. That the game changer.327 Later that day, Sater followed up: Donald doesn't stare down, he negotiates and understands the economic issues and Putin only want to deal with a pragmatic leader, and a successful business man is a good candidate for someone who knows how to negotiate. "Business, politics, whatever it all is the same for someone who knows how to deal" I think I can get Putin to say that at the Trump Moscow press conference. If he says it we own this election. Americas most difficult adversary agreeing that Donald is a good guy to negotiate. . . . We can own this election. Michael my next steps are very sensitive with Putins very very close people, we can pull this off. Michael lets go. 2 boys from Brooklyn getting a USA president elected. This is good really good.328

She could almost feel the wave of energy coming off of him as he moved with the wheel and thought if Jake wanted to photograph blatant sex, all he had to do was turn to his right and snap a few of Aaron. Neither one was paying the slightest bit of attention to the other, but Alyson was certain she could see a strand of nearly invisible light connecting them. She stared at them and thought that if she had a pair of those giant novelty scissors they used to cut red ribbons at the openings of new businesses, she could walk over and sever that connection with one snap of her shears and Jake and Aaron would crash to the floor like puppets shorn of their strings. Ellis, Giselle 2010-02-23. Take My Picture (Kindle Locations 638-643). Dreamspinner Press. Kindle Edition.

Open the so-called body and spread out all its surfaces: not only the skin with each of its folds, wrinkles, scars, with its great velvety planes, and contiguous to that, the scalp and its mane of hair, the tender pubic fur, nipples, nails, hard transparent skin under the heel, the light frills of the eyelids, set with lashes - but open and spread, expose the labia majora, so also the labia minora with their blue network bathed in mucus, dilate the diaphragm of the anal sphincter, longitudinally cut and flatten out the black conduit of the rectum, then the colon, then the caecum, now a ribbon with its surface all striated and polluted with shit ; as though your dress maker' s scissors were opening the leg of an old pair of trousers, go on, expose the small intestines' alleged interior, the jejunum, the ileum, the duodenum, or else, at the other end, undo the mouth at its corners, pull out the tongue at its most distant roots and split it, spread out the bats' wings of the palate and its damp basements, open the trachea and make it the skeleton of a boat under construction; armed with scalpels and tweezers, dismantle and lay out the bundles and bodies of the encephalon; and then the whole network of veins and arteries, intact, on an immense mattress, and then the lymphatic network, and the fine bony pieces of the wrist, the ankle, take them apart and put them end to end with all the layers of nerve tissue which surround the aqueous humours and the cavernous body of the penis, and extract the great muscles, the great dorsal nets, spread them out like smooth sleeping dolphins. Work as the sun does when you're sunbathing or taking grass.

Soldiers nervously patrolled the streets, cheered by many people who had wished for the government’s defeat. Some of them, emboldened by the violence of the past few days, stopped all men with long hair or beards, unequivocal signs of a rebel spirit, and all women dressed in slacks, which they cut to ribbons because they felt responsible for imposing order, morality, and decency. The new authorities announced that they had nothing to do with actions of this sort and had never given orders to cut beards or slacks, and that it was probably the work of Communists disguised as soldiers attempting to cast aspersions on the armed forces and make the citizenry hate them. Neither beards nor slacks were forbidden, they said, although of course they preferred men to shave and wear their hair short, and women to wear dresses. Word

My, my,” Chloe murmured, studying the chocolate she held. “I do believe this one’s gone off. It stinks like a cesspit.” Her eyes lifted. “Oh, wait. It’s only the guttersnipe.” “Or perhaps it’s your perfume,” I said cordially. “You always smell like a whore.” “It’s French,” retorted Runny-Nose, before Chloe could speak. “Then she smells like a French whore.” “Aren’t you the eloquent young miss.” Chloe’s gaze cut to Sophia, standing close behind me. “Slumming, little sister? I can’t confess I’m surprised.” “I’m merely here for the show,” Sophia said breezily. “Something tells me it’s going to be good.” I took the brooch from my pocket and let it slide down my index finger, giving it a playful twirl. “A fine try. But, alas, no winner’s prize for you, Chloe. I’m sure you’ve been waiting here for Westcliffe to raise the alarm about her missing ring, ready with some well-rehearsed story about how you saw me sneaking into her office and sneaking out again, and oh, look isn’t that Eleanore’s brooch there on the floor? But I’ve news for you, dearie. You’re sloppy. You’re stupid. And the next time you go into my room and steal from me, I’ll make certain you regret it for the rest of your days.” “How dare you threaten me, you little tart!” “I’m not threatening. You have no idea how easy it would be to, say, pour glue on your hair while you sleep. Cut up all your pretty dresses into ribbons.” Chloe dropped her half-eaten chocolate back into its box, turning to her toadies. “You heard her! You all head her! When Westcliffe finds out about this-“ “I didn’t hear a thing,” piped up Sophia. “In fact, I do believe that Eleanore and I aren’t even here right now. We’re both off in my room, diligently studying.” She sauntered to my side, smiling. “And I’ll swear to that, sister. Without hesitation. I have no misgivings about calling you all liars right to Westcliffe’s face.” “What fun,” I said softly, into the hush. “Shall we give it a go? What d’you say, girls? Up for a bit of blood sport?” Chloe pushed to her feet, kicking the chocolates out of her way. All the toadies cringed. “You,” she sneered, her gaze scouring me. “You with your ridiculous clothing and that preposterous bracelet, acting as if you actually belong here! Really, Eleanore, I wonder that you’ve learned nothing of real use yet. Allow me to explain matters to you. You may have duped Sophia into vouching for you, but your word means nothing. You’re no one. No matter what you do here or who you may somehow manage to impress, you’ll always be no one. How perfectly sad that you’re allowed to pretend otherwise.” “I’m the one he wants,” I said evenly. “No one’s pretending that.” I didn’t have to say who. She stared at me, silent, her color high. I saw with interest that real tears began to well in her eyes. “That’s right.” I gave the barest smile. “Me, not you. Think about that tomorrow, when I’m with him on the yacht. Think about how he watches me. How he listens to me. Another stunt like this”-I held up the circlet-“and you’ll be shocked at what I’m able to convince him about you.” “As if you could,” she scoffed, but there was apprehension behind those tears. “Try me.” I brought my foot down on one of the chocolates, grinding it into a deep, greasy smear along the rug. “Cheerio,” I said to them all, and turned around and left.

mind.” “No plan,” I admit as I toe off my shoes and put my feet up on the seat. “Nothing more than just cutting loose with you.” “I like that plan,” he says. “And I know exactly where I want to get off.” He glances at me as he says the last, the deliciously devious gleam in his eyes so exaggerated that I can’t help but laugh. “Perv,” I say. “Only for you,” he retorts. I am hugging my knees, and he reaches over and traces his fingertip over the platinum and emerald ankle bracelet that was a gift from him, a physical reminder that I am his. As if I could ever forget. His hand moves from the bracelet to the back of my thigh, the touch light and sensual. It’s nothing more than a simple caress, but my reaction to it is all sorts of complicated. Taut ribbons of heat shoot through me to pool between my legs, to tug at my nipples. How

Happy birthday, Kya,” he said. “You’re fifteen.” A two-tiered bakery cake, tall as a hatbox and decorated with shells of pink icing, rose from the basket. Her name scripted on top. Presents, wrapped in colorful paper and tied with bows, surrounded the cake. She stared, flabbergasted, her mouth open. No one had wished her happy birthday since Ma left. No one had ever given her a store-bought cake with her name on it. She’d never had presents in real wrapping paper with ribbons. “How’d you know my birthday?” Having no calendar, she had no idea it was today. “I read it in your Bible.” While she pleaded for him not to cut through her name, he sliced enormous pieces of cake and plopped them on paper plates. Staring into each other’s eyes, they broke off bites and stuffed them in their mouths. Smacking loudly. Licking fingers. Laughing through icing-smeared grins. Eating cake the way it should be eaten, the way everybody wants to eat it.

Hair tickled her neck in a way it hadn’t done since she was six—the first time she’d taken a pair of scissors to her hair, to eliminate the need for the ridiculous ribbons Maman had insisted on tying in it. That day, she’d learned what happened when she crossed one of Sophie De Wilde’s invisible lines, and she hadn’t been able to sit at her desk chair without pain for hours. But Maman wasn’t here to see. To judge. To punish. Or to decide that it wasn’t deserving of punishment. She had never drawn the lines in the same place twice. The second time Margot had cut her own hair, at age ten, it had simply been because it was annoying her, not in rebellion. Maman hadn’t punished her that time, and it wasn’t because she’d left it longer—below her shoulders, no ends tickling her neck. It had been because it hadn’t been meant to hurt anyone. “It is the heart that matters,” Maman had said as she evened out the edges that second time. “The motivation.

Oh no. Not this again. It’s the clothing dream. I’ve been having it for fifty years. Aisle after aisle, closetful after closetful, metal rack after metal rack of clothing, stretching into the distance under the glare of the fluorescent tubing – as gaudy and ornate and confusing, and finally as glum and oppressive, as the dreams of a long-time opium smoker. Why am I compelled to riffle through these outfits, tangling up the hangers, tripping on the ribbons, snagging myself on a hook or button while feathers and sequins and fake pearls drop to the floor like ants from a burning tree? What is the occasion? Who do I need to impress? ___________ There’s a smell of stale underarms. Everything’s been worn before. Nothing fits. Too small, too big, too magenta. These flounces, hoops, ruffles, wired collars, cut-velvet capes – none of these disguises is mine. How old am I in this dream? Do I have tits? Whose life am I living? Whose life am I failing to live?

It's a lovely mask," Sara said, toying with the narrow black silk ribbons before tying it in place. Monique had artfully fashioned it out of black silk and lace, and glinting blue sapphires that matched her gown. "I'm not nervous at all." It was true. She felt as if some reckless stranger had replaced her usual cautious self. The midnight-blue gown molded to her figure, cut so low that her breasts seemed ready to spill from the meager bodice. A broad satin sash fastened with a gold buckle emphasized her small waist. The mask covered the upper half of her face but revealed her lips, which Monique and Lily had insisted on darkening with the faintest hint of rouge. Laboriously they had arranged her hair in a cluster of curls on top of her head, allowing a few ringlets to dangle teasingly against her cheeks and neck. A perfume that reminded Sara of roses blended with some deeper foresty scent had been applied sparingly to her bosom and throat. "A triumph," Monique had declared, gloating over the transformation. "Beautiful, worldly, but still fresh and young... ah, chérie, you will make many conquests tonight!" "Stunning," Lily had said, beaming with delight. "What a stir she'll cause.

The best way to get a handle on the subject would be to ask the experts, but one does not simply walk into a church or synagogue and ask to speak with a demonologist. There are not that many of them; their names are confidential, and they are obliged to report their experiences only to their superiors. Even Ed Warren will not tell all about these horrendous black spirits that come in the night bearing messages and proclamations of blasphemy. When pressed on the matter, in fact, Ed’s reply is: “There are things known to priests and myself that are best left unsaid.” Upon what, then, does Ed Warren base his opinions? Is there proper evidence or corroboration to substantiate his claims? “People who aren’t familiar with the phenomenon sometimes ask me if I’m not involved in a sort of ultrarealistic hallucination, like Don Quixote jousting with windmills. Well, hallucinations are visionary experiences. This, on the other hand, is a phenomenon that hits back. My knowledge of the subject is no different than that of learned clergymen, and they’ll tell you as plainly as I will that this isn’t something to be easily checked off as a bad dream. “I can support everything I say with bona fide evidence,” Ed goes on, “and testimony by credible witnesses and blue-ribbon professionals. There is no conjecture involved here. My statements about the nature of the demonic spirit are based on my own firsthand experiences over thirty years in this work, backed up by the experiences of other recognized demonologists, plus the experiences of the exorcist clergy, plus the testimony of hundreds of witnesses who’ve been these spirits’ victims, plus the full weight of hard physical evidence. Theological dogma about the demonic simply proves consistent with my own findings about these spirits in real life. But let me be more specific. “The inhuman spirit often identifies itself as the devil and then—through physical or psychological means—proves itself to be just that. Again speaking from my own personal experiences, I have been burned by these invisible forces of pandemonium. I have been slashed and cut; these spirits have gouged marks and symbols on my body. I’ve been thrown around the room like a toy. My arms have been twisted up behind me until they’ve ached for a week. I’ve incurred sudden illnesses to knock me out of an investigation. Physicalized monstrosities have manifested before me, threatening death,

Fresh Pasta Dough Recipe INGREDIENTS: 1 ½ cups flour ½ cup semolina flour (pasta flour) 2 whole eggs, at room temperature 3 egg yolks, at room temperature DIRECTIONS: In a large bowl, whisk together the flour and the semolina. Create a well in the center and add the eggs and egg yolks. Using a fork, break up the eggs then gradually start to draw flour from the edges of the well into the mixture. If the dough gets too firm to mix with the fork switch to mixing with your hands. Continue to work in flour until the dough no longer sticks to your hands; you may not need to incorporate all of the flour. (I used a bit more than what the recipe called for.) Transfer the dough to a lightly floured surface and knead the dough for 8 to 10 minutes or until it is smooth and pliable. Wrap the dough tightly in plastic wrap and allow to rest for at least 30 minutes. If using a pasta roller: Divide the dough into 4 pieces. Starting with the machine set to the widest setting, pass the dough through the rollers. Fold the dough into thirds and pass it through again 2 more times. Continue passing the pasta through the machine, reducing the setting a few notches each time. You may need to dust a bit with flour if the dough sticks to the rollers at all. Once you reach your desired thickness, use the cutting attachment to cut the pasta sheet into fettuccine. Dust the cut pasta with more flour to prevent sticking and repeat with the remaining dough. If using a rolling pin: Divide the dough in half. Dust your surface with flour and sprinkle generously on your rolling pin. *Roll out the dough as thin and as evenly possible, adding flour as needed to prevent sticking. Use a paring knife (a pizza cutter works great!) to cut your dough into even ribbons, then set aside, dusting the cut pasta with more flour. Repeat with the remaining dough. (At this point, the pasta can be transferred to a sealable plastic bag and frozen for up to 3 months; do not defrost before cooking.) Cook the pasta in a large pot of generously salted boiling water, checking for doneness after just 1 minute; fresh pasta cooks very quickly. As soon as it is al dente, no more than 3 or 4 minutes, drain, reserving some of the cooking water if desired for saucing the pasta. Toss with your sauce, loosen with some of the reserved cooking water as needed and serve immediately. *Note:  You must get the dough as thin as possible and cut them into small strips, otherwise, it will be too thick and end up having the texture of dumplings.

They were interrupted as a young girl walked along the pavement in front of the sessions house, calling, "Flowers! Fresh-cut flowers!" She stopped in front of them. "Posy for the lady, sir?" Ransom turned to the girl, who wore a colorful scarf over her long dark hair and a patchwork apron over her black dress. She carried a flat basket filled with posyes, their stems wrapped with bits of colored ribbon. "There's no need-" Garrett began, but Ransom ignored her, browsing over the tiny bouquets of roses, narcissus, violets, forget-me-nots, and dianthus. "How much?" he asked the flower girl. "A farthing, sir." He glanced at Garrett over his shoulder. "Do you like violets?" "I do," she said hesitantly. Ransom gave the flower-girl a sixpence and picked out one of the posyes. "Thank you, sir!" The girl scurried away as if fearing he might change his mind. Ransom turned to Garrett with the cluster of purple blossoms. Reaching for the lapel of her walking jacket, he deftly tucked the ribbon-wrapped stem of the posy into a buttonhole. "Violets make an excellent blood-purifying tonic," Garrett said awkwardly, feeling the need to fill the silence. "And they're good for treating cough or fever." The elusive dimple appeared in his cheek. "They're also becoming to green-eyed women.

Sharply the menacing wind sweeps over The bending poplars, newly bare, And the dark ribbons of the chimneys Veer downward; flicked by whips of air. Torn posters flutter; coldly sound The boom of trams and the rattle of hooves, And the clerks who hurry to the station Look, shuddering, over the eastern rooves, Thinking, each one, "Here comes the winter! "Please God I keep my job this year!" And bleakly, as the cold strikes through Their entrails like an icy spear, They think of rent, rates, season tickets, Insurance, coal, the skivvy's wages, Boots, school-bills and the next installment Upon the two twin beds from Drage's. For if in careless summer days In groves of Ashtaroth we whored, Repentant now, when winds blow cold, We kneel before our rightful lord; The lord of all, the money-god, Who rules us blood and hand and brain, Who gives the roof that stops the wind, And, giving, takes away again; Who spies with jealous, watchful care, Our thoughts, our dreams, our secret ways, Who picks our words and cuts our clothes, And maps the pattern of our days; Who chills our anger, curbs our hope. And buys our lives and pays with toys, Who claims as tribute broken faith, Accepted insults, muted joys; Who binds with chains the poet's wit, The navvy's strength, the soldier's pride, And lays the sleek, estranging shield Between the lover and his bride.

My mother had a passion for all fruit except oranges, which she refused to allow in the house. She named each one of us, on a seeming whim, after a fruit and a recipe- Cassis, for her thick black-currant cake. Framboise, her raspberry liqueur, and Reinette after the reine-claude greengages that grew against the south wall of the house, thick as grapes, syrupy with wasps in midsummer. At one time we had over a hundred trees (apples, pears, plums, gages, cherries, quinces), not to mention the raspberry canes and the fields of strawberries, gooseberries, currants- the fruits of which were dried, stored, made into jams and liqueurs and wonderful cartwheel tarts on pâte brisée and crème pâtissière and almond paste. My memories are flavored with their scents, their colors, their names. My mother tended them as if they were her favorite children. Smudge pots against the frost, which we base every spring. And in summer, to keep the birds away, we would tie shapes cut out of silver paper onto the ends of the branches that would shiver and flick-flack in the wind, moose blowers of string drawn tightly across empty tin cans to make eerie bird-frightening sounds, windmills of colored paper that would spin wildly, so that the orchard was a carnival of baubles and shining ribbons and shrieking wires, like a Christmas party in midsummer. And the trees all had names. Belle Yvonne, my mother would say as she passed a gnarled pear tree. Rose d'Aquitane. Beurre du Roe Henry. Her voice at these times was soft, almost monotone. I could not tell whether she was speaking to me or to herself. Conference. Williams. Ghislane de Penthièvre. This sweetness.

A man fell in love with a tree. It was as simple as that. He went into the forest to cut wood and he found a tree and he knew then that he loved it. He forgot about his axe. It fell from his hand and he knew it not. He forgot about the village that he had come from, forgot the path along which he had come, forgot even the brave ringing voices of his fellows, which sounded even then in the broad wood as they called his name, seeking after him. He sat down there before the tree and he made a place for himself and soon no one passing there could even see that he was lying between the roots. It was for him as though a blade of grass had turned to reveal a map of broad longing and direction and over it he could pass—and did. He and his love then sought what they would with nothing asked of anyone. Asking no permission, they devised all manner of delights and found in each other everything that the world lacked. You are as bright as a coin. You are as tall as a grove. You are as swift as a thought. And so well did they hide themselves in their love that grass grew over their hearts and all their loud songs became indecipherable ribbons of air. But then one day, the man awoke. He found himself again in front of a tree, but it was one he had never seen before. He had never seen the forest either--and the clothes he wore were worn almost to shreds. Where have I been, he asked himself, and stumbled out of the woods to where others waited at a string of houses. But, they could tell him no tidings of himself. Where have I been, he wondered. With whom, in my loveliest dreams, have I so endlessly been speaking? But as he thought it fell away, and he was poorer then than anyone. Raise yourself up, the others called to him. Rase yourself up, you fool. Ah, he said, so this is how fools are made. For I did never know.

Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

He was walking down a narrow, steeply downhill street, between houses, in the sun. Before the arches, children played. Laundry hung on lines at the windows. The uneven pavement, strewn with trash, banana peels, scraps of food, was cut by a gutter full of muddy water. Far at the foot of the hill was the port, crowded with sails. Shallow, lethargic waves lapped the beach; boats pulled up on the sand were separated by fishing nets. The sea, smooth to the horizon, gleamed with a ribbon of reflected sun. He smelled fried fish, urine, olive oil. He did not know how he got here, but knew that it was Naples.

Sater was confident he could arrange everything. On November 3, 2015, he wrote to Cohen: I will get Putin on this program and we will get Donald elected. We both know that no one else knows how to pull this off without stupidity or greed getting in the way. I know how to play it and we will get this done. Buddy our boy can become President of the USA and we can engineer it. I will get all of Putins team to buy in on this, I will manage this process. We don’t have Cohen’s reply. But the emails lay out Sater’s plan for glory—a ribbon-cutting ceremony in Moscow and praise from Putin of Trump’s peerless business skills. To achieve this, Sater said he could show video clips to his Russian contacts of Trump speaking glowingly of Russia: “If he [Putin] says it, we own this election. America’s most difficult adversary agreeing that Donald was a good guy to negotiate.

True to its name (gelato spelled backwards), Oletag is swimming against the tide of cost-cutting convenience that dominates Italy's ice cream industry. Sixty flavors at a given time, rotating daily- most rigorously tied to the season, many inspired by a pantry of savory ingredients: mustard, Gorgonzola with white chocolate and hazelnuts, pecorino with bitter orange. He seeks out local flavors, but never at the expense of a better product: pistachios from Turkey, hazelnuts from Piedmont, and (gasp!) French-born Valrhona chocolate. Extractions, infusions, experiments- whatever it takes to get more out of the handful of ingredients he puts into each creation. In the end, what matters is what ends up in the scoop, and the stuff at Oletag will make your toes curl- creams and chocolates so pure and intense they must be genetically manipulated, fruit-based creations so expressive of the season that they actually taste different from one day to the next. And a licorice gelato that will change you- if not for life, at least for a few weeks. Radicioni and Torcè are far from alone in their quest to lift the gelato genre. Fior di Luna has been doing it right- serious ingredients ethically sourced and minimally processed- since 1993. At Gelateria dei Gracchi, just across the Regina Margherita bridge, Alberto Monassei obsesses over every last detail, from the size of the whole hazelnuts in his decadent gianduia to the provenance of the pears that he combines with ribbons of caramel. And Maria Agnese Spagnuolo, one of Torcè's many disciples, continues to push the limits of gelato at her ever-expanding Fatamorgana empire, where a lineup of more than fifty choices- from basil-honey-walnut to dark chocolate-wasabi- attracts a steady crush of locals and savvy tourists.

I was hoping to be done with Margot's scrapbook before she left for college, but as anyone who's ever scrapbooked knows, Rome wasn't built in a day. You could spend a year or more working on a scrapbook. I've got Motown girl-group music playing, and my supplies are laid out all around me in a semicircle. My heart hole punch, pages and pages of scrapbook paper, pictures I've cut out of magazines, glue gun, my tape dispenser with all my different colored washi tapes. Souvenirs like the playbill from when we saw Wicked in New York, receipts, pictures. Ribbon, buttons, stickers, charms. A good scrapbook has texture. It's thick and chunky and doesn't close all the way.

She jumped when he captured one of her long tresses again and ran the length of it slowly between his fingers like a satin ribbon. Resenting the galling forwardness of his touch, she glanced up at him angrily only to be captivated by his smoldering, hypnotic stare. When he spoke, his voice was an intimate murmur that could have coaxed the deepest secrets of her heart. "Virginal Alice Montague. Tell me, what do you think of what you've seen here tonight?" She shook her head and looked away, blushing. "I do not know." He lifted her chin, forcing her to meet his gaze, diamond-sharp, crystal-clear. "Does it arouse you?" His eyes flared with shock. She could not find her voice even to tell him that she had no intention of answering such a question, but he cut her off before she could speak. "Don't lie," he chided in a velvet whisper, holding her chin between his fingertips so she could not look away. He gazed at her as though his keen, crystalline eyes could see into the depths of her heart, things she had never revealed to anyone- the unruliness of her passions, the hunger in the core of her. His gaze seemed to accept it all with dark, satin gentleness. "Tell me," he breathed. "Let me remember how it felt to be as innocent as you." He paused, though she did not reply. "Have you never seen people making love before?" Wide-eyed, her heart in her throat, she gathered her courage and shook her head after a long moment. His expression softened. He gazed down almost tenderly at her. She had never seen such hunger in a man's eyes before, such stark, hurting loneliness. She quivered in response to it, flooded with the strangest, tingling feelings as he picked up her hand and lifted it to his lips. He placed a gentle kiss in her palm, then pressed her hand to his chiseled midriff. A soft gasp escaped her lips, not merely that he should do such a thing, but at the feel of his bare skin beneath her palm. It electrified her. She looked up at him, helpless, trembling. Her voice was a strangled whisper, the weakest of protests. "My lord-" "Shh, Alice, I can see it in your eyes. Go on. I won't bite. All is allowed in this place. Your curiosity is... quite natural," he finished hoarsely.

Most of the theaters in Jersey City and the surrounding area have been closed, demolished, renovated or restored, but nothing remained the same. The Stanley Theatre still stands in Journal Square, completely restored as a Jehovah’s Witnesses Assembly Hall. Originally built as a vaudeville and movie theater, having 4,300 seats, it opened on March 22, 1928 as the second largest theater in the United States. With only Radio City Music Hall in Manhattan across the Hudson River being larger, many celebrities attended the gala occasion. The well liked but notorious Mayor Hague was present to cut the ribbon. Famous and not-so-famous headline acts performed here, including the Three Stooges, Jimmy Durante, Tony Bennett and Janis Joplin. It was here at the Stanley Theatre that Frank Sinatra was inspired to become a professional performer. Being part of the audience, he watched Bing Crosby doing a Christmas performance. By the time the show was over, Sinatra had decided on the path he would follow. In 1933 Frank’s mother got him together with a group called the “Three Flashes.” They changed their name to the “Hoboken Four” and won first prize performing on the Major Bowes Amateur Hour show. Frank worked locally until June of 1939, when Harry James hired him for a one-year contract, paying only $75 a week. That December, Sinatra joined Tommy Dorsey’s band as a replacement vocalist for Jack Leonard, and the rest is history!

There were several methods by which the Indians obtained eagle feathers. Some tribes dug a pit in the ground in the areas known to have eagles. These pits were large enough to conceal a brave. The trap was baited with a live rabbit or pieces of buffalo meat, and the opening was covered with a buffalo hide or brush. A large enough opening was left so that the Indian crouching in the pit could grab the tail feathers of the bird alighting to take the bait. The bird would lose its feathers, but could escape unharmed to grow new tail feathers by its next moulting period. This method was very dangerous. Often bears, attracted by the bait, would discover and kill the Indian. Sometimes eagles were caught and killed for their feathers. There also were tribes who captured young eagles while they were still in the nest. These birds were tethered by a leather thong around their leg and were kept solely for their feathers; they were plucked regularly. These birds seldom became tame and never lost their desire for freedom. They continually would fly into the air as far as the leather thong would allow, screaming their defiance at their captor. Regardless of where or how an Indian brave accumulated feathers, he was not allowed, according to tribal law, to wear them until he won them by a brave deed. He had to appear before the council and tell or re-enact his exploit. Witnesses were examined and if in the eyes of the council the deed was thought to be worthy, the brave was authorized to wear the feather or feathers in his hair or war bonnet. These honors were called “counting coup” (pronounced “coo”). Deeds of exceptional valor (such as to touch the enemy without killing him and escape) were called “grand coup” and were rated more than one feather. Sometimes a tuft of horsehair or down was added to the tip of a feather to designate additional honor. Some tribes designated special deeds by special marking on “coup” feathers, such as cutting notches or adding paint spots. The coup feathers of the American Indian can be compared to the campaign ribbons and medals awarded to our modern soldier. An Indian would rather part with his horse, his tepee, or even his wife, than to lose his eagle feathers. To do so would be to be dishonored in the eyes of the tribe. Many old Indian chiefs, such as Many Coup of the Crow tribe, had won enough honors to wear a double-tailed bonnet that dragged on the ground and to carry a feathered lance to display the additional feathers.

Daisy was wearing a butter-yellow gown that wrapped tightly around her slender waist and pushed the small, pretty shapes of her breasts upward into a low-cut bodice of gleaming, ruched satin. Yellow satin ribbons had been braided into artful ropes that held the bodice in place. Her black hair had been pulled to the top of her head with a few spiraling curls falling to her neck and shoulders. She looked delicate and perfect, like one of the artful sugared garnishes on the dessert tray that one was never supposed to eat.

Indeed, it was perhaps the most iconic scene from any novel of its day, immortalised in engravings and artworks from the period and later. Werther, as Geothe’s narrator, describes the moment of desire in the first person: "I walked across the court to a well-built house, and, ascending the flight of steps in front, opened the door, and saw before me the most charming spectacle I had ever witnessed. Six children, from eleven to two years old, were running about the hall, and surrounding a lady of middle height, with a lovely figure, dressed in a robe of simple white, trimmed with pink ribbons. She was holding a rye loaf in her hand and was cutting slices for the little ones all around, in proportion to their age and appetite. She performed her task in a graceful and affec-tionate manner; each claimant awaiting his turn with outstretched hands, and boisterously shouting his thanks. Some of them ran away at once, to enjoy their evening meal; whilst others, of a gentler disposition, retired to the courtyard to see the strangers, and to survey the carriage in which their Charlotte was to drive away." The focus here is not on Lotte herself, of whom we learn only that she is ‘a lady of middle height, with a lovely figure, dressed in a robe of simple white’. Instead, for Werther what is important is what Barthes would call ‘the arrangements of objects’: Lotte’s relation to the children, the rye loaf, and the knife, all appear as scene-setting props which make desire possible. Lotte emerges from amidst these objects and Werther is ‘initiated’ as ‘the scene’ (described by Werther as the ‘most charming spectacle’) ‘consecrates the object [he is] going to love.’ It is that scene, that arrangement of objects, which makes desire – even love – possible. The technologies of our space, place and time set the scene for love to appear – make the emergence of desire possible. We don’t fall in love with an object in isolation but with how it appears in a curate scene determined by a variety of technologies. The Tinder profile card could hardly be a more perfect example from today.

Twenty minutes later father and daughter arrived at the greenhouse on the Blenheim estate. The display was beautiful, but the cut flowers were beginning to wilt. Nancy’s pulse quickened as she approached her own entry. “Dad!” she cried out. “Look!” Attached to her bouquet of larkspur was a dark-blue satin ribbon with the inscription FIRST PRIZE! “Nancy, that’s wonderful,” her father said. “Congratulations! Maybe you ought to give up solving mysteries and raise flowers.

And you're quite sure about this video game thing?" Jay looked and sounded skeptical. "She is a princess." Sylvie snorted. "So her personal hobbies ought to be---what? Practicing ribbon-cutting? Swanning around St. Giles unveiling makeshift plaques? The girl walks her pit bull in a Metallica T-shirt, and showed up to the Easter service at the Abbey wearing a skull necklace. Gamer princess seems entirely on brand.

A riot of transparent blue flowers grew up the side of a tree, reaching its highest branches and sending tendrils of milky blue to nearby trees. A net made of tiny lilac-hued blossoms crawled over the moss, snaking into the patterns of the bark. And overhanging the path, where two branches came close to touching each other, a canopy that looked as though it must have been made of downy feathers, if feathers could be diluted into something like a cloud. It was eerily strange, yet so beautiful. "Who made this?" she murmured, tracing a blossom of syrup gold suspended by a streamer from something not unlike a willow tree. "Did you?" "No one made it," the girl answered. "It is just--- this place. It takes what is given from your world and uses it." "The whole world---the world does this magic?" "What is magic?" The girl lifted her finger and beckoned Delphine. She pulled a thread from the red broadcloth. "Where did this come from?" "It's wool, the fibers from a sheep. It's cut off, and spun, and woven, and---" "Sheep. Where did 'sheep' come from?" Delphine paused. "I--- I suppose from some wild animal, domesticated many years ago." "Ah. A wild animal. A creature, begot from--- what? Its dam and sire?" She shook her head. "Now that is magic. And your plants--- they sprout, from seeds in the ground? That, too, is magic." She tested the thread between her fingers, rolling it--- no, Delphine saw with wonder, stretching it. It became thin under her fingers, flat like a ribbon, and lengthened, the color washing from scarlet to pink to palest apple blossom as the single thread became two yards long and the girl wrapped it around the crown of her head, binding her wheat-sheaf hair. "And that is what we call magic.

Bryant died in 1878, ironically because he’d become the park’s go-to guy for dedications and ribbon cuttings. Bryant always showed up, speech in hand. At the unveiling of a bust of Italian patriot Giuseppe Mazzini on the park’s west side near the sheepfold, the sun was blazing hot; as Bryant sat on the dais, he began to feel weak. He gave his prepared remarks, then walked across the park to rest at his friend James Grant Wilson’s house. As he mounted the front stoop of Wilson’s home, he collapsed, fell backward, and struck his head. Bryant lingered a few days before dying from his injuries.

. . . ALL HAIL, ALL PLANT YOUR FACE INTO THE FALLOW EARTH AND WEEP IT INTO PROSPERITY,” it concluded, before cutting the ribbon to officially open the new downtown roller rink.

Mendax walked over to where Eli sat bound and gagged. Embarrassment reddened my cheeks when I realized he had been so close and angled against the chair so he couldn’t look away as Mendax and I fucked. The ribbon of smoke was removed from his mouth as Mendax stood over him with a smile. “I’ll ki—” But it was all Aurelius got out the second his mouth was free before Mendax cut him off by roughly grasping Eli’s jaw, wrenching it open, and smearing his cum-soaked hand aggressively onto Eli’s face, shoving him backward with the force. “Have a taste of that too, sunshine. Taste me all over her now? That’s the only way it’ll ever be from now on, so fuck off.

After another forty-five minutes of excruciating tiptoeing around witchphobia, the Prime Minister was whisked away to cut the ribbon on a food bank that people only needed because of his government’s policies.

Auren’s ribbons were beautiful. Unique. Fae. They were as bright and alive as her. Now, they’ve been cut away like the branch of a tree, hacked off and shredded, left in splintered ruin.

She was pleasantly surprised at how much remained. Her parents had abandoned a heap of old Caltreyan clothes. Selecting one of the island dresses, Kiela shook it out. Dust plumed in the air. The skirt was a quilt of blue--- sky blue, sapphire blue, sea blue--- all stitched together with silvery thread and hemmed with silver ribbon, and the bodice was a soft white blouse. Not at all a city style, but it was perfect for a picnic in a garden or a stroll on a shore. With a few repairs, she could wear a lot of her mother's abandoned clothes, and she could use her father's for... She wasn't sure what, but they were nice to have. She'd find a use for them. If nothing else, she could chop the fabric up into cleaning rags. Or perhaps learn to quilt? There was a moth-eaten blanket in one closet, in addition to the old quilts on the daybed and her parents' bed. Each quilt had its own pattern--- one was comprised of colors of the sunset and sewn in strips like rays of light, while another was the brown and pale green of a spring garden with pieces cut like petals and sewn like abstract flowers. We left so many beautiful things behind. She'd had no idea. She'd been too little to help much with the packing, though she remembered she'd tried. Carrying an armful of clothes into the kitchen, Kiela dumped them into the sink to soak in water. She planned to use the excess line from the boat to hang them out in the sun to dry. They'll be even more beautiful once they're clean. The kitchen cabinet produced more treasures: a few plates, bowls, and cups. Each bowl was painted with pictures of strawberries and raspberries, and the plates were painted with tomatoes and asparagus. The teacups bore delicate pictures of flowers.

A piece of my ribbon?” I ask breathlessly. He nods, coming forward to show me. “This is the piece…” The piece that Midas had cruelly tied around my wrist once he cut the rest from my back. The piece I saved and looked at, while believing I’d never have them again. “You kept it all this time?” “I keep every part of you you’ve ever given to me,” he murmurs. “Your heart, your soul, your mind, your bond, your body… and your ribbon.

Though reporters made much of the challenge of keeping up with Patton, he was never far away from the press. (...) Presiding at a ceremony to open the Roosevelt Railroad Bridge near Mainz, he was invited to cut the ribbon with a large pair of scissors. He gave them back demanding 'a goddamned bayonet' adding he wasn't 'a goddamned tailor' - as if anyone in their wildest imagination supposed he might be.

There were more serious days, when the Brehon judges would come round on their circuit of Connaught to hear the civil suits, and cases of crimes committed in my father’s territories. ’Twas our ancient Gaelic law that they practiced—the very one that the English and the Christian Church so abhorred and wished to destroy. They could never understand the leniency with which we punished our thieves and murderers. The English like to flog a man to ribbons, cut off his hands, his head, rip out his very bowels for such offenses. And the Spanish Inquisition with its insane tortures and burnin’ people alive—quite unfathomable. Under native Irish law we demanded a payment of compensation that was equal to the crime, and paid to the family by the criminal—punishment enough. Or he lost his civil rights, became what we called an outlaw. That was much more sensible, we thought, than common vengeance. And

HOW TO MAKE A HAND-TIED BOUQUET This bouquet has a lush, loose, casual feel. You make it by holding a stem in one hand and adding other stems around it in a spiral fashion. Because it’s not tightly wrapped in ribbon, it can easily be stored in a glass of water until showtime. (Do make sure it’s dry before it gets anywhere near your dress!) MATERIALS: • 15 to 20 stems of fairly long-stemmed flowers (no more than 3 or 4 varieties for a mixed bouquet; if using a variety of colors make sure they are evenly distributed) • Florist’s knife • 5 to 10 stems of greenery • 26-gauge florist’s wire or ordinary twine • Floral shears • Ribbon for finishing 1. Cut each of the stems on the diagonal and place in water while you work. Remove any thorns by gently scraping them off with a florist’s knife (take care not to gouge too deeply) and any foliage from the bottom half of the stem. 2. Take the largest flower in the bunch—this will form the center of the bouquet. Hold its stem in your left hand, between your thumb and first finger, about 6 to 8 inches from the base of the flower head. 3. With your right hand, add 4 to 6 clusters of greenery evenly around the center flower, tucking them in just below the head, allowing the stems to cross at the bottom and turning the bouquet clockwise as you work. 4. Tuck the end of a long piece of wire or twine in between two of the stems, and then wind it around the whole bunch of stems a couple of times to begin to hold everything together. Do not cut the wire. 5. Holding the bouquet in your left hand as in step 2, place 5 or 6 more flowers around the greenery, turning the bouquet clockwise as you work. Secure this next layer of stems with a couple of twists of wire in the same place as before. Continue adding greenery, flowers, or whatever you like to add mass to the bouquet until it reaches the desired size and shape. (Look at it from all angles to make sure you like the silhouette.) 6. Finish with a ring of greenery to give it a nice decorative cuff (optional). 7. Secure all the stems together one last time by winding the wire gently but firmly around several times, and then cut it off and tuck it in. 8. Using floral shears, cut the stems to the desired length, all at the same level. (Don’t chop them too short or your bouquet will look top heavy.) 9. Wrap ribbon around the stems to cover the wire, and tie in a droopy bow. If your ribbon is narrow, wrap it around several times before tying a bow to ensure that you’ve covered all your work. Leave the ends of the bow long and trim them at an angle.

HOW TO MAKE A BOUTONNIERE MATERIALS: • Fresh rosebud or other small, hardy flower such as a ranunculus or daisy • Florist’s knife • 26-gauge floral wire • Green stem-wrap tape • Small amount of greenery and/or baby’s breath (optional) • Clippers • Pencil • Ribbon, if desired • Corsage pin (a large pearl-headed straight pin) 1. Cut flower stem to 3 inches long, on the diagonal, using the florist’s knife. 2. Take a length of florist’s wire and gently pierce the green base of the flower, and then push it all the way through. (Make sure you push through a meaty part, but make it closer to the stem than to the flower.) 3. Bend the wire into a hairpin shape. 4. Wrap stem and wire in stem-wrap tape (which will adhere to itself), from top to bottom, in a spiral. 5. If you want to add greenery or baby’s breath, line up a sprig with the stem and tape them together with a few more loops of stem-wrap tape. 6. Cut the “stem,” including the wire (which may extend below the stem itself), to the desired length using clippers. 7. Wrap the end of the wire around a pencil to form the traditional “pigtail” or J-shaped curlicue that gives a boutonniere a finished look. You can cover the stem with ribbon, if you like, or finish with a bow, but it’s probably best to keep the stem small and unobtrusive. 8. Pin on a lapel using the corsage pin.

Color these fish. Cut them out. Punch a hole in the top of each fish. Put a ribbon through all the holes. Tie these fish together. Now read what is written on these fish: Jesus is a friend. Jesus gathers friends. I am a friend of Jesus.

In the attack on the Jewish community center in Los Angeles that left 5 people wounded, the killer had “scouted three prominent Jewish institutions in Los Angeles as he looked for places to kill Jews, but found security too tight. He then stumbled on the lesser-known North Valley Jewish Community Center in suburban Granada Hills, they say.”17   [His killer] also has admitted stalking [Yitzhak] Rabin on two previous occasions.... [The killer] tried again in September at a ribbon-cutting ceremony for a new highway interchange, but found security was too tight.18 Each of these brief stories represents a different case where very determined and motivated criminals altered their plans because of increased security.

You only need to be exposed to things like gluten once every ten to fifteen days to keep the gut damaged. This can bedevil people as they “cut back on gluten” but do not notice an improvement in their overall health. I’m sorry but there is not a pink “participant” ribbon given out for doing this “almost correctly.” You need to be 100 percent compliant for thirty days, then see how you do with reintroduction.