Rhinoceros Play Quotes

We've searched our database for all the quotes and captions related to Rhinoceros Play. Here they are! All 17 of them:

Solitude seems to oppress me. And so does the company of other people.
Eugène Ionesco (Rhinoceros and Other Plays (Evergreen Original, E-259))
DAISY: I never knew you were such a realist-I thought you were more poetic. Where's your imagination? There are many sides to reality. Choose the one that's best for you. Escape into the world of imagination.
Eugène Ionesco (Rhinoceros and Other Plays)
What's chivalrous about saying you've seen a rhinoceros?
Eugène Ionesco (Rhinoceros, And Other Plays (Turtleback School & Library Binding Edition))
Another syllogism. All cats die. Socrates is dead. Therefore Socrates is a cat.
Eugène Ionesco (Rhinoceros and Other Plays (Evergreen Original, E-259))
It's not that I hate people. I'm just indifferent to them—or rather, they disgust me; and they'd better keep out of my way, or I'll run them down.
Eugène Ionesco (Rhinoceros and Other Plays (Evergreen Original, E-259))
I don't believe in seeing evil in everything. I leave that to the inquisitors.
Eugène Ionesco (Rhinoceros and Other Plays (Evergreen Original, E-259))
Do rhinoceroses cough?
Eugène Ionesco (Rhinoceros and Other Plays (Evergreen Original, E-259))
Good men make good rhinoceroses, unfortunately. It's
Eugène Ionesco (Rhinoceros and Other Plays (Evergreen Original, E-259))
The fact that I despise religion doesn't mean I don't esteem it highly.
Eugène Ionesco (Rhinoceros and Other Plays)
Until he was four years old, James Henry Trotter had a happy life. He lived peacefully with his mother and father in a beautiful house beside the sea. There were always plenty of other children for him to play with, and there was the sandy beach for him to run about on, and the ocean to paddle in. It was a perfect life for a small boy. Then, one day, James's mother and father went to London to do some shopping, and there a terrible thing happened. Both of them suddenly got eaten up (in full daylight, mind you, and on a crowded street) by an enormous angry rhinoceros which had escaped from the London Zoo.
Roald Dahl (James and the Giant Peach)
Lost Things" There are many ways to understand the word lost, my love. When you were born, the last Pyrenean ibex, a tawny female named Celia, had not yet lived to see the view from Torla overlooking Monte Perdido, but her great- grandsire stood on the cliffs of Ordesa, positioned on hoof-tips dainty as dimes, and he shook his impregnable skull, a coffer of brass and nobility crowned with bayonets, as though in defiance of all who dwelt in the highlands from Catalonia to Aquataine. Their kind is vanished now. Forever lost. Perdido. And when you dressed in a Girl Guide’s uniform of Persian blue on Tuesday nights, my love, in the long-lost basement of Grace United Church, to play indoor baseball and make believe that faerie magic could make you rich or important or happy, pods of baiji dolphins still swam in a river you’d never heard of and would not think about until years later, when together we would learn from the evening news that the baiji were lost, at last, from the Yangtze, and in their place there came a universal emptiness. There are many ways to understand the word lost, but it does not help to imagine a secret place where lost things go. When last I held you in my arms, my love, the West African black rhinoceros was still magnificent and still alive, but now the gentleness of your breath on my bare neck is as lost as the dusty, confident snort of that once breath-taking beast. Great strength is no protection, and neither is love. We are born, and our births are lost. We can’t go back to them. Each embrace ends with an ending. When we become, what we once thought we’d be is lost. We keep becoming.
Paul Vermeersch (The Reinvention of the Human Hand)
Simon laughs when I audibly exhale. “Relieved she’s not here yet?” I roll my suitcase into one of the barren bedrooms and then plunk down on the rock-hard, hideous orange sofa in the lounge. Simon takes a swivel chair from my room and slides it in front of me, where he then plants himself. “Why are you so worried?” I cross my arms and look around the concrete room. “I’m not worried at all. She’s probably very nice. I’m sure we’ll become soul mates, and she’ll braid my hair, and we’ll have pillow fights while scantily clad and fall into a deep lesbian love affair.” I squint my eyes at a cobweb and assume there are spider eggs preparing to hatch and invade the room. “Allison?” Simon waits until I look at him. “You can’t do that. You can’t become a lesbian.” “Why not?” “Because then everyone will say that your adoptive gay father magically made you gay, and it’ll be a big thing, and we’ll have to hear about nature versus nurture, and it’ll be soooooo boring.” “You have a point.” I wait for spider eggs to fall from the sky. “Then I’ll go with assuming she’s just a really sweet, normal person with whom I do not want to engage in sexual relations.” “Better,” he concedes. “I’m sure she’ll be nice. This kind of strong liberal arts college attracts quality students. There’re good people here.” He’s trying to reassure me, but it’s not working. “Totally,” I say. My fingers run across the nubby burned-orange fabric covering the couch, which is clearly composed of rock slabs. “Simon?” “Yes, Allison?” I sigh and take a few breaths while I play with the hideous couch threads. “She probably has horns.” He shrugged. “I think that’s unlikely.” Simon pauses. “Although . . .” “Although what?” I ask with horror. There’s a long silence that makes me nervous. Finally, he says very slowly, “She might have one horn.” I jerk my head and stare at him. Simon claps his hands together and tries to coax a smile out of me. “Like a unicorn! Ohmigod! Your roommate might be a unicorn!” “Or a rhinoceros,” I point out. “A beastly, murderous rhino.” “There is that,” he concedes. I sigh. “In good news, if I ever need a back scratcher, I have this entire couch.” I slump back against the rough fabric and hold out my hands before he can protest. “I know. I’m a beacon of positivity.” “That’s not news to me.
Jessica Park (180 Seconds)
[comes out of the bathroom] Brrr. [He trumpets again.] BERENGER: That's not what you believe fundamentally—I know you too well. You know as well as I do that mankind... JEAN: [interrupting him] Don't talk to me about mankind! BERENGER: I mean the human individual, humanism... JEAN: Humanism is all washed up! You're a ridiculous old sentimentalist. [He goes into the bathroom.] BERENGER: But you must admit that the mind... JEAN: [from the bathroom] Just clichés! You're talking rubbish! BERENGER: Rubbish! JEAN: [from the bathroom in a very hoarse voice, difficult to understand] Utter rubbish! BERENGER: I'm amazed to hear you say that, Jean,
Eugène Ionesco (Rhinoceros and Other Plays (Evergreen Original, E-259))
Rhinoceros The Leader The Future is in Eggs or It Takes all Sorts to Make a World
Eugène Ionesco (Rhinoceros and Other Plays (Evergreen Original, E-259))
But you'll never become a rhinoceros, really you won't ... you haven't got the vocation!
Eugène Ionesco (Rhinoceros and Other Plays (Evergreen Original, E-259))
All this seems marvelously futile, and yet, when you begin to think about it, it begins to be more marvelous than futile. Indeed, it seems extremely odd. It is a special kind of enlightenment to have this feeling that the usual, the way things normally are, is odd - uncanny and highly improbable. G. K. Chesterton once said that it is one thing to be amazed at a gorgon or a griffin, creatures which do not exist; but it is quite another and much higher thing to be amazed at a rhinoceros or a giraffe, creatures which do exist and look as if they don’t. This feeling of universal oddity includes a basic and intense wondering about the sense of things. Why, of all possible worlds, this colossal and apparently unnecessary multitude of galaxies in a mysteriously curved space-time continuum, these myriads of differing [...] species playing frantic games of one-upmanship, these numberless ways of “doing it” from the elegant architecture of the snow crystal or the diatom to the startling magnificence of the lyrebird or the peacock?
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
I'll take on the whole lot of them! I'll put up a fight against the lot of them, the whole lot of them! I'm the last man left, and I'm staying that way until the end. I'm not capitulating!
Eugène Ionesco (Rhinoceros and Other Plays)