Rhino Good Quotes

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Of course anyone who truly loves books buys more of them than he or she can hope to read in one fleeting lifetime. A good book, resting unopened in its slot on a shelf, full of majestic potentiality, is the most comforting sort of intellectual wallpaper.
David Quammen (The Boilerplate Rhino: Nature in the Eye of the Beholder)
All men fear death. It’s a natural fear that consumes us all. We fear death because we feel that we haven’t loved well enough or loved at all, which ultimately are one and the same. However, when you make love with a truly great woman, one that deserves the utmost respect in this world and one that makes you feel truly powerful, that fear of death completely disappears. Because when you are sharing your body and heart with a great woman the world fades away. You two are the only ones in the entire universe. You conquer what most lesser men have never conquered before, you have conquered a great woman’s heart, the most vulnerable thing she can offer to another. Death no longer lingers in the mind. Fear no longer clouds your heart. Only passion for living, and for loving, become your sole reality. This is no easy task for it takes insurmountable courage. But remember this, for that moment when you are making love with a woman of true greatness you will feel immortal. I believe that love that is true and real creates a respite from death. All cowardice comes from not loving or not loving well, which is the same thing. And when the man who is brave and true looks death squarely in the face like some rhino hunters I know or Belmonte, who is truly brave, it is because they love with sufficient passion to push death out of their minds. Until it returns, as it does to all men. And then you must make really good love again. Think about it.
Woody Allen
Being a good communicator Patch, begins with listening, and listening to yourself first.
Runa Heilung (CHARGE! The Patchwork Rhino)
Communicating is about asking good questions and engaging with each other.
Runa Heilung (CHARGE! The Patchwork Rhino)
This is what I decided: Chloe is gone. She is never coming back. And the way I've been acting would hurt her. For at least an hour, I switch places with her in my mind-I am dead and Chloe is alive. How would she handle it? She would cry. She would be sad. She would miss me. But she wouldn't stop living. She would let people comfort her. She would sleep in her own room and smile at the memories as she drifted to sleep. And she would probably punch Galen Forza. Which brings me to what else I decided: Galen Forza is a jerk. The details are hazy, but I'm pretty sure he had something to do with my accident on Monday. Also, he's a bit weird. Staring habit aside, he keeps popping up everywhere. Every time he does, I handle it with the grace of a rhino on stilts. So I'm switching my schedule as soon as I get to school. There is no good reason I should humiliate myself for seven periods a day.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
What I like to see is when actors use their celebrity in an interesting way. Some of them have charitable foundations, they do things like try to bring attention to the plight of women and girls in Afghanistan, or they're trying to save the White African Rhino, or they discover a passion for adult literacy, or what have you. All worthy causes, of course, and I knowtheir fame helps to get the word put. But let's be honest here.None of them went into the entertainment industry because they wanted to do good in the world. Speaking for myself, I didn't even think about until I was already successful. Before they were famous, my actor friends were just going to auditions and struggling to be noticed, taking any work they could find, acting for free in friends movies, working in restaurants or as caterers, just trying to get by. They acted because they loved acting, but also, let's be honest here, to be noticed. All they wantedf was to be seen. I've been thinking lately about immortality. What it means to be remembered, what I want to be remembered for, certainquestions concerning memory and fame. I love watching old movies. I watch the faces of long-dead actors on the screen, and I think about how they'll never truly die. I know that's a cliche but it happens to be true. Not just the famous ones who everyone knows, but the bit players, the maid carrying the tray, the butler, the cowboys in the bar, the third girl from the left in the night-club. They're all immortal to me. First we only want to be seen, but once we're seen, that's not enough anymore. Afterthat, we want to be remembered.
Emily St. John Mandel (Station Eleven)
Frankie turned back and forth in front of the three-way mirror. "I have absolutely no ass whatsoever." A few feet away,a woman whose designer velour fit her like a sausage casing, gave an amused snort. "Honey," she said over a display of two-hundred-dollar T-shirts. "I have been waiting forty years to say those words." Frankie padded toward her in his socks and Alexander McQuenn pants.He thrust his hands into the pockets, pulling the fabric tighter, and presented her with his outthrust bottom. "Honestly. This is what you want?" She lasted about five seconds before grinning-and sighing at the same time. "No,I guess not." He turned around, leaned in, and informed her conspiratorially, "There is not a T-shirt on earth worth that much." She looked down at the plain blue cotton in her hands. "You are so right." She put it back. "And with that face, sweetie, you could have the ass of a rhino and no one would notice.I'm just saying." "What does she know?" he muttered when she'd gone. "What good has this face done me?" Apparently, Connor hadn't been quite as available as he'd let on. Apparently, along with dancing, juggling was one of his talents. "You couldn't have known," Sadie said gently. "Oh,yes,I could.I mean, he's a guy,isn't he?" There's not much you can say to a boy when he makes a statement like that. So we just scooted in until we were up against Frankie's thin shoulders, bookending him.
Melissa Jensen (The Fine Art of Truth or Dare)
Simon laughs when I audibly exhale. “Relieved she’s not here yet?” I roll my suitcase into one of the barren bedrooms and then plunk down on the rock-hard, hideous orange sofa in the lounge. Simon takes a swivel chair from my room and slides it in front of me, where he then plants himself. “Why are you so worried?” I cross my arms and look around the concrete room. “I’m not worried at all. She’s probably very nice. I’m sure we’ll become soul mates, and she’ll braid my hair, and we’ll have pillow fights while scantily clad and fall into a deep lesbian love affair.” I squint my eyes at a cobweb and assume there are spider eggs preparing to hatch and invade the room. “Allison?” Simon waits until I look at him. “You can’t do that. You can’t become a lesbian.” “Why not?” “Because then everyone will say that your adoptive gay father magically made you gay, and it’ll be a big thing, and we’ll have to hear about nature versus nurture, and it’ll be soooooo boring.” “You have a point.” I wait for spider eggs to fall from the sky. “Then I’ll go with assuming she’s just a really sweet, normal person with whom I do not want to engage in sexual relations.” “Better,” he concedes. “I’m sure she’ll be nice. This kind of strong liberal arts college attracts quality students. There’re good people here.” He’s trying to reassure me, but it’s not working. “Totally,” I say. My fingers run across the nubby burned-orange fabric covering the couch, which is clearly composed of rock slabs. “Simon?” “Yes, Allison?” I sigh and take a few breaths while I play with the hideous couch threads. “She probably has horns.” He shrugged. “I think that’s unlikely.” Simon pauses. “Although . . .” “Although what?” I ask with horror. There’s a long silence that makes me nervous. Finally, he says very slowly, “She might have one horn.” I jerk my head and stare at him. Simon claps his hands together and tries to coax a smile out of me. “Like a unicorn! Ohmigod! Your roommate might be a unicorn!” “Or a rhinoceros,” I point out. “A beastly, murderous rhino.” “There is that,” he concedes. I sigh. “In good news, if I ever need a back scratcher, I have this entire couch.” I slump back against the rough fabric and hold out my hands before he can protest. “I know. I’m a beacon of positivity.” “That’s not news to me.
Jessica Park (180 Seconds)
Maybe a map is a good thing / On those days I feel / Like I’m riding a rhino up a mountain.
Susan Browne (Zephyr)
Six feet thundered down the hall and stomped into my room. Six eyes looked at me bawling. Three hands flew through the air pointing fingers and three mouths screamed at the top of their lungs, “Mommmmmmm! Mommyyyyy! Mama!” “He hit me.” “He started it.” “Ow. Ow.” The intensity of the screams and the bickering was just too much to bear for my still half-asleep mind. I so had no desire to deal with this situation. I just had the desire to scream, “GO AWAY! BE QUIET! PLEASE!” But before I could do that, without even knowing what I was doing, I turned, put my head into my hanging clothes, and just let out a good, ol’-fashioned yell. “Arghhhhhhhhhhhhh!” I bellowed.
Sheila McCraith (Yell Less, Love More: How the Orange Rhino Mom Stopped Yelling at Her Kids - and How You Can Too!)
scripting language is a programming language that provides you with the ability to write scripts that are evaluated (or interpreted) by a runtime environment called a script engine (or an interpreter). A script is a sequence of characters that is written using the syntax of a scripting language and used as the source for a program executed by an interpreter. The interpreter parses the scripts, produces intermediate code, which is an internal representation of the program, and executes the intermediate code. The interpreter stores the variables used in a script in data structures called symbol tables. Typically, unlike in a compiled programming language, the source code (called a script) in a scripting language is not compiled but is interpreted at runtime. However, scripts written in some scripting languages may be compiled into Java bytecode that can be run by the JVM. Java 6 added scripting support to the Java platform that lets a Java application execute scripts written in scripting languages such as Rhino JavaScript, Groovy, Jython, JRuby, Nashorn JavaScript, and so on. Two-way communication is supported. It also lets scripts access Java objects created by the host application. The Java runtime and a scripting language runtime can communicate and make use of each other’s features. Support for scripting languages in Java comes through the Java Scripting API. All classes and interfaces in the Java Scripting API are in the javax.script package. Using a scripting language in a Java application provides several advantages: Most scripting languages are dynamically typed, which makes it simpler to write programs. They provide a quicker way to develop and test small applications. Customization by end users is possible. A scripting language may provide domain-specific features that are not available in Java. Scripting languages have some disadvantages as well. For example, dynamic typing is good to write simpler code; however, it turns into a disadvantage when a type is interpreted incorrectly and you have to spend a lot of time debugging it. Scripting support in Java lets you take advantage of both worlds: it allows you to use the Java programming language for developing statically typed, scalable, and high-performance parts of the application and use a scripting language that fits the domain-specific needs for other parts. I will use the term script engine frequently in this book. A script engine is a software component that executes programs written in a particular scripting language. Typically, but not necessarily, a script engine is an implementation of an interpreter for a scripting language. Interpreters for several scripting languages have been implemented in Java. They expose programming interfaces so a Java program may interact with them.
Kishori Sharan (Scripting in Java: Integrating with Groovy and JavaScript)
so; I love helping others. I just don’t love being helped. For some reason it makes me feel embarrassed, nervous, and weak. I worry that I will be judged as a “not good enough mom” if I can’t do it all on my own when so many others seem to be doing it so gracefully. I worry that people will think, “Why did she have so many kids if she can’t do it on her own?” or “Why does she accept help when she is too busy to give back as much? That’s so selfish of her.” I couldn’t do it all, but what I could do was swallow my pride and realize that asking for help wasn’t a sign of weakness, but a sign of strength.
Sheila McCraith (Yell Less, Love More: How the Orange Rhino Mom Stopped Yelling at Her Kids - and How You Can Too!)
Even everything on a rhino can be used by the man living in the bush. THe hide makes fine table tops, the legs - baskets, the hair on the tail - fine bracelets, the teeth - good carvings, and if you grind up the horn and eat it, you can have children even if you are ninety years old. The flesh is delicious, if aged properly.
George Leonard Herter (How to Get out of the Rat Race and Live on $10 a Month)
Charles sold these and several other items before moving onto the next lot. "Next up is a figurine of a rhino in amber-coloured glass, maker unknown but definitely of the art deco period. Where is it? Oh it's up here. I'll pass it down to you Angela, my dear. That's right, let me give you the horn." Laughter ran through the crowd but Charles didn't understand why. He did his best to carry on but the mood of the audience had turned playful. "Lot forty-seven is a beautiful pair of French, silver and cut-glass claret jugs." Angela held them up carefully. "These really are exquisite and well worth a good look," Charles continued, "Now, can everyone see Angela's jugs?" The crowd laughed out loud again. Angela stood there, feeling her face turning red with embarrassment.
Stuart Bone (Long Shadows)
Watching Eduardo and Mahon spar was like watching two rhinos trying to wrestle. They smashed against each other and then puffed and strained for ten minutes without moving an inch. Finally, red-faced, they broke apart and shook. “Thank you,” Eduardo said. “Good match,” Mahon said.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Coming home in May, I hit the ground running. I couldn’t feel anything if I kept busy, so I became the most task-oriented person in town. The garden I planted at Samuel’s was overflowing with blooms. Gus’s class snacks were lavish Pinterest-worthy creations. My garden was incredibly tidy. All the little sprouts of weeds were targets for my suppressed emotions. Kill kill kill. I worried Jeffrey. I knew I was a shell of myself. I knew that he could see it. So I avoided him. He found me down in the garden one day. I had collected a heap of rocks that were left over from a landscaping project. Pulling them out, one by one from the back of the Rhino, I was laying a path through our large vegetable garden that would allow me easier access to our snap peas, beans, tomatoes, and cucumbers at the back of the garden. I’d pinched my hand between two large stones and blood caked my knuckles. “Talk to me," he said, hands shoved deep down in his pockets. “What are you talking about? I’m fine." I was angry. I’d wanted to talk months before. I’d wanted him to hold me in bed while I cried. I’d wanted him to not have been so difficult about getting pregnant in the first place. I’d wanted him not to disappear to go chop wood and then get resentful that I was doing the exact same thing. What’s good for the goose, right? I’d wanted him to know I was angry and then apologize. And these mantras of anger had been running around in my head for months. But then — “I’m sorry," he said. Jeffrey had finally seen me. We talked about our grief. We talked about how we both left like failures. We talked about how lonely we were. Suddenly, standing there with his hands in his pockets, Jeffrey was a different person. He was incredibly vulnerable. He talked to me about how much he valued me and that this was him home and that was worth any fight. And as we talked, he started helping me. He stood and went to get a whole bunch of rocks, laying pathways through the garden for me. Each path was a manifestation of what he was saying. We worked on this garden together.
Hilarie Burton Morgan (The Rural Diaries: Love, Livestock, and Big Life Lessons Down on Mischief Farm)
It was like being chased by a rhinoceros. Except that rhinos are generally good-natured.
Stuart Gibbs (Tyrannosaurus Wrecks (FunJungle, #6))
He stopped, puffing slightly. He studied the shop window for a few seconds, as if he was thinking. Then he faced me. ‘You’re right. Okay? You’re right.’ I stared at him. ‘The Shamrock and Clover. It’s a horrible place. And I know I’ve not been the greatest to work for. But all I can tell you is that, for every miserable directive I give you, my nuts are being squeezed ten times harder by Head Office. My wife hates me because I’m never home. The suppliers hate me because I have to cut their margins every single week because of pressure from shareholders. My regional manager says I’m underperforming on units shifted and if I don’t pull it out of the bag I’m going to get sent to the North Wales Passenger Ferry branch. At which point my wife will actually leave me. And I won’t blame her. ‘I hate managing people. I have the social skills of a lamppost, which is why I can’t hang on to anyone. Vera only stays because she has the skin of a rhino and I suspect she’s secretly after my job. So there – I’m sorry. I’d actually quite like to give you your job back because, whatever I said earlier, you were pretty good. Customers liked you.
Jojo Moyes (After You (Me Before You, #2))
The creatures were each the size of a small rhino, with a black hide adorned with yellow stripes and two slim horns at the tip of their nose that ran straight up, a good ten feet.
Morgan Rice (Rise of the Valiant (Kings and Sorcerers, #2))
One of the books that has had the most influence on me is a little manual called Rhinoceros Success by Scott Alexander. I know, it’s a weird title, but give it a read. I read it first when I was 12 years old and I still read it once a year to this day. It teaches you in life to be like a rhino - to have a single purpose, to charge at obstacles and goals with total commitment and to develop a thick skin to deal with the slings and arrows that try to slow you down. Still to this day, Shara loves to buy me things for my birthday with a rhino on. Lampshades, slippers, cushions, door knobs…you name it. In fact, it’s become a bit of a family joke to get me the most obscure rhino trinket they can find. But it means that at home wherever I look I am reminded of the simple (and fun!) truths of the book. They are all daily reminders to me to be a rhino in life. So find a way, whatever way works for you, of making motivation part of your daily life. Write notes to yourself on your bathroom mirror, keep a book that inspires you next to the loo, and feed your mind with the good whenever you can. If you do this every day, it’ll soon become a habit. A good habit. One that empowers you every day to climb high, aim big, and have fun along the way.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
part of a crash of rhinos, or a stubbornness of rhinos. “Phew,” my mom says when she hears the good lymph node news. “I couldn’t bear checking out of this life without knowing you were going to be okay.” A gaze of raccoons. A rhumba of rattlesnakes. A float of crocodiles. A rafter of turkeys. A business of ferrets. An exaltation of skylarks.
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
Of course anyone who truly loves books buys more of them than he or she can hope to read in one fleeting lifetime. A good book, resting unopened in its slot on a shelf, full of majestic potentiality, is the most comforting sort of intellectual wallpaper.
David Quammen (The Boilerplate Rhino: Nature in the Eye of the Beholder)