“
When you go into the ER, one of the first things they ask you to do is rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I'd been asked this question hundreds of times over the years, and I remember once early on when I couldn't get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. nurse asked me about the pain, and I couldn't even speak, so I held up nine fingers.
Later, after they'd given me something, the nurse came in and she was kind of stroking my head while she took my blood pressure and said, "You know how I know you're a fighter? You called a ten a nine."
But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
”
”
John Green (The Fault in Our Stars)
“
When he laces his fingers through mine, my heart does its now familiar panicked flight, bumping painfully against my ribs. My shoulder twitches as if to pull my hand back, but my heart overrules it.
”
”
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
“
Sometimes the Universe smiled. Mostly she kicked me in the face, stomped on my ribs once I fell down, and laughed at my pain, but once in a while she smiled.
”
”
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
“
He squeezes my hand, and my heart punches against my ribs. It's just like pain, this pleasure.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
Arobynn hit her-her ribs, her jaw, her gut. And her face. Again and again and again. Careful blows, meant to inflict as much pain as possible without doing permanent damage. And Sam kept roaring, shouting words that she couldn't quite hear over the agony. The last thing she remembered was a pang of guilt at the sight of her blood staining Arobynn's exquisite red carpet. And then darkness, blissful darkness, full of relief that she hadn't seen them hurt Sam.
”
”
Sarah J. Maas (The Assassin and the Desert (Throne of Glass, #0.3))
“
Solar Eclipse
Each morning
I wake invisible.
I make a needle
from a porcupine quill,
sew feet to legs,
lift spine onto my thighs.
I put on my rib and collarbone.
I pin an ear to my head,
hear the waxwing's yellow cry.
I open my mouth for purple berries,
stick on periwinkle eyes.
I almost know what it is to be seen.
My throat enlarges from anger.
I make a hand to hold my pain.
My heart a hole the size of the sun's eclipse.
I push through the dark circle's
tattered edge of light.
All day I struggle with one hair after another
until the moon moves from the face of the sun
and there is a strange light
as though from a kerosene lamp in a cabin.
I pun on a dress,
a shawl over my shoulders.
My threads knotted and scissors gleaming.
Now I know I am seen.
I have a shadow.
I extend my arms,
dance and chant in the sun's new light.
I put a hat and coat on my shadow,
another larger dress.
I put on more shawls and blouses and underskirts
until even the shadow has substance
”
”
Diane Glancy
“
I stood there, staring at the closed doors. I reached out and touched the bone handle.
You can fix this, I told myself. You can make this right. But I just stood there, frozen, Mal's words ringing in my ears. I bit down hard on my lip to silence the sob that shook my chest. That's good, I thought as the tears spilled over. That way the servants won't hear. An ache had started between my ribs, a hard, bright shard of pain that lodged beneath my sternum, pressing tight against my heart.
I didn't hear the Darkling move; I only knew when he was beside me. His long fingers brushed the hair back from my neck and rested on the collar. When he kissed my cheek, his lips were cold.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
Karṇa walks, his back is straight, he is lit up by his divine earings; yet his feet drag. He turns into an alley. His head droops and falls to his chest. He stops. Mist swirls around him, becomes motionless, parts. From between his ribs steps a young woman. Her eyes and face and tongue are brown like old blood and she is decked in old things and she wears upon her wrists two burnt black bracelets. She places the point of a knife under Karṇa’s chest plate and cuts, a gentle sawing motion, the blade moving beneath the skin, a slicing of the quick: nerves, blood vessels, sinews. I feel his pain; not a stab; it is insistent, enduring, but sharp nonetheless, as with any loss.
”
”
Michael Tobert (Karna's Wheel)
“
Lee watched the thin hands, the beautiful violet eyes, the flush of excitement on the boy's face. An imaginary hand projected with such force it seemed Allerton must feel the touch of ectoplasmic fingers caressing his ear, phantom thumbs smoothing his eyebrows, pushing the hair back from his face. Now Lee's hands were running down his ribs, the stomach. Lee felt the aching pain of desire in his lungs.
”
”
William S. Burroughs (Queer)
“
It's a quiet thing when your heart breaks. I thought it would be loud, ... I thought it would drown everything else out. But it happened like a whisper. A small, clean split. It broke in a second, and the pain was little more than a pinprick. It's the echo that kills you. ... that tiny little sound kept bouncing around the cavern of my ribs, getting louder and louder. It multiplied until I heard a hundred hearts breaking, a thousand, more. All of them mine.
”
”
Cora Carmack (Finding It (Losing It, #3))
“
Nothing but the sight of blood upon his dark face would ease the pain in her heart. She lunged for him, swift as a cat, but with a light startled movement, he sidestepped, throwing up his arm to ward her off. She was standing on the edge of the freshly waxed top step, and as her arm with the whole weight of her body behind it, struck his out-thrust arm, she lost her balance. She made a wild clutch for the newel post and missed it. She went down the stairs backwards, feeling a sickening dart of pain in her ribs as she landed. And, too dazed to catch herself she rolled over and over to the bottom of the flight.
”
”
Margaret Mitchell (Gone with the Wind)
“
I explode. “I FUCKING LOVE HER!” I scream, my heart thrashing in my ribs.
His mouth falls, his brows furrowing in confusion the longer he scrutinizes my features. I feel like he’s clawing at my insides for answers.
Here they are. “I fell in fucking love with her. It hurt to be away from Daisy. It hurt to watch her with other guys. Everything fucking hurt, and I didn’t want to live with that pain anymore. I fucking couldn’t.” I inhale deeply. “I can’t tell you when it became unbearable, but it did
”
”
Becca Ritchie (Hothouse Flower (Calloway Sisters #2))
“
May the Saints receive me. She pressed the tip beneath her breast, between her ribs, an arrow to her heart. Then a hand gripped her wrist painfully, forcing her to drop the blade. “Not just yet, Inej.” The rasp of stone on stone. Her eyes flew open. Kaz. He bundled her into his arms and leapt down from the crates, landing roughly, his bad leg buckling. She moaned as they hit the ground. “Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He couldn’t carry her and use his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
The origins of the word 'anger' were tied closely to physical suffering. 'Anger' was first an 'affliction', as meant by the Old Icelandic angr, and then a 'painful, cruel, narrow' state, as meant by the Old English enge, which in term came from the Latin angor, which meant 'strangling, anguish, distress'. Anger was a chokehold. Anger did not empower you. It sat on your chest; it squeezed your ribs until you felt trapped, suffocated, out of options. Anger simmered, then exploded. Anger was constriction, and the consequent rage a desperate attempt to breathe.
”
”
R.F. Kuang (Babel)
“
What would happen if I tried to escape?" I asked.
I didn't see anyone else. If I outran Loki, I could probably get away. Not that I knew where to go, and I still wouldn't be able to free Matt and Rhys.
"I would stop you," he replied simply.
"The same way Kyra did at my house?" A pain flared up in my ribs, as if reminding me of the damage she'd caused/
"No." Something dark flickered across his face for a second. He quickly erased it and smiled at me. "I would simply take you in my arms and hold you there until you swooned."
"It sounds romantic when you say it that way." I wrinkled my nose, remembering how he'd made me pass out by staring into my eyes. It hadn't been painful, but it hadn't exactly been pleasant either.
"It is when I envision it.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
It was tempting to fall back on reliable tactics and pretend things were…perfect. To pretend he was only a boy and I was only a girl and we desired each other. I wanted him to hold and kiss me and pretend he would do anything to protect me. I wanted to pretend he felt a fraction of the things I couldn’t seem to stop myself from feeling for him. My heart hurt. As much as my shoulder and ribs screamed with pain, they were eclipsed by the sorrow in my heart. I couldn’t pretend anymore. The time for it had passed; there was only the reality of things left to deal with.
”
”
C.J. Roberts (Seduced in the Dark (The Dark Duet, #2))
“
I lay in my bed a few minutes later, resigned as the pain finally made its appearance.
It was a crippling thing, this sensation that a huge hole had been pushed through my chest, excising my most vital organs and leaving ragged, unhealed gashes around the edges that continued to throb and bleed despite the passage of time. Rationally, I knew my lungs must still be intact, yet I gasped for air and my head spun like my efforts yielded me nothing. My heart must have been beating, too, but I couldn't hear the sound of my pulse in my ears; my hands felt blue with cold. I curled inward, hugging my ribs to hold myself together. I scrambled for my numbness, my denial, but it evaded me.
And yet, I found I could survive. I was alert, I felt the pain--the aching loss that radiated out from my chest, sending wracking waves of hurt through my limbs and head--but it was managable. I could live through it. It didn't feel like the pain had weakened over time, rather that I'd grown strong enough to bear it.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
I missed him so much that it felt like a physical pain in the area below my ribs. I opened my mouth to accommodate it. I put my hand to it. A hollow, aching, piercing place.
”
”
Marya Hornbacher (The Center of Winter)
“
The child inside me wouldn't stop crying. Every time it loses something so important to it. A person or a thing it loves the most, I pretend like nothing happened. But I hear it sobbing helplessly inside me. And the pathetic part of all this is, It neither grows up nor dies. Every time I stand in front of a mirror, it stares at me through my eyes. With its tear-stained face and that intense eyes that rip my ribs apart and the cry of it echoes through every room of my soul.
”
”
Akshay Vasu
“
My head whips back from the impact and my ribs twang like a dropped guitar. The sky spins above me like a penny. My bike has dematerialized, and my iPod is strewn about the intersection in a million glittering pieces. When I try to move, ten different parts of my body light up at once, like someone's pressing all the buttons at an anatomy exhibit. The magnolia tree blows me a kiss of perfumed air, and I can't decide if what I'm feeling is incredible bliss of excruciating pain. This might just be the greatest moment of my life. It's possible. And if it is, I don't want to waste it lying around in the middle of the road. For a single, golden second I breathe galaxies.
”
”
Hilary T. Smith (Wild Awake)
“
She looks so radiant, so fucking beautiful, pain explodes in the useless organ tucked behind my rib cage.
An organ she poked, provoked, and breathed life into, now it seems to only beat in her presence.
”
”
Rina Kent (God of War (Legacy of Gods, #6))
“
Tglhe heart is such a strange little beast - a lump of thick muscles with pipes sticking out. Sometimes I think my heart is made of rubber, and the world Stretches it and twists it so that it writhes in my chest and aches. This is why I have spent most of my time on this this planet here but hurting. Sometimes I think a heart of porcelain would be easier. Let it drop out of my rib cage and break on the floor, no heartbeat, the end. Instead, I get a bouncy heart That bleeds when the world claws at it but keeps beating through the pain.
”
”
Emery Lord (When We Collided)
“
Imagine you are Siri Keeton:
You wake in an agony of resurrection, gasping after a record-shattering bout of sleep apnea spanning one hundred forty days. You can feel your blood, syrupy with dobutamine and leuenkephalin, forcing its way through arteries shriveled by months on standby. The body inflates in painful increments: blood vessels dilate; flesh peels apart from flesh; ribs crack in your ears with sudden unaccustomed flexion. Your joints have seized up through disuse. You're a stick-man, frozen in some perverse rigor vitae.
You'd scream if you had the breath.
Vampires did this all the time, you remember. It was normal for them, it was their own unique take on resource conservation. They could have taught your kind a few things about restraint, if that absurd aversion to right-angles hadn't done them in at the dawn of civilization. Maybe they still can. They're back now, after all— raised from the grave with the voodoo of paleogenetics, stitched together from junk genes and fossil marrow steeped in the blood of sociopaths and high-functioning autistics. One of them commands this very mission. A handful of his genes live on in your own body so it too can rise from the dead, here at the edge of interstellar space. Nobody gets past Jupiter without becoming part vampire.
”
”
Peter Watts (Blindsight (Firefall, #1))
“
Yamane leaned over until he was right in Rory's face. "Being with me isn't sweet and romantic. I like it messy, desperate, and sometimes even a little painful."
Rory digested this. He felt something unwind deep inside him. As if he were detached from it, he allowed it to uncoil slowly, building up a pressure of anger and frustration......
"My kidneys are bleeding, my ribs are broken, and I'm loaded with painkillers. If you Google messy and desperate, you'll find a picture of me.
”
”
Z.A. Maxfield (Drawn Together)
“
Like no one had ever come before.
Like no one could ever come after.
And as his heart thundered painfully behind his ribs, he knew-
for the very first time after years of hunting-what it felt like to surrender.
”
”
Katy Regnery (Ginger's Heart)
“
No one can ever use his heart to listen or touch or feel or see or smell. It's just a lump of muscle pumping mechanically inside your ribs. It has no will and no ability to do anything but go on pumping until it gives up and withers away or is choked by some disease. Your spinal cord, on the other hand, feels. The central nervous system pours out from the spinal cord, and with it one feels pain. Pain is the most trustworthy sensation a human being can know because it teaches us what hurts. With the spinal cord, one can hear what will hurt, smell the sting of suffering, taste it, feel it, and see the world with new eyes. I learned a long time ago not to follow my heart, the hunk of meat flexing in the chest. I trust the tube locked up in a column of bone, the tube that shows me what pain is.
”
”
Joshua S. Porter (The Spinal Cord Perception)
“
The origins of the word anger were tied closely to physical suffering. Anger was first an ‘affliction’, as meant by the Old Icelandic angr, and then a ‘painful, cruel, narrow’ state, as meant by the Old English enge, which in turn came from the Latin angor, which meant ‘strangling, anguish, distress’. Anger was a chokehold. Anger did not empower you. It sat on your chest; it squeezed your ribs until you felt trapped, suffocated, out of options. Anger simmered, then exploded. Anger was constriction, and the consequent rage a desperate attempt to breathe. And rage, of course, came from madness.
”
”
R.F. Kuang (Babel)
“
He had been hurt doing everything he had ever done. He expected it, even wanted it. Nothing centered a man like pain. Nothing drove the irrelevant bullshit our of your mind like the taste of your own blood. Duffy always wanted to tell people who were worried about the future of their children, or about God and the order of the universe, to go out and break a rib or two. A few broken ribs threw all thoughts of children, God and the order of the universe right out the window. Nobody with broken ribs ever had free-floating anxiety, or so Duffy was convinced. It was cheaper that a psychiatrist and never so humiliating.
”
”
Harry Crews
“
My fingers graze his chest. I trace the scars on his ribs, like Braille. A history of pain. But without that pain, he wouldn’t be who he is: someone with enough empathy to reach out to me, enough courage to love me. “You’re perfect, Stanley.
”
”
A.J. Steiger (When My Heart Joins the Thousand)
“
Marra carried the knowledge that her sister hated her snuggled up under her ribs. It did not touch her heart, but it seemed to fill her lungs, and sometimes when she tried to take a deep breath, it caught on her sister's words and left her breathless.
”
”
T. Kingfisher (Nettle & Bone)
“
It is a curious and painful fact that almost all the completely futile treatments that have been believed in during the long history of medical folly have been such as caused acute suffering to the patient. When anesthetics were discovered, pious people considered them an attempt to evade the will of God. It was pointed out, however, that when God extracted Adam's rib He put him into a deep sleep. This proved that anesthetics are all right for men; women, however, ought to suffer, because of the curse of Eve.
”
”
Bertrand Russell (An Outline of Intellectual Rubbish: A Hilarious Catalogue of Organized and Individual Stupidity)
“
Not all scars show, not all wounds heal.
Often we don't see, the pain someone feels.
A broken heart is like having broken ribs.
No one can see but hurts everytime you breathe.
”
”
Hafikah WC
“
Matthew fell on his belly, the pain in his ribs making him curl up like a stomped worm.
”
”
Robert McCammon (Speaks the Nightbird (Matthew Corbett, #1))
“
It was while bent over, trying to breathe through the pain of bruised ribs, with the sensation of spit running down his cheek that Jason decided he was going to die.
”
”
Paul W.S. Bowler (Blue Eyeshadow)
“
There’s a kind of focusing effect that happens when you’re very ill. I saw it with my granddad, when he was slipping away. You stop caring about the big stuff. Your world shrinks down to very small concerns: the way your dressing gown cord presses uncomfortably against your ribs, the pain in your spine, the feel of a hand in yours. It’s that narrowing that enables you to cope, I suppose. The wider world stops mattering. And as you grow more and more ill, your world shrinks further, until the only thing that matters is just to keep on breathing.
”
”
Ruth Ware (In a Dark, Dark Wood)
“
A HOW-TO ON DISAPPEARING
No one understands the way we break.
Not jagged. Not knife sliding between ribs.
Not the spine, cracking.
That would be too easy.
That would be being able to know that
you're broken. That would be X-rays
showing the gaps, the fissures.
Clean breaks are easier to heal.
We do not break cleanly.
We break without breaking.
Not a crack, but a fog.
We dissipate.
Body here one moment and
not here the next.
Hands working one moment and
a dead weight the next.
We watch ourselves turn
colourless. Watch ourselves
become invisible / invincible.
This way, at least the pain is our own.
That's what I wanted all along, I guess.
”
”
Darshana Suresh (Howling at the Moon)
“
Nothing they're doing hurts, but it feels as if something is tearing away the center of my chest. The cold is dissolving. Their hands are soft. Everything is quiet except the tears that are climbing from somewhere beneath my ribs. I've cried in pain and I've cried in fear, but these tears are different, deeper, like I'm breaking apart.
The noise should drive them away, but Emerald's hand stays, and Adam's hand stays, and he keeps washing my face long after it has to be clean.
”
”
Robin Roe (A List of Cages)
“
His lips spread in a manic grin, and he filled his helmet with so much laughter that his stomach cramped. He moved his limbs one by one to test them. He’d broken his left wrist for sure, maybe a few ribs as well, but despite that, the smile never left his face. Pain could be treated and bones healed, but all the medicine in the galaxy couldn’t fix dead. And he wasn’t dead. He couldn’t wait to tell the crew.
“I’m okay,” he reported. “A little banged up, but nothing major. Kane, when this is over, I’m going to have your baby!
”
”
Melissa Landers (Starflight (Starflight, #1))
“
I think of the string Rochester described to Jane, tethered to each other’s rib. That he felt like he was going to bleed out by having it ripped off him if she went too far. I didn’t understand that until you. Missing you is painful. Physical and real. Perhaps if I keep tugging on this invisible string, you’ll follow it home. Yours, Matt.
”
”
Hannah Bonam-Young (Next to You)
“
I'll be the extra rib that protects your heart."
Keir pulled back abruptly. The motion sent a stab of pain through his ribs, and he swore. Rising to his feet, he sent her a glance of mingled torment and frustration. "You can't, Merry."
The hint of a smile had vanished. "Because you doubt my abilities," she said rather than asked.
Keir shook his head. "Because you are my heart.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
And..it was Jack. Jack. Of the many things I'd considered doing to him, most involved violence.None of them involved lip-on-lip action.
I jerked my head back,but it wasn't hard to get away,since he pulled back at the same moment.
He wrinkled his nose. "Well, that was...interesting. Always wanted to try it,but now that I have,I'm pretty sure I never want to again."
Furious,I smacked him in the shoulder with my free hand, hating that we still had to have one clasped so I wouldn't be lost forever. "You"-smack-"little"-smack-"freak!"-smack. "What was that?!" SMACK.
He dodged another volley. "And I had been under the impression that afterward was a little less"-he winced as I connected hard-"painful."
"Listen,creep,if I wanted you to kiss me,I would have asked! And I didn't. And I wouldn't! And if you ever try that again,so help me,I will find that fossegrim and throw you to a watery death!"
And then-as if his awkward,terrible kiss weren't bad enough-he started laughing.
"SHUT UP!"
He shook his head,grinning smugly. "See? Two goals accomplished. One:try out kissing. Miserable failure, no doubt your fault,but a noble effort nonetheless.I should find your friend Carlee. She's probably better at it than you are."
Why couldn't my glamour-piercing eyes have a laser function? I wouldn't kill him. I'd just burn the word "freak" into his forehead.
"Aren't you going to ask me what my second goal was?" He batted his eyelashed at me.
"No,I'm not."
He nudged me in the ribs with his elbow. "You aren't crying anymore, are you?"
I'd have to let go of his hand to throttle him. So that option was out. "Being so mad I'd like to kill you is better?
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
Milla put her hands on his ribs, holding on as he braced his weight on one arm while with his other hand he guided his penis to her and in the same rough motion pushed deep inside.
He froze in place, his breath panting between his parted lips as they stared at each other. She couldn’t move; the feel of him inside her was too sharp, almost painful in its intensity. Their gazes met in the mellow lamplight, and she was mesmerized by the tension in his face, the way his steely muscles were locked as if he didn’t dare move. It built and built, that clawing need, and yet she remained poised on the razor’s edge of something she knew she couldn’t control. His chest suddenly heaved on a convulsive breath, and he moved in a long, deep stroke that took him all the way to the hilt.
”
”
Linda Howard (Cry No More)
“
I’m sorry for saying you had to live with your pain.” Kyoshi put her palm to his chest in a gesture of comfort. “Because you won’t.” The cold she sent through his body formed a tunnel of ice between his ribs. It happened so fast, and with so much force, the moisture in the air behind him turned to frost. His back sprouted vaporous wings of crystal that disappeared just as quickly. With his heart and lungs frozen solid, Yun fell to the side. Kyoshi took the hand with which she’d killed one of the two people she’d loved and placed it against the wound of the other. Water. She needed more water. Her tears of light weren’t enough.
”
”
F.C. Yee (Avatar: The Shadow of Kyoshi (The Kyoshi Novels, #2))
“
I suppose that it’s all quite beautiful, what I am looking at, but I can’t feel it being beautiful. I can’t properly feel any good things anymore: like the taste of food, or the sun on my face or a song I like on the radio. Looking out at the sea all I feel is a dull pain, somewhere under my ribs, like an old injury.
”
”
Lucy Foley (The Guest List)
“
With headlines like "Marry Now or Never," the specter of marriage loomed. It was a constant fear, a threat, a reminder. But Sylvia wasn't baited by those pretty tales of line and hook: the bride-white cake, the prime rib and steak, marriage- that bleak fable- with Husband cast as warden, the future dead clear and blighted.
”
”
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
“
I didn’t know what it was to live before you came into my life. I didn’t know there could be joy like this, or adventure, or pain so fucking deep in my chest.” I beat my fist against my rib cage, wincing as I confessed everything I’d shoved down. “I didn’t know that I could be with you — every second of every day — and still want more.
”
”
Kandi Steiner (Watch Your Mouth (Kings of the Ice, #2))
“
My girl got sick. She was constantly nervous because of problems at work, personal life, her failures and children. She lost 30 pounds and weighted about 90 pounds. She got very skinny and was constantly crying. She was not a happy woman. She had suffered from continuing headaches, heart pain and jammed nerves in her back and ribs. She did not sleep well, falling asleep only in the mornings and got tired very quickly during the day. Our relationship was on the verge of a break up. Her beauty was leaving her somewhere, she had bags under her eyes, she was poking her head, and stopped taking care of herself. She refused to shoot the films and rejected any role. I lost hope and thought that we’ll get separated soon… But then I decided to act. After all I’ve got the MOST Beautiful Woman on earth. She is the idol of more than half of men and women on earth, and I was the one allowed to fall asleep next to her and to hug her. I began to shower her with flowers, kisses and compliments. I surprised and pleased her every minute. I gave her a lot of gifts and lived just for her. I spoke in public only about her. I incorporated all themes in her direction. I praised her in front of her own and our mutual friends. You won’t believe it, but she blossomed. She became better. She gained weight, was no longer nervous and loved me even more than ever. I had no clue that she CAN love that much.
And then I realized one thing: the woman is the reflection of her man.
If you love her to the point of madness, she will become it.
”
”
Brad Pitt
“
One of them was Kathy Newman, who in 1996 was a high school cheerleader and the daughter of a contractor. Kathy had just graduated from Portsmouth High School when she broke ribs in a car accident. The emergency room in town was wary of prescribing more than ibuprofen for pain. You should go see David Procter, her friends said: He’ll give you something that works.
”
”
Sam Quinones (Dreamland: The True Tale of America's Opiate Epidemic)
“
Some kind of love, Some Say
Is it true the ribs can tell the kick
Of a beast from a lover's fist?
The bruised bones record it well
The sudden shock, the hard impact
Then swollen lids
Sorry eyes spoke not of lost romance
But of hurt
Hate is often confused
Its limits are in zones beyond itself
And sadists will not learn that
Love, by nature, extracts a pain
Unequalled on the rack
”
”
Maya Angelou
“
IMAGINE YOU ARE Siri Keeton. You wake in an agony of resurrection, gasping after a record-shattering bout of sleep apnea spanning one hundred forty days. You can feel your blood, syrupy with dobutamine and leuenkephalin, forcing its way through arteries shriveled by months on standby. The body inflates in painful increments: blood vessels dilate, flesh peels apart from flesh, ribs crack in your ears with sudden unaccustomed flexion. Your joints have seized up through disuse. You’re a stick man, frozen in some perverse rigor vitae. You’d scream if you had the breath.
”
”
Peter Watts (Blindsight (Firefall, #1))
“
She swung her fist at Nicolae’s head. He raised an arm to block the blow, and she delivered a killing stab with her wooden dagger.
Nicolae laughed, staggering dramatically to the ground. “Dead, again, at the hands of the ugliest girl in creation.” He stuck out his tongue, face contorted in a grimace.
Lada kicked him in the stomach. “I am no girl. Who is next?”
The other Janissaries, gathered in a loose circle around Lada and Nicolae, shuffled their feet and avoided eye contact. Nicolae pushed himself up on an elbow. “Really? Cowards!”
“I still have bruises from the last time.”
“I cannot sit without pain.”
“She fights dirty.”
Ivan did not even respond, having never forgiven Lada for besting him when they were introduced. He refused to fight her and rarely acknowledged her presence.
Lada laughed, showing all her sharp teeth. “Because when you are on the battlefield, honor will mean so much. You will die with a blade between your ribs, secure in the knowledge that you fought with manners.” She picked up her dull practice sword, abandoned on the edge of the circle, and swung it through the air, sweeping it across the line of the Janissaries’ collective throats.
”
”
Kiersten White (And I Darken (The Conqueror's Saga, #1))
“
Another sharp pang stabbed him in the ribs and made him jolt with a grunt.
"Are you in pain?"
Alex smirked. 'I've been bludgeoned within an inch of me life, ye expecting me to jump up and dance a jig?
”
”
Amy Jarecki (Return of the Highland Laird (Highland Force #3.5))
“
Almondine
To her, the scent and the memory of him were one. Where it lay strongest, the distant past came to her as if that morning: Taking a dead sparrow from her jaws, before she knew to hide such things. Guiding her to the floor, bending her knee until the arthritis made it stick, his palm hotsided on her ribs to measure her breaths and know where the pain began. And to comfort her. That had been the week before he went away.
He was gone, she knew this, but something of him clung to the baseboards. At times the floor quivered under his footstep. She stood then and nosed into the kitchen and the bathroom and the bedroom-especially the closet-her intention to press her ruff against his hand, run it along his thigh, feel the heat of his body through the fabric.
Places, times, weather-all these drew him up inside her. Rain, especially, falling past the double doors of the kennel, where he’d waited through so many storms, each drop throwing a dozen replicas into the air as it struck the waterlogged earth. And where the rising and falling water met, something like an expectation formed, a place where he might appear and pass in long strides, silent and gestureless. For she was not without her own selfish desires: to hold things motionless, to measure herself against them and find herself present, to know that she was alive precisely because he needn’t acknowledge her in casual passing; that utter constancy might prevail if she attended the world so carefully. And if not constancy, then only those changes she desired, not those that sapped her, undefined her.
And so she searched. She’d watched his casket lowered into the ground, a box, man-made, no more like him than the trees that swayed under the winter wind. To assign him an identity outside the world was not in her thinking. The fence line where he walked and the bed where he slept-that was where he lived, and they remembered him.
Yet he was gone. She knew it most keenly in the diminishment of her own self. In her life, she’d been nourished and sustained by certain things, him being one of them, Trudy another, and Edgar, the third and most important, but it was really the three of them together, intersecting in her, for each of them powered her heart a different way. Each of them bore different responsibilities to her and with her and required different things from her, and her day was the fulfillment of those responsibilities. She could not imagine that portion of her would never return. With her it was not hope, or wistful thoughts-it was her sense of being alive that thinned by the proportion of her spirit devoted to him.
"ory of Edgar Sawtelle"
As spring came on, his scent about the place began to fade. She stopped looking for him. Whole days she slept beside his chair, as the sunlight drifted from eastern-slant to western-slant, moving only to ease the weight of her bones against the floor.
And Trudy and Edgar, encapsulated in mourning, somehow forgot to care for one another, let alone her. Or if they knew, their grief and heartache overwhelmed them. Anyway, there was so little they might have done, save to bring out a shirt of his to lie on, perhaps walk with her along the fence line, where fragments of time had snagged and hung. But if they noticed her grief, they hardly knew to do those things. And she without the language to ask.
”
”
David Wroblewski (The Story of Edgar Sawtelle)
“
A few days earlier, Chess and Thomas had driven to Spokane for a cheap hamburger. They walked in downtown Spokane and stumbled onto a drunk couple arguing.
"Get the fuck away from me!" the drunk woman yelled at her drunk husband, who squeezed his hand into a fist like he meant to hit her.
Thomas and Chess flinched, then froze, transported back to all of those drunken arguments they'd witnessed and survived.
The drunk couple in downtown Spokane pulled at each other's clothes and hearts, but they were white people. Chess and Thomas knew that white people hurt each other, too. Chess knew that white people felt pain just like Indians, Nerve endings, messages to the brain, reflexes. The doctor swung hammer against knee, and the world collapsed.
"You fucker!" the white woman yelled at her husband, who opened his hands and held them out to his wife. An offering. That hand would not strike her. He pleaded with his wife until she fell back into his arms. That white woman and man held each other while Chess and Thomas watched. A hundred strangers walked by and never noticed any of it.
After that, Chess and Thomas had sat in the van in a downtown parking lot. Thomas began to weep, deep ragged tears that rose along his rib cage, filled his mouth and nose, and exploded out.
”
”
Sherman Alexie (Reservation Blues)
“
Bernie Jackson found his daughter wrapped up in her sheets, whimpering mutedly as her pillow was shoved into her mouth. He shook her awake, and she lashed out, kicking him in the rib cage with her one free foot.
Melody opened her eyes wide, and stared at him as though in terror. A moment later the girl relaxed her expression as the image of her father, and not a saliva-producing Wolf, was standing over her.
“I'm going to let that slide because you seemed to have been in the middle of being eaten by a monster.” He was clutching his midsection as if from pain, the squashed remnants of a soft brown cookie squeezing between his fingers as though dough from a pasta machine.
”
”
BMB Johnson (Melody Jackson v. the Hound from Hell (It Happened On Lafayette Street Book 2))
“
She bit her lip; she missed Ash. It was like a pain in her ribs, an ache that wouldn’t cease. His experience would have been a big help, but more than that, he never made her feel inferior. Funny how her father was so good at that.
”
”
Annette Marie (Reap the Shadows (Steel & Stone, #4))
“
When the field is clear, the reports all seen,
When the lock sighs shut, when the lights wink green,
When the check-off's done, when it's time to pray,
When the captain nods, when she blasts away
Hear the jets!
Hear them snarl at your back
When you're stretched on the rack;
Feel your ribs clamp your chest,
Feel your neck grind its rest.
Feel the pain in your ship,
Feel her strain in their grip.
Feel her rise! Feel her drive!
Straining steel, come alive,
On her jets!
”
”
Robert A. Heinlein (The Green Hills of Earth)
“
When the field is clear, the reports all seen,
When the lock sighs shut, when the lights wink green,
When the check-off's done, when it's time to pray,
When the captain nods, when she blasts away
Hear the jets!
Hear them snarl at your back
When you're stretched on the rack;
Feel your ribs clamp your chest,
Feel your neck grind its rest.
Feel the pain in your ship,
Feel her strain in their grip.
Feel her rise! Feel her drive!
Straining steel, come alive,
On her iets!
”
”
Robert A. Heinlein (The Green Hills of Earth)
“
People spoke of love as if it were an arrow. They spoke of it as if it were a pleasant thing, but Maxim had taken an arrow once, and knew it for what is was: excruciating.
… The arrow's barb had so long healed. He'd forgotten the pain entirely.
But now.
Now he felt the wound, a shaft driven through his ribs. Scraping bone and lung with every ragged breath, and loss the hand twisting the arrow, trying to rend it free before it killed and doing so much damage in the process.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
She understood that pain was necessary in the world, a sense as critical as sight or hearing. It functioned to keep people safe, a very persuasive stop sign. In a way it was the mother to us all, slapping us back from the hot stove, forcing us to put down the sharp knife, teaching us self-preservation, training care into our bones. Pain was the reason we were alive. It was why as children we didn't toss ourselves down the staircase for the thrill of the ride, didn't stop eating just to bother our parents, didn't nibble off our fingertips to examine our insides. Pain made our existence in this world possible, opened life up to us...
Unstoppable pain was different. The sensation in this case was not a mother. It was an abuser. It taught nothing. Instead it wrapped itself around the ribs, settled on the shoulders, a weight to be borne, making it hard to breathe or talk.
”
”
Audrey Schulman (Theory of Bastards)
“
The origins of the word anger were tied closely to physical suffering. Anger was first an ‘affliction’, as meant by the Old Icelandic angr, and then a ‘painful, cruel, narrow’ state, as meant by the Old English enge, which in turn came from the Latin angor, which meant ‘strangling, anguish, distress’. Anger was a chokehold. Anger did not empower you. It sat on your chest; it squeezed your ribs until you felt trapped, suffocated, out of options. Anger simmered, then exploded. Anger was constriction, and the consequent rage a desperate attempt to breathe. And rage, of course, came from madness.*
”
”
R.F. Kuang (Babel)
“
When you go into the ER, one of the first things they ask you to do is to rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I’d been asked this question hundreds of times over the years, and I remember once early on when I couldn’t get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. A nurse asked me about the pain, and I couldn’t even speak, so I held up nine fingers. Later, after they’d given me something, the nurse came in and she was kind of stroking my hand while she took my blood pressure and she said, “You know how I know you’re a fighter? You called a ten a nine.” But that wasn’t quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again
”
”
John Green (The Fault in Our Stars)
“
That’s what Lockie was—a little boy.It could do your head in if you thought too much about the cruelty that one person could inflict on another. It was best not to think about it, but here in front of Tina stood an example of the worst cruelty in the world.There was a large bump on one of his ribs. Tina knew what a bone that had healed itself looked like; Mark and the boys were always getting themselves into trouble.It was too much to think about. Too much to try and imagine the pain Lockie must have been in. Too much to imagine him crying for his mother and father. He was so small, so defenceless.
”
”
Nicole Trope (The Boy Under the Table)
“
Where, she wondered, is Elizabeth? Where in the tightness of the skin over her arms and legs, in the narrow bones of her back and the planned structure of her ribs, in the tiny toes and fingers and the vital plan for her neck and head . . . where, in all this, was there room for anyone else? Could Lizzie be seen moving furtively behind the clarity of the eyes, edging in caution to peer out at herself; was she gone far within, waiting behind the heart or the throat, to seize with both hands and take control with a murderous attack? Was she under the hair, had she found refuge in a knee? Where was Lizzie?
For a moment, staring, Betsy wanted frantically to rip herself apart, and give half to Lizzie and never be troubled again, saying take this, and take this and take this, and you can have this, and now get out of my sight, get away from my body, get away and leave me alone. Lizzie could have the useless parts, the breasts and the thighs and the parts she took such pleasure in letting give her pain; Lizzie could have the back so she would always have a backache, and the stomach so she would always be able to have cramps; give Elizabeth all the country of the inside, and let her go away, and leave Betsy in possession of her own.
”
”
Shirley Jackson (The Bird's Nest)
“
The spear that I do not see comes from behind. It pierces the skin of my back, breaks again to air beneath my ribs. I stumble, driven forward by the blow's force, by the shock of tearing pain and the burning numbness in my belly. I feel a tug, and the spear-point is gone. The blood gushes hot on my chilled skin. I think I scream.
”
”
Madeline Miller (The Song of Achilles)
“
The bed frame creaks like a rusty swing swaying back and forth, moans like a haunted house and something like glass shatters.
Shatters inside of you and the tiny slivers of this horrible thing splinter off and travel through your veins, beelining it straight to your heart.
Next stop: brain. I tried to think of anything, anything except it hurts. It hurts. It hurts so bad. Quickly though, the pain became secondary to the fact that I thought I might actually die. I couldn't breathe.
No sound could get out of my mouth and no air could get in. And the weight of his body was crushing me to the point I thought my ribs would snap right in half and puncture a lung.
”
”
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
“
But they were now within sight of the low mound of Underhill, looking like a fresh squarish crater, its ejecta scattered around it. Nadia pointed at it. “I did that. You damned radicals—” she jabbed him in the ribs with her elbow, hard—“you hate liberalism because it works.” He snorted. “It does! It works in increments, over time, after hard labor, without fireworks or easy dramatics or people getting hurt. Without your sexy revolutions and all the pain and hatred they bring. It only works.” “Ah, Nadia.” He put his arm over her shoulders, and they started walking again toward base. “Earth is a perfectly liberal world. But half of it is starving, and always has been, and always will be. Very liberally.
”
”
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
“
Cooper had been at a scene once where a car had collided with an agent and pinned him against a metal barrier, shattering everything from the ribs down, severing both legs at midthigh. Massive physical damage, unsurvivable. What had haunted him most, though, was that the man was calm. He didn't scream, didn't seem to feel any pain. Some wounds were too enormous to feel.
”
”
Marcus Sakey (Brilliance (Brilliance Saga, #1))
“
Such a nasty bruise,” he says, staring straight into my eyes. I am stunned he can see it. Delicate to the touch and tender on every side, the bruise is deeper than days. My hand automatically moves to my chest.
Science taught me with valid assurance that my heart was fixed in my rib cage, but life has since shown me otherwise. My heart in fact dangles from a tangle of strings. The ends are grasped tight by numerous people who yank and release, having caused many painful bruises over time. I cry because they are invisible to most.
“Such a nasty bruise,” he repeats, tugging on my poor heart.
His kind eyes fall away from mine as I feel a squeeze on my arm. He twists it enough to show me a small, round patch of purple surrounded by a sickly yellowish corona.
“Oh. My elbow.” I let the air exhale from my lungs. Another bruise forms where my heart has hit the floor. It is jerked up again.
“Can I do anything for you?” I see in his eyes the mirror image of a finger—his finger—wrapped in one of the dangling strings. He tugs and I feel it.
“No,” I reply to his question. But it is a lie. There is something he could do, along with all who grasp a portion of the web entangling my heart. I wish they would mercifully let go.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
There was no solace in the openness of the land, just as there was no healing in the isolation he sought in the barren plain of winter-killed grasses. The prairie seemed nothing more than an extension of the boundless emptiness that had opened inside him. Neither his mount nor his packhorse seemed a companion—but victims of his own aimlessness. The voiceless plain only provided a silent space for his demons to follow and murmur in his ear. Rilla’s bloodied body shadowed him as vividly as if dragged behind his horse on a travois, scraping a scar across the dry land.
The child was not real. There were no memories attached to a nameless son to haunt him, save the mental picture of that inanimate thing tucked against its dead mother’s ribs. The child had seemed more an extension of Rilla’s suffering, giving her death a measurable size and shape. Mother and son comprised a common image rendered in scarlet, and the image had been painted on a permanent altar inside Wyatt’s mind.
”
”
Mark Warren (The Long Road to Legend (Wyatt Earp, An American Odyssey #1))
“
Oh it was a letter from her! This blue envelope; that was her hand. And he would have to read it. Here was another of those meetings, bound to be painful! To read her letter needed the devil of an effort. 'How heavenly it was to see him. She must tell him that.' That was all. But it upset him. It annoyed him. He wished she hadn't written it. Coming on top of his thoughts, it was like a nudge in the ribs. Why couldn't she let him be? After all, she had married Dalloway, and lived with him in perfect happiness all these years.
”
”
Virginia Woolf (Mrs. Dalloway)
“
She looked up at him with dark, tragic eyes, and again he was struck by the illusion of beauty and innocence she presented. Instinct had him wanting to reach for her, to take her in his arms and offer comfort. Then his ribs twitched with pain and he remembered she was not all that innocent, no matter what her mother believed about her or how she presented herself. He called to mind an image of his sister and her torn remains, and of the monstrosity she had died giving birth to, and any pity he might have felt for Airie fled.
”
”
Paula Altenburg (The Demon's Daughter (Demon Outlaws, #1))
“
Hm. What to do, at this point? Keep going was the only answer Nico had ever known. Failure, stopping, ceasing to be or do was never an option. He gritted his teeth, shivering with a chill or a shudder of power that left him like an expulsive, painful sneeze. Ouch, fuck, bless you, the sort of burst that could ultimately break a rib or burst a blood vessel, which most people were not aware a sneeze could do. Funny how that worked; the innocent fragility of being human. There were so many ways to break and do few of them heroic or noble.
”
”
Olivie Blake (The Atlas Six (The Atlas, #1))
“
The Christmas I was sixteen, my ma and I were poorer than church mice. My pa died when I was two, taking her heart with him." A smile curved his lips. "She could have remarried for a more comfortable life. But she couldn't bring herself to do it. We were happy, though, her and I. Just when I was getting old enough to do odd jobs, bring in some money to make her life easier, she got sick. I stayed home to nurse her. She had no strength left. But somehow she'd scraped together the last of her red yarn and made me a pair of stockings. My Christmas gift that year."
Sensing his thoughts lingered in the past, Louisa brushed a finger over the scrap in her palm.
"She died several weeks later."
Louise caught her breath, aching for the pain of that young man.
"I took a lot of ribbing for wearing red stockings. But I didn't give them up, even when I could afford to. I felt like they kept my ma close. Like she was with me."
Tears welled up in Louisa's eyes. One dripped over.
He caught the drop on the tip of his finger. "They brought me luck."
"That's why you're called Red. I wondered.
”
”
Debra Holland (Montana Sky Christmas (Montana Sky, #3.1))
“
Hey, baby,” Chelsea said in a voice that bordered on baby talk as Mike bent down to give her a quick kiss. “Miss me?”
Violet almost rolled her eyes.
“I thought about you all period,” he answered, his voice husky. “Did you get the note I left in your backpack?”
Violet couldn’t hold back any longer; she rolled her eyes. Neither of them noticed.
“I did. You’re so sweet.” The cooing verged on sickening. “Did anyone say anything about your mustache?”
Mike winced, as if he suddenly remembered the patchy hair on his upper lip. “A coupla’ people,” he reluctantly responded, and Violet suspected that he’d taken his hair share of ribbing over it.
Chelsea ignored the obvious distress in his voice. “Vi and I gotta run or we’ll be late.” She stretched up to kiss him and then rubbed her thumb across the hairs above his lip as if she were petting them. “See you after class.”
Chelsea tugged at Violet, who was still staring at his unsightly mustache. It was like seeing a car accident…hard to look away.
“So do you? Like it, I mean?” Violet asked as she was being dragged down the hallway.
“The mustache?” Chelsea grimaced. “God, no. It’s hideous on him.”
“Then, why?”
“I told you, to see if he’d actually do it. Don’t worry. I’m gonna make him shave it this weekend.”
Violet wasn’t sure whether to congratulate her friend on her training abilities or reprimand her for being so cruel. In the end, she didn’t do either, mostly because she knew it wouldn’t make any difference.
Chelsea was Chelsea. Trying to convince her that what she’d done was wrong would be like banging your head against a brick wall. It would be painful to you but accomplish nothing.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
The origins of the word anger were tied closely to physical suffering. Anger was first an ‘affliction’, as meant by the Old Icelandic angr, and then a ‘painful, cruel, narrow’ state, as meant by the Old English enge, which in turn came from the Latin angor, which meant ‘strangling, anguish, distress’. Anger was a chokehold. Anger did not empower you. It sat on your chest; it squeezed your ribs until you felt trapped, suffocated, out of options. Anger simmered, then exploded. Anger was constriction, and the consequent rage a desperate attempt to breathe.
”
”
R.F. Kuang (Babel)
“
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—”
“If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.”
Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders.
“Where is it?” he asked.
“The key?”
His tone was deadly. “Yes, Daisy. The key.”
“It fell inside my corset. Which means… I’ll have to take that off too.”
There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew.
He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her.
Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap.
Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset.
She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise.
The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew.
His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her.
Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?”
“No.”
But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders.
He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat.
Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff.
Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer.
Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.”
He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain.
Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence.
A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop.
Then the screen door squeaked open and she took flight.
Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive.
He knew her path by now. He was ready for the hunt.
The clanging unbuckled belt boomed in her ears as he gained on her.
The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go.
Young trees teased her in this direction, so she moved east towards the evergreens.
Hunger and hurt left her no choice, she had to stop running soon.
She grabbed the first tree with a branch low enough to reach, and up she went.
The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree.
His footsteps pounded close by.
She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his.
She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up.
Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down.
She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension.
Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest.
He called her name once, twice. The third time’s tone not quite as friendly.
The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her.
His feet crunched in circles around the tree, eventually heading back home.
Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense.
“Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
”
”
Kim Bongiorno (Part of My World: Short Stories)
“
The origins of the word anger were tied closely to physical suffering. Anger was first an 'affliction', as meant by the Old Icelandic angr, and then a 'painful, cruel, narrow' state, as meant by the Old English enge, which in turn came from the Latin angor, which meant 'strangling, anguish, distress'. Anger was a chokehold. Anger did not empower you. It sat on your chest; it squeezed your ribs until you felt trapped, suffocated, out of options. Anger simmered, thene xploded. Anger was constriction, and the consequent rage a deperate attempt to breathe.
And rage, of course, came from madness.
”
”
R.F. Kuang (Babel)
“
Ribs hurting?" When he only shrugged, she shook her head. "Let me take a look."
"She barely caught me."
"Oh,for heaven's sake." Impatient, Keeley did what she would have done with one of her brothers: She tugged Brian's T-shirt out of his jeans.
"Well,darling,if I'd known you were so anxious to get me undressed,I'd have cooperated fully,and in private."
"Shut up.God, Brian, you said it was nothing."
"It's not much."
His definition of not much was a softball-size bruise the ribs in a burst of ugly red and black. "Macho is tedious, so just shut up."
He started to grin,then yelped when she pressed her fingers to the bruise. "Hell, woman,if that's your idea of tender mercies, keep them."
"You could have a cracked rib. You need an X ray."
"I don't need a damned-ouch! Bollocks and bloody hell, stop poking." He tried to pull his shirt down, but she simply yanked it up again.
"Stand still,and don't be a baby."
"A minute ago it was don't be macho, now it's don't be a baby. What do you want?"
"For you to behave sensibly."
"It's difficult for a man to behave sensibly when a woman's taking his clothes off in broad daylight. If you're going to kiss it and make it better, I've several other bruises. I've a dandy one on my ass as it happens."
"I'm sure that's terribly amusing.One of the men can drive you to the emergency room"
"No one's driving me anywhere. I'd know if my ribs are cracked as I've had a few in my time.It's a bruise, and it's throbbing like a bitch now that you've been playing with it."
She spotted another, riding high on his hip,and gave that a poke. This time he groaned.
"Keeley,you're torturing me here."
"Im just trying..." She trailed off as she lifted her head and saw his eyes. It wasn't pain or annoyance in them now. It was heat,and it was frustration. And it was surprisingly gratifying. "Really?"
It was wrong,and it was foolish, but a sip of power was a heady thing.She trailed her fingers along his hip, up his ribs and down again, and felt his mucles quiver. "Why don't you stop me?"
His throat hurt. "You make my head swim. And you know it."
"Maybe I do.Now.Maybe I like it." She'd never been deliberately provocative before. Had never wanted to be. And she'd never known the thrill of having a strong man turn to putty under her hands. "Maybe I've thought about you, Brian,the way you said I would."
"You pick a fine time to tell me when there's people everywhere, and your father one of them.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
When my body changed so rapidly that I felt almost a stranger in it, I found an inexplicable satisfaction in exploring the limits of my laces. At the end of the day, though, I was grateful to put them away. Until I witnessed the King killing that girl. When the time came that night to unlace my stays…I simply declined. Every week or two, when it stops hurting, I set the bots to pull my laces a bit tighter. Now I have nearly the smallest waist in court, despite my height. The other ladies think it’s because I’m vain. In truth, it oddly anchors me. Maybe it’s the pain in my ribs that reminds me I’m alive.
”
”
Aprilynne Pike (Glitter (Glitter, #1))
“
And you,' she hissed at me. 'You,' Her teeth gleamed- turning sharp. 'I'm going to kill you.'
Someone cried out, but I couldn't move, couldn't even try to get out of the way as something far more violent than lightning struck me, and I crashed to the floor.
'I'm going to make you pay for your insolence,' Amarantha snarled, and a scream ravaged my throat as pain like nothing I had know erupted through me.
My very bones were shattering as my body rose and then slammed onto the hard floor, and I was crushed beneath another wave of torturous agony.
'Admit you don't really love him, and I'll spare you,' Amarantha breathed, and through my fractured vision, I saw her prowl toward me. 'Admit what a cowardly, lying, inconstant bit of human garbage you are.'
I wouldn't- I wouldn't say that even if she splattered me across the ground.
But I was being ripped apart from the inside out, and I thrashed, unable to out-scream the pain.
'Feyre!' someone roared. No, not someone- Rhysand.
But Amarantha still neared. 'You think you're worthy of him? A High Lord? You think you deserve anything at all, human?' My back arched, and my ribs cracked, one by one.
Rhysand yelled my name again- yelled it as though he cared. I blacked out, but she brought me back, ensuring that I felt everything, ensuring that I screamed every time a bone broke.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
The day's pressure wells up in her chest, as if the devil himself is sitting on it, breaking her sternum, forcing her to feel everything she doesn't want to feel. After Cyrus had his first heart attack, he told her the pain was like an elephant sitting on his ribs. After his second one, the one that killed him, her heart felt like it was breaking, but today she feels the pain Cyrus described. She should feel relief, because it's not a heart attack and not an elephant, but she can't, because this pain comes from the whole world, crushing her lungs with the weight of all its trage-dies. It's the stress of solving an unsolvable puzzle, of making sense of the nonsensical.
”
”
Kristin Koval (Penitence)
“
The remaining chain swung down, he wrenched the door out and he was free. The last thing he heard behind him was the oncoming stomp of running feet.
Now began flight, that excruciating accompaniment to both the sleep-dream and the drug-dream as well. Down endless flights of stairs that seemed to have increased decimally since he had come up them so many days before. Four, fourteen, forty - there seemed no end to them, no bottom. Round and round he went, hand slapping at the worn guard-rail only at the turns to keep from bulleting head-on into the wall each time. The clamor had come out onto a landing high above him now, endless miles above him; a thin voice came shouting down the stair-well, "There he is! See him down there?" raising the hue and cry to the rest of the pack. Footsteps started cannonading down after him, like avenging thunder from on high. They only added wings to his effortless, almost cascading waterlike flight.
Like a drunk, he was incapable of hurting himself. At one turning he went off his feet and rippled down the whole succeeding flight of stair-ribs like a wriggling snake. Then he got up again and plunged ahead, without consciousness of pain or smart. The whole staircase-structure seemed to hitch crazily from side to side with the velocity of his descent, but it was really he that was hitching. But behind him the oncoming thunder kept gaining.
Then suddenly, after they'd kept on for hours, the stairs suddenly ended, he'd reached bottom at last. He tore out through a square of blackness at the end of the entrance-hall, and the kindly night received him, took him to itself - along with countless other things that stalk and kill and are dangerous if crossed.
He had no knowledge of where he was; if he'd ever had, he'd lost it long ago. The drums of pursuit were still beating a rolling tattoo inside the tenement. He chose a direction at random, fled down the deserted street, the wand of light from a wan street-lamp flicking him in passing, so fast did he scurry by beneath it.
”
”
Cornell Woolrich (Marihuana)
“
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go.
Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up.
Impact tremors.
Boom.
Boom.
Boom, boom, boom.
Baba Yaga was coming.
Baba Yaga was hunting him.
Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down.
Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide.
Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.”
He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong?
Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit.
Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now.
“Who knows?” Jack panted. “Maybe she got annoyed and turned around.”
An earth-shattering roar rocked the very walls of the cavern.
Jack paled.
Boom, boom, boom, boom!
Boom, boom, boom, boomboomboomboom—
Mother of God.
The dragon had broken into a run.
Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
”
”
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
“
Look, I don’t feel so well. Maybe I’ll drop by tomorrow.” I’ve just reached the door when his voice stops me. “Katniss. I remember about the bread.” The bread. Our one moment of real connection before the Hunger Games. “They showed you the tape of me talking about it,” I say. “No. Is there a tape of you talking about it? Why didn’t the Capitol use it against me?” he asks. “I made it the day you were rescued,” I answer. The pain in my chest wraps around my ribs like a vise. The dancing was a mistake. “So what do you remember?” “You. In the rain,” he says softly. “Digging in our trash bins. Burning the bread. My mother hitting me. Taking the bread out for the pig but then giving it to you instead.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
You lie there, not even thinking really, except to try to consider how to describe the hurt, as if finding the language for it might bring it up out of you. If you can make something real, if you can see it and smell it and touch it, then you can kill it.
You think, it's like a brain fire. Like a rodent gnawing at you from the inside. A knife in your gut. A spiral. Whirlpool. Black hole.
The words used to describe it - despair, fear, anxiety, obsession - do so little to communicate it. Maybe we needed to give shape to the opaque, deep-down pain that evades both sense and senses.
For a moment, you think you're better. You've just had a successful train of thought, with an engine and a caboose and everything. Your thoughts. Authored by you. And then you feel a wave of nausea, a fist clenching from within your rib cage, cold sweat hot forehead
”
”
John Green (Turtles All the Way Down)
“
The man drew his foot back and kicked Mark in the ribs. Pain exploded in his side and he cried out, unable to help himself. The man kicked him again, this time in the back, right in the kidney. A deep ache washed through Mark, and tears stung his eyes as he cried out even louder. Alec protested. “Stop it, you sorry son of a—” His words were cut off when one of his captors reached down and punched him in the face. “Why are you doing this?” Mark yelled. “We’re not demons! You people have lost your minds!” Another kick pierced him in the ribs, the pain unbearable. He balled up, wrapped his arms around himself. Prepared for the continued onslaught, knowing he had no chance of escape. “Stop.” The word rumbled through the air from the other side of the fire, the deep, bellowing voice of a man. The men beating Mark and Alec immediately jumped back from them and knelt down, their faces lowered.
”
”
James Dashner (The Kill Order (Maze Runner, #4))
“
Kieran, can you make a run for it with Lucy?" Nicholas asked. "'You can take one of the Jeeps," he added as Logan tossed Kieran his keys.
"I'm not leaving you guys," I sputtered. "When did you fall and hit your head?"
"Lucy, you're out of arrows and we're out of options." He darted a quick glance at Quinn, who was behind me.
I grabbed a fistful of Nicholas's shirt. "I'm not leaving you, you big dumb idiot." I whipped my head around and shot Quinn a glare. "Take one more step. I dare you." I knew full well he'd planned to sneak up on me and toss me over his shoulder. He paused, knowing equally well that I'd damage him if he tried.
He did it anyway.
I was suddenly airborne and then draped over his shoulder, which dug painfully under my ribs. "It's just faster this way," he said.
I shifted, cursing. "Put me down, you undead asshat."
"Just trying to save your ungrateful life," he shot back with grim cheer. I punched him right in the ass since I couldn't reach any other part of him.
”
”
Alyxandra Harvey (Blood Prophecy (Drake Chronicles, #6))
“
Hunter filled the opening in the privacy curtains. He wore green scrubs like the doctors and nurses who had scraped me off the pavement. For a split second I mistook him for an adorable doctor who looked a lot like Hunter. I knew it was Hunter when he gaped at me with a mixture of outrage and horror, his face pale, and demanded, “What did you do?”
“Crossed the street,” I said. “Badly.” Wincing, I eased up from the gurney, putting my weight on my hand and my good hip. Only a few minutes had passed since they had brought me in, ascertained I wasn’t dying, and dumped me here. I still felt very shaky from the shock of being hit. But I didn’t want to face Hunter lying down.
In two steps he bent over me and wrapped his arms around me. He was careful not to press on my hospital gown low against my back where the road rash was, but his touch on my shoulders radiated pain to the raw parts. I winced again.
“Oh, God. I’m sorry.” He let me go but hovered over me, placing his big hands on my shoulder blades. He was so close that the air felt hot between us. “What did you hurt?”
“This is just where I skidded across the road.” I gestured behind my back and then flinched at the sting in my skin as I moved my arm.
“How far down does it go?” My back felt cold as he lifted on flap of my paper gown and looked.
I kept my head down, my red cheeks hidden. He was peering at my back where my skin was missing. What could be sexier? Even if the circumstances had been happier, I was wearing no makeup and I was sure my hair was matted from my scarf. There was no reason for my blood to heat as if we were on a date instead of a gurney.
But my body did not listen to logic when it came to Hunter. He was no examining my wound. He was captivated by the sight of my lovely and unblemished bottom. I was a novelist. I could dream, couldn’t I?
Lightly I asked, “Are you asking whether I have gravel embedded in my ass? By the grace of God, no.”
Hunter let my gown go and stood up “The doc said the car hit your hip,” he insisted. “Is it broken?”
I rolled on my side to face him. “It really hurts,” I said. “If it were broken, I think it would hurt worse.”
He nodded. “When I broke my ribs, I couldn’t breathe.”
“That’s because your ribs punctured your lung.”
He pointed at me. “True.” Then he cocked his head to one side, blond hair falling into his eyes. “I’m surprised you remember that.
”
”
Jennifer Echols (Love Story)
“
He paused a little; then kneeling in the pulpit’s bows, folded his large brown hands across his chest, uplifted his closed eyes, and offered a prayer so deeply devout that he seemed kneeling and praying at the bottom of the sea. This ended, in prolonged solemn tones, like the continual tolling of a bell in a ship that is foundering at sea in a fog — in such tones he commenced reading the following hymn; but changing his manner towards the concluding stanzas, burst forth with a pealing exultation and joy — The ribs and terrors in the whale, Arched over me a dismal gloom, While all God’s sun-lit waves rolled by, And lift me deepening down to doom. I saw the opening maw of hell, With endless pains and sorrows there; Which none but they that feel can tell- Oh, I was plunging to despair. In black distress, I called my God, When I could scarce believe him mine, He bowed his ear to my complaints- No more the whale did me confine. With speed he flew to my relief, As on a radiant dolphin borne; Awful, yet bright, as lightning shone The face of my Deliverer God. My song for ever shall record That terrible, that joyful hour; I give the glory to my God, His all the mercy and the power.
”
”
Herman Melville (Moby Dick)
“
I Would Like to Describe
- 1924-1998
I would like to describe the simplest emotion
joy or sadness
but not as others do
reaching for shafts of rain or sun
I would like to describe a light
which is being born in me
but I know it does not resemble
any star
for it is not so bright
not so pure
and is uncertain
I would like to describe courage
without dragging behind me a dusty lion
and also anxiety
without shaking a glass full of water
to put it another way
I would give all metaphors
in return for one word
drawn out of my breast like a rib
for one word
contained within the boundaries
of my skin
but apparently this is not possible
and just to say - I love
I run around like mad
picking up handfuls of birds
and my tenderness
which after all is not made of water
asks the water for a face
and anger
different from fire
borrows from it
a loquacious tongue
so is blurred
so is blurred
in me
what white-haired gentlemen
separated once and for all
and said
this is the subject
and this is the object
we fall asleep
with one hand under our head
and with the other in a mound of planets
our feet abandon us
and taste the earth
with their tiny roots
which next morning
we tear out painfully
”
”
Zbigniew Herbert
“
Lilith’s story is the story of the first woman, our most ancient mother. Until a few years ago, this story was almost lost to us. Along with the ways of the ancient mothers, Lilith had been cast out of our memories. In the oldest of Old Testaments, Lilith was the first woman, created in her own right. Not from a rib of Adam. She knew the name of God and could choose her own path. When Adam tried to force her to lie under him for sex, she left the Garden of Eden. Next came Eve, more compliant yet still disobedient enough to listen to the serpent. Some say that it was Lilith who returned in the form of the serpent, offering Eve a choice: To live in the Garden of the Father God in ignorance of her true identity as a daughter of the Goddess, or to remember her birthright and find her way back. Eve chose to take a bite of the apple, and woman was cursed by the Father God for Eve’s disobedience. The curse condemned women to bear their children in pain and to live under their husband’s rule (the Father God claiming dominion over women’s business). As daughters of Eve, we are now faced with a choice: Do we continue to live under this ancient curse? Or do we call to Lilith and find out where She has been all this time?
”
”
Kaalii Cargill (Don't Take It Lying Down: Life According to the Goddess)
“
I don’t know why you’re doing this!”
“Well.” Halim busied himself putting away the salt and the herbs. “There’s the mystery, of course. But also…”
“Also?”
“I would like to save you.” He looked slightly embarrassed by the admission. “I have never been of much use to anyone, you see.”
“I’m not exactly a fair maiden to be saved by a questing knight,” she said. “It’s not as if I’m beautiful.”
“No,” said Halim. “I know I should say you are, because that would be chivalrous. But I’m not handsome, either, and I’m not rich, and men don’t feel the slightest urge to follow me into battle, and I already told you about the tourneys , so I’ve failed on most counts as a knight. It would be nice to do something and not fail at it. And you’re…um.” He shrugged. “Interesting. And sad.”
Toadling had been sad for a long time, but she was not used to being interesting. She had been nearly invisible for so long in her father’s house that it surprised her.
“Interesting,” she said. “Huh.”
“And you look a bit like my friend Faizan used to, when he’d done something wrong and was waiting for his mother to find out,” said Halim. “His mother was much fiercer than mine. But he always said the dread was the worst.”
The words slipped under her ribs like the blessed knife had not. Toadling’s breath came out in a short, pained huff.
He was not wrong. She had lived in dread for two hundred years.
He was going to climb the tower, and she could think of no way to stop him.
And inside, some tiny mad voice was saying, Perhaps it will be alright.
“Tomorrow,” she said shortly. “Bring the knife.
”
”
T. Kingfisher (Thornhedge)
“
Her hands slipped down to his chest, the firm surface covered with a light fleece of coarse golden hair. With his body still joined to hers, St. Vincent held still beneath her inquisitive fingers. She touched his lean sides, exploring the hard vaulting of his ribs and the satiny plane of his back. His blue eyes widened, and then he dropped his head to the pillow beside hers, growling as his body worked inside hers with a deep thrust, as he was helplessly shaken with new tremors of rapture.
His mouth fastened on hers with a primal greed. She opened her legs wider, pulled at his back to urge more of his weight on her, trying in spite of the pain to tug him deeper, harder. Braced on his elbows to keep from crushing her, he rested his head on her chest, his breath hot and light as it fanned over her nipple. The bristle of his cheek stung her skin a little, the sensation causing the tips of her breasts to contract. His sex was still buried inside her, though it had softened. He was silent but awake, his eyelashes a silky tickle against her skin.
Evie remained quiet as well, her arms encircling his head, her fingers playing in his beautiful hair. She felt the weight of his head shift, the wet heat of his mouth seeking her nipple. His lips fastened over it, and his tongue slowly traced the outer edge of the gathered aureole, around and around until he felt her stirring restlessly beneath him. Keeping the tender bud inside his mouth, he licked steadily, sweetly, while desire ignited her breasts and her stomach and loins, and the soreness dissolved in a fresh wave of need. Intently he moved to the other breast, nibbling, stroking, seeming to feed on her pleasure. He levered upward enough to allow his hand to slide between them, and his cunning fingers slid into the wet nest of hair, finding the tingling feminine crest and teasing skillfully. She felt herself sliding into another climax, her body clamping voluptuously on the hot flesh that was insinuated deep inside her.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Reagan Truman’s cell phone clamored in the darkness. It took several rings to find it.
“Hello,” she mumbled, hoping she didn’t wake her uncle in the next room.
“Rea, this is Noah.”
“It’s late, Noah.” She pulled she string on an old Tiffany-style lamp that was probably five times her age. Something was wrong; not even Noah called this late.
“I know, Rea. But I need to talk to you.”
She shoved her hair out of her face and tried to force sleep away. “All right, what’s up?”
“I’m in the hospital, Rea. I was hurt tonight in Memphis.”
“How bad?” she laughed nervously. She’d almost asked if he was still alive. There was a long pause on the line. “I don’t know. Bad. Broken arm, two ribs, but it’s my back that has me worried.” He didn’t speak for a moment. When he began again, he sounded more like a frightened boy than a man of twenty. “I’m hurt bad enough to maybe kick me off the circuit. When I hit the dirt, I was out cold. They said I kept yelling your name in the ambulance, but I don’t remember. All I remember is the pain.”
“Noah, what can I do? Do you want me to go over to your folk’s house? I think they’re in town. I could call your sister, Alex.”
“No, I don’t want them to worry. I know mom. She’ll freak out and dad will start lecturing me like I’m still a kid. I don’t want them to know anything until I know how serious it is. They’re still not telling me much yet.” He paused, and she knew he was fighting to keep his voice calm. “Rea, I got to face this before I ask them to. If it’s nothing, they don’t even need to know. If it’s crippling, I got to have a plan.”
She understood. Noah had always been their positive, sunny child. The McAllens had already lost one son eight years ago. She’d seen the panic in their eyes once when Noah had been admitted to the hospital after an accident. She understood why he’d want to save them pain.
“What can I do?”
He was silent for a moment, and then he said simply, “Come get me. No matter how bad it is, I want you near when I find out.
”
”
Jodi Thomas (The Comforts of Home (Harmony, #3))
“
A well-conditioned oarsman or oarswoman competing at the highest levels must be able to take in and consume as much as eight liters of oxygen per minute; an average male is capable of taking in roughly four to five liters at most. Pound for pound, Olympic oarsmen may take in and process as much oxygen as a thoroughbred racehorse. This extraordinary rate of oxygen intake is of only so much value, it should be noted. While 75–80 percent of the energy a rower produces in a two-thousand-meter race is aerobic energy fueled by oxygen, races always begin, and usually end, with hard sprints. These sprints require levels of energy production that far exceed the body’s capacity to produce aerobic energy, regardless of oxygen intake. Instead the body must immediately produce anaerobic energy. This, in turn, produces large quantities of lactic acid, and that acid rapidly builds up in the tissue of the muscles. The consequence is that the muscles often begin to scream in agony almost from the outset of a race and continue screaming until the very end. And it’s not only the muscles that scream. The skeletal system to which all those muscles are attached also undergoes tremendous strains and stresses. Without proper training and conditioning—and sometimes even with them—competitive rowers are apt to experience a wide variety of ills in the knees, hips, shoulders, elbows, ribs, neck, and above all the spine. These injuries and complaints range from blisters to severe tendonitis, bursitis, slipped vertebrae, rotator cuff dysfunction, and stress fractures, particularly fractures of the ribs. The common denominator in all these conditions—whether in the lungs, the muscles, or the bones—is overwhelming pain. And that is perhaps the first and most fundamental thing that all novice oarsmen must learn about competitive rowing in the upper echelons of the sport: that pain is part and parcel of the deal. It’s not a question of whether you will hurt, or of how much you will hurt; it’s a question of what you will do, and how well you will do it, while pain has her wanton way with you.
”
”
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
“
Dunyasha lunged. Inej stayed close, using every opportunity to keep inside the mercenary’s guard and deny her the advantage of her longer reach. She was stronger than she’d been when they’d faced each other on the wire, well rested, well fed. But she was still a girl trained on the streets, not in the towers of some Shu monastery. Inej’s first mistake was a slow recoil. She paid for it in a deep slash to her left bicep. It cut through the padding and made it hard to keep a good grip on the blade in her left hand. Her second error was putting too much force into an upward jab. She leaned in too far and felt Dunyasha’s knife skim her ribs. A shallow cut that time, but it had been a close thing. She ignored the pain and focused on her opponent, remembering what Kaz had told her. Find her tells. Everyone has them. But Dunyasha’s movements seemed unpredictable. She was equally comfortable with her left and right hands, she favored neither foot, and waited until the last moment to strike, giving no early indication of her intent. She was extraordinary. “Growing weary, Wraith?” Inej said nothing, conserving her energy. Though Dunyasha’s breathing seemed clear and even, Inej could feel herself dragging slightly. It wasn’t much, but it was enough to give the mercenary the advantage. Then she saw it—the slightest hitch of Dunyasha’s chest, followed by a lunge. A hitch, then another lunge. The tell was in her breathing. She took in a deep breath before an attack. There. Inej dodged left, struck quickly, a rapid jab of her blade to Dunyasha’s side. There. Inej attacked again, and blood flowered on Dunyasha’s arm. Inej drew back, waited as the girl advanced. The mercenary liked to hide her direct assaults with other movement, the whirl of her blades, an unnecessary flourish. It made her hard to read, but there. The quick burst of breath. Inej sank low and swept her left leg wide, knocking the mercenary off balance. This was her chance. Inej shot to her feet, using her upward momentum and Dunyasha’s descent to shove her blade under the leather guard protecting the girl’s sternum. Inej felt blood on her hand as she wrenched the knife free and Dunyasha released a shocked grunt. The girl stared at her now, clutching her chest with one hand. Her eyes narrowed. There was still no fear there, only a hard, bright resentment, as if Inej had ruined an important party. “The blood you spill is the blood of kings,” seethed Dunyasha. “You are not fit for such a gift.” Inej almost felt sorry for her. Dunyasha
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
The man was naked. He was all bones and ribs and snarling mouth. The front of him was caked in blood, a smear of charcoal black in the dim red glow of Palmer’s dive light. There was just a flash of this grisly image before the man crashed into Palmer, knocking him to the ground, desperate hands clenching around his throat. Palmer saw pops of bright light as his head hit the floor. He couldn’t breathe. He heard his own gurgles mix with the raspy hisses from the man on top of him. A madman. A thin, half-starved, and full-crazed madman. Palmer fought for a breath. His visor was knocked from his head. Letting go of the man’s wrists, he reached for his dive knife, but his leg was pinned, his boot too far away. He pawed behind himself and felt his visor, had some insane plan of getting it to his temples, getting his suit powered on, overloading the air around him, trying to shake the man off. But as his fingers closed on the hard plastic—and as the darkness squeezed in around his vision—he instead swung the visor at the snarling man’s face, a final act before the door to that king’s crypt sealed shut on him. A piercing shriek returned Palmer to his senses. Or it was the hands coming off his neck? The naked man howled and lunged again, but Palmer got a boot up, caught the man in the chest, kicked him. He scrambled backward while the man reeled. The other diver. Brock’s diver. Palmer turned and crawled on his hands and knees to get distance, got around a desk, moving as fast as he could, heart pounding. Two divers. There had been two divers. He waited for the man’s partner to jump onto his back, for the two men to beat him to death for his belly full of jangling coin— —when he bumped into the other diver. And saw by his dive light that he was no threat. And the bib of gore on the man chasing him was given sudden meaning. Palmer crawled away, sickened. He wondered how long the men had been down here, how long one had been eating the other. Hands fell onto his boots and yanked him, dragging him backward. A reedy voice yelled for him to be still. And then he felt a tug as his dive knife was pulled from its sheath, stolen. Palmer spun onto his back to defend himself. His own knife flashed above him traitorously, was brought down by those bone-thin arms, was meant to skewer him. There was a crunch against his belly. A painful blow. The air came out of Palmer. The blade was raised to strike him again, but there was no blood. His poor life had been saved by a fistful of coin. Palmer brought up his knee as the man struck again—and shin met forearm with a crack. A howl, and the knife was dropped. Palmer fumbled for it, his dive light throwing the world into pale reds and deep shadows. Hand on the hilt, his knife reclaimed, he slashed at the air, and the man fell back, hands up, shouting, “Please, please!” Palmer scooted away, keeping the knife in front of him. He was weak from fitful sleep and lack of food, but this poor creature before him seemed even weaker. Enraged and with the element of surprise, the man had nearly killed him, but it had been like fighting off a homeless dune-sleeper who had jumped him for some morsel of bread. Palmer dared to turn his dive light up so he could see the man better. “Sorry. I’m sorry,” the man said. “Thought you were a ghost.” The
”
”
Hugh Howey (Sand (The Sand Chronicles, #1))
“
What I have been doing lately from my WIP "In Hiding" is available on my website. *Strong language warning*
Wayne sat in the hygienic emergency room trying to ignore the bitch of a headache that began radiating at the back of his skull. His worn jeans, a blood-stained t-shirt, and his makeshift bandage sat on a nearby chair. The hysteria created by his appearance in the small hospital ward had died down. A local cop greeted him as soon as he was escorted to the examination room. The conversation was brief, once he revealed he was a bail enforcer the topic changed from investigation to shooting the bull. The experienced officer shook his hand before leaving then joked he hoped this would be their only encounter.
The ER doc was a woman about his age. Already the years of long hours, rotating shifts and the rarity of a personal life showed on her face. Her eyelids were pink-rimmed, her complexion sallow; all were earmarks of the effect of long-term exhaustion. Wayne knew it all too well as he rubbed his knuckle against his own grainy eyes. Despite this, she attended to him with an upbeat demeanor and even slid in some ribbing at his expense. He was defenseless, once the adrenaline dropped off Wayne felt drained. He accepted her volleys without a response. All he mustered was a smile and occasional nod as she stitched him up.
Across the room, his cell toned, after the brief display of the number a woman’s image filled the screen.
Under his breath, he mumbled, “Shit.”
He intends for his exclamation to remain ignored, having caught it the doctor glanced his direction with a smile. Without invitation, she retrieved his phone handing it to him without comment. Wayne noted the raised eyebrow she failed to hide. The phone toned again as he glanced at the flat image on the device. The woman’s likeness was smiling brightly, her blue eyes dancing. Just looking at her eased the pain in his head.
He swiped the screen and connected the call as the doctor finished taping his injury. Using his free uninjured arm, he held the phone away from him slightly, utilizing the speaker option.
“Hey Baby.”
“What the hell, Wayne!”
Her voice filled the small area, in his peripheral vision he saw the doc smirk. Turning his head, he addressed the caller.
“Babe, I was getting ready to call.” The excuse sounded lame, even to him.
“Why the hell do I have to hear about this secondhand?”
Wayne placed the phone to his chest, loudly he exclaimed; “F***!”
The ER doc touched his arm, “I will give you privacy.”
Wayne gave her a grateful nod. With a snatch, she grabbed the corner of the thin curtain suspended from the ceiling and pulled it close. Alone again, he refocused on the call. The woman on the other end had continued in her tirade without him. When he rejoined the call mid-rant, she was issuing him a heartfelt ass-chewing.
“...bullshit Wayne that I have to hear about this from my cousin. We’ve talked about this!”
“Honey...”
She interrupts him before he can explain himself. “So what the hell happened?”
Wisely he waited for silence to indicate it was his turn to speak.
“Lou, Honey first I am sorry. You know I never meant to upset you. I am alright; it is just a flesh wound.” As he speaks, a sharp pain radiates across his side. Gritting his teeth, Wayne vows to continue without having the radiating pain affect his voice. “I didn’t want you to worry Honey; you know calling Cooper first is just business.”
Silence.
The woman miles away grits her teeth as she angrily brushes away her tears. Seated at the simple dining table, she takes a napkin from the center and dabs at her eyes. Mentally she reminds herself of her promise that she was done crying over this man. She takes an unsteady breath as she returns her attention to the call.
“Lou, you still there?”
There is something in his voice, the tender desperation he allows only her to see. Furrowing her brow she closes her eyes, an errant tear coursed down her cheek.
”
”
Caroline Walken